Category Archives: New York City

On the Levi Brothers and Trump-esque People

08 Thursday Jun 2017

Posted by in 1, Boy @ The Window, Cleaning, culture, Eclectic, High Rise Buildings, Jimme, Movies, My Father, New York City, Politics, Pop Culture, race, Upper West Side, Work, Youth

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Darth Sidious, Star Wars VI (The Return of the Jedi) screen shot, 1983/1997. (LusoEditor via Wikipedia). Qualifies as fair use due to lower resolution and subject matter.

There are a plethora of people to pick from in making comparisons between President 45 and examples of narcissistic evil operating in positions of leadership. Andrew Jackson, Adolf Hitler, Benito Mussolini, 45’s hero Vladimir Putin, Jacob Zuma, and Recep Erdoğan all have served as examples in op-eds and other articles over the past couple of years. And these are all potentially good picks. Mercurial, vengeful, and even erratic actions, combined with dehumanizing speeches and screeds, all characterize this cabal of soft despots and fascist dictators, and match 45 well.

But the level of ostentatious stupidity that 45 has exhibited as President and a presidential candidate has made think of people closer to home. After all, 45 has always been a New Yorker, a crass rich White guy who has spent his entire adult life attempting to make himself look even more wealthy and powerful than his relative position in elite circles would’ve otherwise justified. He’s also always seen himself as the most important person in the room, maybe in the world. So much so that he has also seen himself as the smartest person in any context, even as everything 45 has touched has been tarnished or turned to shit by his callous, narcissistic stupidity.

In totality, this could describe any upper-crust New Yorker I encountered growing up looking to own more, buy more, be more than they already were. But in light of all things 45, I am thinking of two folks from my teenage years, the Levi brothers. They owned cleaners in Midtown Manhattan and ran a building-cleaning company, and my father worked for them all through the 1980s. The Levi brothers were two of a kind, some of the most flashy people with wealth that I would ever meet.

As I described them in Boy @ The Window

I can confirm with absolute certainty that the Levi brothers wore not-so-thin gold chains. I can also remember how uneasy my encounters with them made me feel. It wasn’t just the fact that they often questioned my intelligence. For nearly all of the years my father worked for the Levi brothers, they paid him under the table. They enabled his alcoholism, in exchange for $500 a week, for eighteen years. No retirement plan, no raises, no sick or annual leave, no unemployment insurance, in exchange for no child support payments and no tax payments. A Faustian deal if there ever was one.

King of New York (1990) with Christopher Walken screen shot. (http://www.electricsheepmagazine.co.uk/).

That my father knew who Paul Milstein was — the late real estate mogul for whom a program within the Columbia Business School is named — is amazing to consider in hindsight. It meant that he was privy to many conversations between the Levi brothers about their master plan for generational wealth. It meant that the Levi brothers believed themselves to be kings, or at least princes, of New York. But only because they cut corners in their shops and business, and looked for ways to literally get rid of their competition. Things that would later lead to alleged criminal activities and the loss of their businesses.

If I could interview them in their mid-1980s milieu now, I would’ve ask them, “Who were you trying to emulate, John Gotti?” But given those Lifestyles of the Rich and Famous times, I suspect the person the Levi brothers were most trying to ape was Donald Trump. Only, 45 came from more money, and wanted to do more than corner the market on cleaners and cleaning contracts for Manhattan high-rises. Beyond the differences in a couple of zeros, the braggadocio, the seeing of people not like them as “others” or “not human,” the need to show the world their wealth, their stunning stupidity in their attempts to monopolize their market. It’s as typical a New York story as I ever got the chance to see. And with 45, I get to see it again, this time on a massive scale, a crash-and-burn that the universe of intelligent beings won’t be able to ignore.

If I Could Redo Time…

18 Thursday May 2017

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Upper West Side, Work, Youth

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Show art from SyFy’s 12 Monkeys (the home of alternative timelines), March 2016. (http://syfy.com).

Mother’s Day Week 1997 was one of triumph, betrayal, and deep self-reflection, helping to shape my last two decades. On that fateful Sunday, I finished preparing my transparencies for the overhead projector that I would need to use for my job talk on multiculturalism, race, and education at Teachers College the next day. My then-girlfriend Angelia came over around 1 pm, helped me pack as we talked about the job, my research, her missing me for the next few days, and my wishing I could take her with me to New York. Then we called a cab, went out to Pittsburgh International Airport, and I boarded my 6 pm flight bound for La Guardia.

The next day, that second Monday in May 1997, went well despite barely six hours of sleep (a typical night for me now). I met with Teachers College faculty, graduate students, a department chair, an assistant dean, and the dean. I gave my all-important job talk, fielded questions, and otherwise felt that I brought my heat in this potentially life-changing interview. By 4 pm, it was over, I was exhausted, but I was more than content. I figured I made myself a tough out at worst, and gave myself a real chance at this assistant professor job at best.

