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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Narcissism

Music of the Dystopia

25 Wednesday Nov 2020

Posted by decollins1969 in 1, Academia, Boy @ The Window, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, music, New York City, Politics, Pop Culture, race, Religion, Youth

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"Cry Freedom" (1997), "Fantasy" (1978), "Land Of Confusion" (1986), "Silent Running" (1985), "Welcome To The Terrordome" (1990), "Zombie" (1995), Afrofuturism, American Dream, Dave Matthews Band, Delusions, Dystopia, Dystopian, Genesis, Mike + The Mechanics, Narcissism, PE, Public Enemy, Self-Reflection, Silent Running (1972), Subversive Music, The Cranberries, The Matrix (1999)


Screen shot, Silent Running (1972) poster, November 24, 2020. (https://www.imdb.com/title/tt0067756/mediaviewer/rm3505217792/).

Music has nearly always been a dreamscape from which I could envision alternative histories, sense multiple futures, uncover possible presents, feel and find my best self.

It has also been a place for revealing the naked, uncomfortable truth of humanity’s existence in real life. If one were to take the music of the late 1960s and first half of the 1970s, the R&B that clearly outlined the combination of migration, poverty, heroin addiction, the Vietnam War, police brutality, unemployment, miserly government social welfare and urban living would be one way to go. If one were to take the eclectic British and Irish pop and rock of the 1980s, those folks illuminated the connections between rising conservatism, austerity meant to cut the social safety net, and the normalization of government oppression, corruption, and infiltration into the private lives of everyday people.

It all adds up to one simple yet very scary truth. Our world, the one in which my mother birthed me, the one in which I have grown up and grown older, has always been a dystopia. That’s it. All this talk of technological innovation, of moral and philosophical advancements, of a post-World War II, West-led democratized, globalized, capitalist meritocracy is simply The Real-Life Matrix pulling the dystopian world over our deluded, narcissistic eyes. And nearly everything in the world of mainstream news and journalism, in everyday national and international politics, in formal education systems, and in every single iota of American and global popular culture.

Except in the occasional and deliberate attempts made by artists and authors to expose the underworkings of this Matrix. I have written far too much about those authors of late, from Sarah Kendzior, Mona Eltahawy, and Leta Hong Fincher to Kiese Laymon, Ta-Nehisi Coates, and Derrick Bell. Truth is, I felt and sensed this truth in music even before I had read Aldous Huxley, George Orwell, or William Faulkner’s short stories about racist White men sleeping in beds for 20 years with the dead bones of their incestuous mothers. Marvin Gaye’s “Inner City Blues {Make Me Wanna Holler),” Stevie Wonder’s “Living For The City,” and Donny Hathaway’s “The Ghetto” brought the dystopian of Black life in the US to my attention long before I knew what the prefix dys- even meant. The contrast between this and the Afrofuturism of Earth, Wind & Fire’s “Fantasy” and “Boogie Wonderland” of the late-1970s wasn’t lost on me, even though it would be nearly 15 years between these songs and my reading of Octavia Butler’s Kindred.

 

But the 1980s hit me and my family as hard and fast as a government coup in Brazil or in Trump’s version of the US. It’s wasn’t just that it was our apocalypse. It revealed that the American Dream was a nightmare for so many people. It opened up my 100 billion neurons to the possibility that there could be no American Dream, no rise of the West, no Euro-American hegemony over the world without it being a dystopia for billions of people in the US, in Europe, and around the world.

It was also the decade of the Ethiopian famine of 1983-85, “We Are The World,” Bob Geldof and Live Aid, Farm Aid, and protests for South African divestment. So it seemed normal for groups of White guys in bands to write music, play instruments, and belt out lyrics like the ones below from Mike + The Mechanics’ “Silent Running” (1985).

Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command

The post-apocalyptic movie of the same title from 1972 was apparently on Michael Rutherford (guitarist of Genesis), et al.’s minds when they decided to work on the lyrics for this song. The idea that someone from the future would communicate with their ancestors in the past to resist the forces of totalitarianism and propaganda in order to preserve the path to a better future? Boy does that sound like the stuff of Octavia Butler, Derrick Bell, Kiese Laymon, and Colson Whitehead (not to mention, Tomi Adeyemi in her Children of Blood and Bone), where ancestors and descendants can somehow have confabs in real life! All in an effort to swap ideas, to conjure up solutions before we understood the problems, to recognize that time is nonlinear, and so are we.

As a teenager who saw more than most that the Reagan Years were part of the dystopian present, and not a return to American greatness, “Silent Running” was refreshing, if also incredibly scary. I was like, if these White guys from the UK and Ireland get it, then why don’t folks in America get it? At least, the folks I saw at school and in running my errands every day.

But it wasn’t just Mike + The Mechanics. A lot of music from the 1980s and 1990s was subversive, including the more obvious Springsteen and the E Street Band’s “Born In The U.S.A.” and John Mellencamp’s “Pink Houses” to KRS-One and Boogie Down Productions, Alanis Morrisette, and The Cranberries. It was just that the less subtle, the Billboard Top 40 hits and the B-side non-hits stood out for their double-meanings. When I stripped away the male bravado, the love and the lust and the loneliness from the repertoire of rap, R&B, hip-hop, and ’80s pop I listened to, the subversive was the remainder.

