Category Archives: earth, wind & fire

The Unbearable Whiteness of White Proximity Fuses, Part I

03 Saturday Jul 2021

Posted by in 1, Boy @ The Window, earth, wind & fire, Eclectic, eclectic music, Marriage, Mount Vernon New York, Politics, Pop Culture, race, Youth

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A field of allegedly civilian-friendly land mines (cropped), September 14, 2018. (https://www.popularmechanics.com/military/weapons/a25064634/better-land-mine-us-army-gator/; Andrew Renneisen, Getty Images)

I just finished reading Rebecca Carroll’s diary-esque gem of a memoir, Surviving the White Gaze. It is 313 pages of fearlessness in presenting people as they are, and not as one would like them to be, especially when it comes to parents and parent figures. Like with so many books I’ve read in the past six years, I laughed, I cried, I got angry at Carroll, I got angry for her as well. If you want to learn all the ways not to parent an adopted Black/biracial child in lily-white New Hampshire during Generation X’s growing-up years, then Surviving the White Gaze is definitely for you.

As someone born at the end of 1969, the fact that Carroll is only seven months older than me immediately stood out. And because I often think through time in music, her occasional name-dropping made me think of the eclectic music I grew up around. A Steely Dan reference here, a David Bowie reference there for her. But because of her almost hermetically-sealed experience in everyday proximity to White folk, there weren’t any references to Alice Coltrane or Al Green, Earth, Wind & Fire or Marvin Gaye or Aretha Franklin. My three years of fractured relations to pop culture as a result of the Hebrew-Israelite years (abuse aside) have nothing on Carroll’s growing-up years in endless, toxic whiteness, musically and otherwise.

Still, there are layers to Carroll’s life and book that I do understand because of my own proximity to whiteness growing up, and my proximity to two people who may and may not have benefited from such proximity. One was Wendy, my first true crush, my first real and unrequited love. I commented on this in Boy @ The Window, partly because Wendy brought it up during my interviews with her over two days in 2006, and partly because I observed this behavior first hand over our years in middle school and high school.

A couple of crazy rumors emerged. None of which I could believe in their entirety. One was that she was part White and Black – or ‘mixed’ or ‘Oreo’ as the rumors about Wendy’s background were worded – especially from ___. It was based mostly on sightings of her eventual stepfather, who was White. I thought it was part of the reason some of my affluent White classmates found Wendy interesting. There were times I thought Wendy took advantage of the assumptions made about her at the same time. She was invited to their homes, occasional parties, and was a part of a circle that I called ‘the Benetton Group,’ the true cool of Humanities…

I do not think that either Wendy or Carroll were completely conscious of their desire to take advantage of the exoticism that their white classmates ascribed to them. I think that every child has a desire to be liked, and if the reason is embedded in lighter skin, or othering, or proximity to whiteness, then so be it. Even if there’s a great price to pay in one’s understanding of their identity (or lack thereof), especially later on in life. 

Carroll is extremely clear about how fractured her mirror became as she transitioned from child to teenager to young woman, courtesy of her biological white mother Tess. The kindest way to describe Tess is that she’s a piece of work. Really, I can think of few parents more emotionally and psychologically abusive than Carroll’s biological mother. It’s not like I don’t speak from the experience of having a mom hell-bent to make me and my siblings hypermasculine foot-soldiers for an anti-queer patriarchy and misogyny. Having an alcoholic father and a stepfather that beat me up a few times? I’d still take that over Carroll’s bio-mom Tess, who only saw Carroll as a sexual being or a potential one, at 10 years old, because that’s how Carroll’s bio-mom saw Black men and Latinx men, possibly even Carroll’s half siblings, too. 

Carroll’s adoptive parents weren’t much better, taking a “you’ll figure it out” approach to parenting that fell below the already low bar of GenXers being “latch-key kids” as a result of parents adulting their children at ages 6, 7, 8, and 9. None of them protected Carroll from sexual abuse, or prepared her to understand her Blackness. As Carroll wrote, they tried to “erase” her Blackness. I’d go a step further, though. The three of them attempted to make Carroll raceless, white without being white, an exotic extension of their white-bred lives.

