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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Self-Reflection

What Bull Durham and I Have in Common

18 Wednesday May 2022

Posted by decollins1969 in 1, Academia, Carnegie Mellon University, culture, Eclectic, Movies, Pittsburgh, Pop Culture, race, Sports, University of Pittsburgh, Work, Youth

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Teaching and Learning, Pitt, Jealousy, University of Maryland University College, Betrayal, Self-Reflection, CMU, Bull Durham (1988), Dubious Honor, Crash Davis, American Univeristy, University of Maryland Global Campus, Finding Meaning


“Well, 247 home runs in the minor-leagues would be a…kind of dubious honor.”

Bull Durham, 1988.

Today marks two occasions, both of them a bit bittersweet. One, I marched and picked up my doctorate on this date, a quarter-century ago. A whole 25 years since my PhD ceremony, and my professional life has been a roller-coaster of betrayals, slights, and occasional triumphs since. I have written about all of them ad nauseum over the past 25 years, too. Learning people like my advisor and my mom were jealous of me was so discouraging that if it weren’t for writing, I might not be here at all to muse about anything.

But this May 18, in the year 2022, I have achieved a milestone I didn’t think possible, not even five years ago. Today, I begin teaching my second summer session course, US History from 1865 to the Present, at University of Maryland Global Campus. This is the 100th course I have taught or guest lectured as a regular since 1991. One hundred courses, enough to earn 2.5 bachelor’s degrees. “Yay, me!”, right?

This is a truly half-full, half-empty post, and so is how I feel about today. As Crash Davis would say, “Well, 100 undergraduate and graduate courses taught in academia’s minor-leagues is a kind of dubious honor.” It wouldn’t make news in The Chronicle of Higher Education or Inside Higher Ed, forget about The Sporting News! 

I mean, a full 58 of my courses have been taught at a University of Maryland campus that mostly offers online courses. American University, my primary teaching place for the past four years, laughs every time our adjuncts’ union brings up our want for a new contract to correct our paltry salaries (their latest offer barely enough for Chipotle dinner for four per course). I haven’t taught a course affiliated with graduate-level work since my Teaching Black Studies class at Howard University in 2007, and that was marginally so. I made more money managing my former bosses at the defunct Academy for Educational Development for eight years ($620,000) than I ever have in my 20+ years as a TA, instructor, or professor ($360,000). So yes, hitting my 100th course feels dubious.

News flash: it’s still an achievement, too. That means I’ve taught between 2,450 and 2,600 students off and (since 2007, mostly) on over the past three decades. At least a dozen of my students have gone to earn doctorates, at least another 200 have their master’s and JDs. I’ve written dozens of letters and provide references for scores of former students. I’ve had some amazing revelations and epiphanies while teaching, including on many of the topics I write about for income and publication now. And, though almost exclusively in the lowly position of “ad-junk,” have taught at Pitt, CMU, Duquesne College of Education, GW School of Education and Human Development, University of the District of Columbia, Howard University, and my two current campuses. I’ve also taught for two summers at Princeton, worked with students in civic education, and designed curricula and materials for various education organizations over the years. 

I’ve hit home runs, and against quality pitching, too. I’ve also hit threes out of double-teams, caught touchdowns while splitting double-coverages, and made blinding saves off of slapshots. In teaching as much as I have, I’ve had to. One TA in 100 courses, (and the one I did have should have never been trusted with grading responsibilities), one office (American) and two cubicles (Pitt and CMU, and I was a grad student then) in all my years in the classroom. I’ve taught students as young as 12 and as old as 80, too. Short of a mass shooter, I have pretty much seen it all as a postsecondary educator (though I’ve had armed cops as students in the classroom, too).

Really, I hope to remain an educator for the rest of my days, even as I hope that I’m not teaching eight, nine, and 10 classes per year for the next 20 or 30 years, either. For all the joys of light bulbs going off and seeing stereotypes shattered, there’s also the student sitting with their arms folded, refusing to listen, to me or their classmates, blaming me for everything wrong in the world. Crash Davis retired after breaking his record and became a coach in the minor leagues. That’s not so much a retirement as it is a significant role change. Maybe I can achieve the same, and soon.

While My PhD’s Getting Cold…

21 Sunday Nov 2021

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Work, Youth

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Bruce Anthony Jones, Career Paths, CMU, Dan Resnick, Failure, Joe William Trotter Jr., Lessons Learned, Petty Jealousy, Pitt, Self-Loathing, Self-Reflection, Success, Writing


Cold, lumpy grits, September 26, 2013. (HuffPost via Flickr: Marshall Astor – Food Fetishist).

I have been Dr. Donald Earl Collins for almost half my life. (It will be exactly half my life on October 11 or October 12 of next year, a couple of months before my 53rd birthday.) Only a small handful of things have brought me more pain, failure, and momentary triumphs than earning the PhD during the 1996-97 school year. But while writing is a profession that pays, I am still paying off the debt I generated earning this degree, literally and figuratively. This debt is something I will not pass on. I hope my life has more meaning than earning this degree ever took away.

