The Unbearable Whiteness of White Proximity Fuses, Part I

03 Saturday Jul 2021

Posted by decollins1969 in 1, Boy @ The Window, earth, wind & fire, Eclectic, eclectic music, Marriage, Mount Vernon New York, Politics, Pop Culture, race, Youth

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Coping Strategies, Cross-Racial Adoptions, Crush #1, Eclecticisms, Exoticism, Parenting, Racism, Rebecca Carroll, Wendy, White Proximity

A field of allegedly civilian-friendly land mines (cropped), September 14, 2018. (https://www.popularmechanics.com/military/weapons/a25064634/better-land-mine-us-army-gator/; Andrew Renneisen, Getty Images)

I just finished reading Rebecca Carroll’s diary-esque gem of a memoir, Surviving the White Gaze. It is 313 pages of fearlessness in presenting people as they are, and not as one would like them to be, especially when it comes to parents and parent figures. Like with so many books I’ve read in the past six years, I laughed, I cried, I got angry at Carroll, I got angry for her as well. If you want to learn all the ways not to parent an adopted Black/biracial child in lily-white New Hampshire during Generation X’s growing-up years, then Surviving the White Gaze is definitely for you.

As someone born at the end of 1969, the fact that Carroll is only seven months older than me immediately stood out. And because I often think through time in music, her occasional name-dropping made me think of the eclectic music I grew up around. A Steely Dan reference here, a David Bowie reference there for her. But because of her almost hermetically-sealed experience in everyday proximity to White folk, there weren’t any references to Alice Coltrane or Al Green, Earth, Wind & Fire or Marvin Gaye or Aretha Franklin. My three years of fractured relations to pop culture as a result of the Hebrew-Israelite years (abuse aside) have nothing on Carroll’s growing-up years in endless, toxic whiteness, musically and otherwise.

Still, there are layers to Carroll’s life and book that I do understand because of my own proximity to whiteness growing up, and my proximity to two people who may and may not have benefited from such proximity. One was Wendy, my first true crush, my first real and unrequited love. I commented on this in Boy @ The Window, partly because Wendy brought it up during my interviews with her over two days in 2006, and partly because I observed this behavior first hand over our years in middle school and high school.

A couple of crazy rumors emerged. None of which I could believe in their entirety. One was that she was part White and Black – or ‘mixed’ or ‘Oreo’ as the rumors about Wendy’s background were worded – especially from ___. It was based mostly on sightings of her eventual stepfather, who was White. I thought it was part of the reason some of my affluent White classmates found Wendy interesting. There were times I thought Wendy took advantage of the assumptions made about her at the same time. She was invited to their homes, occasional parties, and was a part of a circle that I called ‘the Benetton Group,’ the true cool of Humanities…

I do not think that either Wendy or Carroll were completely conscious of their desire to take advantage of the exoticism that their white classmates ascribed to them. I think that every child has a desire to be liked, and if the reason is embedded in lighter skin, or othering, or proximity to whiteness, then so be it. Even if there’s a great price to pay in one’s understanding of their identity (or lack thereof), especially later on in life.

Carroll is extremely clear about how fractured her mirror became as she transitioned from child to teenager to young woman, courtesy of her biological white mother Tess. The kindest way to describe Tess is that she’s a piece of work. Really, I can think of few parents more emotionally and psychologically abusive than Carroll’s biological mother. It’s not like I don’t speak from the experience of having a mom hell-bent to make me and my siblings hypermasculine foot-soldiers for an anti-queer patriarchy and misogyny. Having an alcoholic father and a stepfather that beat me up a few times? I’d still take that over Carroll’s bio-mom Tess, who only saw Carroll as a sexual being or a potential one, at 10 years old, because that’s how Carroll’s bio-mom saw Black men and Latinx men, possibly even Carroll’s half siblings, too.

Carroll’s adoptive parents weren’t much better, taking a “you’ll figure it out” approach to parenting that fell below the already low bar of GenXers being “latch-key kids” as a result of parents adulting their children at ages 6, 7, 8, and 9. None of them protected Carroll from sexual abuse, or prepared her to understand her Blackness. As Carroll wrote, they tried to “erase” her Blackness. I’d go a step further, though. The three of them attempted to make Carroll raceless, white without being white, an exotic extension of their white-bred lives.

