Tag Archives: American Dream

Music of the Dystopia

25 Wednesday Nov 2020

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Screen shot, Silent Running (1972) poster, November 24, 2020. (https://www.imdb.com/title/tt0067756/mediaviewer/rm3505217792/).

Music has nearly always been a dreamscape from which I could envision alternative histories, sense multiple futures, uncover possible presents, feel and find my best self.

It has also been a place for revealing the naked, uncomfortable truth of humanity’s existence in real life. If one were to take the music of the late 1960s and first half of the 1970s, the R&B that clearly outlined the combination of migration, poverty, heroin addiction, the Vietnam War, police brutality, unemployment, miserly government social welfare and urban living would be one way to go. If one were to take the eclectic British and Irish pop and rock of the 1980s, those folks illuminated the connections between rising conservatism, austerity meant to cut the social safety net, and the normalization of government oppression, corruption, and infiltration into the private lives of everyday people.

It all adds up to one simple yet very scary truth. Our world, the one in which my mother birthed me, the one in which I have grown up and grown older, has always been a dystopia. That’s it. All this talk of technological innovation, of moral and philosophical advancements, of a post-World War II, West-led democratized, globalized, capitalist meritocracy is simply The Real-Life Matrix pulling the dystopian world over our deluded, narcissistic eyes. And nearly everything in the world of mainstream news and journalism, in everyday national and international politics, in formal education systems, and in every single iota of American and global popular culture.

Except in the occasional and deliberate attempts made by artists and authors to expose the underworkings of this Matrix. I have written far too much about those authors of late, from Sarah Kendzior, Mona Eltahawy, and Leta Hong Fincher to Kiese Laymon, Ta-Nehisi Coates, and Derrick Bell. Truth is, I felt and sensed this truth in music even before I had read Aldous Huxley, George Orwell, or William Faulkner’s short stories about racist White men sleeping in beds for 20 years with the dead bones of their incestuous mothers. Marvin Gaye’s “Inner City Blues {Make Me Wanna Holler),” Stevie Wonder’s “Living For The City,” and Donny Hathaway’s “The Ghetto” brought the dystopian of Black life in the US to my attention long before I knew what the prefix dys- even meant. The contrast between this and the Afrofuturism of Earth, Wind & Fire’s “Fantasy” and “Boogie Wonderland” of the late-1970s wasn’t lost on me, even though it would be nearly 15 years between these songs and my reading of Octavia Butler’s Kindred.

 

But the 1980s hit me and my family as hard and fast as a government coup in Brazil or in Trump’s version of the US. It’s wasn’t just that it was our apocalypse. It revealed that the American Dream was a nightmare for so many people. It opened up my 100 billion neurons to the possibility that there could be no American Dream, no rise of the West, no Euro-American hegemony over the world without it being a dystopia for billions of people in the US, in Europe, and around the world.

It was also the decade of the Ethiopian famine of 1983-85, “We Are The World,” Bob Geldof and Live Aid, Farm Aid, and protests for South African divestment. So it seemed normal for groups of White guys in bands to write music, play instruments, and belt out lyrics like the ones below from Mike + The Mechanics’ “Silent Running” (1985).

Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command

The post-apocalyptic movie of the same title from 1972 was apparently on Michael Rutherford (guitarist of Genesis), et al.’s minds when they decided to work on the lyrics for this song. The idea that someone from the future would communicate with their ancestors in the past to resist the forces of totalitarianism and propaganda in order to preserve the path to a better future? Boy does that sound like the stuff of Octavia Butler, Derrick Bell, Kiese Laymon, and Colson Whitehead (not to mention, Tomi Adeyemi in her Children of Blood and Bone), where ancestors and descendants can somehow have confabs in real life! All in an effort to swap ideas, to conjure up solutions before we understood the problems, to recognize that time is nonlinear, and so are we.

As a teenager who saw more than most that the Reagan Years were part of the dystopian present, and not a return to American greatness, “Silent Running” was refreshing, if also incredibly scary. I was like, if these White guys from the UK and Ireland get it, then why don’t folks in America get it? At least, the folks I saw at school and in running my errands every day.

But it wasn’t just Mike + The Mechanics. A lot of music from the 1980s and 1990s was subversive, including the more obvious Springsteen and the E Street Band’s “Born In The U.S.A.” and John Mellencamp’s “Pink Houses” to KRS-One and Boogie Down Productions, Alanis Morrisette, and The Cranberries. It was just that the less subtle, the Billboard Top 40 hits and the B-side non-hits stood out for their double-meanings. When I stripped away the male bravado, the love and the lust and the loneliness from the repertoire of rap, R&B, hip-hop, and ’80s pop I listened to, the subversive was the remainder.

In my family-level apocalypse and resistance against my stepfather, the subversive helped. In the disconnect between the normalcy of magnet-program-learning among a cabal of Benetton-commercial-wannabes, the undercurrent understanding that this fakery belied a world very much like the one in The Matrix. The lyrics, the synthesizers, the heavy guitar strums and the drum rolls meant something different to me than anyone I knew growing up could imagine.