Friday morning, November 22, 1996, I checked my email just after getting out of bed. Since the beginning of that August, after banging out a full second draft of my dissertation, I knew. Since the end of that July, really, after spending eight hours combing every iteration of every chapter of my doctoral thesis for comments from my advisor I missed, I knew. Since my advisor’s one-page response three weeks later to my six-page memo detailing every change, revision, dressed-up lie, obfuscated statistic, and glossed-over fact, I knew. Really, it was moot on October 23, when my other two committee members both approved it and knew, too.

That Friday morning before Thanksgiving 1996, Professor Joe William Trotter, Jr. sent me a rare email, officially signing off on me becoming Dr. Collins with the words, “It is done.” It was anticlimactic, but it was also freeing at the same time. Yay, me, right?

Not so much. I was a month away from possibly leaving my PhD work behind. That was how much Trotter and the whole process of petty jealous and verbal abuse and threats had taken their toll. To know that my advisor did not support any endeavors to give my career a boost, including the Spencer Fellowship that I won despite his lukewarm letter on my behalf. To feel so betrayed that I felt solace dreaming of wrapping piano wire around his throat from behind and pulling until I spilled his blood and death occurred. It should have been a sign for moving on to something less soul-destroying. But I prayed. I persevered. I finished what I started. 

And I lost the thread for why I started in the first place. I went to graduate school to become a writer with enough knowledge and authority in my expertise to not be challenged in whatever writing project I decided to take on post-PhD. Boy was I a naive, dumb-ass 21-year-old! I ruined my writing for more than a decade as a result of this path. It took me until my blog and Boy @ The Window to find my voice again, my true, authentic, uncopyable voice. By then, I was already fortysomething (or, really between 39 and 44 years old at this point). My doctoral degree was already more than a decade old.

If I could do it all over again, would I choose to relive what I have truly reviled as much as I have relished? No, no, no. You don’t need to have a PhD to be an excellent writer. You certainly do not need one to write in relative obscurity. I learned that from Edgar Allan Poe and Mary Martino in AP English in 1987. No. I probably would have earned a PhD in social psychology instead, with stints of working as a K-12 teacher and a freelance writer or journalist in between. That path would have been more fun — if not just as morbid — at least.

I can think of what pursuing a more direct path to writing and working would have done. It would’ve saved me from four years of Trotter as my advisor, from “poverty wages,” never-to-be-counted-on Bruce Anthony Jones, and from abusive theoretical Marxists like Dick Oestreicher and Wendy Goldman. It would have saved me from myself and my self-doubt and constant need to prove myself to others to the exclusion of everything else in my life. 

My mom does get a few things right about me. After I finished my master’s in 1992, she said one day, “Why you always gotta ‘I’ll show you’?” I wasn’t trying to “I’ll show you,” especially to the white gatekeepers aligned like a fraternity or a gang with baseball balls eager to jump me in (or out) of academia. Still, I do not like being told “No.” Especially by mediocre people with half-baked ideas motivated by their own racism and ageism.

This will not be a self-loathing celebration, though. I have figured it out, myself included. I know what I want to write, and why. I have succeeded more than I have failed on this front since turning 45. I may never make up for those years in the wilderness, between academia and the nonprofit world, chasing dollars and chasing the approval of white gazers and HNIC (Head N-word In Charge) types. But I am still here. I am much closer to the life I’ve always wanted than I am  to the life I have gradually been putting behind me since 2008.

BA Collins, 30 Years Ago

27 Tuesday Apr 2021

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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"Hail to Pitt", Graduation, Looking Back, Pitt, Self-Reflection


Pitt logo, the one closest to what was on their brochures in April 1986, April 12, 2016. (http://pitt.edu).

As I have said in a couple of places this week, this time three decades ago I completed my bachelor’s degree at the University of Pittsburgh. My major was History, with minors in Mathematics (courtesy of my 1.5 years working toward a Comp Sci degree) and Black Studies (before the powers that were changed the name of the degree to Africana Studies). Yay me!

My degree is nine years older than my marriage, between five and 10 years older than most of my students. Goofy semi-asexual me was more than 12 years away from becoming a father. It seems surreal to look back at myself from 30 years ago. Especially when there had been so many years before Saturday, April 27, 1991 when I didn’t think I’d make it to 30.

If I could somehow get a message to my 21-year-old self, and only one message, what would it be? Trust God? Write as if your life depends on it, because it will, and sooner than you think? Take time off after finishing the master’s next year? Move back to NY, so that you can please your Mom? Don’t try to date E, it will go badly?

No, no, no. None of those will do. Find your true self. Find your core beliefs. Admit your loves, your disdains, your anxieties, and your fears. You do that, you will be the writer and the person you always wanted to be. That’s what my dreams and my multiple muses have been saying for years. I’ve heard them, but only in bits and pieces, since I was in my teens.

Well, better lately than never, and better late than Laettner, as I say.

Music of the Dystopia

25 Wednesday Nov 2020

Posted by decollins1969 in 1, Academia, Boy @ The Window, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, music, New York City, Politics, Pop Culture, race, Religion, Youth

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"Cry Freedom" (1997), "Fantasy" (1978), "Land Of Confusion" (1986), "Silent Running" (1985), "Welcome To The Terrordome" (1990), "Zombie" (1995), Afrofuturism, American Dream, Dave Matthews Band, Delusions, Dystopia, Dystopian, Genesis, Mike + The Mechanics, Narcissism, PE, Public Enemy, Self-Reflection, Silent Running (1972), Subversive Music, The Cranberries, The Matrix (1999)


Screen shot, Silent Running (1972) poster, November 24, 2020. (https://www.imdb.com/title/tt0067756/mediaviewer/rm3505217792/).