I spent the night in Manhattan at the Hotel Beacon, and ordered room service, instead of going out to Barnes & Noble or Tower Records. I had to rest up before going to see my family at their temporary apartment in Yonkers. Refreshed and with my old blank-faced-Donald mask on, I checked out and took the 1 train up to Van Cortlandt, then the Bee-Line bus into Yonkers, where my Mom and younger siblings had been living for a year and a half.

My sister Sarai (1983-2010) in Mom’s cap-and-gown, May 14, 1997. (Donald Earl Collins).

Tuesday was Mom’s graduation day from Westchester Business Institute. After ten years of on-and-off-again enrollment, Mom had finished her associate’s degree in accounting. I was really happy for her. That day from 10 am on was about getting Mom and Maurice, Yiscoc, Sarai, and Eri cleaned up and ready for the long bus trip up Broadway to White Plains, Westchester County Center, and hundreds of other WBI graduates. Of all of us, I think my sister Sarai had the best time. After Mom tossed her cap in the air (and caught it), Sarai begged to put on Mom’s graduation digs. My fourteen-year-old sister walked around for the rest of the night as if she had graduated from college!

Wednesday was a difficult day. I had a noon-ish flight to catch out of La Guardia back to the ‘Burgh, as my own PhD graduation was four days away. Though Mom and I agreed that I didn’t have the funds to fly her out and put her up in Pittsburgh, I didn’t agree that my teenager siblings (all between nearly eighteen and thirteen at this point) couldn’t watch over themselves for two or three days. “Are you kiddin’?,” Mom said when I suggested this, and added, “the kids would tear this mutha up while I’m gone.”

But then, as I was getting packed up to do the Bee-Line Bus, 1 train to Times Square, Shuttle to Grand Central, and cab to LGA, Mom said something that made me happy we decided she wouldn’t be at my graduation. “You know, you were in school so long, you could’ve had another high school diploma.” The scorn with which she said it, it was like someone suddenly stabbed me in the stomach. It was the first time I truly saw Mom’s vanity, possibly even, her jealousy. After I said my goodbyes, promising my brother Maurice that I’d come to his Mount Vernon High School graduation in June, Mom’s sentence of sneering envy was all I thought about on the trip back.

“Maybe it’s a good thing you didn’t invite your mom,” Angelia said after I told her about Mom and her brooding behavior Wednesday evening. “But, this means she will have never seen me at any graduation, seen where I’ve lived the past ten years, seen how hard I worked,” I cried. Angelia got up from her dining room table, walked around to my side, sat in my lap, and gave me a hug. I’m so glad she didn’t let go, and let me cry myself out on her shoulder and chest for a few minutes.

I woke up in Angelia’s bed Thursday morning, having slept past 9 am. It was the most sleep I’d had in five days. I was remarkably refreshed. I rarely stayed over at Angelia’s because the back of her third-floor flat was practically an urban wildlife reserve, between the raccoons, squirrels, pigeons, cardinals, blue jays, rabbits, and the occasional deer. Not this morning. They seemed to know I needed not to hear them that morning.

The next three days were a blur. I ran around Pittsburgh and Carnegie Mellon and Pitt saying formal goodbyes to a few colleagues and former professors, something I wouldn’t have had time for if Mom had been in Pittsburgh with me. Angelia and I spend most of Saturday with her mommy, and then with my friend Laurell, Laurell’s sister Naomi, and their charge Archie. It would be the only time anyone from my Humanities days would witness me graduate with one of my Pittsburgh degrees.

That Sunday, May 18, was going to be a scorcher of a day. I was to be on stage as part of the tent-revival-as-graduation ceremony at CMU (as they did for all the PhD graduates). But there was no way I’d wear a full suit. So I compromised. I put on a shirt and tie under my gown, wore my baggy basketball shorts for bottoms, and put on shoes and dress socks to complete this goofy yet comfortable picture. I marched across the stage and shook Peter Stearns‘ hand, as he was the dean of humanities and social sciences at CMU then. Too bad I didn’t say what I thought about his fast food approach to teaching and learning to him in that moment.

But, after that first ceremony, the individual and group pictures, a bunch of folks had to leave. Laurell, Naomi, and Archie had to get back to Virginia for yet another week of school — that’s what happens between two school teachers and an eighth-grader for graduation attendees. My friends Ed and James had errands to run, and Angelia’s mom had some church-related affairs to get to. So, for the moment, it was just me and Angelia, walking from CMU to The University Club, by Pitt’s Thackeray Hall.

