Signs of Elitism

17 Monday Jan 2022

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Upper East Side, Upper West Side, Work, Youth

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Academia, Academy for Educational Development, CMU, Crabgrass Frontier, Elitism, Elitist Assumptions, Nonprofit World, Presidential Classroom, Racism, Savage Inequalities, Wet Rags, White Women's Tears

Front cover, Joel Stein’s In Defense of Elitism (2019, cropped), January 16, 2022. (https://amazon.com).

I have spent four-fifths of my life in elite spaces among affluent whites, middle class Blacks, and Americans elites in general. I have so little in common with them aside from eating, drinking, breathing, and having a sex drive. So little that I sometimes think that God made a mistake and missed my exact time and place for my existence by 20 or 30 years, meaning 1949 or 1994 would have been better years for my birth.

But it’s not when I was born so much as the lack of material resources with which I lived growing up in the most resourced area in the US. And that has brought consequences for me since the year I began puberty. The years in Humanities in middle school and in high school in Mount Vernon, New York. Hearing about everyone’s summers those first days of school between seventh and 12th grade, for example. Black and Black Caribbean classmates regaling us with their summers spent down South, in Jamaica or Barbados or Trinidad and Tobago visiting close relatives. Or, their trips around the US, from the Grand Canyon to cities I wouldn’t travel to until I was 24 or 35. Or my white peers spending their Junes, Julys, and Augusts in France, the UK, Japan, Germany, Italy, Greece, Egypt, or Israel. I lied about going to Tel Aviv my first year.

I rarely left Mount Vernon and New York City those years. Albany was the furthest I’d been away from home, on a school trip in October 1985. My walks occasionally took me across the New York-Connecticut border (in 1986 and in 1987), but that was somewhat accidental.

In grad school, especially once I transferred to Carnegie Mellon to complete my PhD, these awkward communications involving my lack of socioeconomic privilege and my white classmates’ rose-colored worldviews continued. In my final semester of grad courses in Spring 1994, I took Comparative Urban History with Katherine Lynch. One week, we were in a discussion of Kenneth Jackson’s Crabgrass Frontier: The Suburbanization of the United States, about the correlation between suburbanization and the expansion of the white middle class. Jennifer, one of my classmates, contributed her not-so-insightful analysis of what this correlation meant, about how “most Americans benefited” from the growth of suburbs between 1945 and 1980.

I was not happy with her elitist worldview. I already knew that she was 23 or 24, married, and from suburban Philly (think a place like Cherry Hill, New Jersey). I also knew that Jackson’s point correlated well with White Flight from increasingly Black and Brown cities like Philly, New York, Boston, DC, Detroit, and Chicago. Being in my third year of grad school overall and surrounded in this course by first-years, I had one advantage. I was almost as well read on topics of inequality as most of my professors.

So I said to Jennifer and the rest of the class, “Well, if by ‘most Americans benefited,’ you mean white Americans, then yes, suburbanization was a good thing. But cities’ tax bases didn’t benefit, and neither did the African Americans who moved into cities that whites flew out of. Redlining and restrictive covenants made it harder for middle-class Blacks to ‘benefit’ from suburbanization. And last I checked, poor people live in suburbs, too.” That last past was a direct reference to my growing up with poverty in Mount Vernon, and the scores of poor Black and Latinx and Black Caribbean folk I knew in Mount Vernon and throughout the New York area, suburban and urban.

During the class break, Jennifer came up to me as I was standing outside the seminar talking with my other white classmates congratulating me for my eye-opening perspective on how to break down Jackson’s book. She brought all five-foot-three of her frame to bear, almost as if she had attempted to stand on a soap box (even with one, at six-three, I would’ve had to bend down to see her ire). She had tears in her eyes and one running down each cheek. “I can’t help how I grew up. I am not a racist,” she said, and then walked away in a huff. “I guess I struck a nerve,” I said in response to one of my other peers.

I really didn’t give a rat’s ass about her crying. None of it was going to make the lives of Blacks and Latinx people with poverty in Camden or Philly or even Cherry Hill any better. White women’s tears and crying foul when challenged for their elitism had already hardened me against placating them. My experiences matter, damn it!, was what I thought after that exchange.