Music has nearly always been a dreamscape from which I could envision alternative histories, sense multiple futures, uncover possible presents, feel and find my best self.

It has also been a place for revealing the naked, uncomfortable truth of humanity’s existence in real life. If one were to take the music of the late 1960s and first half of the 1970s, the R&B that clearly outlined the combination of migration, poverty, heroin addiction, the Vietnam War, police brutality, unemployment, miserly government social welfare and urban living would be one way to go. If one were to take the eclectic British and Irish pop and rock of the 1980s, those folks illuminated the connections between rising conservatism, austerity meant to cut the social safety net, and the normalization of government oppression, corruption, and infiltration into the private lives of everyday people.

It all adds up to one simple yet very scary truth. Our world, the one in which my mother birthed me, the one in which I have grown up and grown older, has always been a dystopia. That’s it. All this talk of technological innovation, of moral and philosophical advancements, of a post-World War II, West-led democratized, globalized, capitalist meritocracy is simply The Real-Life Matrix pulling the dystopian world over our deluded, narcissistic eyes. And nearly everything in the world of mainstream news and journalism, in everyday national and international politics, in formal education systems, and in every single iota of American and global popular culture.

Except in the occasional and deliberate attempts made by artists and authors to expose the underworkings of this Matrix. I have written far too much about those authors of late, from Sarah Kendzior, Mona Eltahawy, and Leta Hong Fincher to Kiese Laymon, Ta-Nehisi Coates, and Derrick Bell. Truth is, I felt and sensed this truth in music even before I had read Aldous Huxley, George Orwell, or William Faulkner’s short stories about racist White men sleeping in beds for 20 years with the dead bones of their incestuous mothers. Marvin Gaye’s “Inner City Blues {Make Me Wanna Holler),” Stevie Wonder’s “Living For The City,” and Donny Hathaway’s “The Ghetto” brought the dystopian of Black life in the US to my attention long before I knew what the prefix dys- even meant. The contrast between this and the Afrofuturism of Earth, Wind & Fire’s “Fantasy” and “Boogie Wonderland” of the late-1970s wasn’t lost on me, even though it would be nearly 15 years between these songs and my reading of Octavia Butler’s Kindred.

 

But the 1980s hit me and my family as hard and fast as a government coup in Brazil or in Trump’s version of the US. It’s wasn’t just that it was our apocalypse. It revealed that the American Dream was a nightmare for so many people. It opened up my 100 billion neurons to the possibility that there could be no American Dream, no rise of the West, no Euro-American hegemony over the world without it being a dystopia for billions of people in the US, in Europe, and around the world.

It was also the decade of the Ethiopian famine of 1983-85, “We Are The World,” Bob Geldof and Live Aid, Farm Aid, and protests for South African divestment. So it seemed normal for groups of White guys in bands to write music, play instruments, and belt out lyrics like the ones below from Mike + The Mechanics’ “Silent Running” (1985).

Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command

The post-apocalyptic movie of the same title from 1972 was apparently on Michael Rutherford (guitarist of Genesis), et al.’s minds when they decided to work on the lyrics for this song. The idea that someone from the future would communicate with their ancestors in the past to resist the forces of totalitarianism and propaganda in order to preserve the path to a better future? Boy does that sound like the stuff of Octavia Butler, Derrick Bell, Kiese Laymon, and Colson Whitehead (not to mention, Tomi Adeyemi in her Children of Blood and Bone), where ancestors and descendants can somehow have confabs in real life! All in an effort to swap ideas, to conjure up solutions before we understood the problems, to recognize that time is nonlinear, and so are we.

As a teenager who saw more than most that the Reagan Years were part of the dystopian present, and not a return to American greatness, “Silent Running” was refreshing, if also incredibly scary. I was like, if these White guys from the UK and Ireland get it, then why don’t folks in America get it? At least, the folks I saw at school and in running my errands every day.

But it wasn’t just Mike + The Mechanics. A lot of music from the 1980s and 1990s was subversive, including the more obvious Springsteen and the E Street Band’s “Born In The U.S.A.” and John Mellencamp’s “Pink Houses” to KRS-One and Boogie Down Productions, Alanis Morrisette, and The Cranberries. It was just that the less subtle, the Billboard Top 40 hits and the B-side non-hits stood out for their double-meanings. When I stripped away the male bravado, the love and the lust and the loneliness from the repertoire of rap, R&B, hip-hop, and ’80s pop I listened to, the subversive was the remainder.

In my family-level apocalypse and resistance against my stepfather, the subversive helped. In the disconnect between the normalcy of magnet-program-learning among a cabal of Benetton-commercial-wannabes, the undercurrent understanding that this fakery belied a world very much like the one in The Matrix. The lyrics, the synthesizers, the heavy guitar strums and the drum rolls meant something different to me than anyone I knew growing up could imagine.

