Category Archives: Mount Vernon High School

When Plagiarism Isn’t Plagiarism, When Teachers Are Assholes

11 Thursday Feb 2021

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Mount Vernon High School, race, Youth

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A gas pilot light (what gaslighting and other weaponized behaviors can feel like when one’s on receiving end), February 11, 2021. (https://generalparts.com/)

I have been truly miffed and hurt before. But not like this. At least, not since my senior year of high school and my first year as a PhD student at Carnegie Mellon. But it is for my 17-year-old son that I am feeling this pain, this anger that ebbs, but doesn’t quite go away. It is apparent to me that so many teachers and staff in K-12 education are operating without a net with a pandemic all around them — and making the most of their ability to make life easier for their students anyway.

But there are others for whom the pandemic and all that has come with it literally means “students should just work as normal” or “even more than normal,” because they are “at home.” I already have colleagues at American University who think that they can take their 2.5-hour block classes and do what they did before the pandemic, lecturing for two hours at a time without giving students breaks, even assigning more work. I didn’t think I’d learn of the same stubbornness to adapt from high school teachers, too.

This story is one about my son’s struggles with school this year and off and on over the past few years. But it is also very much about how a high school in East Silver Spring, Maryland can let even a slightly above average student slip through the cracks, and then punish him, once noticed. It is about how teachers and administrators can circle the wagons like the NYPD or any other “blue wall of silence” police institution and gaslight the parents of such a child when confronted about how they have neglected and abused this child academically. My educated guess as an educator is that this issue with our own kid can easily be multiplied by a factor of a couple thousand across Montgomery County Public Schools (MCPS), and by hundreds of thousands in the 14,000 school districts across the US.

The story begins with our son in his senior year in a virtual remote learning environment, with some teachers (like his Creative Writing teacher) offering flexibility with due dates and other concerns, and other teachers (like his gym teacher and honors 12th grade English teacher), not so much. Our son has had his ups and downs throughout his high school years, but still was roughly a 3.0 or so student through his first three years. Even with the pandemic setting in last spring, he managed three As in his core courses. His combination of anxiety, social isolation, and (at times) inattention and laziness kept him from doing as well as he likely could’ve those years.

With schools in virtual remote mode for at least the first half of his senior year, we expected it to be pretty rough for our son. But not this rough. It seemed as if MCPS flipped a switch, and as a rule expected teachers, administrators, students, and parents to carry on this 2020-21 school year as if everything was normal. Daily attendance checks, more homework piled on top of homework, constant testing, points off for any late assignments, all part of the normal and toxic routine of rote discipline in the Common Core era.

And so it was for our son. In his gym class, his teacher marked him absent at least three times on days he opened his Zoom more than five (5) minutes past his start time. In the first three weeks, our son switched from Anatomy, Marine Biology, and Calculus to Creative Writing and Intro to Statistics, putting him behind in his courses overall.

But by the end of the first month, of all the classes, we did not expect honors English to be an issue. He had been taking honors English classes since seventh grade, after all. His honors English teacher for the first half of 12th grade, though, was not impressed with our son’s work. Even his A+ work:

You need to be more specific here. There is way to much generalization and because of that lack of specificity you kind of repeat the same ideas over and over again.

…you really didn’t follow the layout that we reviewed in class for this narrative. You need to show and not tell. Use a scene to demonstrate the theme rather than just telling the reader what they should know.

A little more detail as to the character and the setting would have been helpful here.  This goes back to the “show don’t tell” conversations we’ve had about the project.

I’d like to hear a little more discussion with the group next time – that’s what I am assessing.

Because I have electronic access to our son’s assignments, grades, and comments, I read these off and on throughout his months with this honors English teacher. I figured that our son wasn’t quite doing his best work. But then again, who would be these days? I was busy grading my own students and their papers. Although I thought this teacher’s commentary was a bit tough, I assumed it was because our son kept making the same errors again and again.

Until I started reading his assignments and answers in more detail. Even when our son understood the assignment or essay and showed understanding, it was never enough for his honors English teacher. The last quote in the string above was about an assignment in which this teacher had assigned a perfect score. That was in December, just before the holiday break.

I emailed his honors English teacher, in fact, all of our son’s other 12th grade teachers and his counselor at that point. I wrote that we “fully understand your frustrations with [our child], and share them as well.” We asked for them to keep a look out for him, to not let him “blend into the background.” Notice that we did not say that we condoned this teacher’s frustrations or his “terse language” toward our child. Nor did we say to give him a grade he doesn’t deserve. We simply wanted the flexibility that any of us would want in the middle of a pandemic, in the midst of death (including the death of his grandmother at the beginning of December), on top of his ongoing issues with sleeplessness and anxiety.

Instead, our son’s honors English teacher became more frustrated, and never addressed us as his parents directly in response to my email. It all came to a head on our son’s last assignment, an essay on satire. Apparently the teacher expected our son to roll with one example on satire and point to how many methods of satire this one example checks off. Instead, our son used four examples, and went through those methods with those examples. In the end, the teacher scored it a 50/100.

At first, I really wasn’t that surprised, given our son’s history with this teacher. But then, in the middle of his comments, the teacher wrote:

As for the elements of satire that you explore, in order to address sarcasm you must include the term irony in order to fully demonstrate your understanding of the device- you also don’t give specific examples.  A caricature is a satirical device but the example you give is not satire, it’s racist.

That was when I read the essay. What our son wrote was meandering, not well organized, but not exactly a disheveled mess either. It was pretty middle-of-the-road, like he wrote it in a rush (given the state of things, I’m certain he wrote it at the last minute). But it did contain a thesis, a mediocre and incomplete one, yet I clearly knew his topic and some of what he intended to cover just from reading it. He addressed the issue of irony in his second paragraph, and went on in detail to describe it in his fifth paragraph. The racism charge was ridiculous, given that our son had immediately pointed out that caricatures of groups like Jews were historical “stereotypes” as part of his essay. Plus, the nerve of this man to write, “I really wish I could’ve done more to help. With this assignment in particular I can help you with these types of essays- that help will prepare you for college if that’s the route you’re thinking of taking.” Tone deaf, with -isms and assumptions at his educator core.

I emailed our son’s honors English teacher, again, this time to ask him to take a second look, to note what our son did correctly in his essay, not just what our son didn’t do. Based on this teacher’s own rubric and nearly three decades of teaching students between 13 and 80 years old, our son’s score should’ve been between a 70 and a 79.

