Category Archives: eclectic music

Year 50 (So It Begins…)

05 Saturday Jan 2019

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US Route 50 sign, August 26, 2017. (Fredddie, originally SPUI, via http://wikipedia.com). In public domain

As I’ve said in other settings and on my blog, I never dreamed of making it to 30 growing up. Fifty might as well have been 150 for me when I was in the middle of my Boy @ The Window years! But, with my forty-ninth birthday and the calendar change to 2019, I’m here anyway. A half-century (starting sometime in March) between conception and me being just old enough for my son and my students to see me as a fossil. To think that I was Egg #3 in one of my Mom’s ovaries this time 50 years ago? I’m sure I just creeped myself and a large number of you out with that strand of my imagination!

But this isn’t just my Year 50. There are some 500 people I know from my Mount Vernon public schools days, from my years at the University of Pittsburgh and Carnegie Mellon, and from other settings who’ll turn 50 this year. Among the Mount Vernonites and New Yorkers I’ve known directly, between a handful who graduated with the Class of ’86, and with the exception of a couple who graduated with my class in ’87 a year early, almost all from my high school days will turn 50 between now and January 2, 2020 (One notable exception is a classmate whose forty-ninth birthday isn’t until April, but…).

What does all of this really mean, anyway? Have I used up more than half of my youth? Will I shrink immediately? Will my joints, which only ache on occasion, grind me into oblivion and infinite pain at the same time? Will my steel-trap mind become mush? Or, will I finally harness my lost dunking ability, in one last grand gesture of youth, getting my head above the rim one last time, before crashing down to earth and fracturing my metatarsals? Who knows!

What I do know is that I’ve been keenly aware of my mortality since my summer of abuse in ’82, and off and on since the summer of ’76. With a milestone such as this, and the average life expectancy of Black males at 64.5 years, I can’t help but think it. Will I make it through middle age? Heck, will I make it long enough to see my son graduate from high school and earn a higher education degree? Will my wife outlive me (probably), and if so, by how much?

Mostly, though, I’ve had dreams about the plausibility that I haven’t done enough in my life, and what little I have achieved could be turned to ash in an instant. Especially by an indifferent-to-openly-hostile and virulently racist nation-state. I’ve had dreams about losing my jobs because I was forty-five minutes late to lecture for one of my classes. I’ve worried about whether I could ever publishing another article again, even though my track record the past four years has been at least pretty good. I’ve worried about never publishing a book in the mainstream, about leaving my son and wife with nothing, about the possibility that not everything will work out, for me and for us. I also worry about not doing enough to support my family, my friends, even strangers, knowing that I can barely save myself in the here and now, much less anyone else.

But perhaps God has more in store for me beyond Year 50. Dare I hope to be healthy and relatively youthful and around long enough to live past 70, 80, even 90? My grandfathers lived until they were 90 and 97, my aunts on my father’s side are both in their late eighties, and my father (despite a 40-year battle with the bottle) is nearly 80 himself. We’ll see.

I just hope that my youth battery is on the plus side of fifty percent, and not on the minus side. Part of me feels like I’ve only just started living, not out of mission, faithful desperation, or obligation, but out of a sense of it all being worth it, of me actually being worth it. I’ve traveled all over the US, to Alaska during the summer solstice, to Canada, to the US-Mexican border. But it was all for work, to present at conferences, to visit family, to give my son a sense of the world. Except for my honeymoon and other marital excursions, I’ve only traveled a couple of times just to experience the world. Despite my disdain for humanity, I still want that, for me and for my family. I can’t get there, though, on my current double-adjunct, full-time equivalent salaries. This must change.

If it all continues to work out, let it be this year, my God, let it be, let it be. For “there will be an answer, let it be” — eeeeee! (It’s not so interesting to quote a song from The Beatles final studio album, the title song released when I was just a bit more than two months old.) To misquote Princeton professor Tera Hunter’s 1996 book, let it be that I “‘joy my freedom,” that I give myself permission to do so, that my life gives me more opportunities to do so. Let Year 50 be about more than just Nixon and Vietnam, the Moon landing and the FBI’s infiltration of the Black Panther Party, about Woodstock and the Jets and Mets winning titles. Let it be that I have as keen an understanding of my future as I do of the past.

