Signs of Elitism

17 Monday Jan 2022

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Upper East Side, Upper West Side, Work, Youth

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Academia, Academy for Educational Development, CMU, Crabgrass Frontier, Elitism, Elitist Assumptions, Nonprofit World, Presidential Classroom, Racism, Savage Inequalities, Wet Rags, White Women's Tears

Front cover, Joel Stein’s In Defense of Elitism (2019, cropped), January 16, 2022. (https://amazon.com).

I have spent four-fifths of my life in elite spaces among affluent whites, middle class Blacks, and Americans elites in general. I have so little in common with them aside from eating, drinking, breathing, and having a sex drive. So little that I sometimes think that God made a mistake and missed my exact time and place for my existence by 20 or 30 years, meaning 1949 or 1994 would have been better years for my birth.

But it’s not when I was born so much as the lack of material resources with which I lived growing up in the most resourced area in the US. And that has brought consequences for me since the year I began puberty. The years in Humanities in middle school and in high school in Mount Vernon, New York. Hearing about everyone’s summers those first days of school between seventh and 12th grade, for example. Black and Black Caribbean classmates regaling us with their summers spent down South, in Jamaica or Barbados or Trinidad and Tobago visiting close relatives. Or, their trips around the US, from the Grand Canyon to cities I wouldn’t travel to until I was 24 or 35. Or my white peers spending their Junes, Julys, and Augusts in France, the UK, Japan, Germany, Italy, Greece, Egypt, or Israel. I lied about going to Tel Aviv my first year.

I rarely left Mount Vernon and New York City those years. Albany was the furthest I’d been away from home, on a school trip in October 1985. My walks occasionally took me across the New York-Connecticut border (in 1986 and in 1987), but that was somewhat accidental.

In grad school, especially once I transferred to Carnegie Mellon to complete my PhD, these awkward communications involving my lack of socioeconomic privilege and my white classmates’ rose-colored worldviews continued. In my final semester of grad courses in Spring 1994, I took Comparative Urban History with Katherine Lynch. One week, we were in a discussion of Kenneth Jackson’s Crabgrass Frontier: The Suburbanization of the United States, about the correlation between suburbanization and the expansion of the white middle class. Jennifer, one of my classmates, contributed her not-so-insightful analysis of what this correlation meant, about how “most Americans benefited” from the growth of suburbs between 1945 and 1980.

I was not happy with her elitist worldview. I already knew that she was 23 or 24, married, and from suburban Philly (think a place like Cherry Hill, New Jersey). I also knew that Jackson’s point correlated well with White Flight from increasingly Black and Brown cities like Philly, New York, Boston, DC, Detroit, and Chicago. Being in my third year of grad school overall and surrounded in this course by first-years, I had one advantage. I was almost as well read on topics of inequality as most of my professors.

So I said to Jennifer and the rest of the class, “Well, if by ‘most Americans benefited,’ you mean white Americans, then yes, suburbanization was a good thing. But cities’ tax bases didn’t benefit, and neither did the African Americans who moved into cities that whites flew out of. Redlining and restrictive covenants made it harder for middle-class Blacks to ‘benefit’ from suburbanization. And last I checked, poor people live in suburbs, too.” That last past was a direct reference to my growing up with poverty in Mount Vernon, and the scores of poor Black and Latinx and Black Caribbean folk I knew in Mount Vernon and throughout the New York area, suburban and urban.

During the class break, Jennifer came up to me as I was standing outside the seminar talking with my other white classmates congratulating me for my eye-opening perspective on how to break down Jackson’s book. She brought all five-foot-three of her frame to bear, almost as if she had attempted to stand on a soap box (even with one, at six-three, I would’ve had to bend down to see her ire). She had tears in her eyes and one running down each cheek. “I can’t help how I grew up. I am not a racist,” she said, and then walked away in a huff. “I guess I struck a nerve,” I said in response to one of my other peers.

I really didn’t give a rat’s ass about her crying. None of it was going to make the lives of Blacks and Latinx people with poverty in Camden or Philly or even Cherry Hill any better. White women’s tears and crying foul when challenged for their elitism had already hardened me against placating them. My experiences matter, damn it!, was what I thought after that exchange.

Even outside academia, the elitism wafted like millions of gallons of human shit at a sewage treatment plant. Between Presidential Classroom and AED, I spent much of my nonprofit years (meaning, a good portion of my thirties) proving to others that despite my background, I could do work on behalf of others. My bosses held it against me that my parents weren’t GS-12 or higher federal employees, or diplomats, or advisors, or members of country clubs. Or, especially in AED’s case, that neither I nor my parents ever served in the Peace Corps or traveled overseas. I practically had to do somersaults and cartwheels to do my work between 1999 and 2008, but could not maintain social connections, because my doctorate from Carnegie Mellon would never be good enough.

Maybe I’ll discuss Black middle class folk and their rites of privilege and passage, especially fraternities and other organizations. But I’ve already written quite extensively about why I’ll never fit it with such groups. And at 52, I’m not entirely sure I want to. I guess after a lifetime of my peers ignoring me or erasing me or acting as if only their socioeconomic and racial privileges matter in explaining how the world works, I simply don’t care anymore.