Instead, the teacher doubled down and accused our son of plagiarism, which was now the real reason for his score. My guess was that the teacher deliberately found another weakness in his essay, once confronted by me via email. He offered, though, to knock our’s son’s score up to 66/100, even though this wouldn’t change our son’s grade in the course.

I had to really, really contain myself in my follow-up email. As a father and an educator, I know all the tricks that teachers and professors use to get students and/or parents off their backs. But plagiarism is a very serious charge, the kind that requires evidence, and not mere accusation. That, and the fact that our son’s honors English teacher had not mentioned plagiarism, not at all, until I confronted him about our son’s grade and his unsubstantiated commentary.

I called for a conference with the teacher, our son’s counselor, the English Department chair, and (if available), our son’s 12th grade principal. I did it having already read our son’s essay, and having run it through Turnitin.com myself. Nine-tenths of the assignment was in our son’s own words. The other 10 percent? Parts of three sentences — about 55 words in all — included definitions that our son had not put quotes around. Two others had links to sources, ones our son clearly identified as sources. Inconsistent citing of sources, something I deal with from my own students so often it barely raises an eyebrow. It would have been enough for me to take off some additional points, but it is not a plagiarism offense.

As expected, the conference call that was supposed to be about the honors English teacher’s ill-treatment of and accusations toward our son was really an exercise in gaslighting him and us as his parents with the plagiarism accusation. Expected, but very disappointing. They kept telling us that our son was lucky to have not received a 0 and failing grade in the course. I said that they should be ashamed of themselves as educators, that they were “circling the wagons” like law enforcement. Our son’s honor’s English teacher said nothing for 35 minutes, and kept playing his TV in the background, which kept cutting in and out throughout the call (what a coward!). He was the only person on the call who didn’t speak.

They offered to share their so-called evidence. The “evidence” was exactly the same as when I ran our son’s essay through Turnitin the week before. If this is plagiarism, I would dare say three-quarters of the students I’ve taught since 1992 should be accused of such. MCPS’s definition of plagiarism and other forms of academic dishonesty? It includes the key phrase, “the willful giving or receiving” of an academic advantage of some sort, meaning the act has to be an intentional one. It can’t just be a couple of citation errors; evidence of intent must be involved. The wanton theft of other’s words must be involved. I seriously doubt three partial sentences in an average essay granted our son any “advantage” at all (having been a victim of plagiarism myself, I know the signs).

They did so much terribly wrong here, to our son, and to us as our son’s parents. They cared not about the teacher’s escalation of comments to our son. They cared not that the other accusations proved to be false. They cared only about three sets of quotation marks missing from a 900-word essay. They cared only about this, because they knew they could do nothing institutionally that would help students struggling with the pandemic. They cared only about the accusation because K-12 institutions care more about protecting a mediocre White male teacher than they do about Black and Brown students, as these institutions are racist and ableist to their core.

Luckily, our son has a different honors English teacher this semester, his final one at his Silver Spring high school. But as damaging as this could have been for him, at least I can say I stepped up as his dad, right? Except that this has conjured up lots of bad memories about the assholes who were my administrators at Mount Vernon HS, about folks whom I’ve known to be assholes in the education field over the years. Given this, why would anyone want to see these toxic sites of social control open up again for in-person instruction? I don’t.

I had thought about volunteering at our son’s high school this semester, with a smaller teaching load at my institutions this spring. But after this, why in hell would I want to volunteer with these uncaring shits who call themselves educators? They can all kiss my middle-aged Black ass!

However, if our son, a slightly above-average student, had to endure the bullshit of a bullshit-artist-as-certified-teacher, I can only imagine the number students across the achievement spectrum who are catching hell from teachers who have not adjusted well to teaching virtually in the midst of this pandemic. So maybe, just maybe, once I stop thinking about putting our son’s former teacher in a chokehold, I’ll see about volunteering once more. 

But, even if everyone at our son’s soon-to-be-former high school is vaccinated by late this spring or by Fall 2021, I’m still wearing two masks and a face shield. The place is way too toxic for us.

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I truly would like to hear from parents, students, even teachers, in Silver Spring, in Montgomery County, MD, in the DMV, in general. Tell me I’m wrong, that these aren’t examples of education as punitive and gaslighting. Or, conversely, tell me if you have had similar experiences with this high school and this school district, especially since the pandemic.

Do Public Ass-Whuppins Really Work?

24 Sunday Jan 2021

Posted by in 1, Boy @ The Window, culture, Eclectic, Marriage, Mount Vernon High School, Mount Vernon New York, New York City, Politics, Pop Culture, race, Sports, Youth

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William H. Holmes Elementary (near the southeast corner). Top left corner was Mrs. Pierce’s classroom in 1978-79 year, November 22, 2006. (Donald Earl Collins).

It was the first Friday of May 1980. I was in fifth grade. As part of my ritual that had been my routine since the start of third grade, after the 11:35 am bell, I walked the seven blocks from William H. Holmes Elementary School home for lunch. I made my standard lunch on that day, a slice of fried beef bologna with two slices of Home Pride white bread with Miracle Whip man-naise. The way the grease from frying the bologna would soak into the bread, combining with catching ten or 15 minutes of The Price Is Right and (if I lingered longer) a few minutes of the 12 noon news on WCBS-2 or WNBC-4. It made the almost one-and-half-miles of midday walking five days a week worth it.

Especially since I could count on my pre-Hebrew Israelite stepfather either being out of the apartment or snoring away, my mother at work at Mount Vernon Hospital on her 7 am-3 pm shift, Darren at Clear View in Dobbs Ferry (the school’s now in Briarcliff Manor), and baby Maurice with the babysitting family the floor above. Those days were the most stable (if one could call it that) of my growing up years. I failed to see the duct tape holding up the stack of playing cards back then.

It was on that bright and sunny spring day where coming back to Holmes for the second half of the day brought chaos. As I rounded the southeast corner of the school for the remaining 15 minutes of recess on the dirt softball fields and the long asphalt pavement adjacent to it, I witnessed the tail end of a brawl. Something like twenty of my male classmates were fighting where they normally played a friendly game of softball. It was often broken down between the two fifth grade classes, Mrs. O’Daniel’s and Ms. Bracey’s. Because there were other fields, the fourth and sixth grader boys (and a few girls) could also play softball and football. The girls usually double-dutched, raced each other, played hopscotch, or just talked in their groups along the asphalt L along the west side and back southern end of the Holmes complex.

For two years, I had wanted to stay at school for lunch in the spring, just to play some softball. But on this day, I was more than happy to have not been a part of the melee. I remember my friend Starling excitedly updating me on how both teams had spent part of the morning and the early part of lunch preparing to “throw down.” Someone was hit by a pitch, and then a fight between batter and pitcher turned into our school’s version of a brawl between the Yankees and the Red Sox, or the Yankees and the Royals (take your pick).