In my family-level apocalypse and resistance against my stepfather, the subversive helped. In the disconnect between the normalcy of magnet-program-learning among a cabal of Benetton-commercial-wannabes, the undercurrent understanding that this fakery belied a world very much like the one in The Matrix. The lyrics, the synthesizers, the heavy guitar strums and the drum rolls meant something different to me than anyone I knew growing up could imagine.

It wasn’t just “Silent Running” for me, nor something that hit like a sledgehammer like Genesis’ “Land of Confusion” that hit the radio waves my senior year of high school. There were others. For more than a decade, there were others, including:

  • PE, “Welcome to the Terrordome“
  • Sting, “Love Is The Seventh Wave”
  • Dave Matthews Band, “Cry Freedom“
  • The Cranberries, “Zombie“
  • Peter Gabriel, “Biko” and “Shaking The Tree”
  • Des’ree, “Crazy Maze“
  • James Blake, “No Bravery”
  • Seal, “Future Love Paradise” and “People Asking Why”
  • U2, “Bullet The Blue Sky”
  • Arrested Development, “Tennessee”

In the years after I finished my doctorate, I didn’t forget these songs, and may have taken on some more obscure ones by Floetry, Coldplay, U2, Bryan Ferry, Pharcyde, The Fugees, among others, along the way. Popular music has become more vapid and craven and corporate as the leaders in our world have made their taste for a dystopia that advantages them more and more obvious. This position is probably why I can’t find a nod to the dystopian in Rihanna, Cardi B, Chance the Rapper, Rick Ross, Beyoncé, Gary Clark, Jr., or Chris Stapleton (although Solange’s and Missy’s music videos at least contain subversive and dystopian wisps).

This world is the dystopia that has always been. And those of us who talk to ourselves while speaking out at the same time have been trying to get everyone else to see it and sense it all along. I should know. I’ve been talking to myself since my week of homelessness at 18, and speaking out as the world has lurched itself toward calamity for nearly as long.

My Thoughts on Cut-Throat Finals Week

17 Tuesday Dec 2019

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Movies, Politics, Pop Culture, Religion, University of Pittsburgh, Youth

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Cheating, CMU, Cut-Throat Competition, Death Race (2008), Finals Week, Immaturity, Narcissism, Obsession with A's, Pitt, Teaching and Learning, The Equalizer (2014)


Death Race (2008) Dreadnought scene screen shot, December 17, 2019. (https://youtube.com).

I have seen some shady shit as a student and educator over the years. Between my middle school and high school magnet programs in Money Earnin’ Mount Vernon, my four years as an undergrad at the University of Pittsburgh, my three years of grad school course work at Pitt and at Carnegie Mellon, and my years of contingent teaching, I have seen students do everything short of killing me or killing their classmates for a higher grade.

This semester provided some new wrinkles (really, old wrinkles I haven’t seen since my Humanities days in the 1980s) that actually shocked me. All as I taught my 77th, 78th, 79th, and 80th classes in my roller-coaster of a teaching career. I have felt a certain way toward some of my most demanding, hold-my-hand-for-an-A, spoiled-brat students over the years. This semester, I found myself actually despising three in particular across two universities and four classes. By no means does my grading reflect what I think of them, as I assigned each of them the grades they earned. But really, there is no letter in the alphabet low enough for them that I could assign. At least, one in which I would ever feel fully satisfied. And that is all because they all made the decision to be cut-throat, toward me and toward their peers.

I fully understand the compulsion. Six years in a magnet program that was one part Benetton commercial and three parts Death Race — the Jason Statham version from 2008 — showed me George Orwell’s Animal Farm as a live-action drama set from 1981 to 1987. Students giving each other incorrect notes from which to study. Classmates telling each other they were going to fail a final, or that they didn’t belong in Humanities. One Class of ’87 star making sure to say to another that they were only getting into an elite school because they were Black.

Hazing, bullying, torture, ostracism, denigration were all part of my experience, and that was before we started taking AP courses! I even snickered when our valedictorian received a 67 on an English essay in 11th grade because she failed to underline the title of a James Baldwin book (either Go Tell It on the Mountain or The Fire Next Time, who can remember such mundanity nearly 34 years later). We became good friends for a while after high school — go figure!

So, it’s not like I couldn’t conceive of setting up a classmate to fail, using someone else’s better words to substitute for my gross and imperfect writing, or spending money to hire a tutor to study for an AP exam. I could’ve really done it, if I had the will and/or the wealth. I just wouldn’t do it. You know, “Do unto others as you would have others do unto you.” It’s in Matthews, the first book of the Gospels in the New Testament. It’s one of the few tenets that I have tried hard to follow in all my years as a human being and as a Christian. (The tenets I follow consistently are universal ones, so please do not get your atheistic drawers all twisted.)

But not always. During finals week my second semester at Pitt, at the end of April 1988, I put that Golden Rule aside, and for good reason. During our two-hour, multiple-choice final exam in Roman History, I noticed him. A skinny, geeky White yinzer with dirty blond hair sitting behind me in the Cathedral of Learning lecture hall on the ground floor. I noticed him because I heard him, somewhere around the question 70 mark. The only time his pencil made a noise was after I had filled in a bubble with an answer. By question 75, I knew the dumb mf was cheating off my answer sheet.

