Category Archives: Mount Vernon High School

My Alex and America’s 45, Bullies with Fan Boys on the March

05 Monday Aug 2019

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45’s fans at campaign rally, Greenville, North Carolina, July 17, 2019. (Carolyn Kaster/AP; https:/usatoday.com).

At least one person will undoubtedly find my latest post unfair and offensive this time around. My Humanities classmate Alex, whom I interviewed as part of my book Boy @ The Window, will likely not be too happy with me this week. So Alex, if you do find yourself feeling this is unfair and my post offensive, I apologize in advance.

But either way, that’s okay, because the comparison between the person he once was and the person who is 45, America’s usurper-in-chief, is apt. Not because Alex was ever a malignant narcissist in need of constant adulation from his entourage. But because even small-d demagoguery around putting down so-called others out of insecurity, racism, xenophobia, misogyny, religion, a sense of superiority, and/or willful ignorance will still lead to violence and bullying. On a societal level, that is mass violence, that is fascism within a democracy, and nation-state sanctioned. No matter what the College Board and ETS says.

The thing I didn’t really allow myself to understand, even after I interviewed Alex in 2007, even after writing my first eight drafts of Boy @ The Window regarding Alex and the “Italian Club,” was this. That people like having leaders, folks they can relate to, even as preteens. In our times, that means someone who’s cool, or at least, pulls off the cool aesthetic well. Alex did. Whether you liked him or despised him at A. B. Davis Middle School in Humanities in seventh or eighth grade, Alex had a certain prepubescent charm. He was playful, goofy, corny, and fully engaged in pop culture as an up-with-everything 12 and 13-year-old.

And that attracted a specific group of folks into Alex’s solar system. Some of them knew him from their mutual time together at Columbus ES, but several in his entourage were from other schools prior to Davis. All of them were disaffected boys in some way or another, mostly Italian (or at least in one case, half-Italian), but almost to a person, not comfortable with the multicultural pressure cooker of relative uncoolness that was our magnet middle school program.

Alex led his “Italian Club” in acting out. Like a wolf pack, they looked for prey in the classroom to pick on, to call the wittiest names, to occasionally get physical with. Many times, they messed around with corny lines for girls like Sandra and Marianna. But I ended up on their radar early on. Between my kufi, my big but slow-talking mouth, and my fight with Brandie, I was ripe for Alex and his band of predators.

On November 2, 1981, the bullying started in earnest, as Alex and his band jumped me after school in the area near the side door exit from Davis. About a third of my classmates watched as the “Italian Club” knocked me to the ground, punched and kicked me until I began to cry. Alex himself never put his hands on me, but watched with glee as his fanboys did the dirty work.

But that wasn’t all. I had to endure seven months of being “dumb,” “stupid,” and a “monkey” from Alex’s band of brothers. It was topped off by a month of “Captain Zimbabwe” chants in May and June 1982, typically in Mrs. Sesay’s homeroom, but after counter-protests from other classmates, it moved to Ms. Fleming’s Italian class.

Eighth grade was nowhere near as bad, partly because I grew four inches over the summer, and partly because they likely sensed my rage from my summer of abuse with my idiot stepfather. Still, this didn’t stop Alex from messing with me or other vulnerable classmates that year or in ninth grade. I remember him greeting Josh a couple of times with the refrain from The Beatles “Hey Jude,” except it was, “Na, Na, Na, Na-Na-Na-Na, Na-Na-Na-Na, Hey Jew.” I remember him and his entourage calling my other classmates “monkey.” He once went after our class’ eventual valedictorian, “she’s a brainiac, a brainiac,” adapting a song from the Flashdance soundtrack.

This was the Alex I knew between the ages of 12 and 15. Comparing him to a 73-year-old who has the impulse control of a nine-year-old hopped up on crystal meth is somewhat unfair, as Alex isn’t that teenager anymore. Still, what 45 has done on a far larger stage than Davis’ Humanities program is essentially the same thing. Except that there are millions of folks — especially White men — attracted to his intersectional message of “this is our [read, ‘A White Man’s’] country.” And anyone not for White men first, second, and always needs to get out, or at least, get out of the way.

There’s a video clip making its social media rounds via Bloomberg editor Tim O’Brien from 45’s rally in Panama City, Florida on May 9. In it, you have 45 and many in his audience laughing at the idea of shooting “illegals” coming in from Mexico as a solution for stemming the tide of “invasion” from Central America.

