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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Black Masculinity

A Brief History of My “Virginity”

01 Friday Sep 2017

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, Jimme, Marriage, Mount Vernon New York, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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425 South Sixth Avenue, 616, 616 East Lincoln Avenue, A.C. Green, Abuse, Black Masculinity, Boyz n the Hood (1991), Cuba Gooding Jr., Dating, Evangelical Christianity, Falsehoods, Feminism, HBO, Hypermasculinity, Insecure (2016- ), Molestation, Obaa Boni, Patriarchy, Pitt, Relationships, Sensuality, Sexism, Sexuality, Tré, Virginity, Womanism, Yvonne Orji


Nigerian-American actor Yvonne Orji, who plays Molly on the HBO series Insecure (2016-), August 15, 2017. (http://www.sowetanlive.co.za/).

Yvonne Orji, one of the lead actors from the HBO series Insecure, has revealed the fact that she is a thirty-three year-old virgin in recent weeks. But Orji has in fact spoken about her virginity several times over the past year, something I was surprised to learn (that she had spoken so much about it, not the fact of it). Some folks on social media have applauded Orji’s stance on her sexuality, while others like womanist Obaa Boni derided Orji’s adherence to her virginity as “patriarchal.”

Screen shot of @obaa_boni tweets re: Yvonne Orji’s virginity, August 23, 2017. (Donald Earl Collins via http://twitter.com).

Let me first say that there’s nothing wrong with virginity, celibacy, or promiscuity. So as long as it’s transparent, healthy, and done with a full understanding of why one has moved in a certain direction sexually. The problem is, people often do the wrong things for the right reasons and the wrong things for the wrong reasons. Especially in a world where gratuitous sensuality is everywhere, fake-sex-porn is ubiquitous, and social norms remain hostile and puritanical. This is especially so in the US, where the distance between healthy sexuality and where many Americans are with their sexuality is about the same as between a racism-less society and the virulent racism that is truly all-American.

I was once Yvonne Orji, believing that maintaining my virginity kept me in a state of purity, if not in a physical sense, then certainly in a spiritual one. There were several reasons beyond “being pure in God’s eyes,” or saving myself for the right person, though, that I emphasized my virginity.

Screen shot of Cuba Gooding, Jr. as Tré in Boyz n the Hood (1991). (http://mentalfloss.com).

My top two reasons were practical ones. As the second of six kids growing up at 616 in Mount Vernon (my Mom remarried and had my younger brothers and sister between the time I was nine-and-a-half and fourteen-and-a-half years old), I didn’t want to become a father, especially a teenage father. Like Tré from Boyz n the Hood (1991), I didn’t want to be stereotypically Black and male, to make a baby when I had no means to take care of it, to impregnate another person when I wasn’t sure if I’d make it to thirty. Also, STDs scared the crap out of me, especially AIDS. I was smart enough even at fifteen to know that AIDS wasn’t a “gay disease,” that it could infect anyone, especially anyone without protection.

But the fact was, I had lost pieces of my virginity long before I tried to find a state of purity. I had already been sexually molested before I hit my seventh birthday. Any number of teenage girls at 616 had attempted to come on to me before I had started my first day of high school. Heck, my father had hired a prostitute to get rid of my penetrative virginity the month of my seventeenth birthday!

Beyond that, masturbation from the time I was thirteen, porn mags between birthdays seventeen and nineteen, the occasional date at Pitt, where kisses, petting, and touching was involved. I had pretty much lost my sexual virginity by the time I was nineteen, and yet I didn’t really know how to be me sexually at all. So when I finally did start hooking up with folks for purely sexual purposes, it was an emotionally messy dance, between religious guilt, occasional actual pleasure, and lots of frustration in between. It wasn’t until I was twenty-four where I felt fully comfortable with myself sexually, and even then, I had another decade of pseudo-evangelical, patriarchal, and puritanical bullshit to get over.

Which is why I rarely gave anyone any advice about what to do or how to be on the sexual side of relationships before my mid-thirties, especially when asked. Have sex at fifteen with a partner of the same age whom cares about and respects you? Sounds fine. Stay celibate for ten years? Okay. Have fuck buddies for a couple of years? Sure! Remain a virgin like former NBA player A. C. Green until you turn thirty-eight? Whatevs!

Former NBA Ironman A.C. Green, Time Warner Cable Media Upfront Event, “Summertime is Cable Time,” Hollywood, CA, May 3, 2011. (Toby Canham/Getty Images; http://zimbio.com).

My Black masculinity shouldn’t have been defined by evangelical White Christian notions of virgin purity, any more than it should’ve been by how frequently I penetrated a woman. My relationship with God should’ve never been about some fucked up notion of sexual purity. It is way too easy to let Western culture screw each of us up, with the result that it will take way too many years to find our sexual equilibrium. For so many, that day of balance between sexual freedom and mature responsibility will never come.

