Category Archives: Pittsburgh

The Things I’d Like to Give for the Holidays, But Can’t

27 Sunday Dec 2020

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Marriage, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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My copies of Sarah Broom’s The Yellow House (2019) and Deesha Philyaw’s The Secret Lives of Church Ladies (2020), December 26, 2020. (Donald Earl Collins).

The holiday season is a time for giving unto others (apparently unlike the other 11 to eleven-and-a-half months out of the year, when it is your right under capitalism to give to yourself every single day). Except when your own life has shown time and time again that gift-giving without resources is hard. It has meant going years without receiving a gift, without your parents or guarding even buying any of us a card. It is doubly difficult when your birthday is in the middle of the holiday season, two days after Christmas, the second day of Kwanzaa, and at least one year where lunar calendar for Chanukah and my born date aligned.

But, as an adult, I made the most of trying to give to family and sometimes friends. I started buying my mother birthday and Christmas cards when I was 14. I began to buy my siblings cards and presents in 1989, just as I was turning 20. Over the years, I have bought video game systems and clothes, replaced TVs, given money, special-ordered flowers, taken my younger siblings to movies, Toys “R” Us, and other comical holiday ventures for a young man without a car.

Starting in the late 1990s, I began to switch to books as gifts. I figured that to really help my family and to get through to my sibs, books were key. They had been for me, and I assumed that it would be the same for them. I was so wrong! If the books got read by them at all, they generally didn’t say, or they said that they didn’t like them. When I finally got around to buying books for my Mom, she’d say, “What I need this for? I know all about racism already. I done lived it.” I guess my thirty-something years, and not expertise on the topic, should have been sufficient for me, too.

As with all issues related to my Mount Vernon family, this giving issue became tortuous. It is hard buying gifts for people who only talk to you when they have to or when they want something from me. As adults, I have gotten to know very few of their likes, dislikes, and habits and wants and needs. Also, I found myself in the boom-and-bust cycles of teaching and consulting during the Great Recession years (especially between 2010 and 2015). So, I either sent holiday cards with gift cards or just cards.

But then it dawned on me right about my 45th birthday that none of my younger sibs had ever sent me anything. Yes, I know that gifting need not be transactional or reciprocal. Still, I had struggled every year to remember birthdays, special occasions, and Christmases to send them something from the heart. They never saw me as someone to give unto, as if my degrees and relative career stability made me not need and not want, materially, emotionally, or otherwise.

So in 2015, I stopped with the giving. Except for my older brother Darren and my Mom. And even then I mostly send cards and the occasional gift card. The latter gets reactions like, “What I’m gonna do with this?” It was my Mom’s gut punch to the cliché, “it’s the thought that counts.”

One thing I’d like to do again with family in New York is to send books that I’d think they’d enjoy, books that I found entertaining and educational, books that set my mind and spirit in order. Especially in this year of pandemic-driven isolation and putting my and my family’s safety over travel, my recent excursion to Pittsburgh to help make funeral arrangements for my mother-in-law excepted.

The last two books I have completed in recent weeks stand out because of the things I observed and experienced growing up and growing into grown-ass adulthood, between Mount Vernon, New York, Pittsburgh, and my first three years in DC and Silver Spring, Maryland. The two books happen to be Sarah Broom’s The Yellow House and Deesha Philyaw’s The Secret Lives of Church Ladies. Both books are by Black women who grew up in the Deep South but sojourned their way to cold Northern cities like New York and Pittsburgh, just like my Mom. And with those physical and spiritual journeys, family and the connections with family were big themes for them both. Or, really, the fault lines and the disconnection that can and does happen over time. Being unmoored, an outsider to one’s own family, Broom and Philyaw cover so well in their books.

Yes, I know that Broom’s National Book Award winner is both genealogy and memoir at the same time, carefully not revealing certain things about herself until her Acknowledgments. Yes, I know Philyaw’s NBA finalist is a collection of short stories connected by the theme of The Church and hypocrisy, fictionalized but with elements of the author’s life that she unveils anyway. The two books are quite different in their approaches to history and family, but they both address history and family anyway.

And it is how they handle family and family secrets that propelled me through both books. Broom is extremely circumspect about what and whom she does put in The Yellow House, explaining why and her conflict about doing so throughout (she makes me look like a gossip by comparison in Boy @ The Window). “Why do I sometimes feel that I do not have the right to the story of the city I come from? Why, when I want to get down to it, just say the damned thing, do the thoughts pool and ring out in a loop in my head a childish chorus of ‘Oh, oh, oh, don’t tell on your place.’ Telling on. Like giving it all away. Giving what away?,” Broom writes on page 329.

I completely understand, between the Mount Vernonites who have declared my growing-up experiences invalid because I was “weird” and family members who have all but stopped talking to me because I unearthed something they didn’t like about themselves. That, and Broom’s use of “The Water” to demarcate the East New Orleans of her, her family’s, and her ancestors’ lives and the East New Orleans after Katrina in 2005. It was the fire of 1995 that was the break between the chaos of 616 and the life of uncomfortable distance between me and family for me. Broom being unmoored caused her to eventually seek deeper bonds. I tried too many times to count, and failed. But then again, family ain’t just blood, and it’s way deeper than the roots of any marriage.

Philyaw’s collection conjured memories of my Black evangelical Christianity years (and so did Broom’s chapters about her feeling the spirit, speaking in other tongues, and passing out in self-induced trances that lasted for hours, but I digress) and my unfortunate Hebrew-Israelite years. Years where Black patriarchy and toxic hypermasculinity ruled the roost. Some of these men practically dripped pre-cum while preaching the promise of Jesus and Yahweh in those days of temple and Covenant Church of Pittsburgh. Philyaw gets at this in so many ways. For so many of her readers, the stories “Peach Cobbler” and “When Eddie Levert Comes” were their favorites. The amount of behind-the-scenes cheating and familial conflict is enough for anyone on the fence to declare themselves an atheist.

For my money, though, “Jael” is the story that will stay with me. I knew at least one, maybe two Jaels while growing up in the New York City area. One of them tried to molest me when I was 12. I somehow know — despite forgetting about the particulars of my previous sexual assault until this time six years ago — that telling my Mom, my idiot stepfather Maurice, or my father about this was out of the question. But she was a Jael, alright, another traumatized kid, like me, yet willing to prey on others as a coping strategy.

Even though I wasn’t a Jael, my Mom prayed over me like I could be one, in order “to make a man out of you,” as she used to say. That she could actually say the words, “Or you could be a rapist” to me the same month I’d end up homeless at Pitt for five days was so telling. It told me that my Mom didn’t know me very well after all. Philyaw has me considering the possibility that with family, anyone could be a Jael, even the folks responsible for raising us.