This is hardly the only blunt signal 45 has sent to his anti-Black, anti-Muslim, and anti-Latinx fanboys and footsoldiers-for-the-patriarchy (thank you for the truth, Mona Eltahawy) fangirls over the years that their intersectional -isms are justified. But it is one direct example that those who really believe a race war is coming can use to take up arms and shoot to kill Black and Brown folks for existing in the US. That’s what Patrick Crusius and Connor Betts did this weekend in El Paso and Dayton, Ohio to their dozens of dead and injured victims. That’s what 45’s entourage has been doing with increasing frequency over the past decade. This is what demagogue bullies do. They build a following. They jizz their racism, misogyny, xenophobia, and homophobia all over their followers. Those most predisposed to lap up such vitriol and act on it then do the not-so-subtle calls for violent action and take it out on truly random marginalized people.

For a variety of reasons, not the least of which, attending a majority-Black-and-Brown high school and perhaps recognizing his own racism and misogyny, Alex wasn’t the same Billy Idol-worshipper I’d known in eighth grade. By our senior year, he even seemed like-able, and spend way more time with a group of Black and Latino friends than he did with his one-time entourage. I assumed he matured. Good for him. Really.

But it’s way too late for 45 to grow out of his -isms. It’s way too late for millions in his entourage to grow out of their violent fantasies for mastery over vulnerable others. We have to disarm them, with the repeal of the 2nd Amendment. We have to disarm them, by calling them out for the bullies and intersectional terrorists they are. We have to, if we’re going to survive them.

My Life as a Scrambler

10 Wednesday Apr 2019

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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I wish I could say that it was different. I wish I could say that the key to success in my life was crafting plans, developing rubrics, and building out scale models of every step, move, and smile toward achieving Points A, B, and Z on my life-sized to-do list. I wish that life was like being Tom Brady (not really). Or really, like being every White male statue that’s ever stood behind a bruising, blocking, dynamic offensive line in American professional football. One where even a mediocre quarterback like Trent Dilfer or Jim McMahon could stand behind and take as many as ten seconds to find an open receiver for a first down or a long touchdown on their way to a Super Bowl championship.

But, with some notable exceptions, my life, and the successes I’ve garnered in my life, have come from scrambling out of the pocket, usually because my proverbial offensive line couldn’t block the pass rushers in my life. It’s hustlin’ really, but not the kind of hustlin’ that would bring me notoriety. My life has been mostly Joe Montana and Russell Wilson, with occasional periods of Warren Moon half-standing in the pocket and half-scrambling in between.

Graduate school was the one exception that almost ruined me. I took the lesson I learned about keeping my schedule of work, social life (however ill-defined in 1991), and classes and transferred it to my five and a half years of working toward a doctorate. After a straight-A first semester and finishing my master’s in two semesters, I took it as a sign that this drawing up plans and executing them with brutal efficiency was the best way for me.

Keep in mind, I scrambled all through middle school and high school, for all six years I was in my Humanities Program. I scrambled because I had to. I couldn’t make concrete plans to study at 616, to read books by a specific date, to just have a day to myself just to work on me. Not with my abusive ass, idiot stepfather Maurice/Judah/Maurice there. Not with my younger siblings running around. Not with my Mom going through welfare and depression. Not with having to track down my alcoholic father on weekends for work and money.

San Francisco 49er QB Joe Montana scrambling to make a throw, Super Bowl XIX, Stanford Stadium, Palo Alto, CA, January 20, 1985. (http://youtube.com).

And yet with all that, I finished 14th in my graduating class of White, Black, Afro-Caribbean, and Latinx hyperachievers. I received scholarship offers from every school I got into (with Columbia withholding only because they couldn’t believe I came from a family of eight with a $16,600 per year income in New York). Scrambling worked, even though it didn’t feel like it at the time.

Which was why I went the other way. And so, for my graduate school years, and the baker’s dozen of years that followed, I stayed in the pocket. I drew up plans like an architect for my career and life, and followed those plans as if I’d gotten them from God him/herself. And the truth was, most of my plans worked to perfection. I earned a two-year master’s degree in one, earned a big-time dissertation fellowship without overwhelming support from my advisor and committee, published articles, presented at conferences, and, once fully immersed in nonprofit work, job after job, promotion after promotion, more publications and teaching opportunities.

Or so I thought. I hadn’t realized that while my 150-PowerPoint-slide gameplan seemed to be working, that I was still scrambling every chance I got, and hustlin’ myself in the process. I only completed my doctorate in November 1996 because I scrambled, and left my advisor little choice but to approve my dissertation. This after lobbying my other committee members, documenting every comment from my advisor on my dissertation going back a full year, and otherwise turning the academic politics of Carnegie Mellon to my favor that summer and fall. That, and having a complete, 505-page manuscript, sealed the deal.

