Tag Archives: Crush #2

The Painful Destruction of the Pedestal

26 Wednesday Jul 2017

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, Politics, Pop Culture, race, University of Pittsburgh, Work, Youth

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Demolition of the Kingdome as a GIF, Seattle, Washington, March 26, 2000. (USA Today).

This week thirty years ago was the beginning of the end of my sexist dream of having women recognize me for being “a nice guy.” As I wrote in one of my very first blog posts a decade ago, it was a dream “that had to die.” Precisely because it was a fantasy, a phantasmic display of teenage delusion borne from five years of abuse and oppressive social immaturity. In ’80s parlance, my wack ass had to learn the hard way that I had no game. And, more importantly, that pedestals are meant for smashing with sledgehammers, as people can never live up to their marble or bronze busts.

It wasn’t really women I was trying to impress with my quiet and stoic demeanor. I was all about my second infatuation, Crush #2, my version of Phyllis in the summer of 1987. I’ve outlined in painstaking detail here and in Boy @ The Window my obsession with Phyllis and her smile, and my ridiculously stupid attempts to make conversations with her in the three weeks of my various impromptu encounters at the old Galleria in White Plains and on the 40/41 Bee-Line Bus back to Mount Vernon.

But “the end of the lesson,” or at least, the “end of the beginning” of it (to quote both Kevin Costner in The Untouchables (1987) — which I saw at The Galleria twice that summer — and Winston Churchill), began on my brother Yiscoc’s birthday on the fourth Thursday that July.

I walked around for over an hour after I got off the bus at North Columbus and East Lincoln. I must’ve called myself “pathetic” at least a dozen times on that hot and steamy walk. And I was. I didn’t get home to wish Yiscoc a Happy Birthday until after 8 pm, by which time I missed any semblance of a birthday celebration at 616.

Packing up and moving to Pittsburgh — and my freshman year at the University of Pittsburgh — seemed as far away that weekend as it did during my summer of abuse five years earlier. I was no longer sure that this transformational period of my life would actually bear fruit. I thought I was destined to spend the rest of my days alone, ridiculed, emasculated, and otherwise as a piece of trash.

Toppling and destruction of Vladimir Lenin’s statue via sledge-hammer, Berdichev, Ukraine, February 22, 2014. (unknown).

I was seventeen years and barely seven months old when I had those thoughts. I’ve been married for nearly that long, and have a son on the cusp of turning fourteen. There’s no way that Donald 1.0 could have envisioned either of these experiences, much less worked to make them happen. It wasn’t exactly a miracle that I became a boyfriend, fiancé, husband, and father. No, it was an evolution, with a couple of personal rebellions and revolutions mixed in.

The one good thing I did after Phyllis took a wrecking ball to my delusions of feminine perfection was to talk about it with someone who was willing to listen. This time around, a young woman put up with me griping about something I never had, someone whom was never for me to begin with. As many times as I would go on to listen to women of all stripes about their relationship issues, I needed to be on the rueing end of things this one time.

It would take a lot more talking, a bit more learning, and four more years befriending and dating, before I’d completely give up putting women on pedestals entirely. Women may be beautiful, and Black girls may be magic, but none are meant to be worshipped at altars. Like all other anthropomorphized idols, humans on pedestals will always fail us when we delude ourselves into thinking that we need them to be free. Especially when we need them the most, or at least, believe so.

 

From One Starving Writer to Another

19 Sunday Mar 2017

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pop Culture, University of Pittsburgh, Youth

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Raven eating a hand (in my case, the writer’s dead hand), March 19, 2017. (creativeuncut.stfi.re via http://pinterest.com).

Six years ago, a student of mine made a reference that very much reminded me of, well, me, the person I was my senior year at Mount Vernon High School. It was as part of a conversation about looking for work. She didn’t want to be another starving artist, living in some basement apartment somewhere, “smearing paint on a canvas” while waiting for a big break. I thought at the time that the idea of a starving artist had all but died out in the era of bling-bling.