Here’s what I know, though. No matter how I’d couch it, most of my family wouldn’t read a single word from The Yellow House or The Secret Lives of Church Ladies. Queerness, hypocrisy, intersectionality, symbolism, stories that parallel their own? I might as well be sending my Mom a stereotypical Hollywood version of a voodoo doll with pins for her to push in it. For my younger siblings, a steaming hot plate of fried beef liver and kidneys smothered in onions and gravy over rice would be more appealing. So this post will have to do. A gift, I suppose.

“Let Me Tell You About Ms. Martha…”

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Ms. Martha with her grandson, Silver Spring, MD, December 25, 2009. (Donald Earl Collins)

I’ve been reluctant to write this post. Not because I have nothing good to say about my late mom-in-law, someone I’d known for nearly half my 51 years. I have nothing but good things to write about her. Not because I’m grieving. I often write when I’m in an altered state emotionally or psychologically. No, I’m a bit nervous because this will be my first blog post about any specific member of my wife’s family, Thanksgiving 2001 excepted. I’m mostly concerned that some will see what I have to write about my mom-in-law as an indirect slap toward my own mother and parents/guardian in general.

Trust me, it’s not. That I first met Martha Mae Guinn Levy (1931-2020) a month after my twenty-sixth birthday meant the nature of this relationship was never going to be strictly parent-to-child or mother-to-son.

The truth is, Ms. Martha really did treat me that way. But not just that. Sometimes our conversations could be contentious, like professor-student, or like two bickering friends, or brother-sister. The woman had nearly 39 years on me, but the battle-axe of a geezer could just as quickly be affectionate and a never-ending fountain of love and optimistic clichés. There are so many conversations, so many arguments, so many moments I could discuss that made me see all the facets and contradictions of my mom-in-law.

Ms. Martha made herself available for nearly every important event in my life since my then girlfriend introduced us on the last Saturday in January 1996. She attended my doctoral graduation at Carnegie Mellon the following year. She drove me and her daughter to the Greyhound bus station in “dahntahn Picksburgh” in August 1999, so that we could begin our 20-plus years of living in the DMV, the Washington DC area. She shared a hotel room with my mom in 2000, just a few months after me and her daughter eloped. She came here to Silver Spring and watched at Sibley Hospital in DC as my wife gave birth to her one and only grandchild in 2003. She stayed with us for six weeks to watch her grandson in November and December of the same year, so that my wife could go back to work, and just before our son would start daycare.

But there’s one conversation that really and truly encompassed the evolution of our relationship over the years. It was in December 2013, just a few months after I had self-published Boy @ The Window. A week earlier, I had called my father about his yearly Christmas ritual of sending barely cashable Western Union money orders to give to his grandson for the holiday season. Instead, he mumbled and gave gruff one-word answers to my questions. “What’s wrong?,” I asked. “I told you not to put me in your book,” he said, sounding hurt and embarrassed. “I didn’t want nothing to do with your book. You shoulda left the past in the past.” My dad actually hadn’t said any of these things in the seven years between first sentence and the rough final draft I ended up publishing that April. I had been completely open about what I was going to write and why. I guess having a paperback copy of Boy @ The Window in his hands to leaf through was too much for him.

The weekend before Christmas 2013, Ms. Martha called. She dialed up my partner on her cell phone to talk to me (mind you, she had my direct number, but called her daughter first). When I picked up Angelia’s phone, I heard “Hey Donald” in Ms. Martha’s gravelly voice. After a brief exchange, she said, “I wanna talk to you about your book.” I mailed Ms. Martha a copy of Boy @ The Window, along with my dad and a few others, but I hadn’t expected her to read it, at least not so quickly.

“I started reading and I didn’t wanna put it down,” Ms. Martha said. I was surprised. Really, I was dumbstruck. I hadn’t expected this response at all. Not because Ms. Martha didn’t read. I figured, Oh, she’s just being polite, especially after hearing from my dad a little more than a week earlier.

We talked about my book for nearly an hour and a half on my wife’s iPhone. I might as well have been doing a book talk as conversation with my mom-in-law. Ms. Martha asked questions about my Boy @ The Window years, wanting more details beyond the stories I did include. There were a lot of “I didn’t know…” and “I couldn’t believe…” comments about what I and my family lived through. She asked at least a dozen questions about my mom and her decision-making, about my brothers and sister, about my asshole classmates.

Mostly, she doted on me. “Oh boy! I liked this sentence here…,” Ms. Martha said while reading me back to me a number of times. When I explained away my accomplishments or challenges, she’d say, “…as far as that matter goes…” to remind me that what was normal for me was not normal for most tweeners or teenagers, not even Black ones living with poverty. “This was a joy to read,” she said so many times. She said she laughed and cried while reading the book, and laughed and cried while talking to me about it.

I ended that conversation with Ms. Martha thinking, Wow! This tough old woman really loves me! It made me feel better about writing Boy @ The Window. It made me feel better at a time when I felt low, about my writing, about switching careers, about life in general.

And yes, I truly loved and love Ms. Martha. I will miss our conversations, our rational disagreements, our out-of-nowhere arguments, our hugs, our embraces, and her love for me, her daughters, her grandson, for family and community more broadly. I will miss your presence and your voice in my life. May God bless you and keep you…and give you peace, in your life after life.

I Was Never Good at the Popularity Contest

17 Tuesday Nov 2020

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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Molefi Asante speech, Philadelphia, PA, September 13, 2014. (AP photo/file).

If I so chose, I could be a jealous-hearted bastard, and look at every achievement of all the folk in my life as, “Well, good for you, asshole!” But I learned a long time ago, maybe even when I was at high school’s end, that the main person I have to compete and contend with is me, that I am exhausting enough. Vying for popularity, kudos, or power was never a big thing for me. It was a game I’d almost always lose, for enough reasons to make my pre-Christian and depressed self actually jump off that bridge and end it all. What I learned by my mid-twenties was to allow myself a moment or two of envy, to feel like life was easier for those who achieved what seemed like cheap and easy success and fame. And then I’d think, But that’s not what I want for me. That’s their path, not mine, no matter how many parallels and similarities there may be between them and me.

What helped me get there is a story of plagiarism, of ideas, if not of actual words. It’s a story of my first attempt to publish an article as an adult, my first foray into the world of popularity, of ideas, of writing, and of extreme disappointment. It began the summer before grad school at Pitt in 1991. My friend Elaine egged me into this work, after a long and hard final semester of undergrad and three weeks on a starvation diet while working full time that April and May (I stretched $30 over 20 days). I began work on what I hoped would be my first article, comparing ideas around Afrocentric education with the broader idea of multicultural education.

The piece was originally to be her and my response to what was then a major controversy involving research into the revision of New York State’s social studies curriculum. The New York State Department of Education had given a committee the task of figuring out how to make the state’s K-12 curriculum more inclusive and representative of the state’s tremendous racial, ethnic and other forms of diversity. 