Denzel Washington’s character putting corkscrew to throw/soft palate/brain cavity, The Equalizer (2014), December 17, 2019. (https://imdb.com).

So I did what my years in Mount Vernon and in Humanities had trained me for. I proceeded to answer the next 25 questions on this 100-question exam incorrectly on purpose. It was rich and dripping with caramel-chocolate-on-ripe-strawberries revenge! I knew every correct answer and just kept bubbling in one wrong one after another. And as sure as dog-shit peppering dirty snow piles on Manhattan’s Upper West Side in February, Mr. Yinzer bubbled in his answers right after mine.

Then, I stopped. I paused for a half-minute after bubbling in question 100. I picked up my big eraser, and frantically rubbed out my incorrect answers to each of those last 25 questions. Then I turned around, and gave the yinzer a “Gotcha!” look. He was pissed and scared, his face the pale color of white pastel paint mixed with water. I turned back around, and carefully bubbled in my correct answers for the last quarter of the exam.

After I got up to submit my exam to the professor, I walked up the steps toward the back of the lecture hall, passing Mr. Yinzer along the way. He shot me a look, one where he knew he was caught, like a rat in an old-style trap, about to die from the pain of asphyxiation and a broken neck. I rolled my eyes with the thought, That’s what you get, dumb muthafucka!

I am not proud of that moment. Sure, the yinzer deserved it. But, I could’ve reported it to the professor. I could have just covered my answer sheet up better. I could have confronted the student directly. I could have even let the student ride my coattails toward an A on his final exam. Instead, I went all cut-throat and ensured that this student failed his final. In what way am I really better than him when I helped an academically drowning classmate swallow more water while holding his head down?

I know. What I did may seem milquetoast on the scale between blatant cheating and the viral slut-shaming of a peer with whom you are in academic competition. But that’s the point. None of this should be acceptable. My A in the course would not have changed, and Mr. Yinzer would still have struggled academically even if had succeeded at cheating on this one exam.

At just 10 days before I turn 50, I have figured out what I hate, actually hate, about other humans. I hate habitual liars, especially the ones who regularly lie to themselves while telling me their lies. I hate elitist assholery, even from those whom I admire, even from among my friends. I hate cheating, and those who think they can get away with it. I hate brown-nosing, as I smell this shit from a mile away. Now, I despise those who would eat A’s and A-‘s for their three squares a day before recognizing that education is about much more than a high grade an a job to pay off their student loans. Education is about freedom, having and making good choices, and finding yourself a crew that you can rely on and can rely on you long after graduation. Those who think otherwise are as lost as Dr. Manhattan caught in a quantum vortex.

There’s No Starman Waiting in the Sky For Us

20 Saturday Jul 2019

Posted by decollins1969 in 1, culture, Eclectic, eclectic music, Politics, Pop Culture, race, Religion

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"Send Her Back!" Chant, "Starman", "Walking On The Moon", 45, Alexandria Ocasio-Cortez, Apollo 11, Ayanna Pressley, David Bowie, First Contact, Greenville North Carolina, Ilhan Omar, Islamophobia, Misogynoir, Narcissism, Race Riots, Racism, Rashida Tlaib, Red Summer, The Police, Trump, White Terrorism, Xenophobia


James Cromwell as Zefram Cochrane making first contact with Vulcans screen shot, from Star Trek: First Contact (1996). (http://www.startrek.com/)

This week of the 50th anniversary of the Apollo 11 Moon landing has been yet another reminder that humanity’s evolution has not kept up with its aspirations for exploring and colonizing the universe. A week that is supposed to be one of celebrating NASA’s work and Neil Armstrong and Buzz Aldrin walking on the moon has become a week about the immutability of racism and misogyny (really, misogynoir) in the US and beyond. Telling four Black and Brown congresswomen “go back and help fix the totally broken and crime infested places from which they came,” 45 once again showed his xenophobia and misogynoiristic racism and exposed the -isms of millions of Americans. 45’s campaign rally in Greenville, North Carolina on Wednesday specifically targeted Rep. Ilhan Omar (D-MN) and descended into a Ku Klux Klan gathering, as the presidents fanboys and foot soldiers chanted “Send her back! Send her back!” for thirteen seconds.

A century before 45’s latest racist, Islamophobic, and misogynoiristic spewings, and a half-century before the Apollo 11 landing, Whites across the US engaged in Red Summer. It was part of a World War I and post-World War I response to the first wave of Black migration out of the Jim Crow South and Black prosperity across the US. A violently racist response made worse because the US plunged into recession in the two years after the end of World War I. The Fourth Estate trafficked in racist stereotypes around “Negro Man Rapes White Girl,” further fanning the flames of racism and xenophobia in the years around and after the Great War. Whites marched into Black communities to beat up, main, rape, kill, burn down Black businesses, and otherwise terrorize Black men, Black women, and Black families. To call these “race riots” implies that Blacks did the same toward Whites, a lie about as close to the truth as 45 has been in the past 50 years.

