Tag Archives: Love

Songs in the Key of Life at 40

18 Friday Nov 2016

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, music, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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Stevie Wonder's Songs in the Key of Life LP/CD cover and sleeve, 1976, 1999. (http://genius.com).

Stevie Wonder’s Songs in the Key of Life LP/CD cover and sleeve, 1976, 1999. (http://genius.com).

In all the nuclear meltdowns in the last weeks of Election ’16 and in the asteroid impact of Donald Trump becoming the 45th president of the United States, I almost completely forgot about one of the modern era’s greatest milestones. At the end of September, Stevie Wonder’s Songs in the Key of Life double-album turned forty years old!

My wife swears that this was Stevie Wonder’s last great production of genius, that virtually all the music he’s done since has either been merely “that’s nice” or complete schlock. But compared to Songs In The Key Of Life, at least 75 percent of the music produced since 1500 CE would be schlock! I mean, between “I Wish,” “Sir Duke,” “Love’s in Need of Love Today,” “Have a Talk with God,” “Village Ghetto Land,” and my all-time favorite, “As,” who could ask for anything more out of an album or an artist?

My fandom for Songs in the Key of Life has occurred over several stages since its release on September 28, 1976. I was nearly seven when the double-album dropped, and my life couldn’t have been messier. Between my Mom and my father Jimme’s rocky and violent divorce process, my own coping with sexual assault, and my Mom getting kidney sick and ending up at Mount Vernon Hospital as a patient for three months. Add to this having babysitters as primary caregivers during that time, and a second-grade teacher who wasn’t exactly sympathetic to Black kids who couldn’t settle down. It was a rough time, maybe even rougher than my Hebrew-Israelite years.

But songs from the double-LP were there, either thanks to WBLS-107.5 FM, or to people blasting songs off 8-tracks and cassette decks out of their cars in South Side Mount Vernon. Or, in the case of hanging out with my dad, because of his drinking buddies playing Stevie Wonder’s songs over and over again. For those first few years, “I Wish” and “Sir Duke” were my favorite songs from Songs in the Key of Life. That was probably because they were the only songs from the set I’d heard in full prior to 1982.

Then, with the Wendy crush/puppy love/mini-love of the spring and summer of ’82, one of the songs my mind conjured up was “As.” The song’s more than seven minutes long, and I barely knew the words “until the rainbow burns the stars out in the sky,” much less the entirety of the poetry of that song, much less its full meaning. But my heart knew how that song made me feel, and for matter, how Wendy made me feel, at least for a time. Once my stepfather Maurice began beating on me, my Mom lost her job, and we slipped into welfare poverty, though, Stevie Wonder’s greatest works slipped from my mind.

Nine years later, and it was my friend Elaine who reintroduced me to Songs in the Key of Life. It was during the spring and summer of ’91, when I both liked and loathed Elaine at the same time. It was also the summer before graduate school at the University of Pittsburgh, and it was like my mind and heart knew I needed to feed myself more than Phil Collins, Anita Baker, PE, and Salt ‘n Pepa. I borrowed Elaine’s set of cassette recordings from the genius’ 2-LP set, and spent parts of April, May, and June walking the 3.4 miles between my place in S’Liberty and my job at Western Psychiatric in Oakland listening to Stevie Wonder. I played Songs in the Key of Life straight through a half-dozen times. But of all the songs, “Love’s in Need of Love Today” and “Have a Talk with God” became two of my favorites. After the potential for a more serious relationship with Elaine faded, I gave her back her cassettes in August.

It would be another fifteen years before I finally got Songs in the Key of Life on CD. It was 2006, and I’d finally gotten me and my wife into the iPod era. Between that and my work on my memoir Boy @ The Window, I wanted to explore what made me me musically over the years. In remembering my Wendy-love days, I literally had to go through every song on Songs in the Key of Life again before I remembered “As” in full. I was shocked that after thirty years and so many other Stevie Wonder songs, that it had remained a melody in my heart and mind. It was in the summer of ’06 that “As” became my favorite song off this all-time great album(s).

Given what had occurred in the US over the past decade, and what has been happening to people of color in the US for as long as I’ve been alive, Stevie Wonder’s music from Songs in the Key of Life is always relevant, always uplifting, always life-affirming. Trust me, with Trump’s ascendancy to the White House, “the force of evil plans” will try “to make you its possession.” And yes, I did think “that love would be in need of love today,” because it wasn’t as if “hate” wasn’t going around “breaking hearts” and bodies during the Obama years.