By July, I had gone from disinterested to fully engaged, minus the young woman in whom I no longer had an interest, now working on a piece that had become much more academic than we had originally intended. By then, I’d already learned the names Leonard Jeffries, Asa Hilliard III and Arthur Schlesinger, Jr. I’d read articles from the New York Times and The Wall Street Journal about Jeffries’ name-calling, Schlesinger’s incredulousness about calling slaves “enslaved persons,” and about the committee in general getting along like hyenas tearing at a dead wildebeest.

By the end of September, they would produce One Nation, Many Peoples: A Curriculum of Inclusion: Report of the Commissioner’s Task Force on Minorities: Equity and Excellence. With all my revisions out of the way, I’d produce my first publishable document since elementary school. I titled it “Comparing Afrocentric and Multicultural Education: Why American Education Needs Both.” I had reviewed much of the leading literature in the field at that point, between James A. Banks, Cherry McGee Banks, Christine Sleeter, Robert Slavin, Maulana Karenga, Frances Cress Welsing, 

I mailed it to three journals, including the Journal of Black Studies. It was then that I realized that one of the folks whose writing and research I had referred to in my review was also the editor of the journal. It was the one and only Molefi Kete Asante. He was also the founder and chair of the Department of Afro-American Studies (now Africology and African American Studies) at Temple University in Philadelphia. His The Afrocentric Idea (1987) was half the basis for my understanding what Afrocentricity could look like as pedagogy at the K-12 level.

But I had problems with that pedagogy. I chafed at the idea that there was any litmus test to what was and was not authentically Black or African. No, I’m not sure if “chafed” is the right word. The idea that anyone — including folks like Asante, Karenga, Welsing, Jeffries, and John Henry Clarke — could arbitrarily decided that ragtime isn’t authentically Black or African, while say, rap and hip-hop was definitively so? It seemed like a bunch of bullshit to me.

I knew why reading Asante’s work made me feel that way, too. Those three-and-a-half years spent living in a Hebrew-Israelite household. Those times were with a man who claimed to be my stepfather, the one who could quote the Torah. All while eating squid and crabs and lobster tails, cheating on my Mom while begetting other kids he never fed, and beating on his “womens”, too.

That’s ultimately what I saw in Asante’s work, hell, in the work of the Afrocentric set across the board. That none of them grew up in Accra, Lagos, Dar es Salaam, Gaborone, Nairobi, or Jo’Burg or were Africanists who spent years and years living somewhere on the continent before committing to this litmus test. Intellectually, it made as much sense as a “reincarnated” Balkis Makeda in her 70s living in my Mom’s master bedroom at 616 in 1984 while we eight lived by rules like me cooking for the family at 14 because Mom had “unclean issues of blood.” Or, this fake-ass Balkis Makeda telling us that we could no longer use Ivory soap because she dreamt about rats gnawing on it. Authenticity has its costs, no?    

I didn’t write all this in my essay, though. I merely wrote that between an authentic African-centered education and an authentic multicultural curriculum, the latter made the most sense in a multicultural nation like the US, in a multicultural state like New York. I justified this because I only grew up in New York State, in and around New York City. I justified it because the fact was and remains, American Black folx are, well, Americans, who have cobbled together a culture of resistance, and joy within that, both multicultural American with shards and pieces of African Blackness, and all at the same time.

Nearly two months pass. The Black Action Society at Pitt had brought in Asante to speak, a week and a half before Thanksgiving. The ballroom BAS used in William Pitt Union was jam-packed. BAS heads Justin and Doug looked so proud of themselves that evening. And Asante was just as full of himself. He spoke for between 45 minutes and an hour, about Eurocentricity, about Afrocentricity, about creating a path where Black boys (and sometimes, girls) could become proud Afrocentric men (and sometimes women). Really, it wasn’t much different than anything I heard from temple during my Hebrew-Israelite years.

Then, he turned to multiculturalism and the controversy over the revisions to the New York State global studies curriculum. Unbeknown to the nearly 300 students in the room — aside from yours truly — he began parroting my submitted article. Not quite word-for-word, though. You see, he used my arguments as fodder for sarcasm while on stage, to point to “how the poison” of Eurocentricity “flows” in multicultural curriculum across the US. Asante believed that multicultural education was a mere euphemism to disguise the “Eurocentric in the multicultural.”

“He stole my ideas. He quoted me to crush me,” I told my friend Marc, who attended the talk with me that evening. Marc thought I was wrong, that Asante wasn’t quoting me at all. Yeah, sure Marc, I thought.

Two months later, I received my first article rejection. It was a week after I finally got my driver’s license, and two weeks before I published my first piece, a book review for a small scholarly journal. It was from Journal of Black Studies. I do not remember what the rejection letter said, but I read it as, “Nice try, but you’re not Black enough for this publication.”

This was my first foray — but hardly my last — into this world, where popularity mattered more than reality, perception more than evidence, and power more than anything.

But I do consider myself lucky. A few months later, I presented another paper at a conference at Lincoln University. Bettye Collier-Thomas was in attendance, and we ended up in a conversation. She invited me to apply for the PhD program in history, where I could work with her and esteemed people like Asante. I listened and respectfully declined. 

A year later was my joint article with Marc about the pitfalls of Afrocentricity. And with it, two months of Asante’s sycophants, er, students sitting in seminar rooms writing scathing rebuttal letters questioning if between the two of us we had enough brainpower to spell Black. To learn from one of his former students in 2007 that my imaginations of what could have happened in Asante’s seminars was actually true? Well, I was so glad he had used my words as a baseball bat to my head back in 1991.

I grew up with phony proselytizers. I didn’t need to follow another one. Plus, where’s my Afrocentric gravy? Does it go with my Jollof and Brussels sprouts, too?

Constantine’s, No Longer Around, Missed Anyway

19 Wednesday Aug 2020

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, music, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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The East Liberty CVS on Penn Avenue (where Constantine’s once stood), August 2017. (Itay Gabay via Google Maps).

“Last call for the alcohol!,” the half-bartender, half-bouncer would yell about 20 minutes before the two o’clock closing of the hole-in-the-wall joint that spend a few too many Wednesdays, Fridays, and Saturdays in between the summer of 1991 and January 1995. It was my time “bein’ around my peeps,” sitting around to nurse two or three drinks, dance, people-watch, and occasionally go back home with a patron. It was my time to not think about what I feared, especially God and graduate school. It was my time to forget that I was the second of six kids who had the triple responsibility of father figure, oldest brother, and caregiver. Mostly, it was just a place to allow my horny and bored-with-the-world ass hang out and not be so intellectual and weird all the time.