I scrambled for work all the while, went the summer of 1997 without work before hustlin’ my way into nonprofit work by lying about only having a master’s degree that year. I scrambled into my jobs at Presidential Classroom, both of my positions at Academy for Educational Development, and every single teaching position I’ve held since 1998, AU included.

It just took me until 2008 to realize that I wasn’t the figurative pocket passer. I ran myself and those who’ve been there to catch my publishing, teaching, and working passes open. I’ve never had a good offensive line, because America stacks their lines for privileged White men and White women first, second, and third. Sometimes I’ve had to take the proverbial ball to the end zone or for a first down myself, because there hasn’t been anyone else who can help. Sometimes, too, I have to take the hit, also because I don’t know what I don’t know, and I’ve fought against the mantra “It’s not what you know, it’s who you know” for most of my 49-plus years on this Earth.

I’ve come to accept that this is my life. I don’t have to like that despite all the article publications, conference and public presentations, grant money raised, students taught, students now in prominent positions themselves, book manuscripts produced, friends made, and so many other measurables, I am a bad six months away from career collapse. And with that, maybe my marriage, my status as a dad, and  my health and life would be at risk as well.

But I do not intend to be a contingent faculty member and an older man pretending to be a youngish freelance writer with fresh ideas (with the rare consulting opportunity) for the rest of my most productive working days. Either all this works out, somehow, or I’m driving as the Uber professor/Trader Joe’s stock boy/MCPS bus driver (ala Steven Salaita) down the line. Anyway, Red from Shawshank Redemption put it best. “Get busy livin’, or get busy dyin’.” My mantra for the past four and a half years.

What If You’ve Never Really Had a Crew?

01 Friday Feb 2019

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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My copy of Tressie McMillan Cottom’s #ThickTheBook, January 12, 2019 (Donald Earl Collins)

Tressie McMillan Cottom’s book Thick: And Other Essays, like so many of the books I’ve chosen to read over the past six years, will stay with me a while. She is brilliant, period. I feel blessed having been on the journey of reading about her experiences, her views of the world, and her Blackness and Black feminism. There are so many nuggets and witticisms in Cottom’s Thick that I should sit down and plan out a way to mine her book for actual gold and platinum. It’s rich and thick like hot chocolate with hits of cinnamon and nutmeg, something to imbibe while taking a bite of a New York-style blondie (which I specialize in cooking-wise) or slice of chocolate torte cake here and there.

But there was one sentence that stood out, before I even began reading the book in earnest. As I randomly flipped through the pages after first getting Thick, this sentence hit me hard, dazing me like the day my one-time stepfather punched me in the jaw for the first time. “Everybody needs a crew,” Cottom wrote to start her “The Price of Fabulousness” essay, adding that she has “many because I am extremely fortunate.” Yeah, no kidding!, I thought immediately after reading that sentence. For a moment, maybe even 0.68 seconds, I was envious. Not like, “Oh my God, the arrogance of this one here!” kind of jealous. Nor was I the “I wish I was her!” green-eyed monster, either. I realized that since the last weeks of sixth grade and the beginning of three and a half years as a Hebrew-Israelite, I hadn’t really had a crew as Cottom defined it at all. That was the spring of 1981, when I was eleven years old, nearly 38 years ago, by the way.

From the day I let my one-time best friend Starling beat me in a fight over my alleged decision to join the Hebrew-Israelite cult and walk into William H. Holmes ES with a white kufi on my head, I had no crew. There’s a reason I consistently refer to my middle school and high school Humanities classmates as either “classmates” or “acquaintances.” They weren’t my friends, some were genuine bullies and assholes to me and to each other, and lacked in most forms of what grown folk would call social graces. They were my academic and (sometimes) athletic competitors, they were friends with each other, but only to a point. But one thing they could never, ever be was my crew or posse or homies or anything close to what Cottom meant. That Wu-Tang Clan-level of professional collaboration and possibly personal friendship didn’t exist in the cauldron that was that magnet program within an even more hostile public school system in Mount Vernon, New York.

College at the University of Pittsburgh was where I’d find friendships again, and maybe at times, the primordial beginnings of a crew. But these proto-crews never quite came together for more than a night on the town here or there. Quite frankly, the other thing my eclectic groups of friends and acquaintances had in common was knowing me. At least, the parts of me I was willing to show folks at the time. I knew most of them weren’t ready for the real me, because I wasn’t ready for the real me. Not at nineteen, twenty, or twenty-one.