The Sweet Consolation of Suicide

27 Thursday Dec 2018

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, music, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Sweet-and-sour-chicken, 2011. Source: http://www.foodnetwork.com

Well, not exactly sweet to be thinking about what you have thought about and attempted to act out in the past. In the next few hours, I turn 49, which is to say that I begin year fifty on Planet Earth. “Yay me!,” right?

Not so much this time 35 years ago. My suicidal ideations had gone on in December 1983 for nearly three weeks before my fourteenth birthday, in the aftermath of my fourth mugging in four years. That Tuesday, December 27, at 2:30 pm, coming home from C-Town in Pelham, standing on the parapet of that stone bridge overlooking the Hutchinson River Parkway, I had every intention of jumping. I played it out in my head all the different possibilities. At first, it was going to be like the second between taking a deep breath plunging myself underwater and holding my breath while feeling the pressure build up all around my head, eyes, and ears. Except that I imagined a screech, a pop of a hit, and the world turning into stars before I escaped into eternal darkness.

But then, I thought about the plausibility of surviving the 13-foot jump, only to get hit by a car or truck flying down the parkway at 60 or more. Paralyzed, brain-damaged, trapped for days, months, years, decades even, in a body that defied me once again. At this point, my knees were already bent, pretty much ready to push off the stones I stood upon anyway. The possibility of survival and suffering, though, stopped me short of taking that leap. That, and wanting sweet revenge on the stepfather and others who had driven me to this moment.

It’s all in Boy @ The Window. What isn’t in the book is that I couldn’t imagine living past my thirtieth birthday, much less to 49. What isn’t in the book is that I have had other episodes where I either attempted to take my own life via car accident or had suicidal ideations (anywhere between 1982 and 1988, as well as in the late-1990s). This isn’t the same as contemplating my own mortality or considering how much more I may be worth dead than alive (at least I think it isn’t the same, anyway). If someone had put a gun to my head, and asked me why I should keep living, I probably would’ve told them to pull the trigger. I really didn’t have any answers when I got low enough to consider best suicidal practices.

Sure, in the process of working through my own trauma while in progress, I found God, I found Jesus, I read my Bible, I embraced the Holy Spirit. But as the U2 song goes, “I still haven’t found what I’m looking for,” at least not during my Boy @ The Window years, or in the years after my doctorate, or even after a decade in the nonprofit world. Heck, I’m still a work in progress, and not quite sure what’s around the corner for me (although I’m cautiously hopeful, with fingers and toes crossed, and knocking on wood in my mind’s eye as I type this). But a focus on escape isn’t enough. Striving for perfection — including perfect chastity — wasn’t enough. Even writing my fifty-to-100-pages-too-long memoir wasn’t enough.

Two things in the past decade have been enough. One was to admit, and not for the first time, that I controlled nothing, not even my own body, and certainly not all of my thoughts. For a person who’s policed himself as much as I have over the years, this was a hard truth to finally and fully accept, and that was a little more than four years ago. Two was that I needed to let out my thoughts and feelings, no matter how fucked up or how revealing or embarrassing they could be for me. Some of that has worked through this blog and Boy @ The Window. The rest has been as a result of social media, freelance writing, and otherwise remembering that though I may be truly weird, I am also truly human.

Maybe that’s why in the past couple of years I’ve mostly read Black women writers on their trauma and intersectional experiences, between Brittney Cooper, Morgan Jerkins, Roxane Gay, Crystal Fleming, Patricia J. Williams, and a host of others. Maybe that’s why I found more solace in Kiese Laymon’s Heavy than I ever did with any of my history monographs. Maybe this is why I’m convinced that to be a better writer, I had to become an even better reader, and read across genres and disciplines like I never had before. Maybe, too, this is why I as an educator have committed to use a wider variety of materials to reach my students, even if one or two want to only read mainstream history texts and don’t want to engage in “literary analysis.”