Songs in the Key of Life at 40

18 Friday Nov 2016

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, music, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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"As", "I Wish", "Love's in Need of Love Today", "Sir Duke", Black Genius, Blackness, Elaine, Growing Up, Love, Pitt, Prescience, Songs in the Key of Life (1976), Stevie Wonder, Uplift, Wendy

Stevie Wonder’s Songs in the Key of Life LP/CD cover and sleeve, 1976, 1999. (http://genius.com).

In all the nuclear meltdowns in the last weeks of Election ’16 and in the asteroid impact of Donald Trump becoming the 45th president of the United States, I almost completely forgot about one of the modern era’s greatest milestones. At the end of September, Stevie Wonder’s Songs in the Key of Life double-album turned forty years old!

My wife swears that this was Stevie Wonder’s last great production of genius, that virtually all the music he’s done since has either been merely “that’s nice” or complete schlock. But compared to Songs In The Key Of Life, at least 75 percent of the music produced since 1500 CE would be schlock! I mean, between “I Wish,” “Sir Duke,” “Love’s in Need of Love Today,” “Have a Talk with God,” “Village Ghetto Land,” and my all-time favorite, “As,” who could ask for anything more out of an album or an artist?

My fandom for Songs in the Key of Life has occurred over several stages since its release on September 28, 1976. I was nearly seven when the double-album dropped, and my life couldn’t have been messier. Between my Mom and my father Jimme’s rocky and violent divorce process, my own coping with sexual assault, and my Mom getting kidney sick and ending up at Mount Vernon Hospital as a patient for three months. Add to this having babysitters as primary caregivers during that time, and a second-grade teacher who wasn’t exactly sympathetic to Black kids who couldn’t settle down. It was a rough time, maybe even rougher than my Hebrew-Israelite years.

But songs from the double-LP were there, either thanks to WBLS-107.5 FM, or to people blasting songs off 8-tracks and cassette decks out of their cars in South Side Mount Vernon. Or, in the case of hanging out with my dad, because of his drinking buddies playing Stevie Wonder’s songs over and over again. For those first few years, “I Wish” and “Sir Duke” were my favorite songs from Songs in the Key of Life. That was probably because they were the only songs from the set I’d heard in full prior to 1982.

Then, with the Wendy crush/puppy love/mini-love of the spring and summer of ’82, one of the songs my mind conjured up was “As.” The song’s more than seven minutes long, and I barely knew the words “until the rainbow burns the stars out in the sky,” much less the entirety of the poetry of that song, much less its full meaning. But my heart knew how that song made me feel, and for matter, how Wendy made me feel, at least for a time. Once my stepfather Maurice began beating on me, my Mom lost her job, and we slipped into welfare poverty, though, Stevie Wonder’s greatest works slipped from my mind.

Nine years later, and it was my friend Elaine who reintroduced me to Songs in the Key of Life. It was during the spring and summer of ’91, when I both liked and loathed Elaine at the same time. It was also the summer before graduate school at the University of Pittsburgh, and it was like my mind and heart knew I needed to feed myself more than Phil Collins, Anita Baker, PE, and Salt ‘n Pepa. I borrowed Elaine’s set of cassette recordings from the genius’ 2-LP set, and spent parts of April, May, and June walking the 3.4 miles between my place in S’Liberty and my job at Western Psychiatric in Oakland listening to Stevie Wonder. I played Songs in the Key of Life straight through a half-dozen times. But of all the songs, “Love’s in Need of Love Today” and “Have a Talk with God” became two of my favorites. After the potential for a more serious relationship with Elaine faded, I gave her back her cassettes in August.

It would be another fifteen years before I finally got Songs in the Key of Life on CD. It was 2006, and I’d finally gotten me and my wife into the iPod era. Between that and my work on my memoir Boy @ The Window, I wanted to explore what made me me musically over the years. In remembering my Wendy-love days, I literally had to go through every song on Songs in the Key of Life again before I remembered “As” in full. I was shocked that after thirty years and so many other Stevie Wonder songs, that it had remained a melody in my heart and mind. It was in the summer of ’06 that “As” became my favorite song off this all-time great album(s).

