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Notes from a Boy @ The Window

Monthly Archives: August 2018

Black Women, Feminism, and Writing on My Mind

25 Saturday Aug 2018

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, Politics, Pop Culture, race, Religion, Youth

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Black Feminism, Brittney Cooper, Chimamanda Ngozi Adichie, Colson Whitehead, Derrick A. Bell, Erica Armstrong Dunbar, Ijeoma Oluo, Interrogation, Intersectionality, Kiese Laymon, Misogynoir, Misogyny, Mona Eltahawy, Morgan Jerkins, Ona Judge, Patricia J. Williams, Roxane Gay, Self-Reflection, Social Justice, Tressie McMillan Cottom, Women of Color, Writing


“This is what a Black Feminist looks like” t-shirt, August 24, 2018. (http://youtube.com).

It’s been a different last year and a half for me as a reader. With the exception of Colson Whitehead’s Underground Railroad, a woman of color has been the author of every book I’ve read since January 2017. Keep in mind, Cora is the main character in Whitehead’s latest masterpiece, so it’s been since Walter Mosley’s last Leonid McGill mystery that I’ve read a book with a Black man as a protagonist.

This wasn’t a deliberate decision, at least at first. It started with me catching up on law professor Patricia J. Williams‘ critical race theory works from the 1990s, especially The Alchemy of Race and Rights (1992). I fell in love with the book, and found it in so many ways better than anything I’ve ever read from Derrick Bell. Williams is simply a better writer and storyteller, even as Bell hit all the right notes in his incredible allegories. Both have informed my Al Jazeera and Washington Post articles over the past year.

Then I started reading Roxane Gay at the end of last summer. I was going to do both Bad Feminist and Hunger, but after reading through the first chapters of Hunger, my wife ended up reading it and telling me about it in detail. I did the same for her with Bad Feminist. There was quite a bit of overlap on the personal side of things from both books. But boy can Gay write, and edit, and edit, and edit some more! Every word she must’ve put through an acid test, quenched in cold water like a samurai sword, then reheated, cooled, and polished for months on end. In recent years, only Whitehead and Kiese Laymon have polished sentences the way Gay does in her books. I felt her hurt, disappointment, anger, laughter, and intellect throughout. After reading it, even in places where I disagreed, I felt like Gay left me with so much to chew on as a sexist feminist heterosexual Black man.

I picked up Brittney Cooper’s Eloquent Rage in May. It was after reading Tressie McMillan Cottom’s Lower Ed and Chimamanda Ngozi Adichie’s Americanah in early 2018. Cottom’s book is so important, especially in understanding that higher education is far from some idealistic and lofty intellectual enterprise. It is lightly regulated capitalism, plain and simple, and not just among the for-profits, either (more on this at some future date). Cottom makes a generous use of rational-choice theory in her assessment of the limited range of decisions poor Black men and especially African American women living with poverty have in choosing for-profits for certificates and degrees, and for borrowing tens of thousands of dollars.

The book shines when Cottom touches on the journeys of the students she interviewed as part of her research. But like most scholars, Cottom’s writing didn’t bridge the divide between important work and compelling writing. I’m sure that this is an unfair assessment. But given the importance of Cottom’s sociology of education work and the stories involved in it, I wanted more direct interrogation of the systemic sexism and misogyny (even misogynoir) embedded in the enrollment practices of for-profit colleges and universities. I wanted more of Cottom’s personal journey (and not just her professional one). I’m sure, though, that Cottom gave her best, and it was more than what I could typically get out of text genuinely attempting to move beyond the academic’s gaze.

Adichie’s work was disappointing. Not because Americanah isn’t reasonably well written. It’s just too long, too centered on Ifemelu (about ninety percent of the book is from her perspective, when the blurbs make it seem a bit more even between Ifemelu and Obinze), and too self-centered, smug, and elitist. I felt all of the meanings of outsider embedded in Americanah to be sure. As a American Black man, I’ve been an outsider even among other heterosexual Black males most of my life. Adichie doesn’t allow for her main character to interrogate her outsider status, though. As a result, Ifemelu related to her American boyfriends in the most superficial of ways, as if they were perfect robotic representations of neurotic Americans. She related to the world as if she was somehow above it all, both in the US and Nigerian contexts. I guess heterosexism was as acceptable in Ifemelu’s world as it has been in Adichie’s comments in the past couple of years. I must admit, though. Adichie can write sex scenes and scenes of trauma in emotionally demanding and touching ways. But not with the precision of Whitehead and Gay, and not with the intellectual awareness of Cottom.