I finished Darnell Moore’s No Ashes in the Fire two days ago. Despite his stepping out of narrative to preach “Black radical love” at least three too many times, Moore’s book reminded me of what all the other wonderful books I’ve read in the past three years have told me. Share your truth, so that others may see, hear, or react to it. Tell your story, ‘cuz ain’t no one else gonna tell it for ya. Talk about it, if only to yourself, so that you know you’re not crazy. There’s bravery in putting in words your pain, your joy, your sense of the world and sense of self, your need for a higher power (or lack thereof). There’s courage in pointing to your unique sameness relative to humanity, and your need to crystallize the dominance of systemic racism, heteronormative patriarchy, and narcissistic worshipping of dollars and billionaire elitism that is this warped-assed world.

None of this may convince someone from taking their own life. I don’t pretend that I have any specific answers, because I don’t. But many times, living begins with one question, then another, then another. Living for me is about finding the best questions to answer, to turn the embers of what was once a wall of bullshit into a forest fire of questions, for me and others. This world will never give us the right to question it, which is why we who might want to live another day must wrest that right for ourselves, every single day.

Viewing World AIDS Day From the Cheap Seats

01 Saturday Dec 2018

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, High Rise Buildings, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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World AIDS Day 2018 logo, November 30, 2018. (http://hiv.gov).

Today and this weekend mark 30 years since the first World AIDS Day. Unlike three decades ago, I seldom give HIV/AIDS any thought at all. Where did it go? Has anyone actually died from AIDS recently? Do people still have to worry about HIV/AIDS? I know the answers are, nowhere, yes, most definitely, and hell yes, dumb ass.

But 30 years ago, I worried about HIV/AIDS the same way I worried about the Soviet nuclear threat, my Mom still living with my idiot stepfather, and dying if I wasn’t part of some evangelical Christian rapture. I pretty much worried about everything back then. In the context of my heterosexuality and mostly burying it for fear of intimacy, pregnancy, and bodily fluids, though, I worried that with my luck, any sex at all would lead to the STD to beat all STDs.

So when my dad went out of his way to get me a prostitute (we didn’t use the term “sex worker” then, I think) for my seventeenth birthday in December 1986, a young woman I knew to have been a fellow Mount Vernon High School student the year before, I didn’t hesitate to say no. I preferred Jimme calling me “faggat” to doing the equivalent of Spike Lee’s character in School Daze, a form of meat-market sex approaching (but not quite) rape.

I knew, down to my bones, despite the ACT UP crowd of relatively well-off gay White male activists on MTV and elsewhere, despite the dome of Black hypermasculine homophobia found in Mount Vernon and in the city, that HIV/AIDS wasn’t a “gay disease.” Basic biology would dictate that viruses don’t make left turns based on sexual orientation, class, gender, or race. So, hell yes, I was scared, for quite some time, from the prospect of living with a disease that has killed more than 35 million people worldwide since 1979.

The dangers of sex work, of casual unprotected sex, and of HIV/AIDS were made clear to me on my trip to Pittsburgh in August 1990 to secure what would be my studio apartment living for the next eight and a half years. It started at the Port Authority Bus Terminal on 41st on Friday night, August 3. It was going to be my second trip ever on Greyhound, catching the 11 pm red-eye, nonstop bus from Manhattan to downtown Pittsburgh. As the 40 of us stood in line to catch the bus, I saw a woman around my age wandering between the men’s room and the waiting areas, talking to different guys, with one or two jumping out of line for a few minutes.

Port Authority Bus Terminal entrance, New York, NY, October 22, 2015. (Ilana Gold/CBS2; https://newyork.cbslocal.com/2015/10/22/port-authority-bus-terminal-plan/).

As she drew closer to my line, I recognized her. She was someone I knew to be the cousin of one of my neighbors on the third floor of 616. By then, I also saw a Black guy in his mid or late-twenties, standing near the men’s room, keeping a close eye on her. It was like the cogs of my mind moved in slow motion as it became clear that this person I knew was a sex worker and the guy was her pimp.

A few minutes later, the pimp bellowed, “Five-O! Five-O!.” The all-too-familiar woman took off. She booked out the terminal doors and toward the streets around Times Square. The Port Authority police and two NYPD cops had grabbed the pimp, put him on the ground, handcuffed him, and took him away.

I was so surprised and sad after that, at least as we boarded the bus and weaved our way through New Jersey. I hadn’t seen this woman since 1986 or 1987, when I was a senior in high school. Over the years, she had come over to her cousin’s place to visit, and maybe to stay (at least temporarily). She had mostly teased me about my “White music,” except for Tears for Fears in the summer of 1985 (their “Shout” had been turned into some hip-hop urban mix on WBLS).