Constantine’s was where the East Liberty CVS on Penn Avenue in Pittsburgh now sits. It was less than two blocks from where I lived on Penn Circle South, my first on-my-own flat that I didn’t have to share with no one. I have no idea what was there in that rickety and beaten up old one-floor building before Constantine’s. Maybe it had always been a bar or a club, one that had seen better days in the decade or two before I was born. Maybe it was once a hardware store or a dry cleaners. Who knows?

All I knew was, in the month or two after I moved into my Penn Circle South studio apartment, I stumbled onto the place. It would’ve been October 1990, just cool enough for Pittsburghers to start wearing winter gear, Steelers jerseys, and enough Steelers and Pirates pleather and leather to scare a herd of charging bulls. A group of 20-somethings were packing their way through Constantine’s front door. There was a bouncer, I guess, checking IDs to make sure everyone was over 21. Judging by the way some of the youngest women were made up, though, I didn’t think the bouncer was consistently checking folks.

I didn’t go in that day. Too many bills, not enough money, and too many thoughts about What would Mom think? and What temptations would harm my soul? So I forgot about the place for the remainder of my senior year at Pitt.

It wasn’t until I started having problems with my friend E during my first full summer living in the ‘Burgh in ’91 that I started carving out me-time at Constantine’s. I went in on a sweltering mid-June Wednesday, and as would become ritual over the next 3.5 years, the so-called bouncer didn’t check me for ID. The joint was tacky as hell. The tables and chairs on the left were either plastic or plywood, Kelly green or harsh white.

Ving Rhames in Dave (1993), Screen Shot, August 17, 2020. (https://MovieActors.com).

The barstools on the right were of better quality, up against a bar with a prickly middle-aged-looking Black dude who maintained his fresh Ving Rhames-in-Dave (1993) haircut under any and all circumstances serving drinks. He was so mercurial. He could be, “Wassup man? How you be?” one Saturday, and “We don’t serve your kind!” another. One Friday, I ordered a screwdriver (Vodka and O.J.) without any pushback. The next Friday, he was all like, “Muthafucka, just call it a vodka and orange juice! I don’t mix screwdrivers here!”

There was a well-proportioned Black woman who always, always, always, sat in the middle of seven barstools, just to the right of the cash register. She was maybe about five-two, skin the color of mahogany, her hair in a ’90s-style perm or in ruffles. She either wore skin-tight dresses or jeans with a revealing blouse, never danced, and rarely greeted anyone. I figured she was either the gruff bartender’s girlfriend or that Constantine’s was her favorite watering hole. Whatever. She probably could drink the entire group of men (and sometimes women) who hit on her every night under the table and under the concrete foundation, too.

Much of what remember from my Constantine’s outings were the fights. There were so many fights. Fights between two guys over a woman would break out in the middle of the dance floor one Friday or Saturday after another. I once saw a guy beaten until there was a pool of blood in the center of the floor, with a trail of blood leading into the alleyway that led to the side entrance of my apartment building. It wasn’t unusual for women to throw down either, knocking each other out somewhere between PE’s “Can’t Truss It” and Daddy Freddy’s “We Are The Champions.”

Speaking of the music, it was the early ’90s, so the vibe went from New Jack Swing, Babyface and Tony! Toni! Toné! to Jodeci, MJB, and PE, with bits of Kriss Kross, Tribe Called Quest, Naughty By Nature, TLC, Dre, MC Lyte, and LL Cool J thrown in. But it was reggae — specifically dancehall — and gansta rap that was mostly in our ears at Constantine’s for most of my time attending. Shabba Ranks was so big at Constantine’s. So was Patra and Buju Banton and fake raggamuffin Shaggy. Outside of Pitt, I didn’t know African Caribbeans lived in Pittsburgh until I started sipping drinks at Constantine’s.

I also didn’t really know how to dance until I started hanging out at this smoked-filled and slick-floored destination. I went on the floor maybe once every three trips. Sometimes I was more interested in observing than in participating. Sometimes I was too stressed and horny to do anything else but stare at faces, breasts, hips, and asses for a few hours. But I did dance, at least, as best as I could. I used my halfway decent post-up moves from the basketball court as the basis for decent footwork. But, as I began realizing that some of the women wanted to grind, I learned how to do that too.

I had some awkward moments. Like the time my Swahili instructor and I found ourselves at Constantine’s one really warm Wednesday night in the fall of ’91. He had a woman on each arm. All three of them were from Tanzania, not the typical group of Constantine attendees. We greeted each other, and proceeded to ignore each other the rest of the night. Class the next afternoon was pretty much about my and his after-hours habits.

Sometimes I almost got into it with a guy here or a woman there because I looked at them the wrong way, said the wrong thing, sounded too educated or “White,” or because someone’s conversation with me ran on too long. In 1992, one woman laughed at me and kicked me in my rear on my way out the door after I revealed that I was “also working on my master’s” — she obviously didn’t believe me. Until she saw me on campus a week later. After that, I lied, and told folks who asked that I was a “part-time college student.”

I was too young, stressed about grad school and life, and excited and aroused to be scared. I should’ve been. On two occasions, someone threw a large liquor bottle in my direction when I was on my way out of Constantine’s. One other time, I swear, a bullet whizzed past me and into the window of a parked car.

The last time I went to Constantine’s was the beginning of February ’95. I kid you not, they were running the place with a portable electric generator plugged into an outdoor outlet — someone hadn’t paid their Duquesne Light bill. It kept the lights even dimmer than normal. There was no heat. This is a bar in Pittsburgh, before climate change made American winters into the wet season in Guyana. It was 15 degrees Fahrenheit that day, and it felt like it at Constantine’s that night, even with nearly 30 dumbasses like me in the bar that night. I left after 45 minutes.

Three days later, I was in Washington, DC, working on my dissertation project. When I returned at the end of March, Constantine’s was gone, bulldozed to make way for East Liberty’s first CVS.

Truly, if my field had been sociology, cultural anthropology, or social psychology, creative nonfiction writing, my times at Constantine’s would’ve made a great project, with me as subject, too. The misogyny, transphobia, homophobia, and hypermasculinity on display, side-by-side with intersectionality, feminism, sexuality, all in the midst of the beginning of this neighborhood’s gradual shift toward gentrification. It was, well, fascinating. Thankful, though, to not feel that awkward at this stage of life.

A List of the Unwritten Rules I Wish I Had Known, in 1990, 2000, and 2010

19 Tuesday May 2020

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Me, 23 years after my PhD graduation, May 18, 2020. (Donald Earl Collins).

As a confessed educated fool, I readily admit that there are a ton of things I understood but did not act on. But I also know that there are solar system loads of unwritten rules that I didn’t and couldn’t possibly have known going into my professional future toward the end of my undergrad days at the University of Pittsburgh. And, there’s the stuff that falls in between. The rules that are not hard rules, ones that can be bent, twisted into pretzels, and/or broken or even shattered. The things that I didn’t know I knew, the ideas and principles that are ingrained or splinters in my mind, but not quite accessible until the moment I needed them, or, even worse, right after I really could’ve used that extra bit of knowledge and wisdom.

