Category Archives: Mount Vernon High School

Music of the Dystopia

25 Wednesday Nov 2020

Posted by in 1, Academia, Boy @ The Window, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, music, New York City, Politics, Pop Culture, race, Religion, Youth

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Screen shot, Silent Running (1972) poster, November 24, 2020. (https://www.imdb.com/title/tt0067756/mediaviewer/rm3505217792/).

Music has nearly always been a dreamscape from which I could envision alternative histories, sense multiple futures, uncover possible presents, feel and find my best self.

It has also been a place for revealing the naked, uncomfortable truth of humanity’s existence in real life. If one were to take the music of the late 1960s and first half of the 1970s, the R&B that clearly outlined the combination of migration, poverty, heroin addiction, the Vietnam War, police brutality, unemployment, miserly government social welfare and urban living would be one way to go. If one were to take the eclectic British and Irish pop and rock of the 1980s, those folks illuminated the connections between rising conservatism, austerity meant to cut the social safety net, and the normalization of government oppression, corruption, and infiltration into the private lives of everyday people.

It all adds up to one simple yet very scary truth. Our world, the one in which my mother birthed me, the one in which I have grown up and grown older, has always been a dystopia. That’s it. All this talk of technological innovation, of moral and philosophical advancements, of a post-World War II, West-led democratized, globalized, capitalist meritocracy is simply The Real-Life Matrix pulling the dystopian world over our deluded, narcissistic eyes. And nearly everything in the world of mainstream news and journalism, in everyday national and international politics, in formal education systems, and in every single iota of American and global popular culture.

Except in the occasional and deliberate attempts made by artists and authors to expose the underworkings of this Matrix. I have written far too much about those authors of late, from Sarah Kendzior, Mona Eltahawy, and Leta Hong Fincher to Kiese Laymon, Ta-Nehisi Coates, and Derrick Bell. Truth is, I felt and sensed this truth in music even before I had read Aldous Huxley, George Orwell, or William Faulkner’s short stories about racist White men sleeping in beds for 20 years with the dead bones of their incestuous mothers. Marvin Gaye’s “Inner City Blues {Make Me Wanna Holler),” Stevie Wonder’s “Living For The City,” and Donny Hathaway’s “The Ghetto” brought the dystopian of Black life in the US to my attention long before I knew what the prefix dys- even meant. The contrast between this and the Afrofuturism of Earth, Wind & Fire’s “Fantasy” and “Boogie Wonderland” of the late-1970s wasn’t lost on me, even though it would be nearly 15 years between these songs and my reading of Octavia Butler’s Kindred.

 

But the 1980s hit me and my family as hard and fast as a government coup in Brazil or in Trump’s version of the US. It’s wasn’t just that it was our apocalypse. It revealed that the American Dream was a nightmare for so many people. It opened up my 100 billion neurons to the possibility that there could be no American Dream, no rise of the West, no Euro-American hegemony over the world without it being a dystopia for billions of people in the US, in Europe, and around the world.

It was also the decade of the Ethiopian famine of 1983-85, “We Are The World,” Bob Geldof and Live Aid, Farm Aid, and protests for South African divestment. So it seemed normal for groups of White guys in bands to write music, play instruments, and belt out lyrics like the ones below from Mike + The Mechanics’ “Silent Running” (1985).

Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command

The post-apocalyptic movie of the same title from 1972 was apparently on Michael Rutherford (guitarist of Genesis), et al.’s minds when they decided to work on the lyrics for this song. The idea that someone from the future would communicate with their ancestors in the past to resist the forces of totalitarianism and propaganda in order to preserve the path to a better future? Boy does that sound like the stuff of Octavia Butler, Derrick Bell, Kiese Laymon, and Colson Whitehead (not to mention, Tomi Adeyemi in her Children of Blood and Bone), where ancestors and descendants can somehow have confabs in real life! All in an effort to swap ideas, to conjure up solutions before we understood the problems, to recognize that time is nonlinear, and so are we.

As a teenager who saw more than most that the Reagan Years were part of the dystopian present, and not a return to American greatness, “Silent Running” was refreshing, if also incredibly scary. I was like, if these White guys from the UK and Ireland get it, then why don’t folks in America get it? At least, the folks I saw at school and in running my errands every day.

But it wasn’t just Mike + The Mechanics. A lot of music from the 1980s and 1990s was subversive, including the more obvious Springsteen and the E Street Band’s “Born In The U.S.A.” and John Mellencamp’s “Pink Houses” to KRS-One and Boogie Down Productions, Alanis Morrisette, and The Cranberries. It was just that the less subtle, the Billboard Top 40 hits and the B-side non-hits stood out for their double-meanings. When I stripped away the male bravado, the love and the lust and the loneliness from the repertoire of rap, R&B, hip-hop, and ’80s pop I listened to, the subversive was the remainder.

In my family-level apocalypse and resistance against my stepfather, the subversive helped. In the disconnect between the normalcy of magnet-program-learning among a cabal of Benetton-commercial-wannabes, the undercurrent understanding that this fakery belied a world very much like the one in The Matrix. The lyrics, the synthesizers, the heavy guitar strums and the drum rolls meant something different to me than anyone I knew growing up could imagine.

