Category Archives: Pittsburgh

The Journey of My Red Towel, 30 Years in the Making

10 Monday Sep 2018

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My red beach bath towel (and EKCO knife), still around after three decades, September 9, 2018. (Donald Earl Collins).

There are so many things I could think about regarding my cosmic jump into independent adulthood in the fall of 1988. The five days of homelessness, almost ending college for me right at the start of my sophomore year at the University of Pittsburgh. The nearly three months of financial crises that followed, including six weeks of giving plasma to Sera-Tec for an extra $25 per week (it left a scar in my right elbow-bend vein that most medical professionals interpreted as me having been a drug user — talk about racism and assumptions!). The end of my eating things like tuna fish sandwiches and pork neck bones and rice, and drinking grape Kool-Aid. My changing my major from computer science to history, to my mom’s disapproval.

But another way to look at my journey would be to look at the two items in my life that survived that fall. A red beach bath towel, and an EKCO steak knife. The towel I bought on Labor Day 1988, after my Mets beat the Pirates at Three Rivers Stadium. Darryl Strawberry hit two home runs that game, after a thirty-minute rain delay, in which the upper deck folks dumped beers on some of us (not me, though) in one of the mezzanine sections behind the wall in left center field.

I had walked the four miles or so between where I lived in South Oakland (off Bayard Street and Welsford Avenue) to the stadium, getting rained on along the way. On my way back, I noticed the Downtown Kauffman’s was still open for its Labor Day sale. I went in and walked around for twenty minutes, mostly to longingly look at all the things I couldn’t afford. But I did know to go into the baths section, and saw that the beach towels were on sale for $17.99.

I thought about buying a wash cloth, but after rent and the game, I only had  $50 on me at the time, and no bank account or credit cards. I thought about buying an “in-between wash cloth,” which was what I called hand towels back then (I thought they were bigger towels for people with bigger hands, like me!). It would be a few days before I got my refund money from Pitt, but I knew I was in need of a shower after the homelessness ordeal and the Pirates game.

I bought the towel, and spend the rest of the fall using it for everything. Especially after that second Friday in September, when Pitt, after deducting nearly $900 of my refund for last year’s room and board charges. After accounting for my books, I had $205 left to work with for at least the next two months.

So I budgeted down to the penny. After I cashed my refund at Pittsburgh National Bank, I went downtown to Ralph’s Discount Store, across from Kauffman’s. I bought a Sony Walkman on sale for $55, the most I’d spend on anything other than rent for the next two and a half months. I then caught a bus back to Oakland, and went to the South Oakland Giant Eagle (yes, post-millennials, South Oakland used to have its own Giant Eagle, on Forbes Avenue, where CVS and Jimmy Johns are today). That’s where I bought an orange creamsicle plastic plate, a soup spoon, a dinner fork, and that EKCO steak knife, for something like eight or nine dollars. That would have to do.

Closeup of my red towel, September 9, 2018. (Donald Earl Collins

My red towel did the work of two tea towels, a wash cloth, a hand towel, a half roll of paper towels, and a dozen napkins every week through the end of 1988. I’d shower with it, of course. But I also used a corner of it for washing up. If I made a heavy dinner, like spaghetti and meat sauce (with a pot and iron skillet I saved from my freshman year), I used the towel to dry my pot, pan, dish, and utensils. It was my go-to for everything. I had to wash it every week, because how I was using the towel back then was nothing short of disgusting.

I finally bought two wash cloths and a hand towel in 1989. But the red towel remained my one and only bathing towel. I didn’t buy a second one until the summer of 1994.

After that, my reliance on old reliable declined. Once I moved in with my eventual wife at the end of 1998, my red towel became part of a rotation. It still had enough heft to be reasonably good at drying me off from a shower. It had shrunk a bit from its original 30″ x 54″ size, though. By now, I would have gotten rid of it. But my red towel reminded me so much of what I had overcome. It was my tangible link to an unbelievably shaky past.

My red towel got more use when my son hit school age in 2008. For the next nine years, Noah would use the towel for showers and baths. A “Made in the U.S.A.” towel manufactured during Reagan’s last year in office was still in use in the age of Obama, and my son, born in the early 2000s, was the one using it! Life is funny.

Now sad and worn to the thickness of cheesecloth, part of me knows the red towel is no longer of any use. I mean, I still use the EKCO knife, mostly for cleaning and cutting up chicken. I’m not sure the red towel could dry the baby version of Noah anymore. But it doesn’t matter. Because it was there for me when I needed it the most.