Spencer Foundation Dissertation Fellows Retreat, Berkeley, CA, February 17, 1996. (Donald Earl Collins)

Graduate school me, though, was more ready. My times at Pitt and Carnegie Mellon earning my doctorate were the closest I got to having a crew. At one point in 1994-95, I probably knew at least half of the Blacks, Africans, Afro-Caribbeans, and Latinxs on Pitt’s campus, and all of the Black diaspora students at CMU (the latter because there were so few of us there). But despite the common interests around campus climate, student and faculty diversity, mistreatment on the basis of race, class, gender, and sexual orientation, the fact remained that my crews were eclectic and transitory ones. Masters students would be gone in two or three years. My warp-drive, single-minded race toward the doctorate made certain that any bonds I forged during those years wouldn’t last. There would be no collaborations or calls for career help or advice with these disparate groups. Not even when I lived off the fumes of my last grad school stipend check the summer of 1997.

Working in the nonprofit world and as contingent faculty has often meant being on the inside, but still feeling like an outsider, anyway. Or really, a fraud, because I never fully embraced the norms of nonprofit capitalism or academia as intellectual capitalism and exploitation. I became friends with a fairly eclectic bunch in these spaces, too. But none of them shared my passion for creative nonfiction writing, or have wanted an alignment between career goals and social justice fights, or even, have had a taste for basketball as a spectator or player.

I guess one could say that my wife and son and two of my closest friends are my crew, but that’s not how a crew works. They are family, a very supportive family to be sure, but family is muck thicker than blood or a crew.

So, maybe Cottom is right. I really, really, really need a crew. I’ve made it pretty far in parts of my life without one. I’m not sure how much more Sisyphus I can do on my own, though.

Year 50 (So It Begins…)

05 Saturday Jan 2019

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Jimme, Mount Vernon High School, Mount Vernon New York, music, My Father, Pop Culture, race, Religion, Work, Youth

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US Route 50 sign, August 26, 2017. (Fredddie, originally SPUI, via http://wikipedia.com). In public domain

As I’ve said in other settings and on my blog, I never dreamed of making it to 30 growing up. Fifty might as well have been 150 for me when I was in the middle of my Boy @ The Window years! But, with my forty-ninth birthday and the calendar change to 2019, I’m here anyway. A half-century (starting sometime in March) between conception and me being just old enough for my son and my students to see me as a fossil. To think that I was Egg #3 in one of my Mom’s ovaries this time 50 years ago? I’m sure I just creeped myself and a large number of you out with that strand of my imagination!

But this isn’t just my Year 50. There are some 500 people I know from my Mount Vernon public schools days, from my years at the University of Pittsburgh and Carnegie Mellon, and from other settings who’ll turn 50 this year. Among the Mount Vernonites and New Yorkers I’ve known directly, between a handful who graduated with the Class of ’86, and with the exception of a couple who graduated with my class in ’87 a year early, almost all from my high school days will turn 50 between now and January 2, 2020 (One notable exception is a classmate whose forty-ninth birthday isn’t until April, but…).

What does all of this really mean, anyway? Have I used up more than half of my youth? Will I shrink immediately? Will my joints, which only ache on occasion, grind me into oblivion and infinite pain at the same time? Will my steel-trap mind become mush? Or, will I finally harness my lost dunking ability, in one last grand gesture of youth, getting my head above the rim one last time, before crashing down to earth and fracturing my metatarsals? Who knows!

What I do know is that I’ve been keenly aware of my mortality since my summer of abuse in ’82, and off and on since the summer of ’76. With a milestone such as this, and the average life expectancy of Black males at 64.5 years, I can’t help but think it. Will I make it through middle age? Heck, will I make it long enough to see my son graduate from high school and earn a higher education degree? Will my wife outlive me (probably), and if so, by how much?

Mostly, though, I’ve had dreams about the plausibility that I haven’t done enough in my life, and what little I have achieved could be turned to ash in an instant. Especially by an indifferent-to-openly-hostile and virulently racist nation-state. I’ve had dreams about losing my jobs because I was forty-five minutes late to lecture for one of my classes. I’ve worried about whether I could ever publishing another article again, even though my track record the past four years has been at least pretty good. I’ve worried about never publishing a book in the mainstream, about leaving my son and wife with nothing, about the possibility that not everything will work out, for me and for us. I also worry about not doing enough to support my family, my friends, even strangers, knowing that I can barely save myself in the here and now, much less anyone else.