But I’ll close with this, perhaps the most important stanza from “As.” This, to remind myself and all of you America’s may be in more trouble than ever before, but know that trouble has been with America longer than we’ve had the privilege of Stevie Wonder’s Songs in the Key of Life as genius. Thanks to Wendy, Elaine, my former Mount Vernon neighbors, and unknown New Yorkers, for playing these songs for me over the years, whether they meant to or not.

We all know sometimes life’s hates and troubles
Can make you wish you were born in another time and space
But you can bet you life times that and twice its double
That God knew exactly where he wanted you to be placed
So make sure when you say you’re in it but not of it
You’re not helping to make this earth a place sometimes called Hell
Change your words into truths and then change that truth into love
And maybe our children’s grandchildren
And their great-great grandchildren will tell
I’ll be loving you

On Kicking My Damsel-in-Distress Syndrome

07 Saturday Mar 2015

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, My Father, Pittsburgh, Politics, Pop Culture, Religion, Youth

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Chivalry with a suit blazer, March 7, 2015. (http://genius.com)/

Chivalry with a suit blazer, March 7, 2015. (http://genius.com)/

This week marked thirty-three years since the fight that led to a crush that led to me falling in love for the first time, via a ballerina in training. The three-month period between March and June ’82 shaped how I dealt with teenage girls and women between the time I turned twelve and my mid-thirties. The crush on “Ballerina Wendy” and its mutation because of my stepfather’s knocking out of my Mom in front of me helped shaped my feminism, my womanism and my sexist damsel-in-distress syndrome.

Wonder Woman, October 30, 2012. (http://tvequals.com).

Wonder Woman, October 30, 2012. (http://tvequals.com).

It was the beginning of my damsel-in-distress syndrome. Though it was triggered by the Memorial Day incident, my damsel-in-distress syndrome had been latent for years. I was in fact a mama’s boy, tempered by living at 616 and in Mount Vernon. I’d always been enamored by strong, athletic women (or at least, actresses with that role), going back to Lynda Carter as Wonder Woman. Yet I’d also been surrounded by sexism and misogyny, from my father calling my Mom a “Black bit'” since I was four to my stepfather’s constant quoting of the Torah to justify his laying of violent hands and feet on my Mom.

What I did in response was to help my Mom in every way I could, and in ways I never should’ve. Calling up Con Ed and Ma Bell to pay the electric and telephone bills. Listening to years of conversations about her failed marriages, about my father’s alcoholic failings, about her bills, about the burdens we as her children had put on her. Washing clothes for the house every weekend from October ’82 through August ’87 and anytime I was home for the summer and for the holidays once I went off to college. Going to the store as many as five times in a single afternoon and evening because my Mom forgot that she needed diapers or cigarettes. Hunting my father down for money even on weekends I didn’t want to be bothered because we were out of food for my younger siblings. Taking a fist-filled beating here or there from my stepfather to take the pressure off of my Mom. Promising my Mom that after I finished my degree, I’d come back to New York to work and help her out financially.

Atlas supports the terrestrial globe on a building in Collins Street, Melbourne, Australia, October 9, 2006. (Biatch via Wikipedia). Released to the public domain.

Atlas supports the terrestrial globe on a building in Collins Street, Melbourne, Australia, October 9, 2006. (Biatch via Wikipedia). Released to the public domain.

On that last promise especially, I reneged. I changed my major from computer science to history, and decided to stay at Pitt, to go to graduate school, to earn a PhD, to start writing, both in the academic world and a bit as a freelancer, to teach for a living. It was the basis, I think, for her falling out with me in ’97, and why our relationship remains limited.

My Mom was hardly the only woman in my life in which I wanted to assist. Some of my Pitt friends can certainly attest to this fact, that sometimes I was there to help too often. To the point where once I realized I was overburdened or when that other person had become too reliant on me, it pretty much killed that friendship. Either way, I was angry, and sometimes felt used, while some of my Pitt friends were either confused or angry themselves.