Given what had occurred in the US over the past decade, and what has been happening to people of color in the US for as long as I’ve been alive, Stevie Wonder’s music from Songs in the Key of Life is always relevant, always uplifting, always life-affirming. Trust me, with Trump’s ascendancy to the White House, “the force of evil plans” will try “to make you its possession.” And yes, I did think “that love would be in need of love today,” because it wasn’t as if “hate” wasn’t going around “breaking hearts” and bodies during the Obama years.

But I’ll close with this, perhaps the most important stanza from “As.” This, to remind myself and all of you America’s may be in more trouble than ever before, but know that trouble has been with America longer than we’ve had the privilege of Stevie Wonder’s Songs in the Key of Life as genius. Thanks to Wendy, Elaine, my former Mount Vernon neighbors, and unknown New Yorkers, for playing these songs for me over the years, whether they meant to or not.

We all know sometimes life’s hates and troubles
Can make you wish you were born in another time and space
But you can bet you life times that and twice its double
That God knew exactly where he wanted you to be placed
So make sure when you say you’re in it but not of it
You’re not helping to make this earth a place sometimes called Hell
Change your words into truths and then change that truth into love
And maybe our children’s grandchildren
And their great-great grandchildren will tell
I’ll be loving you

No Time For Jealousy

30 Friday Sep 2016

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Politics, Pop Culture, race, University of Pittsburgh, Youth

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616, 616 East Lincoln Avenue, Class, Coveting, Envy, Erika, General Foods, Humanities, JD, Jealousy, Love Canal, Mother-Son Relationship, Mount Vernon Hospital, MVHS, Smorgasbord, Target, Wendy

Envy, June 2009. (http://psychologytoday.com).

There are some emotions and human actions in which I don’t allow myself to partake. I usually don’t follow the herd. I don’t get caught up in what’s popular at the moment, no matter how many cool people in my life are riding the wave. I don’t build someone up in order to tear them down. And I don’t allow myself more than a flash of envy or jealousy.

Sometimes, these choices are rather easy, like with me having never watched an episode of Scandal or Empire. Sometimes, the choice to not virtually excoriate someone is difficult, given the narcissisms and moralisms that make up American culture. Sometimes, my path less traveled is one that has become easier over time. With jealousy, I’ve learned over the past thirty-five years that it’s a waste of time, neurons, and quantum energy to peer into the lives of those allegedly better off.

But this was hardly an easy process. I had so many reasons to be jealous when I was a preteen and teenager. My middle school and high school Humanities years were ones of constant, albeit momentary, jealousy. I was envious of classmates whose parents made more in a month than my Mom made working all year at Mount Vernon Hospital. I felt envy whenever I saw a classmate chow down on a smorgasbord of a lunch every day, especially on all the days I couldn’t eat because I either didn’t have the money to buy lunch or because the Hebrew-Israelite no-pork rule prevented me from eating the Friday grilled ham and cheese sandwich. Jealousy would come along when I’d see the mini-cliques of former Grimes and Pennington Elementary classmates getting along like the best of friends. Or, when my classmates would come to school wearing the latest and best of ’80s fashion while I walked around in sneakers with holes in the bottoms.

Smorgasbord, from breakfast to dinner, September 2010. (http://web2printexperts.com).

These first bouts with jealousy quickly turned inward toward my own insecurities and inadequacies, and outward toward my parents’ inability to do anything to make my life better materially. For years after the shock of preteen and early adolescent jealousy, I never saw myself as worthy of my classmates, not even worthy enough to befriend someone whose life, though maybe materially blessed, might have been unstable in other areas.

My first realization of seeing myself as being jealous, though, was toward the end of tenth grade at Mount Vernon High School. That’s when my secret first love Wendy and the contrarian one JD had begun to date. I didn’t feel this sense of love or weird emotional trepidation regarding Wendy by the time we were in tenth grade, though. I sensed as early as seventh grade this particular eventuality. No, I was more jealous of the reality that Wendy and JD could connect with each other in a way that I knew for me was beyond my reach. I didn’t really have any friends, so dating would’ve been like building a bridge over the Pacific Ocean by comparison.

