Tag Archives: Writing

I’ve Been Blogging For a Decade, And…

06 Tuesday Jun 2017

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Me comatose on my MacBook keyboard, March 29, 2013. (Donald Earl Collins).

This was what I wrote for my first blog post on my former Fear of a “Black” America website on Monday, June 4, 2007.

It had taken me a month of brushing up on my HTML and a week of negotiating the code between Blogger.com and my former website (hosted by Earthlink) to embed my blog page. All so that I could post for the first time.

I was transitioning from being the writer and “recovering academician” on multiculturalism to the writer I am now, I guess. But I didn’t want to lose a website I’d spent months of self-taught HTML time and energy developing, and years of additions to attract views, comments, and the occasional interview. At the time, FearofaBlackAmerica.com averaged 1,200 unique visitors a month, after a high of 4,000 per month through 2004 and 2005, mostly the result of pumping my first book. Or possibly, the confusion between my book title and PE’s 1990 album, Fear of a Black Planet, but given the feedback, it was much more the former than the latter.

Kunta Kinte being whipped, Roots (1977) screenshot, July 6, 2012. (http://irvine.wikis.gdc.georgetown.edu). Qualifies as fair use under US Copyright laws because of screenshot’s low resolution.

So I went for it, not knowing if anyone would read any of my words, feel any of my emotions, or ever express a thought in support, solidarity, or disagreement. Once I started writing about poverty, racism, and child abuse while growing up in Mount Vernon, New York, though, it didn’t take long for random folks to start sending me missives about how I “deserved” my stepfather beating me up, or how grateful I should be for growing up in a city where Denzel Washington once lived. The kind of respectability politics bullshit that writing about a childhood full of pain tends to attract.

It wasn’t until I moved my blog to WordPress in 2010 that the work of writing and adding multimedia to my musings really took off. It helped that I managed to use contemporary events to tell my story, to provide commentary on human depravity beyond the world of research. By 2012, I was averaging more than 12,000 views a month, and had more comments from folks about my blogs than I could respond to in a timely manner. Excerpts from some of my blogs even made it into social and mainstream media.

Overall, there have been over 250,000 unique visitors to and 300,000 views of my blog off both the Blogger and WordPress platforms over the past decade. With this one, I’ve written 944 total posts, about 900,000 words since June 2007. Among my most popular are

Standing ovation, opera house unknown, May 21, 2012.(http://www.thelmagazine.com).

I think that this is a good representation of what my blog has offered me as a writer and, hopefully, the tens of thousands of folks who read my musings every year. I have no idea what this blog will turn into over the next couple of years, as I continue to pursue more and more freelance writing projects, and maybe even, another book. But I thank all of you for your support, your criticisms, and your reads and views over the years. May I never take this for granted.

Michael Clayton, My Writing, and 20 Years of Sinai-Wandering

16 Thursday Mar 2017

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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George Clooney and Sean Cullen in Michael Clayton (2007), March 15, 2017. (http://bbc.co.uk).

My favorite scene from Michael Clayton (2007) is when the title character’s brother Gene (played by Sean Cullen) confronts Michael (played by George Clooney) about the past seventeen years of his career as a fixer.

You got these cops thinking you’re a lawyer. You got these lawyers thinking you’re a cop. You got everybody fooled, don’t you? Everybody but you. You know exactly what you are.

About a year and a half ago, I figured I could insert the words “writer” and “scholar” in those lines, with twenty years of my career(s) for context, and maybe some of the meaning would be correct. I am a writer’s version of Michael Clayton. I’ve got academicians thinking I’m a unscholarly writer, and journalists and editors who think I’ve only written for scholarly audiences. What a mess!

Last year, after receiving a rejection for a version of my article about American narcissism, American racism, and why real conversations on race (whether through Clinton’s Race Initiative or via Ferguson) are all but impossible, I decided no more. I will not seek to submit another scholarly piece to a peer-reviewed scholarly journal ever again. And if asked, unless it’s something I truly feel passionate about, I will say no.