Just realize that being a virgin doesn’t make one special, and having a regular rotation of trusted sexual partners doesn’t make one a slut or a stud. As a culture, we are both obese and anorexic when it comes to sexuality and sexual activity. We imagine it too much, do it too little, and often do it incorrectly and for the wrong reasons. No wonder America is such an angry place, with so many believing in an angry God!

Lit on Moonlight

16 Monday Jan 2017

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Sports, Youth

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A.B. Davis Middle School, Barry Jenkins, Black Males, Black Masculinity, Bullying, Chiron, Coming-of-Age, Faggot, Hypermasculinity, Italian Club, Mahershala Ali, Manhood, Moonlight (2016), Mount Vernon High School, MVHS, Rage, Sexual Orientation


Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

I finally, finally saw Moonlight with the wife and son at AFI Silver Spring yesterday, months after the in-crowd had already seen it and attempted to spoil it for the rest of us. It was excellent. The cinematography, the loud and incredible silences, the small moments, when actors just being in the moment with their facial expressions did more than any dialogue could to move me and anyone else watching. Mahershala Ali was only in five scenes. But his first scene set the tone for the whole movie. As Juan, Ali channeled both the need for hard hypermasculinity and the vulnerable fragility of such in just one scene. His time with the youngest version of Chiron made me laugh, cry, sad, and angry, and left me wondering if I’ve seen this much intimacy between Black man and Black boy on screen before. I know I have (Antwone Fisher, The Wire, even Roots comes to mind), but on-screen doesn’t reflect this anti-stereotypical slice of truth nearly as often as it should.

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Yet I was also not as impressed as I expected to be. Not because I didn’t like the performances — I loved them. I thought every actor in the film was legit, every scene was moving in some way. Naomie Harris I’ve been fond of for years, André Holland and Janelle Monáe’s work I already knew, and Trevante Rhodes and Barry Jenkins, well, the two need bigger platforms for doing more great work. Moonlight wasn’t a film. It was a collage, a kaleidoscope of precious moments, blood-churning episodes, and tender images. Jenkins’ treatment of coming-of-age, Black boyhood into manhood, and Black masculinity, hypermasculinity, and vulnerability was avant-garde.

Still, I felt like I’d seen Moonlight before. Or, really, lived parts of Moonlight in my own past. No, I did not befriend an older, Afro-Cuban crack dealer in 1990s Miami, have a drug-addicted, abusive mother, or have a group of kids chase me around and beat me up off and on for ten years. But I didn’t look at the world the same way as my peers. I didn’t sound like a Noo Yawker, walk and talk and code switch like Denzel Washington, or try to fit in like so many of my 616 neighbors and my Mount Vernon school mates during my growing up years. And I paid for it, dearly, with few friends before I turned eleven, and no friends in the six years before I went off to the University of Pittsburgh.

But on Chiron and that most pernicious issue of hypermasculinity, the need to be hard all the time, I’ve been there too. I’d been called “faggot” (or in my father’s case, “faggat”) enough times to occasionally question my own sexual orientation growing up. My senior year at MVHS one day, I hit a three-run homer during a softball game in gym class. It wasn’t the first time I’d done that. But for one Jamaican dude, me drilling a ball 350 feet off his slow fastball was an affront. He called me a “faggot” after the game, and threatened to wait for me after school with a machete to chop me, adding “bumbaclot mon” at the end of his threat. I left school as normal and waited for him. He was lucky he didn’t show up that day.

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

You see, my rage didn’t need years to build up. All before I’d finally lose it one day, and take out a bully with a wooden chair and break it across his back, like the way Chiron did at the end of II of Moonlight. I didn’t have bullies at school per se. There were a couple I dealt with at 616, but they weren’t regular. Many folks would make a crack, but generally left me along. Any bullying I faced in high school was completely random and momentary, because I stood up for myself. Because if I could face down a six-foot-one, Isshin-ryn black belt of an abuser in my idiot stepfather Maurice, a stupid football player was gonna get hurt trying to hurt me.

No, the bullying I faced was in middle school, from a bunch of overwhelmed and racist Italian classmates in Humanities. I’ve named them in Boy @ The Window and here in this blog before. Alex, Anthony N., Andrew, Anthony Z., etc, the Italian Club. That things were much, much worse at home meant that I saw them as background noise. There was always a part of me, though, that had enough rage, even in seventh grade, to take a desk and smash Anthony N.’s head in with it until his fuckin’ Italian brains spread out all over the floor and walls!

I ended up beating up a wannabe bully in JD that year instead. I won kufi battles in eighth and ninth grade. I wore a blank face that most of my more dumb ass classmates interpreted as a smile. I made plans to get out, because I never wanted to fit in. I was already awake, coping with the day-to-day, but in it for the long-term. I had that President Barack Obama, audacity-of-hope-beyond-failure, beyond reality thing goin’. When I saw Chiron as played by Ashton Sanders, I wanted to hug him, beat up his bullies for him, and tell him that you can love who you want to love, even if they never love you back. And to always, always be your best self, and not some “I don’t want to feel pain again” version.