Charlatans United

20 Monday Aug 2018

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The Rev. Al Sharpton, et al., at a press conference providing an update regarding the Tawana Brawley rape case, Queens, NY, 1988. (http://www.wbur.org/; AP)

If I have to pick a point in my life where I began to realize how hypocritical humans could be, my second summer after high school would be such a time. The long, hot summer of ’88, of nearly 50 consecutive days of highs in the Triple-H (hot, hazy, and humid) 90s in New York and its immediate suburbs. It was my first summer after starting college at the University of Pittsburgh, and if it weren’t for sheer determination, it would have been my only year at Pitt.

News wise, there were two local events that dominated my summer of unemployment in Mount Vernon and The City. One was the Tawana Brawley story. Between the end of November of the previous year and the end of June, the Rev. Al Sharpton and his entourage used the bully pulpit of the fourth estate to generate outrage and consternation regarding the alleged rape of one Tawana Brawley. A month or so before her sixteenth birthday, good samaritans found Brawley outside an apartment building in which her family had once lived, lying in a garbage bag, covered in dog feces and with racial slurs written on her body. Brawley had been missing for four days.

There wasn’t much agreement on anything else beyond these facts. Brawley claimed that three White men had repeatedly raped and sexually assaulted her, including a local police officer, then later denied being raped, but remained adamant about other forms of sexual assault. At one point, a cop who had recently killed himself was a suspect in the alleged Brawley rape. At another point, Sharpton and company accused the Dutchess County Assistant DA Steven Pagones of being one of Brawley’s three rapist (he later sued Brawley and Sharpton for defamation). Sharpton claimed throughout to believe Brawley, but others in his group later disclosed that the blowhard had his own doubts about Brawley’s story a few weeks after agreeing to represent her in the public eye.

Wappingers Falls is in Dutchess County, just two counties north of Westchester County and Mount Vernon, a hour-and-thirty-minute drive from Manhattan (give or take). After Eleanor Bumpurs and Michael Stewart, I rarely believed authority figures regarding their crime reportage. But by June, I also realized that not everything is a conspiracy, and that even racists can occasionally be on the right side of the law. I learned, above all else, that Sharpton was a charlatan. He used Brawley’s true life story of familial abuse and misogynoir and fear of more abuse to raise his profile on the New York and national stage. Especially in this case, as Brawley’s mother and stepfather took a dim view on Brawley’s time out with boys, a view shared by Whites all too willing to see Black girls and women as over-sexualized playthings.

If Brawley wasn’t raped or sexual assaulted, she was certainly abused physically and psychologically. It was bad enough that her name was out there and known (a violation of her rights as a potential rape survivor), especially since Brawley was still a minor. It was bad enough that there was a significant racial gap, where six out of every seven Whites polled believed she was lying (versus only half of African Americans polled). That Sharpton put Brawley’s name in the public arena for months with additional and unsubstantiated accusations? He took advantage of her for months, adding another layer of abuse to this teenager’s life. It’s practically unforgivable. And no, Sharpton’s work to get Trayvon Martin’s murder in 2012 the attention it and he deserved and his self-serving eulogy at Michael Brown’s funeral in 2014 do not make up for his original media sins.

The other charlatan I had to deal with that summer was my idiot stepfather and another one of his get-rich-quick schemes. He had spent nearly all of 1988 unemployed and lying around at 616, between losing his car salesman job and burning out the engine of his green 1976 Cadillac Coupe de Ville. It made my summer at 616 almost unbearable. I hadn’t spent this much time around the asshole since my summer of abuse.

In July and August, Maurice had the wonderful idea of starting his own limo service. One of our neighbors on the second floor had moved from driving a limo to starting his own service over the previous eight years. Maurice wanted in.

As I wrote in Boy @ The Window:

Afterward, Maurice went to his once well-off friend, who had survived a three-year period of very local and very public court battles and prison time over alleged incidents of child abuse and molestation at her daycare in Mount Vernon. The woman and her husband were financially ruined in the process, even though neither of them were directly involved in the incidents that occurred at the daycare. Somehow Maurice managed to get $1,000 out of his friend for his limo idea, likely some of the last money she lent anyone before her death in 1989. It’s more likely that “Hebrew-Israelite” Maurice bought lobster tails and moo shu pork at a Chinese restaurant with the money than attempted in any way to use it as collateral to get the downstairs neighbor to give him a shot at driving a limo.