East St. Louis, Illinois really set the pace for these “race riots” in 1917. But in the Red Summer of 1919, it was Washington, DC, Chicago, Elaine, Arkansas, Omaha, Nebraska, and dozens of other cities and towns in which Whites went off to show Blacks the true nature of racism. Whites exerted their power and violence on Black populations out of an out-of-this-world narcissism, in that everything belonged to them. They were angry because Blacks had taken “their jobs” and moved into “their neighborhoods.” They also wanted laws changed so that White ethnics couldn’t come to the US and take jobs and depress wages, ultimately pitting White immigrants against Black migrants in these White terrorism efforts.

Sound familiar at all? It should. White terrorist attacks on Blacks in Tulsa (Greenwood, a.k.a., Black Wall Street) in 1921 and Rosewood, Florida in 1923 were the culmination of White supremacist violence stemming from the narcissistic need for dominance and economic distress. The Immigration Act of 1924 effectively shut off immigration from most of Europe, Asia, Latin America, and the Caribbean in an effort to preserve “White Anglo-Saxon stock” and as a way to appease White men angry about not finding work post-World War I. It was the third anti-immigration bill Congress had passed in the previous seven years.

The parallels between 45 and this week in American racism and the Red Summer of 1919 are enough to prove that humanity is most definitely not ready to meet extraterrestrials from elsewhere in the multiverse. We humans are ill-prepared to make contact with beings with technologies that help them traverse a radiation-filled void in a fraction of the seven years it took the Cassini probe to reach Saturn. We humans lack the emotional, psychological, moral, and spiritual capacity to cope with such a history-altering event. We Homo sapiens are devoid of the humility necessary to meet the challenges that will come after finding out that first contact with an advanced civilization is both an end and a beginning.

Here’s a short list beyond 45 of leading people and recent events that prove humans are as ready for first contact as a newborn baby is for a seven-course meal. Jeffrey Epstein. R. Kelly. Marine Le Pen. Kim Kardashian. Vladimir Putin. Boris Johnson. Xi Jinping. Recep Tayyip Erdoğan. Nigel Farage. Richard Spencer. Sarah Huckabee Sanders. Rodrigo Duterte. Theresa May. Bashar al-Assad and Syria. Kim Jong Un and North Korea. Jair Bolsonaro and his anti-LGBTQIA work in Brazil. Myanmar’s ethnic cleansing of Rohingya Muslims. Capitalism. Neoliberalism. Misogyny and misogynoir. Islamophobia and anti-Black and Brown xenophobia. Patriarchy’s foot soldiers. The very need for Black Lives Matter. The limited response thus far to man-made global climate change. Hollywood. Las Vegas. The endless fighting over resources and enslavement of peoples for a narcissist’s dream of independence, freedom, power, and wealth. That’s already enough for me to never want to meet humanity!

Can anyone who possesses a reasonable amount of empathy and knowledge imagine what the most powerful and learned members of an advanced alien civilization would think of humanity’s stewardship of Earth? They’ve heard and seen us in action for at least a century, since humans started broadcasting on wireless radio. In that time, there have been been two World Wars, ethnic cleansing and mass murder (e.g., Stalin’s Five-Year Plans, the Holocaust, China’s Cultural Revolution, Pol Pot and Cambodia, and Rwanda), the Cold War, and the nuclear arms buildup. Powerful nations and corporations have repeatedly exploited indigenous peoples, the most poverty-stricken in Asia, Africa, and the Western Hemisphere, and the planet’s biosphere. I am sure sentient aliens have seen us and feel just as welcome to visit Earth as migrants from Latin America, Sub-Saharan Africa, and the Middle East feel in the US and Europe right now.

Is it possible that sentient extraterrestrials might find some exceptional humans potentially worthy? Sure. Science folk like Michelle Thaller, Chanda Prescod-Weinstein, Hakeem Oluseyi, and the late Claudia Alexander come to mind. One might be able to make the case for humanitarians and social justice activists, for the best writers, painters, sculptors, musicians, vocalists, and actors out there. But from a sentient alien’s perspective, why should any of these humans be exceptions? These beings are likely able to use dark matter or dark energy to power faster-than-light spacecraft. They may possess the ability to convert matter to energy and back again at a whim, to make food and weapons out of thin air and bio-waste. They may even be able to fold space and create wormholes and black holes. There’s no way they could see any humans as deserving of first contact.

There is also the real issue of what it would take for an alien civilization to become advanced without blowing itself up in the first place. These advanced beings would be collaborative and cooperative to a fault, would’ve long ago assured equity and inclusion as their reason for existence and exploration. They would likely avoid war-loving civilizations like the ones on Earth, while looking to break bread (or the alien equivalent) with more stable, peaceful, and advanced civilizations out in the galaxy.

They may make exceptions, though, for the most vulnerable of sentient beings and other species trapped in warring worlds like our own. These aliens may decide someday to “rapture up” indigenous peoples, vulnerable minority groups, the poverty-stricken, certain women and children, to save them from the leading Western nations and other developed countries on this planet, who seek to oppress and exploit them. It’s something writers like Octavia Butler and Derrick Bell contemplated for Black and Brown folk. It would be the humane thing— maybe even, the godly thing — to do.