Yes, I’m A Sexist Feminist

27 Tuesday Dec 2016

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, Politics, Pop Culture, race, Religion, Youth

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Black Masculinity, Chivalry, Contradictions, Dahlia, Damsel-in-Distress Syndrome, Father-Son Relationship, Feminism, Masculinity, Misogyny, Mother-Son Relationship, Nice Guy, Owning Imperfection, Patriarchy, Phyllis, Sexism, Womanism


Hostile vs. Benevolent Sexism, March 10, 2015. (http://www.dailymail.co.uk).

Hostile vs. Benevolent Sexism, March 10, 2015. (http://www.dailymail.co.uk).

I finished up a chapter in Boy @ The Window with the closest approximation to my contemporaneous thoughts about Phyllis (a.k.a., “Crush #2” at times on this blog) in August 1988:

screen-shot-2016-12-27-at-7-43-51-am

I must’ve rewritten these two paragraphs at least a half-dozen times before putting the book out for limited consumption. The thought process that I went through at eighteen years old bothered me then, and looking at the words even today leaves me wanting. Probably because there is more than a bit of sexism contained within these words.

But I wasn’t wrong, of course, not in ’88, not when I wrote and rewrote these paragraphs between 2007 and 2011, and not now, at least in terms of how I perceived things then. While I believed in reproductive rights, in equal pay for equal work, and in passing the Equal Rights Amendment growing up, I also believed in saving damsels from distress and in distinguishing between “ladies” and “bitches.” Or, as my father put it when he argued with my Mom in front of me when I was four years old, “You’s a black bit’!” Or, my contradiction could’ve fully formed when my father tried to set me up with a prostitute a couple of weeks before my seventeenth birthday, in December 1986.

There was no way in 1988 I could’ve understood the contradictions between the idea of feminism (in any form) and the notion of “being a nice guy.” I hadn’t been exposed, or, rather, exposed myself to Paula Giddings, Elsa Barkley Brown, Evelyn Brooks Higginbotham, bell hooks, Maya Angelou, Angela Davis, and Zora Neale Hurston. I hadn’t yet been engaged in the hundreds of conversations I’d eventually have with women folk I’d become friends with, people with whom I bonded because of their suffering, people from whom I’d hidden my own suffering during those years. Date rape, physical abuse, the more typical abuse of serial cheating, among other issues. With many of these women, I recognized the sexism and misogyny I saw in myself in 1988, and saw them again when I wrote down my contemporaneous thoughts in Boy @ The Window. It didn’t occur to me until the mid-1990s that women could be just as sexist and misogynistic as men, and often could pass down their notions of masculinity and patriarchy to their children. And that thought scared me.

Imprisoned brain (or, maybe, Culture Club and "Church of the Poison Mind" [1983]), December 27, 2016. (http://mdjunction.com).

Imprisoned brain (or, maybe, Culture Club and “Church of the Poison Mind” [1983]), December 27, 2016. (http://mdjunction.com).

It scared me because I realized I may have learned more of my contradictions from my Mom than from my father or idiot ex-stepfather. After all, she was the one constant in my parenting, the one person who engaged me in ideas like chivalry and manliness, who through her acquiescence to Maurice might have made it okay for me to see women, especially Black women (and to a lesser extent, Latina women) as ones in need of help, even when they decide not to take it.

And it may have made it okay for me to see myself as the victim in my incident with Dahlia in June 1987, when I accidentally (the first time), and later deliberately smacked her on her left butt cheek. Maybe I was the victim in a way, at least of my own deluded thought process. And there hasn’t been a time in the past twenty-nine and a half years in which I haven’t regretted that second, deliberate slap, in response to Dahlia accusing of thoughts I didn’t have, because my only obsession in 1987 was Phyllis. I’ve said and written this before, including in Boy @ The Window. To Dahlia, I am so sorry.

Beijing smog alert, Beijing, China, December 6, 2016. (http://ibtimes.com).

Beijing smog alert, Beijing, China, December 6, 2016. (http://ibtimes.com).

I may never be the perfect intersectional womanist feminist I’ve tried to be since I told my Mom to abort my future (and since deceased) sister in 1982. I still believe that professional women’s tennis players should play best-of-five-set matches at the Gram Slam tournaments. I think more women — particularly White women — should stop calling themselves feminists if their feminism stops when dealing with women of color or poor women in general. I think that most men who aren’t feminists are assholes. But I also know that, just like with racism (as now well noted by Ibram Kendi) and with narcissism (my next project, maybe), sexist ideas are as pervasive as smog in L.A. and Beijing. I don’t have to like it or accept it, but I do have to accept that I am a man, and I will make mistakes, including sexist ones. I will have to own up, and keep trying to do better.

