Category Archives: University of Pittsburgh

If I Could Redo Time…

18 Thursday May 2017

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Show art from SyFy’s 12 Monkeys (the home of alternative timelines), March 2016. (http://syfy.com).

Mother’s Day Week 1997 was one of triumph, betrayal, and deep self-reflection, helping to shape my last two decades. On that fateful Sunday, I finished preparing my transparencies for the overhead projector that I would need to use for my job talk on multiculturalism, race, and education at Teachers College the next day. My then-girlfriend Angelia came over around 1 pm, helped me pack as we talked about the job, my research, her missing me for the next few days, and my wishing I could take her with me to New York. Then we called a cab, went out to Pittsburgh International Airport, and I boarded my 6 pm flight bound for La Guardia.

The next day, that second Monday in May 1997, went well despite barely six hours of sleep (a typical night for me now). I met with Teachers College faculty, graduate students, a department chair, an assistant dean, and the dean. I gave my all-important job talk, fielded questions, and otherwise felt that I brought my heat in this potentially life-changing interview. By 4 pm, it was over, I was exhausted, but I was more than content. I figured I made myself a tough out at worst, and gave myself a real chance at this assistant professor job at best.

I spent the night in Manhattan at the Hotel Beacon, and ordered room service, instead of going out to Barnes & Noble or Tower Records. I had to rest up before going to see my family at their temporary apartment in Yonkers. Refreshed and with my old blank-faced-Donald mask on, I checked out and took the 1 train up to Van Cortlandt, then the Bee-Line bus into Yonkers, where my Mom and younger siblings had been living for a year and a half.

My sister Sarai (1983-2010) in Mom’s cap-and-gown, May 14, 1997. (Donald Earl Collins).

Tuesday was Mom’s graduation day from Westchester Business Institute. After ten years of on-and-off-again enrollment, Mom had finished her associate’s degree in accounting. I was really happy for her. That day from 10 am on was about getting Mom and Maurice, Yiscoc, Sarai, and Eri cleaned up and ready for the long bus trip up Broadway to White Plains, Westchester County Center, and hundreds of other WBI graduates. Of all of us, I think my sister Sarai had the best time. After Mom tossed her cap in the air (and caught it), Sarai begged to put on Mom’s graduation digs. My fourteen-year-old sister walked around for the rest of the night as if she had graduated from college!

Wednesday was a difficult day. I had a noon-ish flight to catch out of La Guardia back to the ‘Burgh, as my own PhD graduation was four days away. Though Mom and I agreed that I didn’t have the funds to fly her out and put her up in Pittsburgh, I didn’t agree that my teenager siblings (all between nearly eighteen and thirteen at this point) couldn’t watch over themselves for two or three days. “Are you kiddin’?,” Mom said when I suggested this, and added, “the kids would tear this mutha up while I’m gone.”

But then, as I was getting packed up to do the Bee-Line Bus, 1 train to Times Square, Shuttle to Grand Central, and cab to LGA, Mom said something that made me happy we decided she wouldn’t be at my graduation. “You know, you were in school so long, you could’ve had another high school diploma.” The scorn with which she said it, it was like someone suddenly stabbed me in the stomach. It was the first time I truly saw Mom’s vanity, possibly even, her jealousy. After I said my goodbyes, promising my brother Maurice that I’d come to his Mount Vernon High School graduation in June, Mom’s sentence of sneering envy was all I thought about on the trip back.

“Maybe it’s a good thing you didn’t invite your mom,” Angelia said after I told her about Mom and her brooding behavior Wednesday evening. “But, this means she will have never seen me at any graduation, seen where I’ve lived the past ten years, seen how hard I worked,” I cried. Angelia got up from her dining room table, walked around to my side, sat in my lap, and gave me a hug. I’m so glad she didn’t let go, and let me cry myself out on her shoulder and chest for a few minutes.

I woke up in Angelia’s bed Thursday morning, having slept past 9 am. It was the most sleep I’d had in five days. I was remarkably refreshed. I rarely stayed over at Angelia’s because the back of her third-floor flat was practically an urban wildlife reserve, between the raccoons, squirrels, pigeons, cardinals, blue jays, rabbits, and the occasional deer. Not this morning. They seemed to know I needed not to hear them that morning.

The next three days were a blur. I ran around Pittsburgh and Carnegie Mellon and Pitt saying formal goodbyes to a few colleagues and former professors, something I wouldn’t have had time for if Mom had been in Pittsburgh with me. Angelia and I spend most of Saturday with her mommy, and then with my friend Laurell, Laurell’s sister Naomi, and their charge Archie. It would be the only time anyone from my Humanities days would witness me graduate with one of my Pittsburgh degrees.

That Sunday, May 18, was going to be a scorcher of a day. I was to be on stage as part of the tent-revival-as-graduation ceremony at CMU (as they did for all the PhD graduates). But there was no way I’d wear a full suit. So I compromised. I put on a shirt and tie under my gown, wore my baggy basketball shorts for bottoms, and put on shoes and dress socks to complete this goofy yet comfortable picture. I marched across the stage and shook Peter Stearns‘ hand, as he was the dean of humanities and social sciences at CMU then. Too bad I didn’t say what I thought about his fast food approach to teaching and learning to him in that moment.