Do not think of this as sour grapes. I have published two full-length journal articles in my career, not to mention a bunch of the standard book reviews, and an op-ed for Teachers College Record in the past. Technically, I am 3-for-11 in publishing academic articles over the past two decades, not great, but hardly abysmal.

My issue is with the elitism and implicit bias that is rampant in the publish-or-perish world of academia. While some folks could argue it is the same in publishing in general, it really isn’t. The unwritten rules in publishing, if not followed, may well still lead to published articles, even if a person is starving and homeless in between. In academic publishing, not following the rules leads to ostracism, and a career dead before it ever begins.

Keep in mind, no scholarly journal pays authors for their articles. It takes about two years to go from submission to publication in most history and education journals. If twenty people read your article, that’s icing on a protein-powder cake. If you aren’t in the tenure-stream, though, it really doesn’t matter how many articles you publish, because it doesn’t provide job stability or security. As a former nonprofit administrator, it scared most of my supervisors whenever and wherever I published, so no benefits there either. For those in tenure-stream positions, it does matter, no matter how crappy the research or how densely unreadable the writing.

After twenty years in the publishing struggle, it’s time to face the truth. I simply wasn’t good enough to publish in academic journals. I’m not talking about my writing ability or research skills. I’m pointing out my eclectic career path, my lack of tenure at an elite university, with few to vouch for me when I was younger and an up-and-comer. My interdisciplinary research on race, on multiculturalism, on education, meant that I was a misfit from day one. Heck, I know for sure in at least one case, a journal editor held my race and age against me.

Sinai Desert, where Moses, the Israelites (and I) wandered for a generation, Egypt, March 9, 2010. (Tommy from Arad via Wikipedia). Released to public domain via CC-BY-SA 2.0.

I know most of the academic writing rat-race is a system of exploitation based in part on fears of joblessness, loss of prestige, and elitism based on class, race, gender, and whether one teaches at an elite university or at a community college. It is based on an academician’s ability to blame themselves and themselves alone for their failings, and not the oppressive publishing system itself. Kind of like the poor blaming themselves for their poverty. Or Whites and Blacks blaming other Blacks for a degenerative culture instead of looking at systemic racism as the real culprit for racial inequality. Academia is very much in and of this wider world of social injustice and oppression, no matter how university presidents attempt to spin it.

Truly, I find the idea of a cold, objective, dispassionate, dense writing style as more serious and scholarly than any other form to be high-grade bullshit. It’s what folks in academia tell each other. Just like many a journalist and editor is a frustrated writer looking for creative and book manuscript-length outlets, many a writer in academia believes their writing (and as often as not, their research) to be much more than it is.

But the biggest issue for me was my elitist and naive attempt to straddle the fence between academic publishing and writing for wider audiences. This living in two worlds began for me during my heady days, my grad school years at both the University of Pittsburgh and Carnegie Mellon. Some of my history professors, like Paula Baker, Kate Lynch, and Joe Trotter, all tried with a considerable amount of frustration to get me to write in more scholarly tones. Others seemed to be fine with my writing style. I had a tone that was too “journalistic,” according to my racial paternalistic professor Dan Resnick, who meant it as an insult.

Between 1997 and 2002, I churned out eight full-length pieces (in the 20-35-page-range) on multiculturalism and Black education/history meant for peer-reviewed scholarly journals, four of them between February and December 1997 alone. None of them were ever published. One, an admittedly ambitious state-of-the-subfield piece on multicultural education and its history in American education, elicited a response from the History of Education Quarterly’s editor-in-chief. He was my one-time professor during my first year of graduate school at Pitt, Dick Altenbaugh. Him and his managing editor met with me for nearly an hour and a half in March 1998.

