Category Archives: Pittsburgh

Playing “Cooties” For a Year

26 Friday Mar 2021

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Pop Culture, race, Work, Youth

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Screen shot of Milton Bradley game Cootie, March 26, 2021 (https://amazon.com)

Between 1975 and 1978, I learned to play three games with my child-aged neighbors around the 400 block of South Sixth, my babysitter Ida’s building and adjacent junkyard at 240 East Third, and during our first year at 616. The most obvious one was Hide-and-Seek. I was never good at it, except when just playing with my older brother Darren. Usually I was among the first to be found. Because others were more creative or athletic about hiding spaces — as in climbing trees or hiding in nearly-empty yet dangerous dumpsters — I didn’t find too many kids, either.

There was also You’re It, or Tag, and the folks at 616 were especially rough with their tags. The kids around there each thought it was their duty to “it” you with the heavy slap on skin of someone who seemed to want a fight. Of course, they sometimes did. The first time me and Darren went outside to play, they chased us around 616 and 630, pelting us with rocks every chance they could. That some of them thought this was play is so telling of the roughness of all our lives. With neighbors like these…

There was a less popular version of You’re It and Tag. I mostly played that during my extended stays with Ida at 240 between 1975 and 1977. It was Cooties. This one could be mean in its own way. The kids would gather around and yell “Cooties!” when they touched you with their germ-infested hands. Some of us were designated vaccines, so that when we touched someone with cooties, they’d yell, “I got my cooties’ shot!”

We hid even harder for Cooties than we did for Hide-and-Seek. We’d be all over the junkyard, hiding in and around gigantic pieces of metal with rough edges, sometimes cutting up a hand or a leg on a piece of jagged rusted iron, steel, or aluminum. We’d hide behind 240 in the woods in between it and the junkyard, subjecting ourselves to smells of puddles of piss, broken beer and soda bottles (Pepsi and Coke wouldn’t start producing plastic soda bottles until 1977) and sharp glass that could come up through our thin-soled sneakers. Yeah, playing Cooties at 240 could sometimes lead to us actually getting the real-life cooties. Such were the dangers of poverty and environmental racism.

This week a year ago is when I began playing our real-life version of our global game of Cooties. Except this is not a game or a drill. Like so many, we did not have everything we needed to protect ourselves during our ventures into the world. March 23, 2020 was the first time I wore material over my mouth and nose. I say “material” because all we could order initially were pieces of cloth that we could fold over. I placed a coffee filter in between my two folds to create a makeshift face mask. It was red. I looked ridiculous.

I ran an errand that weekend to a mom-and-pop store I’d bought good cheap meat from since 1999. I was one of maybe four people with any type of face covering at all. Otherwise, it was a normal errand. Except for the elderly couple I saw walking in after I had cleared the front and was walking toward our car. The White man who trailed the White woman was struggling to walk, which is normal for someone in their mid-80s or 90s. The White woman was struggling to breathe. She was flush, looked congested, and looked ready to collapse at any moment. I haven’t been back to that store since. I heard it was under new ownership a few months ago.

Seeing that White woman, likely with the flu or with COVID-19 or even both, it changed my approach to the pandemic. I went from Let’s be careful out there but let’s not get paranoid to Let’s set the board to Def Con 3 — it’s not paranoia if they’re really out to get you! My shopping habits changed. I used to hit up to five stores in one outing to put $150 or $200 of groceries and stuff we needed in carts, bring in my reusable bags, talk to shelvers and cashiers, bump into neighbors and colleagues, and make a go of it. Or, when cash was less fluid, I’d shop for small sets of items at a couple of stores.

Either way, I spent three, four, five days a week in warehouses and supermarkets shopping. The last time I was in a grocery store was December 5, in Pittsburgh, buying just enough food to take back to our hotel room while visiting Pittsburgh after my mom-in-law died. Locally in the DMV, I have not shopped for anything other than Disaronno or Absolut Citron (which I’ve hardly touched) since October 15. Why? Because I don’t want anyone touching me with their cooties.

Per Crystal Fleming (yes, #CiteBlackWomen) and Twitter, I started cleaning groceries after shopping at Safeway and Trader Joe’s last April 10 and last April 24. Even at that early stage, as I saw people refusing to wear masks as mandated by Maryland, my aversion to cooties got worse. By then we had secured ten medical masks, and we were looking for medical grade gloves. We had just switched to using Dawn for our dish washing in the summer of 2019, so we were good there. But Lysol, Clorox, Microban, Windex, and all the stuff we needed to keep the house smelling like an antiseptic surgery bay, was long gone from most stores. Every human I saw was a walking meat bag of COVID-19 cooties.

We received our first pack of gloves at the end of April. We hardly used them. I went to a Latinx store in my community for toilet paper on May 1, and picked up groceries in a Safeway parking lot on May 30. After that, I visited a medical supply store for more masks and face shields on June 30, shopped with all that equipment at Giant on July 15, Trader Joe’s on August 17, and Whole Foods on September 15. This past year is the most time I spent indoors since the World Book Encyclopedia-discovery years of 1978 and 1979. Get thee hence, Cooties!

I already had a healthy disdain for humanity before the pandemic, one where I could fake my way through life with superficial interactions and a thin veneer of trust. Now it feels strange to even sit in the car and drive a mile to the nearest USPS mailbox, just to send off a payment. Now it is beyond weird being outside — I cannot believe I used to run or shoot hoops nearly every week for the previous 20 years. Now if I can find any reasonable workaround, I will pay double for something I know I can go get at a store, but don’t wanna leave the house, because people are cooties and cooties are people.

Lucky for me, I am in the queue for a cootie shot, and soon.

Poverty Wages

20 Saturday Feb 2021

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, High Rise Buildings, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Work, Youth

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“How We Slice the Pie in the USA” editorial cartoon (cropped), September 19, 2011 (David Horsey/Hearst Newspapers; https://catherineandojaswi.weebly.com/document-ten.html)

It’s hard for me to believe sometimes how blissfully ignorant I used to be about the fourscore-and-three-layers’ worth of elitist bullshit there are to the nature of academic — and American — life. Even in the months after reading Derrick Bell’s Faces at the Bottom of the Well, even after reading Jonathan Kozol’s Savage Inequalities, I still believed that my talent and my production alone would win the day over having the right connections in my circle. What a dumb-ass chump I was, in 1993, and as recently as 2013.