By this time 30 years ago, I had already had my fill of hucksters between Sharpton and Maurice. Their misogyny, their need to use others, their harebrained ideas for fortune and fame. Maybe that’s why I never bought my stepfather’s act when he was dating my mom as a seven-year-old. Maybe that’s why I never, ever, found 45 appealing from the first time I read about him in the New York Daily News in 1984.

On Wet Rags and Crocodile Tears

30 Saturday Jun 2018

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The tears of Allison Ettel, a.k.a., #PermitPatty, NBC’s The Today Show (cropped), June 26, 2018. (http://bet.com).

I’ve been thinking about this post for a while, probably for at least two years. But it does help when others closer to the subject write about it as well. Between @ProfessorCrunk Brittney Cooper’s chapter “White-Girl Tears” in her hard-hitting Black feminist primer Eloquent Rage (2018), @blackgirlinmain Shay Stewart Bouley’s recent blog post “Weapon of lass destruction: The tears of a white woman,” and Ruby Hamad’s piece in The Guardian, “How white women use strategic tears to silence women of colour,” what can I really add? (Everyone who believes in feminism and wants to support women of color writers ought to read these essays, by the way). Oh, just the idea that men of color deal with White women’s/girl’s tears as well. And that some of us have been just anti-sexist enough to recognize how our Whiteness and patriarchal-dominated society privileges and legitimizes such tears, often to our detriment.

Over the years, I’ve taken to calling those who cry over the least amount of adversity and stress wet rags, and those instances in which sobbing becomes a central theme “wet-rag episodes.” This started for me in the late-1990s, when my then girlfriend (now wife of eighteen years) would spent upwards of 12 hours of her Saturdays watching Lifetime movies (some of which were originally NBC, ABC, or CBS specials, before the dominant return of reality TV in the double aughts). At first, I did a play on Lifetime‘s slogan back then, “Lifetime: Television for Women,” adding, “not for men” whenever the tag line appeared during commercials.

But Lifetime is an addiction, if you sit there long enough watching the ups and downs of romances, the constant threat of stalkers, date rape, teenage pregnancy, and drugs, and the upbeat endings and vindication at the end of every two-hour movie. What I noticed most of all, though, were the waterworks. Everyone from Lynda Carter to Lindsay Wagner, from Elizabeth Montgomery to Jaclyn Smith could cry at the sound of a book drop!

Cartoon character from Fairly Odd Parents crying an ocean of tears (cropped), June 30, 2018. (http://fairlyoddfanon.wikia.com).

Admittedly, I cry very easily while watching emotional and gut-wrenching scenes. I cried when I saw Viola Davis take on Denzel Washington’s character in Fences (2016) over his years of cheating and his secret family. Especially when Davis blew a snot bubble in the middle of the scene. I was through for the next three minutes!

With Lifetime movies, though, I stopped crying for these White women over the twists and turns in their lives. I watched one scene in one movie where the main character broke out and cried at her dining room table in her laid-out, five-bedroom home when she realized she only had $10,000 left in her bank account. I didn’t just laugh. I howled. As someone for whom poverty and financial struggles have been a constant companion, having that much money in any account at any time has always been a time of celebration. “You shouldn’t laugh. Poverty is relative,” Angelia said while also laughing. “No, it isn’t. She’s a wet rag!” I responded. I’ve spent a good portion of my career proving this point, too.

That scene took me back to so many wet-rag episodes in my life. Like when my high school valedictorian classmate cried angry tears over a 67 on an English essay exam our junior year, losing 25 points because she didn’t underline James Baldwin’s book title Notes from a Native Son in her essay. I didn’t feel sorry for her, Ms. 5.45 GPA, not one bit (it’s all in Boy @ The Window).

Or, during my second year in grad school at Pitt, when a student in one of my US History to 1877 sections tried to proposition me to raise her C- average. When that didn’t work, a fountain of tears poured out. I handed her a tissue, but said, “Your tears in no way are a substitute for studying and working harder in this class.” She didn’t exactly give me 5’s on her evaluations of me in the course at the end of that semester.

Ten years later, I had White women as co-workers and students who could cry about almost anything. My one-time boss Ken blamed me for making a former co-worker cry because I refused to take her “I hope you had a wonderful vacation!” the week after 9/11 in stride. Yeah, sure. It was a week in which I was stuck in Atlanta for four days after a one-day work trip and had to take Greyhound for 15 hours back to DC, not knowing if my older brother was dead or alive. I said as much to my co-worker, and she ran away from me crying.