But it made me think for a while about the choices I’ve made with my life and career in the years since the middle of my senior year at MVHS. I once said to my AP English teacher Rosemary Martino that I didn’t want to be a starving artist “like Edgar Allen Poe” all those years ago. Now a student had made a similar — although better developed — reference. I think I understood better the momentary look of shock on my former teacher’s face after that conversation.

My student made me think about what Martino saw in my writing so many years ago. I certainly wasn’t focused on it. The same week she commented on making myself into a writer was also the week I had my Ivy League dilemma, between Columbia and the University of Pittsburgh for undergrad. I was waist-deep into my obsession with Phyllis, or really, my obsession with my crush on Phyllis. So much so that I wrote my creative writing assignment for Martino about me and my Crush #2, switching the names to “Donna” and “Phil” to barely cover up the truth of this otherwise short fictional work. Martino returned it without comment. She did comment heavily, though, on my assessment of Henrik Ibsen’s A Doll’s House, a series of redundant paragraphs in search for a coherent sentence.

But my wack “The Way It Is” title was as much an indication that I was as far away from seeing myself as a writer as Earth is for Alpha Centauri without a faster-than-light-speed vehicle. And I was starving on so many levels back then. For food. For attention. For love. For a connection with anything or anyone who didn’t remind me of my poverty. Martino’s encouragement, though she obviously meant well, sent me scurrying in my mind for something a bit more comfortable than Poe’s indebted and untimely death.

My own student’s commentary made me wonder if the quality of my life and career would be better these days if I had embraced the promise Martino saw in my writing back then. I mean, I was already a slightly malnourished six-foot-one and 160-pounder at that point anyway. The inner struggle to put thoughts to paper creatively would’ve been much easier at seventeen than it is as a married forty-seven year-old with a contrarian teenager and bills to pay.

Maybe so. But until Noah or one of his progeny designs a time machine, I can’t rewrite my history in order to make me embrace what I now see as my calling. All I know is that those words I uttered in March ’87 have stayed with me for three decades. The question of finding and following my calling has always been juxtaposed with my need to eat and pay the rent and other bills. How do I do both without dropping one of the balls that I’m juggling?

The issue for more than half of my adult life was finding my calling. Along the way, I spent the summer of ’88 unemployed, the first week of my sophomore year at Pitt homeless and three weeks in May ’91 losing sixteen pounds for lack of food. Not to mention six weeks of unemployment in ’93, walking to Carnegie Mellon many a time in the snow with holes in my sneakers in ’94, and two and a half years of underemployment from December ’96 to June ’99. I was a starving writer long before I saw myself foremost as one. In all, I’ve probably made about $2,500 in direct net income as an author and writer since 2003 (half through Fear of a “Black” America, the other half in the past two years), not counting consultancies or giving talks based on my writing. If I depended on my writing income, I maybe could pay the cable bill or treat us to a night of Cheesecake Factory and a movie. Two or three times a year. When one doesn’t follow their calling and doesn’t follow a typical path to making a buck, the tendency is insufficient funds.

Creative abilities, even genius, may well drive people mad, but most folks in pursuit of their calling aren’t fools. No one, including the starving artist, wants to starve. Some of us, though, have a desire for much more than the ability to get a job, any job, and hold one long enough to see our own kids graduate from college and meet someone they truly love. Even with the responsibilities of adulthood, we shouldn’t give up on our own aspirations, for it’s those things that we reach for (although not at all costs) that will help others — including the most important folks — in our lives pursue their own calling.

The Cold Light of Grades

05 Tuesday Jan 2016

Posted by in 1, Academia, Boy @ The Window, culture, earth, wind & fire, Eclectic, Jimme, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Pop Culture, race, University of Pittsburgh, Work, Youth

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University of Pittsburgh after a snow storm, Cathedral of Learning, downloaded January 5, 2016. (http://www.everystockphoto.com).

University of Pittsburgh after a snow storm, Cathedral of Learning, downloaded January 5, 2016. (http://www.everystockphoto.com).