But at least in 1993, my 23-year-old behind could be excused for simply not knowing enough about the world that I inhabited. I was a quick study, academically, but not so quick socially, only four-and-a-half-years removed from homelessness and not trusting humans all. My tutor, my unofficial advisor about the professional worlds that would take up the next 28 years of my life, was one Bruce Anthony Jones. I have talked about Bruce in the past, about how he quietly dumped me and all of his Pitt grad students upon leaving for University of Missouri-Columbia in 1996. That’s near the end of this story, though, not it’s beginning.

It was the year after I did an independent study on the literature of multicultural education in the US, Canada, and the UK with him as a master’s student. I was working with Bruce again, this time to learn more about curricula decision-making and cultural bias among the multicultural education and Afrocentricity set. He knew that this was likely my last semester at the University of Pittsburgh. I had tired of White professors and their withering White gaze, and of Larry not quite keeping up with my work, even though he was my history advisor.

So it was in late February 1993 that he invited me out to dinner to discuss my next moves. We ate at some high-end Chinese restaurant in downtown Pittsburgh on or off Grant Street. It was just a few blocks from where Bruce lived, his mini-penthouse on one-and-a-half floors (the 11th and 12th) in The Pennsylvanian, situated on a hill overlooking downtown. It was once the station building for all passenger trains in and out of Pittsburgh, having been converted into a luxury apartment building the year I arrived for undergrad at Pitt, in 1987.

As someone whose moments of interaction with affluence and luxury were few, the dinner meeting and discussion was dizzying. We had a five-course meal, sat and talked for two hours about grad school, the dissertation process, finding work in higher education, the crock of the tenure clock and tenure process, and so much more. Bruce really helped me demystify the cloistered world of academia that night.

But, between the end of that dinner, the walk over to Bruce’s penthouse apartment, and the conversation we had about his work, the high wore off. When we got to talking about salaries, he began to bitch and moan about his own lot as an assistant professor in the School of Education at Pitt. “Well, how much are you making as an assistant professor?,” I asked rather courageously (this isn’t something grad students were supposed to ask, my mutuals had told me, but you don’t get anywhere by not asking questions). “Forty-five thousand. But them’s poverty wages,” Bruce said matter-of-factly, his “Lon-Guy-Land” (Long Island, New York) accent kicking in more fully as he spoke.

In the back of my mind, I’m thinking, Arrogant asshole, the most I’ve ever made in a year is $11,000, and you talkin’ poverty wages to me? I’ve grown up without food, without any amenities beyond the basics, and you live in a 1.5-floor penthouse? Really? I don’t know how well I hid my envy and my rage after hearing Bruce’s complaints about his salary. I let him continue his monologue.

It turned out that Bruce’s time at Teachers College was about more than earning his doctorate. It was also an opportunity for him to earn money, really good money, through his connections at Teachers College and at Columbia University as a whole. Including one with Charles V. Hamilton, the co-author of Black Power: The Politics of Liberation (originally written with one Kwame Ture, née Stokely Carmichael in 1967).

The Pennsylvanian, near downtown Pittsburgh, PA, circa 2012.

I cannot recall if Hamilton was on his dissertation committee or not, but no matter. Apparently connections with Hamilton and others had helped Bruce find work as an education consultant with the Ford Foundation, among several other private foundations. In the two years leading to his PhD and the year before landing his Pitt faculty position, this was his other professional life. “I make double as a consultant than I do as a professor (really “professa,” the way it rolled off Bruce’s Long Island tongue), and for half the work,” I remember Bruce saying.

“What would I have to do to get into that kind of work?,” I asked once I got over the shock of calculating that Bruce was pulling between $130,000 and $150,000 a year while living in a 1,500-square-foot penthouse that cost $1,350 per month. Bruce should’ve said, “With help from people like me, lifting as we climb.” But instead, he made it sound like he just lucked out, somehow, like he just happened to be walking down a random hallway when leading Black scholars at Teachers College and Columbia offered lucrative consulting gigs on a random Friday.

A bit more than four years later, the summer of 1997, I found myself without work post-PhD. Teachers College had just rejected me for an assistant professorship in social foundations of education. I was literally a month or two away from being completely out of funds. I could pay my rent, but that was about all I could do until I found more work. I hated to do this, but I ended up contacting Bruce for help, either in finding work or in lending me money until I could pay him back.

Bruce returned my call, and was very stern on the phone with me. “I usually don’t lend students money,” he said, as if I was some random students who reached out to him out of nowhere. But he offered to write me a check for $100. “Now I expect you to pay me back,” Bruce said, as if he was being magnanimous. That was when I finally, really, truly understood. My time with Bruce was about making him feel like a powerful person in academia. It was never about mentoring or helping me at all.

Between 1997 and 2000, I continued writing my own letters of recommendation with Bruce’s name on them, a practice we had developed while I was still a grad student. Only, I also used one of Bruce’s old signatures and some University of Missouri-Columbia letterhead to make his letters written by me on my behalf look more authentic. After I turned down a job at Howard in June 2000, I wrote Bruce a check for $100 and wondered, Should I include interest in the total, and if so, how much? That was the last time I used Bruce’s letter, the last time I contacted him.

In the years since, I’ve worked jobs that paid $70,000 and $80,000 a year, charged as much as $550-per-day as a consultant, and turned down jobs paying $100K in areas that were too expensive for that salary (like the Bay Area, for example). I’ve also had a couple of years where I’ve barely earned $20,000 as an adjunct (those were years I also consulted, so). I know damn fucking well what a real poverty wage looks like. The closest Bruce has been to socioeconomic poverty was probably the night he sat across from me at dinner all those years ago. Intellectual, social, and spiritual poverty have been Bruce’s close companions, I’d bet, for many years. For such are the wages of narcissism.