So when I picked up Cooper’s Eloquent Rage, I was expecting to be fighting with myself over boredom and a glut of words. I was so happy to be so wrong! Right from the first paragraph, Cooper was throwing fastball’s like Nolan Ryan and Vida Blue, or rather, hitting first-serve aces like Serena and Venus Williams. Cooper had me at “[t]his is a book by a grown-ass woman written for other grown-ass women. This is a book for women who expect to be taken seriously and for men who take grown women seriously. This is a book for women who know shit is fucked up.” She welcomed me in and said, “hit this 130 mph serve, brotha!” I couldn’t stop reading until I finished the book. I understood so much the struggles she described and the choices she and others made as Black women. I felt her pain, her joy, her anger, and yes, her rage throughout. I regularly interrogate my -isms as is. But Cooper helped me reach another level in Eloquent Rage (all premature hints at Beyoncé’s superhero feminism aside).

After Cooper, I made the deliberate decision to read more feminists of color this summer. I read Morgan Jerkins‘ This Will Be My Undoing and found her a wonderful writer on her coming of age with her own Black feminism, if a bit too young (I am middle-aged, after all). I finally read Mona Eltahawy’s Headscarves and Hymens and wanted to beat up every man she and the women she interviewed encountered over the years. It was compelling (if at times uneven) reading, and it left everything in question regarding the West, Islam, the Arab world and misogyny. There were no sacred cows with Eltahawy. She even addressed her relative privilege in addressing the latticework of gender, LGBT, and sexual oppression in Egypt, Saudi Arabia, the UK, the US, and elsewhere in the world. I wish I had gotten to her book three years ago, when it first came out.

I snuck in Erica Armstrong Dunbar’s book on Ona Judge, Never Caught. I’d been wanting to read it since I heard Dunbar talk about it on WAMU’s The Kojo Nmandi Show Valentine’s Day 2017. Plus, I decided to assign it for my upcoming African American History to 1877 this semester at American University. Dunbar puts the use of narrative nonfiction writing to the test in Never Caught. I can only imagine what my academic historian colleagues would think, as most of their writing is the equivalent of a pressed protein bar made of unflavored soy powder and coated with ground mealworms. Although Dunbar provides many more questions than answers around the inner thoughts and everyday actions of George and Martha Washington eventual escaped slave, I did sense that Dunbar was converting research into a form of textual humanity. So much so that when the moment for Judge to escape came, I said, “Yes! Yes! Yes!” Dunbar compelled me not to be too excited, though. For “Judge knew that…She would transform from a trusted house slave for the most powerful American family to a criminal, guilty of stealing her own body away from her owners.” (p. 112).

Embedded in Dunbar’s narration are the issues I’d been reading about for the past year. Misogyny, misogynoir, enslavement, rights to one’s own body, intersectionality, American history and its mythologies, and the long legacy of American racism, still very much alive in 2018, as it was in 1789 and 1796. To be sure, Dunbar lacks Gay’s precision, and the passion found everywhere with Cooper and Eltahawy is more subdued in Dunbar’s work. But the latter is only true if readers choose to ignore the smoldering billows throughout.

I finished up this month with Ijeoma Oluo’s So you want to talk about race, a primer on basic do’s, don’ts, and don’t-give-ups, regarding starting and sustaining conversations on race and racism in an American context. After the previous reads, I hoped for more, but there wasn’t any more for me to mine as a reader. There were several points, though, where a more careful edit would have made this a clearer read. As a blogger for the past eleven years, I have no room to talk regarding editing. Then again, I presently do not have an agent or editors looking over my work, either.