Some of the meeting was about the deficiencies in my article and in my argument. But most of the time was about my writing style, my ambitiousness, and quite frankly, my age and race. I wrote about some of this in Fear of a “Black” America. Apparently, at twenty-eight, I needed to be in my mid-40s to write a grand essay on multicultural education. Allegedly, I needed long-retired (and in one case, dying) White scholars to support my arguments, no matter what evidence I brought to bear. I needed, most of all, to stop being so ambitious about my work, and stick to more objective, run-of-mill, 181-variations-on-a-theme topics in the education field. Like what Karl Marx or John Dewey would have to say about ability grouping.

I gave up on academic publishing in 2002, at least on the topic of Black education/history and multiculturalism. I tried to write articles on everything from social justice movements to the fallacies of the liberal-conservative construct, on education, poverty and mythology of American social mobility, even on intersectionality. Only, I had worked so hard to make myself more of a scholarly writer. So much so that I now had to relearn how to write for more than fifteen people, and really, to write for myself. It took about a year to drop the 40, 50, and 60-word compound sentences, the use of inappropriately complex language, and the mask of dispassionate objectivity in my writing. Ironically, this was also when I published my first scholarly piece, on multicultural conservatism and Derrick Bell’s “Rules of Racial Standing,” in 2003. I also published my first solo op-ed, in the Washington Post, around the same time.

By this time, I saw myself as a recovering academic. I also had some unfinished personal business, around how I got to my mid-thirties, to this place in my life where I had “made it,” sort of, but I hadn’t escaped my past. This was where the story of Boy @ The Window took over, and why I have a memoir and nearly ten years of blog posts.

But because of my nonprofit work on college access and retention, two professors invited me and my team to submit a piece for publication in their journal. It was a four-person piece with me as the primary author (I wrote about 90 percent of it, so there’s that). The original invite was in June 2007, and the article came out in mid-October 2009. I had stopped working for the Academy for Educational Development, and found writing the article like a strait-jacket and a time-gobbler.

Michael Clayton (George Clooney) and a horse, a moment of truth, screen shot and crop, 2007. (http://chud.com).

After Boy @ The Window in 2013, I decided to write articles for a broader audience again. This time, I made the decision to take my memoir-writing experiences and apply them to my writing. I started writing about K-12 and corporate education reform, the problems in higher education, about racism in the Obama era, about poverty and its connections to race, gender, and current issues. And over the past two years, I’ve published more and reached more people than I could ever have done with an award-winning article in the Journal of American History.

So academia, you win. I give up.

My Nuanced History as a Historian

16 Monday May 2016

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The Road Less Traveled quote, via Robert Frost (with me adding, "but it's not always good to get lost in the woods"), May 16, 2016. (http://www.chicagonow.com).

The Road Less Traveled quote, via Robert Frost (with me adding, “but it’s not always good to get lost in the woods”), May 16, 2016. (http://www.chicagonow.com).

Right now I sit between two important dates in my life. One was a few days ago, the thirtieth anniversary of my triumph on the AP US History exam in eleventh grade. Two will be in two days, the nineteenth anniversary me of graduating from Carnegie Mellon with my PhD in History. Both are signifiers of my achievements, my ambitions, and of my becoming a professional historian. But in the decade after earning my first college credits and the nearly two decades since earning my doctorate, I’ve still had a few lingering questions about where and who I am professionally.

One of those questions I’ve discussed ad nauseam here. Am I a writer who’s also an academically trained historian, or am I a historian first and a writer second? Or, can I be both at the same time? For better and worse, I am always both, but can emphasize one or the other at random, depending on context.

Sliced onion layers, May 7, 2015. (http://www.medicaldaily.com).

Sliced onion layers, May 7, 2015. (http://www.medicaldaily.com).