We get there, in this quiet room, with seven burgundy diploma holders, sitting on a table that staff had covered in this dark blue velvet cloth. My now former advisor, Joe Trotter, arrived a few minutes later. I’d only seen him once in the six months since he finally approved my dissertation, ending what had been a two-year ordeal of betrayal, slights, and threats while writing my 505-page tome. Yet, all I was thinking was, “Why are we doing the departmental ceremony in a building in the middle of Pitt’s campus?”

CMU leather diploma album, May 17, 2017. (Donald Earl Collins).

Steve Schlossman, the history department chair, was this ceremony’s emcee. He introduced each of us, our research, any awards we may have won, and our dissertation advisors, all as he handed us our doctorates. I was second on the list to go up and receive my diploma, shake hands with Schlossman and Trotter. I did say a few words, mostly about hard work and perseverance. “With God and faith, and of course, my girlfriend Angelia, even though that word ‘girlfriend’ hardly defines who you are to me, I wouldn’t be standing here right now. Thank you.” That was how I ended my three-and-a-half minute speech.

There was a small reception afterward, and like most CMU ceremonies I’d been a part of since 1993, this one was nearly blindly boring. Except that my friend James did show up and gave me a pat on the back and a handshake. Except that my dear friend and mentor Barbara Lazarus came and gave me a big hug. Except that Angelia had insisted on taking pictures of me from the time I got up to get my degree until the moment we left.

We were out around 6:30 pm. It had rained and poured, as thunderstorms had rolled through during the second ceremony. I wish Mom could’ve been there, seen what I had seen, felt what I was feeling. But, knowing what I knew now, the personal triumph that this graduation day was couldn’t be diminished. I had long since stopped living for what Mom wanted me to be — a sounding board, a babysitter, an extra source of income. For the first time, I no longer felt guilt about not going back to New York after my undergraduate years at Pitt, ready to bail my family out of poverty on a $25,000-a-year salary. For the first time, I realize Mom’s burdens were never mine to carry.

In·ter·sec·tion·al·i·ty

24 Monday Apr 2017

Posted by in 1, Academia, Carnegie Mellon University, culture, Eclectic, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Kimberlè Crenshaw quote, from “Whose Story Is It Anyway?: Feminist and Anti-Racist Appropriations of Anita Hill,” in Toni Morrison’s Race-ing Justice, En-gendering Power, 1992, p. 403. (http://azquotes.com).

In truth, I’ve considered the issue of intersectionality as a historian and writer since 1993, when I wrote my quantitative methods requirement-fulfilling paper, “The Dying of Black Women’s Children.” Except that, for me and for most of my colleagues, the term was barely in use. Matter of fact, in five and half years of graduate school and in my first three years after finishing the doctorate, I may have heard the term used only once or twice. It’s not like I didn’t think about the unique issues facing women of color — especially Black women — in the context of US history and African American history. Sometimes as a historian, how leading Black men and White women marginalized African American women in education movements, in the suffrage movement, and in the Civil Rights Movement was all I could think about. In the context of understanding American education and the role of Black women as teachers and education, it made me reconsider the notion of education as a form of social control versus it as a form of social liberation as an and-both, and not an either-or proposition.

But, as with all other issues, I’m not perfect. I remember getting into an argument with an African American women at a joint Carnegie Mellon-University of Pittsburgh conference on diversity in 1992. She was a second-year master’s student in the public policy program at CMU’s Heinz School (now Heinz College) to my second year as a grad student and first as a PhD student. I had talked about my initial research on multiculturalism and Black education, and what that research could mean in terms of diversity in higher education. Over lunch, I barely got three sentences out about the implications before this student pounced on me for not taking a more Afrocentric approach to my research, all but calling me an Uncle Tom. She also pointed out that while I had accounted for race and gender in my work, I hadn’t accounted for them together. I was already used to middle class Black folk who only radicalized at the ripe young age of twenty-two telling me that my research was too conservative and too White. But on the second part, not accounting enough for Black women in my research, I did take to heart.

In 1999, at my “Black Brahmins” presentation on W. E. B. Du Bois, Carter G. Woodson, and Alain Locke and their ideas around multiculturalism and connections to Harvard at the Organization of American Historians conference in Toronto, I got a cold shoulder from the panel’s moderator, Stephanie Shaw. She barely said a word to me the entire time, and barely commented on my paper. I figured that Shaw thought I should’ve found a way to make the paper more inclusive of Black women graduates of Harvard and multiculturalism, even though Harvard didn’t allow any women to attend. I could’ve included Black women who attended Radcliffe College around the turn of the twentieth century, but even then, those women did not earn graduate degrees or become proponents of pluralism or what we’d call multiculturalism today. I followed up at OAH in Los Angeles in 2001 with my “Multicultural Sisters” paper, but by then, I no longer had an interest in multiculturalism as a historian.