Humans should continue to explore space and its endless scientific revelations and mysteries. But humanity should refrain from colonizing the Moon and Mars, much less anything interstellar. All humanity will end up doing is spreading its Whiteness-driven elitism, racism, patriarchy and misogyny, homophobia, xenophobia, and life-destroying narcissism. The species remains too primitive to be worthy of prime time on a galactic stage. We’ll have to wait for a more just, verdant, and glorious age before first contact will work out well for us. We’re not ready.

Coming From Where I’m From

30 Monday Jul 2018

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Jimme, Mount Vernon New York, music, My Father, New York City, Politics, Pop Culture, race, Youth

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"Comin' From Where I'm From", "Money Earnin' Mount Vernon, "Why I Don't Understand the Black Affluent Class", Al B. Sure, Al Jazeera, Anthony Hamilton, Audre Lorde, Civility, Denzel Washington, Elitism, Histrionics, Inferiority Complex, Narcissism, Respectability Politics


A week and a half ago, I received an email from a reader in response to my latest Al Jazeera piece, “Why I Don’t Understand the Black Affluent Class.” She congratulated me on the article, and agreed with most of my sentiments in the piece. She also revealed that she had spent a decade living in Mount Vernon, NY.

It turned out that this reader lived five blocks from me during my Boy @ The Window years, right off East Lincoln Avenue! Part of my follow-up included, “[m]aybe our paths crossed, maybe they didn’t. But I’m sure my growing up years helped shape some of what went into my Al Jazeera piece from last week.”

I was mildly excited that someone from Mount Vernon had read one of my mainstream articles, and not just the blog. But, even with some shared ideas and a common point of reference, the reader’s response actually reflected some of what I critiqued in the article. She agreed that “Money Earnin’ Mount Vernon” had helped shape my views around the buying in of a relatively materially privileged class into White patriarchial and supremacist ideas like civility and respectability politics. Then she immediately veered toward identifying the great Mount Vernonites — “Denzel Washington, Al B Sure, Heavy D, Sidney Poitier, etc.”

What is it about smaller cities not blessed with the narcissistic largesse of a New York, L.A., or DC that causes people to fall back on the “but we have successful people from here, too” trope? Not only is this not necessary. It points to a sense of competing for attention and importance in a way that can be a bit unseemly, a way of countering a negative narrative from a crowd of self-centered media elites with one that’s just as narcissistic and needy.

The fact is, pick a spot on a map where at least 1,000 people live, and guess what? Someone rich and/or famous either grew up there or lived there for a time. Even if those individuals aren’t nationally known, one can guess that they’re known in that region or state. Dean Martin’s from Steubenville, Ohio. The opera singer Leontyne Price is originally from Laurel, Mississippi. Mr. “The Price Is Right” Bob Barker is from Darrington, Washington. Stand-up comedian Lewis Black’s from Silver Spring (where I’ve lived for nearly 20 years now). I bumped into former NFL player and sports broadcaster Ahmad Rashad at my local pizza shop in 1989. Heck, the Black feminist lesbian poet Audre Lorde worked for years at Mount Vernon Public Library. None of this could possibly change how I saw my original home base, not in 1976, not in 1987, and certainly not in 2018.

It’s not that I didn’t know the Delaney sisters lived off South Columbus Avenue, or that Stephanie Mills had a house somewhere between Mount Vernon High School and the Mount Vernon-Bronxville border. But what did that really mean to my day-to-day when I was going from one end of Mount Vernon to the other for groceries, for piece of mind, and sometimes, to avoid more physical and emotional abuse at home? How did knowing that a classmate was in a scene on the soap opera General Hospital change the fact that I still needed to hunt down my alcoholic father on Friday for enough money to cover the cost of my AP English exam? What did Al B. Sure or Heavy D’s success in the 1980s have to do with my striving for a college education, or my five days of homelessness in 1988? Nothing, of course, absolutely nothing.

It’s good to know that there are notable people, Black, Afro-Caribbean, African, Latino, Nuyorican, Italian, male, female, transgender, gay, lesbian, bisexual, dead, old, young, and alive, from Mount Vernon. But a community doesn’t hang its hat on notable people or the rich and successful. Its lifeblood is the ordinary, of activists, artists, and educators, students and librarians and postal workers, the grandparent here, the friend of the family there, who takes a real interest in your development and success. For that reason, Denzel doesn’t really matter to me. I can’t tell you how I feel about Albert Brown night and day, because I’ve hardly given his music a thought since Quincy Jones’ 1989 album Back on the Block (the song “The Secret Garden” makes me gag). Sidney Poitier living in Mount Vernon for a time? And?

For me, for better and for worse, it was the crossing guard at the corner of Esplanade and East Lincoln when was at William H. Holmes. Or, it was my mom and dad’s friends (drinking buddies, really), Ms. Pomalee, Ida, Callie Mae, Lo, and Arthur. Or, it was my mom’s Mount Vernon Hospital friends, especially Billie. It was my Uncle Sam. It was Ms. Griffin, Mrs. Shannon, Mrs. O’Daniel, Mrs. Bryant, my school teachers before Humanities and Meltzer. Whatever lessons I learned about aspirations, civility, and respectability politics, and the idea that these ideas aren’t all good or set in stone, they helped me in that process. These were the people who mattered to me outside of 616 and off the street of Mount Vernon.