I only saw the last minute or so. But dirt, grass, spit, snot, and even blood embedded in boys’ clothes, faces, and hair. Me, Starling, Anthony, and maybe two other boys between the fifth grade classes were the only boys who weren’t a part of the fight.

Mrs. O’Daniel and Ms. Bracey both witnessed the fight. Mrs. O’Daniel saw everything from her window on the second floor, which faced out to the back of the school. Ms. Bracey was on the playground when the brawl broke out, and attempted to break it up, but got hit herself in the process.

They, along with our principal Dr. Smalls, decided to mete out the only punishment they thought fit the crime of riotous insurrection. Public ass-whuppins. Yep. After lunch, Ms. Bracey read her class the riot act. She was so loud that Mrs. O’Daniel didn’t begin her quiet chastisement of the boys’ behavior until after Ms. Bracey has stopped yelling and came over to our classroom next door.

After the two had their say, they began taking the boys, one at a time, to the boys bathroom down the hall. From 1 pm until 2:55, they took turns beatin’ ass with Mrs. O’Daniel’s “board of education,” three yardstick rulers taped together for dispensing punishment. She had rapped my knuckles once for talking to a neighbor in class way back in September or October. That was enough for me.

Some of the boys cried well before they were taken into the bathroom for their paddling. The older boys in my classroom, at least, the full-on 12 and 13-years-old (we had three that age in Mrs. O’Daniel’s class in fifth grade), were more stoic. Unlike the other boys, they did not cry, or if they did, they did theirs quietly. They didn’t yell out or whimper like the 10 and 11-year-old when the “board of education” met bare ass.

Then, both teachers gave our classes the “don’t you ever do this again” speech, and then, “Have a good weekend.”

Honestly, it was truly an awkward day for me. I wasn’t sure even at ten whether it was kosher for teachers to whup students’ asses. But I also knew not to question it. I knew what my classmates did was wrong and wrongheaded. “That’s what they get for fighting. Them teachers did the right thing,” my mom said emphatically when I told her what had happened that afternoon.

As an educator, I know none of this would fly now. Even if approved by all the parents, the principal, and the teachers, as it actually was in 1980. Heck, if William Prattella and the Mount Vernon Board of Education had known about this in 1980, the incident would have made its way to The New York Times and the Mount Vernon Daily Argus. The Board of Education would have faced lawsuits and been paying off parents and their kids for trauma for the next five years. The teachers and the principal would have been out of jobs, probably out of education altogether, plausibly then and most definitely in the 41 years since.

But we were a nearly 99 percent Black school with a Black principal and more than a few Black teachers. Many of them and us had ties to a culture where corporal punishment was the response for high-level offenses at home and at school. We lived in a violent world, where White cops and White vigilantes wouldn’t just stop with a “board of education” and five or six licks to the buttocks.

Still, long term, it didn’t work. Many of my peers would end up in brawls after school, off school grounds, to avoid this kind of punishment. Or, they and others whom I never got to know would end up in fights on school grounds, at Davis Middle School (for some), at Hamilton Middle School, at Mount Vernon High School, and certainly in other schools in Westchester County and in the Bronx. I witnessed so many fights, boy-on-boy, girl-on-girl, girl-on-boy. I was part of a few myself, if only to defend myself.

Restorative justice is the idea that schools take a 360-degree approach to changing behaviors. One that allows victims of violence and other violations to experience some form of justice, and those who have victimized others the counseling and help they need so that they can embody behaviors that are healing and not hurting. Most school districts remain uninterested in such approaches, as they are too closely tied to the racist police state that most schools are for most students Black, Indigenous, and Brown. Perhaps the namby-pamby White middle-class parents who want schools to reopen should consider the harm that schools to students of color. The ass-whuppins that students of color — who are the majority of students in public schools these days — may be rhetorical and by statute, but they are just as emotionally and psychologically scarring.

Bloodied bust of President Zachary Taylor, Statuary Hall, US Capitol, January 6, 2021. (Frank Thorp V/NBC News).

But for the 7,000 or 8,000 Maga-insurrectionists who tried to overthrow the vote, kidnap, beat up, and possibly kill members of Congress, all to keep one Donald J. Trump in power beyond January 20? Maybe an ass-whuppin’ is what all of them should get. Right outside on the west side of the US Capitol. Have a big strong man, like say Eugene Goodman, or former Pittsburgh Steeler linebacker James Harrison, beat them with the House of Representatives’ gavel on their pale and flat asses. That would be the easy way out. Watching them cry and holler, though, would make my weekend

What should really happen is time for the ringleaders — murderous treason is about as high as crime as it can get — in prison or in a place where can no longer make attempts at bringing a full-blown autocracy to the US. What should really happen is that the rest of the cabal should contribute to a reparations fund, like a quarter of their wealth or something. What they need is years of group therapy to uncover their narcissism. What we need is a government that is worth protecting from insurrectionists mobs moving forward. Otherwise, the US may well get an ass-whuppin’ from which it won’t recover. An ass-whuppin’ from within.

Music of the Dystopia

25 Wednesday Nov 2020

Posted by in 1, Academia, Boy @ The Window, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, music, New York City, Politics, Pop Culture, race, Religion, Youth

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Screen shot, Silent Running (1972) poster, November 24, 2020. (https://www.imdb.com/title/tt0067756/mediaviewer/rm3505217792/).

Music has nearly always been a dreamscape from which I could envision alternative histories, sense multiple futures, uncover possible presents, feel and find my best self.

It has also been a place for revealing the naked, uncomfortable truth of humanity’s existence in real life. If one were to take the music of the late 1960s and first half of the 1970s, the R&B that clearly outlined the combination of migration, poverty, heroin addiction, the Vietnam War, police brutality, unemployment, miserly government social welfare and urban living would be one way to go. If one were to take the eclectic British and Irish pop and rock of the 1980s, those folks illuminated the connections between rising conservatism, austerity meant to cut the social safety net, and the normalization of government oppression, corruption, and infiltration into the private lives of everyday people.

It all adds up to one simple yet very scary truth. Our world, the one in which my mother birthed me, the one in which I have grown up and grown older, has always been a dystopia. That’s it. All this talk of technological innovation, of moral and philosophical advancements, of a post-World War II, West-led democratized, globalized, capitalist meritocracy is simply The Real-Life Matrix pulling the dystopian world over our deluded, narcissistic eyes. And nearly everything in the world of mainstream news and journalism, in everyday national and international politics, in formal education systems, and in every single iota of American and global popular culture.