It wasn’t just “Silent Running” for me, nor something that hit like a sledgehammer like Genesis’ “Land of Confusion” that hit the radio waves my senior year of high school. There were others. For more than a decade, there were others, including:

  • PE, “Welcome to the Terrordome“
  • Sting, “Love Is The Seventh Wave”
  • Dave Matthews Band, “Cry Freedom“
  • The Cranberries, “Zombie“
  • Peter Gabriel, “Biko” and “Shaking The Tree”
  • Des’ree, “Crazy Maze“
  • James Blake, “No Bravery”
  • Seal, “Future Love Paradise” and “People Asking Why”
  • U2, “Bullet The Blue Sky”
  • Arrested Development, “Tennessee”

In the years after I finished my doctorate, I didn’t forget these songs, and may have taken on some more obscure ones by Floetry, Coldplay, U2, Bryan Ferry, Pharcyde, The Fugees, among others, along the way. Popular music has become more vapid and craven and corporate as the leaders in our world have made their taste for a dystopia that advantages them more and more obvious. This position is probably why I can’t find a nod to the dystopian in Rihanna, Cardi B, Chance the Rapper, Rick Ross, Beyoncé, Gary Clark, Jr., or Chris Stapleton (although Solange’s and Missy’s music videos at least contain subversive and dystopian wisps).

This world is the dystopia that has always been. And those of us who talk to ourselves while speaking out at the same time have been trying to get everyone else to see it and sense it all along. I should know. I’ve been talking to myself since my week of homelessness at 18, and speaking out as the world has lurched itself toward calamity for nearly as long.

Who’s Afraid of the Big, Bad P(Vagina)y? Men, in a Word

13 Sunday Sep 2020

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, music, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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"WAP", 616 East Lincoln Avenue, Black Feminism, Cardi B, Coming-of-Age, Feminism, Human Anatomy, Hypermasculinity, Masculinity, Maurice Eugene Washington, Megan Thee Stallion, Misogynoir, Patriarchy, Pussy, Self-Awareness, Self-Reflection, Stepfather, Vagine, Vulnerability, Weakness, William H. Holmes Elementary


Layered anatomy of the anatomical male and anatomical female body, June 5, 2016. (https://naturopathicdoctorwizangwira.wordpress.com/).

The first time I became self-aware of myself as a male with male parts was when I was five. At our second-floor flat on South Sixth in South Side Mount Vernon, New York, sometime in the summer of 1975, I walked in on my mother in the bathroom. She had just finished peeing and was wiping herself. All I could do was stare at her vagina area, seeing mostly what wasn’t there. “Maywa,” I said (a mash of my mother’s name Mary with Mom) “what happened to your pee-pee?” My mother explained that she didn’t “have a pee-pee” — without explaining why she didn’t have one. “When I get some money, I’m gonna go to the pee-pee store and buy you one,” I responded.

There are maybe 20 stories growing up where it seems me and my mother both share and end up smiling, with a sense of real warmth and affection, and not just base-level love, and without irony or a hidden sense of jealousy or disdain. The pee-pee story is one of them.

But this is more than just about the time before sexual assault, domestic violence, child abuse, neglect, and a massive slide into poverty changed my sense of the world. It’s about how men learn to fear all things vagina and vagina-related, and how that fear so easily turns us into misogynists and misogynoirists. It’s about how we as men fail to educate ourselves about women, about patriarchy, and ultimately, about who we are and who we need to be to end patriarchy.

A few years after discovering the differences between the anatomically male and the anatomically female, I knew a bit more, in both an intellectual and social sense. I no longer accidentally danced under my mother’s and other older women’s dresses at the parties my mother took us to when I was five and six years old. I guess if you get slapped upside the head enough times, you recognize why acting like you’re playing hide-and-seek with your mother’s dress as a prop might be socially inappropriate.

But that’s not all. By 1978 and 1979, we had World Book Encyclopedia at 616. Once I began plowing through it to learn all I could — and not just as a way to punish my mother for punishing me — I learned even more about the body than any eight or nine-year-old ought to learn on their own. The “Human Body” section contained celluloid slices of the male and female body, which would layer together to form a full body. From bones to muscles, from muscles to blood vessels, from blood vessels to nerves and organs and systems, and then to derma and coverings for orifices.

I remember the reproductive system either being the last or among the last of the sectional celluloids to form a male or female body. I learned about ovaries, testes, scrota, urethras, and vaginas long before I could say these words correctly. This also meant that I understood where babies come from, without fully understanding the drive that led to human reproduction.

A year later, near the end of fifth grade at William H. Holmes ES (I think it was the third week of May 1980), me and my classmate Joe were on our way home (we both lived in the A section of 616). We were talking shit about girls, about boys, about life in general, maybe with a few “yo’ mama” jokes thrown in. Suddenly, Joe hits me with the question, “Have you ever seen a pussy before?” “No!,” I lied, and loudly too. Joe teased me about it, saying, “You can’t even say ‘pussy,’ can you?” I just laughed it off, not knowing what to say, really. Even at ten, I knew enough to know I couldn’t reveal I’d seen my mother’s vagina at five or that I had seen the encyclopedia’s White female rendering of one.