This list is merely the beginning of the most important rules I could impart to my younger self, at 20, 30, and yes, 40 years old. Donald’s 1.0, 1.5, 2.0, and 2.5 all believed that his mind, his imagination, his hard work and achievements would all carry the day, would win him a slice of prosperity, a sliver of intellectual respectability, a piece of popularity, even. All to have moments and flashes of all three, but not usually at the same time, and all to realize that talent and hard work for Black folx in a Whiteness world matter not. Not even among most Black elites. I could list 1,000 unwritten rules and other ideas that I wish I had known or — if I did somehow already know — taken advantage of. But the real theme here is that the meritocracy is a lie. Whether in the form of rugged individualism or a belief in K-16 education as a social mobility equalizer, merit through talent and hard work is an American mythology like Abraham Lincoln “freeing the slaves” and America as always good and righteous.

1. You are a writer. Whatever the job, whatever the career path, whatever the familial and relationship and marital responsibilities, you are a writer. Yes, despite it all, your calling is to write about it all. Period. It does not matter if you think most of your writing is crap. All writers think their writing is crap. It does not matter if you’re really good at organizing conferences, retreats, and learning institutes. Or, if you are excellent at curriculum design, a tough but caring history and education professor, a science nerd and a talented computer science geek. Nearly every writer has another set of jobs and careers besides writing. Just because your co-workers, colleagues, and even family might not see you as a writer first, does not mean that you are not a writer.

And, here’s the real deal. Not everyone needs to know that you are a writer. Some dumb muthafuckas will use your expressed calling against you, especially if and when they do find out about your creative side and your one troy ounce of success. Some of your enemies, nemeses, and family members and friends will literally laugh in your face when you discuss your aspirations with them. You have to know whom to trust and not trust with this truth about yourself. You will learn, in time, to keep your own counsel, to not let everyone in your world in on your not-so-secret secret.

And you will learn that to write is not just putting pen to paper or fingers and thumbs to a MacBook keyboard. It’s reading, beyond the academic tome, beyond the occasional novel or Walter Mosley detective mystery. It’s reading folx who’ve struggled with writing just like you. It’s people-watching on trains and the Metro. It’s listening in Univision or Telemundo programs while folding clothes at a laundromat with a mostly Salvadoran, Nicaraguan, Nuyorican or Dominicanyorka audience. It’s thinking of an idea while cleaning chicken thighs for dinner or on the occasions you end up jacking off for lack of sleep. It’s all the vivid dreams and nightmares — really, visions — that you’ve had of present, future, past, past-future, future-present, and ever-present, about escape, about overcoming, about being trapped. That’s all a part of the process.

2. Degrees matter, and yet, degrees don’t matter for shit. I cannot believe that your dumb-ass self believed for years that getting the “PhD would be a passport for doing what [you] wanted to do in [your] life.” You must have said this to 50 of your closest friends, acquaintances, and even a couple of folks who you eventually realized were your enemies back between 1990 and 1997. At your most stressed times, those sudden, bolting-upright-in-the-bed-at-3am moments, with your heart thumping like you were Bugs Bunny ogling Lola Bunny, you believed the doctorate was the ticket. You kept telling yourself this, even as you had doubts about what the degree meant as you finished your coursework in 1994. You cast yourself atop this hill, especially after becoming a Spencer Dissertation Fellow in 1995, even though you and many in your cohort were all obvious misfits in the grad school system.

Yes, in the narrow sense of job qualifications, degrees matter. But, you earned your master’s degrees in History in April 1992. At 22 years old! You were all-but-dissertation at 24. 24! You could’ve taken time off, earned a teaching certificate in a year, gone on to teach at public, private, or parochial school, or even earned a degree in a more practical field, like psychology, social work, education, journalism, creative nonfiction, or sociology. So admit it, damn you! You were attracted to some aspects of the tenured faculty lifestyle. Not most of it, to be sure. Yet the idea of having a schedule where you spent lots of time doing research and writing. You secretly craved being paid to write whatever you wanted to write. Even though you already knew that you could only do this if you willing to write like a cold, dispassionate White guy well-off enough to not care about reaching an audience outside of his extremely narrow field.

So you convinced yourself for nearly two decades that you could do and be both. A writer for mainstream organs and readers and a writer for academe. You weren’t wrong. Your eclectic writing style can accommodate complex scholarly ideas and personal tales and dramas, even creative techniques to transition between them. But the world of the privileged rarely allows for the crossover-dribble equivalent for writers. With a doctorate, you are an egg-headed scholar to the average editor, and cannot possibly write in any other way. For journal editors, your style was never gonna be scholarly enough. For newspaper and magazine editors, your style was always too cerebral. And, despite your degree, you had a hard time convincing others of your expertise. You only earned a PhD in History from Carnegie Mellon University, okay? Not from UCLA or Berkeley or Stanford, or certainly not from Harvard, Yale, or Princeton, or even UPenn, Georgetown, or Columbia. Your years of published works and a couple of self-published books would be barely enough to convince Ebony to take a look at your work when you hit your mid-40s. Forget about trying to bifurcate and make your degrees work for you. Get a good job, and just find more and more ways to keep writing, and hopefully, you won’t be dead before people start reading your stuff.

3. Academia, the nonprofit world, and the writing world only make room for Blacks and other people of color when then either completely conform to its -isms (tokens), or when we prove ourselves to at least be moderately successful mavericks. There is no in between, there is no best-of-both-worlds, or straddling the fence, or finding yourself as the Emissary that can cross between worlds. You are not Avatar Aang, the Last Airbender or Captain Benjamin Sisko of DS9. Even among other Black folks, like when I was offered a tenure-stream position in the Department of Africana Studies (née Afro-American Studies) at Howard University in 2000, it came with the implicit stipulation that I needed to conform, to always respect my elders — no matter how elitist and exclusionary I thought they were. At nearly every job I have held since 1996, I have been hired as a token toward diversity with the added benefit of my degree and/or specific expertise, or because I went against the grain to do or write something counterintuitively.

But if that were all, you may have figured some aspect of this out during the Reagan years. The layers of intersectional elitism, from whole institutions like lily-White, College Republican, and two-comma-kid Carnegie Mellon, to department-level beliefs of assuming that you as someone who grew up with poverty would somehow survive summer after summer without financial support. There were also the professors, who to a person assumed that “a few years of hazing will be good for you,” as if you grew up without a material care in the world. After all, how could a Black guy from Mount Vernon, New York with your familial and socioeconomic background find themselves in the hallowed halls of major universities?