My mom grew up as part of a sharecropping family in southwestern, Red River Arkansas. She’s the oldest of 12 children. She worked mostly in the kitchen of Mount Vernon Hospital or in the billing department of Westchester County Medical Center in Valhalla as a paraprofessional for 34 years, with a 16-year period on welfare in between. My dad worked as a janitor or a supervisor of janitors and building cleaners all his time in New York and in Jacksonville. He grew up as a tenant farmer (before his family bought out their land) in rural south-central Georgia. He barely finished seventh grade. His two sisters were the first in the family to go to college, and both spent years teaching during segregated times. Despite it all, I am proud of their work. No pedigree is fine with me.

How Did I Know I Was Heterosexual?

09 Saturday Mar 2019

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, Jimme, Mount Vernon New York, music, My Father, New York City, Pop Culture, race, Religion, Upper East Side, Upper West Side, Work, Youth

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Asexuality, Attraction, Bible, Chastity, Colorism, Evangelical Christianity, Heterosexism, Hypermasculinity, Misogynoir, Misogyny, Self-Realization, Self-Reflection, Sexual Orientation, Sexuality, Teenage Angst

Whitney Houston’s “How Will I Know” 45 single sleeve, circa 1986. (https://medium.com)

This is more than just whether I knew I liked teenage girls and women by the time I was my son’s current age of fifteen, though. Between humping older women’s legs when I was three or four years old (too much information, I suppose), me and Diana slobbering on each other in first grade, and my crush on Ms. Shannon in third grade, that would be enough for most kids to know their orientation. But because I wasn’t “hard” like the boys I lived around at 616 and 630 East Lincoln and the young Turks who lived in public housing on Pearsall Drive, I was often the neighborhood “pussy” or “faggot.” I was mugged four times between April 1979 and the end of 1983. I spent more than one weekend dodging a hail of pebbles and rocks that the neighborhood kids pelted me with. That, and the then buried sexual assault I endured when I was six left me questioning my own sexuality, and with that, my place in the world in terms of friendships and relationships.

The whole Hebrew-Israelite thing, and the additional layers of abuse, hypermasculinity, and misogyny that came with it didn’t help my evolution one bit. One would think that a months-long crush on — really, love for — Wendy in the spring of 1982 would once and for all settle this issue. It didn’t. It didn’t because even I recognized that my love for Wendy was for the version of her who took up space in my imagination. She had become ethereal, and was detached from the flesh-and-blood human being with whom I shared little more than the confines of the classroom in the years between 1981 and 1987. I found her attractive, but had already judged myself unworthy.

Puberty, rebellion, and my switch to Christianity in 1984, and the contradictions that came with this switch over the next year, would tell me more about who I was. This was the beginning of my years of relative asexuality, at least as I presented myself in public. Since I dedicated my life to Jesus, every potential carnal thought I had or action I could take was met with self-doubt and loathing. Mostly, though, I feared for my newborn soul. I feared that somehow, I would go back to being suicidal, Hebrew-Israelite-and-going-to-Hell Donald, the one that got clowned and stoned before reaching six-foot-one.

One of my many attempts at being chaste between September 1984 and May 1985 involved toting my Bible everywhere and breaking it out to read during every idle moment. At school, which got me in trouble with my 10th grade history teacher, Ms. Zini. At home, when I wasn’t distracted by music, my younger siblings, or our fucked up living arrangement with one Balkis Makeda. As sanctimonious as it was, I was really trying to learn, to receive revelation, to understand how this 66-book, 1300-page document could transform me and my mini-apocalyptic world.

I also rode the buses and subways around the city with my red-covered Bible in hand. On many Fridays and Saturdays, whether working for my dad or hunting him down for money, or just because I needed to get away, I’d take the 2 from East 241st in the Bronx to 72nd in Manhattan, or further down, to Times Square, or sometimes, all the way out to Flatbush in Brooklyn.

No matter where I or we (when my older brother Darren would tag along) went, the most interesting part of these outings usually were the people who would be in the cars with me/us. Drunkards who reminded me of Jimme. Older Jamaican women on their way to do domestic work. Middle-aged, haggard-looking White guys who dressed twenty years too young for their faces.

Screenshot from “I Wonder If I Take You Home” video, Lisa Lisa & Cult Jam (1984/85). (https://imgue.com).

Frequently, Nuyorican or Dominican girls and young women would board somewhere between 180th and East Tremont and 149th and Grand Concourse (though because of the ethnic tensions I didn’t understand at the time, certainly not at the same time). I would look up from reading II Chronicles or Esther or Ephesians, and before I could comprehend the people my eyes took in, my dick responded. At 15, I already knew that even a mildly warm breeze was enough for me to get a hard on. I didn’t know that four or six young Latinas on a train wearing bright, tight clothes, makeup, lipstick, and perfume, and heels that would accentuate their breasts, hips, and round butts would completely counter my asexual front. Luckily for me, the Bible-toting phase of my life was during wintertime, and I could cover up my woody with my jacket.

Of course, it felt sinful, and I felt ashamed, that a second and a half of staring up from my Bible would lead to carnal stirrings. But it also gave me a sense of who I was and wasn’t attracted to, really and truly. When White girls with their voluminous ’80s hair got on the train, I hardly noticed. They were trying too hard, and their flat butts did nothing for me. When single Black women in their twenties and thirties would board, I noticed, too. I didn’t have what I would learn later to be colorism issues.

Of course, I learned that I was heterosexual, which I knew would please my Mom to no end. Which actually pissed me off. So, if I had discovered I was gay, she wouldn’t accept me? Wow!, I thought one April Saturday on way back to East 241st. At that point, my evangelical zeal for setting myself apart from the rest of world with my Bible as a baseball bat had waned. I was nowhere near ready to be involved in any kind of relationship that would lead to sex. But, I was ready to drop the idea that my eternal life completely depended on me ignoring both women and my attraction to women. I would remain publicly asexual for a few more years and endure f-bombs from my dad. Truly, it took until I was twenty to understand that whatever my orientation, no one has the right to tell me that my sexuality was anathema to my Christianity.