It wasn’t just “Silent Running” for me, nor something that hit like a sledgehammer like Genesis’ “Land of Confusion” that hit the radio waves my senior year of high school. There were others. For more than a decade, there were others, including:

  • PE, “Welcome to the Terrordome“
  • Sting, “Love Is The Seventh Wave”
  • Dave Matthews Band, “Cry Freedom“
  • The Cranberries, “Zombie“
  • Peter Gabriel, “Biko” and “Shaking The Tree”
  • Des’ree, “Crazy Maze“
  • James Blake, “No Bravery”
  • Seal, “Future Love Paradise” and “People Asking Why”
  • U2, “Bullet The Blue Sky”
  • Arrested Development, “Tennessee”

In the years after I finished my doctorate, I didn’t forget these songs, and may have taken on some more obscure ones by Floetry, Coldplay, U2, Bryan Ferry, Pharcyde, The Fugees, among others, along the way. Popular music has become more vapid and craven and corporate as the leaders in our world have made their taste for a dystopia that advantages them more and more obvious. This position is probably why I can’t find a nod to the dystopian in Rihanna, Cardi B, Chance the Rapper, Rick Ross, Beyoncé, Gary Clark, Jr., or Chris Stapleton (although Solange’s and Missy’s music videos at least contain subversive and dystopian wisps).

This world is the dystopia that has always been. And those of us who talk to ourselves while speaking out at the same time have been trying to get everyone else to see it and sense it all along. I should know. I’ve been talking to myself since my week of homelessness at 18, and speaking out as the world has lurched itself toward calamity for nearly as long.

Ugly

12 Sunday Jan 2020

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, New York City, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Me in April 1975, Sears Picture Studio, Mount Vernon, NY. (Cropped/Donald Earl Collins).

Another title for this could be “Ugly Donald,” an homage toward Ugly Betty. But one word should cover it!

All this talk over the past few weeks about who is and who isn’t “ugly,” or “fat,” or just “too dark” take me back to how I felt about myself for most of the 1980s, and sometimes even as I gotten older over the 30 years since the Reagan decade. Honestly, I don’t think I’ve been in a camp of vipers like this since my preteen and early puberty years, where I definitely had my own excited utterances toward Black boys and girls in particular (also, the occasionally flat-butt White girl and bed-headed White boy, but I digress). So I never understood the need for deliberate meanness toward people over something that they would have to spend tens of thousands of dollars to fix for a group of misogynoirist assholes who aren’t worth a nanosecond of thought.

Whether Lizzo, Blue Ivy Carter, Bria Myles, Ari Lennox, or Teyana Taylor, these mofos who made fun of their looks, or called them a “rottweiler/German shepherd mix” (sic), or told them to workout to lose weight are such boring-ass losers. These women are beautiful. Black women are beautiful. Full stop. You got time to waste running down an active entertainer over your bullshit? Your ugliness is the kind that takes years of therapy, prayer, active listening, and educational reprogramming (i.e., reading lots of books on Blackness, Black feminisms, and intersectionality) to overcome, if you overcome it at all.

I have a bit of experience with ugly over the years. Usually from family and classmates throwing it in my direction. “Whatcha makin’ that ugly face for?,” my mom would say to me many, many times growing up. “You ugly, faggot!,” I remember hearing from folx in around the 616 and 630 apartment buildings on East Lincoln in Mount Vernon from the time I was nine. “Ain’t no one gonna eva wanna be with your ugly ass!,” an older girl who once attempted to molest me said to me when I was 12. I was ugly, alright. I felt ugly, living with poverty and abuse and anti-Black ugliness in the many places I went in Mount Vernon. It was probably why I felt more comfortable around my father, especially when in the Bronx or down in Manhattan doing work. The anonymity of the city meant that for hours or even days at a time, the centrality of my ugliness could disappear.

I felt so ugly inside and out that I wanted to take my own life at 14. I was so ugly that it scared me to look at myself in the mirror for more than a few seconds, mostly to make sure toothpaste or dried drool or eye crust was off my face. I kept my face as blank as I could, like Jamal Wallace (played by Rob Brown) in Finding Forrester, just so I wouldn’t have to endure more put-downs about my tall, lanky ass and my ugly features on top of that.

Me at Prom Dinner, White Plains, NY, May 21, 1987. (Suzanne Johnson neè De Feo).

But the worst of all this was my senior year at Mount Vernon High School. My final days took an ugly turn the moment my classmates learned I was ranked 14th out of 545 students (509 of us eventually graduated in June 1987). I’ve written ad nauseam about how my White Humanities classmates responded to my ranking, as if I threatened their worldview of them being more intelligent than the Black folx they went to school with every day. Months before my soon-to-be former Black classmates began to stare through me like I was a ghost, they began to clown me. I’d blow by them in the hallways, and they’d bust out laughing. They’d comment on my ugly, brittle hair, talking about how my “hair could break picks.” They’d talk about my “cheap clothes from Taiwan” — which they were from, by the way (how did they know that?). Or, they’d simply shake their heads, as if my existence was a “shaking my head” moment on par with Raven-Symoné declaring herself “not Black.”

Clyde was among that group of Black guys and gals who made a point of telling me I was ugly throughout my senior year. He did it so many times that somewhere around February of that school year, I lost track of the number. “You ugly. There ain’t nothin’ in the world that’s gonna fix that,” Clyde said to me once. Most days, I ignored it, because what would have been the point? We were graduating, and my plans for college were bigger than any insult any asshole could muster. But, one day before winter break, Clyde just said, “You ugly, Donald. You ugly.” It took every bit of the low energy I had to not cry, and not pick up a desk and tear his fucking head off with it, like the chair revenge scene in Moonlight.

It took getting away and going to college for me to stop seeing myself and my own unique blend of Blackness as not ugly, even handsome. A bout of homelessness here and months of struggling to pay rent and eat there will begin to harden you against the bullshit of muthafuckas who would prefer to tear you down rather than build something for themselves or others. As Flavor Flav from PE would say, “Motherfuck them any damn way!”