But, after that first ceremony, the individual and group pictures, a bunch of folks had to leave. Laurell, Naomi, and Archie had to get back to Virginia for yet another week of school — that’s what happens between two school teachers and an eighth-grader for graduation attendees. My friends Ed and James had errands to run, and Angelia’s mom had some church-related affairs to get to. So, for the moment, it was just me and Angelia, walking from CMU to The University Club, by Pitt’s Thackeray Hall.

We get there, in this quiet room, with seven burgundy diploma holders, sitting on a table that staff had covered in this dark blue velvet cloth. My now former advisor, Joe Trotter, arrived a few minutes later. I’d only seen him once in the six months since he finally approved my dissertation, ending what had been a two-year ordeal of betrayal, slights, and threats while writing my 505-page tome. Yet, all I was thinking was, “Why are we doing the departmental ceremony in a building in the middle of Pitt’s campus?”

CMU leather diploma album, May 17, 2017. (Donald Earl Collins).

Steve Schlossman, the history department chair, was this ceremony’s emcee. He introduced each of us, our research, any awards we may have won, and our dissertation advisors, all as he handed us our doctorates. I was second on the list to go up and receive my diploma, shake hands with Schlossman and Trotter. I did say a few words, mostly about hard work and perseverance. “With God and faith, and of course, my girlfriend Angelia, even though that word ‘girlfriend’ hardly defines who you are to me, I wouldn’t be standing here right now. Thank you.” That was how I ended my three-and-a-half minute speech.

There was a small reception afterward, and like most CMU ceremonies I’d been a part of since 1993, this one was nearly blindly boring. Except that my friend James did show up and gave me a pat on the back and a handshake. Except that my dear friend and mentor Barbara Lazarus came and gave me a big hug. Except that Angelia had insisted on taking pictures of me from the time I got up to get my degree until the moment we left.

We were out around 6:30 pm. It had rained and poured, as thunderstorms had rolled through during the second ceremony. I wish Mom could’ve been there, seen what I had seen, felt what I was feeling. But, knowing what I knew now, the personal triumph that this graduation day was couldn’t be diminished. I had long since stopped living for what Mom wanted me to be — a sounding board, a babysitter, an extra source of income. For the first time, I no longer felt guilt about not going back to New York after my undergraduate years at Pitt, ready to bail my family out of poverty on a $25,000-a-year salary. For the first time, I realize Mom’s burdens were never mine to carry.

In·ter·sec·tion·al·i·ty

24 Monday Apr 2017

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Kimberlè Crenshaw quote, from “Whose Story Is It Anyway?: Feminist and Anti-Racist Appropriations of Anita Hill,” in Toni Morrison’s Race-ing Justice, En-gendering Power, 1992, p. 403. (http://azquotes.com).

In truth, I’ve considered the issue of intersectionality as a historian and writer since 1993, when I wrote my quantitative methods requirement-fulfilling paper, “The Dying of Black Women’s Children.” Except that, for me and for most of my colleagues, the term was barely in use. Matter of fact, in five and half years of graduate school and in my first three years after finishing the doctorate, I may have heard the term used only once or twice. It’s not like I didn’t think about the unique issues facing women of color — especially Black women — in the context of US history and African American history. Sometimes as a historian, how leading Black men and White women marginalized African American women in education movements, in the suffrage movement, and in the Civil Rights Movement was all I could think about. In the context of understanding American education and the role of Black women as teachers and education, it made me reconsider the notion of education as a form of social control versus it as a form of social liberation as an and-both, and not an either-or proposition.

But, as with all other issues, I’m not perfect. I remember getting into an argument with an African American women at a joint Carnegie Mellon-University of Pittsburgh conference on diversity in 1992. She was a second-year master’s student in the public policy program at CMU’s Heinz School (now Heinz College) to my second year as a grad student and first as a PhD student. I had talked about my initial research on multiculturalism and Black education, and what that research could mean in terms of diversity in higher education. Over lunch, I barely got three sentences out about the implications before this student pounced on me for not taking a more Afrocentric approach to my research, all but calling me an Uncle Tom. She also pointed out that while I had accounted for race and gender in my work, I hadn’t accounted for them together. I was already used to middle class Black folk who only radicalized at the ripe young age of twenty-two telling me that my research was too conservative and too White. But on the second part, not accounting enough for Black women in my research, I did take to heart.

In 1999, at my “Black Brahmins” presentation on W. E. B. Du Bois, Carter G. Woodson, and Alain Locke and their ideas around multiculturalism and connections to Harvard at the Organization of American Historians conference in Toronto, I got a cold shoulder from the panel’s moderator, Stephanie Shaw. She barely said a word to me the entire time, and barely commented on my paper. I figured that Shaw thought I should’ve found a way to make the paper more inclusive of Black women graduates of Harvard and multiculturalism, even though Harvard didn’t allow any women to attend. I could’ve included Black women who attended Radcliffe College around the turn of the twentieth century, but even then, those women did not earn graduate degrees or become proponents of pluralism or what we’d call multiculturalism today. I followed up at OAH in Los Angeles in 2001 with my “Multicultural Sisters” paper, but by then, I no longer had an interest in multiculturalism as a historian.

Times Square intersection time-lapse, August 2014. (http://shutterstock.com).