The Things I’d Like to Give for the Holidays, But Can’t

27 Sunday Dec 2020

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Marriage, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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My copies of Sarah Broom’s The Yellow House (2019) and Deesha Philyaw’s The Secret Lives of Church Ladies (2020), December 26, 2020. (Donald Earl Collins).

The holiday season is a time for giving unto others (apparently unlike the other 11 to eleven-and-a-half months out of the year, when it is your right under capitalism to give to yourself every single day). Except when your own life has shown time and time again that gift-giving without resources is hard. It has meant going years without receiving a gift, without your parents or guarding even buying any of us a card. It is doubly difficult when your birthday is in the middle of the holiday season, two days after Christmas, the second day of Kwanzaa, and at least one year where lunar calendar for Chanukah and my born date aligned.

But, as an adult, I made the most of trying to give to family and sometimes friends. I started buying my mother birthday and Christmas cards when I was 14. I began to buy my siblings cards and presents in 1989, just as I was turning 20. Over the years, I have bought video game systems and clothes, replaced TVs, given money, special-ordered flowers, taken my younger siblings to movies, Toys “R” Us, and other comical holiday ventures for a young man without a car.

Starting in the late 1990s, I began to switch to books as gifts. I figured that to really help my family and to get through to my sibs, books were key. They had been for me, and I assumed that it would be the same for them. I was so wrong! If the books got read by them at all, they generally didn’t say, or they said that they didn’t like them. When I finally got around to buying books for my Mom, she’d say, “What I need this for? I know all about racism already. I done lived it.” I guess my thirty-something years, and not expertise on the topic, should have been sufficient for me, too.

As with all issues related to my Mount Vernon family, this giving issue became tortuous. It is hard buying gifts for people who only talk to you when they have to or when they want something from me. As adults, I have gotten to know very few of their likes, dislikes, and habits and wants and needs. Also, I found myself in the boom-and-bust cycles of teaching and consulting during the Great Recession years (especially between 2010 and 2015). So, I either sent holiday cards with gift cards or just cards.

But then it dawned on me right about my 45th birthday that none of my younger sibs had ever sent me anything. Yes, I know that gifting need not be transactional or reciprocal. Still, I had struggled every year to remember birthdays, special occasions, and Christmases to send them something from the heart. They never saw me as someone to give unto, as if my degrees and relative career stability made me not need and not want, materially, emotionally, or otherwise.

So in 2015, I stopped with the giving. Except for my older brother Darren and my Mom. And even then I mostly send cards and the occasional gift card. The latter gets reactions like, “What I’m gonna do with this?” It was my Mom’s gut punch to the cliché, “it’s the thought that counts.”

One thing I’d like to do again with family in New York is to send books that I’d think they’d enjoy, books that I found entertaining and educational, books that set my mind and spirit in order. Especially in this year of pandemic-driven isolation and putting my and my family’s safety over travel, my recent excursion to Pittsburgh to help make funeral arrangements for my mother-in-law excepted.

The last two books I have completed in recent weeks stand out because of the things I observed and experienced growing up and growing into grown-ass adulthood, between Mount Vernon, New York, Pittsburgh, and my first three years in DC and Silver Spring, Maryland. The two books happen to be Sarah Broom’s The Yellow House and Deesha Philyaw’s The Secret Lives of Church Ladies. Both books are by Black women who grew up in the Deep South but sojourned their way to cold Northern cities like New York and Pittsburgh, just like my Mom. And with those physical and spiritual journeys, family and the connections with family were big themes for them both. Or, really, the fault lines and the disconnection that can and does happen over time. Being unmoored, an outsider to one’s own family, Broom and Philyaw cover so well in their books.

Yes, I know that Broom’s National Book Award winner is both genealogy and memoir at the same time, carefully not revealing certain things about herself until her Acknowledgments. Yes, I know Philyaw’s NBA finalist is a collection of short stories connected by the theme of The Church and hypocrisy, fictionalized but with elements of the author’s life that she unveils anyway. The two books are quite different in their approaches to history and family, but they both address history and family anyway.

And it is how they handle family and family secrets that propelled me through both books. Broom is extremely circumspect about what and whom she does put in The Yellow House, explaining why and her conflict about doing so throughout (she makes me look like a gossip by comparison in Boy @ The Window). “Why do I sometimes feel that I do not have the right to the story of the city I come from? Why, when I want to get down to it, just say the damned thing, do the thoughts pool and ring out in a loop in my head a childish chorus of ‘Oh, oh, oh, don’t tell on your place.’ Telling on. Like giving it all away. Giving what away?,” Broom writes on page 329.

I completely understand, between the Mount Vernonites who have declared my growing-up experiences invalid because I was “weird” and family members who have all but stopped talking to me because I unearthed something they didn’t like about themselves. That, and Broom’s use of “The Water” to demarcate the East New Orleans of her, her family’s, and her ancestors’ lives and the East New Orleans after Katrina in 2005. It was the fire of 1995 that was the break between the chaos of 616 and the life of uncomfortable distance between me and family for me. Broom being unmoored caused her to eventually seek deeper bonds. I tried too many times to count, and failed. But then again, family ain’t just blood, and it’s way deeper than the roots of any marriage.

Philyaw’s collection conjured memories of my Black evangelical Christianity years (and so did Broom’s chapters about her feeling the spirit, speaking in other tongues, and passing out in self-induced trances that lasted for hours, but I digress) and my unfortunate Hebrew-Israelite years. Years where Black patriarchy and toxic hypermasculinity ruled the roost. Some of these men practically dripped pre-cum while preaching the promise of Jesus and Yahweh in those days of temple and Covenant Church of Pittsburgh. Philyaw gets at this in so many ways. For so many of her readers, the stories “Peach Cobbler” and “When Eddie Levert Comes” were their favorites. The amount of behind-the-scenes cheating and familial conflict is enough for anyone on the fence to declare themselves an atheist.

For my money, though, “Jael” is the story that will stay with me. I knew at least one, maybe two Jaels while growing up in the New York City area. One of them tried to molest me when I was 12. I somehow know — despite forgetting about the particulars of my previous sexual assault until this time six years ago — that telling my Mom, my idiot stepfather Maurice, or my father about this was out of the question. But she was a Jael, alright, another traumatized kid, like me, yet willing to prey on others as a coping strategy.