Music of the Dystopia

25 Wednesday Nov 2020

Posted by in 1, Academia, Boy @ The Window, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, music, New York City, Politics, Pop Culture, race, Religion, Youth

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Screen shot, Silent Running (1972) poster, November 24, 2020. (https://www.imdb.com/title/tt0067756/mediaviewer/rm3505217792/).

Music has nearly always been a dreamscape from which I could envision alternative histories, sense multiple futures, uncover possible presents, feel and find my best self.

It has also been a place for revealing the naked, uncomfortable truth of humanity’s existence in real life. If one were to take the music of the late 1960s and first half of the 1970s, the R&B that clearly outlined the combination of migration, poverty, heroin addiction, the Vietnam War, police brutality, unemployment, miserly government social welfare and urban living would be one way to go. If one were to take the eclectic British and Irish pop and rock of the 1980s, those folks illuminated the connections between rising conservatism, austerity meant to cut the social safety net, and the normalization of government oppression, corruption, and infiltration into the private lives of everyday people.

It all adds up to one simple yet very scary truth. Our world, the one in which my mother birthed me, the one in which I have grown up and grown older, has always been a dystopia. That’s it. All this talk of technological innovation, of moral and philosophical advancements, of a post-World War II, West-led democratized, globalized, capitalist meritocracy is simply The Real-Life Matrix pulling the dystopian world over our deluded, narcissistic eyes. And nearly everything in the world of mainstream news and journalism, in everyday national and international politics, in formal education systems, and in every single iota of American and global popular culture.

Except in the occasional and deliberate attempts made by artists and authors to expose the underworkings of this Matrix. I have written far too much about those authors of late, from Sarah Kendzior, Mona Eltahawy, and Leta Hong Fincher to Kiese Laymon, Ta-Nehisi Coates, and Derrick Bell. Truth is, I felt and sensed this truth in music even before I had read Aldous Huxley, George Orwell, or William Faulkner’s short stories about racist White men sleeping in beds for 20 years with the dead bones of their incestuous mothers. Marvin Gaye’s “Inner City Blues {Make Me Wanna Holler),” Stevie Wonder’s “Living For The City,” and Donny Hathaway’s “The Ghetto” brought the dystopian of Black life in the US to my attention long before I knew what the prefix dys- even meant. The contrast between this and the Afrofuturism of Earth, Wind & Fire’s “Fantasy” and “Boogie Wonderland” of the late-1970s wasn’t lost on me, even though it would be nearly 15 years between these songs and my reading of Octavia Butler’s Kindred.

 

But the 1980s hit me and my family as hard and fast as a government coup in Brazil or in Trump’s version of the US. It’s wasn’t just that it was our apocalypse. It revealed that the American Dream was a nightmare for so many people. It opened up my 100 billion neurons to the possibility that there could be no American Dream, no rise of the West, no Euro-American hegemony over the world without it being a dystopia for billions of people in the US, in Europe, and around the world.

It was also the decade of the Ethiopian famine of 1983-85, “We Are The World,” Bob Geldof and Live Aid, Farm Aid, and protests for South African divestment. So it seemed normal for groups of White guys in bands to write music, play instruments, and belt out lyrics like the ones below from Mike + The Mechanics’ “Silent Running” (1985).

Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command

The post-apocalyptic movie of the same title from 1972 was apparently on Michael Rutherford (guitarist of Genesis), et al.’s minds when they decided to work on the lyrics for this song. The idea that someone from the future would communicate with their ancestors in the past to resist the forces of totalitarianism and propaganda in order to preserve the path to a better future? Boy does that sound like the stuff of Octavia Butler, Derrick Bell, Kiese Laymon, and Colson Whitehead (not to mention, Tomi Adeyemi in her Children of Blood and Bone), where ancestors and descendants can somehow have confabs in real life! All in an effort to swap ideas, to conjure up solutions before we understood the problems, to recognize that time is nonlinear, and so are we.