Other questions, though, have lingered even after spending more than a decade in the nonprofit world and another eight years teaching a full slate of undergraduate history courses. Do I still enjoy teaching history? Does my experience working on real world issues in civic education, social justice, and educational equity cloud how I see myself when I’m lecturing on the Agricultural Revolution or the Middle Passage? How is it possible for me to reconcile myself as a freelance writer who wants to take my academic historian experience, combine it with my other professional and personal experiences, and write about it for editors with little clue about the roads I’ve traveled? Is it even possible to un-layer the onion of my life and write about it to my or anyone else’s satisfaction? And if so, am I still a historian when doing so?

To that next to last question, I think that’s already a yes-no answer. Since 2013, I’ve written articles for publication with newspapers and magazines, and am working on my first new scholarly piece in six years. It’s difficult, to say the least, to explain to an editor what in academia or even among US or African American historians is a settled issue. Editors always believe that any story has two equal and opposing sides, because that’s how most ordinary people see most stories. As an academic historian, I’m trained to see nuance, to know when one side has a stockpile of evidence, while another one has a stockpile of bullshit.

Or, more often, to know that the no man’s land of gray present several or even multiple perspectives on issues like racism, poverty, college retention and graduation, American individualism, or the rigging of the federal election process. That no man’s land, I have found, more often than not scares away an editor, even ones working for intellectual magazines. They think their audience is incapable of getting nuance, when I think that they often reflect their own narrow and elitist view of the world.

Timeline of Europe and the US, March 2015. (http://www.worldhistorycharts.com).

Timeline of Europe and the US, March 2015. (http://www.worldhistorycharts.com).

As for teaching history, I find myself literally bored with the basic facts of any survey or even upper-level history course. To me, history is a panoramic lens through which students and experts can study human beliefs and behaviors in all its glory, ugliness, and ordinary-ness. Understanding how and why a person or a group of people did x, y, or z is much, much, much more important than knowing the exact date a specific event took place or coming up with some interesting but irrelevant fact in the process.

Which was why I began to teach my undergraduate courses with far more discussion and less lecturing than I did when I taught history as a grad student. (I taught a bunch of graduate-level education foundations courses in between my various nonprofit stints between 1997 and 2008.) I decided it didn’t matter if my students had done the readings, hated history, or were tired and ready to nap through three hours of lecture. I will facilitate discussion. I will make sure to make this process one about human interaction. Even when the lack of independent thinking among my students has me near ready to strangle a few of them. Why? Because understanding how people think and why they draw the conclusions they do can be as eye-opening as the knowledge they pull from one of my classes, maybe more so.

So, do I still see myself as a historian, or more as a psychologist or sociologist? Does it really matter how I see myself? Probably not. I just know that after years of teaching, writing, and all of my ups and downs professionally, that I remain two things most of all — a writer and a learner. Those two callings fuel my ability to raise my game, to want to be a better professor, a more expert historian, and an insightful writer. That, I hope, won’t change as I continue my long march toward fifty.

The Long Road Home

19 Tuesday May 2015

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Jimme, Pittsburgh, Politics, Pop Culture, race, Work, Youth

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My stressed-out PhD walk photo, Carnegie Mellon University, May 18, 1997. (Angelia N. Levy).

My stressed-out PhD walk photo, Carnegie Mellon University, May 18, 1997. (Angelia N. Levy).

It’s been eighteen years and nearly a day since I had to shake then Carnegie Mellon Dean Peter Stearns’ hand on stage as part of the PhD portion of the 100th commencement ceremony for graduates, that third sweltering Sunday in May ’97. I’ve talked about the ceremony, my Mom’s jealousy and issues about my degree, Peter Stearns, Joe Trotter, Bruce Anthony Jones, and what happened before and after the degree ceremonies on that fateful day.

But time and enlightenment — especially the latter — has allowed me to take a step back from the events leading to a new wave of disillusionment in my life. If I really think about it, my struggles with where I wanted to go with my career go as far back as ’81, in the months after my first accolades as a writer, to the time when at eleven, I already had an encyclopedic knowledge of history, basic science, and technology. Heck, I already knew some of the historiography around World War II, the Cold War, American slavery and civil rights, long before I ever knew the definition for historiography. Not to mention, I was already living what we now call migration studies, thanks to my Mom and dad.