Even though I wasn’t a Jael, my Mom prayed over me like I could be one, in order “to make a man out of you,” as she used to say. That she could actually say the words, “Or you could be a rapist” to me the same month I’d end up homeless at Pitt for five days was so telling. It told me that my Mom didn’t know me very well after all. Philyaw has me considering the possibility that with family, anyone could be a Jael, even the folks responsible for raising us.

Here’s what I know, though. No matter how I’d couch it, most of my family wouldn’t read a single word from The Yellow House or The Secret Lives of Church Ladies. Queerness, hypocrisy, intersectionality, symbolism, stories that parallel their own? I might as well be sending my Mom a stereotypical Hollywood version of a voodoo doll with pins for her to push in it. For my younger siblings, a steaming hot plate of fried beef liver and kidneys smothered in onions and gravy over rice would be more appealing. So this post will have to do. A gift, I suppose.

“Let Me Tell You About Ms. Martha…”

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Ms. Martha with her grandson, Silver Spring, MD, December 25, 2009. (Donald Earl Collins)

I’ve been reluctant to write this post. Not because I have nothing good to say about my late mom-in-law, someone I’d known for nearly half my 51 years. I have nothing but good things to write about her. Not because I’m grieving. I often write when I’m in an altered state emotionally or psychologically. No, I’m a bit nervous because this will be my first blog post about any specific member of my wife’s family, Thanksgiving 2001 excepted. I’m mostly concerned that some will see what I have to write about my mom-in-law as an indirect slap toward my own mother and parents/guardian in general.

Trust me, it’s not. That I first met Martha Mae Guinn Levy (1931-2020) a month after my twenty-sixth birthday meant the nature of this relationship was never going to be strictly parent-to-child or mother-to-son.

The truth is, Ms. Martha really did treat me that way. But not just that. Sometimes our conversations could be contentious, like professor-student, or like two bickering friends, or brother-sister. The woman had nearly 39 years on me, but the battle-axe of a geezer could just as quickly be affectionate and a never-ending fountain of love and optimistic clichés. There are so many conversations, so many arguments, so many moments I could discuss that made me see all the facets and contradictions of my mom-in-law.

Ms. Martha made herself available for nearly every important event in my life since my then girlfriend introduced us on the last Saturday in January 1996. She attended my doctoral graduation at Carnegie Mellon the following year. She drove me and her daughter to the Greyhound bus station in “dahntahn Picksburgh” in August 1999, so that we could begin our 20-plus years of living in the DMV, the Washington DC area. She shared a hotel room with my mom in 2000, just a few months after me and her daughter eloped. She came here to Silver Spring and watched at Sibley Hospital in DC as my wife gave birth to her one and only grandchild in 2003. She stayed with us for six weeks to watch her grandson in November and December of the same year, so that my wife could go back to work, and just before our son would start daycare.

But there’s one conversation that really and truly encompassed the evolution of our relationship over the years. It was in December 2013, just a few months after I had self-published Boy @ The Window. A week earlier, I had called my father about his yearly Christmas ritual of sending barely cashable Western Union money orders to give to his grandson for the holiday season. Instead, he mumbled and gave gruff one-word answers to my questions. “What’s wrong?,” I asked. “I told you not to put me in your book,” he said, sounding hurt and embarrassed. “I didn’t want nothing to do with your book. You shoulda left the past in the past.” My dad actually hadn’t said any of these things in the seven years between first sentence and the rough final draft I ended up publishing that April. I had been completely open about what I was going to write and why. I guess having a paperback copy of Boy @ The Window in his hands to leaf through was too much for him.

The weekend before Christmas 2013, Ms. Martha called. She dialed up my partner on her cell phone to talk to me (mind you, she had my direct number, but called her daughter first). When I picked up Angelia’s phone, I heard “Hey Donald” in Ms. Martha’s gravelly voice. After a brief exchange, she said, “I wanna talk to you about your book.” I mailed Ms. Martha a copy of Boy @ The Window, along with my dad and a few others, but I hadn’t expected her to read it, at least not so quickly.

“I started reading and I didn’t wanna put it down,” Ms. Martha said. I was surprised. Really, I was dumbstruck. I hadn’t expected this response at all. Not because Ms. Martha didn’t read. I figured, Oh, she’s just being polite, especially after hearing from my dad a little more than a week earlier.

We talked about my book for nearly an hour and a half on my wife’s iPhone. I might as well have been doing a book talk as conversation with my mom-in-law. Ms. Martha asked questions about my Boy @ The Window years, wanting more details beyond the stories I did include. There were a lot of “I didn’t know…” and “I couldn’t believe…” comments about what I and my family lived through. She asked at least a dozen questions about my mom and her decision-making, about my brothers and sister, about my asshole classmates.

Mostly, she doted on me. “Oh boy! I liked this sentence here…,” Ms. Martha said while reading me back to me a number of times. When I explained away my accomplishments or challenges, she’d say, “…as far as that matter goes…” to remind me that what was normal for me was not normal for most tweeners or teenagers, not even Black ones living with poverty. “This was a joy to read,” she said so many times. She said she laughed and cried while reading the book, and laughed and cried while talking to me about it.

I ended that conversation with Ms. Martha thinking, Wow! This tough old woman really loves me! It made me feel better about writing Boy @ The Window. It made me feel better at a time when I felt low, about my writing, about switching careers, about life in general.

And yes, I truly loved and love Ms. Martha. I will miss our conversations, our rational disagreements, our out-of-nowhere arguments, our hugs, our embraces, and her love for me, her daughters, her grandson, for family and community more broadly. I will miss your presence and your voice in my life. May God bless you and keep you…and give you peace, in your life after life.

I Was Never Good at the Popularity Contest

17 Tuesday Nov 2020

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Molefi Asante speech, Philadelphia, PA, September 13, 2014. (AP photo/file).