I’ve had to learn over the years to say no, even to my wife, when I realized that one too many logs on the fire will actually put that fire out. It started with everything high-tech. Every computer glitch, every printer error, every Internet issue, and I was there like Clark Kent, ready to help. But by the time I hit thirty-five, I was just too tired and felt too burdened to be that on all the time. I finally stopped helping my wife with her tech issues. I stopped offering to help, and have only interjected when the issue actually affects all of our equipment.

The irony is, my wife is a stronger person than my Mom, stronger in many ways than how I perceived Wendy as a person so many years ago. It’s not as if my wife doesn’t need or appreciate the help. But, as I’ve learned over the years, too, sometimes, help is just emotional support, a hug or a joke. Or, when I’m ready to, simply listening without feeling the need to use a quadratic equation to solve the problem.

American Ballet Theater soloist Misty Copeland in a promotional photo via her Under Armour ad deal, January 30, 2014. (Under Arnour via Huffington Post).

American Ballet Theater soloist Misty Copeland in a promotional photo (cropped) via her Under Armour ad deal, January 30, 2014. (Under Arnour via Huffington Post).

Damsel-in-distress syndrome, as chivalrous as it is, can also be extremely sexist, for both women and men and girls and boys. It means constantly attempting to help people who may or may not want your help, especially in cases where it is clear that they may need help. It means taking on emotional and psychological burdens that otherwise should only belong to the person you’re trying to support. It means, sadly, providing advice and knowing answers and solutions that may not be answers or solutions at all.

The Memorial Day ’82 incident with my mother changed what was an otherwise innocent crush and love into something contradictory even as it became more meaningful. It made me appreciate women who could and can kick some ass, whose strength would be obvious to all. And it made me think women who weren’t like that — women like my Mom — needed constant help from people like me. Wendy defended herself thirty-three years ago. My Mom tried and couldn’t. Life and strength for us, male and female and transgender, though, has never been that simple. And though I have saved quite a few damsels in distress over the years, it isn’t my eternal burden to carry.

Vicarious Valentine’s Day

14 Saturday Feb 2015

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Jimme, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Youth

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Fringe Observer 'September,' played by Michael Cerveris, circa 2013. (John Milton via Pinterest.com).

Fringe Observer ‘September,’ played by Michael Cerveris, circa 2013. (John Milton via Pinterest.com).

A couple of alternate titles could be “A Little Ditty About ‘Jack and Diane’,” or “The Legend of Crush #1 and The Contrarian One.” Really, though, I’ve never given much thought to Valentine’s Day, even in dating and marriage, mostly because until I turned twenty-five, I never had money to waste on such an aimless, unbelievably overhyped and commercialized “holiday.”

Few understand that the Catholic holy day of St. Valentine was about a Christian martyred in the midst of a period of Roman persecution under the emperor Aurelian, outside Rome, on February 14, 273 CE. Or that when combined with the St. Valentine’s Day massacre on February 14, 1929, the only heart truly associated with the day has been one punctured by a sword or a bullet, a blood-soaked one. Plus, it’s not as if I need capitalism to tell me whom to show my romantic side, with cards and flowers and chocolate, no less. Still, as a married man, I participate, although not with Western ideals of masculinity and romance in my head, if only to ensure my wife doesn’t feel left out.

But I must rewind about three decades, because while I don’t appreciate the fakery that comes with celebrating some candy-coated version of romance without actually celebrating St. Valentine, I did learn a thing or two about watching relationships bloom from afar. It was around this time thirty years ago that I noticed that Wendy and the contrarian one were dating, whatever that term means in the context of high school. Both would tell me that their relationship only began in high school, but my own recollections dispute that somewhat, if only because they shared roughly the same level of dislike for me during seventh grade!

Bloody woodchipper scene from Fargo (1996), February 14, 2015. (http://youtube.com).

Bloody woodchipper scene from Fargo (1996), February 14, 2015. (http://youtube.com).

The main point is, while for most of my classmates, it would’ve only been obvious in our junior year that Crush #1 and JD were together, I sensed it by the middle of tenth grade. If I’d been the exact same person I’d been during seventh and eighth grade, one head-over-heels in love with Wendy, I would’ve put my heart in a woodchipper, shot it all over a field, gathered it up again, and then put it into a mortar shell to explode into the sky to rain down all over Mount Vernon.

