Category Archives: Mount Vernon High School

Viewing World AIDS Day From the Cheap Seats

01 Saturday Dec 2018

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, High Rise Buildings, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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World AIDS Day 2018 logo, November 30, 2018. (http://hiv.gov).

Today and this weekend mark 30 years since the first World AIDS Day. Unlike three decades ago, I seldom give HIV/AIDS any thought at all. Where did it go? Has anyone actually died from AIDS recently? Do people still have to worry about HIV/AIDS? I know the answers are, nowhere, yes, most definitely, and hell yes, dumb ass.

But 30 years ago, I worried about HIV/AIDS the same way I worried about the Soviet nuclear threat, my Mom still living with my idiot stepfather, and dying if I wasn’t part of some evangelical Christian rapture. I pretty much worried about everything back then. In the context of my heterosexuality and mostly burying it for fear of intimacy, pregnancy, and bodily fluids, though, I worried that with my luck, any sex at all would lead to the STD to beat all STDs.

So when my dad went out of his way to get me a prostitute (we didn’t use the term “sex worker” then, I think) for my seventeenth birthday in December 1986, a young woman I knew to have been a fellow Mount Vernon High School student the year before, I didn’t hesitate to say no. I preferred Jimme calling me “faggat” to doing the equivalent of Spike Lee’s character in School Daze, a form of meat-market sex approaching (but not quite) rape.

I knew, down to my bones, despite the ACT UP crowd of relatively well-off gay White male activists on MTV and elsewhere, despite the dome of Black hypermasculine homophobia found in Mount Vernon and in the city, that HIV/AIDS wasn’t a “gay disease.” Basic biology would dictate that viruses don’t make left turns based on sexual orientation, class, gender, or race. So, hell yes, I was scared, for quite some time, from the prospect of living with a disease that has killed more than 35 million people worldwide since 1979.

The dangers of sex work, of casual unprotected sex, and of HIV/AIDS were made clear to me on my trip to Pittsburgh in August 1990 to secure what would be my studio apartment living for the next eight and a half years. It started at the Port Authority Bus Terminal on 41st on Friday night, August 3. It was going to be my second trip ever on Greyhound, catching the 11 pm red-eye, nonstop bus from Manhattan to downtown Pittsburgh. As the 40 of us stood in line to catch the bus, I saw a woman around my age wandering between the men’s room and the waiting areas, talking to different guys, with one or two jumping out of line for a few minutes.

Port Authority Bus Terminal entrance, New York, NY, October 22, 2015. (Ilana Gold/CBS2; https://newyork.cbslocal.com/2015/10/22/port-authority-bus-terminal-plan/).

As she drew closer to my line, I recognized her. She was someone I knew to be the cousin of one of my neighbors on the third floor of 616. By then, I also saw a Black guy in his mid or late-twenties, standing near the men’s room, keeping a close eye on her. It was like the cogs of my mind moved in slow motion as it became clear that this person I knew was a sex worker and the guy was her pimp.

A few minutes later, the pimp bellowed, “Five-O! Five-O!.” The all-too-familiar woman took off. She booked out the terminal doors and toward the streets around Times Square. The Port Authority police and two NYPD cops had grabbed the pimp, put him on the ground, handcuffed him, and took him away.

I was so surprised and sad after that, at least as we boarded the bus and weaved our way through New Jersey. I hadn’t seen this woman since 1986 or 1987, when I was a senior in high school. Over the years, she had come over to her cousin’s place to visit, and maybe to stay (at least temporarily). She had mostly teased me about my “White music,” except for Tears for Fears in the summer of 1985 (their “Shout” had been turned into some hip-hop urban mix on WBLS).

She had asked me on more than one occasion, “Do you like girls?” I mostly ignored her, saw her as just another person at 616 and in Mount Vernon who saw me as something to kick around. I didn’t consider her attractive because of how she talked to me, but looking back, she was. At five-seven or five-nine, she was a yellowish-brown skinned woman, with some freckles, a nice smile, shortish hair, and a nice proportionate shape. She could be witty, in a New Yorker’s sarcastic sort of way. But between Wendy, Phyllis, and my march to college, nothing and no one in Mount Vernon could compete for my attention in that way back then.

A week later, I came back from my Pittsburgh trip, on another Greyhound non-stopper, only to realize at 8:30 on Saturday, August 11 that I needed to take a dump. As I’ve said elsewhere, I tried and failed to take one at Grand Central, as the basement restrooms were full of broken toilets, boarded up stalls, and at least one person with obvious signs of Kaposi’s Sarcoma, a sign of full-blown AIDS. I don’t know how I managed to hold my shit until I made it back to 616.