How I Met My Son

31 Sunday Jul 2016

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, Politics, Pop Culture, race, Religion, Youth

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616 East Lincoln Avenue, 9/11, Abuse, Amadou Diallo, Baggage, Black Masculinity, Burden of Success, Child Abuse, Darren Gill, Domestic Violence, Eri, Family Intervention, Father-Son Relationship, Humanities, Maurice, Maurice Eugene Washington, Misogyny, Mother-Son Relationship, Noah, Parenting, Penguins, Poverty, Self-Reflection, Siblings, Teenager, Yiscoc


Noah's birthday cake, Cheesecake Factory Original Cheesecake, adorned with candles, July 30, 2016. (Donald Earl Collins).

Noah’s birthday cake, Cheesecake Factory Original Cheesecake, adorned with candles, July 30, 2016. (Donald Earl Collins).

My son turned thirteen yesterday. That sentence by itself speaks volumes. That I have a son, that he’s reached an age where he’s in the midst of puberty, with a discernible personality, with a set of abilities and potential for developing more talents. Wow! Noah loves art, anime, and apples. He’s a classic contrarian who’s just beginning to realize that he has academic and athletic talents. He’s mostly observant, thoughtful, and independent thinking enough to deal with this crazy world outside our home. That he’s managed to get to this point without me messing him up with my own baggage as his father. To me, that’s not just amazing. That’s a miracle.

As late as the early spring of ’02, a half-year before me and my wife conceived our one and only egg, I had some doubts about ever being a dad. But those small doubts mattered little compared to where I’d been the summer and fall of ’01. I wasn’t dead set against becoming a parent. I just felt that in this dangerous, chaotic, racist, oppressive world, how could I be so selfish as to bring a child into this life?

Daddy Emperor Penguin with baby penguin, accessed July 31, 2016. (National Geographic via http://pinterest.com).

Daddy Emperor Penguin with baby penguin, accessed July 31, 2016. (National Geographic via http://pinterest.com).

I wasn’t just thinking of Amadou Diallo or the aftermath of 9/11. This wasn’t just about the expense of raising a kid. Mostly, it had to do with growing up as the second of six, but with ALL of the responsibilities of a first-born Gen-Xer watching over four siblings ten to fourteen years younger than me, not to mention my wayward older brother. It was the trauma of living through eight years of abject, unrelenting poverty with an abusive asshole of a bully who frequently threatened my and my Mom’s existence. It was having to swallow shit from all of my legal guardians about my lack of observable Black testosterone coursing through my brain cells. Add going through a magnet program from middle school to high school and going to the University of Pittsburgh to this baggage. What I was by twenty was a hopeful but yet emotionally exhausted human being.

So, I was never someone who had this American evangelical desire to get married or have kids (which is also a passion connected to Whiteness, by the way, to propagate their numbers, but not just). Even when it was obvious that me and my wife were heading toward marriage by 1998, I was more against having kids than in favor of the idea. I was still occasionally sending money to my Mom and my siblings to help them out, and taking trips to 616 to put out figurative fires. I had changed enough diapers, made enough bottles, dressed, lunched, dinnered, and laundered enough for my siblings to say “I’m good” when it came to having my own child.

But when my youngest brother Eri beat me to the punch by siring his own kid with his high school girlfriend at seventeen in the spring of ’01, I lost it. I couldn’t sleep soundly for months. I listened to my Mom complain week after week about him and his post-high school dropout future. My brothers Maurice and Yiscoc weren’t doing much better. My family was a cyclone of a disaster, and nothing I had done to blaze a trail for them since 1982 had done much good.

This was when I decided to do my intervention, to go after both my Mom and my siblings. Not so much out of anger, and yes, I had enough anger to keep my current iPhone powered for three days. No, this was a combination of righteous indignation and, well, love. I did my due diligence to dig into my Mom’s life with a few questions that I already knew the answers to, about when and how it all went so wrong for us all. And then I did the intervention, in January ’02, right after the birth of my only nephew.

Only later did I realize the intervention I did was really for me. Only later did I figure out that the 616 intervention had freed me from my self-imposed burden to help lift my family out of poverty. The constant anguish and exhaustion I felt when dealing with my family went away in the weeks after the intervention, and I was able to get a good night’s sleep for the first time in months, maybe years.

Noah in portrait, May 16, 2016. (Donald Earl Collins)

Noah in portrait, May 16, 2016. (Donald Earl Collins)

That’s when I was ready to do my part in the miracle of conception, childbirth, and parenting. Giving myself that permission and then having the recognition of the baggage I carried going in has made fatherhood and parenting much easier (not easy, just much easier) than it would’ve been if I had done like Eri or followed Phil Knight’s “Just Do It” advice.

It’s hard to really be passionate about having a child when nearly all your free time with family between the ages of twelve and thirty-one has been to participate in raising kids. Since my little egg arrived thirteen years ago, though, I’ve reserved my parenting for him. I’m the father penguin in -100°F temps, braving blizzards in eighty-mile-an-hour winds to see my son through. I think it’s paid off so far.