Dateline, Tuesday, January 5, 2016. Exactly twenty-eight years ago on this day and date, I left Mount Vernon and New York for my second semester at the University of Pittsburgh. I sensed, but did not know, that this was a make-or-break time for me as a student and as a person. At least when that day began. I had a 5 pm Continental Airlines flight out of Newark (my last time flying out of there, thank God!), and had plenty of time to kill before catching a cab to East 241st at 2 pm to catch the 2 Subway to 42nd, the Shuttle to Grand Central, and then the Carey Bus to New Jersey.

Then the mailman arrived a bit earlier than I expected, around 12:30 pm. I’d been anticipating and dreading this moment for seventeen days, since Saturday, December 19, the morning of my last final in Pascal.

The day I was scheduled to go back to Pittsburgh was also the day I finally received my grades. I earned an easy A in Astronomy, a B- in Pascal, and a C in Honors Calc. All three of those grades I expected. The C in East Asian History was completely unexpected. My grade point average for the semester gave me a 2.63 to start my postsecondary career. That might’ve been good enough for most folks. But of course not for me. My Challenge Scholarship absolutely depended on me maintaining a minimum 3.0 average at the end of every school year in order for me to stay eligible. That was my wake up call to what I’d allowed Phyllis, and my thoughts of her and me — and of her with me — to do to me. I didn’t even give Mom the chance to see my grades.

Because I was seventeen when my first semester began, my Mom was still the responsible adult and my Mom’s address the primary address for my academic records. This was the first and last time I received my Pitt grades this way.

I was so mad. But I was more disillusioned than angry, especially with myself and my view of the world. I knew I had no margin for error this Winter/Spring semester at Pitt. I needed to raise my overall GPA to a 3.0 or higher in order to keep my academic scholarship for my sophomore year. I could barely afford Pitt as it was, between room and board and books. It wasn’t as if I could depend on Mom and my father to keep sending me money. They had sent a total of $480 my way that first semester. I was still $1,200 behind on my Pitt bill, even with student loans and me working sixteen hours a week.

The days after I got back to my dorm I spent assessing my situation and what to do about it. The first decision I made was to consolidate the funds I managed to secure at the end of December. I had General Foods cover my remaining room and board payments for the school year, increased my Stafford Loan amount for the semester, and marched down to Thackeray Hall. I waited all day to take care of my bills, get my few hundred dollars of leftover cash from all of my aid — all of which I needed for books — and registered for classes. The last part took the most time, and was the hardest to do. The low the second morning of the semester was two below zero, and the high that day was eight above. Fahrenheit, not Celsius. I stood in line outside for over an hour in that weather surrounded by two feet of snow with the occasional winds and snow drifts before getting inside at nine that morning.

But in the moments I had that week, between some quiet time for myself and in discussing my performance with two of my professors (I just couldn’t believe I earned a C in East Asian History!), I realized two or three things. One was that I over-performed, given how depressed I was the last seven weeks of the semester. I missed nearly three out of every four classes in November, and nearly forty percent of my East Asian History class during the entire semester. I went without a textbook for Honors Calc I after someone stole it from my job in the computer labs in the Cathedral of Learning at the end of October. I managed a solid C in the course anyway. It could’ve been much worse.

Two was that my East Asian History professor Ann Jannetta was right. I really was “lucky” to have managed a C in an upper-level history course my first semester of college. I still acted as if I was in Humanities at A.B. Davis Middle School or MVHS, that a C was some indication of low IQ or confirmation that Whites had bigger brains or something. Jannetta was very encouraging. It was the first time any of my professors had made me feel like I belonged in college.

The most important thing I realized, though, was that I couldn’t let anyone or anything get in the way of me bringing my A-game (or A- game, maybe) every semester and in every course. Phyllis didn’t matter. My internalized sexism or what others though of me because of their racism didn’t matter. My idiot classmates or parents didn’t matter. Heck, being hungry, cold, and short on money didn’t matter. All that mattered was my ability to do what I did best back then. Get A’s in bunches when I needed to.