It wasn’t just “Silent Running” for me, nor something that hit like a sledgehammer like Genesis’ “Land of Confusion” that hit the radio waves my senior year of high school. There were others. For more than a decade, there were others, including:

  • PE, “Welcome to the Terrordome“
  • Sting, “Love Is The Seventh Wave”
  • Dave Matthews Band, “Cry Freedom“
  • The Cranberries, “Zombie“
  • Peter Gabriel, “Biko” and “Shaking The Tree”
  • Des’ree, “Crazy Maze“
  • James Blake, “No Bravery”
  • Seal, “Future Love Paradise” and “People Asking Why”
  • U2, “Bullet The Blue Sky”
  • Arrested Development, “Tennessee”

In the years after I finished my doctorate, I didn’t forget these songs, and may have taken on some more obscure ones by Floetry, Coldplay, U2, Bryan Ferry, Pharcyde, The Fugees, among others, along the way. Popular music has become more vapid and craven and corporate as the leaders in our world have made their taste for a dystopia that advantages them more and more obvious. This position is probably why I can’t find a nod to the dystopian in Rihanna, Cardi B, Chance the Rapper, Rick Ross, Beyoncé, Gary Clark, Jr., or Chris Stapleton (although Solange’s and Missy’s music videos at least contain subversive and dystopian wisps).

This world is the dystopia that has always been. And those of us who talk to ourselves while speaking out at the same time have been trying to get everyone else to see it and sense it all along. I should know. I’ve been talking to myself since my week of homelessness at 18, and speaking out as the world has lurched itself toward calamity for nearly as long.

Revealing in Cloaked Blindness/I Heart Kendzior’s Work

30 Thursday Apr 2020

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Front cover of Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America (2020), by Sarah Kendzior, April 30, 2020. (Donald Earl Collins).

In the past four years, I have read so many good and great books, fiction, nonfiction, and mixed genre. Black and Brown writers — especially Black women and Latinas — have written nearly all of them. Brittney Cooper (crunk, crunk!), Chimamanda Ngozi Adichie, Colson Whitehead (masterclass!), Crystal Marie Fleming, Darnell Moore, Bassey Ikpi (poetic masterclass!), Erica Armstrong Dunbar (literally brought together the academic with creative nonfiction) , Ijeoma Oluo, Kiese Laymon (Black abundance and excellence, of course!), Mona Eltahawy, Morgan Jerkins, Patricia J. Williams, the ever-great Roxane Gay,  Tressie McMillan Cottom, Raquel Cepeda (a New Yorker after my own heart!), Imani Perry (3 books in two years — this woman has range!), Leta Hong Fincher, Jose Antonio Vargas, Alondra Nelson, Mycheal Denzel Smith, and likely another ten or fifteen I can’t remember by name.

All of them (really, all of y’all, since I have had conversations with you all in person, on social media, or in my head since 2016) have confirmed so many of my ideas around racism and narcissism, about the use of the interdisciplinary, about the hard-nosed work of writing. They have strengthened my voice around Black feminism, critical race theory, Afrofuturism (a term I was chagrin to use about my own writing this time seven years ago), and queer studies. They all have shown what I have been teaching since I was a PhD student in 1993 — the connections between -isms-laden ideas and deliberately punitive policies meant to cower the ordinary and crush the marginalized.

Sarah Kendzior has done so much on this last theme, uncloaking the connections between the ambitions of brazenly craven rich White guys (and some women) to enrich and empower themselves while destroying the US that came to be with FDR, the New Deal, and the post-World War II superpower boom. And Kendzior does so unassumingly, with bits of memoir that parallels the US glide path toward naked autocracy since the mid-1970s.

I’ve been reading Kendzior since her freelancing days with Al Jazeera, so, somewhere around 2012 or 2013. So many of the themes in Hiding in Plain Sight are familiar, if only because those themes of a hollowed-out St. Louis, a systemically racist and autocratic government, where corrupt and unaccountable leaders are front and center in nearly everything that Kendzior writes. Plus, I am a half-century old Black man and historian who grew up in malnourished welfare poverty and around eschatological cults in Mount Vernon, New York and in New York City. Everything Kendzior has written over the years, I know down to my bones and veins.

Because of that, I wasn’t sure if I wanted to buy Hiding in Plain Sight, forget about reading it. But Kendzior uses her book to build a case better than Perry Mason and Jack McCoy (of Law & Order lore, played by Sam Waterston) could on their best days. Kendzior’s thesis is that Trump as POTUS was inevitable, as the “elite criminal network” of which Trump is a part “has been building for decades.” This network includes “right-wing Republican extremists, apocalyptic religious movements of varied faiths, social media corporations, advocacy groups like the National Rifle Association, and part of the mainstream media.” According to Kendzior, what makes them new and lethal to the US is their “transactional nature and reliance on non-state actors.” Ultimately, this cabal “will take your money, they will steal your freedom, and if they are clever, they will eliminate any structural protections you had before the majority realizes the extent of the damage.” Along the way, they are transitioning the US “from a flawed democracy to a burgeoning autocracy” (pp. 8-9).