On this day and date in 2000, though, was the argument I had with a colleague at Presidential Classroom, one that would keep me conscious about intersectionality and womanism from that point on. Sev had been brought on by my racist boss Jay Wickliff to help out with the international recruitment for the weekly civic education programs we had for high school juniors and seniors. Sev was Canadian, had been an intern with the program the summer before, and had recently finished up a master’s in history. She had stopped by my office to ask about some revisions I’d been making to parts of our upcoming summer programs, especially the one on media and democracy, which was a new program for Presidential Classroom. Somehow the conversation swung toward women’s rights and issues that Sev thought were important to women. I kept correcting her, saying that some of these issues were “only important to White women.” She took offense, telling me that I shouldn’t be correcting her, that her master’s made her as much an expert on the topic as me. I remember actually chuckling at that assertion, which miffed Sev even more. The common refrain, “Just because you have a PhD…,” was how she responded.

But I did take a few minutes to break down the differences between second-wave and third-wave feminism (or womanism). I went on about the history of exclusion that Black women in particular had faced from Black men in civil rights movements and White women around suffrage and reproductive rights. I said, “maybe it’s because you’re Canadian, but here in the US, these issues you’re bringing up mostly concern middle class White women.” She didn’t like that at all. Before Sev responded, Wickliff, having overheard our argument, came by and said, “Slavery was a hoax” as a joke. That was the moment I knew my days working for this group of Whiteness folks were numbered.

A few months later, in my new job at AED with New Voices, I picked up and read Kimberlè Crenshaw’s essay “Demarginalizing the Intersection of Race and Sex” (1989) for the first time. I knew that I already understood intersectionality for Black women, how misogyny, sexism, and racism constantly confer a double marginalization, discrimination, and violation on Black women. Now, between Crenshaw and my own experiences, I also realized that I could experience intersectionality as a Black man, between White men and White women. Especially middle class ones, where their well-meaning color-blind racism had served to put me in a box as well. It was an and-both box, where I was a historian who didn’t write about intersectionality enough and a professional who had also experienced race and gender-based marginalization, albeit differently from women or color. What I did learn, finally, was that the intersection of race, class, and gender made Times Square look like Walden Pond by comparison.

Forty Years of 616

10 Monday Apr 2017

Posted by in 1, Boy @ The Window, culture, Eclectic, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Screen shot of 616 East Lincoln Avenue, Mount Vernon, NY, June 2016. (http://maps.google.com)

This past weekend marked four decades since my Mom and my late one-time stepfather (though not quite in 1977) Maurice moved me and my older brother from South Side Mount Vernon to an apartment complex three blocks from the Mount Vernon-Pelham border. This is much more a memorial of remembrance than of anything to celebrate.

For me, it was part of an endless series of storms. Mom had filed for divorce with my father and had decided to move in with her allegedly new boyfriend Maurice (who wasn’t so new, as I’d learn years later). My father Jimme’s alcoholism had gotten worse. He had drowned my Mom’s clothes in a bathtub, thrown a color TV out of our second-floor window, and stomped in a glass coffee table during dinner after my seventh birthday in response to the cheating and the divorce. My Mom ended up in the hospital for two months due to the stress and her kidneys, which had almost shut down due to her nonexistent diet. Add to all this the sexual abuse that I had suffered while Mom and Jimme were going at it during the centennial summer of ’76. My world was upside down, in shambles, as shattered as glass blown out of a skyscraper by well-placed plastic explosives.

A week ago, my thirteen-year-old son asked me, “Did you ever live in a house?” Even though I had talked about my life before the move to 616 East Lincoln Avenue before, it had been a few years. I think my son asked because of our plans to move out of our “luxury” high-rise after fourteen years. The truth is, I have lived in four homes over the years. But in my first seven years (with 240 East Third as a notable exception during my Mom’s illness), I grew up in three houses: 24 Adams Street, 48 Adams Street, and 425 South Sixth Avenue. We lived in one-bedroom flats in the first two homes, where we shared a kitchen and a bathroom with one other family. I have memories of playing in the front yards of both, of older neighbors (by toddler standards) hosing down their cars, of older kids and teenagers at the Adams Street Park on monkey bars and shooting hoops. I even remember the day my Mom told me we were moving to 425 South Sixth, August 12, 1974. It was the same week I burned my knee on an over door, the same week Richard Nixon announced his resignation from the presidency.

48 Adams Street, Mount Vernon, NY, November 22, 2006. (Donald Earl Collins)

At 425, we had a two-bedroom, one-bath flat, on the second floor, with a separate entrance. It was as close to owning a home as we got during those years. And boy did my Mom and Jimme blow it! Between the sexual abuse incident and my unconscious attempts at self-erasure, even suicide, 425 never quite felt like home.

The move to 616 occurred about a week after my Uncle Sam clotheslined my father like he was the late Deacon Jones and Jimme was a running back whose career was coming to a crashing halt. I remember it being the second Friday in April, near Easter Sunday time. It had warmed up from the frozen winter of ’77 to the light chills of early spring. But I didn’t feel particularly warmed up inside.