Even outside academia, the elitism wafted like millions of gallons of human shit at a sewage treatment plant. Between Presidential Classroom and AED, I spent much of my nonprofit years (meaning, a good portion of my thirties) proving to others that despite my background, I could do work on behalf of others. My bosses held it against me that my parents weren’t GS-12 or higher federal employees, or diplomats, or advisors, or members of country clubs. Or, especially in AED’s case, that neither I nor my parents ever served in the Peace Corps or traveled overseas. I practically had to do somersaults and cartwheels to do my work between 1999 and 2008, but could not maintain social connections, because my doctorate from Carnegie Mellon would never be good enough.

Maybe I’ll discuss Black middle class folk and their rites of privilege and passage, especially fraternities and other organizations. But I’ve already written quite extensively about why I’ll never fit it with such groups. And at 52, I’m not entirely sure I want to. I guess after a lifetime of my peers ignoring me or erasing me or acting as if only their socioeconomic and racial privileges matter in explaining how the world works, I simply don’t care anymore.

My mom grew up as part of a sharecropping family in southwestern, Red River Arkansas. She’s the oldest of 12 children. She worked mostly in the kitchen of Mount Vernon Hospital or in the billing department of Westchester County Medical Center in Valhalla as a paraprofessional for 34 years, with a 16-year period on welfare in between. My dad worked as a janitor or a supervisor of janitors and building cleaners all his time in New York and in Jacksonville. He grew up as a tenant farmer (before his family bought out their land) in rural south-central Georgia. He barely finished seventh grade. His two sisters were the first in the family to go to college, and both spent years teaching during segregated times. Despite it all, I am proud of their work. No pedigree is fine with me.

On Wet Rags and Crocodile Tears

30 Saturday Jun 2018

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Academia, Allison Ettel, Black Feminism, Brittney Cooper, Caitriona Balfe, Claire, Crocodile Tears, Femininity, Feminism, Hypermasculinity, Kyle Stephens, Legitimate Tears, Lifetime, Misogyny, Outlander, Pitt, Racism, Ruby Hamad, Sexism, Shay Stewart Bouley, Wet Rags, White Women's Tears, White-Girl Tears, Workplace Issues

The tears of Allison Ettel, a.k.a., #PermitPatty, NBC’s The Today Show (cropped), June 26, 2018. (http://bet.com).

I’ve been thinking about this post for a while, probably for at least two years. But it does help when others closer to the subject write about it as well. Between @ProfessorCrunk Brittney Cooper’s chapter “White-Girl Tears” in her hard-hitting Black feminist primer Eloquent Rage (2018), @blackgirlinmain Shay Stewart Bouley’s recent blog post “Weapon of lass destruction: The tears of a white woman,” and Ruby Hamad’s piece in The Guardian, “How white women use strategic tears to silence women of colour,” what can I really add? (Everyone who believes in feminism and wants to support women of color writers ought to read these essays, by the way). Oh, just the idea that men of color deal with White women’s/girl’s tears as well. And that some of us have been just anti-sexist enough to recognize how our Whiteness and patriarchal-dominated society privileges and legitimizes such tears, often to our detriment.

Over the years, I’ve taken to calling those who cry over the least amount of adversity and stress wet rags, and those instances in which sobbing becomes a central theme “wet-rag episodes.” This started for me in the late-1990s, when my then girlfriend (now wife of eighteen years) would spent upwards of 12 hours of her Saturdays watching Lifetime movies (some of which were originally NBC, ABC, or CBS specials, before the dominant return of reality TV in the double aughts). At first, I did a play on Lifetime‘s slogan back then, “Lifetime: Television for Women,” adding, “not for men” whenever the tag line appeared during commercials.

But Lifetime is an addiction, if you sit there long enough watching the ups and downs of romances, the constant threat of stalkers, date rape, teenage pregnancy, and drugs, and the upbeat endings and vindication at the end of every two-hour movie. What I noticed most of all, though, were the waterworks. Everyone from Lynda Carter to Lindsay Wagner, from Elizabeth Montgomery to Jaclyn Smith could cry at the sound of a book drop!

Cartoon character from Fairly Odd Parents crying an ocean of tears (cropped), June 30, 2018. (http://fairlyoddfanon.wikia.com).