Times Square intersection time-lapse, August 2014. (http://shutterstock.com).

On this day and date in 2000, though, was the argument I had with a colleague at Presidential Classroom, one that would keep me conscious about intersectionality and womanism from that point on. Sev had been brought on by my racist boss Jay Wickliff to help out with the international recruitment for the weekly civic education programs we had for high school juniors and seniors. Sev was Canadian, had been an intern with the program the summer before, and had recently finished up a master’s in history. She had stopped by my office to ask about some revisions I’d been making to parts of our upcoming summer programs, especially the one on media and democracy, which was a new program for Presidential Classroom. Somehow the conversation swung toward women’s rights and issues that Sev thought were important to women. I kept correcting her, saying that some of these issues were “only important to White women.” She took offense, telling me that I shouldn’t be correcting her, that her master’s made her as much an expert on the topic as me. I remember actually chuckling at that assertion, which miffed Sev even more. The common refrain, “Just because you have a PhD…,” was how she responded.

But I did take a few minutes to break down the differences between second-wave and third-wave feminism (or womanism). I went on about the history of exclusion that Black women in particular had faced from Black men in civil rights movements and White women around suffrage and reproductive rights. I said, “maybe it’s because you’re Canadian, but here in the US, these issues you’re bringing up mostly concern middle class White women.” She didn’t like that at all. Before Sev responded, Wickliff, having overheard our argument, came by and said, “Slavery was a hoax” as a joke. That was the moment I knew my days working for this group of Whiteness folks were numbered.

A few months later, in my new job at AED with New Voices, I picked up and read Kimberlè Crenshaw’s essay “Demarginalizing the Intersection of Race and Sex” (1989) for the first time. I knew that I already understood intersectionality for Black women, how misogyny, sexism, and racism constantly confer a double marginalization, discrimination, and violation on Black women. Now, between Crenshaw and my own experiences, I also realized that I could experience intersectionality as a Black man, between White men and White women. Especially middle class ones, where their well-meaning color-blind racism had served to put me in a box as well. It was an and-both box, where I was a historian who didn’t write about intersectionality enough and a professional who had also experienced race and gender-based marginalization, albeit differently from women or color. What I did learn, finally, was that the intersection of race, class, and gender made Times Square look like Walden Pond by comparison.

The Cruel Lure of Academia

22 Saturday Apr 2017

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Upper East Side, Upper West Side, Work, Youth

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Rihanna as Medusa, GQ Magazine cover, December 2013. (http://pinterest.com).

Twenty years ago on this date, I took the call that would help define my last two decades professionally. It was a call from Teachers College, Columbia University. I had made a final cut of interviewees “out of more than 300 applicants,” for a tenure-track assistant professorship in the history of education, the administrative assistant to the ed foundations department chair’s office had told me. It was my first post-PhD job call, one at the time that I hoped would be the only one I’d need.

It wasn’t my first interview for an academic position, though. That distinction went to Illinois State University, in April ’94. Two of their history professors were at the American Educational Research Association annual meeting in New Orleans, screening applicants for a lecturer and a non-tenured assistant professor position. I dared not tell my advisor Joe Trotter or anyone else about the screening invite. I went, I met the two youngish professors, both of whom told me to finish my PhD before applying for another job, because they thought my work “too promising” for non-tenure-stream positions. I had also interviewed for two education nonprofit positions, both in Pittsburgh, and both only offering me only a few thousand more than the US Postal Service offered me in ’92, when my name for a job finally came up.

Burned out 40w light bulb, April 27, 2010. (http://www.iamtonyang.com).

Now I had gotten a call from one of the most prestigious education schools in the world. A school within the same university that wanted to hire a private investigator ten years earlier because they didn’t want to give a poor Black kid a four-year free-ride. Despite the irony, I was happy, nervous, and apprehensive. I was happy for the opportunity, nervous about my prospects, and apprehensive about the possibility of moving back to New York. But, most important, I was also burned out emotionally and psychologically from the dissertation process, though not as burned out as I would become in the six weeks that followed.

The interview itself three weeks later was one of the best I’ve ever done for anything. I gave my job talk on multiculturalism and Black education, and for once, professors and graduate students in the audience didn’t look at me like I was speaking Vulcan. I actually had fun on that eight-hour interview day. As much fun as eight hours of scrutiny and answering the same questions over and over again could bring.

But, I remained apprehensive. Because I knew that I had a lot of big decisions ahead if I didn’t get this position, and just as many or more if I did.