Yeah, man. There are almost as many layers of elitism in the working world as there are folds in the gray matter of an alleged Mensa genius. Racial paternalistic elitism, neo-Marxist elitism, misogynist elitism, Marxist elitism, socialist elitism, misogynoir elitism, White feminist elitism, Afrocentric elitism, corporate elitism, technocratic elitism. There’s also Ivy League elitism, HBCU elitism, country-club elitism, affluent Black elitism, African Black elitism, Afro-Caribbean elitism, Puerto Rican elitism, and biracial elitism. And lest I forget, there’s that from-the-5-boroughs-New Yorker elitism, served-in-the-Peace-Corps elitism, revolutionary elitism, anti-revolutionary elitism, and even contrarian elitism. Cutting through all these layers over several decades might leave you in a rage, ready to holler at a moment’s notice, and with some bouts of exhaustion and high blood pressure. But the truth is, none of these dumb asses know how deep in The Matrix they are, putting on enough airs to crush entire cities into oblivion.

4. You will have moments of serious doubt. You will have days, weeks, months where you will be depressed. You will have “waiting for the other shoe to drop” emotions, even when everything is going well professionally. You will feel that you do not belong. Not in academia. Not in the nonprofit world. Not as a writer. Not as an American. Sometimes, not even as a Black American. You will have bouts with what we call imposter syndrome. And yes, you do not fit in easily anywhere, because you have spent so much of your life trying to learn how to cope in places and spaces that never wanted you. Your experiences with millennialist religions, with poverty, with Blackness, with growing up in Mount Vernon/New York City, will help you cope. But you will never be a fit in any place you inhabit in this lifetime.

And, you need to know that this will be perfectly fine. Fitting in never brings you the material and psychological benefits you will seek for yourself and your loved ones. Fitting in only brings you headaches on the regular, endless cycles of diarrhea and constipation, a nearly permanent insomnia. Fitting in makes you almost forget your training as an African American historian and your expertise in understanding the human condition. Fitting in nearly kills the writer you so desperately need to become before you even fully acknowledge that you are one.

So, do not ever fit in. Do not even try. Be you. Be your best you. If that isn’t enough, that’s the problem of a world full of bullies, Head-Negro-in-Charge micromanagers, White moderates, paternalistic White women, and other who would prefer brown-nosers to free thinkers. Not to mention, the armies of sycophants these assholes tend to hire.

So, the meritocracy is a neoliberal lie, and a debt-ridden deadly one. You might never break through as a writer in all the ways that matter to you. Or you just might. Or, you may fully break through, only to find out that you are so much more than the writer you will eventually become. But do not look for approval. Especially not from the US academic and literati set. Let them continue to eat their shitty cake.

Revealing in Cloaked Blindness/I Heart Kendzior’s Work

30 Thursday Apr 2020

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, music, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, Work, Youth

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Front cover of Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America (2020), by Sarah Kendzior, April 30, 2020. (Donald Earl Collins).

In the past four years, I have read so many good and great books, fiction, nonfiction, and mixed genre. Black and Brown writers — especially Black women and Latinas — have written nearly all of them. Brittney Cooper (crunk, crunk!), Chimamanda Ngozi Adichie, Colson Whitehead (masterclass!), Crystal Marie Fleming, Darnell Moore, Bassey Ikpi (poetic masterclass!), Erica Armstrong Dunbar (literally brought together the academic with creative nonfiction) , Ijeoma Oluo, Kiese Laymon (Black abundance and excellence, of course!), Mona Eltahawy, Morgan Jerkins, Patricia J. Williams, the ever-great Roxane Gay,  Tressie McMillan Cottom, Raquel Cepeda (a New Yorker after my own heart!), Imani Perry (3 books in two years — this woman has range!), Leta Hong Fincher, Jose Antonio Vargas, Alondra Nelson, Mycheal Denzel Smith, and likely another ten or fifteen I can’t remember by name.

All of them (really, all of y’all, since I have had conversations with you all in person, on social media, or in my head since 2016) have confirmed so many of my ideas around racism and narcissism, about the use of the interdisciplinary, about the hard-nosed work of writing. They have strengthened my voice around Black feminism, critical race theory, Afrofuturism (a term I was chagrin to use about my own writing this time seven years ago), and queer studies. They all have shown what I have been teaching since I was a PhD student in 1993 — the connections between -isms-laden ideas and deliberately punitive policies meant to cower the ordinary and crush the marginalized.

Sarah Kendzior has done so much on this last theme, uncloaking the connections between the ambitions of brazenly craven rich White guys (and some women) to enrich and empower themselves while destroying the US that came to be with FDR, the New Deal, and the post-World War II superpower boom. And Kendzior does so unassumingly, with bits of memoir that parallels the US glide path toward naked autocracy since the mid-1970s.

I’ve been reading Kendzior since her freelancing days with Al Jazeera, so, somewhere around 2012 or 2013. So many of the themes in Hiding in Plain Sight are familiar, if only because those themes of a hollowed-out St. Louis, a systemically racist and autocratic government, where corrupt and unaccountable leaders are front and center in nearly everything that Kendzior writes. Plus, I am a half-century old Black man and historian who grew up in malnourished welfare poverty and around eschatological cults in Mount Vernon, New York and in New York City. Everything Kendzior has written over the years, I know down to my bones and veins.

Because of that, I wasn’t sure if I wanted to buy Hiding in Plain Sight, forget about reading it. But Kendzior uses her book to build a case better than Perry Mason and Jack McCoy (of Law & Order lore, played by Sam Waterston) could on their best days. Kendzior’s thesis is that Trump as POTUS was inevitable, as the “elite criminal network” of which Trump is a part “has been building for decades.” This network includes “right-wing Republican extremists, apocalyptic religious movements of varied faiths, social media corporations, advocacy groups like the National Rifle Association, and part of the mainstream media.” According to Kendzior, what makes them new and lethal to the US is their “transactional nature and reliance on non-state actors.” Ultimately, this cabal “will take your money, they will steal your freedom, and if they are clever, they will eliminate any structural protections you had before the majority realizes the extent of the damage.” Along the way, they are transitioning the US “from a flawed democracy to a burgeoning autocracy” (pp. 8-9).

Kendzior skillfully uses her own growing up and adult experiences and the places she’s inhabited in building the interconnections between Trump’s lifetime of enabled narcissism and criminality and the rise of the American autocracy. She starts where she usually does, in Missouri, “the bellwether state turned corruption capital, the broken heartland that got the sneak preview to the national shitshow” (p. 20). Kendzior makes the case that Missouri and St. Louis even more specifically represents well the erosion of democracy all over the US with the infusion of dark money and out-of-state money and operators in state and local elections. I do think that she oversells the assumption of Missourian and Rust Belt irrelevance here, if only because every White American actor attempts a Missourah or Midwestern accent in the standard movie, TV show, or internet series not centered in New York.

