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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Anthony Hamilton

My Life as a Scrambler

10 Wednesday Apr 2019

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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"Comin' From Where I'm From", 616, 616 East Lincoln Avenue, Academia, Anthony Hamilton, Burnout, CMU, Contingent Faculty, Football, Graduate School, Humanities, Hustlin', Joe Montana, Life, MVHS, NFL, Nonprofit World, Publishing, Russell Wilson, Scrambling, Shawshank Redemption Quote


I wish I could say that it was different. I wish I could say that the key to success in my life was crafting plans, developing rubrics, and building out scale models of every step, move, and smile toward achieving Points A, B, and Z on my life-sized to-do list. I wish that life was like being Tom Brady (not really). Or really, like being every White male statue that’s ever stood behind a bruising, blocking, dynamic offensive line in American professional football. One where even a mediocre quarterback like Trent Dilfer or Jim McMahon could stand behind and take as many as ten seconds to find an open receiver for a first down or a long touchdown on their way to a Super Bowl championship.

But, with some notable exceptions, my life, and the successes I’ve garnered in my life, have come from scrambling out of the pocket, usually because my proverbial offensive line couldn’t block the pass rushers in my life. It’s hustlin’ really, but not the kind of hustlin’ that would bring me notoriety. My life has been mostly Joe Montana and Russell Wilson, with occasional periods of Warren Moon half-standing in the pocket and half-scrambling in between.

Graduate school was the one exception that almost ruined me. I took the lesson I learned about keeping my schedule of work, social life (however ill-defined in 1991), and classes and transferred it to my five and a half years of working toward a doctorate. After a straight-A first semester and finishing my master’s in two semesters, I took it as a sign that this drawing up plans and executing them with brutal efficiency was the best way for me.

Keep in mind, I scrambled all through middle school and high school, for all six years I was in my Humanities Program. I scrambled because I had to. I couldn’t make concrete plans to study at 616, to read books by a specific date, to just have a day to myself just to work on me. Not with my abusive ass, idiot stepfather Maurice/Judah/Maurice there. Not with my younger siblings running around. Not with my Mom going through welfare and depression. Not with having to track down my alcoholic father on weekends for work and money.

San Francisco 49er QB Joe Montana scrambling to make a throw, Super Bowl XIX, Stanford Stadium, Palo Alto, CA, January 20, 1985. (http://youtube.com).

And yet with all that, I finished 14th in my graduating class of White, Black, Afro-Caribbean, and Latinx hyperachievers. I received scholarship offers from every school I got into (with Columbia withholding only because they couldn’t believe I came from a family of eight with a $16,600 per year income in New York). Scrambling worked, even though it didn’t feel like it at the time.

Which was why I went the other way. And so, for my graduate school years, and the baker’s dozen of years that followed, I stayed in the pocket. I drew up plans like an architect for my career and life, and followed those plans as if I’d gotten them from God him/herself. And the truth was, most of my plans worked to perfection. I earned a two-year master’s degree in one, earned a big-time dissertation fellowship without overwhelming support from my advisor and committee, published articles, presented at conferences, and, once fully immersed in nonprofit work, job after job, promotion after promotion, more publications and teaching opportunities.

Or so I thought. I hadn’t realized that while my 150-PowerPoint-slide gameplan seemed to be working, that I was still scrambling every chance I got, and hustlin’ myself in the process. I only completed my doctorate in November 1996 because I scrambled, and left my advisor little choice but to approve my dissertation. This after lobbying my other committee members, documenting every comment from my advisor on my dissertation going back a full year, and otherwise turning the academic politics of Carnegie Mellon to my favor that summer and fall. That, and having a complete, 505-page manuscript, sealed the deal.

I scrambled for work all the while, went the summer of 1997 without work before hustlin’ my way into nonprofit work by lying about only having a master’s degree that year. I scrambled into my jobs at Presidential Classroom, both of my positions at Academy for Educational Development, and every single teaching position I’ve held since 1998, AU included.

It just took me until 2008 to realize that I wasn’t the figurative pocket passer. I ran myself and those who’ve been there to catch my publishing, teaching, and working passes open. I’ve never had a good offensive line, because America stacks their lines for privileged White men and White women first, second, and third. Sometimes I’ve had to take the proverbial ball to the end zone or for a first down myself, because there hasn’t been anyone else who can help. Sometimes, too, I have to take the hit, also because I don’t know what I don’t know, and I’ve fought against the mantra “It’s not what you know, it’s who you know” for most of my 49-plus years on this Earth.

I’ve come to accept that this is my life. I don’t have to like that despite all the article publications, conference and public presentations, grant money raised, students taught, students now in prominent positions themselves, book manuscripts produced, friends made, and so many other measurables, I am a bad six months away from career collapse. And with that, maybe my marriage, my status as a dad, and  my health and life would be at risk as well.