If I so chose, I could be a jealous-hearted bastard, and look at every achievement of all the folk in my life as, “Well, good for you, asshole!” But I learned a long time ago, maybe even when I was at high school’s end, that the main person I have to compete and contend with is me, that I am exhausting enough. Vying for popularity, kudos, or power was never a big thing for me. It was a game I’d almost always lose, for enough reasons to make my pre-Christian and depressed self actually jump off that bridge and end it all. What I learned by my mid-twenties was to allow myself a moment or two of envy, to feel like life was easier for those who achieved what seemed like cheap and easy success and fame. And then I’d think, But that’s not what I want for me. That’s their path, not mine, no matter how many parallels and similarities there may be between them and me.

What helped me get there is a story of plagiarism, of ideas, if not of actual words. It’s a story of my first attempt to publish an article as an adult, my first foray into the world of popularity, of ideas, of writing, and of extreme disappointment. It began the summer before grad school at Pitt in 1991. My friend Elaine egged me into this work, after a long and hard final semester of undergrad and three weeks on a starvation diet while working full time that April and May (I stretched $30 over 20 days). I began work on what I hoped would be my first article, comparing ideas around Afrocentric education with the broader idea of multicultural education.

The piece was originally to be her and my response to what was then a major controversy involving research into the revision of New York State’s social studies curriculum. The New York State Department of Education had given a committee the task of figuring out how to make the state’s K-12 curriculum more inclusive and representative of the state’s tremendous racial, ethnic and other forms of diversity. 

By July, I had gone from disinterested to fully engaged, minus the young woman in whom I no longer had an interest, now working on a piece that had become much more academic than we had originally intended. By then, I’d already learned the names Leonard Jeffries, Asa Hilliard III and Arthur Schlesinger, Jr. I’d read articles from the New York Times and The Wall Street Journal about Jeffries’ name-calling, Schlesinger’s incredulousness about calling slaves “enslaved persons,” and about the committee in general getting along like hyenas tearing at a dead wildebeest.

By the end of September, they would produce One Nation, Many Peoples: A Curriculum of Inclusion: Report of the Commissioner’s Task Force on Minorities: Equity and Excellence. With all my revisions out of the way, I’d produce my first publishable document since elementary school. I titled it “Comparing Afrocentric and Multicultural Education: Why American Education Needs Both.” I had reviewed much of the leading literature in the field at that point, between James A. Banks, Cherry McGee Banks, Christine Sleeter, Robert Slavin, Maulana Karenga, Frances Cress Welsing, 

I mailed it to three journals, including the Journal of Black Studies. It was then that I realized that one of the folks whose writing and research I had referred to in my review was also the editor of the journal. It was the one and only Molefi Kete Asante. He was also the founder and chair of the Department of Afro-American Studies (now Africology and African American Studies) at Temple University in Philadelphia. His The Afrocentric Idea (1987) was half the basis for my understanding what Afrocentricity could look like as pedagogy at the K-12 level.

But I had problems with that pedagogy. I chafed at the idea that there was any litmus test to what was and was not authentically Black or African. No, I’m not sure if “chafed” is the right word. The idea that anyone — including folks like Asante, Karenga, Welsing, Jeffries, and John Henry Clarke — could arbitrarily decided that ragtime isn’t authentically Black or African, while say, rap and hip-hop was definitively so? It seemed like a bunch of bullshit to me.

I knew why reading Asante’s work made me feel that way, too. Those three-and-a-half years spent living in a Hebrew-Israelite household. Those times were with a man who claimed to be my stepfather, the one who could quote the Torah. All while eating squid and crabs and lobster tails, cheating on my Mom while begetting other kids he never fed, and beating on his “womens”, too.

That’s ultimately what I saw in Asante’s work, hell, in the work of the Afrocentric set across the board. That none of them grew up in Accra, Lagos, Dar es Salaam, Gaborone, Nairobi, or Jo’Burg or were Africanists who spent years and years living somewhere on the continent before committing to this litmus test. Intellectually, it made as much sense as a “reincarnated” Balkis Makeda in her 70s living in my Mom’s master bedroom at 616 in 1984 while we eight lived by rules like me cooking for the family at 14 because Mom had “unclean issues of blood.” Or, this fake-ass Balkis Makeda telling us that we could no longer use Ivory soap because she dreamt about rats gnawing on it. Authenticity has its costs, no?    

I didn’t write all this in my essay, though. I merely wrote that between an authentic African-centered education and an authentic multicultural curriculum, the latter made the most sense in a multicultural nation like the US, in a multicultural state like New York. I justified this because I only grew up in New York State, in and around New York City. I justified it because the fact was and remains, American Black folx are, well, Americans, who have cobbled together a culture of resistance, and joy within that, both multicultural American with shards and pieces of African Blackness, and all at the same time.

Nearly two months pass. The Black Action Society at Pitt had brought in Asante to speak, a week and a half before Thanksgiving. The ballroom BAS used in William Pitt Union was jam-packed. BAS heads Justin and Doug looked so proud of themselves that evening. And Asante was just as full of himself. He spoke for between 45 minutes and an hour, about Eurocentricity, about Afrocentricity, about creating a path where Black boys (and sometimes, girls) could become proud Afrocentric men (and sometimes women). Really, it wasn’t much different than anything I heard from temple during my Hebrew-Israelite years.

Then, he turned to multiculturalism and the controversy over the revisions to the New York State global studies curriculum. Unbeknown to the nearly 300 students in the room — aside from yours truly — he began parroting my submitted article. Not quite word-for-word, though. You see, he used my arguments as fodder for sarcasm while on stage, to point to “how the poison” of Eurocentricity “flows” in multicultural curriculum across the US. Asante believed that multicultural education was a mere euphemism to disguise the “Eurocentric in the multicultural.”

“He stole my ideas. He quoted me to crush me,” I told my friend Marc, who attended the talk with me that evening. Marc thought I was wrong, that Asante wasn’t quoting me at all. Yeah, sure Marc, I thought.

Two months later, I received my first article rejection. It was a week after I finally got my driver’s license, and two weeks before I published my first piece, a book review for a small scholarly journal. It was from Journal of Black Studies. I do not remember what the rejection letter said, but I read it as, “Nice try, but you’re not Black enough for this publication.”