But I learned something as well. Because theirs was an interracial relationship, I got a first-row seat to the stares, the whispers, and the occasional ignorant-ass comments from the other high schoolers about them dating. Seeing that, hearing that, made me aware of the fact that jealousy is a dangerous emotion, and give the life of deficits I had to make up, I didn’t have time or gray matter to waste in the matter of woe-is-me-as-outsider in 1985 or in the foreseeable future.

Public Enemy logo (note the crosshairs target), September 30, 2016. (http://twitter.com).

A year later, when I sensed on some level that some of my classmates were actually jealous of me, I balked at the idea. I thought, “I have nothing that anyone should be jealous of.” To me, this was literally true. With some of the cool kids literally laughing at me as I walked by them in the hallways, I couldn’t foresee a situation in which anyone would ever be jealous of me.

And yet I was wrong. My academic success, my fierce insistence to fight isolation by making myself independent of fads, trends, and conventional wisdom, had already made me a target of other’s envy. It wasn’t until the summer after I graduated when a co-worker at my General Foods job, one who was one year behind me at Mount Vernon High School, cut through the psychology for me. Erika cleared up so many things for me about the nature of friendships, relationships, and jealousy. I owe her big time for that, then and now.

Love Canal, suburban community turned EPA Superfund site, circa 1980. (http://buffalonews.com).

Nearly thirty years later, and I am still surprised when I discover that someone is jealous of me. Really, I am. I guess it’s because I operate by the moment-of-envy rule. Meaning that I allow myself to feel jealous, but only for a moment, and remind myself of my own path, my own destination, and the work I must do to get there. After all, I don’t really want someone’s else job, promotion, salary, status, car, or house. That’s their life, and only God truly knows if their life would be one I’d want to have. And then I move on, knowing that the green grass on the other side of the tracks can often obscure the Love Canal underneath. I move on, because there’s always more work to do, for me, my wife, and my son. I move on, because after all these years, that’s all I know how to do.

On Kicking My Damsel-in-Distress Syndrome

07 Saturday Mar 2015

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, My Father, Pittsburgh, Politics, Pop Culture, Religion, Youth

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"Ballerina Wendy", Atlas, Burdens, Child Abuse, Chivalry, Crush #1, Damsel-in-Distress, Damsel-in-Distress Syndrome, Domestic Violence, Father-Son Relationship, Feminism, Love, Misogyny, Misty Copeland, Mother-Son Relationship, Pitt, Resentment, Sexism, Wendy, Womanism

Chivalry with a suit blazer, March 7, 2015. (http://genius.com)/

This week marked thirty-three years since the fight that led to a crush that led to me falling in love for the first time, via a ballerina in training. The three-month period between March and June ’82 shaped how I dealt with teenage girls and women between the time I turned twelve and my mid-thirties. The crush on “Ballerina Wendy” and its mutation because of my stepfather’s knocking out of my Mom in front of me helped shaped my feminism, my womanism and my sexist damsel-in-distress syndrome.

Wonder Woman, October 30, 2012. (http://tvequals.com).

It was the beginning of my damsel-in-distress syndrome. Though it was triggered by the Memorial Day incident, my damsel-in-distress syndrome had been latent for years. I was in fact a mama’s boy, tempered by living at 616 and in Mount Vernon. I’d always been enamored by strong, athletic women (or at least, actresses with that role), going back to Lynda Carter as Wonder Woman. Yet I’d also been surrounded by sexism and misogyny, from my father calling my Mom a “Black bit'” since I was four to my stepfather’s constant quoting of the Torah to justify his laying of violent hands and feet on my Mom.