Admittedly, I cry very easily while watching emotional and gut-wrenching scenes. I cried when I saw Viola Davis take on Denzel Washington’s character in Fences (2016) over his years of cheating and his secret family. Especially when Davis blew a snot bubble in the middle of the scene. I was through for the next three minutes!

With Lifetime movies, though, I stopped crying for these White women over the twists and turns in their lives. I watched one scene in one movie where the main character broke out and cried at her dining room table in her laid-out, five-bedroom home when she realized she only had $10,000 left in her bank account. I didn’t just laugh. I howled. As someone for whom poverty and financial struggles have been a constant companion, having that much money in any account at any time has always been a time of celebration. “You shouldn’t laugh. Poverty is relative,” Angelia said while also laughing. “No, it isn’t. She’s a wet rag!” I responded. I’ve spent a good portion of my career proving this point, too.

That scene took me back to so many wet-rag episodes in my life. Like when my high school valedictorian classmate cried angry tears over a 67 on an English essay exam our junior year, losing 25 points because she didn’t underline James Baldwin’s book title Notes from a Native Son in her essay. I didn’t feel sorry for her, Ms. 5.45 GPA, not one bit (it’s all in Boy @ The Window).

Or, during my second year in grad school at Pitt, when a student in one of my US History to 1877 sections tried to proposition me to raise her C- average. When that didn’t work, a fountain of tears poured out. I handed her a tissue, but said, “Your tears in no way are a substitute for studying and working harder in this class.” She didn’t exactly give me 5’s on her evaluations of me in the course at the end of that semester.

Ten years later, I had White women as co-workers and students who could cry about almost anything. My one-time boss Ken blamed me for making a former co-worker cry because I refused to take her “I hope you had a wonderful vacation!” the week after 9/11 in stride. Yeah, sure. It was a week in which I was stuck in Atlanta for four days after a one-day work trip and had to take Greyhound for 15 hours back to DC, not knowing if my older brother was dead or alive. I said as much to my co-worker, and she ran away from me crying.

A student in my History of American Education Reform graduate course cried when I refused to change her grade from an A- to an A. I was in the middle of explaining how she could revise her research paper and still end up with an A. It was just before Thanksgiving, and until that moment, I had thought that this was one of the best courses I’d ever taught, with one of the best group of students I had had in one of my courses. Her sudden sobbing actually pissed me off. I tried not to show it. But I did say, “What are you crying about? There’s nothing about your standing in this course for you to be crying about.” I said it in a tone that I’d only find again once my son became a preteen.

Caitriona Balfe as Claire wailing over the loss of Jamie and the Battle of Culloden, July 9, 2016. (http://www.bookbub.com).

It’s to the point now that I don’t even watch wet-rag shows anymore, at least once the character becomes one. For example, I watched the split first season of Starz’s Outlander with Caitriona Balfe as Claire, and found it mostly enjoyable. Until she began turning on the waterworks in practically every episode. My wife continues to watch, but laughs every time I ask, “What happened on Wet Rag this week?”

I know that White women and White girls, like all human beings, have plenty good reason to cry. Every time I saw video of Kyle Stephens‘ sentencing-phase testimony about what convicted rapist and felon Larry Nassar starting doing to her when she was five years old, I cried for her and with her. Trauma and tragedy are good reasons to cry, wail, sob, and weep. But, so many wet-rag tears are drop-of-the-hat, crocodile tears. About getting caught in lies, about making racist and anti-poverty and anti-women-of-color statements that don’t go over well, about anything that would otherwise paint them as narcissistic and not-so-smart brats.

While I know I don’t have as difficult a row to hoe as so many women of color in the public sphere, one thing I know I’m not allowed to do in a hyper-masculine world of Whiteness and patriarchy is cry. I got hit with the f-bomb so many times growing up, from Black boys, Black men, and Black women, and faced threats of violence as a result. I would’ve been recommended for psychotherapy if I had ever cried over an A-, and been laughed at for complaining about my workplace conditions. Women of color can lose careers over their tears. Black boys and men have lost their freedom and lives over them. One isn’t less damaged over the delegitimization of our tears, but the damage can be differential, depending on gender, class, sexual orientation, and the level of toxic hyper-masculinity surrounding you.

That is why I can’t stand wet rags. Their tears fill the world with concern and fear, and marginalize and dehumanize the rest of us. I have no sympathy for crocodile tears. I don’t know if I’ve ever had sympathy for them.