After those days of sleeping on concrete slabs or eating tuna fish out of a can until I could eat it anymore, it didn’t matter how the Clydes, Gordons, and Tomikas saw me. I saw myself clearly, for the very first time. And I clearly saw my naysayers, too, as the short-in-body and in mind, coloristic, Blackness-but-only-so-much, racist, sexist, and homophobic pieces of shit for whom they were. Why should it have ever mattered what they thought of me?

One Saturday in early February 1989 in the shared bathroom in the Fu rowhouse on Welsford Avenue in South Oakland, I looked at myself in the mirror. I had just finished washing up. I was six-two, maybe 175 pounds, and six weeks past my 19th birthday, with barely enough facial hair to clog up my right nostril. I must’ve stood there staring at every angle of my face for two or three minutes. Then I chuckled. “You’re an okay-looking guy. You’re not Billy Dee or Denzel, but you’re not bad-looking at all.” Nor am I Idris Elba. But being me since has almost always been okay enough. The truth is, it always should been, for any of us.

My Whole Self At 50

27 Friday Dec 2019

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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Selfie of me at 50, December 27, 2019. (Donald Earl Collins)

The title could just as easily be, “Confessions From an Educated Fool.” After all, I am highly educated, and have done more than my share of dumb-ass bullshit over the years to avoid certain truths about myself.

I have no idea what turning 50 really means. For Black men, the average life expectancy of 64.5 years makes me worry about every ache and every anomaly. Based on my family genetics, I have at least 30 years where my age will in no way be reflected in my height, weight, athleticism, sex drive, or other general health issues. My mind should remain sharp until I am in my late-80s or early 90s, if not longer. As of now, I know I am in better overall shape than I was this time 10 years ago, but lack the running stamina I developed during most of my 40s. On the other hand, my knees have been thanking me for the past 17 months since I stopped running 300-plus miles a year.

Depending on how I look at my life, I am a scrambler who has turned an Olympic-size swimming pool full of diarrhea with turd chunks into two kilos of gold. Or, I am a once brilliant and talented young Black man whose temper and impatience fucked up his future. Two things can be true, sometimes equally so, and at the same time. That is, if I don’t account for upbringing, systemic racism, extreme poverty, the violence of misogynoir and toxic masculinity, and a host of other burdens that my differential equation mind could not factor into my life’s calculus. Much less control or counteract with respectability or kindness or the Golden Rules of Christianity.

Some context. When I was 11, I participated in my first writing contest and came in second place among the dozens of K-12 students who submitted to the local newspaper, the Mount Vernon Daily Argus. By then, I had long buried the sexual assault I endured and the subsequent suicide attempt from five years earlier. I graduated 14th in a class of 509 in 1987, only to spend my last days of high school and the year after my enrollment at Pitt treated as if I were an invisible ghost by many of my former classmates. At 25, I earned a Spencer Foundation Dissertation Fellowship. But the entire time I was in commune with “my fellow Fellows,” as I used to say, I was ambivalent about my prospects, in and out of academia. At 26, in part because of the Spencer fellowship, I completed my dissertation. Yet my advisor’s petty jealousies and psychological abuse burned me out, just as my dissertation committee’s subsequent abandonment of me once I graduated left me feeling burned.

I was a young prospect with a doctorate from Carnegie Mellon, but with little in financial support or connections to continue to spin shit into gold. After two years, I left the wonderful world of adjunct teaching for a civic education job with the center-right organization Presidential Classroom. My boss was both extremely paranoia about terrorist attacks on DC and openly racist, referring to Asians as “Orientals” and making comments like “Slavery was a hoax.” After seven job interviews for academic positions over three years, Howard University offered me a tenure-stream assistant professorship in June 2000. I said no. At the time, I told my significant other, two months into our marriage, “I do not like working for racists, but at least I know where I stand. With Howard’s constant elitism, I’d likely lose it and pop one of my colleagues in the mouth for saying something elitist and stupid.” I was averaging 100-to-110 hours of work per week and about five hours of broken sleep at night when I made this decision.

Sometimes I think it’s the dumbest adult decision I ever made. Most of time, though, I think about the broom closet that they offered me as an office. I remember the urinals in the Founders Library that dated back to the tenure of Mordecai Johnson (1926-1960). I ruminate on rough attitudes of my one-time colleagues (I eventually taught there as an adjunct in 2007). And through all this, I remind myself that it was okay to say no. Especially to colorism, respectability politics, and a campus that has been in need of a total gutting and a top-down renovation at least since I began visiting in 1993.

My career has been one of wandering by necessity. I have never been a complete fit anywhere. Damn sure not in academia. Definitely not in the nonprofit world. Certainly not in consulting. And not quite as a freelance writer and author. I have had to bend and break so many rules and norms, just to survive, that to mold and shape myself like a shapeshifter would nearly always lead to me feeling at constant war, with myself and my work.

Selfie of me post-workout, December 24, 2019. (Donald Earl Collins).

Especially since so much of this war was over who I am. I am a writer, damn it! I love teaching — most of the time. I like managing projects, and was fairly good at raising money. I am an excellent cook (just ask anyone other than my Mom). I am a pretty good basketball player even now, and could’ve made a D1 college squad back in the day. I once considered stripping to make ends meet after finishing my doctorate (my eventual wife talked me out of it, a lot, while I gunned for a six-pack). But since at least the spring of 1981 (maybe, with Peanuts Land, the spring of 1979), I have been a storytelling, introspective, imagining-of-alternative-worlds-and-lives, mixing-fictional-techniques-with-my-real-life writer. It took me 21 years to admit that I was a writer, another decade to see myself as a writer first and foremost. That no matter the job or my roles in that job, that I was, am, and will always be a writer.