It didn’t help that where we end up moving didn’t look at all like the newer — if more impoverished — series of apartment complexes down the street on Pearsall Drive. It wasn’t the first time I’d been in an apartment building. But from the first time I walked into the A section of 616, I didn’t like it. The vestibule was too dark, the elevator too slow, and the building too smelly for my tastes. Plus, because of the haste of the move and the damage my father had done to our furniture, me and my older brother Darren didn’t even have a bed. From April to December ’77, we slept on the floor or on the couch in the new living room or in our eventual bedroom, with Mom and Maurice staying up sometimes until Johnny Carson time watching sitcoms and the news. So many times in those first months, I felt like I was a rag doll that had been hurriedly thrown into a box marked “Miscellaneous.” I was along for whatever ride Mom and Maurice were on, a permanent reminder of yesterday’s marital storms, a yoke on whatever future they had in mind.

I acted out repeatedly the first twenty months after the move. I chewed on a red-and-blue-striped t-shirt until I had swallowed about a third of it. I began biting and eating my nails until I made the skin underneath bleed. I stuffed sandwiches into the holes I made in my coats, and ate every booger my nose could expel as a substitute for lunch. That’s how much I hated Mom, Maurice, myself, my life, and 616 forty years ago.

Mom and Maurice tried to explain it away as simple selfish jealousy, that as a soft mama’s boy, I wanted Mom to myself. That’s only about twenty or twenty-five percent accurate. What I did know was that Maurice wasn’t my dad, yet Mom foisted him on us as if Jimme had died and none of us had any other choice. What I did know was that I was hurting, and since I was getting an ass-whuppin’ about once a week, I couldn’t lash out. What I did know was that not a single neighbor or kid in the building, especially the Bagleys, welcomed our presence in the building or my existence at 616.

Danger Keep Out sign, April 9, 2017. (http://www.safetysign.com/).

With what I’ve learned about Mom, Maurice, Jimme, myself, and my neighbors since ’77, it’s a wonder I didn’t go up to the roof and just throw myself off it those first two years, or in ’82, ’83, or ’84. God knows I ran away enough, got beat up enough times, and was called “faggot” often enough to see slamming myself into the slate sidewalk leading to 616’s front stairs as a better alternative to living. College was the first opportunity I got to get away from this living hell, and I took full advantage.

Mom and my two youngest siblings still live at 616. The youngest barely remembers the end of the abuse and chaos that I lived through and Mom put up with. The other sibling has horrible memories of his own. After the fire at 616 in ’95, when Mom asked me for advice about where to move after the renovations, I told her, “Anywhere but back to 616.” Mom, as nearly always, didn’t listen to me. I guess misery is as addicting as anything else.

From One Starving Writer to Another

19 Sunday Mar 2017

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Raven eating a hand (in my case, the writer’s dead hand), March 19, 2017. (creativeuncut.stfi.re via http://pinterest.com).

Six years ago, a student of mine made a reference that very much reminded me of, well, me, the person I was my senior year at Mount Vernon High School. It was as part of a conversation about looking for work. She didn’t want to be another starving artist, living in some basement apartment somewhere, “smearing paint on a canvas” while waiting for a big break. I thought at the time that the idea of a starving artist had all but died out in the era of bling-bling.

But it made me think for a while about the choices I’ve made with my life and career in the years since the middle of my senior year at MVHS. I once said to my AP English teacher Rosemary Martino that I didn’t want to be a starving artist “like Edgar Allen Poe” all those years ago. Now a student had made a similar — although better developed — reference. I think I understood better the momentary look of shock on my former teacher’s face after that conversation.

My student made me think about what Martino saw in my writing so many years ago. I certainly wasn’t focused on it. The same week she commented on making myself into a writer was also the week I had my Ivy League dilemma, between Columbia and the University of Pittsburgh for undergrad. I was waist-deep into my obsession with Phyllis, or really, my obsession with my crush on Phyllis. So much so that I wrote my creative writing assignment for Martino about me and my Crush #2, switching the names to “Donna” and “Phil” to barely cover up the truth of this otherwise short fictional work. Martino returned it without comment. She did comment heavily, though, on my assessment of Henrik Ibsen’s A Doll’s House, a series of redundant paragraphs in search for a coherent sentence.

But my wack “The Way It Is” title was as much an indication that I was as far away from seeing myself as a writer as Earth is for Alpha Centauri without a faster-than-light-speed vehicle. And I was starving on so many levels back then. For food. For attention. For love. For a connection with anything or anyone who didn’t remind me of my poverty. Martino’s encouragement, though she obviously meant well, sent me scurrying in my mind for something a bit more comfortable than Poe’s indebted and untimely death.

My own student’s commentary made me wonder if the quality of my life and career would be better these days if I had embraced the promise Martino saw in my writing back then. I mean, I was already a slightly malnourished six-foot-one and 160-pounder at that point anyway. The inner struggle to put thoughts to paper creatively would’ve been much easier at seventeen than it is as a married forty-seven year-old with a contrarian teenager and bills to pay.

Maybe so. But until Noah or one of his progeny designs a time machine, I can’t rewrite my history in order to make me embrace what I now see as my calling. All I know is that those words I uttered in March ’87 have stayed with me for three decades. The question of finding and following my calling has always been juxtaposed with my need to eat and pay the rent and other bills. How do I do both without dropping one of the balls that I’m juggling?