As a teenager who saw more than most that the Reagan Years were part of the dystopian present, and not a return to American greatness, “Silent Running” was refreshing, if also incredibly scary. I was like, if these White guys from the UK and Ireland get it, then why don’t folks in America get it? At least, the folks I saw at school and in running my errands every day.

But it wasn’t just Mike + The Mechanics. A lot of music from the 1980s and 1990s was subversive, including the more obvious Springsteen and the E Street Band’s “Born In The U.S.A.” and John Mellencamp’s “Pink Houses” to KRS-One and Boogie Down Productions, Alanis Morrisette, and The Cranberries. It was just that the less subtle, the Billboard Top 40 hits and the B-side non-hits stood out for their double-meanings. When I stripped away the male bravado, the love and the lust and the loneliness from the repertoire of rap, R&B, hip-hop, and ’80s pop I listened to, the subversive was the remainder.

In my family-level apocalypse and resistance against my stepfather, the subversive helped. In the disconnect between the normalcy of magnet-program-learning among a cabal of Benetton-commercial-wannabes, the undercurrent understanding that this fakery belied a world very much like the one in The Matrix. The lyrics, the synthesizers, the heavy guitar strums and the drum rolls meant something different to me than anyone I knew growing up could imagine.

It wasn’t just “Silent Running” for me, nor something that hit like a sledgehammer like Genesis’ “Land of Confusion” that hit the radio waves my senior year of high school. There were others. For more than a decade, there were others, including:

  • PE, “Welcome to the Terrordome“
  • Sting, “Love Is The Seventh Wave”
  • Dave Matthews Band, “Cry Freedom“
  • The Cranberries, “Zombie“
  • Peter Gabriel, “Biko” and “Shaking The Tree”
  • Des’ree, “Crazy Maze“
  • James Blake, “No Bravery”
  • Seal, “Future Love Paradise” and “People Asking Why”
  • U2, “Bullet The Blue Sky”
  • Arrested Development, “Tennessee”

In the years after I finished my doctorate, I didn’t forget these songs, and may have taken on some more obscure ones by Floetry, Coldplay, U2, Bryan Ferry, Pharcyde, The Fugees, among others, along the way. Popular music has become more vapid and craven and corporate as the leaders in our world have made their taste for a dystopia that advantages them more and more obvious. This position is probably why I can’t find a nod to the dystopian in Rihanna, Cardi B, Chance the Rapper, Rick Ross, Beyoncé, Gary Clark, Jr., or Chris Stapleton (although Solange’s and Missy’s music videos at least contain subversive and dystopian wisps).

This world is the dystopia that has always been. And those of us who talk to ourselves while speaking out at the same time have been trying to get everyone else to see it and sense it all along. I should know. I’ve been talking to myself since my week of homelessness at 18, and speaking out as the world has lurched itself toward calamity for nearly as long.

When the Black Rapture-Seeker in Your Life is a #45 Fan…

07 Tuesday Jul 2020

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Depiction of the Rapture, Evangelical-style, n.d. (Benjamin Hass via https://shutterstock.com).

What does anyone do when a loved one reveals themselves as a #45 fanboy or fangirl? This sounds like a question only White people have to answer, or one in which only a handful of Black folks must deal. Otherwise, the short answer is to kick them to the curb. “These people aren’t your friends,” after all, at least, that’s what your friends will tell you if and when this situation occurs. But one cannot simply drag family and cut them off when they do the American equivalent of “Sieg Heil!” in support of Donald J. Trump. 

I discovered that one family member has done exactly that. They didn’t vote in 2016, because they could not bring themselves to vote for Hillary. They supported the Muslim Ban in 2017, saw nothing wrong with another round of tax cuts for the wealthy and for trillion-dollar corporations, and favored closing the southern border to keep out “them Spanish people.” Of course, this loved one also calls those who are LGBTQIA+ “faggots,” “dykes,” and “things” like they’re the Cylons from Battlestar Galactica (2003-2009 edition).

