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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Woman

Woman In Love

15 Saturday Mar 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Marriage, Mount Vernon New York, music, Pop Culture, Youth

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"I'm Every Woman" (1979), "Sweet Love" (1986), "Woman In Love" (1980), Anita Baker, Barbra Streisand, Bipolar Disorder, Celine Dion, Chaka Khan, Crushes, Drugs, Empathy, Endorphins, Euphoria, Love, Male-Female Relationships, Phyllis, Romance, Understanding Women, Wendy, Woman


Cover art of "Woman In Love" (1980) single by Barbra Streisand, August 9, 2006. (JeanMarcDekesel via Wikipedia, http://www.discogs.com/viewimages?what=R&obid=539484). Qualifies as fair use under US copyright laws (low resolution and subject matter).

Cover art of “Woman In Love” (1980) single by Barbra Streisand, August 9, 2006. (JeanMarcDekesel via Wikipedia, http://www.discogs.com/viewimages?what=R&obid=539484). Qualifies as fair use under US copyright laws (low resolution and subject matter).

I actually like a couple of Barbra Streisand songs, both from ’80, and both from her collaboration with The Bee Gees (specifically, Barry Gibb). One is “Guilty,” the other “Woman In Love.” And yes, this is but one sign of how weird I am. But for the past thirty-four years, these songs have been part of my mental and actual music rotation, allowing me to ponder the mysteries of the opposite sex in the process.

For those moments, I’ve sometimes found myself wondering, has any woman ever felt that way about me? “I am a woman in love/And I’d do anything/To get you into my world/And hold you within.” I honesty have no idea, but the possibility of stirring passion in someone other than myself has fascinated me since the days of my Wendy crush in March ’82.

So, every time I’ve had a crush or love of major note, Streisand’s “Woman In Love” has given me to ability to think about what it would be like to be a woman. Young. In love. With all of the hopes and hurts, battles and betrayals. In ’85 with Phyllis, in ’91, in ’95 with my eventual wife, even after marriage. Somehow, the overwrought and — dare I say, Jewish — angst with which Streisand sang the song resonated with me and has stayed with me after all these years.

Cover art for Anita Baker's  Rapture (1986) CD, April 25, 2006. (Faustlin via Wikipedia). Qualifies as fair use (low resolution).

Cover art for Anita Baker’s Rapture (1986) CD, April 25, 2006. (Faustlin via Wikipedia). Qualifies as fair use (low resolution).

It wasn’t just Streisand that’s given me this feeling over the years. Anita Baker’s “Sweet Love,” and “Body and Soul,” Chaka Khan’s “I’m Every Woman” (still like this version better than Whitney’s, may she rest in peace) and “Through The Fire,” even some stuff from Celine Dion. Their music has gotten me about as close as could get to understanding what it must feel like to be a woman, at least in a generic sense. My wife, though, could probably testify to a lot more moments.

Of course, I can’t actually be a “woman in love,” no matter how much experience, imagination and empathy I can muster. Passing a kidney stone for nineteen hours in ’02 may approximate what my wife went through in giving birth to our son in ’03. But I didn’t have to carry that kidney stone around for nine months while it made noticeable changes to my body, my diet and my psyche. And having a child that you’ve fallen in love with before their birth often make the process worth it. I couldn’t get my doctors to let me see my kidney stone, much less keep it!

“It’s a right I defend/Over and over again,” Streisand sings in “Woman In Love.” As a boy and man who’s been “in love” at least four times in forty-four years, I feel that I can relate — a lot, if not in total. Taken to it’s most illogical extent, though, would mean obsession, possibly even stalker-like tendencies, especially if someone else doesn’t feel anything near the same way. But, when you’re in the middle of it, you might as well be on coke, Oxycontin and weed all at once, and with some latent form of bipolar disorder to boot. And the hangover from being in love requires much more than a Bloody Mary to get over.

Parts of your brain on drugs (endorphins) when in love, June 28, 2004. (Andreas Bartels, AP/Forbes.com).

Parts of your brain on drugs (endorphins) when in love, June 28, 2004. (Andreas Bartels, AP/Forbes.com).