But my Boy @ The Window years did their damage to me. By the time I turned twenty at the end of the ’80s, I wasn’t fully clear of the array of choices I had for a career or set of careers. I knew I could write, and often write well. Yet I had stopped seeing myself as a writer by the time I went through my summer of abuse in ’82. I knew that I was a historian, because I asked the kinds of questions about history that only trained historians would. Yet I hated the idea that I was supposed to write only one way, using words like synergistic and interstitial (at an esoteric minimum) along the way. I toyed with the idea of going to law school in ’90, even going so far as to take the LSAT, scoring a then-50th percentile 31 on the exam in my one-and-only try.

Arthur Wesley Dow (1857-1922), The Long Road--Argilla Road, Ipswich, circa 1898, April 28, 2010. (BrooklynMuseumBot via Wikipedia). In public domain.

Arthur Wesley Dow (1857-1922), The Long Road–Argilla Road, Ipswich, circa 1898, April 28, 2010. (BrooklynMuseumBot via Wikipedia). In public domain.

I struggled for years with my fundamental question: “Am I an academic historian who’s also a writer? Am I a writer who’s also a historian? Can I be both?” I realized about a decade ago the question was moot. I am both. The real question really has been, will the working world allow me to operate as both without giving me grief and a hard way to go? (By the way, if I ever were to do a second, post-Boy @ The Window memoir, this would be one of that book’s big themes.)

I can safely say as a mildly successful freelance writer that the answer for many in this world of singularities is no. The working world puts up a fight, has and will continue to try to force me and others with multiple talents to choose one path, to do one thing, and one thing only, ideally for all time.

Academicians only think about each other via teaching duties or well-placed articles and books in scholarly journals and scholarly publishing houses. Higher education administrators believe that the only way to understand their work is through the lens of their specific university, as if universities and colleges aren’t similar from a management standpoint. Nonprofit organizations

A male mallard duck, a bird's triple threat (can walk, swim under water and fly), Saint-Eustache, Quebec, Canada, November 19, 2007. (Acarpentier via Wikipedia). Released to public domain via CC-SA-3.0.

A male mallard duck, a bird’s triple threat (can walk, swim under water and fly), Saint-Eustache, Quebec, Canada, November 19, 2007. (Acarpentier via Wikipedia). Released to public domain via CC-SA-3.0.

discount teaching and higher education administrator positions because finding money or managing students isn’t exactly the same as managing staff. Foundations who use your salary history instead of your scope of programs developed, people reached, and money raised as a barometer for even granting you an interview. All would prefer that you be quiet about injustices, especially ones in which their institution, organization, or foundation might well be complicit.

For me in the past couple of decades, though, I’ve worked in and with academicians, higher education administrators, nonprofit organizations, and private foundations. I’ve helped raise $3 million over the years, managed as many as twenty-five staff members, organized four-day conferences with a couple hundred attendees, worked with as many as 500 students at any given time, and taught undergraduate and graduate courses. I’ve written scholarly articles, published in scholarly journals, presented at a couple dozen conferences, and consulted for nonprofit organizations and foundations. To think of myself as only one thing is beyond ridiculous given my by-necessity-and-neglect careers so far.

Yesterday, The Chronicle of Higher Education posted the article “Thriving as a Freelance Academic” by Katie Rose Guest Pryal. In it, Pryal interviewed three White women about their experiences freelancing in the academic world. The women interviewed found a singular niche, found steady work through that niche, and otherwise didn’t question the idea of freelancing in a world in which freelancing is a rare career choice.

A square peg hammered into a round hole, May 2014. (http://joshbrahm.com/).

A square peg hammered into a round hole, May 2014. (http://joshbrahm.com/).