Of the last seven times we’ve talked on the phone, six times we have argued. The arguments have varied from disagreements over the meaning of a particular piece of scripture to rifts over televangelists and their misogynistic, homophobic, and Apocalyptic messages. Recently, this person has gone after Gov. Andrew Cuomo and others for their uneven responses to the COVID-19 pandemic, but has refused to lay any blame Trump’s way. Another relative confirmed that this person had planned to vote for 45 in November. What a shame and a pitiful!

I honestly do not understand how anyone American Black in 2020 could think well enough of Trump to defend his three years’ worth of wannabe autocratic rule and mini-calamities. It makes no sense for any Black man, Black woman, or transgender Black person to spend time and effort voting for this disaster of a human being. Except if one is committed fully to patriarchy, to vanity, and to seeing the end of the world Revelations-style. Wanting the Rapture to come so badly as to ignore blatant systemic racism, misogynoir, and rampant discrimination against anyone not rich, hetero-, White, and male. As much as I love this family member, I do not like their politics and their worldview. By comparison, I might as well be Pollyanna.

In the post-Western world to come, millennialism should be among the first things its leaders should ban from public debate and discussion. Too many people believing in and attempting to bring on the Apocalypse because they think their God or gods will usher in a more perfect world with a more perfect humanity. As a Christian myself, it was always weird to see people so desirous of a new world order that they were willing to see billions of others die in order to see it through. Now, with a family member who has committed themselves ever increasingly to this future, I could stop talking with them. But what good would that do? This is more than a hearts-and-minds issue. This is about hearts and minds pushing policies that will bring the world the self-fulfilling prophecy of Revelations.

So, hell yeah, banning millennialism and end-of-the-world prophecies meant to spur others to push humanity and all life on the planet into actual doom would be a good thing. Because so many of us are the descendants of people who had to live through the Apocalypse, their version anyway. Indigenous people in the Western Hemisphere, in the Arctic, in Oceania, and in Australia who died at rates up to 90 percent upon first contact with disease-carrying Europeans between 1492 and 1900. The 12 million Africans kidnapped into Western-Hemispheric-slavery between 1503 and 1888. The European Jews the Nazis murdered between 1933 and 1945. For these groups and in those times, this was the end of the world, the world that they knew, the lives they hoped to have. If one has already survived an Apocalypse (small “a” or big “A”), or has known so many who haven’t, why would a prediction of a larger Apocalypse coming from people who couldn’t care less about your ass ever matter?

For those who are in the Apocalypse-as-self-fulfilling-prophecy business, their goal is to reshape the world in their own fascist, patriarchal, racist, misogynistic, homophobic, nationalistic, and capitalistic image. It’s certainly not about God’s image or the vision of anyone’s gods.

As for this family member, all I can do now is limit my already limited conversations with them. They’ve had their bags packed for the Rapture since the 1980s. I love them, but I definitely do not like them. I can only hope that they recognize that the Apocalypse in any form is never something someone should wish for themselves, or something to wish upon the world. In what remains of their time in this life, or perhaps, in their next life.

Chanukah, Christmas, My Birthdays, and No Gifting Traditions

04 Tuesday Dec 2018

Posted by in 1, Boy @ The Window, Christianity, culture, earth, wind & fire, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, My Father, Pop Culture, race, Religion, Youth

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A contemporary Candelabrum in the style of a traditional Menorah. United Kingdom, Chanukah service, December 2014. (Gil Dekel; http://www.poeticmind.co.uk; via 39james via Wikipedia). Released to public domain via CC-SA-4.0.

The truth is, the only holiday traditions I have come either from my wife or her family or were born out of my circumstances. Like making super-sweet, two-packs of Fruit Punch Kool-Aid and mixing it with either ginger ale or Sierra Mist for either Thanksgiving or Christmas. Or getting our son’s Christmas presents ready for him without him knowing the night before. Or me making some holiday/birthday cake for me and us (since my birthday is two days after Christmas). And often going to a soup kitchen, homeless shelter or other venue to give away clothes, toys, money, my time in knowing that no matter how I might feel about my life, plenty others have it much worse.