The issue for more than half of my adult life was finding my calling. Along the way, I spent the summer of ’88 unemployed, the first week of my sophomore year at Pitt homeless and three weeks in May ’91 losing sixteen pounds for lack of food. Not to mention six weeks of unemployment in ’93, walking to Carnegie Mellon many a time in the snow with holes in my sneakers in ’94, and two and a half years of underemployment from December ’96 to June ’99. I was a starving writer long before I saw myself foremost as one. In all, I’ve probably made about $2,500 in direct net income as an author and writer since 2003 (half through Fear of a “Black” America, the other half in the past two years), not counting consultancies or giving talks based on my writing. If I depended on my writing income, I maybe could pay the cable bill or treat us to a night of Cheesecake Factory and a movie. Two or three times a year. When one doesn’t follow their calling and doesn’t follow a typical path to making a buck, the tendency is insufficient funds.

Creative abilities, even genius, may well drive people mad, but most folks in pursuit of their calling aren’t fools. No one, including the starving artist, wants to starve. Some of us, though, have a desire for much more than the ability to get a job, any job, and hold one long enough to see our own kids graduate from college and meet someone they truly love. Even with the responsibilities of adulthood, we shouldn’t give up on our own aspirations, for it’s those things that we reach for (although not at all costs) that will help others — including the most important folks — in our lives pursue their own calling.

Michael Clayton, My Writing, and 20 Years of Sinai-Wandering

16 Thursday Mar 2017

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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George Clooney and Sean Cullen in Michael Clayton (2007), March 15, 2017. (http://bbc.co.uk).

My favorite scene from Michael Clayton (2007) is when the title character’s brother Gene (played by Sean Cullen) confronts Michael (played by George Clooney) about the past seventeen years of his career as a fixer.

You got these cops thinking you’re a lawyer. You got these lawyers thinking you’re a cop. You got everybody fooled, don’t you? Everybody but you. You know exactly what you are.

About a year and a half ago, I figured I could insert the words “writer” and “scholar” in those lines, with twenty years of my career(s) for context, and maybe some of the meaning would be correct. I am a writer’s version of Michael Clayton. I’ve got academicians thinking I’m a unscholarly writer, and journalists and editors who think I’ve only written for scholarly audiences. What a mess!

Last year, after receiving a rejection for a version of my article about American narcissism, American racism, and why real conversations on race (whether through Clinton’s Race Initiative or via Ferguson) are all but impossible, I decided no more. I will not seek to submit another scholarly piece to a peer-reviewed scholarly journal ever again. And if asked, unless it’s something I truly feel passionate about, I will say no.

Do not think of this as sour grapes. I have published two full-length journal articles in my career, not to mention a bunch of the standard book reviews, and an op-ed for Teachers College Record in the past. Technically, I am 3-for-11 in publishing academic articles over the past two decades, not great, but hardly abysmal.

My issue is with the elitism and implicit bias that is rampant in the publish-or-perish world of academia. While some folks could argue it is the same in publishing in general, it really isn’t. The unwritten rules in publishing, if not followed, may well still lead to published articles, even if a person is starving and homeless in between. In academic publishing, not following the rules leads to ostracism, and a career dead before it ever begins.

Keep in mind, no scholarly journal pays authors for their articles. It takes about two years to go from submission to publication in most history and education journals. If twenty people read your article, that’s icing on a protein-powder cake. If you aren’t in the tenure-stream, though, it really doesn’t matter how many articles you publish, because it doesn’t provide job stability or security. As a former nonprofit administrator, it scared most of my supervisors whenever and wherever I published, so no benefits there either. For those in tenure-stream positions, it does matter, no matter how crappy the research or how densely unreadable the writing.

After twenty years in the publishing struggle, it’s time to face the truth. I simply wasn’t good enough to publish in academic journals. I’m not talking about my writing ability or research skills. I’m pointing out my eclectic career path, my lack of tenure at an elite university, with few to vouch for me when I was younger and an up-and-comer. My interdisciplinary research on race, on multiculturalism, on education, meant that I was a misfit from day one. Heck, I know for sure in at least one case, a journal editor held my race and age against me.

Sinai Desert, where Moses, the Israelites (and I) wandered for a generation, Egypt, March 9, 2010. (Tommy from Arad via Wikipedia). Released to public domain via CC-BY-SA 2.0.

I know most of the academic writing rat-race is a system of exploitation based in part on fears of joblessness, loss of prestige, and elitism based on class, race, gender, and whether one teaches at an elite university or at a community college. It is based on an academician’s ability to blame themselves and themselves alone for their failings, and not the oppressive publishing system itself. Kind of like the poor blaming themselves for their poverty. Or Whites and Blacks blaming other Blacks for a degenerative culture instead of looking at systemic racism as the real culprit for racial inequality. Academia is very much in and of this wider world of social injustice and oppression, no matter how university presidents attempt to spin it.

Truly, I find the idea of a cold, objective, dispassionate, dense writing style as more serious and scholarly than any other form to be high-grade bullshit. It’s what folks in academia tell each other. Just like many a journalist and editor is a frustrated writer looking for creative and book manuscript-length outlets, many a writer in academia believes their writing (and as often as not, their research) to be much more than it is.