But perhaps God has more in store for me beyond Year 50. Dare I hope to be healthy and relatively youthful and around long enough to live past 70, 80, even 90? My grandfathers lived until they were 90 and 97, my aunts on my father’s side are both in their late eighties, and my father (despite a 40-year battle with the bottle) is nearly 80 himself. We’ll see.

I just hope that my youth battery is on the plus side of fifty percent, and not on the minus side. Part of me feels like I’ve only just started living, not out of mission, faithful desperation, or obligation, but out of a sense of it all being worth it, of me actually being worth it. I’ve traveled all over the US, to Alaska during the summer solstice, to Canada, to the US-Mexican border. But it was all for work, to present at conferences, to visit family, to give my son a sense of the world. Except for my honeymoon and other marital excursions, I’ve only traveled a couple of times just to experience the world. Despite my disdain for humanity, I still want that, for me and for my family. I can’t get there, though, on my current double-adjunct, full-time equivalent salaries. This must change.

If it all continues to work out, let it be this year, my God, let it be, let it be. For “there will be an answer, let it be” — eeeeee! (It’s not so interesting to quote a song from The Beatles final studio album, the title song released when I was just a bit more than two months old.) To misquote Princeton professor Tera Hunter’s 1996 book, let it be that I “‘joy my freedom,” that I give myself permission to do so, that my life gives me more opportunities to do so. Let Year 50 be about more than just Nixon and Vietnam, the Moon landing and the FBI’s infiltration of the Black Panther Party, about Woodstock and the Jets and Mets winning titles. Let it be that I have as keen an understanding of my future as I do of the past.

The Sweet Consolation of Suicide

27 Thursday Dec 2018

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, music, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Sweet-and-sour-chicken, 2011. Source: http://www.foodnetwork.com

Well, not exactly sweet to be thinking about what you have thought about and attempted to act out in the past. In the next few hours, I turn 49, which is to say that I begin year fifty on Planet Earth. “Yay me!,” right?

Not so much this time 35 years ago. My suicidal ideations had gone on in December 1983 for nearly three weeks before my fourteenth birthday, in the aftermath of my fourth mugging in four years. That Tuesday, December 27, at 2:30 pm, coming home from C-Town in Pelham, standing on the parapet of that stone bridge overlooking the Hutchinson River Parkway, I had every intention of jumping. I played it out in my head all the different possibilities. At first, it was going to be like the second between taking a deep breath plunging myself underwater and holding my breath while feeling the pressure build up all around my head, eyes, and ears. Except that I imagined a screech, a pop of a hit, and the world turning into stars before I escaped into eternal darkness.

But then, I thought about the plausibility of surviving the 13-foot jump, only to get hit by a car or truck flying down the parkway at 60 or more. Paralyzed, brain-damaged, trapped for days, months, years, decades even, in a body that defied me once again. At this point, my knees were already bent, pretty much ready to push off the stones I stood upon anyway. The possibility of survival and suffering, though, stopped me short of taking that leap. That, and wanting sweet revenge on the stepfather and others who had driven me to this moment.

It’s all in Boy @ The Window. What isn’t in the book is that I couldn’t imagine living past my thirtieth birthday, much less to 49. What isn’t in the book is that I have had other episodes where I either attempted to take my own life via car accident or had suicidal ideations (anywhere between 1982 and 1988, as well as in the late-1990s). This isn’t the same as contemplating my own mortality or considering how much more I may be worth dead than alive (at least I think it isn’t the same, anyway). If someone had put a gun to my head, and asked me why I should keep living, I probably would’ve told them to pull the trigger. I really didn’t have any answers when I got low enough to consider best suicidal practices.

Sure, in the process of working through my own trauma while in progress, I found God, I found Jesus, I read my Bible, I embraced the Holy Spirit. But as the U2 song goes, “I still haven’t found what I’m looking for,” at least not during my Boy @ The Window years, or in the years after my doctorate, or even after a decade in the nonprofit world. Heck, I’m still a work in progress, and not quite sure what’s around the corner for me (although I’m cautiously hopeful, with fingers and toes crossed, and knocking on wood in my mind’s eye as I type this). But a focus on escape isn’t enough. Striving for perfection — including perfect chastity — wasn’t enough. Even writing my fifty-to-100-pages-too-long memoir wasn’t enough.

Two things in the past decade have been enough. One was to admit, and not for the first time, that I controlled nothing, not even my own body, and certainly not all of my thoughts. For a person who’s policed himself as much as I have over the years, this was a hard truth to finally and fully accept, and that was a little more than four years ago. Two was that I needed to let out my thoughts and feelings, no matter how fucked up or how revealing or embarrassing they could be for me. Some of that has worked through this blog and Boy @ The Window. The rest has been as a result of social media, freelance writing, and otherwise remembering that though I may be truly weird, I am also truly human.