The truth is also more complicated than simple poverty. Up until my eighth birthday in ’77, my Mom and me and Darren (with either my father or my idiot stepfather) celebrated Darren’s birthday, Christmas and my birthday as separate or nearly separate events. Some of my best times growing up were those days. Then, when the hyperinflation of the late-1970s kicked in — along with a second marriage and two more mouths to feed — Christmases ’78 and ’79 consisted of a fake two-foot table tree, a new shirt or sweater and a new pair of slacks. There were no birthday celebrations for me.

Between Christmas ’80 and Christmas ’88, we didn’t even have the fake dwarf tree. Of course, four of those years we were Hebrew-Israelites. But see, there is this holiday known as Chanukah that also occurs in December, in which Torah believers celebrate the Festival of Lights with eight days of gifts and giving. But these were also the worst of our poverty-stricken years, and we could barely afford one candle for the menorah, much less eight or nine. The best gift I got those years was my idiot stepfather being out the apartment at 616 and on the prowl for other victims for his fast-talking nonsense about making money and living a godly way-of-life. I also attempted suicide on my fourteen birthday, not exactly a tradition worth repeating.

My running away in response to my Mom’s marriage to my stepfather Maurice on Saturday, December 2, 1978 was the start of eight consecutive years without an acknowledgement of my born day (that was part of my punishment for taking $16 in my and my older brother Darren’s savings with me). Even when the drought ended on Friday, December 27, 1985 (my 16th birthday), I had to get my own cake, with my idiot stepfather’s money, a Carvel ice cream cake on a cloudy 15-degree day. That and my father attempting to hook me up with a sex worker in ’86 was how my family reintroduced me to gifts during my last two Decembers before my 18th birthday. This was when and how I decided to celebrate my birthdays by making my own cakes. If I screwed up the cake, at least it was my screwup, and I’d still be able to eat my own screwup! 

But, in December ’89, we had our first Christmas at 616 with my Mom having divorced my now idiot ex-stepfather. She bought a fake full-sized tree. I bought my four younger siblings gifts big and small for the holiday. My mom even made me a Duncan Hines chocolate cake with vanilla icing for my twentieth birthday that year. We didn’t have much, but what we did that year meant so much as we moved into the 1990s.

In all of my adult Christmases, I’ve actually only done two in Pittsburgh. One was Christmas ’98. That week, perhaps the only important tradition I’ve ever been a part of began. I moved in with my then girlfriend Angelia, mostly as a cost-cutting measure, partly out of love and concern for our respective futures. We’ve been living together and celebrating the holidays ever since!

The other one was Christmas ’15, one of the worst Xmases and birthdays I’ve ever had. It included four days of my wife and son not being able to endure my now persistent snoring, even with a divided room. It included a Xmas in one of the most culturally boring-ass White towns in the US (not counting places like Indy, Cincinnati, and Buffalo, which are even more culturally White than the ‘Burgh). It included my 46th birthday-Sunday, one that began with a summer-like rain at 68ºF. The unusually warm and wet weather helped a spark plug in our Honda Element explode out of its cylinder as I started the car so that I could pick up my mother-in-law on the way to her church. The weather then immediately turned cold, as the rainstorm turned into an ice storm and temps dropped to 33 degrees by 4 pm that day. We were stuck in Pittsburgh an additional night, as we got by on Five Guys and The O that evening.

No cake, no celebration, no gifts on my first day of year 47, my first year of middle age. Just like my Hebrew-Israelite years. Someone light a candle for me!

Prom Toking

29 Monday May 2017

Posted by in 1, Boy @ The Window, culture, earth, wind & fire, Mount Vernon High School, Mount Vernon New York, My Father, Politics, Pop Culture, race, Youth

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Me at Prom Dinner, White Plains, NY, May 21, 1987. (Suzanne Johnson neè DeFeo).