All that is fine. Except there was little soul-searching in Pryal’s piece. The women interviewed might as well have decided to go on a global trek or rock climbing, given their lack of ambivalence about academia or deliberate lack of specifics and dryness about the work they actually do. I don’t doubt that one can freelance in academia. I doubt, though, that one can do it without personal relationships with a specific university or alma mater, or with a specific higher education administrator or prominent professor. Why pick on this piece? Because there are far more people like me in and out of academia, who’ve consulted and freelanced and worked and stitched together a career, then there are the people represented in Pryal’s boutique article.

There is a lesson here besides the reality that life is a journey, and to get it right, we need to understand that it can and will be a roller-coaster-ride of a journey. The lesson, for me at least, is that while being true to myself has sometimes had consequences in terms of immediate victories and easy financial gains, it does mean I get to have success, and sometimes, even lasting success.

Can Family and Friends Ever Understand The Why Behind a Memoir?

20 Monday Oct 2014

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Front cover, Fire Shut Up in My Bones, Charles M. Blow, September 23, 2014. (http://goodreads.com).

Front cover, Fire Shut Up in My Bones, Charles M. Blow, September 23, 2014. (http://goodreads.com).

I started reading New York Times columnist Charles M. Blow’s memoir Fire Shut Up In My Bones two weeks ago. Like many who have read it, I have found it a good read, a revealing read, even a powerful read at times. I have been able to put it down, though. Mostly because as someone who’s recently written a memoir about my own painful and trying experiences with abuse and neglect, about confusion, distrust and occasional rage, Blow’s book has been a reminder of how difficult it was for me to relive those experiences enough to write them down in words and revise them into a book of my own.

Still, as I do intend to finish Fire before the holidays, I do have a couple of questions. One is really basic. Had Blow ever heard of the Kinsey Report (1948), the first one about the sexual experiences and habits of men, particularly gay and bisexual men, prior to turning thirty? The one thing I learned from reading this report twenty years ago is that there’s a lot of gray between heterosexual, gay and bisexual. That you can be heterosexual, and still have a small level of attraction to those of your same gender simultaneously.

256 shades of gray (cropped), October 20, 2014. (http://cs.dartmouth.edu).

256 shades of gray (cropped), October 20, 2014. (http://cs.dartmouth.edu).

But this is a minor question, more about his curious road to understanding his sexuality — not to mention my own road — than it is about Fire itself. My second question is a much more important one. How have Blow’s family and friends received his book since he decided to write it? How have they received Fire in the months since he announced it was coming out in September? How have they received him and Fire since it officially hit the shelves last month?

If his immediate and extended family was/is anything like mine (and from reading Fire so far, it is), then my best guess is their reaction’s been mixed at best. In the year since I released Boy @ The Window in paperback, my siblings have liked the book, but my mother and father haven’t exactly been happy about me writing it. My mother hasn’t said one word about Boy @ The Window since I put it out last year. Nor did she ask any questions about the book in the six and half years that I toiled in writing and rewriting it.

My father, meanwhile, showed interest in the book right from the moment I told him I planned to write Boy @ The Window. That was, until the paperback edition came out during the holidays last year. At that point, he said, “I don’t wanna talk to you no more.” We’ve talked several times since, but he’s still pissed with me about including him in my memoir, even though I never hid this from him at any point in the process.

Among my friends, most of my core group has bought and read Boy @ The Window. Most have given me positive feedback, some very extensive. Yet I found myself mildly surprised how few friends outside of this core group have bought or read the book. I take that back. Actually, I’m surprised by the negative feedback I’ve gotten from folks who’ve claimed to be friends of mine, who’ve never read a word of Boy @ The Window. But this feedback hasn’t been about the memoir. It’s really about their wanting to deny facts about me or about them that they’ve assumed are in Boy @ The Window, as if my job in this instance was to only be truthful when it felt good for them.

Dirty laundry in a basket, October 20, 2014. (http://plus.google.com).

Dirty laundry in a basket, October 20, 2014. (http://plus.google.com).