Kendzior skillfully uses her own growing up and adult experiences and the places she’s inhabited in building the interconnections between Trump’s lifetime of enabled narcissism and criminality and the rise of the American autocracy. She starts where she usually does, in Missouri, “the bellwether state turned corruption capital, the broken heartland that got the sneak preview to the national shitshow” (p. 20). Kendzior makes the case that Missouri and St. Louis even more specifically represents well the erosion of democracy all over the US with the infusion of dark money and out-of-state money and operators in state and local elections. I do think that she oversells the assumption of Missourian and Rust Belt irrelevance here, if only because every White American actor attempts a Missourah or Midwestern accent in the standard movie, TV show, or internet series not centered in New York.

But I digress. The gutting of Missouri and the rest of the Midwest between St. Louis and Pittsburgh (although so many cities outside the Rust Belt could say the same, like my own original hometown) was a deliberate one, meant to destroy unions, to line politicians’ pockets, and to enrich already filthy-rich folk. People like one Donald J. Trump.

Kendzior again builds a Mayan-step-pyramid-of-evidence to show how Trump had aspirations toward the presidency at least since the 1980s, and had gotten away with grifting projects and Ponzi schemes since the 1970s. And with those twin motivations, how Trump could easily become comrades with Russian mobsters and the likes of the infamous Roy Cohn, with Paul Manafort, with Roger Stone, and the rest of this crew of the craven. And Kenzior ties this one up with a macabre dystopian bow, bracketing Trump’s almost inevitable rise with the story of how her mother taught her about George Orwell’s 1984, a timeline her “mother laughingly assured [her] did not exist” (p. 76). “We are living in the future Orwell warmed about” now, Kendzior wrote.

Among the more heartbreaking vignettes in Hiding in Plain Sight is the story of Kendzior’s own personal experience with the new normal of constant job and financial insecurity born from a false Great Recession recovery in the years after 2008. The collective we have often looked back at the Obama years with fondness. But all the while, the US kept rolling down the same road to autocratic perdition, chewing up everyone not affluent along the way. Kendzior’s experience is no different from my own, and no different from at least 150 million others.

For over a year I would wake up shaking. The economic nightmare I had documented for years as a journalist had finally gotten me, like a monster I had tracked but failed to slay…It made no difference what we could offer the world. We only knew what the world could take away…The rage, though — that stays with you. (pp. 133-135).

Kendzior wrote a book that few who truly understand the nature of the evil that has infected the US since the 1970s could argue is incorrect. Her analysis is nearly as excellent as the prose, to be sure.

I do have a few bones to pick. Mostly because I had a hard time figuring out the audience Kendzior was attempting to reach. Was it other journalists? The broader American public? Anyone who needs a Laurence Fishburne-style “Wake up!!!” call from School Daze?

I landed on nearly-disillusioned-White-Americans as Kendzior’s audience, the ones still clinging to the hope of the American Dream with their fingernails, the ones who all but realize that the Dream is a lie and a nightmare for almost all of us. “I am trying to show them [her children] our country was always vulnerable, always flawed, but that people fought back. We’ve survived as long as we have due to self-criticism and sacrifice, a willingness to examine our faults and try to fix them,” Kendzior wrote (p. 213).

I’m sorry, but this is the America I read about in a Harcourt, Brace and Jovanovich textbook from fifth grade in 1980, not the America in which I have lived for 50 years, worked in since I was 14, and studied for three decades. This is a part of the American mythology, this idea of self-correction. The only times the US has changed to mete out symbolic half-measures toward its ideals has been when the marginalized through years and even decades of resistance have forced it to. Full stop. To suggest otherwise would be to suggest a land that believes in anti-racism, Black feminism, reproductive rights, non-binary sexuality, and democratic socialism. Where is this US? I am still looking.

Another criticism is around Trump himself, and about the arc of the autocratic glide path of the US since 1968. Yes, just as Kendzior and others have written, I have also written that Trump was an inevitable consequence of rampant criminality and grifting, of lying in the same bed with mobsters and autocrats from Russia, Israel, Saudi Arabia, and the US. But really, in a country as racist, misogynistic, and narcissistic as the US has always been, someone like Trump was always the danger, and has happened on some level in the past (see Andrew Jackson, see James Buchanan, see Teddy Roosevelt, see even FDR’s four terms in office, as good as his New Deal policies were). The US is just two months removed from Mike “will get it done” Bloomberg running for president, a much more competent billionaire and grifter, with his own ideas for autocratic rule. It ended up being Trump, but it could have been any of a dozen aspirants we’ve seen from the top 1% over the past three decades, starting with Ross Perot.

Kendzior’s centering of Trump is disturbing because the “burgeoning autocracy” has always been an autocracy for Blacks and for indigenous Americans, going back to the days before the US even existed. In modern politics, the dividing line isn’t Trump or the Great Recession. It’s Vietnam and Richard Nixon and his “Southern Strategy” in 1968. It’s the Reaganomics and the corporate deregulation of the 1980s, followed up with gutting the social welfare state that has occurred with every president since Reagan, including Mr. “Mend it, don’t end it” himself, Bill Clinton. As Malcolm X said in his “The Ballot or the Bullet” speech at King Solomon Baptist Church in Detroit, Michigan in 1964, “Oh, I say you been misled. You been had. You been took.” But not by Trump, at least not just. Trump was the one Kendzior and so many others saw coming, but could do nothing about, because Trump wasn’t the first.