I can say with absolute honesty that I have never rolled, smelled, or smoked a joint. No weed, not ever, as I approach my late forties. I have, however, gotten a contact high on at least a dozen occasions, over the past thirty years. Heck, I’ve probably been high a few times off of burnt oregano and gasoline fumes, as infrequently as I’ve exposed myself to endorphin catalysts in my life.

My first contact high happened in the vestibule of 616 East Lincoln Avenue, on the night of my senior prom, the third Thursday in May ’87. As with all things in my life at seventeen, this was unexpected, uncomfortable, and underappreciated on my part. I had just called to find out when the limousine was coming to pick me up before swinging across town to pick up the other four people with whom I was to ride. I had done myself up as well as my sinewy bean-pole ass could. With my father’s funds, I rented a well-fitting tux with a white shirt and peach cummerbund. I’d bought my friendly date Dara a white carnation, matching the once pinned on my tux jacket. My idiot stepfather tied my peach bow-tie. Unusual for me, I lotioned myself from head to toe, greased my hair down, and otherwise made sure I smelled as clean as a Carolina pine forest. Not that I usually smelled bad, but I couldn’t look like a po’ boy tonight.

It was almost 6:30 pm before I walked downstairs to wait for the limo. Right on the steps leading into the vestibule were my C-building neighbors and two guys I didn’t recognize. They were all smoking joints, and the smoke had filled a good portion of the semi-enclosed lobby leading to the front doors. My elementary school classmate Valerie was in this group, across the lap of one of the unknown young men, all as he felt up Valerie’s ass like it was his own. Part of her thong underwear was visible, as Valerie’s boyfriend gave one of her butt cheeks a good slap while she giggled. Her brother Ernie was also there, fully blazed up, apparently without a care in the world. I don’t think he went by Ernie by ’87, though. He was a low-level drug dealer at this point, and had bulked up a bit over the previous couple of years, to protect himself in his line of work, I guessed.

Screen shot from video, Mako, “Smoke Filled Room” (2015). (http://beautifulbuzzz.com).

Ernie asked me if I wanted a puff. I said, “Naw, man, I’m fine.” Him and his sister and crew just laughed like I told the funniest joke. But I knew why they were laughing. In the half-minute or so of standing around waiting for the limo, I was already high. So much so that I didn’t sound like the proper English-speaking teen I often was in public. I sounded like one of them, in slow motion even to me. A full hydro hit would’ve left me ready to do anything else other than go to the prom.

The limo arrived, and not a moment too soon. Even though I’d been in the lobby and vestibule less than two minutes, even I could smell that the weed was a bit stronger than my deodorant, lotion, and cologne combined. The one guy already in the limo with me asked if I was “okay.” I knew what he meant. “I just have a contact high, that’s all,” I responded.

I would’ve hated to admit this thirty years ago, but I needed to be a little high and a little more relaxed, and not just that prom night. It actually helped to be under the influence, even though the contact high only lasted for thirty or forty minutes. By that time, I had noticed that the non-alcoholic drinks in the back of our limo were alcoholic. My date and a couple of the guys, after they became little buzzed, asked me how I knew. I said, maybe for the first time in public, that, “I know from experience. My father’s an alcoholic.”

White Castle, 550 East Fordham Road, Bronx, NY, circa 2015. (http://zomato.com).

In between, me, my date Dara, classmates Allison and Gina, and two MVHS upperclassmen now in college, went to White Plains for the prom dinner and dance, then to Midtown for Copacabana on West 34th, and somewhere around 2 am, for the White Castle on Fordham Road in the Bronx. I didn’t get home until 3 am.

I went to the prom mostly because I didn’t want to look back at my time in high school years later and feel regret about not attending. But the fact is, other than a feigned attempt at social protest during the prom dinner, there was little particularly memorable about the event. Not the rubber chicken or overcooked salmon. Not the music or the overextended small talk. Nor should I have gone on a friendly date to the prom. I should’ve either found someone I did like to go out with, and months earlier, gone in solo, or not gone at all.