What I did in response was to help my Mom in every way I could, and in ways I never should’ve. Calling up Con Ed and Ma Bell to pay the electric and telephone bills. Listening to years of conversations about her failed marriages, about my father’s alcoholic failings, about her bills, about the burdens we as her children had put on her. Washing clothes for the house every weekend from October ’82 through August ’87 and anytime I was home for the summer and for the holidays once I went off to college. Going to the store as many as five times in a single afternoon and evening because my Mom forgot that she needed diapers or cigarettes. Hunting my father down for money even on weekends I didn’t want to be bothered because we were out of food for my younger siblings. Taking a fist-filled beating here or there from my stepfather to take the pressure off of my Mom. Promising my Mom that after I finished my degree, I’d come back to New York to work and help her out financially.

Atlas supports the terrestrial globe on a building in Collins Street, Melbourne, Australia, October 9, 2006. (Biatch via Wikipedia). Released to the public domain.

On that last promise especially, I reneged. I changed my major from computer science to history, and decided to stay at Pitt, to go to graduate school, to earn a PhD, to start writing, both in the academic world and a bit as a freelancer, to teach for a living. It was the basis, I think, for her falling out with me in ’97, and why our relationship remains limited.

My Mom was hardly the only woman in my life in which I wanted to assist. Some of my Pitt friends can certainly attest to this fact, that sometimes I was there to help too often. To the point where once I realized I was overburdened or when that other person had become too reliant on me, it pretty much killed that friendship. Either way, I was angry, and sometimes felt used, while some of my Pitt friends were either confused or angry themselves.

I’ve had to learn over the years to say no, even to my wife, when I realized that one too many logs on the fire will actually put that fire out. It started with everything high-tech. Every computer glitch, every printer error, every Internet issue, and I was there like Clark Kent, ready to help. But by the time I hit thirty-five, I was just too tired and felt too burdened to be that on all the time. I finally stopped helping my wife with her tech issues. I stopped offering to help, and have only interjected when the issue actually affects all of our equipment.

The irony is, my wife is a stronger person than my Mom, stronger in many ways than how I perceived Wendy as a person so many years ago. It’s not as if my wife doesn’t need or appreciate the help. But, as I’ve learned over the years, too, sometimes, help is just emotional support, a hug or a joke. Or, when I’m ready to, simply listening without feeling the need to use a quadratic equation to solve the problem.

American Ballet Theater soloist Misty Copeland in a promotional photo via her Under Armour ad deal, January 30, 2014. (Under Arnour via Huffington Post).

American Ballet Theater soloist Misty Copeland in a promotional photo (cropped) via her Under Armour ad deal, January 30, 2014. (Under Arnour via Huffington Post).

Damsel-in-distress syndrome, as chivalrous as it is, can also be extremely sexist, for both women and men and girls and boys. It means constantly attempting to help people who may or may not want your help, especially in cases where it is clear that they may need help. It means taking on emotional and psychological burdens that otherwise should only belong to the person you’re trying to support. It means, sadly, providing advice and knowing answers and solutions that may not be answers or solutions at all.

The Memorial Day ’82 incident with my mother changed what was an otherwise innocent crush and love into something contradictory even as it became more meaningful. It made me appreciate women who could and can kick some ass, whose strength would be obvious to all. And it made me think women who weren’t like that — women like my Mom — needed constant help from people like me. Wendy defended herself thirty-three years ago. My Mom tried and couldn’t. Life and strength for us, male and female and transgender, though, has never been that simple. And though I have saved quite a few damsels in distress over the years, it isn’t my eternal burden to carry.

Vicarious Valentine’s Day

14 Saturday Feb 2015

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, Jimme, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Youth

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616, 616 East Lincoln Avenue, Capitalism, Christian Persecution, Commercialism, Crush #1, Interracial Relationships, JD, Love, Lust, Martyrs, Observation Mode, Rita Moreno, Romance, St. Valentine, The Contrarian One, Transactional Relationships, Valentine's Day, Vicarious Living, Wendy, West Side Story (1961)

Fringe Observer ‘September,’ played by Michael Cerveris, circa 2013. (John Milton via Pinterest.com).

A couple of alternate titles could be “A Little Ditty About ‘Jack and Diane’,” or “The Legend of Crush #1 and The Contrarian One.” Really, though, I’ve never given much thought to Valentine’s Day, even in dating and marriage, mostly because until I turned twenty-five, I never had money to waste on such an aimless, unbelievably overhyped and commercialized “holiday.”