“The Bush Legacy” editorial cartoon, Nate Beeler, January 13, 2009. (https://www.dailykos.com/stories/2010/11/13/919739/-; Washington Examiner). Fair use applies due to low resolution of screen shot and subject matter.

And if Trump was inevitable, then what does that say about our first family of autocrats, George H. W. Bush and George W. Bush? The amount of international meddling in which these two presidents engaged? The trillions spent on wars, all for more access to Saudi Arabian oil, their autocracy, and their money, and all to line their pockets and the pockets of cronies, especially those within the military-industrial complex? Dubya and Cheney used 9/11 to push the Patriot Act in Congress, the single biggest autocratic move in American history since the Electoral College? The players on the US side of the table may be different in 2020, but the evidence gathered in the years since 2000 show significant foreign interference and at least one rigged election. But I’m supposed to believe that Trump’s version of autocracy is worse because his corruption is much more obvious and because his flaunts it with buffoonery and a deluge of lies? Anyone remember a Dubya presser between 2000 and 2009?

I am a big believer in both-ands. Binary either-or explanations may be simple, but they are usually incomplete. Kendzior argues that Trump’s a master of using buffoonery and deception to bamboozle an audience and distract them from his daily crimes. Most of the rest of us think Trump is as dumb as shit. But why can’t he be both? Mussolini, Stalin, and Hitler are all proof-positive that one does not need great analytical power to be savvy, brazen, and bullying enough to make one’s stupidity work for them. And when someone like Trump comes from money, it is that much easier.

There’s this song “Silent Running” by the ensemble pop/rock group Mike + The Mechanics — with Mike Rutherford of Genesis, Paul Carrack of Squeeze, B. A. Robertson, et al. — from 1985-86. Kendzior may have heard it growing up. The music is eerie and an homage to resisting totalitarianism. The lyrics, though, so poignant, both to Hiding in Plain Sight and to where my mindset has been about the US since the 1980s.

Take the children and yourself
And hide out in the cellar
By now the fighting will be close at hand
Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command…

Swear allegiance to the flag
Whatever flag they offer
Never hint at what you really feel
Teach the children quietly
For some day sons and daughters
Will rise up and fight while we stand still

That’s what I hope my descendants (literal and figurative) will take with them, and that’s what I hope for Kendzior’s children. Anything about a primrose American past in the time before cronyism and Coronavirus, though, would belie this “Silent Running” truth. I strongly urge everyone I know to read Kendzior’s book. Just be sure to find the words “Bush,” “Dubya,” and “both-and” along the way.

The State of the Union, That’s Not Optimistic

13 Wednesday Jan 2016

Posted by in 1, culture, Eclectic, Patriotism, Politics, Pop Culture, race, Religion, Work, Youth

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President Barack Obama's final State of the Union speech, The US Capitol, January 12, 2016. (Evan Vucci, Pool/AP, via http://abcnews.com).

President Barack Obama’s final State of the Union speech, The US Capitol, January 12, 2016. (Evan Vucci, Pool/AP, via http://abcnews.com).

President Barack Obama ended his eighth and final State of the Union address in front of Congress and the nation last night with the words, “That’s why I stand here as confident as I have ever been that the state of the union is strong.” The president’s crescendo came after nearly fifteen minutes of describing the America that he sees and believes in. Obama illuminated individual examples of dedication and hard work and courage he has witnessed since he first began running for president in February 2007.

That President Obama chooses to look at his hundreds of — if not several thousand — examples of individual Americans striving for and maybe even achieving some sort of American Dream is admirable. But in light of the remaining 320 million Americans unaccounted for in his speech, the president’s speech isn’t an expression of optimism. President Obama has chosen the path of too many in power, to ignore how deep the wounds and injuries of the nation go, to fight what the US faces in terms of its cavernous and even cancerous problems with beliefs and limited actions. That’s not optimism. That’s both faith — albeit a bit misplaced — and blind devotion to an ideal that this America in 2016 has been moving away from for decades.

There are just a few examples from President Obama’s speech that point to a combination of near-religious faith and ostrich head-in-sand denial. Most notably:

The idea that the US economy has produced a net +14 million jobs since the day President Obama took office. That number is probably correct, but just like with all previous presidents since FDR, this number is hardly the whole story. Fact is, millions of Americans who lost their jobs during the Great Recession have yet to regain employment. Millions more have taken the jobs that the American economy creates the most frequently: low-wage, part-time, seasonal and/or contract work. And for those Americans who have been able to hold on to employment despite the Great Recession, their real wages are just in the last two years beginning to approach 2008 numbers. More importantly, their ability to move to a better or higher paying position has diminished since 2008, which is part of a four-decade-long trend. Yes, Americans should credit the Obama Administration for stanching the bleed from the femoral artery in 2009, 2010, and 2011. But the American economy still needs an arterial graft and a heart transplant.