It’s Been A While Since I’ve Been a Sports “Fan”

03 Thursday May 2018

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, Sports, University of Pittsburgh, Youth

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DC, Disillusionment, DMV, Escapism, Evolution, Fandom, Misogyny, Narcissism, Pitt, Politics and Sports, Racism, Sports


Cropped image of seven year-old Linus Van Pelt sucking his thumb and holding his security blanket (like the average American sports fan), May 3, 2018. (http://amazon.com).

If my 25 year-old self and my 48 year-old self met in the same hotel bar on Rolling Rock Beer and Wings night in Pittsburgh, Buffalo, or Cleveland, they would have so much in common (or explode space-time). But they would have one hell of a disagreement about the quality, purpose, and feeling of being a sports fanatic. We’d both be ex-baseball fans, courtesy of the sports’ over-inflated view of itself, its long history of racism, exclusion, and paternalism, and George Will’s ludicrous books on America’s so-called pastime. We’d both watch NBA basketball, NHL hockey, a fútbol match or a tennis tournament or a golf major here and there. But the reasons for watching, the rationale for whom to root for and why, the purpose for either of us to indulge in such athletic delights? We would be at an obtuse angle, at least 120 degrees apart.

My history of sports fandom began pretty much in middle school, even though I’d been exposed to all of New York’s underdog teams from the womb. Mets, Jets, and Knicks (Mom still doesn’t watch or understand hockey, by the way) were her teams by the time she and my dad conceived me. But me being me, I reinvented the wheel between the end of ’81 and the spring of ’84. I watched/listened to Yankees and Mets games, as well as the Knicks and Nets, the Islanders, Rangers, and Devils, and the Jets and Giants.

I picked my childhood teams based on low expectations, the balance between them being underdogs and being doormats, the players I’d most likely would want to emulate if I ever wanted to be a professional athlete. And, mostly important, based on that team’s ability to help me forget about all that was wrong in my world, for at least three hours per day (in baseball), or six hours a week (between the other sports combined).

The Mookie Wilson-Bill Buckner connection, Game 6, 1986 World Series, Bottom 10th, Shea Stadium, Queens, NY, October 25, 1986. (http://halloffamememorabilia.net).

That gradually began to change once my teams started winning championships, or at least, regularly competing for them. The change accelerated once I left the New York area for Pittsburgh and its Western Pennsylvania ways. Between my Mets winning a World Series and my Giants winning two Super Bowls between ’86 and ’91, I found myself no longer a fan of hometown underdog teams. Sports weren’t an escape from my reality anymore. Especially as I began regularly working out and playing sports myself.

But I still saw sports fandom as a good thing, something that could unite people and cross the barriers of racism, classism, and even sexism (depending on the sport). That was my next phase of fandom, beginning around ’93. This view was what fueled my divorce from baseball after the ’94 MLB strike and lockout, and what caused me to begin watching more golf and international soccer, and not just falling asleep to it.

I still rooted for my Giants, Rangers, and especially the Knickerbockers. Too bad only the Rangers broke through in the ’90s, although the Knicks had their chances between ’93 and ’99. With living in Pittsburgh, though, I also began to cheer for the Steelers, the Penguins (except when they played the Rangers), and sometimes the Pirates.

But even in this phase of my fandom, I recognized the basic truth. I was cheering for athletes and their talent and will to shine in competition. That they happened to be a linebacker for the Giants or a pitcher for the Mets was a bonus, but I would’ve enjoyed their talent on other teams and in other athletic contexts anyway. I recognized this already with Reggie Jackson and Dave Winfield in the ’80s, and I saw another glimpse of it in ’96, when Dwight Gooden, at this point with the Yankees, finally threw a no-hitter. I wasn’t even a baseball fan anymore, but I was so happy for the diminished Gooden to achieve this feat.

Venus hitting a backhand against Elise Mertens in 1st round of Wimbledon, Wimbledon, England, UK, July 3, 2017. (https://www.telegraph.co.uk/; John Walton/PA).

I think that’s why I started rooting for Venus (who does not get nearly enough credit for being an elite athlete and tennis player) and Serena Williams, Tiger Woods, Kevin Garnett, LeBron James, and so many others while they were still in their teens. I’m sure that’s why I stopped putting up with cockamamie excuses from other fans about too much money in professional sports, about free agency, about the difficulties of running a franchise, when I’d see the same teams losing year after year. It didn’t help that the athletes I rooted for growing up or in the ’90s began to retire, often with a vocal and unappreciative fan base trying to shove them out to door.

Most importantly, I saw the greed and narcissism and conservative politics and racism and misogyny and homophobia that is embedded in the ownership of teams and in the building of franchises. That sports are no more divorced from the politics and malignancies in society than our choices in food and clothing, or the decision of most Americans to berate the poor for their poverty. That sports teams and franchises are about as “clean” and “merit-based” as legacies in college admissions (the ultimate form of affirmative action) and the American election process at any and all levels. Despite this, a hundred million people still entertain this naive view that sports fandom is an essential good, a form of escape, a place for camaraderie. It is not. It’s escapism, a form a narcissism that allows millions to feel a bit better about their lives without doing anything to change their lives and the lives of untold others for the better.