I learned from my Mom twelve or thirteen years ago that my former neighbor and teaser had died from AIDS-related complications, leaving two children behind. Even though I didn’t know her very well — didn’t want to know her, really — I was still heartbroken for her and her kids. All I could think was, what an awful life, what an awful way to die! Who’s going to raise her kids?

But really, I couldn’t help but go back to that Friday night in August 1990. I observed from up close, what the limited choices in a world of capitalism, patriarchy, misogynoir, and racism left people like this young woman. I observed, from afar, how this world can make something as destructive as HIV/AIDS a movement for gay White males, and a silent way of killing Black women at the same time.

On Wet Rags and Crocodile Tears

30 Saturday Jun 2018

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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The tears of Allison Ettel, a.k.a., #PermitPatty, NBC’s The Today Show (cropped), June 26, 2018. (http://bet.com).

I’ve been thinking about this post for a while, probably for at least two years. But it does help when others closer to the subject write about it as well. Between @ProfessorCrunk Brittney Cooper’s chapter “White-Girl Tears” in her hard-hitting Black feminist primer Eloquent Rage (2018), @blackgirlinmain Shay Stewart Bouley’s recent blog post “Weapon of lass destruction: The tears of a white woman,” and Ruby Hamad’s piece in The Guardian, “How white women use strategic tears to silence women of colour,” what can I really add? (Everyone who believes in feminism and wants to support women of color writers ought to read these essays, by the way). Oh, just the idea that men of color deal with White women’s/girl’s tears as well. And that some of us have been just anti-sexist enough to recognize how our Whiteness and patriarchal-dominated society privileges and legitimizes such tears, often to our detriment.

Over the years, I’ve taken to calling those who cry over the least amount of adversity and stress wet rags, and those instances in which sobbing becomes a central theme “wet-rag episodes.” This started for me in the late-1990s, when my then girlfriend (now wife of eighteen years) would spent upwards of 12 hours of her Saturdays watching Lifetime movies (some of which were originally NBC, ABC, or CBS specials, before the dominant return of reality TV in the double aughts). At first, I did a play on Lifetime‘s slogan back then, “Lifetime: Television for Women,” adding, “not for men” whenever the tag line appeared during commercials.

But Lifetime is an addiction, if you sit there long enough watching the ups and downs of romances, the constant threat of stalkers, date rape, teenage pregnancy, and drugs, and the upbeat endings and vindication at the end of every two-hour movie. What I noticed most of all, though, were the waterworks. Everyone from Lynda Carter to Lindsay Wagner, from Elizabeth Montgomery to Jaclyn Smith could cry at the sound of a book drop!

Cartoon character from Fairly Odd Parents crying an ocean of tears (cropped), June 30, 2018. (http://fairlyoddfanon.wikia.com).

Admittedly, I cry very easily while watching emotional and gut-wrenching scenes. I cried when I saw Viola Davis take on Denzel Washington’s character in Fences (2016) over his years of cheating and his secret family. Especially when Davis blew a snot bubble in the middle of the scene. I was through for the next three minutes!

With Lifetime movies, though, I stopped crying for these White women over the twists and turns in their lives. I watched one scene in one movie where the main character broke out and cried at her dining room table in her laid-out, five-bedroom home when she realized she only had $10,000 left in her bank account. I didn’t just laugh. I howled. As someone for whom poverty and financial struggles have been a constant companion, having that much money in any account at any time has always been a time of celebration. “You shouldn’t laugh. Poverty is relative,” Angelia said while also laughing. “No, it isn’t. She’s a wet rag!” I responded. I’ve spent a good portion of my career proving this point, too.

That scene took me back to so many wet-rag episodes in my life. Like when my high school valedictorian classmate cried angry tears over a 67 on an English essay exam our junior year, losing 25 points because she didn’t underline James Baldwin’s book title Notes from a Native Son in her essay. I didn’t feel sorry for her, Ms. 5.45 GPA, not one bit (it’s all in Boy @ The Window).

Or, during my second year in grad school at Pitt, when a student in one of my US History to 1877 sections tried to proposition me to raise her C- average. When that didn’t work, a fountain of tears poured out. I handed her a tissue, but said, “Your tears in no way are a substitute for studying and working harder in this class.” She didn’t exactly give me 5’s on her evaluations of me in the course at the end of that semester.

Ten years later, I had White women as co-workers and students who could cry about almost anything. My one-time boss Ken blamed me for making a former co-worker cry because I refused to take her “I hope you had a wonderful vacation!” the week after 9/11 in stride. Yeah, sure. It was a week in which I was stuck in Atlanta for four days after a one-day work trip and had to take Greyhound for 15 hours back to DC, not knowing if my older brother was dead or alive. I said as much to my co-worker, and she ran away from me crying.