2016 presidential candidate Donald Trump meeting with New England Patriots owner Robert Kraft, Gillette Stadium, Foxboro, MA, October 21, 2012. (Nancy Lane/Boston Herald;http://bostonhearld.com).

2016 presidential candidate Donald Trump meeting with New England Patriots owner Robert Kraft, Gillette Stadium, Foxboro, MA, October 21, 2012. (Nancy Lane/Boston Herald;http://bostonhearld.com).

President Obama’s claim that Donald Trump’s anti-immigrant, anti-Latino, anti-Muslim, anti-Black, and anti-feminist populism is just “wrong” and “doesn’t represent our American values.” Trump’s campaign certainly doesn’t represent American ideals or visions of a “shining city upon a hill,” to quote the late former President Ronald Reagan from his 1984 campaign. But despite what Obama said last night, Trump and his supporters and potential voters are a strain of American values and politics that has always been, and perhaps always will be. Trump is very much exploiting a clear-eyed vision of America as a White (and male) Christian nation, one with automatic exclusions from the club of those not entitled to the American Dream socioeconomically, culturally, and even spiritually. While President Obama acknowledged this in his speech, he ignored the reality that this strain of -isms in American politics and culture remains powerful and needs to be fought, not just wished away with a more conciliatory vision of America.

The idea that a better statesman, that an all-time great president like FDR or Abraham Lincoln could have bridged the divide in Congress, with the Supreme Court, and in American politics in general. This is patently false and extremely tongue-in-cheek on President Obama’s part. His great-man-in-politics theme has actually grown tired over the course of the past nine years. For as great as both of those presidents were, President Franklin Roosevelt and President Lincoln presided over an America in def-con-one crises, before America was officially a superpower. As terrible as the Great Recession and its after-effects have been, as deplorable as American use of force in the Middle East, East Africa, and South Asia has been, the Civil War, the Great Depression and World War II were foundational periods of change. President Obama might not have been the GPAT (Greatest President of All-Time), but in an era of an oligarchic Congress and a plutocratic Supreme Court, he did as good as job as FDR and President Lincoln would have. It still wasn’t good enough, but not because President Obama wasn’t a great person or very good president. Americans needed someone willing to make radical changes, and not just a centrist committed to a grand vision of bipartisan compromise and slow, incremental changes.

I will definitely miss President Obama as my president when he relinquishes the office on Friday, January 20, 2017 at 12 noon. But I won’t miss his brand of optimism. For optimism that relies on falsehoods about America as a meritocracy, Americans as a tolerant people, and American imperialism as a force for good in the world isn’t optimism. It’s a fable more vast and more deadly than any the Grimm brothers could have written two hundred years ago.

Aside

“Between the World and Me,” What I Don’t Get…

23 Thursday Jul 2015

Posted by in 1, culture, Eclectic, Politics, Pop Culture, race, Religion, Youth

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My reading (and writing) for Summer 2015, July 23, 2015. (Donald Earl Collins).

My reading (and writing) for Summer 2015, July 23, 2015. (Donald Earl Collins).

I don’t get most of the critiques of Ta-Nehisi Coates’ bestselling new book, Between the World and Me. It’s as if Coates had written Richard Herrnstein and Charles Murray’s The Bell Curve (1994), the way White reviewers allegedly liberal and conservative have reacted to its publication. I have read Between the World and Me, and there are more than a few things that any reader could criticize or even praise. But more than a fair share of the criticisms of Coates’ book are flat-out misreads, impositions of the critics’ own biases on Coates, or based purely on the book’s back cover.

“Go West, Young Man!”

Cornel West began this parade of badly handled critiques last week with his Facebook post. The title — “In Defense of James Baldwin – Why Tony (how West spelled it originally) Morrison (a literary genius) is Wrong about Ta-Nehisi Coates.” — says it all. One impressive blurb from a leading author of the last half-century, and West seems to have lost his mind. Aside from disagreeing with Morrison about the James Baldwin, West wrote, “Coates is a clever wordsmith with journalistic talent who avoids any critique of the Black president in power,” adding that

Coates can grow and mature, but without an analysis of capitalist wealth inequality, gender domination, homophobic degradation, Imperial occupation (all concrete forms of plunder) and collective fightback (not just personal struggle) Coates will remain a mere darling of White and Black Neo-liberals, paralyzed by their Obama worship…

Funny. I didn’t know that Coates’ 152-page letter to his fifteen-year-old son was supposed to be a damning critique of President Barack Obama. Ax-grind much, Dr. West? Especially since, in a structural sense, anyway, Coates’ book indirectly pays homage to West’s groundbreaking 101-page treatise, Race Matters (1994). For West, though, the world is not enough, because in his mind, “it’s all about me.”

Intersectionality vs. Exclusion

There have been a few reviews criticizing Coates’ for not dealing with the intersectionality between race and gender for Black women in the context of facing the same struggles as Black men. Britni Danielle wrote in her review of Between the World and Me in The Root last week, “[b]ut what of the women? In Between the World and Me, black women are footnotes to the men’s stories—baby mamas, lovers, mothers, classmates, around-the-way girls, grieving mothers.”