Except in the occasional and deliberate attempts made by artists and authors to expose the underworkings of this Matrix. I have written far too much about those authors of late, from Sarah Kendzior, Mona Eltahawy, and Leta Hong Fincher to Kiese Laymon, Ta-Nehisi Coates, and Derrick Bell. Truth is, I felt and sensed this truth in music even before I had read Aldous Huxley, George Orwell, or William Faulkner’s short stories about racist White men sleeping in beds for 20 years with the dead bones of their incestuous mothers. Marvin Gaye’s “Inner City Blues {Make Me Wanna Holler),” Stevie Wonder’s “Living For The City,” and Donny Hathaway’s “The Ghetto” brought the dystopian of Black life in the US to my attention long before I knew what the prefix dys- even meant. The contrast between this and the Afrofuturism of Earth, Wind & Fire’s “Fantasy” and “Boogie Wonderland” of the late-1970s wasn’t lost on me, even though it would be nearly 15 years between these songs and my reading of Octavia Butler’s Kindred.

 

But the 1980s hit me and my family as hard and fast as a government coup in Brazil or in Trump’s version of the US. It’s wasn’t just that it was our apocalypse. It revealed that the American Dream was a nightmare for so many people. It opened up my 100 billion neurons to the possibility that there could be no American Dream, no rise of the West, no Euro-American hegemony over the world without it being a dystopia for billions of people in the US, in Europe, and around the world.

It was also the decade of the Ethiopian famine of 1983-85, “We Are The World,” Bob Geldof and Live Aid, Farm Aid, and protests for South African divestment. So it seemed normal for groups of White guys in bands to write music, play instruments, and belt out lyrics like the ones below from Mike + The Mechanics’ “Silent Running” (1985).

Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command

The post-apocalyptic movie of the same title from 1972 was apparently on Michael Rutherford (guitarist of Genesis), et al.’s minds when they decided to work on the lyrics for this song. The idea that someone from the future would communicate with their ancestors in the past to resist the forces of totalitarianism and propaganda in order to preserve the path to a better future? Boy does that sound like the stuff of Octavia Butler, Derrick Bell, Kiese Laymon, and Colson Whitehead (not to mention, Tomi Adeyemi in her Children of Blood and Bone), where ancestors and descendants can somehow have confabs in real life! All in an effort to swap ideas, to conjure up solutions before we understood the problems, to recognize that time is nonlinear, and so are we.

As a teenager who saw more than most that the Reagan Years were part of the dystopian present, and not a return to American greatness, “Silent Running” was refreshing, if also incredibly scary. I was like, if these White guys from the UK and Ireland get it, then why don’t folks in America get it? At least, the folks I saw at school and in running my errands every day.

But it wasn’t just Mike + The Mechanics. A lot of music from the 1980s and 1990s was subversive, including the more obvious Springsteen and the E Street Band’s “Born In The U.S.A.” and John Mellencamp’s “Pink Houses” to KRS-One and Boogie Down Productions, Alanis Morrisette, and The Cranberries. It was just that the less subtle, the Billboard Top 40 hits and the B-side non-hits stood out for their double-meanings. When I stripped away the male bravado, the love and the lust and the loneliness from the repertoire of rap, R&B, hip-hop, and ’80s pop I listened to, the subversive was the remainder.

In my family-level apocalypse and resistance against my stepfather, the subversive helped. In the disconnect between the normalcy of magnet-program-learning among a cabal of Benetton-commercial-wannabes, the undercurrent understanding that this fakery belied a world very much like the one in The Matrix. The lyrics, the synthesizers, the heavy guitar strums and the drum rolls meant something different to me than anyone I knew growing up could imagine.

It wasn’t just “Silent Running” for me, nor something that hit like a sledgehammer like Genesis’ “Land of Confusion” that hit the radio waves my senior year of high school. There were others. For more than a decade, there were others, including:

  • PE, “Welcome to the Terrordome“
  • Sting, “Love Is The Seventh Wave”
  • Dave Matthews Band, “Cry Freedom“
  • The Cranberries, “Zombie“
  • Peter Gabriel, “Biko” and “Shaking The Tree”
  • Des’ree, “Crazy Maze“
  • James Blake, “No Bravery”
  • Seal, “Future Love Paradise” and “People Asking Why”
  • U2, “Bullet The Blue Sky”
  • Arrested Development, “Tennessee”

In the years after I finished my doctorate, I didn’t forget these songs, and may have taken on some more obscure ones by Floetry, Coldplay, U2, Bryan Ferry, Pharcyde, The Fugees, among others, along the way. Popular music has become more vapid and craven and corporate as the leaders in our world have made their taste for a dystopia that advantages them more and more obvious. This position is probably why I can’t find a nod to the dystopian in Rihanna, Cardi B, Chance the Rapper, Rick Ross, Beyoncé, Gary Clark, Jr., or Chris Stapleton (although Solange’s and Missy’s music videos at least contain subversive and dystopian wisps).

This world is the dystopia that has always been. And those of us who talk to ourselves while speaking out at the same time have been trying to get everyone else to see it and sense it all along. I should know. I’ve been talking to myself since my week of homelessness at 18, and speaking out as the world has lurched itself toward calamity for nearly as long.

Ugly

12 Sunday Jan 2020

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, New York City, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Me in April 1975, Sears Picture Studio, Mount Vernon, NY. (Cropped/Donald Earl Collins).

Another title for this could be “Ugly Donald,” an homage toward Ugly Betty. But one word should cover it!

All this talk over the past few weeks about who is and who isn’t “ugly,” or “fat,” or just “too dark” take me back to how I felt about myself for most of the 1980s, and sometimes even as I gotten older over the 30 years since the Reagan decade. Honestly, I don’t think I’ve been in a camp of vipers like this since my preteen and early puberty years, where I definitely had my own excited utterances toward Black boys and girls in particular (also, the occasionally flat-butt White girl and bed-headed White boy, but I digress). So I never understood the need for deliberate meanness toward people over something that they would have to spend tens of thousands of dollars to fix for a group of misogynoirist assholes who aren’t worth a nanosecond of thought.

Whether Lizzo, Blue Ivy Carter, Bria Myles, Ari Lennox, or Teyana Taylor, these mofos who made fun of their looks, or called them a “rottweiler/German shepherd mix” (sic), or told them to workout to lose weight are such boring-ass losers. These women are beautiful. Black women are beautiful. Full stop. You got time to waste running down an active entertainer over your bullshit? Your ugliness is the kind that takes years of therapy, prayer, active listening, and educational reprogramming (i.e., reading lots of books on Blackness, Black feminisms, and intersectionality) to overcome, if you overcome it at all.