Few understand that the Catholic holy day of St. Valentine was about a Christian martyred in the midst of a period of Roman persecution under the emperor Aurelian, outside Rome, on February 14, 273 CE. Or that when combined with the St. Valentine’s Day massacre on February 14, 1929, the only heart truly associated with the day has been one punctured by a sword or a bullet, a blood-soaked one. Plus, it’s not as if I need capitalism to tell me whom to show my romantic side, with cards and flowers and chocolate, no less. Still, as a married man, I participate, although not with Western ideals of masculinity and romance in my head, if only to ensure my wife doesn’t feel left out.

But I must rewind about three decades, because while I don’t appreciate the fakery that comes with celebrating some candy-coated version of romance without actually celebrating St. Valentine, I did learn a thing or two about watching relationships bloom from afar. It was around this time thirty years ago that I noticed that Wendy and the contrarian one were dating, whatever that term means in the context of high school. Both would tell me that their relationship only began in high school, but my own recollections dispute that somewhat, if only because they shared roughly the same level of dislike for me during seventh grade!

Bloody woodchipper scene from Fargo (1996), February 14, 2015. (http://youtube.com).

The main point is, while for most of my classmates, it would’ve only been obvious in our junior year that Crush #1 and JD were together, I sensed it by the middle of tenth grade. If I’d been the exact same person I’d been during seventh and eighth grade, one head-over-heels in love with Wendy, I would’ve put my heart in a woodchipper, shot it all over a field, gathered it up again, and then put it into a mortar shell to explode into the sky to rain down all over Mount Vernon.

But I wasn’t that person in 7S, and hadn’t been for quite a while. My focus for most of tenth grade had been on living a sin-free Christian life, a transactional relationship with God that consisted of making good things happen for myself by prayer, fasting, and reading my Bible everywhere I went. Between that and my routine of watching younger siblings, washing clothes, tracking down my father Jimme, surviving another year of Humanities, running to the store two or three times every day, and so many other tasks, romance and dating might as well have been in an alternate universe. Even if I did feel envious, it would’ve been over not having money or a car or good food in my belly. Pining over Wendy — or any other girl or woman, for that matter — didn’t fit with any coping strategy that I had to get out of Mount Vernon as soon as my high school diploma and a college acceptance would allow me. At least prior to Crush #2.

What was more interesting to me, and what I knew was more interesting to my classmates, was the fact that Wendy and the contrarian one were dating, and in fact, an interracial couple, one a Black female (or, as some classmates still believed, biracial), the other a White male. I was interested only as an observer of people, because by tenth grade I’d actually grown to like JD and could be around Crush #1 without being conscious of the fact that she used to be my crush. I was interested in that the reactions of the folks at MVHS varied from my own “no surprise here” to dagger-eyed intolerance or head-shaking shame expressed by students across all cliques and most racial lines.

Black and White shortbread (or what President Barack Obama coined a “Unity Cookie” in 2008), July 23, 2007. (Punkitra via http://commons.wikimedia.org). Released to public domain.

I’ve certainly known and know plenty of other people involved in interracial relationships and marriages since the spring of ’85. Some where only racial politics and stereotypes mattered, some where love and social justice mattered much more. In the case of my class’ Juliet and Romeo, maybe my crush took advantage of some of the racial politics involved with dating someone White, while my contrarian friend obviously doesn’t prefer blondes, and hasn’t in the years since. From my observer’s perch, though, there was much more to their relationship than racial preferences.

It was the first time I’d seen or heard about any interracial coupling beyond movies like West Side Story (I still love Rita Moreno, even at eighty-three) or in others telling me about them third-hand, after it was already over. To me, it was always a good fit and fitting, despite the racial politics playing out at school, not to mention the identity issues that had to be playing out between Wendy and JD, even unconsciously. What I gleaned from two and a half years of the two of them dating, though, was that they had found a world unto themselves, one which must’ve made MVHS a much easier hellhole to navigate, if nothing else.