That was what motivated me to write Fear of a “Black” America and Boy @ The Window and then self-publish them, even as the process of researching and writing Boy @ The Window led me to uncover so many uncomfortable truths about me, my family, and the people I grew up around. Including the truth about my greatest failure, my refusal to dig out the splinter in my mind. The dual decision to not see myself as a writer and then to not dedicate myself spirit, soul, and body to my craft and calling until after turning 45. That’s my biggest regret, my daily frustration, my constant companion, buried just a few millimeters between my flesh and my bones.

Even when I finally push through, break through, blow up, and have any modest level of success as an author of x-number of books — and I will, because, me — I will continue to carry this deep well of what coulda and shoulda been. My need to credential myself, to make up for the loss of my childhood to poverty and domestic violence and child abuse, my desire for worth and work, my simple arrogance of youth. It nearly squeezed out the divine voice of purpose in my mind. More than once, it all drove me to the edge of the galaxy, where rage against the world, a lust for lust and self-destruction, and the sheer drop into the abyss of depression all intersect into a nebula of desperate insanity.

This is precisely why it is so important to have a crew, a group of folx who will not jump into the void with you, but instead will support you with critique and encouragement, and yes, love. Of course, I could not have transitioned from the burnout of the nonprofit world and the constant search for money to “change the world” into the constant search for income through freelance writer and teaching social justice through history and education without my wife. After years of watching bosses and co-workers get down on their knees to beg for money while they morphed the grassroots and systemic social justice work they really wanted to do into inchworm-paced “social change” models, I wanted out. I figured, consulting, occasionally teaching, and doing the work I truly wanted to do would be better.

Then, the Great Recession hit, and did a number on my permanent job prospects and consulting work. If someone had told me on verge of my 40th birthday that I would spend the next decade primarily working as contingent faculty at not one but two universities, I would have laughed until I cried. I would’ve also predicted that my wife would’ve handed me divorce papers. I didn’t die from woeful laughter, and my beloved did not demand that I move on.

But we did argue. One of those arguments led me to a “Fuck It” realization at the end of 2014. No one would ever offer me a permanent position at a university as faculty, not without offering me an administrator position first. And since the unofficial rules of the academy have never really applied to me and my writing, I had the right to publish anywhere, on any topic, even if and when other academicians — including some whom I had trained — looked at me like I was some tragic figure.

Along with some counterintuitive thinking about my eclectic writing skills and queer approaches to understanding the application of history and education in mainstream journalism, this new truth has been my resurrection and insurrection as a writer. Between The Guardian and Seven Scribes, The Atlantic, Huffington Post, and The Washington Post, and especially Al Jazeera English, I have come closest to being my truest and whole self outside of marriage, friendship, parenting, and my many moments in prayer.

I owe my wife for allowing me the space necessary to finally access my calling. But I also owe my small inner circle of folx who may not have always understood my journey and the decisions I made that led me to where I am at half-century. They’ve read my horrific drafts, heard my most hare-brained ideas, smiled through my most ludicrous of plans both before and during this bitter slog of a rollercoaster ride. I’m more than sure that some in my circle still don’t understand my end game. Mostly because there is some aspect of my whole self that I haven’t shared with them. Not only my desire as a writer. But my general desire to be excellent at everything, my quest to know everything, and my contradictory default of being scared of nearly everything, especially of whatever good moments I have had. Too many times, I have seen the anvil drop on or near me all too soon after drilling a three.

I think I have one more big run in me left. The proverbial they say that life is a marathon and not a sprint. They are wrong. Life is like a continuous basketball game, where one can be overmatched, but can take timeouts and make a series of 12-0 or 30-13 runs to tie the game or take the lead. I am in the midst of a run right now, as unexpected as living past the age of 30 was for me when I almost jumped off a bridge on my 14th birthday, 36 years ago.

I need the crew I have, and I could use some help from a few more folx who may want to join me on my journey into decade six. I’m gunning for a book contract for my American narcissism and American racism work. I’m looking for some career stability that takes advantage of my work in academia, in nonprofits, and in freelance writing. I’m looking to make sure that my son becomes the whole person he needs to be without spending the next 20 or 30 years kvetching about everything in the universe. I’m looking forward to spending more time traveling outside the US with him, with my wife, with others, and with myself. It’s time. It’s been time for 50 years.

My Thoughts on Cut-Throat Finals Week

17 Tuesday Dec 2019

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Movies, Politics, Pop Culture, Religion, University of Pittsburgh, Youth

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Death Race (2008) Dreadnought scene screen shot, December 17, 2019. (https://youtube.com).

I have seen some shady shit as a student and educator over the years. Between my middle school and high school magnet programs in Money Earnin’ Mount Vernon, my four years as an undergrad at the University of Pittsburgh, my three years of grad school course work at Pitt and at Carnegie Mellon, and my years of contingent teaching, I have seen students do everything short of killing me or killing their classmates for a higher grade.

This semester provided some new wrinkles (really, old wrinkles I haven’t seen since my Humanities days in the 1980s) that actually shocked me. All as I taught my 77th, 78th, 79th, and 80th classes in my roller-coaster of a teaching career. I have felt a certain way toward some of my most demanding, hold-my-hand-for-an-A, spoiled-brat students over the years. This semester, I found myself actually despising three in particular across two universities and four classes. By no means does my grading reflect what I think of them, as I assigned each of them the grades they earned. But really, there is no letter in the alphabet low enough for them that I could assign. At least, one in which I would ever feel fully satisfied. And that is all because they all made the decision to be cut-throat, toward me and toward their peers.