A student in my History of American Education Reform graduate course cried when I refused to change her grade from an A- to an A. I was in the middle of explaining how she could revise her research paper and still end up with an A. It was just before Thanksgiving, and until that moment, I had thought that this was one of the best courses I’d ever taught, with one of the best group of students I had had in one of my courses. Her sudden sobbing actually pissed me off. I tried not to show it. But I did say, “What are you crying about? There’s nothing about your standing in this course for you to be crying about.” I said it in a tone that I’d only find again once my son became a preteen.

Caitriona Balfe as Claire wailing over the loss of Jamie and the Battle of Culloden, July 9, 2016. (http://www.bookbub.com).

It’s to the point now that I don’t even watch wet-rag shows anymore, at least once the character becomes one. For example, I watched the split first season of Starz’s Outlander with Caitriona Balfe as Claire, and found it mostly enjoyable. Until she began turning on the waterworks in practically every episode. My wife continues to watch, but laughs every time I ask, “What happened on Wet Rag this week?”

I know that White women and White girls, like all human beings, have plenty good reason to cry. Every time I saw video of Kyle Stephens‘ sentencing-phase testimony about what convicted rapist and felon Larry Nassar starting doing to her when she was five years old, I cried for her and with her. Trauma and tragedy are good reasons to cry, wail, sob, and weep. But, so many wet-rag tears are drop-of-the-hat, crocodile tears. About getting caught in lies, about making racist and anti-poverty and anti-women-of-color statements that don’t go over well, about anything that would otherwise paint them as narcissistic and not-so-smart brats.

While I know I don’t have as difficult a row to hoe as so many women of color in the public sphere, one thing I know I’m not allowed to do in a hyper-masculine world of Whiteness and patriarchy is cry. I got hit with the f-bomb so many times growing up, from Black boys, Black men, and Black women, and faced threats of violence as a result. I would’ve been recommended for psychotherapy if I had ever cried over an A-, and been laughed at for complaining about my workplace conditions. Women of color can lose careers over their tears. Black boys and men have lost their freedom and lives over them. One isn’t less damaged over the delegitimization of our tears, but the damage can be differential, depending on gender, class, sexual orientation, and the level of toxic hyper-masculinity surrounding you.

That is why I can’t stand wet rags. Their tears fill the world with concern and fear, and marginalize and dehumanize the rest of us. I have no sympathy for crocodile tears. I don’t know if I’ve ever had sympathy for them.

It’s Been A While Since I’ve Been a Sports “Fan”

03 Thursday May 2018

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Cropped image of seven year-old Linus Van Pelt sucking his thumb and holding his security blanket (like the average American sports fan), May 3, 2018. (http://amazon.com).

If my 25 year-old self and my 48 year-old self met in the same hotel bar on Rolling Rock Beer and Wings night in Pittsburgh, Buffalo, or Cleveland, they would have so much in common (or explode space-time). But they would have one hell of a disagreement about the quality, purpose, and feeling of being a sports fanatic. We’d both be ex-baseball fans, courtesy of the sports’ over-inflated view of itself, its long history of racism, exclusion, and paternalism, and George Will’s ludicrous books on America’s so-called pastime. We’d both watch NBA basketball, NHL hockey, a fútbol match or a tennis tournament or a golf major here and there. But the reasons for watching, the rationale for whom to root for and why, the purpose for either of us to indulge in such athletic delights? We would be at an obtuse angle, at least 120 degrees apart.

My history of sports fandom began pretty much in middle school, even though I’d been exposed to all of New York’s underdog teams from the womb. Mets, Jets, and Knicks (Mom still doesn’t watch or understand hockey, by the way) were her teams by the time she and my dad conceived me. But me being me, I reinvented the wheel between the end of ’81 and the spring of ’84. I watched/listened to Yankees and Mets games, as well as the Knicks and Nets, the Islanders, Rangers, and Devils, and the Jets and Giants.

I picked my childhood teams based on low expectations, the balance between them being underdogs and being doormats, the players I’d most likely would want to emulate if I ever wanted to be a professional athlete. And, mostly important, based on that team’s ability to help me forget about all that was wrong in my world, for at least three hours per day (in baseball), or six hours a week (between the other sports combined).