Woman In Love

15 Saturday Mar 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Marriage, Mount Vernon New York, music, Pop Culture, Youth

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"I'm Every Woman" (1979), "Sweet Love" (1986), "Woman In Love" (1980), Anita Baker, Barbra Streisand, Bipolar Disorder, Celine Dion, Chaka Khan, Crushes, Drugs, Empathy, Endorphins, Euphoria, Love, Male-Female Relationships, Phyllis, Romance, Understanding Women, Wendy, Woman

Cover art of “Woman In Love” (1980) single by Barbra Streisand, August 9, 2006. (JeanMarcDekesel via Wikipedia, http://www.discogs.com/viewimages?what=R&obid=539484). Qualifies as fair use under US copyright laws (low resolution and subject matter).

I actually like a couple of Barbra Streisand songs, both from ’80, and both from her collaboration with The Bee Gees (specifically, Barry Gibb). One is “Guilty,” the other “Woman In Love.” And yes, this is but one sign of how weird I am. But for the past thirty-four years, these songs have been part of my mental and actual music rotation, allowing me to ponder the mysteries of the opposite sex in the process.

For those moments, I’ve sometimes found myself wondering, has any woman ever felt that way about me? “I am a woman in love/And I’d do anything/To get you into my world/And hold you within.” I honesty have no idea, but the possibility of stirring passion in someone other than myself has fascinated me since the days of my Wendy crush in March ’82.

So, every time I’ve had a crush or love of major note, Streisand’s “Woman In Love” has given me to ability to think about what it would be like to be a woman. Young. In love. With all of the hopes and hurts, battles and betrayals. In ’85 with Phyllis, in ’91, in ’95 with my eventual wife, even after marriage. Somehow, the overwrought and — dare I say, Jewish — angst with which Streisand sang the song resonated with me and has stayed with me after all these years.

Cover art for Anita Baker’s Rapture (1986) CD, April 25, 2006. (Faustlin via Wikipedia). Qualifies as fair use (low resolution).

It wasn’t just Streisand that’s given me this feeling over the years. Anita Baker’s “Sweet Love,” and “Body and Soul,” Chaka Khan’s “I’m Every Woman” (still like this version better than Whitney’s, may she rest in peace) and “Through The Fire,” even some stuff from Celine Dion. Their music has gotten me about as close as could get to understanding what it must feel like to be a woman, at least in a generic sense. My wife, though, could probably testify to a lot more moments.

Of course, I can’t actually be a “woman in love,” no matter how much experience, imagination and empathy I can muster. Passing a kidney stone for nineteen hours in ’02 may approximate what my wife went through in giving birth to our son in ’03. But I didn’t have to carry that kidney stone around for nine months while it made noticeable changes to my body, my diet and my psyche. And having a child that you’ve fallen in love with before their birth often make the process worth it. I couldn’t get my doctors to let me see my kidney stone, much less keep it!

“It’s a right I defend/Over and over again,” Streisand sings in “Woman In Love.” As a boy and man who’s been “in love” at least four times in forty-four years, I feel that I can relate — a lot, if not in total. Taken to it’s most illogical extent, though, would mean obsession, possibly even stalker-like tendencies, especially if someone else doesn’t feel anything near the same way. But, when you’re in the middle of it, you might as well be on coke, Oxycontin and weed all at once, and with some latent form of bipolar disorder to boot. And the hangover from being in love requires much more than a Bloody Mary to get over.

Parts of your brain on drugs (endorphins) when in love, June 28, 2004. (Andreas Bartels, AP/Forbes.com).

How women do it, I guess I’ll never know.

On Maturity and Writing In Text Message Form

11 Monday Nov 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, Pop Culture, race, University of Pittsburgh, Youth

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"I Would Die 4 U" (1984), Anger, Black Masculinity, Crush #1, Crush #2, Depression, Disillusionment, Emasculation, Maturity, Objectification, Obsession, Pedestal, Phyllis, Pitt, Prince, Rejection, Sexism, Text Messaging, Wendy, White Plains Galleria

Dulcesita, “i would die for you,” November 11, 2013. (http://www.myxer.com).