But I digress. The gutting of Missouri and the rest of the Midwest between St. Louis and Pittsburgh (although so many cities outside the Rust Belt could say the same, like my own original hometown) was a deliberate one, meant to destroy unions, to line politicians’ pockets, and to enrich already filthy-rich folk. People like one Donald J. Trump.

Kendzior again builds a Mayan-step-pyramid-of-evidence to show how Trump had aspirations toward the presidency at least since the 1980s, and had gotten away with grifting projects and Ponzi schemes since the 1970s. And with those twin motivations, how Trump could easily become comrades with Russian mobsters and the likes of the infamous Roy Cohn, with Paul Manafort, with Roger Stone, and the rest of this crew of the craven. And Kenzior ties this one up with a macabre dystopian bow, bracketing Trump’s almost inevitable rise with the story of how her mother taught her about George Orwell’s 1984, a timeline her “mother laughingly assured [her] did not exist” (p. 76). “We are living in the future Orwell warmed about” now, Kendzior wrote.

Among the more heartbreaking vignettes in Hiding in Plain Sight is the story of Kendzior’s own personal experience with the new normal of constant job and financial insecurity born from a false Great Recession recovery in the years after 2008. The collective we have often looked back at the Obama years with fondness. But all the while, the US kept rolling down the same road to autocratic perdition, chewing up everyone not affluent along the way. Kendzior’s experience is no different from my own, and no different from at least 150 million others.

For over a year I would wake up shaking. The economic nightmare I had documented for years as a journalist had finally gotten me, like a monster I had tracked but failed to slay…It made no difference what we could offer the world. We only knew what the world could take away…The rage, though — that stays with you. (pp. 133-135).

Kendzior wrote a book that few who truly understand the nature of the evil that has infected the US since the 1970s could argue is incorrect. Her analysis is nearly as excellent as the prose, to be sure.

I do have a few bones to pick. Mostly because I had a hard time figuring out the audience Kendzior was attempting to reach. Was it other journalists? The broader American public? Anyone who needs a Laurence Fishburne-style “Wake up!!!” call from School Daze?

I landed on nearly-disillusioned-White-Americans as Kendzior’s audience, the ones still clinging to the hope of the American Dream with their fingernails, the ones who all but realize that the Dream is a lie and a nightmare for almost all of us. “I am trying to show them [her children] our country was always vulnerable, always flawed, but that people fought back. We’ve survived as long as we have due to self-criticism and sacrifice, a willingness to examine our faults and try to fix them,” Kendzior wrote (p. 213).

I’m sorry, but this is the America I read about in a Harcourt, Brace and Jovanovich textbook from fifth grade in 1980, not the America in which I have lived for 50 years, worked in since I was 14, and studied for three decades. This is a part of the American mythology, this idea of self-correction. The only times the US has changed to mete out symbolic half-measures toward its ideals has been when the marginalized through years and even decades of resistance have forced it to. Full stop. To suggest otherwise would be to suggest a land that believes in anti-racism, Black feminism, reproductive rights, non-binary sexuality, and democratic socialism. Where is this US? I am still looking.

Another criticism is around Trump himself, and about the arc of the autocratic glide path of the US since 1968. Yes, just as Kendzior and others have written, I have also written that Trump was an inevitable consequence of rampant criminality and grifting, of lying in the same bed with mobsters and autocrats from Russia, Israel, Saudi Arabia, and the US. But really, in a country as racist, misogynistic, and narcissistic as the US has always been, someone like Trump was always the danger, and has happened on some level in the past (see Andrew Jackson, see James Buchanan, see Teddy Roosevelt, see even FDR’s four terms in office, as good as his New Deal policies were). The US is just two months removed from Mike “will get it done” Bloomberg running for president, a much more competent billionaire and grifter, with his own ideas for autocratic rule. It ended up being Trump, but it could have been any of a dozen aspirants we’ve seen from the top 1% over the past three decades, starting with Ross Perot.

Kendzior’s centering of Trump is disturbing because the “burgeoning autocracy” has always been an autocracy for Blacks and for indigenous Americans, going back to the days before the US even existed. In modern politics, the dividing line isn’t Trump or the Great Recession. It’s Vietnam and Richard Nixon and his “Southern Strategy” in 1968. It’s the Reaganomics and the corporate deregulation of the 1980s, followed up with gutting the social welfare state that has occurred with every president since Reagan, including Mr. “Mend it, don’t end it” himself, Bill Clinton. As Malcolm X said in his “The Ballot or the Bullet” speech at King Solomon Baptist Church in Detroit, Michigan in 1964, “Oh, I say you been misled. You been had. You been took.” But not by Trump, at least not just. Trump was the one Kendzior and so many others saw coming, but could do nothing about, because Trump wasn’t the first.

“The Bush Legacy” editorial cartoon, Nate Beeler, January 13, 2009. (https://www.dailykos.com/stories/2010/11/13/919739/-; Washington Examiner). Fair use applies due to low resolution of screen shot and subject matter.

And if Trump was inevitable, then what does that say about our first family of autocrats, George H. W. Bush and George W. Bush? The amount of international meddling in which these two presidents engaged? The trillions spent on wars, all for more access to Saudi Arabian oil, their autocracy, and their money, and all to line their pockets and the pockets of cronies, especially those within the military-industrial complex? Dubya and Cheney used 9/11 to push the Patriot Act in Congress, the single biggest autocratic move in American history since the Electoral College? The players on the US side of the table may be different in 2020, but the evidence gathered in the years since 2000 show significant foreign interference and at least one rigged election. But I’m supposed to believe that Trump’s version of autocracy is worse because his corruption is much more obvious and because his flaunts it with buffoonery and a deluge of lies? Anyone remember a Dubya presser between 2000 and 2009?

I am a big believer in both-ands. Binary either-or explanations may be simple, but they are usually incomplete. Kendzior argues that Trump’s a master of using buffoonery and deception to bamboozle an audience and distract them from his daily crimes. Most of the rest of us think Trump is as dumb as shit. But why can’t he be both? Mussolini, Stalin, and Hitler are all proof-positive that one does not need great analytical power to be savvy, brazen, and bullying enough to make one’s stupidity work for them. And when someone like Trump comes from money, it is that much easier.

There’s this song “Silent Running” by the ensemble pop/rock group Mike + The Mechanics — with Mike Rutherford of Genesis, Paul Carrack of Squeeze, B. A. Robertson, et al. — from 1985-86. Kendzior may have heard it growing up. The music is eerie and an homage to resisting totalitarianism. The lyrics, though, so poignant, both to Hiding in Plain Sight and to where my mindset has been about the US since the 1980s.