A student in my History of American Education Reform graduate course cried when I refused to change her grade from an A- to an A. I was in the middle of explaining how she could revise her research paper and still end up with an A. It was just before Thanksgiving, and until that moment, I had thought that this was one of the best courses I’d ever taught, with one of the best group of students I had had in one of my courses. Her sudden sobbing actually pissed me off. I tried not to show it. But I did say, “What are you crying about? There’s nothing about your standing in this course for you to be crying about.” I said it in a tone that I’d only find again once my son became a preteen.

Caitriona Balfe as Claire wailing over the loss of Jamie and the Battle of Culloden, July 9, 2016. (http://www.bookbub.com).

It’s to the point now that I don’t even watch wet-rag shows anymore, at least once the character becomes one. For example, I watched the split first season of Starz’s Outlander with Caitriona Balfe as Claire, and found it mostly enjoyable. Until she began turning on the waterworks in practically every episode. My wife continues to watch, but laughs every time I ask, “What happened on Wet Rag this week?”

I know that White women and White girls, like all human beings, have plenty good reason to cry. Every time I saw video of Kyle Stephens‘ sentencing-phase testimony about what convicted rapist and felon Larry Nassar starting doing to her when she was five years old, I cried for her and with her. Trauma and tragedy are good reasons to cry, wail, sob, and weep. But, so many wet-rag tears are drop-of-the-hat, crocodile tears. About getting caught in lies, about making racist and anti-poverty and anti-women-of-color statements that don’t go over well, about anything that would otherwise paint them as narcissistic and not-so-smart brats.

While I know I don’t have as difficult a row to hoe as so many women of color in the public sphere, one thing I know I’m not allowed to do in a hyper-masculine world of Whiteness and patriarchy is cry. I got hit with the f-bomb so many times growing up, from Black boys, Black men, and Black women, and faced threats of violence as a result. I would’ve been recommended for psychotherapy if I had ever cried over an A-, and been laughed at for complaining about my workplace conditions. Women of color can lose careers over their tears. Black boys and men have lost their freedom and lives over them. One isn’t less damaged over the delegitimization of our tears, but the damage can be differential, depending on gender, class, sexual orientation, and the level of toxic hyper-masculinity surrounding you.

That is why I can’t stand wet rags. Their tears fill the world with concern and fear, and marginalize and dehumanize the rest of us. I have no sympathy for crocodile tears. I don’t know if I’ve ever had sympathy for them.

ICE is America’s Gestapo, the White House the Waffen SS

18 Monday Jun 2018

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Mount Vernon High School, Movies, Patriotism, Politics, Pop Culture, race, Religion, Youth

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Two pictures: ICE raid to arrest foreign nationals. February 6, 2017, (Charles Reed/ICE; http://amsterdamnews.com); Gestapo in midst of a raid, circa 1939-40. (http://www.encyclopediaofukraine.com). Both in public domain.

I may have developed my sense of thinking on the issue of inclusion and migration from the ostracism I experienced via the cool class of Black classmates from Mount Vernon High School. Maybe. Maybe not. But, it was on this date 31 years ago that the Class of 1987 graduated. And, within minutes of us tossing our mortar-board caps in the air, people who were the “cool ones” in the graduating class began ignoring my greetings and staring through me like I was invisible whenever and wherever I saw them. A silent treatment that I went through for two summers with this group.

This is not unlike the way the media and this 45 presidency deals with most marginalized Americans and the daily indignities and atrocities from which they suffer. Especially those who migrate without papers and those would-be-migrants and asylum-seekers. The amping up of a policy that separates parents from children at the US-Mexico border is nothing short of kidnapping and taking hostages. However, the policy isn’t entirely new, and the media coverage of it until a week and a half ago was scant. President 45 and his minions had truly believed that they could keep something like this under wraps, because undocumented migrants and asylum-seekers have no representatives, no voice, and no support among many Americans.

The cries of outrage across this country have proven them partly wrong. Still, the “cooler” — really, crueler — class of Americans, White, White privilege, White patriarchy, Whiteness-is-always-right-thinking Americans (which unfortunately also includes Americans of color) remain all for body snatching. They have either been silent or have made some lame-ass excuses for fuckery worthy only of superficially-cool high school graduates.

I’m reminded of the first time I saw America’s cruelty in kidnapping kids and tearing apart families. For me, it started with Roots in 1977. I watched through Kunta Kinte’s  capture and Middle Passage across the Atlantic, his arrival in colonial Virginia, and later, the selling off of his daughter Kizzy to a slave owner who raped and impregnated her with Chicken George. Kizzy (played by Leslie Uggams) never saw her father alive again (she’s somehow able to visit her father’s grave, though), and her mother Bell is sold off to some Deep South plantation.