I have a bit of experience with ugly over the years. Usually from family and classmates throwing it in my direction. “Whatcha makin’ that ugly face for?,” my mom would say to me many, many times growing up. “You ugly, faggot!,” I remember hearing from folx in around the 616 and 630 apartment buildings on East Lincoln in Mount Vernon from the time I was nine. “Ain’t no one gonna eva wanna be with your ugly ass!,” an older girl who once attempted to molest me said to me when I was 12. I was ugly, alright. I felt ugly, living with poverty and abuse and anti-Black ugliness in the many places I went in Mount Vernon. It was probably why I felt more comfortable around my father, especially when in the Bronx or down in Manhattan doing work. The anonymity of the city meant that for hours or even days at a time, the centrality of my ugliness could disappear.

I felt so ugly inside and out that I wanted to take my own life at 14. I was so ugly that it scared me to look at myself in the mirror for more than a few seconds, mostly to make sure toothpaste or dried drool or eye crust was off my face. I kept my face as blank as I could, like Jamal Wallace (played by Rob Brown) in Finding Forrester, just so I wouldn’t have to endure more put-downs about my tall, lanky ass and my ugly features on top of that.

Me at Prom Dinner, White Plains, NY, May 21, 1987. (Suzanne Johnson neè De Feo).

But the worst of all this was my senior year at Mount Vernon High School. My final days took an ugly turn the moment my classmates learned I was ranked 14th out of 545 students (509 of us eventually graduated in June 1987). I’ve written ad nauseam about how my White Humanities classmates responded to my ranking, as if I threatened their worldview of them being more intelligent than the Black folx they went to school with every day. Months before my soon-to-be former Black classmates began to stare through me like I was a ghost, they began to clown me. I’d blow by them in the hallways, and they’d bust out laughing. They’d comment on my ugly, brittle hair, talking about how my “hair could break picks.” They’d talk about my “cheap clothes from Taiwan” — which they were from, by the way (how did they know that?). Or, they’d simply shake their heads, as if my existence was a “shaking my head” moment on par with Raven-Symoné declaring herself “not Black.”

Clyde was among that group of Black guys and gals who made a point of telling me I was ugly throughout my senior year. He did it so many times that somewhere around February of that school year, I lost track of the number. “You ugly. There ain’t nothin’ in the world that’s gonna fix that,” Clyde said to me once. Most days, I ignored it, because what would have been the point? We were graduating, and my plans for college were bigger than any insult any asshole could muster. But, one day before winter break, Clyde just said, “You ugly, Donald. You ugly.” It took every bit of the low energy I had to not cry, and not pick up a desk and tear his fucking head off with it, like the chair revenge scene in Moonlight.

It took getting away and going to college for me to stop seeing myself and my own unique blend of Blackness as not ugly, even handsome. A bout of homelessness here and months of struggling to pay rent and eat there will begin to harden you against the bullshit of muthafuckas who would prefer to tear you down rather than build something for themselves or others. As Flavor Flav from PE would say, “Motherfuck them any damn way!”

After those days of sleeping on concrete slabs or eating tuna fish out of a can until I could eat it anymore, it didn’t matter how the Clydes, Gordons, and Tomikas saw me. I saw myself clearly, for the very first time. And I clearly saw my naysayers, too, as the short-in-body and in mind, coloristic, Blackness-but-only-so-much, racist, sexist, and homophobic pieces of shit for whom they were. Why should it have ever mattered what they thought of me?

One Saturday in early February 1989 in the shared bathroom in the Fu rowhouse on Welsford Avenue in South Oakland, I looked at myself in the mirror. I had just finished washing up. I was six-two, maybe 175 pounds, and six weeks past my 19th birthday, with barely enough facial hair to clog up my right nostril. I must’ve stood there staring at every angle of my face for two or three minutes. Then I chuckled. “You’re an okay-looking guy. You’re not Billy Dee or Denzel, but you’re not bad-looking at all.” Nor am I Idris Elba. But being me since has almost always been okay enough. The truth is, it always should been, for any of us.

My Whole Self At 50

27 Friday Dec 2019

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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Selfie of me at 50, December 27, 2019. (Donald Earl Collins)

The title could just as easily be, “Confessions From an Educated Fool.” After all, I am highly educated, and have done more than my share of dumb-ass bullshit over the years to avoid certain truths about myself.

I have no idea what turning 50 really means. For Black men, the average life expectancy of 64.5 years makes me worry about every ache and every anomaly. Based on my family genetics, I have at least 30 years where my age will in no way be reflected in my height, weight, athleticism, sex drive, or other general health issues. My mind should remain sharp until I am in my late-80s or early 90s, if not longer. As of now, I know I am in better overall shape than I was this time 10 years ago, but lack the running stamina I developed during most of my 40s. On the other hand, my knees have been thanking me for the past 17 months since I stopped running 300-plus miles a year.

Depending on how I look at my life, I am a scrambler who has turned an Olympic-size swimming pool full of diarrhea with turd chunks into two kilos of gold. Or, I am a once brilliant and talented young Black man whose temper and impatience fucked up his future. Two things can be true, sometimes equally so, and at the same time. That is, if I don’t account for upbringing, systemic racism, extreme poverty, the violence of misogynoir and toxic masculinity, and a host of other burdens that my differential equation mind could not factor into my life’s calculus. Much less control or counteract with respectability or kindness or the Golden Rules of Christianity.

Some context. When I was 11, I participated in my first writing contest and came in second place among the dozens of K-12 students who submitted to the local newspaper, the Mount Vernon Daily Argus. By then, I had long buried the sexual assault I endured and the subsequent suicide attempt from five years earlier. I graduated 14th in a class of 509 in 1987, only to spend my last days of high school and the year after my enrollment at Pitt treated as if I were an invisible ghost by many of my former classmates. At 25, I earned a Spencer Foundation Dissertation Fellowship. But the entire time I was in commune with “my fellow Fellows,” as I used to say, I was ambivalent about my prospects, in and out of academia. At 26, in part because of the Spencer fellowship, I completed my dissertation. Yet my advisor’s petty jealousies and psychological abuse burned me out, just as my dissertation committee’s subsequent abandonment of me once I graduated left me feeling burned.