Of course, all these things really did matter. I merely decided to play the game of college that semester with a combination of fear and anger, arrogance and obliviousness. To the tune of a 3.33 and the Dean’s List! Yay me!

But when that semester ended on Saturday, April 30, those demons and distractions resurfaced. Oh, the days before I spent five days homeless and weeks eating tuna fish and pork neck bones!

My One Drunk Moment, An Un-Sober Mind

21 Saturday Nov 2015

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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16-ounce "Pounder" can of Busch Beer, November 19, 2012. (http://price2watch.com)

16-ounce “Pounder” can of Busch Beer, November 19, 2012. (http://price2watch.com)

As the son of an alcoholic father (the latter who’s been on the wagon for more than seventeen years now), I have almost always maintained control over my own alcohol intake. I’m always the designated driver, and rarely will I have three beers in one year, much less in one evening. My favorite drink is cranapple juice mixed with Disaronno, followed by Angry Orchard hard apple cider.

I have also always believed that I should be the same person, sober, buzzed, drunk and otherwise. If I’m generally a feminist on my best behavior in the classroom or at work, then I should be the same way at a dive bar on my second screwdriver. My low tolerance for bullshit — including and especially my own — should always be on display.

Both of these strands of how I’ve lived my life met a weekend of contradictions on this day/date twenty-eight years ago. In the wake of my Phyllis (Crush#2) crash-and-burn obsession and subsequent depression, I began hanging out with dorm mates at Lothrop Hall who were already dropping out of college socially by Week 11 of the Fall ’87 semester. That was a mistake of epic proportions.

Lothrop Hall (we lived on the fourth floor in 1987-88), University of Pittsburgh, June 8, 2008. (TheZachMorrisExperience via Wikipedia). Released to the public domain via CC-SA-3.0.

Lothrop Hall (we lived on the fourth floor in 1987-88), University of Pittsburgh, June 8, 2008. (TheZachMorrisExperience via Wikipedia). Released to the public domain via CC-SA-3.0.

My downward spiral was made worse a week earlier with a burglary on a Monday night at the end of October. While I took a bathroom break at the computer lab, someone stole my Calculus textbook. I felt violated, especially since it happened at work. It made me more distrustful of the people I worked with and of Pitt students in general. And after Phyllis’ wonderful response, I all but stopped going to class. I missed most of my classes the month of November, only showing up for exams or if my mood had let up long enough to allow me to function like normal. The weekend before Thanksgiving, I allowed my dorm mates to cheer me up by getting a couple of cases of Busch Beer. These were the Pounder type, sixteen-ounce cans. After getting Mike to get us the cases, we went back to Aaron’s room and started drinking. I downed four cans in fifteen minutes, and was drunk within a half hour. I started throwing around the word “bitch.” Anytime anyone mentioned Phyllis’ name — or any woman’s name for that matter — one of us said the B-word and we’d guzzle down some beer. I was drunk, but not so drunk I didn’t know what was going on around me. That night, my geeky acquaintances started calling me “Don” and “Don Ho,” since I was the life of that illegal party. I would’ve been better off smoking some cheap herb with Todd and Ollie. I recovered from my bender in time to go home for Thanksgiving, but I was in a fog for the rest of the semester.

This was how the end of my 2.63 first semester at Pitt unfolded. But that was hardly the only thing that came out of last weeks of ’87. For a long time, I was angry with myself. About Phyllis. About allowing Phyllis, my dorm mates — anyone, really — affect my emotions, my thinking, and actions over any significant period of time. So for about three months, I put everyone in my life into two categories. Men were “assholes, women were “bitches,” and I was done with humanity. And all by my eighteenth birthday.

I wasn’t just being sexist. I was being downright antisocial. I had internalized issues, about where I fit in this new world of college. I would never be man enough, Black enough, “White” enough, smart enough, athletic enough, or cool enough. At least that’s what I thought in late-November ’87.