Leslie Uggams as Kizzy Kente in Roots (screen shot), 1977. (http://roots.wikia.com).

At seven, I cried at least three times watching this. At ten, when I saw all of this a second time, I cried and got angry. Especially at Sandy Duncan’s character, Missy Anne. Because Kizzy had the audacity to have a boyfriend and attempted to help him escape, Missy Anne shunned Kizzy and put up no protest as her father sold off her childhood playmate. And I learned that this is how nice people do people like me, especially the times when we need their help the most.

Later, I learned about the Fugitive Slave Laws. I learned how Congress, starting in 1793, passed a series of laws making it possible for every White American to act as a secret police. Whites were on the lookout for runaway African slaves in places as far-flung as Charleston, South Carolina, Bangor, Maine, Buffalo, New York, and, by the 1850s, Arizona Territory and California. The assumption of African enslavement was so pervasive that thousands of free and freed Blacks could end up being sold and re-sold into slavery, merely because some random White person wanted to make an extra $10 in the 1830s (12 Years a Slave comes to mind here).

Later, I’d learn about the Trail of Tears, Indian Removal, and the long, bitter march of indigenous peoples onto reservations between the late-1820s and 1890. A population of perhaps three million Native Americans reduced to 250,000 by the time of the 1900 Census. All federal policies as the US Army executed them. All so that mining interests could get to gold and coal, all so that railroads could be built. In the process of assimilating “the savages,” the federal government also snatched thousands of Native American children from their tribes and families and put them in boarding schools. With White families all too willing to teach them to forget about their long and proud histories, languages, and peoples.

But before learning all this, I also learned through my mom’s years on welfare just how easy it could be for a government and willing neighbors to have children and parents separated. More than once, a social worker swung by in the years between 1983 and 1990 to inspect my younger siblings, to make sure there wasn’t a man in the house, to ensure that my family’s deep poverty was real. More than once, a neighbor would threaten to call Social Services on my mom (and at least once, on me when I was a teenager) because my four younger sibling kept up too much noise. The policies that now comprise what some experts call “Jane Crow,” of separating allegedly neglectful and abusing parents (mostly Black women) in the name of protecting children, were very much alive and well during my teenage and early adulthood years. Because of course, poverty in America to the point of needing a few dollars and some Food Stamps is illegal.

Signs and protesters at “Families Belong Together March,” Los Angeles, June 14, 2018. (Robyn Beck/AFP/Getty Images).

With all this history of breaking up families to control African slaves, free Blacks, Native Americans, and poor people, why would the sudden ramping up of separating children from their parents at the US-Mexico border surprise anyone? It doesn’t surprise me. ICE has been brazen in their modern-day execution of its Fugitive-Slave-Act-esque charge to “round up all the illegals.” The White House has 45 and an army of minions who spend every waking moment of every day figuring out ways to quash dissent and foment support for policies that would make the US a Whites-only country.

But for all this to work, there have to be millions of Americans willing to help them. And there are. Some out of pure ignorance, some out of willful ignorance and denial, and some because they are racist sociopaths. All, though, are fully steeped in the idea that America would be better off if Whites remain the majority, if White men and White women sire most of America’s kids, and if all the Black and Brown people submit to their rule and oppression with bright smiles.

People, America isn’t becoming a fascist state. For so many of us, America has always hung in the balance between freedom and fascism. Fascism for Americans of color, and freedom for good, Christian-as-racism White folks. This. Is. America.

Rich, Lorde, and What I Care/Don’t Care About

20 Tuesday Mar 2018

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, music, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Audre Lorde, Meridel Lesueur, and Adrienne Rich after leading a writing workshop, Austin, TX, 1980. (K. Kendall/Flickr, July 15, 2007). Released to the public domain via CC-SA-2.0.

Among the literary arts, poetry is somewhere between okay and blech for me. At least most of the time. That doesn’t mean I hate all poetry or all poets. I fully appreciate the rhyme and meter (and lack thereof) of so many, from James Weldon Johnson and Archibald MacLeish to Phillis Wheatley and Langston Hughes. I love the emotional layering in the choice of the words, and in more modern times, the delivering of such words, with The Last Poets, with Gil Scott-Heron, and of course, Maya Angelou. Rap legends like Tupac, Nas, Eminem, Public Enemy have lyrics that are essentially spoken-word poetry put to bass, beats, and music loops. Heck, I’ve even enjoyed W. E. B. DuBois’ forays in the art in my scholarly research (when I more regularly did it) over the years.