I fully understand the compulsion. Six years in a magnet program that was one part Benetton commercial and three parts Death Race — the Jason Statham version from 2008 — showed me George Orwell’s Animal Farm as a live-action drama set from 1981 to 1987. Students giving each other incorrect notes from which to study. Classmates telling each other they were going to fail a final, or that they didn’t belong in Humanities. One Class of ’87 star making sure to say to another that they were only getting into an elite school because they were Black.

Hazing, bullying, torture, ostracism, denigration were all part of my experience, and that was before we started taking AP courses! I even snickered when our valedictorian received a 67 on an English essay in 11th grade because she failed to underline the title of a James Baldwin book (either Go Tell It on the Mountain or The Fire Next Time, who can remember such mundanity nearly 34 years later). We became good friends for a while after high school — go figure!

So, it’s not like I couldn’t conceive of setting up a classmate to fail, using someone else’s better words to substitute for my gross and imperfect writing, or spending money to hire a tutor to study for an AP exam. I could’ve really done it, if I had the will and/or the wealth. I just wouldn’t do it. You know, “Do unto others as you would have others do unto you.” It’s in Matthews, the first book of the Gospels in the New Testament. It’s one of the few tenets that I have tried hard to follow in all my years as a human being and as a Christian. (The tenets I follow consistently are universal ones, so please do not get your atheistic drawers all twisted.)

But not always. During finals week my second semester at Pitt, at the end of April 1988, I put that Golden Rule aside, and for good reason. During our two-hour, multiple-choice final exam in Roman History, I noticed him. A skinny, geeky White yinzer with dirty blond hair sitting behind me in the Cathedral of Learning lecture hall on the ground floor. I noticed him because I heard him, somewhere around the question 70 mark. The only time his pencil made a noise was after I had filled in a bubble with an answer. By question 75, I knew the dumb mf was cheating off my answer sheet.

Denzel Washington’s character putting corkscrew to throw/soft palate/brain cavity, The Equalizer (2014), December 17, 2019. (https://imdb.com).

So I did what my years in Mount Vernon and in Humanities had trained me for. I proceeded to answer the next 25 questions on this 100-question exam incorrectly on purpose. It was rich and dripping with caramel-chocolate-on-ripe-strawberries revenge! I knew every correct answer and just kept bubbling in one wrong one after another. And as sure as dog-shit peppering dirty snow piles on Manhattan’s Upper West Side in February, Mr. Yinzer bubbled in his answers right after mine.

Then, I stopped. I paused for a half-minute after bubbling in question 100. I picked up my big eraser, and frantically rubbed out my incorrect answers to each of those last 25 questions. Then I turned around, and gave the yinzer a “Gotcha!” look. He was pissed and scared, his face the pale color of white pastel paint mixed with water. I turned back around, and carefully bubbled in my correct answers for the last quarter of the exam.

After I got up to submit my exam to the professor, I walked up the steps toward the back of the lecture hall, passing Mr. Yinzer along the way. He shot me a look, one where he knew he was caught, like a rat in an old-style trap, about to die from the pain of asphyxiation and a broken neck. I rolled my eyes with the thought, That’s what you get, dumb muthafucka!

I am not proud of that moment. Sure, the yinzer deserved it. But, I could’ve reported it to the professor. I could have just covered my answer sheet up better. I could have confronted the student directly. I could have even let the student ride my coattails toward an A on his final exam. Instead, I went all cut-throat and ensured that this student failed his final. In what way am I really better than him when I helped an academically drowning classmate swallow more water while holding his head down?

I know. What I did may seem milquetoast on the scale between blatant cheating and the viral slut-shaming of a peer with whom you are in academic competition. But that’s the point. None of this should be acceptable. My A in the course would not have changed, and Mr. Yinzer would still have struggled academically even if had succeeded at cheating on this one exam.

At just 10 days before I turn 50, I have figured out what I hate, actually hate, about other humans. I hate habitual liars, especially the ones who regularly lie to themselves while telling me their lies. I hate elitist assholery, even from those whom I admire, even from among my friends. I hate cheating, and those who think they can get away with it. I hate brown-nosing, as I smell this shit from a mile away. Now, I despise those who would eat A’s and A-‘s for their three squares a day before recognizing that education is about much more than a high grade an a job to pay off their student loans. Education is about freedom, having and making good choices, and finding yourself a crew that you can rely on and can rely on you long after graduation. Those who think otherwise are as lost as Dr. Manhattan caught in a quantum vortex.

When I Choose The Wrong Book For a Class

09 Saturday Nov 2019

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Politics, Pop Culture, race, Youth

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Screen Shot of The Beautiful Things That Heaven Bears (2007), by Dinaw Mengestu, November 9., 2019. (https://target.com).

Yes, I’m back! After two months of grading, writing, pitching, grading, revising, pitching, and more grading, though I’m not sure I’m ready to be back, but I have things to get down on here anyway.

I have taught eighty undergrad and grad-level classes since 1996, and been a part of more than 90 high school, college, and graduate classes as a guest lecturer, TA, instructor, or professor since 1991. I have definitely made more than my share of mistakes in the classroom. Miscounted the number of students to split into small groups. Occasionally quipped in New Yorker-sarcasm English to my Midwestern or Southern-raised students, not exactly endearing myself to them. I have miscalculated grades, posted an electronic announcement to one class when it was meant for another. But, on historical context, historical content, storytelling, use of materials, the substance and guts of courses, I can honestly say I do not allow myself to make egregious errors.

Now, that does not mean that I haven’t inherited errors from courses that others had taught or haven’t been hamstrung with mediocre materials and textbooks that my previous institutions (and one current one) have said were just fine for my students over the years. This is about my unforced errors.