Maybe that’s why in the past couple of years I’ve mostly read Black women writers on their trauma and intersectional experiences, between Brittney Cooper, Morgan Jerkins, Roxane Gay, Crystal Fleming, Patricia J. Williams, and a host of others. Maybe that’s why I found more solace in Kiese Laymon’s Heavy than I ever did with any of my history monographs. Maybe this is why I’m convinced that to be a better writer, I had to become an even better reader, and read across genres and disciplines like I never had before. Maybe, too, this is why I as an educator have committed to use a wider variety of materials to reach my students, even if one or two want to only read mainstream history texts and don’t want to engage in “literary analysis.”

I finished Darnell Moore’s No Ashes in the Fire two days ago. Despite his stepping out of narrative to preach “Black radical love” at least three too many times, Moore’s book reminded me of what all the other wonderful books I’ve read in the past three years have told me. Share your truth, so that others may see, hear, or react to it. Tell your story, ‘cuz ain’t no one else gonna tell it for ya. Talk about it, if only to yourself, so that you know you’re not crazy. There’s bravery in putting in words your pain, your joy, your sense of the world and sense of self, your need for a higher power (or lack thereof). There’s courage in pointing to your unique sameness relative to humanity, and your need to crystallize the dominance of systemic racism, heteronormative patriarchy, and narcissistic worshipping of dollars and billionaire elitism that is this warped-assed world.

None of this may convince someone from taking their own life. I don’t pretend that I have any specific answers, because I don’t. But many times, living begins with one question, then another, then another. Living for me is about finding the best questions to answer, to turn the embers of what was once a wall of bullshit into a forest fire of questions, for me and others. This world will never give us the right to question it, which is why we who might want to live another day must wrest that right for ourselves, every single day.

Viewing World AIDS Day From the Cheap Seats

01 Saturday Dec 2018

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, High Rise Buildings, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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World AIDS Day 2018 logo, November 30, 2018. (http://hiv.gov).

Today and this weekend mark 30 years since the first World AIDS Day. Unlike three decades ago, I seldom give HIV/AIDS any thought at all. Where did it go? Has anyone actually died from AIDS recently? Do people still have to worry about HIV/AIDS? I know the answers are, nowhere, yes, most definitely, and hell yes, dumb ass.

But 30 years ago, I worried about HIV/AIDS the same way I worried about the Soviet nuclear threat, my Mom still living with my idiot stepfather, and dying if I wasn’t part of some evangelical Christian rapture. I pretty much worried about everything back then. In the context of my heterosexuality and mostly burying it for fear of intimacy, pregnancy, and bodily fluids, though, I worried that with my luck, any sex at all would lead to the STD to beat all STDs.

So when my dad went out of his way to get me a prostitute (we didn’t use the term “sex worker” then, I think) for my seventeenth birthday in December 1986, a young woman I knew to have been a fellow Mount Vernon High School student the year before, I didn’t hesitate to say no. I preferred Jimme calling me “faggat” to doing the equivalent of Spike Lee’s character in School Daze, a form of meat-market sex approaching (but not quite) rape.

I knew, down to my bones, despite the ACT UP crowd of relatively well-off gay White male activists on MTV and elsewhere, despite the dome of Black hypermasculine homophobia found in Mount Vernon and in the city, that HIV/AIDS wasn’t a “gay disease.” Basic biology would dictate that viruses don’t make left turns based on sexual orientation, class, gender, or race. So, hell yes, I was scared, for quite some time, from the prospect of living with a disease that has killed more than 35 million people worldwide since 1979.

The dangers of sex work, of casual unprotected sex, and of HIV/AIDS were made clear to me on my trip to Pittsburgh in August 1990 to secure what would be my studio apartment living for the next eight and a half years. It started at the Port Authority Bus Terminal on 41st on Friday night, August 3. It was going to be my second trip ever on Greyhound, catching the 11 pm red-eye, nonstop bus from Manhattan to downtown Pittsburgh. As the 40 of us stood in line to catch the bus, I saw a woman around my age wandering between the men’s room and the waiting areas, talking to different guys, with one or two jumping out of line for a few minutes.

Port Authority Bus Terminal entrance, New York, NY, October 22, 2015. (Ilana Gold/CBS2; https://newyork.cbslocal.com/2015/10/22/port-authority-bus-terminal-plan/).