But I do not intend to be a contingent faculty member and an older man pretending to be a youngish freelance writer with fresh ideas (with the rare consulting opportunity) for the rest of my most productive working days. Either all this works out, somehow, or I’m driving as the Uber professor/Trader Joe’s stock boy/MCPS bus driver (ala Steven Salaita) down the line. Anyway, Red from Shawshank Redemption put it best. “Get busy livin’, or get busy dyin’.” My mantra for the past four and a half years.

Coming From Where I’m From

30 Monday Jul 2018

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Jimme, Mount Vernon New York, music, My Father, New York City, Politics, Pop Culture, race, Youth

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"Comin' From Where I'm From", "Money Earnin' Mount Vernon, "Why I Don't Understand the Black Affluent Class", Al B. Sure, Al Jazeera, Anthony Hamilton, Audre Lorde, Civility, Denzel Washington, Elitism, Histrionics, Inferiority Complex, Narcissism, Respectability Politics


A week and a half ago, I received an email from a reader in response to my latest Al Jazeera piece, “Why I Don’t Understand the Black Affluent Class.” She congratulated me on the article, and agreed with most of my sentiments in the piece. She also revealed that she had spent a decade living in Mount Vernon, NY.

It turned out that this reader lived five blocks from me during my Boy @ The Window years, right off East Lincoln Avenue! Part of my follow-up included, “[m]aybe our paths crossed, maybe they didn’t. But I’m sure my growing up years helped shape some of what went into my Al Jazeera piece from last week.”

I was mildly excited that someone from Mount Vernon had read one of my mainstream articles, and not just the blog. But, even with some shared ideas and a common point of reference, the reader’s response actually reflected some of what I critiqued in the article. She agreed that “Money Earnin’ Mount Vernon” had helped shape my views around the buying in of a relatively materially privileged class into White patriarchial and supremacist ideas like civility and respectability politics. Then she immediately veered toward identifying the great Mount Vernonites — “Denzel Washington, Al B Sure, Heavy D, Sidney Poitier, etc.”

What is it about smaller cities not blessed with the narcissistic largesse of a New York, L.A., or DC that causes people to fall back on the “but we have successful people from here, too” trope? Not only is this not necessary. It points to a sense of competing for attention and importance in a way that can be a bit unseemly, a way of countering a negative narrative from a crowd of self-centered media elites with one that’s just as narcissistic and needy.

The fact is, pick a spot on a map where at least 1,000 people live, and guess what? Someone rich and/or famous either grew up there or lived there for a time. Even if those individuals aren’t nationally known, one can guess that they’re known in that region or state. Dean Martin’s from Steubenville, Ohio. The opera singer Leontyne Price is originally from Laurel, Mississippi. Mr. “The Price Is Right” Bob Barker is from Darrington, Washington. Stand-up comedian Lewis Black’s from Silver Spring (where I’ve lived for nearly 20 years now). I bumped into former NFL player and sports broadcaster Ahmad Rashad at my local pizza shop in 1989. Heck, the Black feminist lesbian poet Audre Lorde worked for years at Mount Vernon Public Library. None of this could possibly change how I saw my original home base, not in 1976, not in 1987, and certainly not in 2018.

It’s not that I didn’t know the Delaney sisters lived off South Columbus Avenue, or that Stephanie Mills had a house somewhere between Mount Vernon High School and the Mount Vernon-Bronxville border. But what did that really mean to my day-to-day when I was going from one end of Mount Vernon to the other for groceries, for piece of mind, and sometimes, to avoid more physical and emotional abuse at home? How did knowing that a classmate was in a scene on the soap opera General Hospital change the fact that I still needed to hunt down my alcoholic father on Friday for enough money to cover the cost of my AP English exam? What did Al B. Sure or Heavy D’s success in the 1980s have to do with my striving for a college education, or my five days of homelessness in 1988? Nothing, of course, absolutely nothing.

It’s good to know that there are notable people, Black, Afro-Caribbean, African, Latino, Nuyorican, Italian, male, female, transgender, gay, lesbian, bisexual, dead, old, young, and alive, from Mount Vernon. But a community doesn’t hang its hat on notable people or the rich and successful. Its lifeblood is the ordinary, of activists, artists, and educators, students and librarians and postal workers, the grandparent here, the friend of the family there, who takes a real interest in your development and success. For that reason, Denzel doesn’t really matter to me. I can’t tell you how I feel about Albert Brown night and day, because I’ve hardly given his music a thought since Quincy Jones’ 1989 album Back on the Block (the song “The Secret Garden” makes me gag). Sidney Poitier living in Mount Vernon for a time? And?