In Boy @ The Window, I have a chapter on my first year at Pitt and the baggage I carried from my last months in Mount Vernon, New York, Phyllis (a.k.a., Crush #2) included. I haven’t discussed Phyllis much in the six and a half years I’ve been running this blog on all things related to my memoir. Mostly because once I got over my crush-turned-internalized-obsession, I realized that she wasn’t really all that as a person. Still, given the number of posts I’ve done on my Mom, my late idiot ex-stepfather Maurice and Wendy (a.k.a., Crush #1), Phyllis does deserve some mention, along with my stumbled-filled transition to manhood that went with the years between December ’85 and August ’88.

A key point for me in this transition was in October and early November ’87. I finally worked up the courage to write Phyllis a note about an incident earlier that summer, one in which she all but emasculated me at the White Plains Galleria. As I wrote in Boy @ The Window:

Crushing walnuts in plastic bag, November 11, 2013. (http://2.bp.blogspot.com/).

I got the address, bought her a card for her eighteenth birthday, and sat down and wrote her. About how I liked her and wanted to know if she “ever liked me.” I needed to know if she and her sister really were talking about me at the bus stop that day, “one way or the other.” I wanted to know what she thought I needed in order to impress someone like her in the future. Then I added “Happy 18th Birthday!” I sent the card off on the second week in October, just a few days before her birthday.

On the second of November, I got her response. It was in purple ink, with heart shapes and circles for dots over “i”s. Reading her letter was like reading the liner notes off of a Prince album. Like the song “I Would Die 4 U,” Phyllis had decided to limit her English skills to the ’80s equivalent of sign language on paper, a real “revolution” on both their parts. I remember she started, “Thank U 4 your card 2day,” an insult to my intelligence. She would’ve been better off with, “Yo nigga, ’s up wit’ ya sweatin’ me?” She wrote indirectly that she did like me at one point in time, but added “but we’re in college now . . . around lots of nu people” She admitted that I was her and Claudia’s topic of conversation that day, but “I needed 2 get over that.” She hinted that I shouldn’t write her again, and that was it. No apologies, no attempt to understand how I felt…

After Phyllis’ wonderful response, I all but stopped going to class. I missed most of my classes the month of November, only showing up for exams or if my mood had let up long enough to allow me to function like normal. The weekend before Thanksgiving, I allowed my dorm mates to cheer me up by getting a couple of cases of Busch Beer. These were the Pounder type, sixteen-ounce cans. After getting Mike to get us the cases, we went back to Aaron’s room and started drinking. I downed four cans in fifteen minutes, and was drunk within a half hour. I started throwing around the word “bitch.” Anytime anyone mentioned Phyllis’ name – or any woman’s name for that matter — one of us said the B-word and we’d guzzle down some beer.

In today’s world of text messaging, I would’ve found Phyllis’ response so ridiculous that I probably would’ve shared it with close friends and laughed about it for weeks afterward. But as someone with the emotional and psychological maturity of a twelve-year-old in the fall of ’87, Phyllis’ response really, really, really hurt. Her letter shattered the pedestal on which I had placed her, and reaffirmed every negative thing I’d felt about myself for the previous half decade.

Depression image, Carroll College, Counseling Services, November 11, 2013. (http://www.carroll.edu).

It also left me so depressed that I finished that semester with a 2.63 GPA. That, and spending the holidays at 616, made me determined to use the anger I felt toward myself and Phyllis as fuel for the next semester. And even though that worked so well that I made Dean’s List, I still hadn’t really gotten over Phyllis’ rejection by the time the school year was over in April ’88.

It took one last look at that letter — that unbelievably trifling and simple letter — to realize that even under the best of circumstances, Phyllis and I would’ve been a match made only in a mad scientist’s laboratory. I’d never be interested in a human being who talked down to me, as if I was unworthy of anything other than some simple shorthand language. Or in any woman whose expectations of men were about as objectifying as Mike Tyson’s views of women. I realized that I had finally gotten to know the real Phyllis, and in the process, had begun to know the real me, and what I needed to change about myself in order to build a better, 2.0 version of me. With that, like so much from my freshman dorm at Lothrop Hall, Phyllis’ letter became part of my garbage pile.