A Big Wheel and Recovered Memories, Part One

16 Saturday Jul 2016

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Jimme, Marriage, Mount Vernon New York, Pop Culture, race, Youth

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Bicentennial, Black Masculinity, Bullying, Darren, Left Alone, Memories, Molestation, Mom, Mother-Son Relationship, Nathan Hale Elementary, Self-Awareness, Self-Defense, Self-Revelation, Sexual Abuse


Big Wheel, pretty much as I remember it, April 2014. (http://sf.funcheap.com/bring-big-wheel-race/).

Big Wheel, pretty much as I remember it, April 2014. (http://sf.funcheap.com/bring-big-wheel-race/).

As most who read me know, I wrote a book about the worst of my growing up years three years ago, Boy @ The Window. I wrote about how I saw things between the ages of eleven and nineteen during the 1980s. I covered everything from a preteen’s fantasy life and Black masculinity to child abuse and domestic violence. I dug into my memories for haunting moments of poverty, for examples of ostracism, for stories about my family, my high-achieving yet soulless classmates, and for any oases of good moments, too.

Or so I though. (And no, it’s not just that I should’ve given the book to another professional to edit.) I focused so heavily on what turned me into the professional, writing, teaching, fairly erudite and extremely goofy me. Really, too heavily, as it turns out. I forgot that there had been a me prior to World Book Encyclopedia and Black America, Starling, 616 East Lincoln Avenue, the Hebrew-Israelites, and Humanities. That even younger me apparently had a story to tell. It was a story that I should’ve told, but I didn’t, I couldn’t remember. Maybe part of me really didn’t want to recall. No, I had to finish Boy @ The Window, publish it, and promote it for a year before I reacquainted myself with that splinter deep in my mind.

I found it, too, in a story that didn’t quite add up. The story that turned me into all of me, good, bad, and yes, obviously ugly began forty years ago this month. Well, it actually started with Christmas 1975. My Mom and my father Jimme had bought me a Big Wheel for Christmas and my sixth birthday, because my birthday comes two days after Christmas. I had begged them for this ride for months, at least as early as that July. I was so happy that as soon as I could, with my dark blue winter coat and all, I rode up and down South Sixth Avenue’s blue-slate sidewalks with it. I thought I was the coolest kid on my block!

The 400-block of South Sixth was one of two and three-story homes with 150-square-foot front yards with interlocked steel gates, and ample backyards. But there were few kids for me to play with, at least kids my age. This despite Nathan Hale Elementary holding up the southeastern end of the block. I rode around that stark early winter-looking block for days, with hardly a toddler to greet me.

At 425 South Sixth, we lived just two doors down from Nathan Hale and its playground area/parking lot. Here was me and Darren struggling to be in front when my mother took this photo.

Me and Darren struggling to be in front when my mother took this photo, Nathan Hale ES playground, February 1975.

Back then I had no trouble talking to anyone about anything, including how I felt. By the end of first grade, a girl in my class named Diana had taken a liking to me. She had skin the color of butterscotch, and bright hazel-green eyes to go with her puffy lips. Diana’s light brown hair was always a mess, but then again, I could pick out a piece of corn or a grain of white rice from my jet-black knotty roots more days than not.

We kissed several times, in class and on the short walk up South Sixth back to our homes. We even attempted to French kiss a few times, including once in class before being caught by our teacher Ms. Griffin. All I know was, there was a lot of spit and tongue involved. When I’d ride my Big Wheel after school, and see Diana on the rough and bumpy asphalt playground between my house and the school, I’d let her ride on it. And we’d continue with tongue practice sometimes, too.

When the school year came to an end in June, Diana and her family moved away. I waved her goodbye as they drove away from South Sixth, me riding my Big Wheel down the block behind them. I felt sad to lose such a good friend.

But I still had my Big Wheel. For weeks after the end of first grade, I rode it around the block and on the school playground. Sometimes my older brother Darren would be there, but most of the time I was by myself. With Diana gone, there were no kids my age around. It was the summer of 1976, and like most parents back then, mine were only interested in seeing me come home for lunch or dinner, not in me being inside all day.

425 South 6th Avenue, Mount Vernon, NY, November 22, 2006. (Donald Earl Collins).

425 South 6th Avenue, Mount Vernon, NY, November 22, 2006. (Donald Earl Collins).

Inside was a second-floor, two bedroom and one bath flat within the three-story tan and off-white house that was 425 South Sixth. We had a separate entrance, giving us the appearance of living in our own home without actually owning the place. It sometimes seemed spacious, except when my Mom and Jimme would fight, or when Darren would take my toys, or when my Mom went into the kitchen and made fried porgies and whiting or chitlins. On many a day during our short two and a half years at 425 South Sixth, I stared at the cars parked or rolling down the street. A dark-green ‘68 Chevy Camaro here, a grape-colored AMC Gremlin there. The Chevy Monte Carlo series from between ‘69 and ‘75 was my favorite back then. Maybe it was how high the curvy back-end of the car seemed raised an extra foot off the ground. That summer, though, my Mom and my father weren’t home often to engage me in the car model guessing game that I liked playing when I was bored.