The Mookie Wilson-Bill Buckner connection, Game 6, 1986 World Series, Bottom 10th, Shea Stadium, Queens, NY, October 25, 1986. (http://halloffamememorabilia.net).

That gradually began to change once my teams started winning championships, or at least, regularly competing for them. The change accelerated once I left the New York area for Pittsburgh and its Western Pennsylvania ways. Between my Mets winning a World Series and my Giants winning two Super Bowls between ’86 and ’91, I found myself no longer a fan of hometown underdog teams. Sports weren’t an escape from my reality anymore. Especially as I began regularly working out and playing sports myself.

But I still saw sports fandom as a good thing, something that could unite people and cross the barriers of racism, classism, and even sexism (depending on the sport). That was my next phase of fandom, beginning around ’93. This view was what fueled my divorce from baseball after the ’94 MLB strike and lockout, and what caused me to begin watching more golf and international soccer, and not just falling asleep to it.

I still rooted for my Giants, Rangers, and especially the Knickerbockers. Too bad only the Rangers broke through in the ’90s, although the Knicks had their chances between ’93 and ’99. With living in Pittsburgh, though, I also began to cheer for the Steelers, the Penguins (except when they played the Rangers), and sometimes the Pirates.

But even in this phase of my fandom, I recognized the basic truth. I was cheering for athletes and their talent and will to shine in competition. That they happened to be a linebacker for the Giants or a pitcher for the Mets was a bonus, but I would’ve enjoyed their talent on other teams and in other athletic contexts anyway. I recognized this already with Reggie Jackson and Dave Winfield in the ’80s, and I saw another glimpse of it in ’96, when Dwight Gooden, at this point with the Yankees, finally threw a no-hitter. I wasn’t even a baseball fan anymore, but I was so happy for the diminished Gooden to achieve this feat.

Venus hitting a backhand against Elise Mertens in 1st round of Wimbledon, Wimbledon, England, UK, July 3, 2017. (https://www.telegraph.co.uk/; John Walton/PA).

I think that’s why I started rooting for Venus (who does not get nearly enough credit for being an elite athlete and tennis player) and Serena Williams, Tiger Woods, Kevin Garnett, LeBron James, and so many others while they were still in their teens. I’m sure that’s why I stopped putting up with cockamamie excuses from other fans about too much money in professional sports, about free agency, about the difficulties of running a franchise, when I’d see the same teams losing year after year. It didn’t help that the athletes I rooted for growing up or in the ’90s began to retire, often with a vocal and unappreciative fan base trying to shove them out to door.

Most importantly, I saw the greed and narcissism and conservative politics and racism and misogyny and homophobia that is embedded in the ownership of teams and in the building of franchises. That sports are no more divorced from the politics and malignancies in society than our choices in food and clothing, or the decision of most Americans to berate the poor for their poverty. That sports teams and franchises are about as “clean” and “merit-based” as legacies in college admissions (the ultimate form of affirmative action) and the American election process at any and all levels. Despite this, a hundred million people still entertain this naive view that sports fandom is an essential good, a form of escape, a place for camaraderie. It is not. It’s escapism, a form a narcissism that allows millions to feel a bit better about their lives without doing anything to change their lives and the lives of untold others for the better.

Maybe my jadedness comes from nearly two decades in the DC area, where I regularly root for the local teams to fail, because I love it when the fans here are disillusioned. Maybe it’s because of the poor quality of most of the sports I watch (or in the case of the NFL, have stopped watching for going on three years now). Or, maybe it’s because my Knicks haven’t a title since Nixon was president! Whatever it is, I will continue to root for athletes, but not for teams. Especially those who take a stand, those who have a purpose beyond their athleticism, those whose bodies make me a bit envious, but only envious enough to keep working out, to keep running, to keep draining Js. Also, the NFL is still blackballing Colin Kaepernick!

 

 

Rich, Lorde, and What I Care/Don’t Care About

20 Tuesday Mar 2018

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, music, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Audre Lorde, Meridel Lesueur, and Adrienne Rich after leading a writing workshop, Austin, TX, 1980. (K. Kendall/Flickr, July 15, 2007). Released to the public domain via CC-SA-2.0.