I didn’t use the word at all until June 1988. It was after I escaped yet another attempt by my idiot stepfather Maurice to make me see him as my father through the use of his fists. He ended up falling into a tub of bathwater meant for my youngest siblings Sarai and Eri. What made this even more ridiculous? This was after my first year at Pitt, a year where I knew more than enough about the world, about the predicament at 616, and about myself to recognize I didn’t have to put up with this bullshit. But I slid back into my old role as teenaged man-child anyway.

This was what happened afterward, via Boy @ The Window

All I kept muttering to myself was, ‘I’m a pussy,’ because I still could’ve gone to the cops for his attempted assault. After a couple of minutes, he said, ‘Get this through your head, boy. Me and your mother are happy together, and we’re gonna be together long after you leave here and go out in the world. The world’s a dangerous place, and we’re just gettin’ you ready for it.’
Huh? What? I knew not to laugh right then, but I was laughing at him on the inside. I knew right then that him and Mom would be over sooner rather than later.

Even in that moment, it felt weird to call myself “a pussy.” I never saw myself as weak, or women in general as weak. It didn’t occur to me that I was afraid, not of getting beat up or of being weak. I was afraid that I would never become the person I wanted to become. I was afraid that mfs like Maurice would continue to come at me because they saw the version of me that I presented at 616, the shell that seemed weak, just like how they saw women, just like how they saw anyone with a vagina.

This is the fear of all boys and men unknowingly or fully conscious of the patriarchy, masculinity, and the world, of folks on the verge of misogyny, misogynoir, and hypermasculinity. The fear of being seen by other men and women-as-patriarchy’s-footsoldiers as pussies, weak in body, mind, and spirit, and therefore as exploitable to the point of being used as a punching bag.

This was why there was such a ludicrous outcry over Cardi B and Megan Thee Stallion’s “WAP” last month. The responses weren’t about Christianity and morality. Not really. They were about the need to keep women from freeing themselves and their vaginas from the clutches of patriarchy. The angry gasbags on Instagram and Twitter venting their spleens were expressing their need to keep women and their pussies in a locked box, fully under the control of men and women-as-patriarchy’s-footsoldiers, for use only in case of wanting to make a sanctified baby (especially White ones). Anything short of this total control weakens men, weakens patriarchy, and makes us vulnerable to questioning ourselves.

The truth is, heterosexual men especially are scared because we as a group cannot be as strong as women, queer/transgender women included. None of us can be strong when we refuse ourselves the right of vulnerability, the need to feel feelings aside from anger, rage, and bravado, the courage of solidarity and love, and the humanity of affection with and for others — including for the men in our lives. This isn’t just about men needing to cry when in each other’s presence (although I am more than sure that would be helpful for millions). It’s about the need to connect with the parts of ourselves that we refuse to acknowledge. For most men, it’s as if we are all M1 Abrams tanks, ready to kill and destroy at a moment’s notice.

But as so many Black feminists in my life have reminded me over the years, the vagina is a really strong muscle. After all, the vast majority of humanity has passed through one on the way to being born. It is a muscle that can be strengthened, stretched, and even repaired, something we as a species and world so desperately need. Try as men might, there are no dick exercises in which any anatomical male can do reps with his penis and build strength. At least not yet.

Constantine’s, No Longer Around, Missed Anyway

19 Wednesday Aug 2020

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, music, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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1990s Hip-Hop/R&B, 1990s Rap, Coming-of-Age, Constantine's, Dance, Dancehall, East Liberty, Fights, Grad School Days, Graduate School, Hypermasculinity, Misogyny, Observation, PE, People-Watching, Pitt, Public Enemy, Reggae, Self-Reflection, Sexuality, Voyeurism


The East Liberty CVS on Penn Avenue (where Constantine’s once stood), August 2017. (Itay Gabay via Google Maps).

“Last call for the alcohol!,” the half-bartender, half-bouncer would yell about 20 minutes before the two o’clock closing of the hole-in-the-wall joint that spend a few too many Wednesdays, Fridays, and Saturdays in between the summer of 1991 and January 1995. It was my time “bein’ around my peeps,” sitting around to nurse two or three drinks, dance, people-watch, and occasionally go back home with a patron. It was my time to not think about what I feared, especially God and graduate school. It was my time to forget that I was the second of six kids who had the triple responsibility of father figure, oldest brother, and caregiver. Mostly, it was just a place to allow my horny and bored-with-the-world ass hang out and not be so intellectual and weird all the time.

Constantine’s was where the East Liberty CVS on Penn Avenue in Pittsburgh now sits. It was less than two blocks from where I lived on Penn Circle South, my first on-my-own flat that I didn’t have to share with no one. I have no idea what was there in that rickety and beaten up old one-floor building before Constantine’s. Maybe it had always been a bar or a club, one that had seen better days in the decade or two before I was born. Maybe it was once a hardware store or a dry cleaners. Who knows?

All I knew was, in the month or two after I moved into my Penn Circle South studio apartment, I stumbled onto the place. It would’ve been October 1990, just cool enough for Pittsburghers to start wearing winter gear, Steelers jerseys, and enough Steelers and Pirates pleather and leather to scare a herd of charging bulls. A group of 20-somethings were packing their way through Constantine’s front door. There was a bouncer, I guess, checking IDs to make sure everyone was over 21. Judging by the way some of the youngest women were made up, though, I didn’t think the bouncer was consistently checking folks.