She had asked me on more than one occasion, “Do you like girls?” I mostly ignored her, saw her as just another person at 616 and in Mount Vernon who saw me as something to kick around. I didn’t consider her attractive because of how she talked to me, but looking back, she was. At five-seven or five-nine, she was a yellowish-brown skinned woman, with some freckles, a nice smile, shortish hair, and a nice proportionate shape. She could be witty, in a New Yorker’s sarcastic sort of way. But between Wendy, Phyllis, and my march to college, nothing and no one in Mount Vernon could compete for my attention in that way back then.

A week later, I came back from my Pittsburgh trip, on another Greyhound non-stopper, only to realize at 8:30 on Saturday, August 11 that I needed to take a dump. As I’ve said elsewhere, I tried and failed to take one at Grand Central, as the basement restrooms were full of broken toilets, boarded up stalls, and at least one person with obvious signs of Kaposi’s Sarcoma, a sign of full-blown AIDS. I don’t know how I managed to hold my shit until I made it back to 616.

I learned from my Mom twelve or thirteen years ago that my former neighbor and teaser had died from AIDS-related complications, leaving two children behind. Even though I didn’t know her very well — didn’t want to know her, really — I was still heartbroken for her and her kids. All I could think was, what an awful life, what an awful way to die! Who’s going to raise her kids?

But really, I couldn’t help but go back to that Friday night in August 1990. I observed from up close, what the limited choices in a world of capitalism, patriarchy, misogynoir, and racism left people like this young woman. I observed, from afar, how this world can make something as destructive as HIV/AIDS a movement for gay White males, and a silent way of killing Black women at the same time.

Coming From Where I’m From

30 Monday Jul 2018

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A week and a half ago, I received an email from a reader in response to my latest Al Jazeera piece, “Why I Don’t Understand the Black Affluent Class.” She congratulated me on the article, and agreed with most of my sentiments in the piece. She also revealed that she had spent a decade living in Mount Vernon, NY.

It turned out that this reader lived five blocks from me during my Boy @ The Window years, right off East Lincoln Avenue! Part of my follow-up included, “[m]aybe our paths crossed, maybe they didn’t. But I’m sure my growing up years helped shape some of what went into my Al Jazeera piece from last week.”

I was mildly excited that someone from Mount Vernon had read one of my mainstream articles, and not just the blog. But, even with some shared ideas and a common point of reference, the reader’s response actually reflected some of what I critiqued in the article. She agreed that “Money Earnin’ Mount Vernon” had helped shape my views around the buying in of a relatively materially privileged class into White patriarchial and supremacist ideas like civility and respectability politics. Then she immediately veered toward identifying the great Mount Vernonites — “Denzel Washington, Al B Sure, Heavy D, Sidney Poitier, etc.”

What is it about smaller cities not blessed with the narcissistic largesse of a New York, L.A., or DC that causes people to fall back on the “but we have successful people from here, too” trope? Not only is this not necessary. It points to a sense of competing for attention and importance in a way that can be a bit unseemly, a way of countering a negative narrative from a crowd of self-centered media elites with one that’s just as narcissistic and needy.

The fact is, pick a spot on a map where at least 1,000 people live, and guess what? Someone rich and/or famous either grew up there or lived there for a time. Even if those individuals aren’t nationally known, one can guess that they’re known in that region or state. Dean Martin’s from Steubenville, Ohio. The opera singer Leontyne Price is originally from Laurel, Mississippi. Mr. “The Price Is Right” Bob Barker is from Darrington, Washington. Stand-up comedian Lewis Black’s from Silver Spring (where I’ve lived for nearly 20 years now). I bumped into former NFL player and sports broadcaster Ahmad Rashad at my local pizza shop in 1989. Heck, the Black feminist lesbian poet Audre Lorde worked for years at Mount Vernon Public Library. None of this could possibly change how I saw my original home base, not in 1976, not in 1987, and certainly not in 2018.