Antisocial bumper sticker, November 21, 2015. (http://www.quotationof.com/).

Antisocial bumper sticker, November 21, 2015. (http://www.quotationof.com/).

I look back at that time and realize how stupid I was twenty-eight years ago. To think that I could go out in the world, attend a four-year institution, and not have my assumptions about the world, about people, and about myself challenged. That’s like going overseas to visit some ruins, but never meeting the people who live there (Or, in this case, like rich White Americans doing Sandals and other brown-skinned service-based vacations).

Phyllis and my dorm mates at Lothrop Hall weren’t even the first step of that process. They were the last step of a process of controlling and protecting myself from my years of living in the shadows in Mount Vernon, New York. The coping strategies I had honed for five years to survive 616 and Humanities and MVHS had barely worked. By the end of my first semester, they were completely useless. I came to realize that a strategy to seal myself up from all criticism and praise, to keep humanity out of my life, was doomed to fail. There was no way to keep the world from forming a first impression of me, no matter how many layers of invisibility I attempted to wear. But there was a way to reshape how I saw myself and the world.

Not Finding My Musical Center

16 Tuesday Jun 2015

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, My Father, New York City, Politics, Pop Culture, race, Religion, Youth

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Glass Tiger, The Thin Red Line (1986) album cover, June 6, 2015. (http://www.amazon.ca).

Glass Tiger, The Thin Red Line (1986) album cover, June 6, 2015. (http://www.amazon.ca).

June ’15’s calendar is exactly the same as the one I lived through in June ’81, June ’87, June ’98, and June ’09 (you can look it up). But June ’87’s the month I graduated from Mount Vernon High School. At seventeen, my Blackness, my authenticity as a young man and as a Black man, my place in the world, all were question marks. Between Black administrators like Estelle Abel and Brenda Smith (not to mention White ones like Richard Capozzola and Carapella), teachers like David Wolf and my guidance counselor Sylvia Fasulo, plus the fifty or so “cool” kids with their ’80s pre-Nu Jack Swing/post-Purple Rain Prince look, I might as well have been an alien from another planet. That’s not even counting my strange and out-of-character incident with Dahlia, the humiliation of the Sam and Laurell Awards Show, the dissonance of dealing with Mom, my idiot stepfather Maurice and my siblings at 616, my father Jimme’s drinking, and the run-ins with not-so-normal Crush #2 in Phyllis.

The day I realized most how differently the world outside of Mount Vernon viewed me from how I viewed myself came the day after graduation at Tower Records on West 66th and Broadway. I’ve told this story before, here and in Boy @ The Window, about how some NYPD officers working security there accosted me and accused me of stealing tapes that I had bought the previous week. What I have left out, though, was my state of mind in the two-week period prior to this incident. As I said in the memoir

I had my latest Walkman, my first Sony Walkman, actually, and my book bag with my recent tape investments, including a few I’d bought at Tower Records the previous Friday. Investments like Fleetwood Mac’s Tango In The Night, Genesis’ Invisible Touch, Whitney Houston’s Whitney and Glass Tiger. Glass Tiger, by the way, was a good indication of my state of mind. Boy was I pathetic!

Here I was, attempting to discover myself through what was then my normal coping strategy of escapism via eclectic music. Given my long periods of deprivation from pop culture between religion, abuse and poverty, I’d really only been at this discovering music thing for a little more than three years. I was basically a preteen in terms of pop culture and musical development outside of choir in elementary and middle school and playing the trombone and fife.

Seriously, I look at this Canadian group Glass Tiger’s ’86 album cover The Thin Red Line now and think, “this stuff isn’t even Michael Bolton worthy!” Songs like “Don’t Forget Me (When I’m Gone)” and “Someday” were actual Billboard chart-toppers in ’87, though, and because I had no friends in whom I placed trust, I trusted my coping strategies and Casey Kasem.