This was my first foray — but hardly my last — into this world, where popularity mattered more than reality, perception more than evidence, and power more than anything.

But I do consider myself lucky. A few months later, I presented another paper at a conference at Lincoln University. Bettye Collier-Thomas was in attendance, and we ended up in a conversation. She invited me to apply for the PhD program in history, where I could work with her and esteemed people like Asante. I listened and respectfully declined. 

A year later was my joint article with Marc about the pitfalls of Afrocentricity. And with it, two months of Asante’s sycophants, er, students sitting in seminar rooms writing scathing rebuttal letters questioning if between the two of us we had enough brainpower to spell Black. To learn from one of his former students in 2007 that my imaginations of what could have happened in Asante’s seminars was actually true? Well, I was so glad he had used my words as a baseball bat to my head back in 1991.

I grew up with phony proselytizers. I didn’t need to follow another one. Plus, where’s my Afrocentric gravy? Does it go with my Jollof and Brussels sprouts, too?

Constantine’s, No Longer Around, Missed Anyway

19 Wednesday Aug 2020

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, music, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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The East Liberty CVS on Penn Avenue (where Constantine’s once stood), August 2017. (Itay Gabay via Google Maps).

“Last call for the alcohol!,” the half-bartender, half-bouncer would yell about 20 minutes before the two o’clock closing of the hole-in-the-wall joint that spend a few too many Wednesdays, Fridays, and Saturdays in between the summer of 1991 and January 1995. It was my time “bein’ around my peeps,” sitting around to nurse two or three drinks, dance, people-watch, and occasionally go back home with a patron. It was my time to not think about what I feared, especially God and graduate school. It was my time to forget that I was the second of six kids who had the triple responsibility of father figure, oldest brother, and caregiver. Mostly, it was just a place to allow my horny and bored-with-the-world ass hang out and not be so intellectual and weird all the time.

Constantine’s was where the East Liberty CVS on Penn Avenue in Pittsburgh now sits. It was less than two blocks from where I lived on Penn Circle South, my first on-my-own flat that I didn’t have to share with no one. I have no idea what was there in that rickety and beaten up old one-floor building before Constantine’s. Maybe it had always been a bar or a club, one that had seen better days in the decade or two before I was born. Maybe it was once a hardware store or a dry cleaners. Who knows?

All I knew was, in the month or two after I moved into my Penn Circle South studio apartment, I stumbled onto the place. It would’ve been October 1990, just cool enough for Pittsburghers to start wearing winter gear, Steelers jerseys, and enough Steelers and Pirates pleather and leather to scare a herd of charging bulls. A group of 20-somethings were packing their way through Constantine’s front door. There was a bouncer, I guess, checking IDs to make sure everyone was over 21. Judging by the way some of the youngest women were made up, though, I didn’t think the bouncer was consistently checking folks.

I didn’t go in that day. Too many bills, not enough money, and too many thoughts about What would Mom think? and What temptations would harm my soul? So I forgot about the place for the remainder of my senior year at Pitt.

It wasn’t until I started having problems with my friend E during my first full summer living in the ‘Burgh in ’91 that I started carving out me-time at Constantine’s. I went in on a sweltering mid-June Wednesday, and as would become ritual over the next 3.5 years, the so-called bouncer didn’t check me for ID. The joint was tacky as hell. The tables and chairs on the left were either plastic or plywood, Kelly green or harsh white.

Ving Rhames in Dave (1993), Screen Shot, August 17, 2020. (https://MovieActors.com).

The barstools on the right were of better quality, up against a bar with a prickly middle-aged-looking Black dude who maintained his fresh Ving Rhames-in-Dave (1993) haircut under any and all circumstances serving drinks. He was so mercurial. He could be, “Wassup man? How you be?” one Saturday, and “We don’t serve your kind!” another. One Friday, I ordered a screwdriver (Vodka and O.J.) without any pushback. The next Friday, he was all like, “Muthafucka, just call it a vodka and orange juice! I don’t mix screwdrivers here!”

There was a well-proportioned Black woman who always, always, always, sat in the middle of seven barstools, just to the right of the cash register. She was maybe about five-two, skin the color of mahogany, her hair in a ’90s-style perm or in ruffles. She either wore skin-tight dresses or jeans with a revealing blouse, never danced, and rarely greeted anyone. I figured she was either the gruff bartender’s girlfriend or that Constantine’s was her favorite watering hole. Whatever. She probably could drink the entire group of men (and sometimes women) who hit on her every night under the table and under the concrete foundation, too.

Much of what remember from my Constantine’s outings were the fights. There were so many fights. Fights between two guys over a woman would break out in the middle of the dance floor one Friday or Saturday after another. I once saw a guy beaten until there was a pool of blood in the center of the floor, with a trail of blood leading into the alleyway that led to the side entrance of my apartment building. It wasn’t unusual for women to throw down either, knocking each other out somewhere between PE’s “Can’t Truss It” and Daddy Freddy’s “We Are The Champions.”

Speaking of the music, it was the early ’90s, so the vibe went from New Jack Swing, Babyface and Tony! Toni! Toné! to Jodeci, MJB, and PE, with bits of Kriss Kross, Tribe Called Quest, Naughty By Nature, TLC, Dre, MC Lyte, and LL Cool J thrown in. But it was reggae — specifically dancehall — and gansta rap that was mostly in our ears at Constantine’s for most of my time attending. Shabba Ranks was so big at Constantine’s. So was Patra and Buju Banton and fake raggamuffin Shaggy. Outside of Pitt, I didn’t know African Caribbeans lived in Pittsburgh until I started sipping drinks at Constantine’s.

I also didn’t really know how to dance until I started hanging out at this smoked-filled and slick-floored destination. I went on the floor maybe once every three trips. Sometimes I was more interested in observing than in participating. Sometimes I was too stressed and horny to do anything else but stare at faces, breasts, hips, and asses for a few hours. But I did dance, at least, as best as I could. I used my halfway decent post-up moves from the basketball court as the basis for decent footwork. But, as I began realizing that some of the women wanted to grind, I learned how to do that too.