I was a young prospect with a doctorate from Carnegie Mellon, but with little in financial support or connections to continue to spin shit into gold. After two years, I left the wonderful world of adjunct teaching for a civic education job with the center-right organization Presidential Classroom. My boss was both extremely paranoia about terrorist attacks on DC and openly racist, referring to Asians as “Orientals” and making comments like “Slavery was a hoax.” After seven job interviews for academic positions over three years, Howard University offered me a tenure-stream assistant professorship in June 2000. I said no. At the time, I told my significant other, two months into our marriage, “I do not like working for racists, but at least I know where I stand. With Howard’s constant elitism, I’d likely lose it and pop one of my colleagues in the mouth for saying something elitist and stupid.” I was averaging 100-to-110 hours of work per week and about five hours of broken sleep at night when I made this decision.

Sometimes I think it’s the dumbest adult decision I ever made. Most of time, though, I think about the broom closet that they offered me as an office. I remember the urinals in the Founders Library that dated back to the tenure of Mordecai Johnson (1926-1960). I ruminate on rough attitudes of my one-time colleagues (I eventually taught there as an adjunct in 2007). And through all this, I remind myself that it was okay to say no. Especially to colorism, respectability politics, and a campus that has been in need of a total gutting and a top-down renovation at least since I began visiting in 1993.

My career has been one of wandering by necessity. I have never been a complete fit anywhere. Damn sure not in academia. Definitely not in the nonprofit world. Certainly not in consulting. And not quite as a freelance writer and author. I have had to bend and break so many rules and norms, just to survive, that to mold and shape myself like a shapeshifter would nearly always lead to me feeling at constant war, with myself and my work.

Selfie of me post-workout, December 24, 2019. (Donald Earl Collins).

Especially since so much of this war was over who I am. I am a writer, damn it! I love teaching — most of the time. I like managing projects, and was fairly good at raising money. I am an excellent cook (just ask anyone other than my Mom). I am a pretty good basketball player even now, and could’ve made a D1 college squad back in the day. I once considered stripping to make ends meet after finishing my doctorate (my eventual wife talked me out of it, a lot, while I gunned for a six-pack). But since at least the spring of 1981 (maybe, with Peanuts Land, the spring of 1979), I have been a storytelling, introspective, imagining-of-alternative-worlds-and-lives, mixing-fictional-techniques-with-my-real-life writer. It took me 21 years to admit that I was a writer, another decade to see myself as a writer first and foremost. That no matter the job or my roles in that job, that I was, am, and will always be a writer.

That was what motivated me to write Fear of a “Black” America and Boy @ The Window and then self-publish them, even as the process of researching and writing Boy @ The Window led me to uncover so many uncomfortable truths about me, my family, and the people I grew up around. Including the truth about my greatest failure, my refusal to dig out the splinter in my mind. The dual decision to not see myself as a writer and then to not dedicate myself spirit, soul, and body to my craft and calling until after turning 45. That’s my biggest regret, my daily frustration, my constant companion, buried just a few millimeters between my flesh and my bones.

Even when I finally push through, break through, blow up, and have any modest level of success as an author of x-number of books — and I will, because, me — I will continue to carry this deep well of what coulda and shoulda been. My need to credential myself, to make up for the loss of my childhood to poverty and domestic violence and child abuse, my desire for worth and work, my simple arrogance of youth. It nearly squeezed out the divine voice of purpose in my mind. More than once, it all drove me to the edge of the galaxy, where rage against the world, a lust for lust and self-destruction, and the sheer drop into the abyss of depression all intersect into a nebula of desperate insanity.

This is precisely why it is so important to have a crew, a group of folx who will not jump into the void with you, but instead will support you with critique and encouragement, and yes, love. Of course, I could not have transitioned from the burnout of the nonprofit world and the constant search for money to “change the world” into the constant search for income through freelance writer and teaching social justice through history and education without my wife. After years of watching bosses and co-workers get down on their knees to beg for money while they morphed the grassroots and systemic social justice work they really wanted to do into inchworm-paced “social change” models, I wanted out. I figured, consulting, occasionally teaching, and doing the work I truly wanted to do would be better.

Then, the Great Recession hit, and did a number on my permanent job prospects and consulting work. If someone had told me on verge of my 40th birthday that I would spend the next decade primarily working as contingent faculty at not one but two universities, I would have laughed until I cried. I would’ve also predicted that my wife would’ve handed me divorce papers. I didn’t die from woeful laughter, and my beloved did not demand that I move on.

But we did argue. One of those arguments led me to a “Fuck It” realization at the end of 2014. No one would ever offer me a permanent position at a university as faculty, not without offering me an administrator position first. And since the unofficial rules of the academy have never really applied to me and my writing, I had the right to publish anywhere, on any topic, even if and when other academicians — including some whom I had trained — looked at me like I was some tragic figure.

Along with some counterintuitive thinking about my eclectic writing skills and queer approaches to understanding the application of history and education in mainstream journalism, this new truth has been my resurrection and insurrection as a writer. Between The Guardian and Seven Scribes, The Atlantic, Huffington Post, and The Washington Post, and especially Al Jazeera English, I have come closest to being my truest and whole self outside of marriage, friendship, parenting, and my many moments in prayer.

I owe my wife for allowing me the space necessary to finally access my calling. But I also owe my small inner circle of folx who may not have always understood my journey and the decisions I made that led me to where I am at half-century. They’ve read my horrific drafts, heard my most hare-brained ideas, smiled through my most ludicrous of plans both before and during this bitter slog of a rollercoaster ride. I’m more than sure that some in my circle still don’t understand my end game. Mostly because there is some aspect of my whole self that I haven’t shared with them. Not only my desire as a writer. But my general desire to be excellent at everything, my quest to know everything, and my contradictory default of being scared of nearly everything, especially of whatever good moments I have had. Too many times, I have seen the anvil drop on or near me all too soon after drilling a three.

I think I have one more big run in me left. The proverbial they say that life is a marathon and not a sprint. They are wrong. Life is like a continuous basketball game, where one can be overmatched, but can take timeouts and make a series of 12-0 or 30-13 runs to tie the game or take the lead. I am in the midst of a run right now, as unexpected as living past the age of 30 was for me when I almost jumped off a bridge on my 14th birthday, 36 years ago.

I need the crew I have, and I could use some help from a few more folx who may want to join me on my journey into decade six. I’m gunning for a book contract for my American narcissism and American racism work. I’m looking for some career stability that takes advantage of my work in academia, in nonprofits, and in freelance writing. I’m looking to make sure that my son becomes the whole person he needs to be without spending the next 20 or 30 years kvetching about everything in the universe. I’m looking forward to spending more time traveling outside the US with him, with my wife, with others, and with myself. It’s time. It’s been time for 50 years.