But as a writer of prose (and often, long-winded prose), I also find the form of poetry ill-fitting. For me, it’s like being a home-run hitter in baseball playing hard-court tennis. It’s not that I can’t hit a baseline winner or an ace. But for every one of those, I could easily hit four tennis balls in a row out of the court, and literally onto the roof of a house half a block away. I prefer the ability to lay out my thoughts and explain them in full sentences, without worrying over every single word and the rhythm that a sequence of carefully chosen words may or may not bring.

I barely read any poetry during my Humanities years, unless my English classes forced me to. Emily Dickinson, Edgar Allan Poe, John Keats, Alexander Pope, all for 10th grade English, and with the exception of Pope’s “The Rape of the Lock,” not particularly entertaining. I was convinced after high school in ’87 that I’d never read poetry again.

What brought on a new interest in poetry came from my sophomore year at Pitt. I had to take a General Writing class in Fall 1988. I had to because if I wanted to take upper-level History classes as a History major, this general education requirement needed to be knocked off.  But I had an enthusiastic graduate student as my instructor. When I say enthusiastic, I mean someone who knew their students wouldn’t be, but whose passion for teaching and literature of all kinds made the class and the readings more interesting. She told me early on, after reading one of my first essays, that I should’ve been able to pass out of General Writing through the diagnostic tests Pitt gave my freshman year. “I wasn’t exactly awake when I took it last year,” I said in response.

Ways of Reading anthology book (2nd edition), used in 1988. (http://ebay.ca).

When we got to the poetry portion of the course, I thought at first I was going to die from boredom. But our instructor didn’t assign us the usual suspects. The main poet we read that week was Adrienne Rich. She was someone I’d heard of growing up, but that was about it. Until the assignment of reading both Rich’s poetry and her essay “When We Dead Awaken: Writing as Re-Vision,” that is.

There were three things I’d never considered before reading Rich. One was the idea that writing was both art and craft, and that most writing was editing and re-envisioning one’s work. Two was the notion of transforming and being transformed through the writing process, and all as a proxy for a meaningful life. Three was the positioning of poets and other writers in literature, the privileging of men over women, of White males over feminists, of White heterosexual feminists over lesbian feminists, and especially Black lesbian feminists.

That last one about power, privilege, and positioning, it really grabbed me. So much so that I read more Rich that October weekend, in between pangs of hunger from lack of money and my Saturday evening shift at the Cathedral of Learning computer lab.

And the more I read of Rich, the more I decided to read about one of Rich’s contemporaries. I moved on to Audre Lorde the following week. She wasn’t among the long list of readings we had for General Writing, but she should’ve been. I couldn’t believe that someone who lived only miles away from my growing up experience in Mount Vernon and in New York could yet have such a vastly different experience with the city and the area.

I picked up Sister Outsider (1984) for the first time near the end of that fall semester. Lorde’s collection of essays about civil rights, about Black feminism (or womanism), about what we now call intersectionality, opened my eyes to how even Rich’s brand of feminism could be problematic. But more than that. Lorde, along with Rich, helped me realize, and not for the first time, that I didn’t care if the person I read or learned from was straight or gay, male or female (or later on, transgender), Black, Brown, or White. This despite what the Hebrew-Israelites and the evangelicals tried to teach me. They just had to be excellent in their work.

Excerpt of Audre Lorde’s Power (1978) (screenshot). (http://poetryfoundation.org).

Sister Outsider also opened up my eyes to the possibility that even my poetry-loathing ass could appreciate a true master at work in the art. So early on the following semester, I read Lorde’s poetry for the first time, likely some poems from her Coal (1976). Lorde talking about her upbringing, her relationship with her mother, and her issues with her own skin color, resonated with me.

But that was it with poetry for me until I borrowed my friend E’s recording of The Lost Poets 1971 album, and then read Angelou’s poetry, both in the summer of ’91. By then, I knew that while I’d never be a full-fledged fan of it, I could still appreciate the work, the art, and the layering of ideologies, emotions, and ideas contained in the best of poetry.

“Grace,” #MeToo, and Our Binary World

20 Saturday Jan 2018

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Water buffaloes in mud, January 2017. (http://reddit.com).

Part of me knows that some of you will assume that I shouldn’t be discussing this on my blog at all. I’m a man, a Black man, a middle-aged Black man, so what do I know, really? I haven’t been on a date with anyone other than my wife since 1995. And my own history with hypermasculinity and sexism combined with my exposure to patriarchy and misogyny should disqualify me from making any comments on Babe.net’s “Grace” piece, right?