I had some awkward moments. Like the time my Swahili instructor and I found ourselves at Constantine’s one really warm Wednesday night in the fall of ’91. He had a woman on each arm. All three of them were from Tanzania, not the typical group of Constantine attendees. We greeted each other, and proceeded to ignore each other the rest of the night. Class the next afternoon was pretty much about my and his after-hours habits.

Sometimes I almost got into it with a guy here or a woman there because I looked at them the wrong way, said the wrong thing, sounded too educated or “White,” or because someone’s conversation with me ran on too long. In 1992, one woman laughed at me and kicked me in my rear on my way out the door after I revealed that I was “also working on my master’s” — she obviously didn’t believe me. Until she saw me on campus a week later. After that, I lied, and told folks who asked that I was a “part-time college student.”

I was too young, stressed about grad school and life, and excited and aroused to be scared. I should’ve been. On two occasions, someone threw a large liquor bottle in my direction when I was on my way out of Constantine’s. One other time, I swear, a bullet whizzed past me and into the window of a parked car.

The last time I went to Constantine’s was the beginning of February ’95. I kid you not, they were running the place with a portable electric generator plugged into an outdoor outlet — someone hadn’t paid their Duquesne Light bill. It kept the lights even dimmer than normal. There was no heat. This is a bar in Pittsburgh, before climate change made American winters into the wet season in Guyana. It was 15 degrees Fahrenheit that day, and it felt like it at Constantine’s that night, even with nearly 30 dumbasses like me in the bar that night. I left after 45 minutes.

Three days later, I was in Washington, DC, working on my dissertation project. When I returned at the end of March, Constantine’s was gone, bulldozed to make way for East Liberty’s first CVS.

Truly, if my field had been sociology, cultural anthropology, or social psychology, creative nonfiction writing, my times at Constantine’s would’ve made a great project, with me as subject, too. The misogyny, transphobia, homophobia, and hypermasculinity on display, side-by-side with intersectionality, feminism, sexuality, all in the midst of the beginning of this neighborhood’s gradual shift toward gentrification. It was, well, fascinating. Thankful, though, to not feel that awkward at this stage of life.

A List of the Unwritten Rules I Wish I Had Known, in 1990, 2000, and 2010

19 Tuesday May 2020

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Work, Youth

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Me, 23 years after my PhD graduation, May 18, 2020. (Donald Earl Collins).

As a confessed educated fool, I readily admit that there are a ton of things I understood but did not act on. But I also know that there are solar system loads of unwritten rules that I didn’t and couldn’t possibly have known going into my professional future toward the end of my undergrad days at the University of Pittsburgh. And, there’s the stuff that falls in between. The rules that are not hard rules, ones that can be bent, twisted into pretzels, and/or broken or even shattered. The things that I didn’t know I knew, the ideas and principles that are ingrained or splinters in my mind, but not quite accessible until the moment I needed them, or, even worse, right after I really could’ve used that extra bit of knowledge and wisdom.

This list is merely the beginning of the most important rules I could impart to my younger self, at 20, 30, and yes, 40 years old. Donald’s 1.0, 1.5, 2.0, and 2.5 all believed that his mind, his imagination, his hard work and achievements would all carry the day, would win him a slice of prosperity, a sliver of intellectual respectability, a piece of popularity, even. All to have moments and flashes of all three, but not usually at the same time, and all to realize that talent and hard work for Black folx in a Whiteness world matter not. Not even among most Black elites. I could list 1,000 unwritten rules and other ideas that I wish I had known or — if I did somehow already know — taken advantage of. But the real theme here is that the meritocracy is a lie. Whether in the form of rugged individualism or a belief in K-16 education as a social mobility equalizer, merit through talent and hard work is an American mythology like Abraham Lincoln “freeing the slaves” and America as always good and righteous.

1. You are a writer. Whatever the job, whatever the career path, whatever the familial and relationship and marital responsibilities, you are a writer. Yes, despite it all, your calling is to write about it all. Period. It does not matter if you think most of your writing is crap. All writers think their writing is crap. It does not matter if you’re really good at organizing conferences, retreats, and learning institutes. Or, if you are excellent at curriculum design, a tough but caring history and education professor, a science nerd and a talented computer science geek. Nearly every writer has another set of jobs and careers besides writing. Just because your co-workers, colleagues, and even family might not see you as a writer first, does not mean that you are not a writer.

And, here’s the real deal. Not everyone needs to know that you are a writer. Some dumb muthafuckas will use your expressed calling against you, especially if and when they do find out about your creative side and your one troy ounce of success. Some of your enemies, nemeses, and family members and friends will literally laugh in your face when you discuss your aspirations with them. You have to know whom to trust and not trust with this truth about yourself. You will learn, in time, to keep your own counsel, to not let everyone in your world in on your not-so-secret secret.

And you will learn that to write is not just putting pen to paper or fingers and thumbs to a MacBook keyboard. It’s reading, beyond the academic tome, beyond the occasional novel or Walter Mosley detective mystery. It’s reading folx who’ve struggled with writing just like you. It’s people-watching on trains and the Metro. It’s listening in Univision or Telemundo programs while folding clothes at a laundromat with a mostly Salvadoran, Nicaraguan, Nuyorican or Dominicanyorka audience. It’s thinking of an idea while cleaning chicken thighs for dinner or on the occasions you end up jacking off for lack of sleep. It’s all the vivid dreams and nightmares — really, visions — that you’ve had of present, future, past, past-future, future-present, and ever-present, about escape, about overcoming, about being trapped. That’s all a part of the process.

2. Degrees matter, and yet, degrees don’t matter for shit. I cannot believe that your dumb-ass self believed for years that getting the “PhD would be a passport for doing what [you] wanted to do in [your] life.” You must have said this to 50 of your closest friends, acquaintances, and even a couple of folks who you eventually realized were your enemies back between 1990 and 1997. At your most stressed times, those sudden, bolting-upright-in-the-bed-at-3am moments, with your heart thumping like you were Bugs Bunny ogling Lola Bunny, you believed the doctorate was the ticket. You kept telling yourself this, even as you had doubts about what the degree meant as you finished your coursework in 1994. You cast yourself atop this hill, especially after becoming a Spencer Dissertation Fellow in 1995, even though you and many in your cohort were all obvious misfits in the grad school system.