What made this worse for me was that my Mom and my father Jimme were getting a divorce. Only I didn’t know it at the time. All I knew was that things seemed different. They weren’t fighting as much. My Mom had bought all new furniture for her bedroom and the living room. She even bought a Polaroid camera, to take pictures of herself while wearing a scarf with earth-tone artwork around her head, all without makeup on. Even though anyone over eighteen seemed old to me at six, my Mom seemed ageless, like she would be in her twenties forever, a shade of brown consistent with my own medium dark with copper undertones. I thought it was a good picture of her.

My father had never been home for more than a few days at a time, with his binge drinking and all. He was a night janitor at Salesian High School in New Rochelle, but hardly made it home during the day. My diminutive father worked this job years after losing his custodian job with the Federal Reserve Bank in downtown Manhattan, but still acted as if he worked as a banker on Wall Street. My brother Darren and I would sometimes be with him at Salesian whenever he took an evening shift. My Mom’s shifts as one of the dietary supervisors at Mount Vernon Hospital varied, between 7 am and 3 pm during the day and 3 to 11 in the afternoons and evenings. So, some days she was home when I was on one of my Big Wheel adventures. Sometimes Jimme was home. Sometimes, I was with my babysitter Ida or one of my dad’s drinking buddies.

And, there were days I was alone. On a lonely Wednesday in July, just a week and a half after the bicentennial Independence Day, my Mom left for work. She was on a 3-11 pm shift that day. She told me, “Keep your butt upstairs while I’m gone.” Then she left. No one was home. Darren was at his Clear View School in summer day camp. God only knows where Jimme was.

I did that day what I always did when left alone. I got on my now nearly worn out Big Wheel wearing my blue and red-striped t-shirt and dark blue shorts, and rode it down to the school playground. It had rained earlier that afternoon, and the asphalt was still wet from the summer showers. I skidded along the playground, and noticed two things. One, the air still smelled of rain, even though there were breaks in the clouds. Two, a group of four older Black kids had taken over the swing area.

Something had told me to not go over by the swings, but my Big Wheel’s skidding and sliding brought me over there anyway. As soon as I ended up near the swings, the four older boys surrounded me. One of them grabbed me off of my Big Wheel, while another took my ride. I yelled, “Give it back! Give it back!” The lightest skinned one in the group, their leader it seemed, came up to me, unzipped his pants, and said, “You get it back after you suck my dick, muthafucka.”

I shook my head, but then one of them threatened to destroy my Big Wheel by banging it on one of the swing poles. Crying while being held by two of the twelve or thirteen year-olds, they pried open my mouth long enough for the light-skinned leader to stick the tip of his penis in my mouth. I felt the dry meat on my tongue long enough to want to throw up.

“The little muthafucka’s sucking my dick!,” the light-skinned one yelled while laughing.

They started laughing so hard, I was able to pull myself away from them and grab my Big Wheel. While I ran and rode, the four boys kept yelling, “You a faggot! You a faggot!”  One also yelled, “You a dukey!”

I rode straight home and tried to forget what just happened. But I couldn’t. My Big Wheel now had a crack in it, between the back of the seat and the back axle. It wasn’t broken, but it was definitely damaged. My Mom noticed it a few days later. “That’s what you get for leaving the house,” she said after I told her about the Big Wheel and the older boys trying to break it. I didn’t tell her about the other part.

I’ve complained for years that my ability to remember has been both a blessing and a curse. But I didn’t deliberately hone this skill until after I turned nine. Between the age of four, when Nixon resigned, and my first time running away, three weeks before my ninth birthday in December 1978, I have lots of memories. Those memories are those of a young child drifting from day to day, as they should be. The result, though, was not being able to recall details like being molested at six. Until twenty months ago, I remembered it as a vague attempt. And not as the damaging, trauma-inducing incident that it really was (to be continued).

Fife and Shalom

12 Tuesday Jul 2016

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon New York, music, New York City, Pop Culture, race, Religion, Youth

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A.B. Davis Middle School, Black Male Identity, Black Masculinity, Chorus, Domestic Violence, Fife, Judah ben Israel, Manhood, Maurice Eugene Washington, Mentoring, Music Lessons, Oppression, Poverty, Pulaski Day Parade, Summer of Abuse, Tamrin, Trombone, Type 2 Diabetes, William H. Holmes Elementary


Civil War-era wooden fife, May 19, 2004. (Kevin Saff/National Parks Service via Wikipedia). In public domain.

Civil War-era wooden fife, May 19, 2004. (Kevin Saff/National Parks Service via Wikipedia). In public domain.