My platform is tiny when compared with Blow’s, so I imagine that the reaction to Fire in terms of both praise and condemnation has been more extreme, even as the praise has been much more public. I suppose if I was the perpetrator whom sexually assaulted Blow, I’d likely want to shut him up. I’m not so sure that anyone in his family, proud of him as they may be, wants what they’d likely consider “dirty laundry” out there for anyone to read. You don’t grow up in a family as traditional as Blow’s and expect everyone to be alright with their character’s characterization in a bestseller.

This I do know, and I suspect Blow has known for a while, too. That writing a memoir like Fire isn’t about seeking revenge or outing family secrets per se. Bottom line — it ain’t about the proverbial you! In some respects, as cathartic as writing a memoir like my Boy @ The Window or Blow’s Fire may be, it’s not so much about the authors,’ really, at least after the tenth edit.

There are so many stories that never see the light of day, because the fire for telling them burned out a long time ago. Or the window became a rubber room or a jail cell. It’s about telling a story that needs to be told, regardless of whether family’s happy about it, or whether some of your friends can relate to it or not. Because there’s always, always, an audience who needs to read it, hear it, see it and learn from it themselves.

 

 

When Those Close Put Up Roadblocks

07 Saturday Jun 2014

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Detours vs. roadblocks, June 1, 2012. (http://www.ideaarchitects.org).

Detours vs. roadblocks, June 1, 2012. (http://www.ideaarchitects.org).

This was the best title I could come up with, since it’s about folks in my life with whom I’ve shared some affinity over the years, beyond family, and to a lesser extent, friendships. This isn’t about haters or crabs-in-the-barrel mentality per se. It’s simply the observation that as I pursue dreams and push through goals in life that some whom have the choice between being supportive or actively working against my interests, how more than a few have chosen to do the latter.

That this has occurred in my life mostly as I pursued my doctorate and pressed on as a writer isn’t a coincidence. The things I’ve worked the hardest for in life, the dreams most difficult to achieve, the amount of energy and pressing through needed to overcome my own doubts in the process — all came with an audience of detractors. A bit more than twenty years ago, some of my Pitt friends started falling by the wayside as I pursued my grad degrees, which is normal, but there were some pretty weird conversations I had with them as they did. One insisted on calling me “Dr. Don” about a dozen times during a PAT Transit bus ride one day in September ’92, laughing to the point of hilarity while doing it. I thought that he was going to choke on his own spit all the while, he was laughing so hard. Or that I was going to choke him myself if he said “Dr. Don” one more time!

Screen shot of character played by Samuel L. Jackson in Django Unchained (2012) with "Sellout" addition (not an endorsement, by the way), October 31, 2013. (http://forwardtimesonline.com/2013/).

Screen shot of character played by Samuel L. Jackson in Django Unchained (2012) with “Sellout” addition (not an endorsement, by the way), October 31, 2013. (http://forwardtimesonline.com/2013/).

Another guy — who eventually committed suicide in ’98 — told me straight up that people like me were “sellouts,” that “The Man” wasn’t going to accept people like me or him “no matta how many degrees we get” or don’t get. That was six weeks before my committee approved my dissertation, in October ’96. Luckily, I learned not to bring up my education to folks unless it was for professional purposes or unless someone asked.

That these were Black acquaintances from my days as an undergrad at the University of Pittsburgh was a bit surprising, considering that my tendency is to always encourage folks to pursue their dreams. I’d always assumed the worst of the folks — Black, White, Afro-Caribbean and Latino — that I grew up with in Mount Vernon, New York, precisely because their encouragement literally made me suicidal by the time I turned fourteen. By the late-90s, I realized this was more than a New-York-area-social-etiquette-disorder.