My biggest criticism (which actually isn’t a criticism) is that the book is geared toward the White man or White woman who believes themselves to be a liberal, colorblind non-racist. Because this is Oluo’s stated intent, her book reads as if I’m an outsider to my own topic. The compelling personal issues with which Oluo contends around race and intersectionality (specifically, Black feminism and relative privilege) aren’t well treated until the last quarter of the book. As someone who once help manage a national social justice fellowship program, I wasn’t expecting to learn anything particularly new about starting and sustaining conversations on race and racism. I hoped, though, to learn more about Oluo, to find her writing more impassioned, to see her use real punch in bringing to bear the reasons that race conversations quickly devolve into White accusations of “reverse racism.” The elements are there, but weren’t mined in sufficient quantities to make this book more than a “Race/Racism Conversations for Dummies,” I’m afraid, for me.

That’s not to say that nothing resonated at all. Oluo early on hits at a theme common to everyone I’ve read over the past eighteen months. That need to find one’s true, authentic voice. Those moments when the people you know now find your writer’s voice too loud, too demanding, and too impractical.

I also started writing. I…started saying all the things that everybody around me had always said were ‘too negative,’ ‘too abrasive,’ and ‘too confrontational.’ It did not go over well. My white friends…some of whom I’d known since high school, were not happy with the real me. This was not the deal they had struck. Yes, they would rage over global warming and yell about Republican shenanigans, but they would not say a word about the racial oppression and brutality facing people of color in this country.

I’ve found this and so much more to be true in my own writing journey. Thanks to all of you who’ve helped make me feel younger, my feminism fresher, and confirmed so much I’ve found wrong (and right) with myself and the world.

Charlatans United

20 Monday Aug 2018

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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American Racism, Black Women, Charlatans, False Accusations, Law Enforcement, Long-Term Unemployment, Maurice Eugene Washington, Misogynoir, Pitt, Rape, Respectability Politics, Rev. Al Sharpton, Stepfather, Summer of 1988, Tawana Brawley, Trust, unemployment


The Rev. Al Sharpton, et al., at a press conference providing an update regarding the Tawana Brawley rape case, Queens, NY, 1988. (http://www.wbur.org/; AP)

If I have to pick a point in my life where I began to realize how hypocritical humans could be, my second summer after high school would be such a time. The long, hot summer of ’88, of nearly 50 consecutive days of highs in the Triple-H (hot, hazy, and humid) 90s in New York and its immediate suburbs. It was my first summer after starting college at the University of Pittsburgh, and if it weren’t for sheer determination, it would have been my only year at Pitt.

News wise, there were two local events that dominated my summer of unemployment in Mount Vernon and The City. One was the Tawana Brawley story. Between the end of November of the previous year and the end of June, the Rev. Al Sharpton and his entourage used the bully pulpit of the fourth estate to generate outrage and consternation regarding the alleged rape of one Tawana Brawley. A month or so before her sixteenth birthday, good samaritans found Brawley outside an apartment building in which her family had once lived, lying in a garbage bag, covered in dog feces and with racial slurs written on her body. Brawley had been missing for four days.

There wasn’t much agreement on anything else beyond these facts. Brawley claimed that three White men had repeatedly raped and sexually assaulted her, including a local police officer, then later denied being raped, but remained adamant about other forms of sexual assault. At one point, a cop who had recently killed himself was a suspect in the alleged Brawley rape. At another point, Sharpton and company accused the Dutchess County Assistant DA Steven Pagones of being one of Brawley’s three rapist (he later sued Brawley and Sharpton for defamation). Sharpton claimed throughout to believe Brawley, but others in his group later disclosed that the blowhard had his own doubts about Brawley’s story a few weeks after agreeing to represent her in the public eye.

Wappingers Falls is in Dutchess County, just two counties north of Westchester County and Mount Vernon, a hour-and-thirty-minute drive from Manhattan (give or take). After Eleanor Bumpurs and Michael Stewart, I rarely believed authority figures regarding their crime reportage. But by June, I also realized that not everything is a conspiracy, and that even racists can occasionally be on the right side of the law. I learned, above all else, that Sharpton was a charlatan. He used Brawley’s true life story of familial abuse and misogynoir and fear of more abuse to raise his profile on the New York and national stage. Especially in this case, as Brawley’s mother and stepfather took a dim view on Brawley’s time out with boys, a view shared by Whites all too willing to see Black girls and women as over-sexualized playthings.