One thing I never discussed here or in Boy @ The Window were the handful of “leisure” activities I had during the Hebrew-Israelite years. The world in which we lived back in the ’81-to-’84 period had precious few resources and even less room for things like summer camps, overseas travel, baseball games, amusement parks, or even a free impromptu rap battle at Van Cortlandt or Hartley Park. Heck, the Kool cigarettes’ music series that sponsored “Teddy Pendergast” or “Rufus and Chaka Khan” in those days might as well have been a trip to see the World Cup in France compared to our pitiful roach-and-belt circumstances.

One of my idiot stepfather Maurice’s Hebrew-Israelite friends, though, did provide a free service for us males in ’81 and ’82. His name was Tamrin. He was a heavy-set dude, probably about five-foot-eight, maybe 120 or 125 kilos (between 245-260 pounds), and likely in his late-thirties. Unlike so many of the Hebrew-Israelite men I had the curse to meet in those naiveté-shattering years, Tamrin had a lighter touch. His idea was to put together a boy’s band of fifes, drums, bugles, and other marching instruments to lead us Hebrew-Israelites in marches through the street of Mount Vernon, as well as temple sites in the Bronx, in Harlem, and in Brooklyn (specifically, Bed-Stuy and Flatbush, if memory serves). Even at twelve, I knew how ridiculously uncool that idea sounded.

That was his plan, anyway. So off and on, between August ’81 through the second week in July ’82, Tamrin gave me and other kids music lessons to play overly bombastic marching band music. These were the kind of joyless songs which one was mostly likely to hear at Moscow’s May Day parade of soldiers and nuclear missiles than hear anywhere in ancient Israel. I was picked out because I had musical training in my immediate pass. I played the trombone in fifth grade. Or rather, I had six months of trombone-playing lessons at William H. Holmes ES before my music teacher had a heart attack and died in March ’80. I sang in chorus all through sixth, seven, and eventually, eighth grade. I could read music, though I struggled in transition between half-notes and quarter-notes.

Pulaski Day Parade on Fifth Avenue in Manhattan, October 6, 2013. (http://www.posteaglenewspaper.com).

Pulaski Day Parade on Fifth Avenue in Manhattan, October 6, 2013. (http://www.posteaglenewspaper.com).

So Tamrin would come over about twice a month, usually on Saturday afternoons, and spend a couple of hours with me playing the fife. (Can you imagine that? A twelve-year-old, kufi-wearing Donald playing such a small and delicate reed instrument? Really? Really!) Tamrin took us to the Pulaski Day Parade down in Manhattan the first Sunday in October ’81 to see how the pros do the fife-and-drum thing. The costumes I found fascinating, but I dreamed of food, not of marching around with fife.

Once Mom’s already pitiful funds got down to a disposal income of $5 per day — that was in December ’81 — Tamrin didn’t come around as much. Though he wasn’t getting paid much, I think he still expected $10 per lesson. Still, he came around even when he wasn’t getting paid, though it was only once a month during the ’81-’82 winter. That’s when I noticed, though just barely, that Tamrin had diabetes. His fingers had swelled during the winter, and he moved slower, too.

From mid-April to the beginning of July, Tamrin was around nearly every Saturday for an hour at a time, working with me on marching while playing fife, polishing up fife-ful flourishes, and getting me to learn more bombastic music. There were a couple of times I played with the other preteen and teenage Hebrew-Israelite kids. They seemed about as cool with this fife-and-drum band as I was with having an abusive stepfather.

And that’s who stopped my participation in Tamrin’s pet project. After my summer of abuse began in earnest on July 6, ’82, Tamrin came around that Saturday, July 10. I played my fife to some music, but the knot on my head, the bruises to my left cheek and jaw, and my busted lip would’ve been obvious to any observer in the week after Maurice tried to beat me into submission. I kept playing my music, but I knew that Tamrin and Maurice were jawing at each other about something or other, hopefully not me. All I know was, that was Tamrin’s last time working with me to play the fife. I’d continue to see Tamrin at temple. But that second Saturday in July ’82 would be the last he’d come over to 616 to teach me terrible music for the fife.

Oppression graffiti, January 15, 2013. (Students for Liberty via http://genderlitutopiadystopia.wikia.com).

Oppression graffiti, January 15, 2013. (Students for Liberty via http://genderlitutopiadystopia.wikia.com).

Did I play a good fife? Tamrin thought so. Compared to my Hebrew-Israelite comrades, I’m pretty sure I did. But like with so many things Hebrew-Israelite during those years, it was a bitter march to nowhere. The fife was part of a Hebrew-Israelite physical and spiritual gulag that put me into more chains, rather than freeing me to be me. Despite Tamrin’s intentions, the idea of molding me and others into men in conditions that would make most “men” contemplate homelessness or running away was a ridiculous pipe-dream.

That Tamrin was likely the only adult male in the Hebrew-Israelite camp who saw Maurice for the lying, abusive, womanizing asshole he was made me realize not everyone in this world was against me. But in a religion that when practiced helped oppress me and others more than the outside world, what was any Tamrin to do?