What Trump in 2017 and My Dad in 1984 Have In Common

24 Thursday Aug 2017

Posted by decollins1969 in 1, Boy @ The Window, Cleaning, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon New York, My Father, New York City, Politics, race, Upper East Side, Upper West Side, Work, Youth

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45, American Narcissism, Delusions of Grandeur, Father-Son Relationship, Internalized Racism, Jealousy, Materialism, Resentment, Self-Loathing, White Supremacy

Donald Trump greets supporters after a rally, Mobile, Alabama, August 27, 2015. (Mark Wallheiser/Getty via http://www.telegraph.co.uk/).

The first time I ever heard of Donald J. Trump was while working for my father in the fall of 1984. It was in the context of having to work for our money with my dad from August until December that year. Not to mention, Walter Mondale’s sad and forlorn presidential run, Jesse Jackson’s “Hymietown” sound bite, and my Mets making themselves relevant again with Strawberry and Gooden. So many Friday evenings, Saturday and Sunday mornings in that part of the year, me and my brother Darren spent on the 2 Subway going to the Upper West Side to clean co-ops and condos, offices and hallways with so many industrial cleaning and buffing machines. And usually, my father was either drinking, hung over, or jonesin’ for a drink during these nearly weekly weekend job duties for nearly four months.

My father would often name drop as part of his constant yammering about “The City,” and how he was “a big shot doctor an’ lawyer” working carpet cleaning machines on the eighteen floor of a co-op off 68th and Broadway or 77th and Columbus. For two weekends, we worked the Upper East Side off the 86th Street Subway stop. It was during those weekends on the blocks between White Manhattan and Spanish Harlem that I learned who really ran the city.

King of New York (1990) with Christopher Walken screen shot. (http://www.electricsheepmagazine.co.uk/).

“You know who really run dis city? Milstein,” my father said, as if I had asked him about New York’s movers and shakers. I remained silent as I worked the buffing machine in an office building lobby.

“But dere ‘nother one comin’ up. That Donal’ Trump a good bid-ness man dere! Yep, yep!,” my father continued while waging his right index finger in admiration.

I didn’t think much of the comment at that moment, because it was part of my dad’s typical “Lo’ at dis po’ ass muddafucka! I make fitty million dollas a week!” delusional diatribes. But soon after, I remembered seeing something about Trump and his first wife Ivana in the Daily News. It was probably related to one of his business deals, either for the eventual Trump Tower, the hotel deal near Grand Central, or his fight with Koch over being snubbed out of the work for the new Jacob Javitz Convention Center. I thought nothing of the man beyond the truth for people like me, people who tended to be repulsed by narcissistic self-aggrandizers seeking attention and praise.

But in those Lifestyle of the Rich and Famous times, it was obvious Trump believed in host Robin Leach’s closing words. “champagne wishes and caviar dreams.” The man always talked about making deals, making money, and living as if he were a single man with an insatiable libido and without kids. More than once, in listening to this unseemly rich man, I thought, “Sounds just like Jimme.”

To think that an eventual US president would have the same ways of viewing the world as an inebriated man in his mid-forties is beyond troubling. At the very least, it makes me wonder what kind of drugs 45 has snorted over the years. But it also is proof of the pervasiveness of American narcissism. That a Black man with a seventh-grade education — not to mention, an alcoholic with a $30,000-a-year job — could see himself as a “big shot” in the same way as 45 sees himself as a “successful businessman” with at least four bankruptcies, a $200 million trust fund and a $1-million loan courtesy of his dad to his credit. It points to a society that seethes with an egocentric penchant for money, riches, and power to lord over others. It points to a people who self-loathe so much that jealousy can be normalized, that using precious psychological, emotional, spiritual, and even material resources to one-up themselves over unnamed others whom they see as their lessers is an everyday thing.

Luckily, my father sobered up about whom he had been, his narcissism, the many slights he absorbed as a late-era Black migrant in New York, the many jealousies he harbored, and his own self-hatred. And that was all before he stopped drinking at the end of 1997. That doesn’t mean that my father now qualifies for sainthood. But he is at least in touch with who he is, and the need to be a better person every day.

Losing brain cells, September 27, 2013. (http://www.dailyhealthpost.com).

45, though, hasn’t grown a single self-reflective neuron in the past thirty-three years. Matter of fact, as evidenced with so many verbal explosions over Charlottesville and “Rus-shur,” 45 may have destroyed at least five billion neurons since Ivanka was a toddler. America, to its collective detriment, has a 71-year-old less psychologically able to be president than my father would’ve been during the worst of his alcoholic times. What makes this unsurprising, sad, and anger-inducing, is that the US has had at least a half-dozen other presidents who also shouldn’t have been trusted to sit next to my dad and remain civil at the same “Shamrock Bar” on East 241st Street, where he frequently gave away his paychecks.

So America, 45 is “a shame and a pitiful,” as my father would say. A shame to the US and the world stage, and a pitiful mess for anyone to watch in action.