But I wasn’t that person in 7S, and hadn’t been for quite a while. My focus for most of tenth grade had been on living a sin-free Christian life, a transactional relationship with God that consisted of making good things happen for myself by prayer, fasting, and reading my Bible everywhere I went. Between that and my routine of watching younger siblings, washing clothes, tracking down my father Jimme, surviving another year of Humanities, running to the store two or three times every day, and so many other tasks, romance and dating might as well have been in an alternate universe. Even if I did feel envious, it would’ve been over not having money or a car or good food in my belly. Pining over Wendy — or any other girl or woman, for that matter — didn’t fit with any coping strategy that I had to get out of Mount Vernon as soon as my high school diploma and a college acceptance would allow me. At least prior to Crush #2.

What was more interesting to me, and what I knew was more interesting to my classmates, was the fact that Wendy and the contrarian one were dating, and in fact, an interracial couple, one a Black female (or, as some classmates still believed, biracial), the other a White male. I was interested only as an observer of people, because by tenth grade I’d actually grown to like JD and could be around Crush #1 without being conscious of the fact that she used to be my crush. I was interested in that the reactions of the folks at MVHS varied from my own “no surprise here” to dagger-eyed intolerance or head-shaking shame expressed by students across all cliques and most racial lines.

Black and White shortbread (or what President Barack Obama coined a "Unity Cookie" in 2008), July 23, 2007. (Punkitra via http://commons.wikimedia.org). Released to public domain.

Black and White shortbread (or what President Barack Obama coined a “Unity Cookie” in 2008), July 23, 2007. (Punkitra via http://commons.wikimedia.org). Released to public domain.

I’ve certainly known and know plenty of other people involved in interracial relationships and marriages since the spring of ’85. Some where only racial politics and stereotypes mattered, some where love and social justice mattered much more. In the case of my class’ Juliet and Romeo, maybe my crush took advantage of some of the racial politics involved with dating someone White, while my contrarian friend obviously doesn’t prefer blondes, and hasn’t in the years since. From my observer’s perch, though, there was much more to their relationship than racial preferences.

It was the first time I’d seen or heard about any interracial coupling beyond movies like West Side Story (I still love Rita Moreno, even at eighty-three) or in others telling me about them third-hand, after it was already over. To me, it was always a good fit and fitting, despite the racial politics playing out at school, not to mention the identity issues that had to be playing out between Wendy and JD, even unconsciously. What I gleaned from two and a half years of the two of them dating, though, was that they had found a world unto themselves, one which must’ve made MVHS a much easier hellhole to navigate, if nothing else.

Friendship, Marriage and Falsehoods

28 Monday Apr 2014

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Marriage, Pittsburgh, Pop Culture, Religion, Work, Youth

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Me and Angelia at my PhD graduation, Carnegie Mellon University, May 18, 1997. (Edward Lomax).

Me and Angelia at my PhD graduation, Carnegie Mellon University, May 18, 1997. (Edward Lomax).

Today marks fourteen years of marriage. Statistically, we’re either a year away from divorce, or on board for a longer roller-coaster-ride of life and love, struggle and stress, revelation and renewal. Either way, it’s already been a great two decades of learning about myself and my wife, about the meaning of love (conditional and unconditional) and the limits of romance, about the real meaning of family and marriage.

Some of you may not believe this, but a marriage of any realness is hard work. We get tired of ourselves, our baggage, our bullshit. Now add another human being to the mix, the person you share most everything with. It can be a emotional meltdown of epic proportions if you’re not mature enough to have a well-honed sense of empathy, not to mention a sense of humor and a sense of when to back off.

I can say from experience that it helps to have been friends long before love, romance, marriage and parenting became part of the bargain. And not just friends, but the best of friends. Without having that, everything else is work without purpose, drudgery and painful struggles with personal and spiritual growth.

One of the many things I’ve learned in the past decade and nearly a half is that marriage itself has been loaded with context, deriving from Western ideas that have their roots in European royalty and the 19th century warping of such ideas for us ordinary folk. Including Whiteness and chivalry, of weird evangelical notions of masculinity and femininity, of patriarchy and high-born expectations. Only to realize that these ideas come out of an era of arraigned marriages, essential contracts to secure bloodlines and power for another generation of the elite classes. Romance, love, the eternal enduring bond between two soul-mates – that was never part of this bargain. But leave it to capitalism to distort a loveless process of procreation into an intense, always-falling-in-love – but without standing in love in the midst of struggle – idea of marriage.