My Thoughts on Cut-Throat Finals Week

17 Tuesday Dec 2019

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Movies, Politics, Pop Culture, Religion, University of Pittsburgh, Youth

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Death Race (2008) Dreadnought scene screen shot, December 17, 2019. (https://youtube.com).

I have seen some shady shit as a student and educator over the years. Between my middle school and high school magnet programs in Money Earnin’ Mount Vernon, my four years as an undergrad at the University of Pittsburgh, my three years of grad school course work at Pitt and at Carnegie Mellon, and my years of contingent teaching, I have seen students do everything short of killing me or killing their classmates for a higher grade.

This semester provided some new wrinkles (really, old wrinkles I haven’t seen since my Humanities days in the 1980s) that actually shocked me. All as I taught my 77th, 78th, 79th, and 80th classes in my roller-coaster of a teaching career. I have felt a certain way toward some of my most demanding, hold-my-hand-for-an-A, spoiled-brat students over the years. This semester, I found myself actually despising three in particular across two universities and four classes. By no means does my grading reflect what I think of them, as I assigned each of them the grades they earned. But really, there is no letter in the alphabet low enough for them that I could assign. At least, one in which I would ever feel fully satisfied. And that is all because they all made the decision to be cut-throat, toward me and toward their peers.

I fully understand the compulsion. Six years in a magnet program that was one part Benetton commercial and three parts Death Race — the Jason Statham version from 2008 — showed me George Orwell’s Animal Farm as a live-action drama set from 1981 to 1987. Students giving each other incorrect notes from which to study. Classmates telling each other they were going to fail a final, or that they didn’t belong in Humanities. One Class of ’87 star making sure to say to another that they were only getting into an elite school because they were Black.

Hazing, bullying, torture, ostracism, denigration were all part of my experience, and that was before we started taking AP courses! I even snickered when our valedictorian received a 67 on an English essay in 11th grade because she failed to underline the title of a James Baldwin book (either Go Tell It on the Mountain or The Fire Next Time, who can remember such mundanity nearly 34 years later). We became good friends for a while after high school — go figure!

So, it’s not like I couldn’t conceive of setting up a classmate to fail, using someone else’s better words to substitute for my gross and imperfect writing, or spending money to hire a tutor to study for an AP exam. I could’ve really done it, if I had the will and/or the wealth. I just wouldn’t do it. You know, “Do unto others as you would have others do unto you.” It’s in Matthews, the first book of the Gospels in the New Testament. It’s one of the few tenets that I have tried hard to follow in all my years as a human being and as a Christian. (The tenets I follow consistently are universal ones, so please do not get your atheistic drawers all twisted.)

But not always. During finals week my second semester at Pitt, at the end of April 1988, I put that Golden Rule aside, and for good reason. During our two-hour, multiple-choice final exam in Roman History, I noticed him. A skinny, geeky White yinzer with dirty blond hair sitting behind me in the Cathedral of Learning lecture hall on the ground floor. I noticed him because I heard him, somewhere around the question 70 mark. The only time his pencil made a noise was after I had filled in a bubble with an answer. By question 75, I knew the dumb mf was cheating off my answer sheet.

Denzel Washington’s character putting corkscrew to throw/soft palate/brain cavity, The Equalizer (2014), December 17, 2019. (https://imdb.com).

So I did what my years in Mount Vernon and in Humanities had trained me for. I proceeded to answer the next 25 questions on this 100-question exam incorrectly on purpose. It was rich and dripping with caramel-chocolate-on-ripe-strawberries revenge! I knew every correct answer and just kept bubbling in one wrong one after another. And as sure as dog-shit peppering dirty snow piles on Manhattan’s Upper West Side in February, Mr. Yinzer bubbled in his answers right after mine.

Then, I stopped. I paused for a half-minute after bubbling in question 100. I picked up my big eraser, and frantically rubbed out my incorrect answers to each of those last 25 questions. Then I turned around, and gave the yinzer a “Gotcha!” look. He was pissed and scared, his face the pale color of white pastel paint mixed with water. I turned back around, and carefully bubbled in my correct answers for the last quarter of the exam.

After I got up to submit my exam to the professor, I walked up the steps toward the back of the lecture hall, passing Mr. Yinzer along the way. He shot me a look, one where he knew he was caught, like a rat in an old-style trap, about to die from the pain of asphyxiation and a broken neck. I rolled my eyes with the thought, That’s what you get, dumb muthafucka!

I am not proud of that moment. Sure, the yinzer deserved it. But, I could’ve reported it to the professor. I could have just covered my answer sheet up better. I could have confronted the student directly. I could have even let the student ride my coattails toward an A on his final exam. Instead, I went all cut-throat and ensured that this student failed his final. In what way am I really better than him when I helped an academically drowning classmate swallow more water while holding his head down?

I know. What I did may seem milquetoast on the scale between blatant cheating and the viral slut-shaming of a peer with whom you are in academic competition. But that’s the point. None of this should be acceptable. My A in the course would not have changed, and Mr. Yinzer would still have struggled academically even if had succeeded at cheating on this one exam.

At just 10 days before I turn 50, I have figured out what I hate, actually hate, about other humans. I hate habitual liars, especially the ones who regularly lie to themselves while telling me their lies. I hate elitist assholery, even from those whom I admire, even from among my friends. I hate cheating, and those who think they can get away with it. I hate brown-nosing, as I smell this shit from a mile away. Now, I despise those who would eat A’s and A-‘s for their three squares a day before recognizing that education is about much more than a high grade an a job to pay off their student loans. Education is about freedom, having and making good choices, and finding yourself a crew that you can rely on and can rely on you long after graduation. Those who think otherwise are as lost as Dr. Manhattan caught in a quantum vortex.

When I Choose The Wrong Book For a Class

09 Saturday Nov 2019

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Politics, Pop Culture, race, Youth

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Screen Shot of The Beautiful Things That Heaven Bears (2007), by Dinaw Mengestu, November 9., 2019. (https://target.com).

Yes, I’m back! After two months of grading, writing, pitching, grading, revising, pitching, and more grading, though I’m not sure I’m ready to be back, but I have things to get down on here anyway.

I have taught eighty undergrad and grad-level classes since 1996, and been a part of more than 90 high school, college, and graduate classes as a guest lecturer, TA, instructor, or professor since 1991. I have definitely made more than my share of mistakes in the classroom. Miscounted the number of students to split into small groups. Occasionally quipped in New Yorker-sarcasm English to my Midwestern or Southern-raised students, not exactly endearing myself to them. I have miscalculated grades, posted an electronic announcement to one class when it was meant for another. But, on historical context, historical content, storytelling, use of materials, the substance and guts of courses, I can honestly say I do not allow myself to make egregious errors.