This semester, in my Washington, DC class (the full title is Washington, DC: Life Inside a Monument, a terrible title, really) at AU, I made one all-time error, one in which I should take 60 percent of the blame. I chose a book for the course based mostly on a couple of recommendations from colleagues, a Washington Post review of the best books on DC and the DMV, and an admittedly quick skimming of the first 15 pages. It was Dinaw Mengestu’s The Beautiful Things That Heaven Bears, a historical novel about the lonely and isolated experience of one Sepha Stephanos, an Ethiopian immigrant living in Logan Circle, set some 17 years after his escape from the Ethiopian Civil War (roughly 1996 or 1997).

I picked it ultimately because there are precious few books about any aspect the DC immigrant experience, much less one about the history of Black and Brown immigrants in the area. The problem was, I decided to read the book — one month into the semester, that is. Once I dug in, I started having flashbacks of my AP English class with Rosemary Martino, where we spent the better part of three months reading Fyodor Dostoyevsky’s Crime and Punishment. Mengestu’s Sepha was not lonely, apathetic, and dyspeptic merely because he was a thirtysomething stranger in the strange land of the US, of DC, of Black DC. I’m more than sure that loneliness and isolation are an inevitable consequence of leaving one’s home country and family behind for another country in another part of the world. But no, most of Sepha’s isolation was self-imposed. For 17 years, this man lived in a predominantly Black part of DC, in the midst of a nascent Ethiopian residential and business community within walking distance of his apartment and corner store, during the heart of the Marion Barry years. Yet he only has two friends, one from Kenya, the other from the DRC (Democratic Republic of the Congo). Really?

What was worse was once the White character Judith and her biracial daughter Naomi moved into Logan Square at the height of Sepha’s deepening self-loathing and depression. Judith apparently bought a mansion-turned-broken-down-addict hangout across the street from Sepha, and spent a significant chunk of change fixing it up for upper-middle-class habitability. Sepha becomes enamored with the two of them as they began to frequent his falling-apart store. He becomes sort-of-friends with Judith, and sort-of-a-father-figure to Naomi.

There were at least four times between pages 52 and 120 where I put down the book out of sheer frustration with the plot, the characters, and with Mengestu for writing this non-historical, non-realistic historical novel. Mengestu crafted a main character that had serious internalized racism, and was as anti-Black as a drunk Trump supporter at a tiki-torch rally. How can any reader explain a man who owns a store for the better part of a decade and a half in Black Washington, interacting with Black women of all classes and stripes — some presumably who may have struck up a conversation with him, some presumably with a precocious preteen daughter — and it’s this first White women in the neighborhood that raises your spirits?

Mengestu had Sepha do awkward Data-from-Star-Trek: TNG-type things. Like standing in the middle of the sidewalk a block from his place while watching Judith go into her house. Or over-explaining the shabbiness of his apartment to Judith, who invited herself over to his place. Or weird kisses between Sepha and Judith, not unlike ones involving two tweeners unsure of themselves. The awkwardness ultimately stems from Sepha’s elitism, self-loathing, and internalized racism. Judith is too good for me, was what Sepha thought, just like he thought he was too good for too poor and too Black Logan Circle. That’s why this thirtysomething man was acting like a weird homeless stalker, fully befitting a macabre and existential Dostoyevsky work.

But then came the backlash from the Mengestu-reverse-one-drop-rule approach to pre-gentrification gentrification. Somehow, the Black Washingtonians in Logan Circle became so hostile to the presence of one White woman with a kid that they threw a brick through her window and later set fire to her house. In what scenario in any major city in the US have Black folks ever deliberately attempted to forcibly drive out White folks who happened to move into a predominately Black neighborhood? There isn’t one.

My students, for the most part, though, loved the book. They thought it was “so cool” to get a glimpse of the “real” immigrant experience from an atypical perspective. They really liked the interplay between Sepha, Judith, and Naomi. They mostly wrote papers relating the book to the actual relations between Black Washingtonians in Shaw with the Ethiopia community there. They used Mengestu’s book as evidence that Blacks in Shaw drove Ethiopians out of Shaw and across the border into Silver Spring, Maryland, all because Black Shaw residents blocked renaming the U Street strip “Little Ethiopia” in 2005. All these conclusions, despite two full hours of discussion over two weeks about the books and its historical and local inconsistencies and stereotypes.

I haven’t been this beside myself about having inadvertently reinforced racial and cultural stereotypes since the first time I taught World History under Peter Stearns in 1994. But at least I was a 24-year-old grad student then. Now, I’m thinking that maybe 2.5 hours per week with my mostly affluent and White students is not enough time to counteract the idea that an excursion to Georgetown, Nats Park, or Chinatown is peak DC exploration. I also think that me as the little-old-nobody professor cannot overcome a MacArthur “genius” award-winner author whose book libraries possess in volume and school districts like DCPS and Montgomery County (and apparently) all over the country regularly use.

But if Mengestu is a genius, he is such because he has captured the White gaze. A story about Ethiopian migration to the US and the impact of such on that generation between the late-1970s and the turn of the 21st century. It is tailor-made to pull on the heartstrings of White Baby Boomers and loaded with a sense of exoticism. Mengestu’s DC looks more like where he grew up in real life (Peoria, Illinois and in the Chicagoland area — pretty White-bred communities, really) than any part of the DMV I have experienced since 1992. And no, being a Georgetown University student and earning a bachelor’s degree in the process is nowhere near enough time in DC to realistically depict even a sliver of DC, fiction or nonfiction.