Maybe my jadedness comes from nearly two decades in the DC area, where I regularly root for the local teams to fail, because I love it when the fans here are disillusioned. Maybe it’s because of the poor quality of most of the sports I watch (or in the case of the NFL, have stopped watching for going on three years now). Or, maybe it’s because my Knicks haven’t a title since Nixon was president! Whatever it is, I will continue to root for athletes, but not for teams. Especially those who take a stand, those who have a purpose beyond their athleticism, those whose bodies make me a bit envious, but only envious enough to keep working out, to keep running, to keep draining Js. Also, the NFL is still blackballing Colin Kaepernick!

 

 

On the Levi Brothers and Trump-esque People

08 Thursday Jun 2017

Posted by decollins1969 in 1, Boy @ The Window, Cleaning, culture, Eclectic, High Rise Buildings, Jimme, Movies, My Father, New York City, Politics, Pop Culture, race, Upper West Side, Work, Youth

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45, Christopher Walken, Crash-and-Burn, Crassness, Criminal Activity, Exploitation, John Gotti, King of New York (1990), Levi Brothers, Narcissism, Ostentatious, President Donald J. Trump, Racism, Stupidity


Darth Sidious, Star Wars VI (The Return of the Jedi) screen shot, 1983/1997. (LusoEditor via Wikipedia). Qualifies as fair use due to lower resolution and subject matter.

There are a plethora of people to pick from in making comparisons between President 45 and examples of narcissistic evil operating in positions of leadership. Andrew Jackson, Adolf Hitler, Benito Mussolini, 45’s hero Vladimir Putin, Jacob Zuma, and Recep Erdoğan all have served as examples in op-eds and other articles over the past couple of years. And these are all potentially good picks. Mercurial, vengeful, and even erratic actions, combined with dehumanizing speeches and screeds, all characterize this cabal of soft despots and fascist dictators, and match 45 well.

But the level of ostentatious stupidity that 45 has exhibited as President and a presidential candidate has made think of people closer to home. After all, 45 has always been a New Yorker, a crass rich White guy who has spent his entire adult life attempting to make himself look even more wealthy and powerful than his relative position in elite circles would’ve otherwise justified. He’s also always seen himself as the most important person in the room, maybe in the world. So much so that he has also seen himself as the smartest person in any context, even as everything 45 has touched has been tarnished or turned to shit by his callous, narcissistic stupidity.

In totality, this could describe any upper-crust New Yorker I encountered growing up looking to own more, buy more, be more than they already were. But in light of all things 45, I am thinking of two folks from my teenage years, the Levi brothers. They owned cleaners in Midtown Manhattan and ran a building-cleaning company, and my father worked for them all through the 1980s. The Levi brothers were two of a kind, some of the most flashy people with wealth that I would ever meet.

As I described them in Boy @ The Window

I can confirm with absolute certainty that the Levi brothers wore not-so-thin gold chains. I can also remember how uneasy my encounters with them made me feel. It wasn’t just the fact that they often questioned my intelligence. For nearly all of the years my father worked for the Levi brothers, they paid him under the table. They enabled his alcoholism, in exchange for $500 a week, for eighteen years. No retirement plan, no raises, no sick or annual leave, no unemployment insurance, in exchange for no child support payments and no tax payments. A Faustian deal if there ever was one.

King of New York (1990) with Christopher Walken screen shot. (http://www.electricsheepmagazine.co.uk/).

That my father knew who Paul Milstein was — the late real estate mogul for whom a program within the Columbia Business School is named — is amazing to consider in hindsight. It meant that he was privy to many conversations between the Levi brothers about their master plan for generational wealth. It meant that the Levi brothers believed themselves to be kings, or at least princes, of New York. But only because they cut corners in their shops and business, and looked for ways to literally get rid of their competition. Things that would later lead to alleged criminal activities and the loss of their businesses.

If I could interview them in their mid-1980s milieu now, I would’ve ask them, “Who were you trying to emulate, John Gotti?” But given those Lifestyles of the Rich and Famous times, I suspect the person the Levi brothers were most trying to ape was Donald Trump. Only, 45 came from more money, and wanted to do more than corner the market on cleaners and cleaning contracts for Manhattan high-rises. Beyond the differences in a couple of zeros, the braggadocio, the seeing of people not like them as “others” or “not human,” the need to show the world their wealth, their stunning stupidity in their attempts to monopolize their market. It’s as typical a New York story as I ever got the chance to see. And with 45, I get to see it again, this time on a massive scale, a crash-and-burn that the universe of intelligent beings won’t be able to ignore.

The #45 Mix Tape

28 Sunday May 2017

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, music, Patriotism, Politics, Pop Culture, race, Religion, Youth

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"White Discussion", #45MixTape, Capone-N-Noreaga, Destruction, Drake, En Vogue, Fleetwood Mac, Greed, Islamophobia, James Blunt, Lies, Live, Madonna, Misogyny, Narcissism, President Donald J. Trump, Racism, Russia, Sarcasm, Sting, Trump Supporters, Xenophobia


Then candidate 45 hugging US flag at campaign rally (remember, he’s the anti-Midas, everything he touches turns to crap), Tampa, FL, June 11, 2016. (Chris O’Meara/AP, Times Free Press).