It’s not that I didn’t know the Delaney sisters lived off South Columbus Avenue, or that Stephanie Mills had a house somewhere between Mount Vernon High School and the Mount Vernon-Bronxville border. But what did that really mean to my day-to-day when I was going from one end of Mount Vernon to the other for groceries, for piece of mind, and sometimes, to avoid more physical and emotional abuse at home? How did knowing that a classmate was in a scene on the soap opera General Hospital change the fact that I still needed to hunt down my alcoholic father on Friday for enough money to cover the cost of my AP English exam? What did Al B. Sure or Heavy D’s success in the 1980s have to do with my striving for a college education, or my five days of homelessness in 1988? Nothing, of course, absolutely nothing.

It’s good to know that there are notable people, Black, Afro-Caribbean, African, Latino, Nuyorican, Italian, male, female, transgender, gay, lesbian, bisexual, dead, old, young, and alive, from Mount Vernon. But a community doesn’t hang its hat on notable people or the rich and successful. Its lifeblood is the ordinary, of activists, artists, and educators, students and librarians and postal workers, the grandparent here, the friend of the family there, who takes a real interest in your development and success. For that reason, Denzel doesn’t really matter to me. I can’t tell you how I feel about Albert Brown night and day, because I’ve hardly given his music a thought since Quincy Jones’ 1989 album Back on the Block (the song “The Secret Garden” makes me gag). Sidney Poitier living in Mount Vernon for a time? And?

For me, for better and for worse, it was the crossing guard at the corner of Esplanade and East Lincoln when was at William H. Holmes. Or, it was my mom and dad’s friends (drinking buddies, really), Ms. Pomalee, Ida, Callie Mae, Lo, and Arthur. Or, it was my mom’s Mount Vernon Hospital friends, especially Billie. It was my Uncle Sam. It was Ms. Griffin, Mrs. Shannon, Mrs. O’Daniel, Mrs. Bryant, my school teachers before Humanities and Meltzer. Whatever lessons I learned about aspirations, civility, and respectability politics, and the idea that these ideas aren’t all good or set in stone, they helped me in that process. These were the people who mattered to me outside of 616 and off the street of Mount Vernon.

“You Can Tell From The Lines On Her Face…”

01 Monday Jan 2018

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One of the more haunting songs for me from the ’80s is Phil Collins’ “Another Day In Paradise.” It came out in the mid-fall of 1989, and ended the ’80s as a #1 hit. It was also #1 to start the ’90s. For those who were younger than ten in late ’89, “Another Day In Paradise” was a song about chronic homelessness and the callousness of folk toward the homeless, in the UK and in the US.

There were at least three million people living on the streets between Battery Park in New York and the Santa Monica Pier in Southern California when Collins released his admonishment for the world and God to do something about what was then considered a serious crisis. It’s not Phil Collins’ best song. But if you gave a damn about people you saw every day, leather-faced, wearing tatters, obviously sick in body and broken in mind, then this song may have touched you in some way.

It touched me. Just sixteen months removed from five days of worry about my future, sleeping on a concrete slab, and washing up in public bathrooms, I was going to be moved by “Another Day In Paradise” anyway. Unlike most Americans, I cannot walk by someone homeless and not have it register that this could be me. I don’t give change every time a panhandler asks me. I’m not made of money. Sometimes, though, I do tear up, because seeing families without a place or home sitting on a sidewalk in the rain should make anyone sad or angry. Especially on days like today, when much of the nation is around 10ºF (-11 or -12ºC).

America had as many as five million homeless people during the height of the Great Recession, and as few as about 600,000 as recently as a year or two ago. But as with most social statistics, this is likely an underestimate. There are plenty of well-washed, well-kempt, and somewhat healthy folk in this country who don’t have a place of permanent residence. They bounce from friend to friend or from extended family member to caring loved one. They may have access to a bed or some halfway house or temporary housing. Still, they aren’t guaranteed a place to sleep, sit, or rest from one day, week, or month to the next. And this takes a toll.

It took a toll on my own family between April 1995 and March 1998, especially the first seven months after the 616 fire. I’m convinced it’s why my younger siblings struggled for years afterward to earn a high school diploma or GED. The disruption in their lives, of their dreams, in their peace of mind. It can and does drive many people to drink, drugs, and madness. It drives those who are with mental illness to the grave, like my former classmate Brandie Weston.