I have learned my lesson. The Beautiful Things That Heaven Bears will not be a part of any course I teach moving forward. I will continue to pick books as I always have before this one. I will rely on my own counsel, and unlike most of my colleagues, will actually continue to read them before I put them in my syllabi. As for this DC course, I am replacing Mengestu’s book of anti-Blackness and elitism with Camille Acker’s Training School for Negro Girls. If I am going to continue to use historical fiction, it should center Black girls and Black women living in DC/the DMV, and not Mengestu’s kinder, gentler version of Dostoyevsky’s Raskolnikov in Sepha.

My Alex and America’s 45, Bullies with Fan Boys on the March

05 Monday Aug 2019

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, Politics, Pop Culture, race, Religion, Youth

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45’s fans at campaign rally, Greenville, North Carolina, July 17, 2019. (Carolyn Kaster/AP; https:/usatoday.com).

At least one person will undoubtedly find my latest post unfair and offensive this time around. My Humanities classmate Alex, whom I interviewed as part of my book Boy @ The Window, will likely not be too happy with me this week. So Alex, if you do find yourself feeling this is unfair and my post offensive, I apologize in advance.

But either way, that’s okay, because the comparison between the person he once was and the person who is 45, America’s usurper-in-chief, is apt. Not because Alex was ever a malignant narcissist in need of constant adulation from his entourage. But because even small-d demagoguery around putting down so-called others out of insecurity, racism, xenophobia, misogyny, religion, a sense of superiority, and/or willful ignorance will still lead to violence and bullying. On a societal level, that is mass violence, that is fascism within a democracy, and nation-state sanctioned. No matter what the College Board and ETS says.

The thing I didn’t really allow myself to understand, even after I interviewed Alex in 2007, even after writing my first eight drafts of Boy @ The Window regarding Alex and the “Italian Club,” was this. That people like having leaders, folks they can relate to, even as preteens. In our times, that means someone who’s cool, or at least, pulls off the cool aesthetic well. Alex did. Whether you liked him or despised him at A. B. Davis Middle School in Humanities in seventh or eighth grade, Alex had a certain prepubescent charm. He was playful, goofy, corny, and fully engaged in pop culture as an up-with-everything 12 and 13-year-old.

And that attracted a specific group of folks into Alex’s solar system. Some of them knew him from their mutual time together at Columbus ES, but several in his entourage were from other schools prior to Davis. All of them were disaffected boys in some way or another, mostly Italian (or at least in one case, half-Italian), but almost to a person, not comfortable with the multicultural pressure cooker of relative uncoolness that was our magnet middle school program.

Alex led his “Italian Club” in acting out. Like a wolf pack, they looked for prey in the classroom to pick on, to call the wittiest names, to occasionally get physical with. Many times, they messed around with corny lines for girls like Sandra and Marianna. But I ended up on their radar early on. Between my kufi, my big but slow-talking mouth, and my fight with Brandie, I was ripe for Alex and his band of predators.

On November 2, 1981, the bullying started in earnest, as Alex and his band jumped me after school in the area near the side door exit from Davis. About a third of my classmates watched as the “Italian Club” knocked me to the ground, punched and kicked me until I began to cry. Alex himself never put his hands on me, but watched with glee as his fanboys did the dirty work.

But that wasn’t all. I had to endure seven months of being “dumb,” “stupid,” and a “monkey” from Alex’s band of brothers. It was topped off by a month of “Captain Zimbabwe” chants in May and June 1982, typically in Mrs. Sesay’s homeroom, but after counter-protests from other classmates, it moved to Ms. Fleming’s Italian class.

Eighth grade was nowhere near as bad, partly because I grew four inches over the summer, and partly because they likely sensed my rage from my summer of abuse with my idiot stepfather. Still, this didn’t stop Alex from messing with me or other vulnerable classmates that year or in ninth grade. I remember him greeting Josh a couple of times with the refrain from The Beatles “Hey Jude,” except it was, “Na, Na, Na, Na-Na-Na-Na, Na-Na-Na-Na, Hey Jew.” I remember him and his entourage calling my other classmates “monkey.” He once went after our class’ eventual valedictorian, “she’s a brainiac, a brainiac,” adapting a song from the Flashdance soundtrack.

This was the Alex I knew between the ages of 12 and 15. Comparing him to a 73-year-old who has the impulse control of a nine-year-old hopped up on crystal meth is somewhat unfair, as Alex isn’t that teenager anymore. Still, what 45 has done on a far larger stage than Davis’ Humanities program is essentially the same thing. Except that there are millions of folks — especially White men — attracted to his intersectional message of “this is our [read, ‘A White Man’s’] country.” And anyone not for White men first, second, and always needs to get out, or at least, get out of the way.

There’s a video clip making its social media rounds via Bloomberg editor Tim O’Brien from 45’s rally in Panama City, Florida on May 9. In it, you have 45 and many in his audience laughing at the idea of shooting “illegals” coming in from Mexico as a solution for stemming the tide of “invasion” from Central America.

This is hardly the only blunt signal 45 has sent to his anti-Black, anti-Muslim, and anti-Latinx fanboys and footsoldiers-for-the-patriarchy (thank you for the truth, Mona Eltahawy) fangirls over the years that their intersectional -isms are justified. But it is one direct example that those who really believe a race war is coming can use to take up arms and shoot to kill Black and Brown folks for existing in the US. That’s what Patrick Crusius and Connor Betts did this weekend in El Paso and Dayton, Ohio to their dozens of dead and injured victims. That’s what 45’s entourage has been doing with increasing frequency over the past decade. This is what demagogue bullies do. They build a following. They jizz their racism, misogyny, xenophobia, and homophobia all over their followers. Those most predisposed to lap up such vitriol and act on it then do the not-so-subtle calls for violent action and take it out on truly random marginalized people.