But I do have a few things to say. That is, after a week of reading tweets, articles, Facebook posts, as well as conversations with my wife and a couple of friends. Most of the divide has been between those adamant that “Grace” was a #MeToo victim of some form of sexual violation and those who believed that her evening with Aziz Ansari was little more than a bad date. This is yet another time in which the American penchant for seeing the world as white or black, or in computer code, as 0s or 1s, can literally blind most from the truth. Both sides are sort of right and sort of wrong. And like an electron (which can be in two places seemingly at once), this isn’t a binary issue. It’s a both-and situation.

Either-or thinking, December 2014. (http://survivingchurch.org).

Ansari was a doggish pig. Period. His intent with “Grace” was purely sexual. He saw her as a piece of meat (or, really, a “piece of ass”). That would explain both Ansari’s words and actions as Katie Way wrote them last week. Does that make his sexist? Of course!

Ansari also tried to persuade “Grace” into full-blown intercourse a couple of times after she had expressed her uncomfortability with moving beyond kissing, oral sex, and other fondling. Coercive behave is also doggish, venturing toward the misogynistic. All of this is true, and is certainly part of how entitlement and patriarchy can work together in sexual relationships.

Context, however, is always important in any situation. Especially one that isn’t as cut and dry as what Way described regarding “Grace” and her Ansari date. So many have harped on the idea that questioning “Grace’s” decision-making in any form is the equivalent of what misogynists do to rape victims. Not true. Not when the power dynamic is limited and diffuse at best. Not when Ansari never used physical coercion or the threat thereof to get the sex he obviously wanted.

And certainly not when “Grace’s” actions didn’t line up with her word. Some have argued about the inability of men to read the subliminal subtext of women when they are saying “No” or “I’m leaning toward no.” And for many men, this may well be the case. For so many women, being too direct may well lead to a verbal or physical confrontation with a misogynistic man. But that negates the context of Way’s piece. “Grace’s” physical responses and cues throughout the sexual encounter either belied her words, or her words were simply unclear.

Truth is, after their first try, Ansari should’ve not only just stopped, which he did. He should’ve also immediately called “Grace” a cab and sent her home. But in even writing this, isn’t this as much a form of ceding power to patriarchy as it would be a sign of sexual maturity, at least on Ansari’s part? 

Truth is, “Grace” should’ve also have been clearer with herself about what she wanted from her date. And should’ve just ended the date, rudely, discreetly, with clearer words and clearer actions, either at the restaurant or after the first sign of being uncomfortable. Because feminism is about taking charge of one’s own womanhood, and not just merely resisting patriarchy and misogyny with mealy-mouthed language.

Truth is, “Grace” had very different expectations of Ansari and that one-and-only date. The kind of expectations that are a bit immature, especially for a women who thinks that “[y]ou guys are all the same. You guys are all the fucking same.” That the main divide among women who’ve commented on “Grace” is age (with the over-under around 35 years old) is telling. Some will say that women (especially younger women) shouldn’t put up with legal yet boorish behavior, either. So don’t!

Truth is, “Grace’s” story via Way’s article is a hit piece, a sort of revenge for Ansari bursting her internalized image of him as one of the few “good guys.” “Grace” got to violate Ansari’s private life because she was enraged that Ansari saw her as little more than a piece of sexual meat. And while Ansari showed himself on this date with “Grace” to be a sexist pig, this isn’t a #MeToo moment.

Unless, of course, we distance ourselves from context, privilege, and intersectionality. Most assume that “Grace” was a 22-year-old White woman. Probably. But even if not, Way’s article about “Grace” is drowning in Whiteness. Especially when considering “Grace’s” relatively lofty expectations that Ansari would be different from other men. Especially when taking the approach that she wanted Ansari to calm her down after the awkwardness of their first sexual try. What made “Grace” think that he was so different? What made her actions as confusing as they were?

A lock of blonde hair (an allusion to Pope’s Rape of the Lock), June 18, 2013. (http://allure.com).

The Sturm und Drang over this hit piece reminds me of when I read Alexander Pope’s mock epic poem The Rape of the Lock in tenth grade. I might not remember much from Mrs. Buckley’s otherwise boring-ass English class in 1984-85, but I do remember the story of how a war started because a baron cut a lock of Belinda’s hair and kept it. It’s also typical of how race riots and lynchings of Black men often occurred, over perceived slights and embarrassing winks.

Speaking of intersectionality, where have all the “Grace” defenders been this week on serious #MeToo issues? Where have they been on Jade Martin for the past week, as a video of her assault at the hands of a Pizza Milano manager in Pittsburgh went viral, an instance of both racism and misogyny? Where have they been on the sentencing phase for Larry Nassar, a man who sexually assault over 100 young women and girls over decades? Where are they on the Rohingya, as the Myanmar security forces have admitted killing and raping women and children while driving them out of the country?