Among the literary arts, poetry is somewhere between okay and blech for me. At least most of the time. That doesn’t mean I hate all poetry or all poets. I fully appreciate the rhyme and meter (and lack thereof) of so many, from James Weldon Johnson and Archibald MacLeish to Phillis Wheatley and Langston Hughes. I love the emotional layering in the choice of the words, and in more modern times, the delivering of such words, with The Last Poets, with Gil Scott-Heron, and of course, Maya Angelou. Rap legends like Tupac, Nas, Eminem, Public Enemy have lyrics that are essentially spoken-word poetry put to bass, beats, and music loops. Heck, I’ve even enjoyed W. E. B. DuBois’ forays in the art in my scholarly research (when I more regularly did it) over the years.

But as a writer of prose (and often, long-winded prose), I also find the form of poetry ill-fitting. For me, it’s like being a home-run hitter in baseball playing hard-court tennis. It’s not that I can’t hit a baseline winner or an ace. But for every one of those, I could easily hit four tennis balls in a row out of the court, and literally onto the roof of a house half a block away. I prefer the ability to lay out my thoughts and explain them in full sentences, without worrying over every single word and the rhythm that a sequence of carefully chosen words may or may not bring.

I barely read any poetry during my Humanities years, unless my English classes forced me to. Emily Dickinson, Edgar Allan Poe, John Keats, Alexander Pope, all for 10th grade English, and with the exception of Pope’s “The Rape of the Lock,” not particularly entertaining. I was convinced after high school in ’87 that I’d never read poetry again.

What brought on a new interest in poetry came from my sophomore year at Pitt. I had to take a General Writing class in Fall 1988. I had to because if I wanted to take upper-level History classes as a History major, this general education requirement needed to be knocked off.  But I had an enthusiastic graduate student as my instructor. When I say enthusiastic, I mean someone who knew their students wouldn’t be, but whose passion for teaching and literature of all kinds made the class and the readings more interesting. She told me early on, after reading one of my first essays, that I should’ve been able to pass out of General Writing through the diagnostic tests Pitt gave my freshman year. “I wasn’t exactly awake when I took it last year,” I said in response.

Ways of Reading anthology book (2nd edition), used in 1988. (http://ebay.ca).

When we got to the poetry portion of the course, I thought at first I was going to die from boredom. But our instructor didn’t assign us the usual suspects. The main poet we read that week was Adrienne Rich. She was someone I’d heard of growing up, but that was about it. Until the assignment of reading both Rich’s poetry and her essay “When We Dead Awaken: Writing as Re-Vision,” that is.

There were three things I’d never considered before reading Rich. One was the idea that writing was both art and craft, and that most writing was editing and re-envisioning one’s work. Two was the notion of transforming and being transformed through the writing process, and all as a proxy for a meaningful life. Three was the positioning of poets and other writers in literature, the privileging of men over women, of White males over feminists, of White heterosexual feminists over lesbian feminists, and especially Black lesbian feminists.

That last one about power, privilege, and positioning, it really grabbed me. So much so that I read more Rich that October weekend, in between pangs of hunger from lack of money and my Saturday evening shift at the Cathedral of Learning computer lab.

And the more I read of Rich, the more I decided to read about one of Rich’s contemporaries. I moved on to Audre Lorde the following week. She wasn’t among the long list of readings we had for General Writing, but she should’ve been. I couldn’t believe that someone who lived only miles away from my growing up experience in Mount Vernon and in New York could yet have such a vastly different experience with the city and the area.

I picked up Sister Outsider (1984) for the first time near the end of that fall semester. Lorde’s collection of essays about civil rights, about Black feminism (or womanism), about what we now call intersectionality, opened my eyes to how even Rich’s brand of feminism could be problematic. But more than that. Lorde, along with Rich, helped me realize, and not for the first time, that I didn’t care if the person I read or learned from was straight or gay, male or female (or later on, transgender), Black, Brown, or White. This despite what the Hebrew-Israelites and the evangelicals tried to teach me. They just had to be excellent in their work.

Excerpt of Audre Lorde’s Power (1978) (screenshot). (http://poetryfoundation.org).

Sister Outsider also opened up my eyes to the possibility that even my poetry-loathing ass could appreciate a true master at work in the art. So early on the following semester, I read Lorde’s poetry for the first time, likely some poems from her Coal (1976). Lorde talking about her upbringing, her relationship with her mother, and her issues with her own skin color, resonated with me.

But that was it with poetry for me until I borrowed my friend E’s recording of The Lost Poets 1971 album, and then read Angelou’s poetry, both in the summer of ’91. By then, I knew that while I’d never be a full-fledged fan of it, I could still appreciate the work, the art, and the layering of ideologies, emotions, and ideas contained in the best of poetry.