I didn’t go in that day. Too many bills, not enough money, and too many thoughts about What would Mom think? and What temptations would harm my soul? So I forgot about the place for the remainder of my senior year at Pitt.

It wasn’t until I started having problems with my friend E during my first full summer living in the ‘Burgh in ’91 that I started carving out me-time at Constantine’s. I went in on a sweltering mid-June Wednesday, and as would become ritual over the next 3.5 years, the so-called bouncer didn’t check me for ID. The joint was tacky as hell. The tables and chairs on the left were either plastic or plywood, Kelly green or harsh white.

Ving Rhames in Dave (1993), Screen Shot, August 17, 2020. (https://MovieActors.com).

The barstools on the right were of better quality, up against a bar with a prickly middle-aged-looking Black dude who maintained his fresh Ving Rhames-in-Dave (1993) haircut under any and all circumstances serving drinks. He was so mercurial. He could be, “Wassup man? How you be?” one Saturday, and “We don’t serve your kind!” another. One Friday, I ordered a screwdriver (Vodka and O.J.) without any pushback. The next Friday, he was all like, “Muthafucka, just call it a vodka and orange juice! I don’t mix screwdrivers here!”

There was a well-proportioned Black woman who always, always, always, sat in the middle of seven barstools, just to the right of the cash register. She was maybe about five-two, skin the color of mahogany, her hair in a ’90s-style perm or in ruffles. She either wore skin-tight dresses or jeans with a revealing blouse, never danced, and rarely greeted anyone. I figured she was either the gruff bartender’s girlfriend or that Constantine’s was her favorite watering hole. Whatever. She probably could drink the entire group of men (and sometimes women) who hit on her every night under the table and under the concrete foundation, too.

Much of what remember from my Constantine’s outings were the fights. There were so many fights. Fights between two guys over a woman would break out in the middle of the dance floor one Friday or Saturday after another. I once saw a guy beaten until there was a pool of blood in the center of the floor, with a trail of blood leading into the alleyway that led to the side entrance of my apartment building. It wasn’t unusual for women to throw down either, knocking each other out somewhere between PE’s “Can’t Truss It” and Daddy Freddy’s “We Are The Champions.”

Speaking of the music, it was the early ’90s, so the vibe went from New Jack Swing, Babyface and Tony! Toni! Toné! to Jodeci, MJB, and PE, with bits of Kriss Kross, Tribe Called Quest, Naughty By Nature, TLC, Dre, MC Lyte, and LL Cool J thrown in. But it was reggae — specifically dancehall — and gansta rap that was mostly in our ears at Constantine’s for most of my time attending. Shabba Ranks was so big at Constantine’s. So was Patra and Buju Banton and fake raggamuffin Shaggy. Outside of Pitt, I didn’t know African Caribbeans lived in Pittsburgh until I started sipping drinks at Constantine’s.

I also didn’t really know how to dance until I started hanging out at this smoked-filled and slick-floored destination. I went on the floor maybe once every three trips. Sometimes I was more interested in observing than in participating. Sometimes I was too stressed and horny to do anything else but stare at faces, breasts, hips, and asses for a few hours. But I did dance, at least, as best as I could. I used my halfway decent post-up moves from the basketball court as the basis for decent footwork. But, as I began realizing that some of the women wanted to grind, I learned how to do that too.

I had some awkward moments. Like the time my Swahili instructor and I found ourselves at Constantine’s one really warm Wednesday night in the fall of ’91. He had a woman on each arm. All three of them were from Tanzania, not the typical group of Constantine attendees. We greeted each other, and proceeded to ignore each other the rest of the night. Class the next afternoon was pretty much about my and his after-hours habits.

Sometimes I almost got into it with a guy here or a woman there because I looked at them the wrong way, said the wrong thing, sounded too educated or “White,” or because someone’s conversation with me ran on too long. In 1992, one woman laughed at me and kicked me in my rear on my way out the door after I revealed that I was “also working on my master’s” — she obviously didn’t believe me. Until she saw me on campus a week later. After that, I lied, and told folks who asked that I was a “part-time college student.”

I was too young, stressed about grad school and life, and excited and aroused to be scared. I should’ve been. On two occasions, someone threw a large liquor bottle in my direction when I was on my way out of Constantine’s. One other time, I swear, a bullet whizzed past me and into the window of a parked car.

The last time I went to Constantine’s was the beginning of February ’95. I kid you not, they were running the place with a portable electric generator plugged into an outdoor outlet — someone hadn’t paid their Duquesne Light bill. It kept the lights even dimmer than normal. There was no heat. This is a bar in Pittsburgh, before climate change made American winters into the wet season in Guyana. It was 15 degrees Fahrenheit that day, and it felt like it at Constantine’s that night, even with nearly 30 dumbasses like me in the bar that night. I left after 45 minutes.

Three days later, I was in Washington, DC, working on my dissertation project. When I returned at the end of March, Constantine’s was gone, bulldozed to make way for East Liberty’s first CVS.

Truly, if my field had been sociology, cultural anthropology, or social psychology, creative nonfiction writing, my times at Constantine’s would’ve made a great project, with me as subject, too. The misogyny, transphobia, homophobia, and hypermasculinity on display, side-by-side with intersectionality, feminism, sexuality, all in the midst of the beginning of this neighborhood’s gradual shift toward gentrification. It was, well, fascinating. Thankful, though, to not feel that awkward at this stage of life.