Take the children and yourself
And hide out in the cellar
By now the fighting will be close at hand
Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command…

Swear allegiance to the flag
Whatever flag they offer
Never hint at what you really feel
Teach the children quietly
For some day sons and daughters
Will rise up and fight while we stand still

That’s what I hope my descendants (literal and figurative) will take with them, and that’s what I hope for Kendzior’s children. Anything about a primrose American past in the time before cronyism and Coronavirus, though, would belie this “Silent Running” truth. I strongly urge everyone I know to read Kendzior’s book. Just be sure to find the words “Bush,” “Dubya,” and “both-and” along the way.

Intermittent Starvation

22 Sunday Mar 2020

Posted by in 1, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Hebrew-Israelite, Jimme, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, Religion, University of Pittsburgh, Work, Youth

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Empty fruit and vegetable section shelves, Asda store, London, UK, March 14, 2020. (Yui Mok/PA via AP; https://www.washingtontimes.com/news/2020/mar/15/trump-tells-people-stop-hoarding-and-buy-normal-am/).

A fair number of people I know have gotten into this trend we collectively call intermittent fasting. It’s the idea that you reduce your caloric intake by either reducing you total number of meals per day or take a set of days to not eat at all. When combined with rest, sleep, and exercise, one can become healthier, lose weight, and roll one’s body back to the days of normal blood pressure and glucose numbers. In the somewhat Apocalyptic times in which we live, some have said that intermittent fasting may be the new normal. Especially if or when stores and supermarkets begin to run out of foodstuffs. We will see what we will see come May, June, and the summer.

In the department of limited food intake, I have years of experience. Between the fall of 1980 and the winter of 1999, there isn’t a year where I didn’t have to scramble for scraps. I unknowingly made the lack of food at 616 part of my escapism in those earlier years, especially in Peanuts Land, where I used empty styrofoam McDonald’s and Burger King containers to construct the eatery sections of my imaginary capital city. It was partly why I liked it when my father would show up every third Saturday between April 1979 and April 1981 to take me and my brother Darren out for a few hours or even the whole weekend, sober or drunk. It didn’t really matter to me. Being able to eat fast food was a godsend this time four decades ago. Arthur Treacher’s Chicken and Chips, Mickey D’s, Carvel’s soft-serve ice cream, Papaya’s hot dogs, Wakefield’s brownies and greasy-spoon diners. Once, I even ordered and ate three Big Macs in one sitting at the one-time McDonald’s on the Avenue in South Side Mount Vernon. I was ten in 1980! Ah, those were great days!

But those days came after many days of well-balanced but often meager food options that Mom provided. Chicken and dumplings, pinto beans or black-eyed peas with rice, pork neck bones, and corn bread, and cabbage, cabbage, cabbage! By the end of 1980, cereal was no longer a regular household staple, and snacks were a rarity. Heck, when Mom and my idiot stepfather Maurice separated for six months that October, he cleaned out weeks’ worth of pork chops, lamb shanks, chicken, ground beef, and steaks on his way out of our apartment.

Then, the Hebrew-Israelite years came, and with it, intermittent fasting. That is, with extreme urban poverty. With the start of middle school in September 1981 came days at a time where I didn’t eat or ate very little. Our conservative take on Judaism meant that we would all have to fast for three days prior to Rosh Hashanah, Yom Kippur, and Passover. Since Darren and I weren’t adults, we were supposed to fruit and juice fast. That would have worked if there had been fruit juice and fruit in the house regularly! Our first Rosh Hashanah was the only time in those three years where I ate oranges, apples, grapes, and bananas for all three days. But with my family’s economic decline came days where I simply went to school and did not eat at all, upcoming high-holy day or otherwise.

So many days I watched my classmates eat full lunches while my stomach growled from drinking water. Pride and watching the older students clown others for being on free and reduced lunch kept me from picking up and filling out the application. And even if I hadn’t been raised to not expect handouts and to not see free-lunch as a sign of familial failure, the Hebrew-Israelite years complicated matters for me. Most Fridays at school, the cafeteria served grilled ham-and-cheese sandwiches with French fries.

It got way worse before it got better. From October 1981 through April 1984, we went between seven and 10 days every single month with little or no food at 616. After the 20th of any given month, I knew I’d miss meals, or it would be cabbage and corn bread or Great Northern beans and rice again. Keep in mind, Mom worked at Mount Vernon Hospital for most of that time as a dietary supervisor, so she worked around food while often hungry herself. One weekend in October 1982, all we had in the kitchen was some dried up cabbage, sugar, a little bit of flour, and a one-year-old box of Duncan Hines Devil’s Food cake mix. Things were so bad the summer and fall of 1982 that Mom was bringing home scraps from her job for us to eat. I got sick of days’ old Boston Creme Pie, hospital version.

Life improved slightly when Mom went on welfare after my late sister Sarai’s birth in 1983. But the food shortages continued into 1985, when Darren and I began working with my father regularly, and then began getting our own jobs. But while the malnourishment and starvation left me scarred, they also left me prepared for future crises that for many would have been calamities. Homelessness, malnourishment, and no money while at Pitt in 1988. Difficulties with rent, bills, and food in 1990 and 1991, when I graduated from Pitt. Summers looking for work and living off fumes in 1992, 1993, and 1997, when I was in grad school and after I finished my doctorate at Carnegie Mellon. The beginning of 1999, when me and soon-to-be-wife stretched $20 over ten days, eating makeshift gravy with instant mashed potatoes while teaching nearly every day for a week at Duquesne.

Maybe that explains why I once thought about becoming a chef while growing up. Maybe that’s why I took so quickly to cooking family-sized meals when I was 14. Maybe that’s the reason I made a point of cleaning off every plate of food I fixed or someone else put in front of me until I was 31. It’s certainly the reason behind my OCD around shopping, cooking, storing, and giving food, for myself, my family, and for others, for so many of my 50 years. It very well could explain my G-I tract issues and IBS for much of my adult life.

But with this COVID-19 pandemic could come food and other shortages. The land of endless plenty could have pockets of starvation if millions get sick and stay sick for too long. I have thought for years about buying a composite bow and some arrows with which I could shoot a deer in the neck. I already know I can do it, having killed two dozen mice and rats over the years — some with a broom handle, a hammer, and my bare hands. I have beheaded and gutted fish, chickens, and turkeys. I have eaten venison and rabbit stew before. Or, I could hop on down to Home Depot and buy some seeds to grow snap peas, green beans, maybe even squash or potatoes. We do have a back yard!

Maybe this is all overblown. Maybe this isn’t the Apocalypse. We still have electricity, cable, and wi-fi, after all. Yet the Romans still had gladiatorial games at the Coliseum during two years of siege and starvation at the Visigoths’ hands before it fell in 410 CE. Thousands and perhaps a few million could go without food, even if the power plants and Comcast and Verizon never shut down.

So, intermittent fasting may well work for many. As for me, I’ve tried it, and I still do it from time to time. But you cannot fast your way out of a crisis. You can hunt and grow your way out of one, though.