If Brawley wasn’t raped or sexual assaulted, she was certainly abused physically and psychologically. It was bad enough that her name was out there and known (a violation of her rights as a potential rape survivor), especially since Brawley was still a minor. It was bad enough that there was a significant racial gap, where six out of every seven Whites polled believed she was lying (versus only half of African Americans polled). That Sharpton put Brawley’s name in the public arena for months with additional and unsubstantiated accusations? He took advantage of her for months, adding another layer of abuse to this teenager’s life. It’s practically unforgivable. And no, Sharpton’s work to get Trayvon Martin’s murder in 2012 the attention it and he deserved and his self-serving eulogy at Michael Brown’s funeral in 2014 do not make up for his original media sins.

The other charlatan I had to deal with that summer was my idiot stepfather and another one of his get-rich-quick schemes. He had spent nearly all of 1988 unemployed and lying around at 616, between losing his car salesman job and burning out the engine of his green 1976 Cadillac Coupe de Ville. It made my summer at 616 almost unbearable. I hadn’t spent this much time around the asshole since my summer of abuse.

In July and August, Maurice had the wonderful idea of starting his own limo service. One of our neighbors on the second floor had moved from driving a limo to starting his own service over the previous eight years. Maurice wanted in.

As I wrote in Boy @ The Window:

Afterward, Maurice went to his once well-off friend, who had survived a three-year period of very local and very public court battles and prison time over alleged incidents of child abuse and molestation at her daycare in Mount Vernon. The woman and her husband were financially ruined in the process, even though neither of them were directly involved in the incidents that occurred at the daycare. Somehow Maurice managed to get $1,000 out of his friend for his limo idea, likely some of the last money she lent anyone before her death in 1989. It’s more likely that “Hebrew-Israelite” Maurice bought lobster tails and moo shu pork at a Chinese restaurant with the money than attempted in any way to use it as collateral to get the downstairs neighbor to give him a shot at driving a limo.

By this time 30 years ago, I had already had my fill of hucksters between Sharpton and Maurice. Their misogyny, their need to use others, their harebrained ideas for fortune and fame. Maybe that’s why I never bought my stepfather’s act when he was dating my mom as a seven-year-old. Maybe that’s why I never, ever, found 45 appealing from the first time I read about him in the New York Daily News in 1984.

The End of Peanuts Land

14 Tuesday Aug 2018

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Mount Vernon New York, Pop Culture, race, Religion, Youth

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616, 616 East Lincoln Avenue, Child Abuse, Comic Books, Comics, crime, Darren, Judah ben Israel, Marvel Comics, Masturbation, Maurice, Maurice Eugene Washington, Molestation, Mystery, Peanuts, Peanuts Gang, Peanuts Land, Rage, Sexual Assault, She-Hulk


Six Flags New Orleans, abandoned post-Katrina, 2017. (http://www.destinationamerica.com/).

I’ve told the story of how my imaginative version of Peanuts Land began, in the wake of my six weeks of punishment for running away from home the month of my ninth birthday in December 1978. The inclusion of so many World Book Encyclopedia and Scholastic Weekly Reader facts to create this alternate reality, one in which Charlie Brown was very much of flesh and bone. The creation of a utopia with few of the world’s deeply entrenched problems, one in which nuclear war wasn’t a worry. From roughly January 1979 until August 1981, I continued building on my knowledge of history, technology, geography, topography, economics, sociology, psychology, sexuality, and militarism to construct this land that never was and never will be.

This was also a time, though, in which my older brother Darren and I read comics. The Marvel and DC universes were a part of my reading in 1980 and 1981 as well. Whether it was Justice League or Spider-Man or The Incredible Hulk or The Avengers, all of them gave me ideas for potential bad guys to have on the streets of Peanuts Land City (the chief of police in this scenario was Snoopy, by the way), or enemies for Peanuts Land’s military to fight.