Because of this knowledge, I know, too, that every marriage is different. And because of the unique nature of every relationship, I also know that my relationship with my wife is constantly evolving. Meaning that any ideas of marriage that I had fourteen years ago have been dead for a while. Trust me, this is a good thing. There is no singular road map to a happy and always-in-love marriage – that fairy tale is for the Anna Hathaway/Princess Bride set who remains at the mental age of eight or twelve.

No, a good marriage is about two people working toward similar goals, to a friendship that keeps changing, even if the contours of that friendship become ever more complicated. After all, it’s from that ground of friendship that our love shot up in the first place. Yay, us!

Woman In Love

15 Saturday Mar 2014

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Marriage, Mount Vernon New York, music, Pop Culture, Youth

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Cover art of "Woman In Love" (1980) single by Barbra Streisand, August 9, 2006. (JeanMarcDekesel via Wikipedia, http://www.discogs.com/viewimages?what=R&obid=539484). Qualifies as fair use under US copyright laws (low resolution and subject matter).

Cover art of “Woman In Love” (1980) single by Barbra Streisand, August 9, 2006. (JeanMarcDekesel via Wikipedia, http://www.discogs.com/viewimages?what=R&obid=539484). Qualifies as fair use under US copyright laws (low resolution and subject matter).

I actually like a couple of Barbra Streisand songs, both from ’80, and both from her collaboration with The Bee Gees (specifically, Barry Gibb). One is “Guilty,” the other “Woman In Love.” And yes, this is but one sign of how weird I am. But for the past thirty-four years, these songs have been part of my mental and actual music rotation, allowing me to ponder the mysteries of the opposite sex in the process.

For those moments, I’ve sometimes found myself wondering, has any woman ever felt that way about me? “I am a woman in love/And I’d do anything/To get you into my world/And hold you within.” I honesty have no idea, but the possibility of stirring passion in someone other than myself has fascinated me since the days of my Wendy crush in March ’82.

So, every time I’ve had a crush or love of major note, Streisand’s “Woman In Love” has given me to ability to think about what it would be like to be a woman. Young. In love. With all of the hopes and hurts, battles and betrayals. In ’85 with Phyllis, in ’91, in ’95 with my eventual wife, even after marriage. Somehow, the overwrought and — dare I say, Jewish — angst with which Streisand sang the song resonated with me and has stayed with me after all these years.

Cover art for Anita Baker's Rapture (1986) CD, April 25, 2006. (Faustlin via Wikipedia). Qualifies as fair use (low resolution).

Cover art for Anita Baker’s Rapture (1986) CD, April 25, 2006. (Faustlin via Wikipedia). Qualifies as fair use (low resolution).

It wasn’t just Streisand that’s given me this feeling over the years. Anita Baker’s “Sweet Love,” and “Body and Soul,” Chaka Khan’s “I’m Every Woman” (still like this version better than Whitney’s, may she rest in peace) and “Through The Fire,” even some stuff from Celine Dion. Their music has gotten me about as close as could get to understanding what it must feel like to be a woman, at least in a generic sense. My wife, though, could probably testify to a lot more moments.

Of course, I can’t actually be a “woman in love,” no matter how much experience, imagination and empathy I can muster. Passing a kidney stone for nineteen hours in ’02 may approximate what my wife went through in giving birth to our son in ’03. But I didn’t have to carry that kidney stone around for nine months while it made noticeable changes to my body, my diet and my psyche. And having a child that you’ve fallen in love with before their birth often make the process worth it. I couldn’t get my doctors to let me see my kidney stone, much less keep it!

“It’s a right I defend/Over and over again,” Streisand sings in “Woman In Love.” As a boy and man who’s been “in love” at least four times in forty-four years, I feel that I can relate — a lot, if not in total. Taken to it’s most illogical extent, though, would mean obsession, possibly even stalker-like tendencies, especially if someone else doesn’t feel anything near the same way. But, when you’re in the middle of it, you might as well be on coke, Oxycontin and weed all at once, and with some latent form of bipolar disorder to boot. And the hangover from being in love requires much more than a Bloody Mary to get over.

Parts of your brain on drugs (endorphins) when in love, June 28, 2004. (Andreas Bartels, AP/Forbes.com).