I don’t entirely disagree with Danielle’s assessment, especially in specific cases, like when Coates discussed his mother, talked about the first two women he fell in love with, and in his understanding of his slain friend Prince Jones’ mother, Dr. Mabel Jones. Then again, how could a late-bloomer like Coates really dig deep enough to discuss intersectionality with any depth for his fifteen-year-old son? My suspicion is that a more serious attempt on Coates’ part would’ve fallen flat.

Narcissistic White Men on “Race Matters”

The most explosive critiques of Between the World and Me — at least for most Americans (read “White Americans” here) — have come from two rather unimpressive high-brow intellectual narcissists. New York Times columnist David Brooks last Friday and National Review editor Rich Lowry on Wednesday (via Politico.com) both took it upon themselves to express personal outrage on the part of millions of other upstanding White Americans.

Brooks titled his column “Listening to Ta-Nehisi Coates While White,” though it really should’ve been titled, “Hearing Ta-Nehisi Coates While White.” Because based on what Brooks wrote, with sentences like “It [Coates’ book] is a mind-altering account of the black male experience. Every conscientious American should read it,” it becomes fairly obvious to the astute that Brooks wasn’t listening. As I’ve explained to my soon-to-be-twelve-year-old son and my students over the years, “there’s a difference between hearing and listening. One requires you to be look like you’re listening, the other requires you to think and act on what you read and hear.” I guess Brooks didn’t listen to Morpheus in The Matrix (1999) either. Like so many, he doesn’t want to understand that the American Dream is “the world that has been pulled over your eyes to blind you from the truth”

Brooks read Between the World and Me, and heard, “White people like me are bad, the American Dream is bad — how dare you say that about me, Mr. Coates!” This is even more evident later in the review, as Brooks wrote, “Is my job just to respect your experience and accept your conclusions? Does a white person have standing to respond?” Yes, Mr. Brooks, your White privilege matters, but doesn’t give you standing here. 

Lowry based his nullification of Between the World and Me on the very themes that Coates’ spun on their heads in his book — individualism and skin-color-based violations of the Black body. Lowry wrote, “He [Coates] argues — although that might be too generous a word; it’s more like assertion shrouded in a haze of lyricism — that all that other black people did to hurt or threaten him was ultimately the product of white racism.” As if racism is somehow self-contained, an individual choice or decision, and not something that is embedded in America’s institutions, with systematic effects throughout society, to the point of self-hatred and internalized racism. Wake up, Mr. Lowry, and smell what you’re shoveling!

Between Coates and Me

As for my read, I found the book powerful, self-important, compelling, pompous, and at times nihilistic and heart-rendering. Yet I also found some of Coates’ work weak and underdeveloped. Yet for almost none of the reasons that other reviewers have used to excoriate him and Between the World and Me. If Coates’ book is really just a letter from a near middle-aged Black man to his teenager son, I can tell you that at fifteen, my head would’ve been spinning for weeks after reading the letter. And not in a good way. My first reaction would be, “Thanks a lot, Dad! This burden you’ve given me could finish me before I have a serious chance to start!”

This book is far more than a mere letter. It’s part memoir and part treatise on the nature of the poisonous American Dream (one critique I read thought that Coates’ bought into the Dream — someone needs to learn how to comprehend what they read) and American racism. It is also partly journalistic commentary on the lives destroyed by “The Dream” and the structural racism that has supported it for centuries. Coates’ book is not just a nod to Baldwin, Langston Hughes or Malcolm X (whom he identifies in his book). There’s some influence, direct or not, between Martin Luther King, Zora Neale Hurston, Ralph Ellison, even the late Derrick Bell.

And that strength is perhaps Between the World and Me‘s great weakness. As strong as the writing is, and as personal and emotional the journey Coates tries to take us on, it is a journey with far too many destinations. Some of the people on Coates’ journey remain underdeveloped as characters, so to speak, and really serve as foils rather than as other bodies with the same hopes and fears that Coates’ had growing up. The appeal of The Mecca of the Howard University yard and Moorland-Spingarn would be difficult for some to appreciate without more of a sense of Coates’ lack of belonging, as there is so little about his relationship with his parents (especially his mother) and siblings beyond ass-whuppins. The repetitive declarations around the light-skinned kid with the gun, the notion of “twice as good” (which is mentioned several times over thirty pages before Coates provided a definition), and Coates’ cringing at all things Christianity, while understandable, probably do as much to exclude readers as they do to invite.

All in all, the book probably could have been thirty or even fifty pages shorter. But whether too repetitive, too long, too much rhetoric and not enough intersectionality, I still think Coates’ succeeded in his goal. If I’m understanding it correctly, that is. To remind his son (actual and the millions of proverbial sons and sidelined daughters, I guess) that the “Struggle is in your name, Samori–you were named for Samori Touré, who struggled against French colonizers for the right to his own black body” (p. 68). Imparting this wisdom may be perhaps the most important duty any Black parent has toward any of their children.