I’m changing it up a bit this weekend. With so much focus on the apocalypse that is 45 and his band of greedy, racist, misogynistic, Islamophobia, and Russia-helping yes-men, I have something goofy and meaningful to say. There are already several comprehensive syllabi on Donald J. Trump out, though, so adding my scholarly musings and sources to this almost inexhaustible topic would be a futile exercise. Instead, I have a mix tape (sort of), one that highlights the changes in my music tastes over time and a group of songs that I mostly despise. Just like I loath most of America’s knee-jerk arguments over 45 and his minions from the past two years.

1. “Little Lies” (Fleetwood Mac, 1987). From their Tango In The Night album. Christine McVie sounds like a shot dog on this song (and Lindsey Buckingham doesn’t sound much better). But this was a Top-5 hit on Billboard in 1987, around the same time Trump was likely being turned by Vladimir Putin and the KGB in the former USSR. And, the song’s theme is pretty obvious.

2. “Live to Tell” (Madonna, 1986). Not exactly my favorite artist, but a one-time favorite song from the one-time “Material Girl” for me three decades ago. After several sources quoting the deposed Michael Flynn, “he has a story to tell,” I remembered Madonna’s lyrics, “I have a tale to tell.” Come to think of it, doesn’t Jared Kushner have a tale to tell about his and 45’s “thousand lies?”

3. “Spies Like Us” (Paul McCartney, 1985-86). Proof positive that Baby Boomers will vote for anything, this piece of poop was a Top-10 hit in January 1986. It’s also emblematic of the theme of ineptitude and macabre humor that runs through the song, representing the movie by the same title, and Flynn, Kushner, Carter Page, Roger Stone, and the rest of the monolithic bloc of 45’s White men.

4. “Russians” (Sting, 1985-86). Why? Because Russians (maybe with the exception of Josef Stalin and Putin) “love their children too” — didn’t you know? But they love messing with our corrupt democracy even more.

5. “Oops!…I Did It Again” (Britney Spears, 2000). God, I have no idea why anyone would’ve ever liked this zit-popper. But the then-eighteen-year-old Spears was prescient with the line “I’m not that innocent.” Neither is 45. He made be a narcissistic buffoon who can’t put two coherent sentences together with a pen, two pieces of paper, Scotch tape, and a flashlight. But he knows where his money’s coming from, no?

6. “Just A Friend” (really, “Jus’ a Friend,” Biz Markie, 1989-90). Same theme as Britney Spears’, with a twist of crossover appeal, a ridiculous baroque get-up, and off-key singing that could only be topped by NBA Hall-of-Famer (and internalized racist) Charles Barkley. But it captures perfectly the love affair between ditto-headed supremacist Americans and 45 (it doesn’t go the other way, of course).

7. “White, Discussion” (Live, 1994). A bit of my favorite grunge, which I have used before. It applies to the folks, the so-called American liberals ready to blame non-voters, third-party voters, and Trump supporters for the rise of 45. Still, many of them are to blame also, because most of them aren’t liberal. If you supported Hillary Clinton in 2016 based on principles, and not out of pragmatism, you are not a liberal, and have been voting in center-right candidates for decades. As the song goes, “look where all this talking got us, baby.”

8. “Stranger In Moscow” (Michael Jackson, 1996-97). Jackson’s introspective song applies here as well, because, well, he uses Russia and the theme of isolation throughout. Except in 45’s case, he likes it that way. And apparently, so does Russia.

9. “Lies” (En Vogue, 1990). Trust me, it fits! (s/o to Dawn Robinson).

10. “Thug Paradise” (Capone-N-Noreaga/Tragedy Khadafi, 1997). The lyrics below say it all:

I twist the truth, I rule the world, my crown is called deceit
I am the emperor of lies, you grovel at my feet
I rob you and I slaughter you, your downfall is my gain
And still you play the sycophant and revel in my pain
And all my promises are lies, all my love is hate
I am the politician, and I decide your fate

Supporters and sycophants beware: 45 is coming for you, in a steamroller with a 700-horsepower engine going one hundred.

11. “Fake Love” (Drake, 2017). I’m a Aubrey Graham fan. I can’t stand Drake. Still, this release from More Life should be required listening from 45 supporters who think they’re not racist, misogynistic, xenophobic, or narcissistic. He also has a song on this album titled “Portland,” though I seriously doubt he was thinking about this weekend or Richard Collins III.

12. “Waterfalls” (TLC, 1995). Yep, yep, yep. Both 45 and MAGA-types have been chasing illusory rainbows and torrents off jagged edges, and damning everyone who they perceive as a threat along the way. And they’re both on a one-way trip.

13. “Don’t Forget Me When I’m Gone” (Glass Tiger, 1986). This is the song 45 should play whenever he finally leaves office, whether by resignation, impeachment, and/or force. As everything 45 touches turns into crap, Glass Tiger’s Top-10 schlock cannot be made any worse. Plus, not even Glass Tiger would complain about 45 using their crappy music.

14. (Bonus Track) “No Bravery” (James Blunt, 2006). 45 is part of a continuum, one that stretches through all of American history. On the international stage, though, it has been one of constant chest-thumping while killing innocents in the name of freedom or national security. Though Blunt’s was about fighting for the UK, the song has much more applicability in the US. We have so much blood on our hands, and 45 means to add to this fetid river on the domestic and international frThe #45 Mix Tapeonts.

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