For a variety of reasons, not the least of which, attending a majority-Black-and-Brown high school and perhaps recognizing his own racism and misogyny, Alex wasn’t the same Billy Idol-worshipper I’d known in eighth grade. By our senior year, he even seemed like-able, and spend way more time with a group of Black and Latino friends than he did with his one-time entourage. I assumed he matured. Good for him. Really.

But it’s way too late for 45 to grow out of his -isms. It’s way too late for millions in his entourage to grow out of their violent fantasies for mastery over vulnerable others. We have to disarm them, with the repeal of the 2nd Amendment. We have to disarm them, by calling them out for the bullies and intersectional terrorists they are. We have to, if we’re going to survive them.

My Life as a Scrambler

10 Wednesday Apr 2019

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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I wish I could say that it was different. I wish I could say that the key to success in my life was crafting plans, developing rubrics, and building out scale models of every step, move, and smile toward achieving Points A, B, and Z on my life-sized to-do list. I wish that life was like being Tom Brady (not really). Or really, like being every White male statue that’s ever stood behind a bruising, blocking, dynamic offensive line in American professional football. One where even a mediocre quarterback like Trent Dilfer or Jim McMahon could stand behind and take as many as ten seconds to find an open receiver for a first down or a long touchdown on their way to a Super Bowl championship.

But, with some notable exceptions, my life, and the successes I’ve garnered in my life, have come from scrambling out of the pocket, usually because my proverbial offensive line couldn’t block the pass rushers in my life. It’s hustlin’ really, but not the kind of hustlin’ that would bring me notoriety. My life has been mostly Joe Montana and Russell Wilson, with occasional periods of Warren Moon half-standing in the pocket and half-scrambling in between.

Graduate school was the one exception that almost ruined me. I took the lesson I learned about keeping my schedule of work, social life (however ill-defined in 1991), and classes and transferred it to my five and a half years of working toward a doctorate. After a straight-A first semester and finishing my master’s in two semesters, I took it as a sign that this drawing up plans and executing them with brutal efficiency was the best way for me.

Keep in mind, I scrambled all through middle school and high school, for all six years I was in my Humanities Program. I scrambled because I had to. I couldn’t make concrete plans to study at 616, to read books by a specific date, to just have a day to myself just to work on me. Not with my abusive ass, idiot stepfather Maurice/Judah/Maurice there. Not with my younger siblings running around. Not with my Mom going through welfare and depression. Not with having to track down my alcoholic father on weekends for work and money.

San Francisco 49er QB Joe Montana scrambling to make a throw, Super Bowl XIX, Stanford Stadium, Palo Alto, CA, January 20, 1985. (http://youtube.com).

And yet with all that, I finished 14th in my graduating class of White, Black, Afro-Caribbean, and Latinx hyperachievers. I received scholarship offers from every school I got into (with Columbia withholding only because they couldn’t believe I came from a family of eight with a $16,600 per year income in New York). Scrambling worked, even though it didn’t feel like it at the time.

Which was why I went the other way. And so, for my graduate school years, and the baker’s dozen of years that followed, I stayed in the pocket. I drew up plans like an architect for my career and life, and followed those plans as if I’d gotten them from God him/herself. And the truth was, most of my plans worked to perfection. I earned a two-year master’s degree in one, earned a big-time dissertation fellowship without overwhelming support from my advisor and committee, published articles, presented at conferences, and, once fully immersed in nonprofit work, job after job, promotion after promotion, more publications and teaching opportunities.

Or so I thought. I hadn’t realized that while my 150-PowerPoint-slide gameplan seemed to be working, that I was still scrambling every chance I got, and hustlin’ myself in the process. I only completed my doctorate in November 1996 because I scrambled, and left my advisor little choice but to approve my dissertation. This after lobbying my other committee members, documenting every comment from my advisor on my dissertation going back a full year, and otherwise turning the academic politics of Carnegie Mellon to my favor that summer and fall. That, and having a complete, 505-page manuscript, sealed the deal.

I scrambled for work all the while, went the summer of 1997 without work before hustlin’ my way into nonprofit work by lying about only having a master’s degree that year. I scrambled into my jobs at Presidential Classroom, both of my positions at Academy for Educational Development, and every single teaching position I’ve held since 1998, AU included.

It just took me until 2008 to realize that I wasn’t the figurative pocket passer. I ran myself and those who’ve been there to catch my publishing, teaching, and working passes open. I’ve never had a good offensive line, because America stacks their lines for privileged White men and White women first, second, and third. Sometimes I’ve had to take the proverbial ball to the end zone or for a first down myself, because there hasn’t been anyone else who can help. Sometimes, too, I have to take the hit, also because I don’t know what I don’t know, and I’ve fought against the mantra “It’s not what you know, it’s who you know” for most of my 49-plus years on this Earth.

I’ve come to accept that this is my life. I don’t have to like that despite all the article publications, conference and public presentations, grant money raised, students taught, students now in prominent positions themselves, book manuscripts produced, friends made, and so many other measurables, I am a bad six months away from career collapse. And with that, maybe my marriage, my status as a dad, and  my health and life would be at risk as well.

But I do not intend to be a contingent faculty member and an older man pretending to be a youngish freelance writer with fresh ideas (with the rare consulting opportunity) for the rest of my most productive working days. Either all this works out, somehow, or I’m driving as the Uber professor/Trader Joe’s stock boy/MCPS bus driver (ala Steven Salaita) down the line. Anyway, Red from Shawshank Redemption put it best. “Get busy livin’, or get busy dyin’.” My mantra for the past four and a half years.