How women do it, I guess I’ll never know.

Sexism – It’s Complicated

03 Thursday Mar 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Marriage, Politics, Pop Culture, Youth

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Academy for Educational Development, AED, Chick, Contradictions, Damsel-in-Distress, Feminism, Girl, New Voices, New Voices Fellowship Program, Objectification, Objectify, Sexism, Terminology, Woman, Womanism, Women, Youth


Sexism Hurt Everyone, March 2, 2011. Source: http://dribbleglass.com

I started writing this in response to the contradictions anyone can find in looking at Women’s History Month. Particularly the distance between feminist/womanist rhetoric about girls and women loving themselves for who they are and not how they look. Versus the everyday barrage of images about beauty and achieving it for others’ pleasure, if not for one’s own. Then I realized that this is an issue for women and men, boys and girls, regardless and because of race and socioeconomics. Then I thought that beauty isn’t the only insecurity folks who are blessed or gifted become neurotic about over time.

 

It just proves that most of us, even the most well-rounded, well-meaning and well-adjusted of us, can’t help but be somewhat sexist. And that there are many of us who represent walking contradictions of feminism and sexism who call others on their -ism “isht” but refuse to recognize it in ourselves.

Sexism is complicated by the fact that it often is more than just the mere objectification of women. After all, men can be eye-candy as well, and using the term women in the universal, at least in the Western world, equates almost exclusively to White women. I haven’t even begun to describe the exclusion of the transgender community from this conversation, as well as how embedded middle class and affluent values are in our understanding feminism (but not womanism) in our Women’s History discourse.

Such was the case for me nine years ago at my job as assistant director of the New Voices Fellowship Program at the Academy for Educational Development (AED). (It’s the organization that finds itself under suspension from government grants because of serious financial malfeasance since the beginning of last December — see my blog post from December 2010). We were prepping binders and other materials for a New Voices selection panel meeting when a staff member engaged me in a conversation about how I moved from dating to marriage. It was a question that required me to discuss my progression to serious relationships.

Though I didn’t want to go into major details about my personal life, I did want to give the young man an answer that made sense. So I started with how I saw women when I was about twenty-two or twenty-three (the younger man’s age at the time, by the way), and worked my way forward. I noted how I often interchanged the terms “woman,” “girl” and “chick” when I was younger, but had pretty much grown out of objectifying women in that manner by the time I’d started dating my future wife a few years later.

A female co-worker walked into the conference room while I was in mid-sentence, and the only thing she heard was “chick.” She demanded a retraction on the spot, which I summarily refused. “I’m not going to change a story by using a different term when I know I used that term ten years ago,” I said. I added that the conversation wasn’t really her business, especially since she walked into the middle of it without

Sexism, March 2, 2011. Source: http://swpeng.com

knowing the context of it.

 

She reported my allegedly sexist misdeed to my immediate supervisor, who didn’t know how to respond, so he did nothing. That, at least to me, was actually more sexist than anything I may have said and regardless how anyone could’ve interpreted it. That my co-worker never followed up to discuss why I happened to be using the term “chick” seemed to me a sign that even she knew she overreacted to something that was never an issue to begin with.

A few months later, the young woman had resigned, leaving to work on her master’s at the Woodrow Wilson School at Princeton. She told me, in the way of sage advice, that I “needed to open up more and be honest” with younger staff. I just looked at her and wished her well. How can anyone be honest about anything if the first thing we say to each other is to change our stories about our experiences because the words we use can be interpreted as sexist (or racist, or fatist or any other -ist or -ism)?  It seemed to me that if anyone had any serious problems negotiating feminism and sexism, it was my former staff member, not me.

Not that I didn’t realize I had some issues regarding my feminism/womanism versus my own sexism. Most of them have come from what I haven’t said, what I have and haven’t done regarding White women and women of color over the years. As I’ll discuss in my next blog, I’ve had three decades’ worth of damsel-in-distress neurosis (I have no idea what the DSM-IV code is for that).

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

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Barnes & Noble (bn.com) logo, June 26, 2013. (http://www.logotypes101.com).

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