That, and Columbia Record Club, which I signed up for off and on between ’86 and ’89, with my high point for using their Terra Haute, Indiana mailing operation being the spring and summer of ’87. I could use them to find music I wouldn’t dare buy even at Tower Records or Crazy Eddie’s. I bought new age music by Phillip Glass, took a hand at jazz with Dizzy Gillespie, bought Van Halen’s 1984 and 5150 (California-crazy me), and went for it with Big Daddy Kane, MC Lyte and Salt ‘n Pepa.

Thompson Twins, Here's to Future Days (1985) album cover, June 6, 2015. (http://audiokarma.com).

Thompson Twins, Here’s to Future Days (1985) album cover, June 6, 2015. (http://audiokarma.com).

But for every Simple Minds‘ Once Upon A Time (1985), there was Toto’s The Seventh One (1988), or Thompson Twins’ anything, really. For every song that stuck with me, like Sting’s “Be Still My Beating Heart” (1987) or Anita Baker’s “No One In The World” (1986), there was Whitney Houston’s “Love Is A Contact Sport” (1987) — one of the worst songs I’ve ever heard a voice as awesome as Whitney’s sing — and Howard Jones’ “Things Can Only Get Better” (1985). “Things Can Only Get Better,” by the way, is in my iPod’s random rotation, as I have come around to it again in the past decade.

I was trying to figure out what I liked and didn’t like musically on the fly, having lost a significant amount of time growing up for the triviality of enjoying music. This was hard to do, though, in a world in which my peers and many adults assumed that I knew myself well at the ripe old age of seventeen. No matter what my IQ score was in ’87 (about a 130, for the eugenicists out there), my emotional and psychological development probably put me about five years behind my now former classmates.

So my music tastes varied from genius to God-awful. They still do. The difference is, I recognize I may be the only one who listens to DMX for comic relief, because there’s no way to take him or his rap seriously. Or that I find Tupac and Eminem equally compelling and equally problematic. I still

Taco Bell's Waffle Taco w/ syrup, sausage, eggs and cheese, March 27, 2014. (http://vice.com).

Taco Bell’s Waffle Taco w/ syrup, sausage, eggs and cheese, March 27, 2014. (http://vice.com).

don’t understand the genius of Miles Davis, no matter how many times jazz enthusiasts like my friend Marc try to convince me to keep listening. Still, half of my music comes from the period between May ’87 and October ’97, and the rest crosses boundaries in time, genre, race and language (Deep Forest, anyone?).

I also recognize complete schlock, too. Unfortunately, commercial music these days is about as emotionally and mentally nutritious as a McDonald’s Big Mac and a Taco Bell Gordita combined. I try every few weeks to find out about the latest artists, just in case my son ever becomes interested in music again. Thank goodness, though, there’s no Lil’ Wayne, Rick Ross, or Iggy Izalea in our house! I’ll take my Glass Tiger (not really) any day over that!

What A Fool (Make) Believes

31 Saturday Jan 2015

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, Pop Culture, Religion, Sports, University of Pittsburgh, Youth

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Inception (2010) movie wallpaper (scene of falling too deep in a dream to come out of it), January 31, 2015. (http://www.alphatucana.co.uk/).

Inception (2010) movie wallpaper (scene of falling too deep in a dream to come out of it), January 31, 2015. (http://www.alphatucana.co.uk/).

I am a firm believer in the idea that just about everything in our lives happens for a reason, even if the reason involves multiple layers of chance adding up to a certainty. Meaning even the unexplainable, given enough time, study and webs of connections, can add up to a certain amount of truth, even if we as humans cannot except that limited truth.

Orange Crush can crushed, June 8, 2012. (Susan Murtaugh via Flickr.com).

Orange Crush can crushed, June 8, 2012. (Susan Murtaugh via Flickr.com).