Could I pay rent or eat through the summer if I didn’t get the job? Should I go groveling back to Carnegie Mellon, so that I could teach the required World History course for the 1997-98 school year? Could I pick up an adjunct gig at Pitt, Duquesne, or one of the other universities for next year, or what if it’s already too late to reach out? Could I get help from Bruce Anthony Jones, or beyond my dissertation committee, people like Barbara Lazarus, in securing my future? These were the normal questions that an army of PhDs in fields like history faced every single year.

For me, though, the idea of being an assistant professor twelve miles from where I grew up and thirty blocks from one of the buildings I helped my alcoholic father clean made my brain twist in knots. Heck, Teachers College had put me up at the Hotel Beacon on Broadway, between 74th and 75th Street, just three blocks from a high-rise me, my older brother Darren, and my father had cleaned the carpets and floors of regularly between 1984 and 1986. Did I really want to go back to a place with so many bad and embarrassing memories?

Plus, it wasn’t just my past I worried about. Living in subsidized faculty housing wasn’t ideal for me and my soon-to-be-wife. My younger siblings could reach me by catching the 1 or 2 train, and with the recent fire at 616 and the trauma that had caused, their visits were likely to be a regular part of my routine. I had given Mom something like $5,000 in the three years before the possibility of this job, as a graduate student. As a professor, she would likely expect me to do so much more.

Charging Bull of Wall Street (or a false god), cropped, January 19, 2016. (Sam Valadi/Flickr, via http://www.atlasobscura.com/)

Looking back, if Teachers College had offered me the job and I’d of course taken it, I likely wouldn’t have earned tenure. Oh, I would’ve been a fine classroom professor, and most of my students would’ve liked, loved, or learned from me. But between me having not dealt with my Mount Vernon/NY past, my Mom and siblings and family issues, and trying to turn my dissertation into a book and churn out academic pieces, I would’ve needed psychotherapy after three or six years. But Teachers College rejected me two months later. It supposedly came down to me and one other person.

This is what academia does to its own. With too few tenure-stream jobs and way too many qualified candidates, each job interview or job earned becomes magnified, to the point where taking a position can close as many doors as receiving a rejection for a job. Combine that with the false gods of meritocracy and academic freedom, and you have a recipe for a world of competitive disappointment. Academia is a world full highly educated people working for working-class wages but with elitist expectations of themselves and of those lucky few with tenure-stream positions. Add race, class, gender, family, and intersectionality to this brew, and it’s a wonder more of us don’t experience depression or some other mental illness.

I wouldn’t have been able to write this twenty years ago, even if I subconsciously suspected or consciously knew this to be true. I was tempted by the brass ring, only to find it was really a rusty old nail bent to look like something valuable.

My Olivia of Our Future

11 Saturday Feb 2017

Posted by in 1, Academia, culture, Eclectic, High Rise Buildings, New York City, Politics, Pop Culture

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Cropped front cover of Olivia Saves the Circus (1994), by Ian Falconer, February 11, 2017. (http://amazon.com).

Cropped front cover of Olivia Saves the Circus (1994), by Ian Falconer, February 11, 2017. (http://amazon.com).

I’m imagining that the year is 2347. My great-great-great-great granddaughter is Olivia Levy-Collins. She’s in her mid-thirties. After reading my only moderately successful manuscript on the history of American narcissism as a preteen, she becomes interested in the social sciences. A resident of Africa’s southern cone, Olivia does her undergrad at the University of Botswana, double majoring in Archaeology and Ecology. She goes off to the world-renown Universidade de São Paulo (University of São Paulo) in the Brazilian zone, where she earns her master’s degree in Western Civilization (with a focus on 20th and 21st-century American history), and a doctorate in cultural anthropology, with a focus on historical social psychology.

Olivia does her dissertation on the causes of the collapse of the Western world. This is not a new topic in the 24th-century world. Every one of the six billion people on the planet knows the broad story. How, after centuries of dominance, the economic and political structures of Western Europe and the United States underwent long-term decline in the midst of growing economic inequality, continued oppression of already vulnerable groups, undue influence of corporations on governance, and climate change beyond their abilities to comprehend. The proxy wars with terrorism and quasi-nation-states that later led to right-wing revolutions within Europe and the US. The full-blown civil wars and climate degradation that followed.

The US destroyed itself, as anarchists launched a cyberattack that took out the one-time superpower’s entire electrical grid. The groups once known as White supremacists retaliated, and used stolen nuclear weapons on six US cities, including the capital, Washington, DC, to take out the cyberterrorists, most of whom had been rumored to be Arab Muslim and Latina. The riots, famine, starvation, and consequences of climate change ensued, and ensured that the US would not be ever again. Europe also went through many of these convolutions. If it were not for the collective work of scientists in Brazil, India, China, Canada, and Southern Africa to remove the buildup of carbon dioxide and methane gases from the atmosphere and oceans, full-blown nuclear war may have occurred.