A List of the Unwritten Rules I Wish I Had Known, in 1990, 2000, and 2010

19 Tuesday May 2020

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Work, Youth

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Academia, CMU, Educated Fool, Failure, Pitt, Self-Reflection, Success, Teaching and Learning, Unwritten Rules


Me, 23 years after my PhD graduation, May 18, 2020. (Donald Earl Collins).

As a confessed educated fool, I readily admit that there are a ton of things I understood but did not act on. But I also know that there are solar system loads of unwritten rules that I didn’t and couldn’t possibly have known going into my professional future toward the end of my undergrad days at the University of Pittsburgh. And, there’s the stuff that falls in between. The rules that are not hard rules, ones that can be bent, twisted into pretzels, and/or broken or even shattered. The things that I didn’t know I knew, the ideas and principles that are ingrained or splinters in my mind, but not quite accessible until the moment I needed them, or, even worse, right after I really could’ve used that extra bit of knowledge and wisdom.

This list is merely the beginning of the most important rules I could impart to my younger self, at 20, 30, and yes, 40 years old. Donald’s 1.0, 1.5, 2.0, and 2.5 all believed that his mind, his imagination, his hard work and achievements would all carry the day, would win him a slice of prosperity, a sliver of intellectual respectability, a piece of popularity, even. All to have moments and flashes of all three, but not usually at the same time, and all to realize that talent and hard work for Black folx in a Whiteness world matter not. Not even among most Black elites. I could list 1,000 unwritten rules and other ideas that I wish I had known or — if I did somehow already know — taken advantage of. But the real theme here is that the meritocracy is a lie. Whether in the form of rugged individualism or a belief in K-16 education as a social mobility equalizer, merit through talent and hard work is an American mythology like Abraham Lincoln “freeing the slaves” and America as always good and righteous.

1. You are a writer. Whatever the job, whatever the career path, whatever the familial and relationship and marital responsibilities, you are a writer. Yes, despite it all, your calling is to write about it all. Period. It does not matter if you think most of your writing is crap. All writers think their writing is crap. It does not matter if you’re really good at organizing conferences, retreats, and learning institutes. Or, if you are excellent at curriculum design, a tough but caring history and education professor, a science nerd and a talented computer science geek. Nearly every writer has another set of jobs and careers besides writing. Just because your co-workers, colleagues, and even family might not see you as a writer first, does not mean that you are not a writer.

And, here’s the real deal. Not everyone needs to know that you are a writer. Some dumb muthafuckas will use your expressed calling against you, especially if and when they do find out about your creative side and your one troy ounce of success. Some of your enemies, nemeses, and family members and friends will literally laugh in your face when you discuss your aspirations with them. You have to know whom to trust and not trust with this truth about yourself. You will learn, in time, to keep your own counsel, to not let everyone in your world in on your not-so-secret secret.

And you will learn that to write is not just putting pen to paper or fingers and thumbs to a MacBook keyboard. It’s reading, beyond the academic tome, beyond the occasional novel or Walter Mosley detective mystery. It’s reading folx who’ve struggled with writing just like you. It’s people-watching on trains and the Metro. It’s listening in Univision or Telemundo programs while folding clothes at a laundromat with a mostly Salvadoran, Nicaraguan, Nuyorican or Dominicanyorka audience. It’s thinking of an idea while cleaning chicken thighs for dinner or on the occasions you end up jacking off for lack of sleep. It’s all the vivid dreams and nightmares — really, visions — that you’ve had of present, future, past, past-future, future-present, and ever-present, about escape, about overcoming, about being trapped. That’s all a part of the process.

2. Degrees matter, and yet, degrees don’t matter for shit. I cannot believe that your dumb-ass self believed for years that getting the “PhD would be a passport for doing what [you] wanted to do in [your] life.” You must have said this to 50 of your closest friends, acquaintances, and even a couple of folks who you eventually realized were your enemies back between 1990 and 1997. At your most stressed times, those sudden, bolting-upright-in-the-bed-at-3am moments, with your heart thumping like you were Bugs Bunny ogling Lola Bunny, you believed the doctorate was the ticket. You kept telling yourself this, even as you had doubts about what the degree meant as you finished your coursework in 1994. You cast yourself atop this hill, especially after becoming a Spencer Dissertation Fellow in 1995, even though you and many in your cohort were all obvious misfits in the grad school system.

Yes, in the narrow sense of job qualifications, degrees matter. But, you earned your master’s degrees in History in April 1992. At 22 years old! You were all-but-dissertation at 24. 24! You could’ve taken time off, earned a teaching certificate in a year, gone on to teach at public, private, or parochial school, or even earned a degree in a more practical field, like psychology, social work, education, journalism, creative nonfiction, or sociology. So admit it, damn you! You were attracted to some aspects of the tenured faculty lifestyle. Not most of it, to be sure. Yet the idea of having a schedule where you spent lots of time doing research and writing. You secretly craved being paid to write whatever you wanted to write. Even though you already knew that you could only do this if you willing to write like a cold, dispassionate White guy well-off enough to not care about reaching an audience outside of his extremely narrow field.