“I Marched With Dr. Martin Luther King!” – and Other Record Scratchers

28 Wednesday Aug 2013

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Dr. Martin Luther King and Benjamin Spock leading antiwar protest, Chicago, IL, March 25, 1967. (AP via LA Times).

Dr. Martin Luther King and Dr. Benjamin Spock leading antiwar protest, Chicago, IL, March 25, 1967. (AP via LA Times).

I’ve posted about my last official contact at Mount Vernon High School in June ’87 before graduating several times, and documented it well. The brow-beating I took from one Estelle Abel moments after my last day and last class of high school was one of the most puzzling and humiliating moments of a long series of them up to that point in my life. As I’ve written in both Fear of a “Black” America and Boy @ The Window:

I walked down the second floor steps and the first floor halls of the high schools to my locker one more time. While clearing out my locker, Estelle Abel walked by and asked to meet with me. I went over to her office, and for the next fifteen minutes, she attacked me for being a slacker.

“You’ve been a disappointment, young man,” Abel said.

“What?,” I said, completely shocked.

“Your work this year is nothing to be proud of.”

I stood across from the tall, witchy-looking lady, speechless, but telling her “Fuck you” in my head. Abel claimed that I had underachieved throughout my four years as a student, that I should have been ranked in the top ten of my class, and that my performance in AP Physics was beyond abominable. All I could focus on was the amount of anger and emotion she possessed in her voice and eyes. You’d have thought that I’d been expelled from school or had raped her daughter!

“By you not graduating in the top ten of your class, you’ve let everyone down. Your family, your friends and our community,” she said, as if anyone around here really cared about me.

Abel continued. “You could’ve been a shining example of achievement to us,” all but hinting at Sam as the person I should’ve been like.

I guess I did let my Black classmates down. I only ranked second in GPA among Black males and eighth among all African Americans and Afro-Caribbeans in my class. I guess I should’ve been taking out back, blindfolded, with cigarette in mouth, and executed by a firing squad.

Abel finished her soliloquy. “You don’t have any excuses! There is nothing going on at home that could justify your performance!”

“Well, that’s not true…” I interrupted. I felt rage rising up from the pit of my stomach. If she’d been anywhere near my age, I would’ve taken all of the Jimme-ese I knew and laid it all on her stupid ass.

Her face turned stern as she cut me off, determined to make some sort of point, to prove that I was a worthless Black man in her eyes.

“Nothing going on in your life would ever compare to what we went through back in the ’60s . . . I marched with Dr. Martin Luther King!”

My mind clicked off my eardrums at that point. Short of showing her my war wounds and having her meet my family, what could I possibly do or say to that? I left her office feeling like my years at MVHS and in Humanities were just bullshit. Abel’s tirade reminded me of the fact that I simply didn’t fit in anywhere.

What I’ve never discussed in all my posts about Abel and her tough-love speech is how this incident — and others like it — have shaped my thinking about the Civil Rights generation. Those local Urban League or NAACP members who gave talks at MVHS or at Pitt or at Carnegie Library of Pittsburgh who said, “I’ve got mine. Now go and get yours” — a reference to businesses, jobs and higher education, as if we were all well financed enough to achieve their American Dream goals. Those usual suspects on the local or national level who gave the same speech year after year about the one time they shook Dr. King’s hand, or about their personal experience at the March on Washington in ’63. As if their experience would be more inspiring than the fact that folks like Medgar Evers and MLK actually gave their lives for the movement.

So many folks like Abel have used their kernels of experience with the March on Washington or the Civil Rights Movement more broadly as a club to beat over the heads of other African Americans, particularly those of us born after 1965. What they thought of as inspiration felt like damnation to me. The idea that nothing was worse than fighting for civil rights in the ’60s would be humorous to the four million slaves who lived in the South 150 years ago. It’s certainly an insult to so many deeply impoverished Blacks, White and other people of color who would have to stretch themselves like Plastic Man just to touch the first rung of the American middle class ladder.

Would I had been able to attend Pitt without a Challenge Scholarship for high-achieving Blacks in ’87? Probably not. Would I had been a part of a gifted-track program for six years without the NAACP filing a desegregation lawsuit against Mount Vernon public schools in ’76? Of course not. But those small windows of opportunity do not a movement make. Nor should it make me forever grateful to folks who considered me a waste of space to begin with — I wasn’t righteously “Black” enough for them, respectable enough for them, and obviously did not come from a home well-resourced enough for them, either.

So what if Abel or anyone else marched with Dr. King? What have you done with your life and for the lives of other since then besides discouraged where you could have encouraged, disillusioned where you could’ve provided comfort, or acted as if people like me owed you libations and gratitude? Estelle Abel represented for me in ’87 what folks like Bill Cosby, Don Lemon, Tavis Smiley and so many others have done in recent years — condemning those most in need of help and inspiration. They’ve all in their words helped turn the most hopeful and rhetorical part of “the Dream” into a nightmare.