Kerry Washington as Olivia Pope from Scandal, a show about damage control, controlling the narrative, September 15, 2011. (http://scandal.wikia.com).

Kerry Washington as Olivia Pope from Scandal, a show about damage control, controlling the narrative, September 15, 2011. (http://scandal.wikia.com).

Olivia, though, like a new generation of her colleagues, wanted to understand what would cause people from the most powerful nations on the planet to collectively lose their minds. Why would they, after overwhelming success to subdue the earth, then turn on each other to kill the very things that gave them enormous power in the first place? My book from so many generations ago gave Olivia one possible clue. She found my book on the shelf of an ancient library in Walvis Bay, in the country that used to be Namibia. It was part of a school trip that Olivia was a part of while in primary school, to give students an appreciation for ancient attempts to preserve knowledge in depositories for books made of wood pulp, glue, and toner ink. She’d heard about the book from her great-grandmother, who had heard about it from her grandmother. The latter whom had read the book numerous times, as my son had moved his family from the US to South Africa as the occasional American unrests turned deadlier in the mid-21st century.

But, even after that field trip, even after getting her mother to get her a rare electronic copy of my book from the United Nations’ central archives in Aleppo, even after reading it, Olivia didn’t fully believe it. She couldn’t comprehend a culture that would waste vast quantities of natural resources, including human ones. She’s didn’t understand how a society in which everyone thought that becoming wealthy was their birthright could possibly function. She didn’t get how a nation as powerful as the US was always so fragile as an idea, not to mention in actuality.

Olivia’s dissertation work took her to the abandoned city of New York in 2347. With the exception of its crumbling skyscrapers, most of the city was covered by tens of meters of dirt (some of which remained radioactive). Other parts, like the area once known as Wall Street and Battery Park in Manhattan, or Park Slope in Brooklyn, were also partly underwater. She and her fellow group of two-dozen anthropologists, archaeologists, and other scientists, descended on the abandoned city, along with military commandos, all trained to expect the unexpected. In the case of the military, their training included scenarios for exploring exoplanets, which many saw as less dangerous than the exploration of a relatively recently dead civilization.

They went to two sites to conduct their studies. One, the New York Public Library on West 42nd Street and 5th Avenue. The other, two hundred meters away, was this recently excavated place in the old city, something the world once called Times Square. Olivia’s team explored the unearthed library, or at least, what was left of it. Fighting, flooding, dirt, and earth had left the main branch of one of the largest libraries in the Western world a shell of itself. It did have books and other collections still. Mostly self-help books, political memoirs, and recordings of one of the last US presidents, Donald J. Trump.

A partially buried car on Governor's Island, NY, September 13, 2009. (http://scoutingny.com).

A partially buried car on Governor’s Island, NY, September 13, 2009. (http://scoutingny.com).

Olivia, though, unlike her younger counterparts, knew that as self-centered as the remaining collection appeared, it wasn’t the whole story. She knew from my book and from the other books of the 20th and 21st centuries that there were numerous intellectuals and writers who tried to warn the world that the facade of narcissism would lead billions to their deaths. That cannibalizing selfishness could even possibly destroy the world, certainly the Western world.

But she did find it interesting that after the fall of the West, in one of its greatest cities, only the most narcissistic of preserved materials remained. It told her one thing. The narcissism was real, that millions had fallen prey to it. That in an age in which the world didn’t have the technology to use energy-matter converters to replicate food, clothing, shelter, and medicine for 7.3 billion people, millions once lived as if there was no tomorrow, like life was one big party. To the point where these Westerners made significantly more copies of their homages to themselves than they did of anything else.

So Olivia took this knowledge, and the knowledge gained from the Times Square dig. She titled her dissertation, “How Western Civilization Cannibalized Itself: Reproduction, Capitalism, and Narcissism, 1750-2100.” That same year, Olivia turned it into a book, an interplanetary must-read, Runaway Narcissism and How the Sun Set on the Western World. It raised lots of questions about how humanity overcame its own narcissism, but at great cost. It would be one of the great books of the 24th century. That’s my Olivia!

Lit on Moonlight

16 Monday Jan 2017

Posted by in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Sports, Youth

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Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

I finally, finally saw Moonlight with the wife and son at AFI Silver Spring yesterday, months after the in-crowd had already seen it and attempted to spoil it for the rest of us. It was excellent. The cinematography, the loud and incredible silences, the small moments, when actors just being in the moment with their facial expressions did more than any dialogue could to move me and anyone else watching. Mahershala Ali was only in five scenes. But his first scene set the tone for the whole movie. As Juan, Ali channeled both the need for hard hypermasculinity and the vulnerable fragility of such in just one scene. His time with the youngest version of Chiron made me laugh, cry, sad, and angry, and left me wondering if I’ve seen this much intimacy between Black man and Black boy on screen before. I know I have (Antwone Fisher, The Wire, even Roots comes to mind), but on-screen doesn’t reflect this anti-stereotypical slice of truth nearly as often as it should.