With writing and books over the past decade — especially with Boy @ The Window — I’ve experienced some of those same headwinds from folks who seemed to think they had a better idea for the direction of my life than I. When I first started working on my memoir at the end of ’06, I had a conversation with my Pitt and AED colleague Stacey, whom I’d known for sixteen years. Upon telling her about my project, she said, “You need to wait on that,” that I should “publish a few more books,” be in my fifties, before “writin’ a biography.” So I knew that she wasn’t going to buy a copy when it came out. Oh well!

Last fall, at an African American Alumni Council event at Pitt, it was one of my first opportunities to discuss the now published Boy @ The Window, which was immediately followed by public criticism. Right after I talked about the book, an older alumna walked right up to me, and got within a foot or so of my face — close enough to hug. “You’re too young to have a memoir,” she said with a smile on her face, and then walked away as if her’s was the final say on the topic.

At the least, it showed that most don’t know the difference between a memoir (on one period or aspect of one’s life, often with a look at the world beyond) and an autobiography (the story of my entire life). Boy, understand the genre before criticizing it or my role in it already!

One foot in the grave (apparently), June 7, 2014. (http://www.virginmedia.com/).

One foot in the grave (apparently), June 7, 2014. (http://www.virginmedia.com/).

And, yes, I know. I see my Facebook friends especially posting other people’s sayings every single day. About letting go, moving on, forgetting the past, pushing past the haters, sitting in a lotus position, meditating and praying, and then drinking a wheat-grass smoothie. I do let go, I do forgive, and I don’t let the naysayers in my life have the final say. But letting go doesn’t mean I don’t get to highlight some truth, point out hypocrisy, and that I should just be quiet for the sake of being quiet.

It hasn’t been lost on me that most of these specific, potentially dream-destroying microaggressions have come from Black folk, male and female, well-off and immersed in poverty. Do I put these people in the same category as White literary agents who’ve said things to me like, “Oh no, not another abuse story!” or “There are too many black coming-of-age stories in the market?” Of course not. Gate keepers practicing ignorance in the midst of structural racism isn’t the same as people who may have internalized racism.

Or in the latter case, it could just be that my pursuit of what I’ve wanted and finally come to know for my life brought attention to dreams deferred, delayed and denied, by others and by their own fears of failure and success. If I’d let this stand in my way, I’d still be living in Mount Vernon, undoubtedly living in grinding poverty, wondering how could I let everything I wanted out of life get away from me.

If Eri’s Now 30, What Does That Mean For Me/Us?

22 Thursday May 2014

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Marriage, Mount Vernon New York, Pop Culture, race, Religion, Youth

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Really, I’ve written about this before, five years ago, right after Eri turned twenty-five. Everything I wrote about Eri in “The Meaning of Eri’s 25th” is still applicable today. I only have a few things to add to that earlier post. First, Happy Birthday, Bro!!! Welcome to the second tier of youth, the one for folks over thirty, but not yet middle-aged! For the first time ever, we’re in the same general age category, until I turn forty-six, a year and seven months from now – yay!

Second, the fact that you’re thirty today is a reminder of how long I’ve been doing certain things. Like the fact that I’ve been cooking for myself, for family and for other people for thirty years. And that I’ve been at least six feet tall for a bit more than thirty years. And that I’d turned to Christianity a couple of months before Eri’s birth, a bit more than thirty years ago. All of it serves as a reminder that Donald 1.0 had been in the midst of evolution right around your birth.

Third and maybe just as important, the fact that it’s never too late in life to achieve your dreams. That I’m able to writer about my experiences — and our family — these days with commitment was something I couldn’t even conceive as a dream thirty years ago. By May ’84, I’d buried that knowledge of myself as a writer deep within my spirit and soul, so much so that I rarely thought about writing anything again until I was nearly twenty. Imagine a situation so deep that an aspiring writer can’t articulate the words necessary in which to write. I didn’t have to imagine it, though.

I hope that you Eri — in fact, our other brothers Maurice, Yiscoc and Darren, too — will find the strength and energy to do your dreams, to harness what remains of our dwindling youth before our hair is completely gray. I will do the same.