The Cruel Lure of Academia

22 Saturday Apr 2017

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Upper East Side, Upper West Side, Work, Youth

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Academia, Academic Culture, Academic Jobs, Barbara Lazarus, Bruce Anthony Jones, Burnout, CMU, Contingent Faculty, Faculty, False Gods, Family Issues, job search, Joe William Trotter Jr., Meritocracy, Pitt, Politics of Academia, Publish-or-Perish, Teachers College, Tenure-Stream Positions

Rihanna as Medusa, GQ Magazine cover, December 2013. (http://pinterest.com).

Twenty years ago on this date, I took the call that would help define my last two decades professionally. It was a call from Teachers College, Columbia University. I had made a final cut of interviewees “out of more than 300 applicants,” for a tenure-track assistant professorship in the history of education, the administrative assistant to the ed foundations department chair’s office had told me. It was my first post-PhD job call, one at the time that I hoped would be the only one I’d need.

It wasn’t my first interview for an academic position, though. That distinction went to Illinois State University, in April ’94. Two of their history professors were at the American Educational Research Association annual meeting in New Orleans, screening applicants for a lecturer and a non-tenured assistant professor position. I dared not tell my advisor Joe Trotter or anyone else about the screening invite. I went, I met the two youngish professors, both of whom told me to finish my PhD before applying for another job, because they thought my work “too promising” for non-tenure-stream positions. I had also interviewed for two education nonprofit positions, both in Pittsburgh, and both only offering me only a few thousand more than the US Postal Service offered me in ’92, when my name for a job finally came up.

Burned out 40w light bulb, April 27, 2010. (http://www.iamtonyang.com).

Now I had gotten a call from one of the most prestigious education schools in the world. A school within the same university that wanted to hire a private investigator ten years earlier because they didn’t want to give a poor Black kid a four-year free-ride. Despite the irony, I was happy, nervous, and apprehensive. I was happy for the opportunity, nervous about my prospects, and apprehensive about the possibility of moving back to New York. But, most important, I was also burned out emotionally and psychologically from the dissertation process, though not as burned out as I would become in the six weeks that followed.

The interview itself three weeks later was one of the best I’ve ever done for anything. I gave my job talk on multiculturalism and Black education, and for once, professors and graduate students in the audience didn’t look at me like I was speaking Vulcan. I actually had fun on that eight-hour interview day. As much fun as eight hours of scrutiny and answering the same questions over and over again could bring.

But, I remained apprehensive. Because I knew that I had a lot of big decisions ahead if I didn’t get this position, and just as many or more if I did.

Could I pay rent or eat through the summer if I didn’t get the job? Should I go groveling back to Carnegie Mellon, so that I could teach the required World History course for the 1997-98 school year? Could I pick up an adjunct gig at Pitt, Duquesne, or one of the other universities for next year, or what if it’s already too late to reach out? Could I get help from Bruce Anthony Jones, or beyond my dissertation committee, people like Barbara Lazarus, in securing my future? These were the normal questions that an army of PhDs in fields like history faced every single year.

For me, though, the idea of being an assistant professor twelve miles from where I grew up and thirty blocks from one of the buildings I helped my alcoholic father clean made my brain twist in knots. Heck, Teachers College had put me up at the Hotel Beacon on Broadway, between 74th and 75th Street, just three blocks from a high-rise me, my older brother Darren, and my father had cleaned the carpets and floors of regularly between 1984 and 1986. Did I really want to go back to a place with so many bad and embarrassing memories?

Plus, it wasn’t just my past I worried about. Living in subsidized faculty housing wasn’t ideal for me and my soon-to-be-wife. My younger siblings could reach me by catching the 1 or 2 train, and with the recent fire at 616 and the trauma that had caused, their visits were likely to be a regular part of my routine. I had given Mom something like $5,000 in the three years before the possibility of this job, as a graduate student. As a professor, she would likely expect me to do so much more.

Charging Bull of Wall Street (or a false god), cropped, January 19, 2016. (Sam Valadi/Flickr, via http://www.atlasobscura.com/)

Looking back, if Teachers College had offered me the job and I’d of course taken it, I likely wouldn’t have earned tenure. Oh, I would’ve been a fine classroom professor, and most of my students would’ve liked, loved, or learned from me. But between me having not dealt with my Mount Vernon/NY past, my Mom and siblings and family issues, and trying to turn my dissertation into a book and churn out academic pieces, I would’ve needed psychotherapy after three or six years. But Teachers College rejected me two months later. It supposedly came down to me and one other person.

This is what academia does to its own. With too few tenure-stream jobs and way too many qualified candidates, each job interview or job earned becomes magnified, to the point where taking a position can close as many doors as receiving a rejection for a job. Combine that with the false gods of meritocracy and academic freedom, and you have a recipe for a world of competitive disappointment. Academia is a world full highly educated people working for working-class wages but with elitist expectations of themselves and of those lucky few with tenure-stream positions. Add race, class, gender, family, and intersectionality to this brew, and it’s a wonder more of us don’t experience depression or some other mental illness.

I wouldn’t have been able to write this twenty years ago, even if I subconsciously suspected or consciously knew this to be true. I was tempted by the brass ring, only to find it was really a rusty old nail bent to look like something valuable.