Yes, in the narrow sense of job qualifications, degrees matter. But, you earned your master’s degrees in History in April 1992. At 22 years old! You were all-but-dissertation at 24. 24! You could’ve taken time off, earned a teaching certificate in a year, gone on to teach at public, private, or parochial school, or even earned a degree in a more practical field, like psychology, social work, education, journalism, creative nonfiction, or sociology. So admit it, damn you! You were attracted to some aspects of the tenured faculty lifestyle. Not most of it, to be sure. Yet the idea of having a schedule where you spent lots of time doing research and writing. You secretly craved being paid to write whatever you wanted to write. Even though you already knew that you could only do this if you willing to write like a cold, dispassionate White guy well-off enough to not care about reaching an audience outside of his extremely narrow field.

So you convinced yourself for nearly two decades that you could do and be both. A writer for mainstream organs and readers and a writer for academe. You weren’t wrong. Your eclectic writing style can accommodate complex scholarly ideas and personal tales and dramas, even creative techniques to transition between them. But the world of the privileged rarely allows for the crossover-dribble equivalent for writers. With a doctorate, you are an egg-headed scholar to the average editor, and cannot possibly write in any other way. For journal editors, your style was never gonna be scholarly enough. For newspaper and magazine editors, your style was always too cerebral. And, despite your degree, you had a hard time convincing others of your expertise. You only earned a PhD in History from Carnegie Mellon University, okay? Not from UCLA or Berkeley or Stanford, or certainly not from Harvard, Yale, or Princeton, or even UPenn, Georgetown, or Columbia. Your years of published works and a couple of self-published books would be barely enough to convince Ebony to take a look at your work when you hit your mid-40s. Forget about trying to bifurcate and make your degrees work for you. Get a good job, and just find more and more ways to keep writing, and hopefully, you won’t be dead before people start reading your stuff.

3. Academia, the nonprofit world, and the writing world only make room for Blacks and other people of color when then either completely conform to its -isms (tokens), or when we prove ourselves to at least be moderately successful mavericks. There is no in between, there is no best-of-both-worlds, or straddling the fence, or finding yourself as the Emissary that can cross between worlds. You are not Avatar Aang, the Last Airbender or Captain Benjamin Sisko of DS9. Even among other Black folks, like when I was offered a tenure-stream position in the Department of Africana Studies (née Afro-American Studies) at Howard University in 2000, it came with the implicit stipulation that I needed to conform, to always respect my elders — no matter how elitist and exclusionary I thought they were. At nearly every job I have held since 1996, I have been hired as a token toward diversity with the added benefit of my degree and/or specific expertise, or because I went against the grain to do or write something counterintuitively.

But if that were all, you may have figured some aspect of this out during the Reagan years. The layers of intersectional elitism, from whole institutions like lily-White, College Republican, and two-comma-kid Carnegie Mellon, to department-level beliefs of assuming that you as someone who grew up with poverty would somehow survive summer after summer without financial support. There were also the professors, who to a person assumed that “a few years of hazing will be good for you,” as if you grew up without a material care in the world. After all, how could a Black guy from Mount Vernon, New York with your familial and socioeconomic background find themselves in the hallowed halls of major universities?

Yeah, man. There are almost as many layers of elitism in the working world as there are folds in the gray matter of an alleged Mensa genius. Racial paternalistic elitism, neo-Marxist elitism, misogynist elitism, Marxist elitism, socialist elitism, misogynoir elitism, White feminist elitism, Afrocentric elitism, corporate elitism, technocratic elitism. There’s also Ivy League elitism, HBCU elitism, country-club elitism, affluent Black elitism, African Black elitism, Afro-Caribbean elitism, Puerto Rican elitism, and biracial elitism. And lest I forget, there’s that from-the-5-boroughs-New Yorker elitism, served-in-the-Peace-Corps elitism, revolutionary elitism, anti-revolutionary elitism, and even contrarian elitism. Cutting through all these layers over several decades might leave you in a rage, ready to holler at a moment’s notice, and with some bouts of exhaustion and high blood pressure. But the truth is, none of these dumb asses know how deep in The Matrix they are, putting on enough airs to crush entire cities into oblivion.

4. You will have moments of serious doubt. You will have days, weeks, months where you will be depressed. You will have “waiting for the other shoe to drop” emotions, even when everything is going well professionally. You will feel that you do not belong. Not in academia. Not in the nonprofit world. Not as a writer. Not as an American. Sometimes, not even as a Black American. You will have bouts with what we call imposter syndrome. And yes, you do not fit in easily anywhere, because you have spent so much of your life trying to learn how to cope in places and spaces that never wanted you. Your experiences with millennialist religions, with poverty, with Blackness, with growing up in Mount Vernon/New York City, will help you cope. But you will never be a fit in any place you inhabit in this lifetime.

And, you need to know that this will be perfectly fine. Fitting in never brings you the material and psychological benefits you will seek for yourself and your loved ones. Fitting in only brings you headaches on the regular, endless cycles of diarrhea and constipation, a nearly permanent insomnia. Fitting in makes you almost forget your training as an African American historian and your expertise in understanding the human condition. Fitting in nearly kills the writer you so desperately need to become before you even fully acknowledge that you are one.

So, do not ever fit in. Do not even try. Be you. Be your best you. If that isn’t enough, that’s the problem of a world full of bullies, Head-Negro-in-Charge micromanagers, White moderates, paternalistic White women, and other who would prefer brown-nosers to free thinkers. Not to mention, the armies of sycophants these assholes tend to hire.

So, the meritocracy is a neoliberal lie, and a debt-ridden deadly one. You might never break through as a writer in all the ways that matter to you. Or you just might. Or, you may fully break through, only to find out that you are so much more than the writer you will eventually become. But do not look for approval. Especially not from the US academic and literati set. Let them continue to eat their shitty cake.