Parts of your brain on drugs (endorphins) when in love, June 28, 2004. (Andreas Bartels, AP/Forbes.com).

How women do it, I guess I’ll never know.

On Regrets and Forgiveness

22 Tuesday Oct 2013

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Jimme, Mount Vernon High School, Mount Vernon New York, New York City, Pop Culture, race, Religion, Youth

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Emily Flake's "You only regret the things you don't do, Johnston," February 28, 2011. (http://newyorker.com)

Emily Flake’s “You only regret the things you don’t do, Johnston,” February 28, 2011. (http://newyorker.com)

One of the things I’ve read and heard from others so far about Boy @ The Window since April has been about catharsis. As in, “this book must’ve been cathartic for you.” I’ve said in response, “Yeah, it sure has.” But that’s not been the whole truth. In more than a few respects, Boy @ The Window has opened up a Pandora’s box of wounds I’d kept locked for years and years.

This might surprise some folks, especially the ones who attended Mount Vernon public schools, Humanities and specifically Mount Vernon High School with me. But there is a dark side to being me. Beneath my well wishes, good graces and generic smile has also been a person with deep regret, repressed anger, smoldering rage over what by far were the worst years of my life. All of which has translated into a person whose worst days since are days of blame — almost always of and for myself. I can forgive almost anyone or anything — my late idiot ex-stepfather, my father Jimme and his years of alcoholism, friends or superiors who’ve attempted to take advantage of me.

The Physics of a Bottomless Pit, February 27, 2013. (MatsuKami of deviantART via http://www.scienceblogs.com).

The Physics of a Bottomless Pit, February 27, 2013. (MatsuKami of deviantART via http://www.scienceblogs.com).

Yet there’s one person I’ve found very hard to forgive — myself. I hold myself to such high standards that it would be impossible for anyone other than Jesus to meet. And God knows I’m not perfect. But in looking at my past, my growing up years in Boy @ The Window, I’ve found that so much of my life’s force and energy has gone into redeeming myself for having to live through those terrible, terrible years. Even though I’ve been at a place in my life in which I’ve pretty much known myself, my passions, my calling, my abilities and limitations, for the better part of twenty years. Until recently, though, I hadn’t given myself any breaks from my past. Putting it under lock and key obviously didn’t work, and airing it for the world to read — while beneficial — had brought with it a truck-load of emotions that I had yet to work through.

As I wrote at the end of Boy @ The Window:

I can say without a doubt that Humanities did make a difference in my life. I wouldn’t be the person I am today without those six bittersweet and indifferent years. It makes any setback I might suffer today seem small and laughable by comparison. There are things I wish would’ve happened, things that would’ve made it easier to enjoy life and savor glorious moments even now. I wish Humanities had been as serious about developing me as a writer as it was about accelerated math and science classes. I regret not asking Phyllis out for a date. I lament not revealing more about the tragedies of my family life or my keen sense of humor to the few classmates and teachers I had some bond with, however weak. I wish I had trusted my instincts and never worn that kufi to Holmes or Davis. I know I should’ve stayed with football or tried out for basketball. And I wish I had the opportunity as a twelve-year-old to kiss Wendy one time. Admittedly, there’s a part of me that wishes I could kiss her now.

I imagine that if I had done all of these things, I would’ve been even more bruised up (especially in the case of Wendy), but at least I could’ve said I tried. Instead of looking back at my past and picking it apart like a forensic vulture.

But my deepest regret, and one that I hadn’t forgiven myself for, at least until recently, was for not calling the cops on my then stepfather after he beat up Mom on Memorial Day, Monday, May 31, ’82. Between my near-photographic memory and my training as an academic historian, it’s been hard to look at my past without reliving it.

How do you mend a broken heart?, 2005, October 22, 2013. (digitalman via deviantART at http://deviantart.net).

How do you mend a broken heart?, 2005, October 22, 2013. (digitalman via deviantART at http://deviantart.net).

I hadn’t figured out that I hadn’t forgiven myself until a few weeks ago. I realized that I hadn’t let go of the worst of my past. Now, letting go doesn’t mean that you forget your past, bury it or repress it emotionally. For me, it simply means not reliving the moment as if it happened last week instead of thirty-one years ago. To treat the moment as a memory, an important reminder that I am not Superman, that I couldn’t have saved my Mom from domestic violence anymore than I could’ve saved myself from poverty as a twelve-year-old.