Aside

“Back In The Summer of ’85”

04 Saturday Jul 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, High Rise Buildings, Jimme, Mount Vernon New York, music, My Father, New York City, Pop Culture, race, Sports, Upper East Side, Upper West Side, Work, Youth

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"Summer of '69" (1985), All-Nighter, Atlanta Braves, Back To The Future (1985), Bryan Adams, Darryl Strawberry, Davey Johnson, Dwight Gooden, Eleanor Bumpurs, Escapism, Fireworks, Gary Carter, Howard Johnson, Independence Day, It Takes A Nation of Millions To Hold Us Back (1988), Jesse Orosco. Cy Young Award, Keith Hernandez, Lenny Dystra, Michael Stewart, Mookie Wilson, New York Mets, Public Enemy, Rafael Santana, Ron Darling, Tom Gorman, Wally Backman

Dwight Gooden in 1985, 24-4, 1.53 ERA, 268Ks, Cy Young Award winner, intimidator. (Ronald C. Modra/Getty Images; http://espn.go.com).

Michael Stewart (1958-1983) and Eleanor Bumpurs (1918-1984) had me thinking about police brutality long before my first Walking While Black encounter, July 4, 2015 (via Adobe Photoshop).

Since this is Independence Day Weekend, it makes thirty years since the official release of Back To The Future. And with me beyond the forty-five-and-a-half year mark, I am officially middle-aged. Funny, though. I don’t feel that different. My knees ached when I was fifteen sometimes, and so also did my feet. We had gas-guzzling cars in ’85, and we still have plenty of them on the road in ’15. White Americans treated Black lives cheaper than manure in ’85 (e.g., Michael Stewart in ’83 and Eleanor Bumpurs in ’84), and evidence from the police shootings and acts of White terrorism — especially in South Carolina — in recent years/days show that it still “takes a nation of millions to hold” Blacks back because of their indifference in ’15.

Rafael Santana, Mets shortstop from 1984-87, 1986 World Series, Boston’s Fenway Park. (AP; http://www.newsday.com/ ).

One thing that has changed in the past three decades has been me as a fan. I loved — I mean, LOVED — the New York Metropolitans in ’85. I was a baseball fan through and through, and had become a diehard Mets fans by the time I finished my first stage of pubescent growth in the spring of ’84. I read the Daily News for box scores. I would get peeved hearing bad commentary on WABC-AM 770 — from listening to the late Art Rust, Jr.’s show — about the terrible hitting of shortstop Rafael Santana or the constant criticism of Darryl Strawberry (they were the Yankees radio station). I’d schedule my spring and summer afternoons and evenings around whomever the Mets played that day.

The summer of ’85 didn’t truly start for me until June 11, when the Mets proceeded to lose a game to the Phillies by the score of 26-7. I’d been working with my older brother Darren for my father down in the city, and was on the 2 Subway and on my way home before I learned of the news. They were down 16-0 after two innings, with Mike Schmidt, Juan Samuel, Von Hayes and company having had as many as three or four at-bats in those couple of innings. The Mets managed seven runs in the third, fourth and fifth innings but with our then weak bullpen, had no chance to hold the Phillies the rest of the way. “If only I’d been home to listen to the game from the beginning,” I thought. “Then maybe they wouldn’t have been down so many runs.” Those are the thoughts of a fan whom lived and died with his team. I’m sure my blood pressure went up to 135/80 (mind you, I was fifteen, still a teenager) on days like that day.

But as I wrote in Boy @ The Window, that was hardly the end of my second full summer of Mets, Mets, and more Mets.

After the hungry end to tenth grade and three weeks of torture with my father, I had more important things to do. Watching Dwight Gooden pitch the Mets into a pennant race they’d almost fallen out of, for starters. I either listened to or watched Gooden win sixteen straight decisions between May and the end of August. And the Mets…made the ’85 season one to remember. Despite working nights, I managed to watch a rain-delayed Independence Day game with the Mets playing the Braves in Atlanta at the old Fulton County Stadium. The Mets won in nineteen innings, 19-16. The game ended at 4:05 am on the fifth of July, and the Braves still set off their fireworks at the end of the game.

Actually, the final score was 16-13 in nineteen innings (will correct in an eventual new edition). Originally scheduled for a 7:35 pm start, the game had been delayed by thunderstorms in Atlanta for nearly an hour and a half. There were at least two other rain delays during the game. Gooden was the Mets original starter that Thursday, but after two and a third innings, had stiffness in his throwing arm, had left some runners on, and left the game. The rest of the game was a roller coaster ride, as the Mets jumped out to a 7-4 lead thanks to Keith Hernandez’s cycle, then Jesse Orosco, our shutdown closer, gave up four runs in the bottom of the eighth to yield the lead to the Braves. Then the Mets scored a run in the top of the ninth to send the game to extra innings.

Scoring runs in the 13th and 18th innings didn’t help, as the Braves matched the Mets run for run, thanks in part to a pitcher with a .060 career batting average who hit a home run. When I saw Ron Darling (whom had started two nights earlier) warming up in the bullpen around 3:30 am, I knew this game had been on too long. I stayed up just long enough to watch the Mets score five more runs in the 19th inning, then dozed up until the fireworks went off at the end of the game.

(Note: just watch the first four minutes, including Marv Albert’s ’80s hair while still doing sports anchor work for WNBC-4 in New York)

Bryan Adams, “Summer of ’69” (1985), December 6, 2006. (Purdy via Wikipedia, originally A&M Records). Qualifies as fair use, as image is low-resolution and for illustrative purposes only.

I’d never been up that late into the next day before. Since no one at 616 was up with me, I’d been able to do for once what I’ve done most nights as an adult in the nearly three decades since. I thought about the future, and laid down some plans to ensure it. In this case, I planned to keep working for my father so that I could escape more into the world of the diehard Mets fan. I hoped that Bryan Adams was wrong, that the days of my Mom’s second trimester with me, the “Summer of ’69,” (a bit hit in the summer of ’85) weren’t “the best days of my life.”