So you convinced yourself for nearly two decades that you could do and be both. A writer for mainstream organs and readers and a writer for academe. You weren’t wrong. Your eclectic writing style can accommodate complex scholarly ideas and personal tales and dramas, even creative techniques to transition between them. But the world of the privileged rarely allows for the crossover-dribble equivalent for writers. With a doctorate, you are an egg-headed scholar to the average editor, and cannot possibly write in any other way. For journal editors, your style was never gonna be scholarly enough. For newspaper and magazine editors, your style was always too cerebral. And, despite your degree, you had a hard time convincing others of your expertise. You only earned a PhD in History from Carnegie Mellon University, okay? Not from UCLA or Berkeley or Stanford, or certainly not from Harvard, Yale, or Princeton, or even UPenn, Georgetown, or Columbia. Your years of published works and a couple of self-published books would be barely enough to convince Ebony to take a look at your work when you hit your mid-40s. Forget about trying to bifurcate and make your degrees work for you. Get a good job, and just find more and more ways to keep writing, and hopefully, you won’t be dead before people start reading your stuff.

3. Academia, the nonprofit world, and the writing world only make room for Blacks and other people of color when then either completely conform to its -isms (tokens), or when we prove ourselves to at least be moderately successful mavericks. There is no in between, there is no best-of-both-worlds, or straddling the fence, or finding yourself as the Emissary that can cross between worlds. You are not Avatar Aang, the Last Airbender or Captain Benjamin Sisko of DS9. Even among other Black folks, like when I was offered a tenure-stream position in the Department of Africana Studies (née Afro-American Studies) at Howard University in 2000, it came with the implicit stipulation that I needed to conform, to always respect my elders — no matter how elitist and exclusionary I thought they were. At nearly every job I have held since 1996, I have been hired as a token toward diversity with the added benefit of my degree and/or specific expertise, or because I went against the grain to do or write something counterintuitively.

But if that were all, you may have figured some aspect of this out during the Reagan years. The layers of intersectional elitism, from whole institutions like lily-White, College Republican, and two-comma-kid Carnegie Mellon, to department-level beliefs of assuming that you as someone who grew up with poverty would somehow survive summer after summer without financial support. There were also the professors, who to a person assumed that “a few years of hazing will be good for you,” as if you grew up without a material care in the world. After all, how could a Black guy from Mount Vernon, New York with your familial and socioeconomic background find themselves in the hallowed halls of major universities?

Yeah, man. There are almost as many layers of elitism in the working world as there are folds in the gray matter of an alleged Mensa genius. Racial paternalistic elitism, neo-Marxist elitism, misogynist elitism, Marxist elitism, socialist elitism, misogynoir elitism, White feminist elitism, Afrocentric elitism, corporate elitism, technocratic elitism. There’s also Ivy League elitism, HBCU elitism, country-club elitism, affluent Black elitism, African Black elitism, Afro-Caribbean elitism, Puerto Rican elitism, and biracial elitism. And lest I forget, there’s that from-the-5-boroughs-New Yorker elitism, served-in-the-Peace-Corps elitism, revolutionary elitism, anti-revolutionary elitism, and even contrarian elitism. Cutting through all these layers over several decades might leave you in a rage, ready to holler at a moment’s notice, and with some bouts of exhaustion and high blood pressure. But the truth is, none of these dumb asses know how deep in The Matrix they are, putting on enough airs to crush entire cities into oblivion.

4. You will have moments of serious doubt. You will have days, weeks, months where you will be depressed. You will have “waiting for the other shoe to drop” emotions, even when everything is going well professionally. You will feel that you do not belong. Not in academia. Not in the nonprofit world. Not as a writer. Not as an American. Sometimes, not even as a Black American. You will have bouts with what we call imposter syndrome. And yes, you do not fit in easily anywhere, because you have spent so much of your life trying to learn how to cope in places and spaces that never wanted you. Your experiences with millennialist religions, with poverty, with Blackness, with growing up in Mount Vernon/New York City, will help you cope. But you will never be a fit in any place you inhabit in this lifetime.

And, you need to know that this will be perfectly fine. Fitting in never brings you the material and psychological benefits you will seek for yourself and your loved ones. Fitting in only brings you headaches on the regular, endless cycles of diarrhea and constipation, a nearly permanent insomnia. Fitting in makes you almost forget your training as an African American historian and your expertise in understanding the human condition. Fitting in nearly kills the writer you so desperately need to become before you even fully acknowledge that you are one.

So, do not ever fit in. Do not even try. Be you. Be your best you. If that isn’t enough, that’s the problem of a world full of bullies, Head-Negro-in-Charge micromanagers, White moderates, paternalistic White women, and other who would prefer brown-nosers to free thinkers. Not to mention, the armies of sycophants these assholes tend to hire.

So, the meritocracy is a neoliberal lie, and a debt-ridden deadly one. You might never break through as a writer in all the ways that matter to you. Or you just might. Or, you may fully break through, only to find out that you are so much more than the writer you will eventually become. But do not look for approval. Especially not from the US academic and literati set. Let them continue to eat their shitty cake.

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Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

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Boy @ The Window on Barnes & Noble: http://www.barnesandnoble.com/w/boy-the-window-donald-earl-collins/1115182183?ean=2940016741567

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