“Grace,” #MeToo, and Our Binary World

20 Saturday Jan 2018

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Water buffaloes in mud, January 2017. (http://reddit.com).

Part of me knows that some of you will assume that I shouldn’t be discussing this on my blog at all. I’m a man, a Black man, a middle-aged Black man, so what do I know, really? I haven’t been on a date with anyone other than my wife since 1995. And my own history with hypermasculinity and sexism combined with my exposure to patriarchy and misogyny should disqualify me from making any comments on Babe.net’s “Grace” piece, right?

But I do have a few things to say. That is, after a week of reading tweets, articles, Facebook posts, as well as conversations with my wife and a couple of friends. Most of the divide has been between those adamant that “Grace” was a #MeToo victim of some form of sexual violation and those who believed that her evening with Aziz Ansari was little more than a bad date. This is yet another time in which the American penchant for seeing the world as white or black, or in computer code, as 0s or 1s, can literally blind most from the truth. Both sides are sort of right and sort of wrong. And like an electron (which can be in two places seemingly at once), this isn’t a binary issue. It’s a both-and situation.

Either-or thinking, December 2014. (http://survivingchurch.org).

Ansari was a doggish pig. Period. His intent with “Grace” was purely sexual. He saw her as a piece of meat (or, really, a “piece of ass”). That would explain both Ansari’s words and actions as Katie Way wrote them last week. Does that make his sexist? Of course!

Ansari also tried to persuade “Grace” into full-blown intercourse a couple of times after she had expressed her uncomfortability with moving beyond kissing, oral sex, and other fondling. Coercive behave is also doggish, venturing toward the misogynistic. All of this is true, and is certainly part of how entitlement and patriarchy can work together in sexual relationships.

Context, however, is always important in any situation. Especially one that isn’t as cut and dry as what Way described regarding “Grace” and her Ansari date. So many have harped on the idea that questioning “Grace’s” decision-making in any form is the equivalent of what misogynists do to rape victims. Not true. Not when the power dynamic is limited and diffuse at best. Not when Ansari never used physical coercion or the threat thereof to get the sex he obviously wanted.

And certainly not when “Grace’s” actions didn’t line up with her word. Some have argued about the inability of men to read the subliminal subtext of women when they are saying “No” or “I’m leaning toward no.” And for many men, this may well be the case. For so many women, being too direct may well lead to a verbal or physical confrontation with a misogynistic man. But that negates the context of Way’s piece. “Grace’s” physical responses and cues throughout the sexual encounter either belied her words, or her words were simply unclear.

Truth is, after their first try, Ansari should’ve not only just stopped, which he did. He should’ve also immediately called “Grace” a cab and sent her home. But in even writing this, isn’t this as much a form of ceding power to patriarchy as it would be a sign of sexual maturity, at least on Ansari’s part? 

Truth is, “Grace” should’ve also have been clearer with herself about what she wanted from her date. And should’ve just ended the date, rudely, discreetly, with clearer words and clearer actions, either at the restaurant or after the first sign of being uncomfortable. Because feminism is about taking charge of one’s own womanhood, and not just merely resisting patriarchy and misogyny with mealy-mouthed language.

Truth is, “Grace” had very different expectations of Ansari and that one-and-only date. The kind of expectations that are a bit immature, especially for a women who thinks that “[y]ou guys are all the same. You guys are all the fucking same.” That the main divide among women who’ve commented on “Grace” is age (with the over-under around 35 years old) is telling. Some will say that women (especially younger women) shouldn’t put up with legal yet boorish behavior, either. So don’t!

Truth is, “Grace’s” story via Way’s article is a hit piece, a sort of revenge for Ansari bursting her internalized image of him as one of the few “good guys.” “Grace” got to violate Ansari’s private life because she was enraged that Ansari saw her as little more than a piece of sexual meat. And while Ansari showed himself on this date with “Grace” to be a sexist pig, this isn’t a #MeToo moment.

Unless, of course, we distance ourselves from context, privilege, and intersectionality. Most assume that “Grace” was a 22-year-old White woman. Probably. But even if not, Way’s article about “Grace” is drowning in Whiteness. Especially when considering “Grace’s” relatively lofty expectations that Ansari would be different from other men. Especially when taking the approach that she wanted Ansari to calm her down after the awkwardness of their first sexual try. What made “Grace” think that he was so different? What made her actions as confusing as they were?