No, for so many privileged, younger, and White American women, a bad sexual encounter with a man whose sexual sexism was obvious is more important that the felony assault of a Black women for wanting to use the bathroom. The last week has shown yet again the racial, ethnic, class, and even age divide that has plagued #MeToo ever since it became more about White women and less about marginalized women and people.

Darren and Donald

10 Sunday Dec 2017

Posted by in 1, Boy @ The Window, culture, Eclectic, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Pop Culture, University of Pittsburgh, Work, Youth

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A better picture of Darren and me, taken in April 1975, Sears, Mount Vernon, NY, July 6, 2006. (Donald Earl Collins).

My older brother Darren turned 50 years old yesterday. The start of my courtship with my wife of more than seventeen years began on this date and day 22 years ago, at her job’s Christmas party in Pittsburgh. The parallels wouldn’t be clear to anyone looking from the outside in on two of the more important relationships of my nearly forty-eight years. But one thing is apparent. The relationship that I’ve always attempted to have with Darren I’ve always had with my wife. One of friendship, sharing, caring, and rooting for each other.

Me and Darren were never that close, even when he taught me how to read, even when I taught him algebra, and even when we both were dodging rocks and bullies at 616. I have the scars to prove it. Three of them, exactly. Earned when I fought Darren over a chocolate Easter bunny on Easter Sunday 1977. Darren clawed my right cheek with his three middle finger on left hand to hold on to the candy, and then proceeded to eat while I was on the floor bleeding and crying.

The time between August ’08 and May ’09 wasn’t much different. My consulting work had dried up after the middle of the summer, as the Great Recession puckered up assholes and opportunities for additional work across the board. I had to dip deeply into my savings to get through, while only then teaching one class a semester at UMUC those two semesters. Darren caught wind of my job troubles through our father. During Thanksgiving, Christmas, and Mother’s Day during those months, Darren would ask very loudly, “Did you get a job yet?,” as if I wasn’t working at all. Of course, he was visiting Mom at 616 for free food during my calls to check in with family.

The third time Darren pulled this stunt, it sunk in what he was attempting to do. “Just because I’m not working full-time doesn’t mean I’m not working. I’m still teaching, and I still have some consulting work, which pays $550 per day,” I said. Darren responded, “Oh, oh, okay.” I knew he didn’t get the gig economy or the idea that I could work three days as a consultant and make as much as he would make in a month. Darren’s only goal through those eight months was to embarrass me with Mom and my siblings, to take glee and joy in whatever misery I was experiencing in the feast-and-famine consulting world.

It was all part of a long pattern of Darren wanting everyone in his life to be as miserable as he has been for nearly all of his adult life. I’ve long understand why he wanted all of us to accompany him in his abyss. Fourteen years going to a school for the mentally retarded and aping that behavior in a affluently lily-White context would mess anyone up. Coupling this with our lives, between Mom, our dad, and our idiot ex-stepfather would lead most to either self-loathing or suicide. Darren chose the former. It has meant him not having much of a life for more than three decades, though.

Given how we grew up, it’s amazing that I could form bonds of friendship and relationship at all. The level of distrust, anger, and disappointment was so great at one point that I could’ve lived as a hermit for the past three decades without anyone to notice. I wouldn’t be surprise if a group of my classmates from Mount Vernon High School have the caption, “Least likely to bond with another human EVER!,”around my yearbook picture. I wouldn’t be surprised at all if all of them were laughing while drawing a penis coming from out of my forehead. I did break out, despite them, despite 616, despite Mom, Jimme, Maurice, and Darren.

The five-day saga of homelessness in ’88 was just one of several events in my first two years at Pitt that made me see what I was doing to myself. But it was the most powerful event, in that it made me fully conscious of the fact that I didn’t like myself very much. It made me aware of the fact that I had maybe two people in the whole world at the time whom I called “friend” and meant it. The rest were acquaintances, former classmates, or soapbox types who liked bouncing ideas off me. Five days of staring into the pit of my possible future of misery — while looking at the seven years of grinding poverty and suffering before — fundamentally changes how I saw myself and my need to connect with other people.

By the time I first met Angelia in ’90, I was well past those events, yet it was as if I was experiencing a social life for the first time. In some respects, I actually was. So much so that I almost short-circuited a friendship before it actually began. Even after we began dating at the end of ’95, Angelia would sometimes call me a “tactless wonder.” That was usually in the context of someone getting on my nerves with their willful ignorance or witless prattle (the “getting on my nerves” part happens much more often than I let on) or being in a social setting after days of dissertation writing.