The beginning of ’87 put me in the middle of that scenario regarding my masculinity and my relationships with everyone in my life. I knew that at seventeen that I’d already been an adult of sorts, with everything that was going on with my family at 616. But while I might have been an overburdened high school senior with adult responsibilities and adult-level decisions to make, psychologically and emotionally, I was still a twelve-year-old. One damaged by bearing witness to my stepfather beating up my Mom on Memorial Day ’82, the abuse I’d suffered at his hands afterward, and my ostracism my first years in Humanities in seventh and eighth grade. I was “a dog that been beat too much” by my senior year at Mount Vernon High School, and I’d started wondering if I had stayed one year too long before heading off to college, because my last year of K-12 wasn’t going so well either.

I was also in the middle of my second classmate crush in five years. I was more than three years removed from my most intense feelings for Crush #1 (outed at Wendy in Boy @ The Window), only to feel stomach flutters for the young woman who’d been my Crush #2 (Phyllis) for about thirteen months. Except I was too scared to tell anyone, including myself, of how I felt about her.

Nor did I really understand why I felt the way I did when I was around her. With Wendy, I could point to personality, intellect, quirkiness, among other attributes, and the fact that prior to seventh grade, I’d never met anyone like her. Phyllis, though, I’d known for more than five years, and while she was attractive and smart, it wasn’t as if she was so unique.

Doobie Brothers, Minute By Minute (1979) album (with "What A Fool Believes" on Track 2), January 31, 2015. (http://amazon.com).

Doobie Brothers, Minute By Minute (1979) album (with “What A Fool Believes” on Track 2), January 31, 2015. (http://amazon.com).

Still, even in the back of my more mature and emotionally cold part of my mind, I knew what it really was. Phyllis had made this beaten and abused dog feel better about himself in the worst of times, between seventh and tenth grade, back in his Hebrew-Israelite days. Even if that emotional altruism was more about saving me from hell in this life and the next, and less about liking me, her actions tugged my deeply bruised heart strings. Not Phyllis’ fault by any stretch. Just a reality. I was a “sentimental fool…tryin’ hard to recreate what had yet to be created,” like the fictional man in Doobie Brothers’ “What A Fool Believes” (1979).

By my senior year, I thought about Phyllis from afar, just like I’d done with Wendy nearly five years earlier. With my imagination, I could almost imagine anything. Including all of the indicators of romance, from dating and joking to kissing, to getting together during holiday and summer breaks during college. Everything, except anything sexual. It wasn’t because I didn’t know how. It was because in the conscious side of my mind in which my emotional age remained at twelve, I couldn’t see any young woman my age as having a carnal side, of being anything other than a near-perfect being. Phyllis may as well have been a nymph or angel, and not a real person.

Somehow I knew I was setting myself up for a year of hurt. I knew that I had to grow up, to “be a man,” to find a way to actually say that I liked Phyllis, if only for myself to hear. And I did tell it, to myself, to her, to people I came for a time to trust. I even sent a letter to Phyllis after the fact, only to be hurt even more, just like the dumb ass Michael McDonald and Kenny Loggins described in “What A Fool Believes.” “As he rises to her apology, anybody else would surely know…,” as the song goes. Only in my case, to crash and burn like the Hindenburg in New Jersey did in 1938.

Patrick Ewing blocking a Scottie Pippen shot, United Center, Chicago, March 14, 1996. (http://chicago.cbslocal.com).

Patrick Ewing blocking a Scottie Pippen shot, United Center, Chicago, March 14, 1996. (http://chicago.cbslocal.com).

By the end of ’88, though, I realized the truth. That my crush on Crush #2 wasn’t a real crush at all. It was my crutch, my coping strategy to deal with the fact that I really hadn’t felt anything about anyone in my life since those heady Wendy days. Those were my final days of childhood, those days before I’d learn for the second time in my first twelve and a half years how little control I had over my life, how little love and affection there was to find. As the song of that phase of my life went, I “never came near what [I] wanted to say, only to realize it never really was.” I never made Crush #1 “think twice,” and made Crush #2 reject me like Patrick Ewing in his prime smacking a basketball into the fifth row of Madison Square Garden.