A lock of blonde hair (an allusion to Pope’s Rape of the Lock), June 18, 2013. (http://allure.com).

The Sturm und Drang over this hit piece reminds me of when I read Alexander Pope’s mock epic poem The Rape of the Lock in tenth grade. I might not remember much from Mrs. Buckley’s otherwise boring-ass English class in 1984-85, but I do remember the story of how a war started because a baron cut a lock of Belinda’s hair and kept it. It’s also typical of how race riots and lynchings of Black men often occurred, over perceived slights and embarrassing winks.

Speaking of intersectionality, where have all the “Grace” defenders been this week on serious #MeToo issues? Where have they been on Jade Martin for the past week, as a video of her assault at the hands of a Pizza Milano manager in Pittsburgh went viral, an instance of both racism and misogyny? Where have they been on the sentencing phase for Larry Nassar, a man who sexually assault over 100 young women and girls over decades? Where are they on the Rohingya, as the Myanmar security forces have admitted killing and raping women and children while driving them out of the country?

No, for so many privileged, younger, and White American women, a bad sexual encounter with a man whose sexual sexism was obvious is more important that the felony assault of a Black women for wanting to use the bathroom. The last week has shown yet again the racial, ethnic, class, and even age divide that has plagued #MeToo ever since it became more about White women and less about marginalized women and people.

“You Can Tell From The Lines On Her Face…”

01 Monday Jan 2018

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, music, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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One of the more haunting songs for me from the ’80s is Phil Collins’ “Another Day In Paradise.” It came out in the mid-fall of 1989, and ended the ’80s as a #1 hit. It was also #1 to start the ’90s. For those who were younger than ten in late ’89, “Another Day In Paradise” was a song about chronic homelessness and the callousness of folk toward the homeless, in the UK and in the US.

There were at least three million people living on the streets between Battery Park in New York and the Santa Monica Pier in Southern California when Collins released his admonishment for the world and God to do something about what was then considered a serious crisis. It’s not Phil Collins’ best song. But if you gave a damn about people you saw every day, leather-faced, wearing tatters, obviously sick in body and broken in mind, then this song may have touched you in some way.

It touched me. Just sixteen months removed from five days of worry about my future, sleeping on a concrete slab, and washing up in public bathrooms, I was going to be moved by “Another Day In Paradise” anyway. Unlike most Americans, I cannot walk by someone homeless and not have it register that this could be me. I don’t give change every time a panhandler asks me. I’m not made of money. Sometimes, though, I do tear up, because seeing families without a place or home sitting on a sidewalk in the rain should make anyone sad or angry. Especially on days like today, when much of the nation is around 10ºF (-11 or -12ºC).

America had as many as five million homeless people during the height of the Great Recession, and as few as about 600,000 as recently as a year or two ago. But as with most social statistics, this is likely an underestimate. There are plenty of well-washed, well-kempt, and somewhat healthy folk in this country who don’t have a place of permanent residence. They bounce from friend to friend or from extended family member to caring loved one. They may have access to a bed or some halfway house or temporary housing. Still, they aren’t guaranteed a place to sleep, sit, or rest from one day, week, or month to the next. And this takes a toll.

It took a toll on my own family between April 1995 and March 1998, especially the first seven months after the 616 fire. I’m convinced it’s why my younger siblings struggled for years afterward to earn a high school diploma or GED. The disruption in their lives, of their dreams, in their peace of mind. It can and does drive many people to drink, drugs, and madness. It drives those who are with mental illness to the grave, like my former classmate Brandie Weston.

Yet our nation homeless-proofs itself with jagged spikes on stone walls, covered steam grates, and patrol officers hell-bent on making sure homeless Americans will not see one moment of sleep and rest. We treat our most vulnerable Americans as if they’re some form of contagion, a diseased sort of garbage that we’d love to put on a barge and dump in the middle of the Pacific.

America in our policies and our people visits indignities, malignancies, and wrath upon our homeless, whether military veterans, impoverished families, or mentally ill individuals. It’s what we do to anyone in our nation who isn’t a so-called winner. And if you’re a person of color who’s homeless, the best you can hope for is being near a college campus, where a steady stream of the well-off exploit your stories for A’s and writing jobs.

America does “to the least of us” whatever it can to take advantage, ridicule, hide, and even eliminate their existence. Proving once again that while America is a great nation, we are a horrible people. Phil Collins was right. We “can tell from the lines on her face” that America has forever calloused itself, human but often devoid of humanity.