But the biggest issue for me was my elitist and naive attempt to straddle the fence between academic publishing and writing for wider audiences. This living in two worlds began for me during my heady days, my grad school years at both the University of Pittsburgh and Carnegie Mellon. Some of my history professors, like Paula Baker, Kate Lynch, and Joe Trotter, all tried with a considerable amount of frustration to get me to write in more scholarly tones. Others seemed to be fine with my writing style. I had a tone that was too “journalistic,” according to my racial paternalistic professor Dan Resnick, who meant it as an insult.

Between 1997 and 2002, I churned out eight full-length pieces (in the 20-35-page-range) on multiculturalism and Black education/history meant for peer-reviewed scholarly journals, four of them between February and December 1997 alone. None of them were ever published. One, an admittedly ambitious state-of-the-subfield piece on multicultural education and its history in American education, elicited a response from the History of Education Quarterly’s editor-in-chief. He was my one-time professor during my first year of graduate school at Pitt, Dick Altenbaugh. Him and his managing editor met with me for nearly an hour and a half in March 1998.

Some of the meeting was about the deficiencies in my article and in my argument. But most of the time was about my writing style, my ambitiousness, and quite frankly, my age and race. I wrote about some of this in Fear of a “Black” America. Apparently, at twenty-eight, I needed to be in my mid-40s to write a grand essay on multicultural education. Allegedly, I needed long-retired (and in one case, dying) White scholars to support my arguments, no matter what evidence I brought to bear. I needed, most of all, to stop being so ambitious about my work, and stick to more objective, run-of-mill, 181-variations-on-a-theme topics in the education field. Like what Karl Marx or John Dewey would have to say about ability grouping.

I gave up on academic publishing in 2002, at least on the topic of Black education/history and multiculturalism. I tried to write articles on everything from social justice movements to the fallacies of the liberal-conservative construct, on education, poverty and mythology of American social mobility, even on intersectionality. Only, I had worked so hard to make myself more of a scholarly writer. So much so that I now had to relearn how to write for more than fifteen people, and really, to write for myself. It took about a year to drop the 40, 50, and 60-word compound sentences, the use of inappropriately complex language, and the mask of dispassionate objectivity in my writing. Ironically, this was also when I published my first scholarly piece, on multicultural conservatism and Derrick Bell’s “Rules of Racial Standing,” in 2003. I also published my first solo op-ed, in the Washington Post, around the same time.

By this time, I saw myself as a recovering academic. I also had some unfinished personal business, around how I got to my mid-thirties, to this place in my life where I had “made it,” sort of, but I hadn’t escaped my past. This was where the story of Boy @ The Window took over, and why I have a memoir and nearly ten years of blog posts.

But because of my nonprofit work on college access and retention, two professors invited me and my team to submit a piece for publication in their journal. It was a four-person piece with me as the primary author (I wrote about 90 percent of it, so there’s that). The original invite was in June 2007, and the article came out in mid-October 2009. I had stopped working for the Academy for Educational Development, and found writing the article like a strait-jacket and a time-gobbler.

Michael Clayton (George Clooney) and a horse, a moment of truth, screen shot and crop, 2007. (http://chud.com).

After Boy @ The Window in 2013, I decided to write articles for a broader audience again. This time, I made the decision to take my memoir-writing experiences and apply them to my writing. I started writing about K-12 and corporate education reform, the problems in higher education, about racism in the Obama era, about poverty and its connections to race, gender, and current issues. And over the past two years, I’ve published more and reached more people than I could ever have done with an award-winning article in the Journal of American History.

So academia, you win. I give up.

How Libraries Got Me Through

07 Tuesday Mar 2017

Posted by in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon New York, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Mount Vernon Public Library’s east entrance, Mount Vernon, NY, July 2, 2016. (http://maps.google.com).

I’ve been enthralled with books since my brother Darren helped me decipher the code of the English language during Christmas ’74. Going to the library for most of my life — especially my growing up years — was always a break from the Grade II bone bruise that my life often seemed to be. I remember the first time my Mom took us to Mount Vernon Public Library, in August ’74. It was only a few blocks from our old place, 48 Adams Street, and about seven blocks from 425 South Sixth. I was too young to get a library card, though, and I started complaining. “May-wa! May-wa!” — that’s what I used to call my Mom (a combination of her name Mary and Mama) — “Why can’t I get a card?,” I cried on my way out the door.

A New Rochelle Public Library card (a close approximation to my first card from 1975), March 1987. (http://flickr.com).

I got my first library card in first grade. It was a class trip, as me and the rest of Ms. Griffin’s class walked to and from Nathan Hale ES to Mount Vernon Public Library. The librarians gave us a tour, during which a thunderstorm erupted. It was sometime in September ’75, a Friday I think. But feeling that small, round-edged MVPL card in my hand with that stamped metal plate on it made my otherwise rainy day. That it had my name typed on it helped as well.