My Inevitable Walkman Era

05 Saturday Mar 2016

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, High Rise Buildings, Jimme, Mount Vernon New York, music, My Father, New York City, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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616, 616 East Lincoln Avenue, Black Masculinity, Coping Strategies, Disillusionment, Escape, Escapism, Manhood, Masculinity, Self-Discovery, Sony Walkman, Walking, Walkman


This version was my first Sony Walkman (between May 1987 and June 1988), posted August 28, 2013. (http://ebay.ie).

This version was my first Sony Walkman (between May 1987 and June 1988), posted August 28, 2013. (http://ebay.ie).

This week marks three decades since I finally entered the ’80s technologically, buying my first portable radio/cassette player with headphones. It wasn’t the Sony Walkman — I’d get my first one of those a year later. No, it was a Taiwan-made knockoff that I got at Crazy Eddie’s on 46th and Fifth in Manhattan, on sale for $22, that was my jump into the era of the Walkman. After a year and a half of carrying around a plug-in radio, playing with records on cheap $15 turntables (that cost $130 and much more in 2016), contemplating boom boxes, and having no control over what music I listened to outside of laundromat runs and 616, I found a new way to escape.

As I wrote in my memoir, this new toy was

my passport to another world, a world where I could make anything happen and no one could hurt me. Taking the Subway to go to The Wiz or Crazy Eddie’s or Tower Records was as much a part of mine and Darren’s Saturday ritual as our tracking down of Jimme. I no longer had to wait for WPLJ or Z-100 or WBLS to play the music I wanted to hear. I could buy a cassette tape for as little as six dollars. In the month after I’d bought my Walkman I’d gone out and bought more than twenty tapes. Whitney Houston, Simple Minds, Phil Collins, Sting, The Police, Mr. Mister, Mike + The Mechanics, Tears for Fears, even Sade. All were welcome who could contribute to my all-consuming effort at conquering my courses.

I was tough on my first Walkman, though. I must’ve dropped it a dozen times in two months, as it barely made it to Memorial Day ’86. My second one was a $42 Panasonic, which I bought with my Technisort earnings, and it lasted from July 4th until the end of October. I bought a decent Aiwa knockoff of the Sony Walkman in December, and that one made it to April ’87. before I finally found the $60 I needed for my Sony Walkman the month before high school graduation.

In a span of a year, I would accumulate more than seventy tapes, covering everything from pop and hard rock to rap and R&B, new age and jazz. As anyone who knew me in the spring of ’87 could attest, I carried my tapes with me in my book bag to have at the ready, the same way in which I had toted my Bible everywhere when I became a Christian three years earlier.

I walked everywhere in the Upper Bronx and Southern Westchester County for nearly three and a half years before I bought a Walkman of any kind. But in that window between March ’86 and my college move to Pittsburgh seventeen months later, my walks became much more frequently and much more eventful. I was walking to escape, to find mental space away from the gang of under-five-year-olds that ruled the too-small, two-bedroom space of pain in which I had grown up. I walked to figure out who I was and who I wasn’t, to be angry at my family, at the world, and at myself. I walked to find meaning in a chaotic life and world. I walked because I could wear myself out with warp speed, spin moves and high-falsetto highs, with questions and emotions and sometimes even, some answers, before coming back to 616 and grabbing some sleep. I must’ve have gone on 100 or 150 walks of five miles or more in that year and a half before college.

Inception (2010), Paris dream construct screen shot, April 27, 2012. (http://dpmlicious.com). Qualifies as fair use under US Copyright laws because of poor resolution of shot, not intended for distribution.

Inception (2010), Paris dream construct screen shot, April 27, 2012. (http://dpmlicious.com). Qualifies as fair use under US Copyright laws because of poor resolution of shot, not intended for distribution.

That doesn’t even count my more frequent forays into the city, not to do anything or be anything. I wasn’t working for my father anymore, and after he repeatedly called me a “Faggat” in August ’86 and tried to set me up with a prostitute in December ’86, I hardly went to see him at all until the last few weeks before leaving for Pitt. I didn’t even take Darren down to Midtown Manhattan, the Upper West Side, Harlem or Flatbush with me. That’s what I did with the spare hours I started stealing from my Mom on weekends during that year. I’d go down to the city, maybe buy a few tapes at Tower Records on 66th and Broadway (usually not, since most of my tapes came via Terra Haute, Indiana). Sometimes if I had a few dollars, I’d go to MOMA or Radio City or some other place and go into escape/observation mode there. Mostly, I walked and people watched for an hour or so, and then take the long way home between the 2 train, 241st Street and the heart of Mount Vernon.

All the while, my music was on, often at full blast. It was a coping strategy, a pain and stress reliever, my sword and my shield. It took my Phyllis obsession and my freshman year at the University of Pittsburgh to break the link between music, Walkman, and the need to escape. It took the pain of rejection, removal from an anti-Donald environment, and a bout of homelessness to make music about enjoyment and education. When that happened, sometime in ’88, I knew I couldn’t escape anymore.

 

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