But, as I correctly wrote in the memoir

Yeah, you could say that my summer was going better than expected, having worked and watched my Mets play quality baseball in July and into August. I had my usual set of chores to be sure, runs to the store, weekly washings of clothes and watching after the kids. I took Maurice and Yiscoc out for walks, would sometimes respond to the occasional bill collector on Mom’s behalf, would check the mail and give Sarai and Eri baths. I’d cook weekend brunches of fried beef bologna, scrambled eggs and grits and occasional spaghetti and broccoli dinners for my siblings. I’d long since known that I’d become the first-born of the family, in that I was filling Darren’s role on so many levels.

Hence, the welcome relief of Gary Carter, Keith Hernandez, Howard Johnson, Gooden, Strawberry, Fernandez, and the rest of the ’85 Mets crew. While I may not like everything going on in my life and world now, I don’t need to escape it through baseball — or any other form of entertainment, really — to deal these days. At least there’s that.

Why Boston U Isn’t For Me, and Shouldn’t Be For You

26 Sunday Apr 2015

Posted by decollins1969 in 1, Academia, Carnegie Mellon University, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon New York, My Father, New York City, Politics, Pop Culture, race, Upper East Side, Upper West Side, Work, Youth

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616, 616 East Lincoln Avenue, Academic-Speak, Boston U, Boston University, BU, Checkbox, CMU, Cosmetic Diversity, Disillusionment, Institutional Racism, Jimme, Linda Sarsour, Meritocracy, Nepotism, Office of the Provost, Racism, Rev. Dr. Martin Luther King Jr., Righteous Indignation, Robert Turri Vise, Structural Racism, Suzanne C. Kennedy, Timothy Barbari, Tokenism

The main classroom buildings for the College of Arts and Sciences at Boston University, with the BU East ‘T’ stop in the foreground, July 18, 2010. (Fletcher6 via Wikipedia). Released to the public domain via CC-SA-3.0.

Since my first job working for my father in Manhattan in ’84, I’ve probably done over 200 interviews. By telephone, through Skype or WebEx or Adobe Connect, at conferences and in person. Probably about a third of those interviews have occurred with colleges and universities, for academic and administrator-level positions. For the most part, whether the interviews went well or when I didn’t have my “A-game,” my experiences have been pleasant ones. But, after two different interview processes five years apart with Boston University — one in October ’10, the other last month — there is a higher education institution that I will not work for, will not send my son, and will not recommend for anyone I know, under nearly any circumstances.

There are only a few institutions that have been so bad that they’ve moved from my [expletive] list to my permanently-banned-from-my-life list. Even Carnegie Mellon isn’t on the latter list, and I’ve talked about their conservatism and weirdness around diversity before here. But Boston University’s treatment of me as a potential employee, well, it took my breath away without putting me in an NYPD chokehold.

Round 1, Boston University, August-October 2010

Let me rephrase. I was never a “potential employee,” because on the two occasions I interviewed for jobs there, Boston University in the end treated me as a checkmark interviewee. In the fall of ’10, I emerged for them as a candidate for the director of their Washington, DC program. They interviewed me three times: at the American Political Science Association conference in DC in August, at their old DC program headquarters (while also showing me their new one, still under construction) in September, and in person on the main Boston University campus in late October.

For that last interview, they pulled out all the stops. They flew me in, put me up in a nearby hotel the night before, and even took me to lunch. Of course, they also had someone give me a two-hour guided tour of the campus that morning, after one morning meeting, on a day with thirty mile-per-hour winds coming off the Charles River as we walked from one end of the campus to the other. It’s funny. Up until then, I never thought of a campus tour as sinister. But then I realized, if I’m spending two hours during the heart of the workday doing a campus tour with a twenty-four year-old BU grad in forty-five degree weather, what did that mean for my real chances at that job?

My final meeting was with a professor who advised political science and history major in the DC program. That meeting ended at 5 pm on October 22, with which I knew that they were supposed to make a final decision in a week or so. Despite a thank-you email and two follow-up emails, I didn’t hear from Boston University again until November 29. Roberta Turri Vise, the point person for my interview process, didn’t explain why the final decision took more than five weeks. Nor did she explain why after six weeks of correspondence, no response from my requests were returned by her or anyone else in her office.

Round 2, Boston University, January-March 2015

I decided that this was a one-off thing, that with our generation of job searches occurring in a buyer’s market, that some folks really don’t care about being professionals in their dealing with interviewees. Boy was I wrong! Even in a market where people ignore applicant materials and send mass rejection emails without a candidate’s name on it (or worse, with someone else’s name), Boston University claimed a unique crown.

Hierarchy tree of Boston University’s leadership team via the Provost’s Office, April 26, 2015. (http://www.bu.edu/info/about/admin/).

I interviewed with them again in January and at the beginning of March. This was for a position in their provost’s office, a director position managing undergraduate and graduate fellowship opportunities and advising students via those opportunities. The position was a bit beneath my experience, but they seemed interested, and I already knew from some initial research that it was a new position, so I went ahead and applied for it. My first interview was by telephone, with Suzanne Kennedy, the assistant provost for academic affairs at Boston University. It was a pleasant but underwhelming interview, and I actually didn’t expect a call back. So I kept up with my usual work of teaching, consulting, and looking for more consulting opportunities.

I received an email five weeks later asking me to come up to Boston for a second, in-person interview. I gave it the go-ahead, although the length of time between first interview and correspondence concerned me. So too, did my back and forth with Kennedy’s assistant over travel, as she had initially booked me at times that were very inconvenient for interviewing purposes. Not to mention, the major snow issues that Boston experienced in February.