As she drew closer to my line, I recognized her. She was someone I knew to be the cousin of one of my neighbors on the third floor of 616. By then, I also saw a Black guy in his mid or late-twenties, standing near the men’s room, keeping a close eye on her. It was like the cogs of my mind moved in slow motion as it became clear that this person I knew was a sex worker and the guy was her pimp.

A few minutes later, the pimp bellowed, “Five-O! Five-O!.” The all-too-familiar woman took off. She booked out the terminal doors and toward the streets around Times Square. The Port Authority police and two NYPD cops had grabbed the pimp, put him on the ground, handcuffed him, and took him away.

I was so surprised and sad after that, at least as we boarded the bus and weaved our way through New Jersey. I hadn’t seen this woman since 1986 or 1987, when I was a senior in high school. Over the years, she had come over to her cousin’s place to visit, and maybe to stay (at least temporarily). She had mostly teased me about my “White music,” except for Tears for Fears in the summer of 1985 (their “Shout” had been turned into some hip-hop urban mix on WBLS).

She had asked me on more than one occasion, “Do you like girls?” I mostly ignored her, saw her as just another person at 616 and in Mount Vernon who saw me as something to kick around. I didn’t consider her attractive because of how she talked to me, but looking back, she was. At five-seven or five-nine, she was a yellowish-brown skinned woman, with some freckles, a nice smile, shortish hair, and a nice proportionate shape. She could be witty, in a New Yorker’s sarcastic sort of way. But between Wendy, Phyllis, and my march to college, nothing and no one in Mount Vernon could compete for my attention in that way back then.

A week later, I came back from my Pittsburgh trip, on another Greyhound non-stopper, only to realize at 8:30 on Saturday, August 11 that I needed to take a dump. As I’ve said elsewhere, I tried and failed to take one at Grand Central, as the basement restrooms were full of broken toilets, boarded up stalls, and at least one person with obvious signs of Kaposi’s Sarcoma, a sign of full-blown AIDS. I don’t know how I managed to hold my shit until I made it back to 616.

I learned from my Mom twelve or thirteen years ago that my former neighbor and teaser had died from AIDS-related complications, leaving two children behind. Even though I didn’t know her very well — didn’t want to know her, really — I was still heartbroken for her and her kids. All I could think was, what an awful life, what an awful way to die! Who’s going to raise her kids?

But really, I couldn’t help but go back to that Friday night in August 1990. I observed from up close, what the limited choices in a world of capitalism, patriarchy, misogynoir, and racism left people like this young woman. I observed, from afar, how this world can make something as destructive as HIV/AIDS a movement for gay White males, and a silent way of killing Black women at the same time.

On Wet Rags and Crocodile Tears

30 Saturday Jun 2018

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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The tears of Allison Ettel, a.k.a., #PermitPatty, NBC’s The Today Show (cropped), June 26, 2018. (http://bet.com).

I’ve been thinking about this post for a while, probably for at least two years. But it does help when others closer to the subject write about it as well. Between @ProfessorCrunk Brittney Cooper’s chapter “White-Girl Tears” in her hard-hitting Black feminist primer Eloquent Rage (2018), @blackgirlinmain Shay Stewart Bouley’s recent blog post “Weapon of lass destruction: The tears of a white woman,” and Ruby Hamad’s piece in The Guardian, “How white women use strategic tears to silence women of colour,” what can I really add? (Everyone who believes in feminism and wants to support women of color writers ought to read these essays, by the way). Oh, just the idea that men of color deal with White women’s/girl’s tears as well. And that some of us have been just anti-sexist enough to recognize how our Whiteness and patriarchal-dominated society privileges and legitimizes such tears, often to our detriment.

Over the years, I’ve taken to calling those who cry over the least amount of adversity and stress wet rags, and those instances in which sobbing becomes a central theme “wet-rag episodes.” This started for me in the late-1990s, when my then girlfriend (now wife of eighteen years) would spent upwards of 12 hours of her Saturdays watching Lifetime movies (some of which were originally NBC, ABC, or CBS specials, before the dominant return of reality TV in the double aughts). At first, I did a play on Lifetime‘s slogan back then, “Lifetime: Television for Women,” adding, “not for men” whenever the tag line appeared during commercials.

But Lifetime is an addiction, if you sit there long enough watching the ups and downs of romances, the constant threat of stalkers, date rape, teenage pregnancy, and drugs, and the upbeat endings and vindication at the end of every two-hour movie. What I noticed most of all, though, were the waterworks. Everyone from Lynda Carter to Lindsay Wagner, from Elizabeth Montgomery to Jaclyn Smith could cry at the sound of a book drop!