I suppose that this happens to all boys and girls, men and women and transgender at some point or another in their lives. At twelve, it felt glorious, while at seventeen, it was painful and embarrassing. I’m just glad that I made it through that year, 1987 — though hardly happy to go and grow through the process — and came out on the other side of it ready to grow, risk and protect my heart again.

Head Over Heels

03 Tuesday Dec 2013

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December is both my most and least favorite month of the year. I was born at the end of this month, but only two days after Christmas. I’ve run away from home and been mugged, suicidal and inspired this month. Not to mention burned out and homesick and heartbroken. But I’ve found myself and experienced renewal on this least sunlit of months as well.

Twenty-eight years ago today was the day my crush on Phyllis, a.k.a. “Crush #2” began. It wasn’t a crush of epic love, but it would affect how I viewed myself and the young women in my life for the next two and a half years. As I wrote in Boy @ The Window:

It was the third of December, a cold and frosty Tuesday that would make someone think twice about going outside. It was after school, and I happened to be on my way to the library. I stopped home first to grab a bite to eat, to see if Mom wanted anything from the store after my time at the library, and to listen to some music. The last song I heard before walking out the door was Tears for Fears’ “Head Over Heels,” their third major hit in the US in ’85. The hard tones of their synthesized piano were hypnotic for me. “Head Over Heels” reminded me of my own failed attempts to get past myself when it came to saying more than “Hi” to any woman or girl whom I thought interesting. Besides having a family that I saw as an embarrassment, I simply didn’t have the tools of “cool” necessary to break through with any female. My voice usually cracked under the stress of not knowing what to say, and when it didn’t crack, the slow catch in my voice made everything I said sound like it was deliberately at half-speed. My ineptitude also included my automatically taking anything a girl did say about liking me as if it were a sick and twisted joke.

Snow covers trees in Central Park after a storm, New York City, December 28, 2013. (Emmanuel Dunand/AFP/Getty Images via http://www.nydailynews.com).

Snow covers trees in Central Park after a storm, New York City, December 28, 2013. (Emmanuel Dunand/AFP/Getty Images via http://www.nydailynews.com).

That’s what “Head Over Heels” had conjured up in my mind as I walked down East Lincoln toward Lorraine. For whatever reason my thoughts turned to Phyllis. I thought about her smile, her always-wearing-a-skirt style, her standing as a popular student at MVHS. She was always nice to me, always friendly, to the point of being coy about it. The brief flash of Phyllis’ face and smile put a smile on my own as I started singing to “Head Over Heels” out loud. “I wanted to be with you alone, and talk about the weather . . .” was coming out of my mouth in high falsetto as snow started to fall. My thoughts had turned to the cold, the snow flakes and the stark bareness of the wintry landscape as I reached the corner of East Lincoln and Darwood. I was singing “something happens and I’m head over heels . . . don’t break my heart, don’t take my heart, don’t, don’t, don’t throw it away.” Just as was I was about to cross the street, a black two-door Mercury Topaz, circa ’84 or ’85, pulled up, with Phyllis’ mother driving and Phyllis in the front passenger seat. Phyllis’ sister Claudia was in the back. Phyllis mouthed a “Hi” and waved at the same time as the light turned green for their car. What I remember as they pulled away was the smile that she flashed me. It didn’t seem fake. It looked like an I-really-like-you kind of smile to me. I was caught completely off guard!

I spent the rest of the walk to the library debating whether the smile was genuine or a nicety, what the smile meant for her, and how I felt about it. By the time I got to the library, I could only reach one conclusion. I liked Phyllis, and not in an “I like her but only as a friend way.” I liked the girl, simple as that. Those lips and that smile were worth at least a thousand kisses a day!

As I’ve noted in the book and here in the blog, my instincts about Phyllis’ smile turned about to be correct on both counts. Too bad I wasn’t listening to Alexander O’Neal’s “Fake” or Mr. Mister’s “Broken Wings” when I walked out the door to our 616 apartment at 4:30 that afternoon. Still, for that moment, at least, all seemed possible in my little world.