I spend many hours at Mount Vernon Public Library over the years. I needed to. I had so much to learn, more than the 28-volume World Book Encyclopedia set from 1978 could teach me. And certainly more than what my parents and idiot ex-stepfather Maurice knew, much less what they decided not to share. MVPL got me through my spiritual crisis of 1983-84, because I had access to the Qur’an, Torah, and other spiritual texts from which I could make a decision and move on from the cultish Hebrew-Israelites in my family and life. I wouldn’t have considered majoring in history if I hadn’t been able to check out dozens of dusty World War II books between 1980 and 1982. My love for all things Charles Schulz and Peanuts couldn’t have developed without the help of MVPL’s weekly Bookmobile visits at Nathan Hale on Tuesdays or William H. Holmes ES on Wednesdays, usually between 1:30 and 2 pm.

But by the summer of ’80, I began to realize that not all libraries were like the enormity of Mount Vernon’s. Nearby Pelham Library was on the ground floor of Hutchinson Elementary School. It was the size of a small bookstore, with maybe two tables and six chairs to sit in (they didn’t move into their own building until 1995). New Rochelle’s library was 1970s-style modern, with ugly shapes and colors. But both had more air conditioning and bathrooms that didn’t smell or weren’t under repair half the time.

From high school on, I used libraries mostly as a form of escape from my then-idiot stepfather and a gaggle of younger siblings. Or to escape the desperate poverty and chaos that enveloped my life at 616, and to a lesser extent, parts of Mount Vernon and other parts of the New York area. I first got the courage to go into the vastness that was the New York Public Library’s main branch on 42nd and Fifth in the fall of ’84. I infrequently went to White Plains’ public library. At least once between 1984 and 1988, I went to nearly all of the libraries between Wakefield in the Bronx and the various tiny libraries in southern Westchester County. But no library outside of NYPL’s main branch had both the collection and as easy access to the stacks as the one in Mount Vernon.

Carnegie Library of Pittsburgh, Oakland (Main) Branch, front entrance, Pittsburgh, PA, April 5, 2008. (HoboJones via Wikipedia). Released to public domain via CC-BY-SA-3.0.

I had more appreciation for one of the few pleasures offered by my original hometown during my twelve years in Pittsburgh. Within 230 yards of each other were the University of Pittsburgh’s Hillman Library and Carnegie Library of Pittsburgh’s main Oakland branch. If it weren’t for their extensive collections and my alumni status after the spring of ’91, I couldn’t have attended graduate school. Pitt’s policies toward alumni alone saved me $3,000 in book and printing costs, as well as from an additional year of dissertation research. And as many times I could pick up a book, any book, go to the African American Literature section of Hillman, put two lounge chairs together, read, fall asleep, and read some more? The only other thing I could’ve asked for was a blanket and room service!

Since moving to suburban Maryland and DC in ’99, I have been struck by the lack of in libraries around here. Lack of books, lack of extensive interlibrary networks, and a lack of substances over style. The Montgomery County library system had two new ones built in Silver Spring and in Rockville. Each has enough space for a half million volumes, it seems as if their designers built them on the assumption that everyone uses a tablet or an iPhone to read books these days. If it’s nonfiction and a bestseller, they likely don’t have it. Though DC Public Library’s main branch in Gallery Place — the Martin Luther King, Jr. Library — has an extensive collection of DC artifacts and histories, and African American nonfiction and scholarly volumes, patrons cannot borrow these volumes at all. Like the Library of Congress, the MLK library is mostly a museum with books. And by the way, the main branch is now closed for the next three years for modernization, leaving the homeless, researchers, and book lovers like me with even fewer DC area options.

Silver Spring Air & Space Museum, er, Public Library, Silver Spring, MD, June 2016 (http://www.adtekengineers.com/).

Georgetown and Johns Hopkins both have wonderful main libraries with friendly security guards and extra-helpful librarians. But they’re not Hillman. Even as a professor, if I fell asleep in a lounge chair, I’d likely get kicked out. Plus, in our era of smartphones and tablets, most patrons are stuck in social media in between hectic moments for exam cramming and last-minute paper writing. This, though, is still way better than George Washington’s main library, or NYU’s and Columbia’s, for that matter. You can’t walk into either without a form from a staff or faculty member giving you permission to walk through the door.

The building that houses MVPL, built interestingly enough with Andrew Carnegie’s money between 1897 and 1904, is in serious disrepair. The men’s bathroom is nearly always out-of-order, and the collection of Mount Vernon history materials has been closed for years. A friend recently commented on the fact that an older man relieved himself in the snow after leaving the library before going back in to do his whatevers. The money is simply not there to build a brand-new home for one of the largest collections in New York State.

Still, I know how good a library Mount Vernon has. It carries the first three of my former advisor Joe Trotter’s books. I have to go to a university library for that around here. It also has my memoir, and it may have Fear of a “Black” America as well (not so sure about that). I just know that the affluent of Montgomery County have never put that much in resources into the library system I frequent now. I hope and pray that the folks raising the money MVPL so desperately needs for a major renovation, maybe even a new building, are able to meet their goals before my son is old enough to remember when libraries actually held bound books in their collections.

Too Close for Comfort

30 Friday Dec 2016

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, New York City, Pittsburgh, Pop Culture, race, University of Pittsburgh, Youth

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Skyline of downtown Houston from Sabine Park, Houston, Texas, July 15, 2010. (Jujutacular via Wikipedia). Permission granted via GNU Free Documentation License.

Skyline of downtown Houston from Sabine Park, Houston, Texas, July 15, 2010. (Jujutacular via Wikipedia). Permission granted via GNU Free Documentation License.