The “Invisible” Poor & The Middle Class Mythology

19 Thursday Jul 2012

Posted by in 1, Academia, Boy @ The Window, Eclectic, Mount Vernon New York, race, Work, Youth

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Transparent (or invisible) Woman (cropped), July 19, 2012. (http://cgtrader.com).

This past weekend, I found myself drawn into the discussion of the middle class and middle class aspirations on MSNBC’s Up with Chris Hayes (otherwise known as “Uppers”). It was a good and yet wholly unsatisfying discussion of technical definitions of what middle class is and of the political optics of only discussing the middle class as a socioeconomic category. Chris Hayes and his guests justified this with an all-too-common refrain. “If you’re poor, you’re aspiring to be middle class,” Hayes said on Saturday. With that, Hayes and his guests rendered America’s poor invisible, and failed to see beyond the politics of invisibility in the process.

There are two issues here, and many layers within them, about America’s poor, working, on welfare, or otherwise. One issue is that journalists, commentators, political operatives and most politicians treat the poor as if they are an unknowable group of people. It’s as if they all think the same way, as if there are all Black or of color, and a complete drag on the American economy and the federal budget. And that’s on a day in which the media and politics deem America’s poor as discussable. Most of the time, America’s poor are invisible, shoved into the middle class category by commentators and politicians at every turn.

Yes, America’s middle class is struggling too, fighting tooth and nail to not slip into the class of the invisible working poor, treading water to avoid food banks and food stamps. But they have something to struggle with — and for — at least. Their homes, their cars, a retirement account, their families’ net worth, all accoutrements of being middle class in America. America’s poor don’t possess anything to struggle with or for.

Chris Hayes on a train in Switzerland, November 10, 2008. (Matthew Yglesias via Wikimedia Commons/Flickr.com). Released to public domain via cc-Attribution-Share Alike 2.0 Generic license.

Except, maybe, with their vote, if they care to vote at all. Yet no mainstream commentator nor presidential candidate has truly spoken to their needs, their plight, to how their situation is completely interconnected with the struggles of the American middle class, not their aspirations. Not Chris Hayes, nor his weekend compadre, Melissa Harris-Perry, not President Barack Obama, and definitely not the presumptive GOP nominee, Mitt Romney.

It’s a story I’m all too familiar with, as someone who grew up in poverty in Mount Vernon, New York. Not to mention as someone who had to go to college and graduate school and then struggled for two years at part-time work before finding a job with a Ph.D. in ’99 (see my “The Five Senses of Poverty” post from July ’10). I was thirty years old by the time I earned a middle class income. Yet in all of that time, the only mainstream politician who spent time on the issues of the American poor as if these were real people was President Jimmy Carter, and we know what happened with him. Outside of my degrees and my publications, I was invisible until the fall of ’99.

Otherwise, it’s been four decades of Presidents Nixon, Reagan and Clinton concerned with “welfare queens,” “pink Cadillacs,” and “mend it, don’t end it” welfare policies, and the media following suit. It’s like being kicked hard by someone as one is laying on the ground with broken ribs and internal hemorrhaging, as if they want to poor to die, painfully.

But it’s not just the ones with microphones and word processing programs that kill America’s poor by rendering them invisible. Despite the general notion that the media and politicians nurture — that everyone not rich aspires to be firmly entrenched in the middle class — most Americans middle class and poor aspire to be rich, wealthy, well-off.

Creflo Dollar, pastor, World Changers Church International, November 1, 2010. (Zwicky Institut via Flickr.com). In public domain.

This is the other neglected issue, whether inadvertent like with Chris Hayes and his guests on Uppers, or deliberate on the part of President Obama and Romney. Why so? Because they don’t acknowledge that it’s hard to be truly middle class in America these days. To be in the middle class, one must borrow, borrow, borrow, beg and sometimes steal while struggling to pay student loans, car notes, a mortgage and child care costs.

This wasn’t the case even thirty years ago, before the severe double-dip recession, high interest rates and inflation and Reagan Revolution took full hold. Then, a high school diploma and raw initiative was all most folks needed to find a job at a GM plant or to get an administrative job in government or with a large corporation (although, typing at 90 words per minute enhanced a woman’s chances, at least). Now, two years of college or postsecondary technical training, some experience in a specialized field, and a personal connection is the floor for a living wage — not exactly middle class. Of course, no one wants to be in the basement with nearly one in five Americans, 50 million in all, working just to be poor.

Stacks of money, April 13, 2008. (Allureme via Wikipedia). Released to public domain via cc-Attribution 3.0 License.

America’s poor and fledgling middle class both aspire to be rich (or die tryin’), and not just middle class. The rise of fundamentalist Christianity, mega-churches and the cult of prosperity as these pastors reimagine the New Testament. The endless lines for Powerball and Mega Millions whenever the pot is more than $100 million. The fascination with reality shows about the well-off or about competing to be well-off. All of this is the manifestation of the warping of the American Dream since the early 1970s, where the pursuit of riches has led to debt slavery for millions.

The old American Dream has become myth, and the old American middle class is but the story of Camelot, Timbuktu and Shangri-La. In our new world, “the poor will be with us always” has been made a plain and unyielding truth by those in power, reinforced by those with a media platform.