The interview on March 4 was honestly one of the worst experiences I’ve ever had interviewing for any job. I’m including an interview in which I discovered the place was a sweatshop in Chinatown, during my summer of unemployment in New York in ’88. I had three meetings in all, one over lunch with Kennedy, and two with the two associate provosts at Boston University in academic affairs (one undergraduate, one graduate). Over lunch, the conversation was going well, until I asked the question about the level of diversity with applicant pools for Fulbrights, Trumans, Borens, and Rhodes’ scholarships and fellowships. I kid you not, Kennedy’s eyes literally glazed over as soon as I asked about diversity. Keep in mind, I had asked about socioeconomic diversity — I hadn’t touched racial or gender diversity yet. After lunch, I didn’t see Kennedy again for the rest of the interview process.

My second sign came from my third meeting. I met with Timothy Barbari, associate provost for graduate affairs. It was obvious that Barbari hadn’t even looked at my CV before I walked into his office. The first thing Barbari says to me, with him pushing his body into the back of his chair so far that his attempt to be at ease looked more like a rocket revving to take off — “so, you have a rather interesting CV.” I may not have earned all of my money as an academician, but I’ve been around academic-speak long enough to know that interesting can mean a lot of different things, mostly bad. In this context, interesting meant “not straightforward, not linear in progression, not typical in terms of whom we typically hire.”

I was already feeling a bit like a checkmark or token interviewee by the time I left Barbari’s office for Logan. But after USAirways canceled all their flights to DC that evening due to a snowstorm that wouldn’t drop a snowflake for another twelve hours, it got worse. I notified Kennedy through her assistant that I was stuck in Boston overnight from Logan, and left a message the next morning that the Amtrak to DC was my only option, as more flights had been canceled. No word, not even a “I’m sorry that you have to go through this” response. It wasn’t until mid-afternoon that Friday, nearly a day after I returned to DC, and after a third message about them needing to reimburse me, that I heard from Kennedy’s assistant.

At that point, I wouldn’t have taken the job even if they had offered it to me. As it was, I didn’t hear from Kennedy again until April 7, five weeks after a second interview, and despite a check-in to find out what happened with this director position. It’s this kind of calloused approach that leaves folks shaking their head.

Shaking Off The Dirt

I’ve made a few determinations based on these experiences. For one, if this is the way that treat job candidates who look like me, how well do they pay and treat their service staff, the most vulnerable people on their campus? Not well, at least from what I saw and have experienced. For two, the fact that for both interviews, their top concern seemed to be about competing with “schools across the Charles River” — i.e., Harvard, MIT, Tufts — was somewhere between disconcerting and ridiculous.

An elephant shaking off the dirt, circa 2012. (JD Rucker via Pinterest.com).

The fact that with tuition, books, and room and board it would run the average BU student $60,000 per year also told me what I needed to know. Boston University is a place that wants elite status and elite students, and in pursuit of this Pollyanna goal, wants to hire people they feel fit the bill. As long as those people look like everyone else running the university — mostly White, with a few people of color lightly sprinkled in leading positions at the institution. Because Boston University has what activist Linda Sarsour (Twitter, @lsarsour) calls cosmetic diversity, a genuine attempt at diversity across socioeconomic, racial and gender lines is unnecessary, at least for the powers whom run the institution.

Aside from Martin Luther King, Jr., who earned his doctorate in divinity at Boston University in the early 1950s, I’ve known or known of only one person of color with a degree from BU. She was a neighbor at 616 East Lincoln, a few years younger. Based on her description of more than two decades ago, I’d have to say that Boston University has changed for the worst. Like most universities, they seem more interested in prestige and raising money than in fulfilling their mission.

And with that being the case, why send your kid to Boston University? Especially when, for the same amount of money or less, every other school in the Boston area is either better, or at least, cares more about diversity and learning beyond the cosmetic.

Teaching Migration, In Song

17 Friday Oct 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, music, My Father, New York City, Politics, Pop Culture, race, Religion, Upper East Side, Upper West Side, Work, Youth

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"(Sittin' On) The Dock of the Bay" (1968), "Living For The City" (1973), African American History, Africana Studies, Arrested Development, Black Boy (1945), Black History, Black Migration, Bruce Springsteen, Cities, Gil Scott-Heron, Gladys Knights and The Pips, Great Migration, Isabel Wilkerson, James Grossman, Joblessness, John Mellencamp, Kate Bush, Land of Hope (1989), Marvin Gaye, Mary Patillo, Migration, Nas, Nicholas Lemann, Nina Simone, Otis Redding, Peter Gabriel, Poverty, Richard Wright, Stevie Wonder, Teaching and Learning, The Promised Land (1991), The Warmth of Other Suns (2010), Tracy Chapman, Tupac, Urban America, urban blight

Stevie Wonder and Wonderlove, live performance of “Living For The City,” circa 1974. (http://youtube.com).

If I ever had the chance to teach a course specifically on the history of Black migration in America, I already know what books I’d use. Isabel Wilkerson’s The Warmth of Other Suns (2010); Nicholas Lemann’s The Promised Land (1991); James Grossman’s Land of Hope (1989); Mary Patillo’s Black Picket Fences (1999); even Richard Wright’s Black Boy (1945) and Maya Angelou’s I Know Why the Caged Bird Sings (1969). All have moved beyond the statistics of some seven or eight million Blacks moving from the rural Jim Crow South to America’s cities, North, Midwest, West and South for the first three-quarters of the twentieth century.