My Mom and my Uncle Sam are in Houston, Texas/Bradley, Arkansas this week, burying their father and my grandfather, who died ten days ago, just three weeks after his 97th birthday. Given what they’ve told me so far, it seems like they’ve been treated as outsiders by my extended family of uncles, aunts, grand uncles and aunts, and cousins that I barely know or whom I’ve never met. They’ve learned some embarrassing stuff as well, details that I will not go into here. I had been conflicted about going versus not going, especially given that I’d only met my grandfather once, in June 2001, and that wasn’t a pleasant visit, at least environmentally speaking. After the past few days, I’m definitely glad I didn’t go.

My Mom and my Uncle Sam Gill, Jr., Mount Vernon, NY, November 23, 2006. (Donald Earl Collins).

My Mom and my Uncle Sam Gill, Jr., Mount Vernon, NY, November 23, 2006. (Donald Earl Collins).

I do feel bad for my Mom and Uncle Sam, though. And not just the natural empathy of feeling for your kin when their father passes away either. I feel for them because they are part of a family dynamic that has gone on for nearly a half-century without their input and with a limited bit of shunning as well. Some of this may well be deliberate, but most of this is natural, as time and distance has meant limited understanding and inclusion between my uncles and aunts with the New York Gills since the time of my birth in 1969. But some of this is about embarrassment, too. My Mom and my Uncle Sam’s lives haven’t exactly been a bowl of pitted cherries with whipped cream, either.

This is a topic that I’ve known all too well with my own family over the past three decades. One example would be the next to last day of 1988, the first year in which I rediscovered myself as someone other than an emotionally wounded twelve-year-old. It was a day of both eye-opening lies and hidden truths, a moment of unexpected boldness and moments of seeing familiar faces and places with different eyes.

It was the day my friend and former high school classmate Laurell decided to pick me up from 616 to spend time with her, as well as her friend Nicole, our former eighth-grade Algebra teacher Jeanne Longerano, and eventually, our mutual acquaintances JD and Josh. It was a day I was forced to code switch, to traverse my 616 world, my former Humanities world, and maintain my new conception of myself at the same time. It wasn’t exactly my Miles Davis moment:

screen-shot-2016-12-30-at-11-01-32-am

What I discuss in different parts of Boy @ The Window, but not in this particular scene, was the exact nature of “too disgusting” at 616. Let’s see. Blotches of gray and black stains on a salmon-colored area rug around a 19-inch television set in the living room. On top of the rug was my then stepfather Maurice who was laid out in nothing but his size-54 underwear. This meant that most of his 400-plus pound fatty bulk was exposed for anyone to see. A cobble of broken down sofas, busted chairs, and a

Deepwater Horizon oil spill aerial, Gulf of Mexico, May 6, 2010. (Reuters/Daniel Beltra via Flickr, http://motherjones.com).

Deepwater Horizon oil spill aerial, Gulf of Mexico, May 6, 2010 (same color as area rug with stains). (Reuters/Daniel Beltra via Flickr, http://motherjones.com).

kitchen table with hanger wire connecting each of its three remaining legs to the tabletop. Kitchen, hallway, and bathroom walls stained with grape jelly, crayons, and even feces. Dust balls the size of Matchbox cars in the hallway, lined up as if in rush-hour traffic. And the never-ending smell of cigarette smoke, overused cooking oil, and farts from eight human beings between the ages of four and forty-one. Seriously, what would anyone else have done under the circumstances, especially now that I was a fully awake college-aged student? I wasn’t acting just out of embarrassment or just to protect my Mom from embarrassment. I was acting to protect Laurell as well.

Contrast 616 with what happened next on December 30, 1988, between The Price is Right’s first Showcase Showdown and the end of The Bold and the Beautiful on CBS (roughly, between 11:25 am and 2 pm):

screen-shot-2016-12-30-at-10-05-18-am

Afterward, we went down the street to the nearest pizza shop, and hung out until midafternoon, telling each other what we thought would be the best thing to say. Even me. I didn’t talk about homelessness, or a semester without money for food, or living in a deathtrap in the South Oakland section of Pittsburgh. Laurell did give me a heartfelt hug after dropping me off at 616, still puzzled about why I wouldn’t let her and Nicole visit with my family. Hopefully, after years as a high school math teacher, she understands better now.

Biohazard symbol (orange), May 29, 2009. (Nandhp via Wikipedia). In public domain.

Biohazard symbol (orange), May 29, 2009. (Nandhp via Wikipedia). In public domain.

Even though my Mom and Uncle Sam are obviously just as much Gill as the rest of my extended family in Texas, Arkansas (and Washington State, Louisiana, and elsewhere), they’re not part of the everyday that my other uncles, aunts, grand aunts and uncles, and cousins have had with each other for decades. So the extended Gills cannot see my Mom and my uncle and their struggles the same way they see their own. Nor can my extended Gills see those things that may be embarrassing to my Mom and my uncle the same way either. It makes for a bewildering family dynamic. And this in many ways explains well why so many families have a hard time being families, in the closeness (and closest) meaning of the word.

Dysfunction is so much a part of families these days. but even in dysfunction, you can learn truths about yourself, especially in moments of life, death, and in my case, rebirth.