That world of child-like imagination with real world and comic book elements got warped like a vinyl album on a hot radiator the summer of ’82. Maurice beating me up or whuppin’ my ass once every three days between July 6 and August 1 might have had something to do with the rage and loss of any sense of control I had during my summer of abuse. My mom’s role as strikebreaker at Mount Vernon Hospital in the middle of all that abuse didn’t help. Nor did the weeks throughout July where my toddler siblings had more food to eat than me or my mom.

But that wasn’t all. One day, in between my idiot stepfather’s beatdowns, I had come from the store with a small bag of groceries. This time around, instead of walking up the fourth flights of stairs to our 616 apartment, I took the elevator. 616’s A-section elevator was and remains one of the slowest and noisiest elevators I’ve ever ridden. Guys pissed on its floor regularly. I’d seen everything from cigarette butts to dog shit on this elevator over the years. As a result, I only took this elevator whenever the groceries had gotten to be too heavy or because I was simply too tired to walk up the stairs yet again.

A broken pencil (cropped), January 2014. (http://associationsnow.com)

On this day near the end of my ordeals with Maurice, a teenage neighbor from across the hall from our third-floor flat joined me on the elevator on the first floor. As soon as the elevator door closed, she pushed me up against the elevator’s back wall and then attempted to reach into my pants for my penis. I dropped the groceries, and with my right hand, grabbed her arm while shoving her to the other side of the elevator with my left arm in a criss-cross sort of motion. It didn’t dawn on me until that moment that I was now a few inches taller than her. She couldn’t have been more than five-foot-four at the time.

“What are you doing?,” I remember yelling, just as the elevator reached the third floor.

“I was just playin’. Why you gotta be a faggot?,” I remember her responding with her fake grin.

I was already emotionally out of sorts. But this was a neighbor, someone I actually did find attractive. She was either sixteen or seventeen at the time, and I was twelve. As a result of the spring that was all about Wendy, I really didn’t find anyone even emotionally arousing. Sexual arousal was so new to me I couldn’t have described it in 1982 if the dictionary definition had been stamped on my penis.

So I did what I always did when I got really, really stressed, at least since I was three. I went into my and Darren’s bedroom, with my idiot stepfather snoring away, my mom at work, Darren in summer camp, and my younger siblings taking afternoon naps, and I humped a pillow. In this case, Darren’s brown stop-light pillow, one that he had made in art class at The Clear View School a year or two before. Except, for the second time in eight months, instead of stopping because I simply tired out, semen shot out unexpectedly from my penis, and onto the side of Darren’s artwork. Boy did I do my best to clean up the pillow, at least this time around!

Out of that experience came my last Peanuts Land run. Off and on over the next three weeks, I had created a story in which a serial rapist was on the loose. The rapist was a Black woman, an older version of my 616 neighbor. She raped men at gun point or knife point. Her signature was her super-powered vagina (think She-Hulk here). When she sensed physical arousal from the men after she forced them to penetrate her, she used her vaginal muscles to rip off their penises. A number of the men she raped had bled to death as a result.

Detective Snoopy, Woodstock and pal birds attempting to solve a crime (cropped), August 14, 2018. (http://pinterest.com.au).

Despite weeks of searching Peanuts Land’s capital, Snoopy and an army of police couldn’t find the rapist. She managed to get away with killing at least a dozen men in this way.

By the time I reached the end of this story, I was in trouble again, this time with my mom. The stuffing from Darren’s stop-light pillow had started spilling out, with big rifts in at least two places. Between that and the damage from me drowning it in water to wipe up my semen stains, I’d ruined Darren’s artwork. Of course I got an ass-whuppin’! Compared to Maurice, my mom’s use of the belt might as well have been a compassionate smack on the butt for a two-year old, though.

After that, I decided to give up Peanuts Land once and for all. Even then, I knew I wanted to slice my stepfather’s balls off, and that I despised the fact that felt any attraction to anyone besides Wendy at all. Especially to someone willing to molest a preteen.

Looking even further back, I know now that some of my reaction was a residue of the sexual assault I experienced when I was six. But since that memory was a buried jumble in the summer of ’82, all I could think of to do was to do a better job of hiding my masturbatory episodes in the future.

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

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