Falsas Promesas Broken Promises, taken by John Fekner, Charlotte Street Stencils, South Bronx, New York. 1980. (Liftarn via Wikipedia). Released to public domain via CC-SA-3.0.

But that wouldn’t be near enough to communicate the range of emotions, the psychological states and the pressures that these people faced in leaving their homes for the not-so-bright lights of America’s big cities, not to mention what they faced in the days and years after they arrived. I should know. I’m the nearly forty-five year-old son of a mother originally from Bradley, Arkansas (population 500) and a father from Harrison, Georgia. They moved to New York City in the ’60s (specifically, the Tremont section of the Bronx), then to the South Side of Mount Vernon, New York (just outside the Bronx), hooked up, and sired me and my older brother Darren between December 1967 and January 1970.

That short summary is hardly the story, though. For me — like with so many other things in my life — music tells the story, emotions and psychology beyond what words on a page alone can approximate, but not fully duplicate. Music communicates the stories, emotions and psychology of those who migrated and stayed (or didn’t) in cities across the US better than Census data or a hypothesis on proletarianization. I wanted music from my own lifetime (or at least, within a few years of it) — not just folk songs or Blind Willie Johnson or Duke Ellington — music that fit my family’s transition from migration to our current times of racism and urban poverty.

Easily the top two songs on my list to play in class would be:

Trade ad for Otis Redding’s single “Try a Little Tenderness,” January 7, 1967. (Viniciusmc via Wikipedia/Billboard Magazine, page 7). In public domain).

1. Otis Redding, “(Sittin’ On) the Dock of the Bay,” (1968), released after Redding’s death in a plane crash in Madison, Wisconsin; and

2. Stevie Wonder, “Living For The City,” (1973).

Both songs run the full emotional and psychological gamut. From hopefulness to oblivion, from delusion to despair, from rage and anger to resignation. The melancholy of Redding’s “It’s two thousand miles I roamed/Just to make this dock my home” (in reference to the distance from Georgia to San Francisco Bay) juxtaposed with Wonder’s bitterness and anger:

“His hair is long, his feet are hard and gritty
He spends his life walkin’ the streets of New York City
He’s almost dead from breathin’ in air pollution
He tried to vote but to him there’s no solution…”

It communicates so much beyond the lyrics and liner notes, a reminder for those of us who find America and its cities unforgiving today just how relentless it must’ve been for our parents and uncles and aunts and grandparents forty or more years ago.

There are other songs that I’d put on this playlist. Some are directly related to Black migration, some try to bridge the gap between the abundance of music on “the ghetto” and urban poverty and chaos and the lack of music from my own lifetime on migration.

3. Gladys Knight and the Pips, “Midnight Train to Georgia” (1973).
4. Marvin Gaye, “Inner City Blues” (1971).
5. Gil Scott-Heron, “95 South (All of The Places We’ve Been)” (1977).
6. Tracy Chapman, “Fast Car” (1987).
7. Nas (featuring Olu Dara, his father), “Bridging the Gap” (2004).

Pruitt–Igoe public housing projects, St. Louis, Missouri, circa 1967. This late-1950s “urban renewal” project was built, but failed and was razed in the 1970s. (Cadastral via Wikipedia/US Geological Survey). In public domain.

That most of these songs come from the period between 1967 and 1974 isn’t an accident. It was the height of the Civil Rights Movement, combined with the Black Power Movement and the “Black is Beautiful” campaign, the beginning of the White backlash against civil rights — including Dr. Martin Luther King, Jr.’s assassination — and the Anti-War Movement was in full swing. It was a good time to take a look at the present and recent past to reconnect with hopes and dreams in the midst of the nightmare of urban poverty.

After ’73 was the beginning of the dance and disco era, as well as a focus on the urban, on crime, on drugs, on poverty — but not in a “let’s try to solve it” kind of way. This was where rap, hip-hop, some R&B and early forms of what we now call neo-soul picked up, with little reflection on this once prominent past.

Still, there would be some honorable mentions for this migration course, music that could evoke some aspect of the Black migration, of the hope that took a downward turn, of the poverty and joblessness that have permeated America, Black and White and Brown, since the ’70s.

8. Arrested Development, “Tennessee” (1992).
9. Tina and Ike Turner (and Credence Clearwater Revival), “Proud Mary” (1970).
10. Nina Simone, “The Backlash Blues” (1967).
11. NWA, “Straight Outta Compton” (1989).
12. Tupac, “Cradle 2 the Grave” (1994).
13. John Mellencamp, “Pink Houses” (1983).
14. Bruce Springsteen, “Born In The U.S.A..” (1984). [the song’s release was thirty years ago this month, by the way]
15. Peter Gabriel and Kate Bush, “Don’t Give Up” (1986)

Nina Simone performs at a concert in 1964. (http://npr.org, via Hulton Archive/Stringer/Getty Images).

Through music, I’d hope to have a course and discussion about Black migration that reaches beyond the words origin and destination, that migration has merely been a physical manifestation of a difficult and seemingly unending cultural and spiritual journey in the US. That Black migration can also easily include the parallel journeys of those of the African or Afro-Caribbean diaspora, not to mention those from Latin America.

For me, though, a course like this would be a personal foray into all the things that have made me who I’ve been for nearly four and a half decades — a person better than the sum of America’s parts and racist, sexist, homophobic and evangelical assumptions.