Yet our nation homeless-proofs itself with jagged spikes on stone walls, covered steam grates, and patrol officers hell-bent on making sure homeless Americans will not see one moment of sleep and rest. We treat our most vulnerable Americans as if they’re some form of contagion, a diseased sort of garbage that we’d love to put on a barge and dump in the middle of the Pacific.

America in our policies and our people visits indignities, malignancies, and wrath upon our homeless, whether military veterans, impoverished families, or mentally ill individuals. It’s what we do to anyone in our nation who isn’t a so-called winner. And if you’re a person of color who’s homeless, the best you can hope for is being near a college campus, where a steady stream of the well-off exploit your stories for A’s and writing jobs.

America does “to the least of us” whatever it can to take advantage, ridicule, hide, and even eliminate their existence. Proving once again that while America is a great nation, we are a horrible people. Phil Collins was right. We “can tell from the lines on her face” that America has forever calloused itself, human but often devoid of humanity.

The Politics of the Apolitical

09 Wednesday Aug 2017

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, eclectic music, Mount Vernon High School, Movies, Patriotism, Politics, Pop Culture, race, Religion, Sports, Youth

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Mimi and Eunice comic strip, July 27, 2012. (Nina Paley via http://mimiandeunice.com/category/politics/).

In late-October 1994, I had a wonderful steak dinner with my friend and former high school classmate Laurell in DC. It was during my first ABD (all-but-dissertation) visit to the area to conduct some official initial research on my multiculturalism-in-Black-Washington, DC-doctoral thesis. It was also a couple of weeks before the midterm elections, the cycle that would sweep in Newt Gingrich as Speaker of the House and the rest of his cronies as part of the Contract With (really, on) America, the gift that has kept on giving for the past twenty-three years.

As part of our three-and-a-half hour dinner and dessert, we talked about the Clintons, their failed attempt at universal healthcare, the Contract With America, and the ongoing politics of racial resentment. Laurell said, not for the first or last time, that she was “apolitical,” that she didn’t “adhere” to “either party’s platform.” This was because she was “fiscally conservative” and “socially liberal.”

Even in ’94, I could’ve picked apart Laurell’s hair-splitting with a hot hair comb. But here’s the part that got me then and really irks me now. Being apolitical is a political stance and perspective. Being apolitical is like being agnostic. You may not believe in someone or something exactly the way most people in the crowd do. You may have some serious doubts. But you are still a human being. And since you are human, and have beliefs, you also have a political point of view. Otherwise, your apolitical stance is the equivalent of selling bullshit to others and lying to yourself.

The politics of steak, August 8, 2017. (http://zeenews.india.com).

A few weeks ago, I watched BBC World News and saw a young White actress on the telly promoting her new summer film, declaring it “apolitical” as it delved into serious issues around feminism and potentially other -isms. Here’s a news flash, folks. Every movie, piece of art, song, poem, every article, book, or TV show, contains a hidden agenda, a specific set of beliefs, an ideology. By definition, every piece of entertainment or art has a political message, no matter how gentle or subtle. Even if a movie like, say, Rough Night is just about women “laughing at themselves” and “having a good time,” the idea that White women have the right to both feminism and femininity is embedded in these otherwise rather banal phrases. And that’s a political statement, whether people are willing to see it or not.

But the realm of politics goes well beyond the world of entertainment and leisure. Politics is everywhere, in everything, and with everyone, all the time. Calling yourself “apolitical” doesn’t change this truth. If you eat steak and potatoes, you obviously aren’t a vegan, and that reflects your personal politics around food. When you buy clothes, wear perfume or cologne, take a vacation overseas, call a young person in your neighborhood an “all-American boy” or “all-American girl,” you are unwittingly expressing your politics. Even in declaring yourself a Christian, atheist, Muslim, Buddhist, or Jew, this isn’t just an admission of your love for God, Yahweh, Allah, or a lack of belief in a higher power at all. It is a worldview with political implications, one that colors how you see the world, humanity, and governance. We are all political animals, no matter how little some of us pay attention to the machinations of the Democrats and Republicans.

Time Magazine cover (cropped) Colin Kaepernick, October 3, 2016. (http://facebook.com). Qualifies as fair use due to cropped nature and subject matter.