For me, for better and for worse, it was the crossing guard at the corner of Esplanade and East Lincoln when was at William H. Holmes. Or, it was my mom and dad’s friends (drinking buddies, really), Ms. Pomalee, Ida, Callie Mae, Lo, and Arthur. Or, it was my mom’s Mount Vernon Hospital friends, especially Billie. It was my Uncle Sam. It was Ms. Griffin, Mrs. Shannon, Mrs. O’Daniel, Mrs. Bryant, my school teachers before Humanities and Meltzer. Whatever lessons I learned about aspirations, civility, and respectability politics, and the idea that these ideas aren’t all good or set in stone, they helped me in that process. These were the people who mattered to me outside of 616 and off the street of Mount Vernon.

A Musical Mirror in Time

13 Saturday Nov 2010

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, music, Pop Culture

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"White Discussion", Anthony Hamilton, Boy @ The Window, Eclectic Music, Futurists, iPod, Live, Mariah Carey, Michael Bolton, Mr. Mister, Music, Musical Tastes, Nickelback, Sting, The Police, Time Traveling


My iPod, November 13, 2010. Donald Earl Collins

A side benefit to working on Boy @ The Window has been walking down memory lane in describing the music of those times. The music I listened to for inspiration, out of love, rage or goofiness. Or music that provided my means of escape from the drudgery of poverty at 616, the organized chaos that was Humanities and Mount Vernon public schools. Music that I stumbled upon, or deliberately discovered or discounted.

I’ve wondered off and on what the tunes in my ear and head would’ve been like if all the music that I’ve been exposed to since the end of the ’80s had all been at my fingertips in ’81 and ’82. I know one thing for sure. Had I the ability to send my eleven or twelve-year-old self my iPod from ’10, weird or not, Hebrew-Israelite or not, I’d been one of the coolest kids in school. Assuming that I wouldn’t have had to defend my improbable toy against bullies and muggers, that is.

So, now that I have access to music from any time and any year up to 2010, what would I’ve listened to

My iPod, Sting's "Desert Rose", November 13, 2010. Donald Earl Collins

during the Boy @ The Window years? Thinking about Crush #1, the music I had available in mind and in ear was Stevie Wonder’s “As” and “That Girl,” and The Police’s “Every Little Thing She Does Is Magic” between March and June ’82.

Fully acknowledging that I was in some sort of love then, gee, what would’ve fit my mood? What would’ve been appropriate to the chaos in the rest of my life? U2’s “Beautiful Day” — where “you’ve been all over, and it’s been all over you?” Or Coldplay’s “Clocks,” Sting’s “Desert Rose,” Tevin Campbell’s “Can We Talk,” and Celine Dion’s “That’s The Way It Is,” all songs of shyness and unrequited love? Talk about framing a mood!

Well, what about Crush #2, my obsession with her, and the pain she helped cause? What could complement music like Richard Marx’s “Should’ve Known Better,” Paul Carrack’s “Don’t Shed A Tear,” or Geto Boys’ “My Mind Playin’ Tricks On Me”? Going back to January ’88, Live’s “White, Discussion” would’ve been a place to start. White male angst about race and possibly love — “Look what all this talking got us, baby” screamed at maximum lung-ness by lead singer Ed Kowalczyk — could’ve just as easily been my sarcastic and rage-laced refrain regarding Crush #2.

Other, more goofy and less epic tunes to lay out my anger and disappointment — or to get over it — hmm. Probably something like Michael Bolton’s “Time, Love & Tenderness,” Mariah Carey’s “Can’t Let Go,” or Annie Lennox’s “Walking On Broken Glass.” Music from the ’90s. So much better for coping with crushes and trifling people.

On a more serious tip, what from my present would’ve soothed my constantly worried mind back in the days when mp3 would’ve been thought of as a kind of motor oil? My faves of the ’80s were Mr. Mister’s “Kyrie” and “Broken Wings,” because the songs met me where I was, a teenager struggling to find his true self, to succeed in school, to survive life at 616. Other than some social justice-lite songs like Marvin Gaye’s “What’s Goin’ On,” Sting’s “They Dance Alone,” or Peter Gabriel’s “Don’t Give Up,” there wasn’t much of a message in most of the music from the mid- to late-80s — at least related to my life.

My iPod, Nickelback's "If Today Was Your Last Day," November 13, 2010. Donald Earl Collins.

But bringing music back from the future would’ve helped. Like Anthony Hamilton’s “Comin’ From Where I’m From,” Creed’s “Higher,” Sounds of Blackness’ “Optimistic,” even Nickelback’s “If Today Was Your Last Day.” The line of lines — “Against the grain should be a way of life” — has been when I’ve gotten the most out of myself, my God and my life.

I can only imagine what life would’ve been like with a piece of second-decade, twenty-first century

My iPod w/ U2, November 13, 2010. Donald Earl Collins

technology in the early ’80s. It made have made most of my embarrassing, disheartening and sorrowful moments easier to bear. But without those moments, I certainly wouldn’t have as full an appreciation of the music I listen to now and the blessings that have occurred in my life in the three decades since. As Anthony Hamilton would say, “Sometimes you gotta walk alone,” although with music, not completely alone.

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

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