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Yet I was also not as impressed as I expected to be. Not because I didn’t like the performances — I loved them. I thought every actor in the film was legit, every scene was moving in some way. Naomie Harris I’ve been fond of for years, André Holland and Janelle Monáe’s work I already knew, and Trevante Rhodes and Barry Jenkins, well, the two need bigger platforms for doing more great work. Moonlight wasn’t a film. It was a collage, a kaleidoscope of precious moments, blood-churning episodes, and tender images. Jenkins’ treatment of coming-of-age, Black boyhood into manhood, and Black masculinity, hypermasculinity, and vulnerability was avant-garde.

Still, I felt like I’d seen Moonlight before. Or, really, lived parts of Moonlight in my own past. No, I did not befriend an older, Afro-Cuban crack dealer in 1990s Miami, have a drug-addicted, abusive mother, or have a group of kids chase me around and beat me up off and on for ten years. But I didn’t look at the world the same way as my peers. I didn’t sound like a Noo Yawker, walk and talk and code switch like Denzel Washington, or try to fit in like so many of my 616 neighbors and my Mount Vernon school mates during my growing up years. And I paid for it, dearly, with few friends before I turned eleven, and no friends in the six years before I went off to the University of Pittsburgh.

But on Chiron and that most pernicious issue of hypermasculinity, the need to be hard all the time, I’ve been there too. I’d been called “faggot” (or in my father’s case, “faggat”) enough times to occasionally question my own sexual orientation growing up. My senior year at MVHS one day, I hit a three-run homer during a softball game in gym class. It wasn’t the first time I’d done that. But for one Jamaican dude, me drilling a ball 350 feet off his slow fastball was an affront. He called me a “faggot” after the game, and threatened to wait for me after school with a machete to chop me, adding “bumbaclot mon” at the end of his threat. I left school as normal and waited for him. He was lucky he didn’t show up that day.

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

You see, my rage didn’t need years to build up. All before I’d finally lose it one day, and take out a bully with a wooden chair and break it across his back, like the way Chiron did at the end of II of Moonlight. I didn’t have bullies at school per se. There were a couple I dealt with at 616, but they weren’t regular. Many folks would make a crack, but generally left me along. Any bullying I faced in high school was completely random and momentary, because I stood up for myself. Because if I could face down a six-foot-one, Isshin-ryn black belt of an abuser in my idiot stepfather Maurice, a stupid football player was gonna get hurt trying to hurt me.

No, the bullying I faced was in middle school, from a bunch of overwhelmed and racist Italian classmates in Humanities. I’ve named them in Boy @ The Window and here in this blog before. Alex, Anthony N., Andrew, Anthony Z., etc, the Italian Club. That things were much, much worse at home meant that I saw them as background noise. There was always a part of me, though, that had enough rage, even in seventh grade, to take a desk and smash Anthony N.’s head in with it until his fuckin’ Italian brains spread out all over the floor and walls!

I ended up beating up a wannabe bully in JD that year instead. I won kufi battles in eighth and ninth grade. I wore a blank face that most of my more dumb ass classmates interpreted as a smile. I made plans to get out, because I never wanted to fit in. I was already awake, coping with the day-to-day, but in it for the long-term. I had that President Barack Obama, audacity-of-hope-beyond-failure, beyond reality thing goin’. When I saw Chiron as played by Ashton Sanders, I wanted to hug him, beat up his bullies for him, and tell him that you can love who you want to love, even if they never love you back. And to always, always be your best self, and not some “I don’t want to feel pain again” version.

Too Close for Comfort

30 Friday Dec 2016

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, New York City, Pittsburgh, Pop Culture, race, University of Pittsburgh, Youth

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Skyline of downtown Houston from Sabine Park, Houston, Texas, July 15, 2010. (Jujutacular via Wikipedia). Permission granted via GNU Free Documentation License.

Skyline of downtown Houston from Sabine Park, Houston, Texas, July 15, 2010. (Jujutacular via Wikipedia). Permission granted via GNU Free Documentation License.

My Mom and my Uncle Sam are in Houston, Texas/Bradley, Arkansas this week, burying their father and my grandfather, who died ten days ago, just three weeks after his 97th birthday. Given what they’ve told me so far, it seems like they’ve been treated as outsiders by my extended family of uncles, aunts, grand uncles and aunts, and cousins that I barely know or whom I’ve never met. They’ve learned some embarrassing stuff as well, details that I will not go into here. I had been conflicted about going versus not going, especially given that I’d only met my grandfather once, in June 2001, and that wasn’t a pleasant visit, at least environmentally speaking. After the past few days, I’m definitely glad I didn’t go.