This is also why the common refrain among racist sports junkies about not combining sports and politics is also total bullshit. Of course the political implications of sport are intertwined with the actual sport in question! How else can you explain the blackballing of former 49er quarterback Colin Kaepernick for his Black Lives Matter kneel-downs during the National Anthem at NFL games in 2016? It’s certainly not based on Kaep’s performance or merely about a kneel-down. The politics of American racism, of faux-hyper-patriotism, of money and fandom, were and remain in play here. That some continue to doubt this is yet another example of the penchant of millions to crave willful ignorance of anything that would make them think beyond their own perceived superiority and simplistic views of an always political world.

So no, you can’t away from politics in this world. One would have to take a time machine back to before the Agricultural Revolution to find humans in a world without politics. But even then, there would be domestic politics, gender politics, tribal politics, and food/water politics. Not to mention, religion and the politics thereof. But, keep believing that you’re apolitical, and see how that works out as your worldview comes crashing down.

The Painful Destruction of the Pedestal

26 Wednesday Jul 2017

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Demolition of the Kingdome as a GIF, Seattle, Washington, March 26, 2000. (USA Today).

This week thirty years ago was the beginning of the end of my sexist dream of having women recognize me for being “a nice guy.” As I wrote in one of my very first blog posts a decade ago, it was a dream “that had to die.” Precisely because it was a fantasy, a phantasmic display of teenage delusion borne from five years of abuse and oppressive social immaturity. In ’80s parlance, my wack ass had to learn the hard way that I had no game. And, more importantly, that pedestals are meant for smashing with sledgehammers, as people can never live up to their marble or bronze busts.

It wasn’t really women I was trying to impress with my quiet and stoic demeanor. I was all about my second infatuation, Crush #2, my version of Phyllis in the summer of 1987. I’ve outlined in painstaking detail here and in Boy @ The Window my obsession with Phyllis and her smile, and my ridiculously stupid attempts to make conversations with her in the three weeks of my various impromptu encounters at the old Galleria in White Plains and on the 40/41 Bee-Line Bus back to Mount Vernon.

But “the end of the lesson,” or at least, the “end of the beginning” of it (to quote both Kevin Costner in The Untouchables (1987) — which I saw at The Galleria twice that summer — and Winston Churchill), began on my brother Yiscoc’s birthday on the fourth Thursday that July.

I walked around for over an hour after I got off the bus at North Columbus and East Lincoln. I must’ve called myself “pathetic” at least a dozen times on that hot and steamy walk. And I was. I didn’t get home to wish Yiscoc a Happy Birthday until after 8 pm, by which time I missed any semblance of a birthday celebration at 616.

Packing up and moving to Pittsburgh — and my freshman year at the University of Pittsburgh — seemed as far away that weekend as it did during my summer of abuse five years earlier. I was no longer sure that this transformational period of my life would actually bear fruit. I thought I was destined to spend the rest of my days alone, ridiculed, emasculated, and otherwise as a piece of trash.

Toppling and destruction of Vladimir Lenin’s statue via sledge-hammer, Berdichev, Ukraine, February 22, 2014. (unknown).

I was seventeen years and barely seven months old when I had those thoughts. I’ve been married for nearly that long, and have a son on the cusp of turning fourteen. There’s no way that Donald 1.0 could have envisioned either of these experiences, much less worked to make them happen. It wasn’t exactly a miracle that I became a boyfriend, fiancé, husband, and father. No, it was an evolution, with a couple of personal rebellions and revolutions mixed in.

The one good thing I did after Phyllis took a wrecking ball to my delusions of feminine perfection was to talk about it with someone who was willing to listen. This time around, a young woman put up with me griping about something I never had, someone whom was never for me to begin with. As many times as I would go on to listen to women of all stripes about their relationship issues, I needed to be on the rueing end of things this one time.

It would take a lot more talking, a bit more learning, and four more years befriending and dating, before I’d completely give up putting women on pedestals entirely. Women may be beautiful, and Black girls may be magic, but none are meant to be worshipped at altars. Like all other anthropomorphized idols, humans on pedestals will always fail us when we delude ourselves into thinking that we need them to be free. Especially when we need them the most, or at least, believe so.