Now, that does not mean that I haven’t inherited errors from courses that others had taught or haven’t been hamstrung with mediocre materials and textbooks that my previous institutions (and one current one) have said were just fine for my students over the years. This is about my unforced errors.

This semester, in my Washington, DC class (the full title is Washington, DC: Life Inside a Monument, a terrible title, really) at AU, I made one all-time error, one in which I should take 60 percent of the blame. I chose a book for the course based mostly on a couple of recommendations from colleagues, a Washington Post review of the best books on DC and the DMV, and an admittedly quick skimming of the first 15 pages. It was Dinaw Mengestu’s The Beautiful Things That Heaven Bears, a historical novel about the lonely and isolated experience of one Sepha Stephanos, an Ethiopian immigrant living in Logan Circle, set some 17 years after his escape from the Ethiopian Civil War (roughly 1996 or 1997).

I picked it ultimately because there are precious few books about any aspect the DC immigrant experience, much less one about the history of Black and Brown immigrants in the area. The problem was, I decided to read the book — one month into the semester, that is. Once I dug in, I started having flashbacks of my AP English class with Rosemary Martino, where we spent the better part of three months reading Fyodor Dostoyevsky’s Crime and Punishment. Mengestu’s Sepha was not lonely, apathetic, and dyspeptic merely because he was a thirtysomething stranger in the strange land of the US, of DC, of Black DC. I’m more than sure that loneliness and isolation are an inevitable consequence of leaving one’s home country and family behind for another country in another part of the world. But no, most of Sepha’s isolation was self-imposed. For 17 years, this man lived in a predominantly Black part of DC, in the midst of a nascent Ethiopian residential and business community within walking distance of his apartment and corner store, during the heart of the Marion Barry years. Yet he only has two friends, one from Kenya, the other from the DRC (Democratic Republic of the Congo). Really?

What was worse was once the White character Judith and her biracial daughter Naomi moved into Logan Square at the height of Sepha’s deepening self-loathing and depression. Judith apparently bought a mansion-turned-broken-down-addict hangout across the street from Sepha, and spent a significant chunk of change fixing it up for upper-middle-class habitability. Sepha becomes enamored with the two of them as they began to frequent his falling-apart store. He becomes sort-of-friends with Judith, and sort-of-a-father-figure to Naomi.

There were at least four times between pages 52 and 120 where I put down the book out of sheer frustration with the plot, the characters, and with Mengestu for writing this non-historical, non-realistic historical novel. Mengestu crafted a main character that had serious internalized racism, and was as anti-Black as a drunk Trump supporter at a tiki-torch rally. How can any reader explain a man who owns a store for the better part of a decade and a half in Black Washington, interacting with Black women of all classes and stripes — some presumably who may have struck up a conversation with him, some presumably with a precocious preteen daughter — and it’s this first White women in the neighborhood that raises your spirits?

Mengestu had Sepha do awkward Data-from-Star-Trek: TNG-type things. Like standing in the middle of the sidewalk a block from his place while watching Judith go into her house. Or over-explaining the shabbiness of his apartment to Judith, who invited herself over to his place. Or weird kisses between Sepha and Judith, not unlike ones involving two tweeners unsure of themselves. The awkwardness ultimately stems from Sepha’s elitism, self-loathing, and internalized racism. Judith is too good for me, was what Sepha thought, just like he thought he was too good for too poor and too Black Logan Circle. That’s why this thirtysomething man was acting like a weird homeless stalker, fully befitting a macabre and existential Dostoyevsky work.

But then came the backlash from the Mengestu-reverse-one-drop-rule approach to pre-gentrification gentrification. Somehow, the Black Washingtonians in Logan Circle became so hostile to the presence of one White woman with a kid that they threw a brick through her window and later set fire to her house. In what scenario in any major city in the US have Black folks ever deliberately attempted to forcibly drive out White folks who happened to move into a predominately Black neighborhood? There isn’t one.

My students, for the most part, though, loved the book. They thought it was “so cool” to get a glimpse of the “real” immigrant experience from an atypical perspective. They really liked the interplay between Sepha, Judith, and Naomi. They mostly wrote papers relating the book to the actual relations between Black Washingtonians in Shaw with the Ethiopia community there. They used Mengestu’s book as evidence that Blacks in Shaw drove Ethiopians out of Shaw and across the border into Silver Spring, Maryland, all because Black Shaw residents blocked renaming the U Street strip “Little Ethiopia” in 2005. All these conclusions, despite two full hours of discussion over two weeks about the books and its historical and local inconsistencies and stereotypes.

I haven’t been this beside myself about having inadvertently reinforced racial and cultural stereotypes since the first time I taught World History under Peter Stearns in 1994. But at least I was a 24-year-old grad student then. Now, I’m thinking that maybe 2.5 hours per week with my mostly affluent and White students is not enough time to counteract the idea that an excursion to Georgetown, Nats Park, or Chinatown is peak DC exploration. I also think that me as the little-old-nobody professor cannot overcome a MacArthur “genius” award-winner author whose book libraries possess in volume and school districts like DCPS and Montgomery County (and apparently) all over the country regularly use.

But if Mengestu is a genius, he is such because he has captured the White gaze. A story about Ethiopian migration to the US and the impact of such on that generation between the late-1970s and the turn of the 21st century. It is tailor-made to pull on the heartstrings of White Baby Boomers and loaded with a sense of exoticism. Mengestu’s DC looks more like where he grew up in real life (Peoria, Illinois and in the Chicagoland area — pretty White-bred communities, really) than any part of the DMV I have experienced since 1992. And no, being a Georgetown University student and earning a bachelor’s degree in the process is nowhere near enough time in DC to realistically depict even a sliver of DC, fiction or nonfiction.

I have learned my lesson. The Beautiful Things That Heaven Bears will not be a part of any course I teach moving forward. I will continue to pick books as I always have before this one. I will rely on my own counsel, and unlike most of my colleagues, will actually continue to read them before I put them in my syllabi. As for this DC course, I am replacing Mengestu’s book of anti-Blackness and elitism with Camille Acker’s Training School for Negro Girls. If I am going to continue to use historical fiction, it should center Black girls and Black women living in DC/the DMV, and not Mengestu’s kinder, gentler version of Dostoyevsky’s Raskolnikov in Sepha.