You know, when I was younger, I thought that I didn’t have any regrets, any resentment or any dark side from growing up the way I did. We all tend to believe that pushing forward to a brighter future will take care of our past. That’s simply not true. We need to live in the present in order to achieve that brighter future. That means working through our pasts, and then letting it go. I should know.

My Day of Atonement/Bitter Hatred

14 Saturday Sep 2013

Posted by in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, My Father, Politics, Pop Culture, race, Religion, Youth

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Prayer at the Wailing Wail, Second Temple, Jerusalem, February 1, 2013. (Steve Ibrom). Released by public domain by author.

Prayer at the Wailing Wail, Second Temple, Jerusalem, February 1, 2013. (Steve Ibrom). Released by public domain by author.

“Yom Kippur ’83 opened me up to understanding why I no longer put my trust in Maurice’s God. I spent part of another September fasting and going to temple to atone for my sins. The temple was on Fifth Avenue and Second Street, just down the street from Washington Elementary School. I’d gone to temple maybe a half-dozen times since the spring of ’81, three of those times to have some rabbi with a ragged beard tell me that Yahweh had forgiven me for my wicked ways.

“And it left me thinking, ‘Well, what about Maurice? His sins are many, and we get treated the same? Does he get forgiveness even if the sin is still in progress?’ It didn’t make sense to me that I needed to starve myself for three days and ask for forgiveness in a situation where a fat, greasy SOB for a stepfather could steal from, cheat on, beat up on, and lie to Mom, get forgiveness, and keep on trying to do what he’d done before Yom Kippur. I said to whoever was a higher power, ‘What did I do to deserve this?’ I didn’t get an answer, and nothing anyone at temple said gave me any answers either. I felt empty, as if everything I thought being in this faith was about was a farce, a morbid, diabolical joke that was played on me and my family. And Maurice was the devil himself.”

That’s what I wrote in Boy @ The Window about my last Yom Kippur as a Hebrew-Israelite. That Saturday, September 17, ’83, was the last time I went to temple, the last time I looked at any aspect of our bizarre and goofy mix of Judaism and Afrocentricity with a modicum of seriousness. By the time I left, I wasn’t in a forgiving mood at all. I hated my then stepfather Maurice, and hated the people who claimed that people like Maurice were descendants of one of the Ten Lost Tribes of Ancient Israelites.

Please understand. When I said, “I hated Maurice,” it wasn’t a euphemism for me in the fall of ’83. If I had access to a gun, I would’ve blown him away and gladly served time in prison for doing so. I had stomach ulcers in the fall of ’83, because I couldn’t stand the smell, sound or sight of the obese asshole. I all but prayed to Yahweh that he get hit by a Mack truck going eighty miles an hour down East Lincoln Avenue. I wanted him dead, and I wanted to piss on his ashes to boot.

Even at thirteen, though, I also understood that this kind of anger and rage wouldn’t help me in the long run between ninth grade and college. Or with sports. Or dating. Or in finding my own path to God or to anything else worth believing. My bitterness and hatred were so deep, about as deep as any love that I’d experienced up to that point in my life. Whether my Mom, my father Jimme, my Uncle Sam or my version of Wendy, all that love was nearly drowned out by my hate for my stepfather.

Even on my irony scale, this hatred broke all records. Especially on a day of atonement, where we all but sacrificed an unblemished lamb at the temple over four hours that Saturday. But I had other reasons to be bitter on this, the holiest of holy days. No bar mitzvah, no celebrations of Hanukkah, no participation in Hebrew-Israelite life for me beyond their 613 rules and regs for nearly two and a half years. I understood and yet didn’t understand this sense of pride and Blackness that came through in a near Asian religion that allowed for reincarnation and an post-Babylonian Israelite diaspora to Sub-Saharan Africa to boot. That confusion didn’t help me deal with a man who wasn’t one, but was a teenage bully who did everything he could to keep me and Mom in submission to him, with Yahweh and Torah as his excuse.

I knew after I left temple that Yom Kipper afternoon that it would be my last. I didn’t know how, but my days of wearing a kufi or yarmulke were on their way to an end. Still, with hatred and confusion in my heart and mind, I was also lost, more lost than the other ten ancient Israelite tribes undoubtedly were in the aftermath of the Babylonian conquest.