Cartoon character from Fairly Odd Parents crying an ocean of tears (cropped), June 30, 2018. (http://fairlyoddfanon.wikia.com).

Admittedly, I cry very easily while watching emotional and gut-wrenching scenes. I cried when I saw Viola Davis take on Denzel Washington’s character in Fences (2016) over his years of cheating and his secret family. Especially when Davis blew a snot bubble in the middle of the scene. I was through for the next three minutes!

With Lifetime movies, though, I stopped crying for these White women over the twists and turns in their lives. I watched one scene in one movie where the main character broke out and cried at her dining room table in her laid-out, five-bedroom home when she realized she only had $10,000 left in her bank account. I didn’t just laugh. I howled. As someone for whom poverty and financial struggles have been a constant companion, having that much money in any account at any time has always been a time of celebration. “You shouldn’t laugh. Poverty is relative,” Angelia said while also laughing. “No, it isn’t. She’s a wet rag!” I responded. I’ve spent a good portion of my career proving this point, too.

That scene took me back to so many wet-rag episodes in my life. Like when my high school valedictorian classmate cried angry tears over a 67 on an English essay exam our junior year, losing 25 points because she didn’t underline James Baldwin’s book title Notes from a Native Son in her essay. I didn’t feel sorry for her, Ms. 5.45 GPA, not one bit (it’s all in Boy @ The Window).

Or, during my second year in grad school at Pitt, when a student in one of my US History to 1877 sections tried to proposition me to raise her C- average. When that didn’t work, a fountain of tears poured out. I handed her a tissue, but said, “Your tears in no way are a substitute for studying and working harder in this class.” She didn’t exactly give me 5’s on her evaluations of me in the course at the end of that semester.

Ten years later, I had White women as co-workers and students who could cry about almost anything. My one-time boss Ken blamed me for making a former co-worker cry because I refused to take her “I hope you had a wonderful vacation!” the week after 9/11 in stride. Yeah, sure. It was a week in which I was stuck in Atlanta for four days after a one-day work trip and had to take Greyhound for 15 hours back to DC, not knowing if my older brother was dead or alive. I said as much to my co-worker, and she ran away from me crying.

A student in my History of American Education Reform graduate course cried when I refused to change her grade from an A- to an A. I was in the middle of explaining how she could revise her research paper and still end up with an A. It was just before Thanksgiving, and until that moment, I had thought that this was one of the best courses I’d ever taught, with one of the best group of students I had had in one of my courses. Her sudden sobbing actually pissed me off. I tried not to show it. But I did say, “What are you crying about? There’s nothing about your standing in this course for you to be crying about.” I said it in a tone that I’d only find again once my son became a preteen.

Caitriona Balfe as Claire wailing over the loss of Jamie and the Battle of Culloden, July 9, 2016. (http://www.bookbub.com).

It’s to the point now that I don’t even watch wet-rag shows anymore, at least once the character becomes one. For example, I watched the split first season of Starz’s Outlander with Caitriona Balfe as Claire, and found it mostly enjoyable. Until she began turning on the waterworks in practically every episode. My wife continues to watch, but laughs every time I ask, “What happened on Wet Rag this week?”

I know that White women and White girls, like all human beings, have plenty good reason to cry. Every time I saw video of Kyle Stephens‘ sentencing-phase testimony about what convicted rapist and felon Larry Nassar starting doing to her when she was five years old, I cried for her and with her. Trauma and tragedy are good reasons to cry, wail, sob, and weep. But, so many wet-rag tears are drop-of-the-hat, crocodile tears. About getting caught in lies, about making racist and anti-poverty and anti-women-of-color statements that don’t go over well, about anything that would otherwise paint them as narcissistic and not-so-smart brats.

While I know I don’t have as difficult a row to hoe as so many women of color in the public sphere, one thing I know I’m not allowed to do in a hyper-masculine world of Whiteness and patriarchy is cry. I got hit with the f-bomb so many times growing up, from Black boys, Black men, and Black women, and faced threats of violence as a result. I would’ve been recommended for psychotherapy if I had ever cried over an A-, and been laughed at for complaining about my workplace conditions. Women of color can lose careers over their tears. Black boys and men have lost their freedom and lives over them. One isn’t less damaged over the delegitimization of our tears, but the damage can be differential, depending on gender, class, sexual orientation, and the level of toxic hyper-masculinity surrounding you.

That is why I can’t stand wet rags. Their tears fill the world with concern and fear, and marginalize and dehumanize the rest of us. I have no sympathy for crocodile tears. I don’t know if I’ve ever had sympathy for them.