Beyond that, I’ve learned to accept that weird-old me is an okay person, that I won’t always succeed, that I have a love-disdain relationship with humans. Forming and maintaining friendships and my marriage, though, is hard, but not the impossible thing I thought it would be for me to do this time three decades ago. I remain happy about finding Angelia so many years ago. I remain hopeful that Darren may do the same, in this life or the next.

The Politics of the Apolitical

09 Wednesday Aug 2017

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, eclectic music, Mount Vernon High School, Movies, Patriotism, Politics, Pop Culture, race, Religion, Sports, Youth

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Mimi and Eunice comic strip, July 27, 2012. (Nina Paley via http://mimiandeunice.com/category/politics/).

In late-October 1994, I had a wonderful steak dinner with my friend and former high school classmate Laurell in DC. It was during my first ABD (all-but-dissertation) visit to the area to conduct some official initial research on my multiculturalism-in-Black-Washington, DC-doctoral thesis. It was also a couple of weeks before the midterm elections, the cycle that would sweep in Newt Gingrich as Speaker of the House and the rest of his cronies as part of the Contract With (really, on) America, the gift that has kept on giving for the past twenty-three years.

As part of our three-and-a-half hour dinner and dessert, we talked about the Clintons, their failed attempt at universal healthcare, the Contract With America, and the ongoing politics of racial resentment. Laurell said, not for the first or last time, that she was “apolitical,” that she didn’t “adhere” to “either party’s platform.” This was because she was “fiscally conservative” and “socially liberal.”

Even in ’94, I could’ve picked apart Laurell’s hair-splitting with a hot hair comb. But here’s the part that got me then and really irks me now. Being apolitical is a political stance and perspective. Being apolitical is like being agnostic. You may not believe in someone or something exactly the way most people in the crowd do. You may have some serious doubts. But you are still a human being. And since you are human, and have beliefs, you also have a political point of view. Otherwise, your apolitical stance is the equivalent of selling bullshit to others and lying to yourself.

The politics of steak, August 8, 2017. (http://zeenews.india.com).

A few weeks ago, I watched BBC World News and saw a young White actress on the telly promoting her new summer film, declaring it “apolitical” as it delved into serious issues around feminism and potentially other -isms. Here’s a news flash, folks. Every movie, piece of art, song, poem, every article, book, or TV show, contains a hidden agenda, a specific set of beliefs, an ideology. By definition, every piece of entertainment or art has a political message, no matter how gentle or subtle. Even if a movie like, say, Rough Night is just about women “laughing at themselves” and “having a good time,” the idea that White women have the right to both feminism and femininity is embedded in these otherwise rather banal phrases. And that’s a political statement, whether people are willing to see it or not.

But the realm of politics goes well beyond the world of entertainment and leisure. Politics is everywhere, in everything, and with everyone, all the time. Calling yourself “apolitical” doesn’t change this truth. If you eat steak and potatoes, you obviously aren’t a vegan, and that reflects your personal politics around food. When you buy clothes, wear perfume or cologne, take a vacation overseas, call a young person in your neighborhood an “all-American boy” or “all-American girl,” you are unwittingly expressing your politics. Even in declaring yourself a Christian, atheist, Muslim, Buddhist, or Jew, this isn’t just an admission of your love for God, Yahweh, Allah, or a lack of belief in a higher power at all. It is a worldview with political implications, one that colors how you see the world, humanity, and governance. We are all political animals, no matter how little some of us pay attention to the machinations of the Democrats and Republicans.

Time Magazine cover (cropped) Colin Kaepernick, October 3, 2016. (http://facebook.com). Qualifies as fair use due to cropped nature and subject matter.

This is also why the common refrain among racist sports junkies about not combining sports and politics is also total bullshit. Of course the political implications of sport are intertwined with the actual sport in question! How else can you explain the blackballing of former 49er quarterback Colin Kaepernick for his Black Lives Matter kneel-downs during the National Anthem at NFL games in 2016? It’s certainly not based on Kaep’s performance or merely about a kneel-down. The politics of American racism, of faux-hyper-patriotism, of money and fandom, were and remain in play here. That some continue to doubt this is yet another example of the penchant of millions to crave willful ignorance of anything that would make them think beyond their own perceived superiority and simplistic views of an always political world.

So no, you can’t away from politics in this world. One would have to take a time machine back to before the Agricultural Revolution to find humans in a world without politics. But even then, there would be domestic politics, gender politics, tribal politics, and food/water politics. Not to mention, religion and the politics thereof. But, keep believing that you’re apolitical, and see how that works out as your worldview comes crashing down.