My Mom and my Uncle Sam Gill, Jr., Mount Vernon, NY, November 23, 2006. (Donald Earl Collins).

My Mom and my Uncle Sam Gill, Jr., Mount Vernon, NY, November 23, 2006. (Donald Earl Collins).

I do feel bad for my Mom and Uncle Sam, though. And not just the natural empathy of feeling for your kin when their father passes away either. I feel for them because they are part of a family dynamic that has gone on for nearly a half-century without their input and with a limited bit of shunning as well. Some of this may well be deliberate, but most of this is natural, as time and distance has meant limited understanding and inclusion between my uncles and aunts with the New York Gills since the time of my birth in 1969. But some of this is about embarrassment, too. My Mom and my Uncle Sam’s lives haven’t exactly been a bowl of pitted cherries with whipped cream, either.

This is a topic that I’ve known all too well with my own family over the past three decades. One example would be the next to last day of 1988, the first year in which I rediscovered myself as someone other than an emotionally wounded twelve-year-old. It was a day of both eye-opening lies and hidden truths, a moment of unexpected boldness and moments of seeing familiar faces and places with different eyes.

It was the day my friend and former high school classmate Laurell decided to pick me up from 616 to spend time with her, as well as her friend Nicole, our former eighth-grade Algebra teacher Jeanne Longerano, and eventually, our mutual acquaintances JD and Josh. It was a day I was forced to code switch, to traverse my 616 world, my former Humanities world, and maintain my new conception of myself at the same time. It wasn’t exactly my Miles Davis moment:

screen-shot-2016-12-30-at-11-01-32-am

What I discuss in different parts of Boy @ The Window, but not in this particular scene, was the exact nature of “too disgusting” at 616. Let’s see. Blotches of gray and black stains on a salmon-colored area rug around a 19-inch television set in the living room. On top of the rug was my then stepfather Maurice who was laid out in nothing but his size-54 underwear. This meant that most of his 400-plus pound fatty bulk was exposed for anyone to see. A cobble of broken down sofas, busted chairs, and a

Deepwater Horizon oil spill aerial, Gulf of Mexico, May 6, 2010. (Reuters/Daniel Beltra via Flickr, http://motherjones.com).

Deepwater Horizon oil spill aerial, Gulf of Mexico, May 6, 2010 (same color as area rug with stains). (Reuters/Daniel Beltra via Flickr, http://motherjones.com).

kitchen table with hanger wire connecting each of its three remaining legs to the tabletop. Kitchen, hallway, and bathroom walls stained with grape jelly, crayons, and even feces. Dust balls the size of Matchbox cars in the hallway, lined up as if in rush-hour traffic. And the never-ending smell of cigarette smoke, overused cooking oil, and farts from eight human beings between the ages of four and forty-one. Seriously, what would anyone else have done under the circumstances, especially now that I was a fully awake college-aged student? I wasn’t acting just out of embarrassment or just to protect my Mom from embarrassment. I was acting to protect Laurell as well.

Contrast 616 with what happened next on December 30, 1988, between The Price is Right’s first Showcase Showdown and the end of The Bold and the Beautiful on CBS (roughly, between 11:25 am and 2 pm):

screen-shot-2016-12-30-at-10-05-18-am

Afterward, we went down the street to the nearest pizza shop, and hung out until midafternoon, telling each other what we thought would be the best thing to say. Even me. I didn’t talk about homelessness, or a semester without money for food, or living in a deathtrap in the South Oakland section of Pittsburgh. Laurell did give me a heartfelt hug after dropping me off at 616, still puzzled about why I wouldn’t let her and Nicole visit with my family. Hopefully, after years as a high school math teacher, she understands better now.

Biohazard symbol (orange), May 29, 2009. (Nandhp via Wikipedia). In public domain.

Biohazard symbol (orange), May 29, 2009. (Nandhp via Wikipedia). In public domain.

Even though my Mom and Uncle Sam are obviously just as much Gill as the rest of my extended family in Texas, Arkansas (and Washington State, Louisiana, and elsewhere), they’re not part of the everyday that my other uncles, aunts, grand aunts and uncles, and cousins have had with each other for decades. So the extended Gills cannot see my Mom and my uncle and their struggles the same way they see their own. Nor can my extended Gills see those things that may be embarrassing to my Mom and my uncle the same way either. It makes for a bewildering family dynamic. And this in many ways explains well why so many families have a hard time being families, in the closeness (and closest) meaning of the word.

Dysfunction is so much a part of families these days. but even in dysfunction, you can learn truths about yourself, especially in moments of life, death, and in my case, rebirth.