But really, the main event for me prom night occurred in the two minutes before I walked out to get into the limo. I didn’t want to smoke weed, feel up a one-time classmate, or risk years of imprisonment in New York State. But even in the midst of a living hell, sometimes it’s best to relax a little. I have five 616 folks to thank for that reminder.

Pitt Graduation Day, +25 Years, +25 Hard Truths

26 Tuesday Apr 2016

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, earth, wind & fire, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon High School, music, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Peterson Events Center (where they do all the commencements now) University of Pittsburgh, Pittsburgh, PA, circa 2008. (http://www.rosser.com/).

Peterson Events Center (where they do all the commencements now) University of Pittsburgh, Pittsburgh, PA, circa 2008. (http://www.rosser.com/).

I can’t believed that I’ve lived long enough to make a quarter-century since my end to undergrad at the University of Pittsburgh! It makes me sound old, at least to the twenty-one year-old I used to be. The one who couldn’t decide between a J.D. and an M.A./Ph.D. program. The person who worried that they would have an MA before their driver’s license. The young ‘in who believed that my advanced degree choices would define my career and life more than anything else.

That person was wise beyond his years, and yet stupid at the same time. He believed in the American meritocracy, in the triumph of hard work, talent, and a Christian faith over every obstacle. He believed that any costs incurred on the path to the MA — and later, the PhD — would be covered in the Bank of a Great Career. He believed, most of all, that professors as advisors and mentors would be there to guide his path every step of the way, the trustworthy individuals that most of them had proven themselves to be.

Me & Mark James (Cropped), Pan-African Graduate & Professional Student Association, University of Pittsburgh, February 27, 1993. (Lois Nembhard).

Me & Mark James (Cropped), Pan-African Graduate & Professional Student Association, University of Pittsburgh, February 27, 1993. (Lois Nembhard).

So much of that belief system was poisoned by the e. coli bacteria of academia and by the leaching lead pipes of American -isms. From my trials at Pitt to my tribulations with Joe Trotter, Dan Resnick, and Bruce Anthony Jones. The fact that my entire nineteen years of teaching, consulting, and nonprofit work has been cobbled together out of necessity and constantly changing circumstances, on which ground has rarely been solid. That after eighteen years and six months of payments, and I’m still a decade or so away from paying off student loans I began borrowing seventeen days after graduating from Mount Vernon High School in ’87.

If I had to talk to my twenty-one year-old self now, I’d say, get the MA in history, then get certified to teach at a high school somewhere. Spend the precious moments not in the classroom reaching high school-age students honing your craft as a writer. Jump headlong into putting down in words your experiences growing up, your times as a Hebrew-Israelite and in Humanities. Get that ms turned into a published work. Work hard at understanding the larger issues and contexts that make America the seething contradiction that it has always been, between racism and freedom, individualism and multiculturalism, social control and narcissism. Then, somewhere between the age of twenty-five and thirty, maybe, go back to school and earn that PhD in history, or in education, and take a few social psychology courses focused on personality disorders along the way.

That is the benefit of 20/10 hindsight (I’d say 20/20, but I still see most things at 20/15, and with warp speed at that!), of course. One big barrier I faced twenty-five years ago is a thorough and excoriating understanding of myself and the life I had to live. I remembered so much of my past that I never questioned the things that I’d forgotten. About abuse, physical and sexual. About deprivation, real and imagined. About people, the layers of yellow onions that most sheepishly are.

Unfortunately, I’d learn the most about what I’d forgotten in my forties, well after most people reconnect with the bitterest parts of their past (if any ever dare to). That I know what I know now is in the category of “better late than never.” Some things, though, I needed to know much sooner than 2014 or 2002. Like my discovery of my ambivalence toward academia. Not teaching or publishing per se. But the idea that I could only be taken seriously by publishing scholarly works that mostly would be read by a few dozen colleagues or when I assigned them to my students. I didn’t figure out how to make my ambivalence work for me until I was thirty-seven, and then, with me at mid-career, fighting to move forward.

Chris Farley facing a hard truth, being hit by a 2x4 in Tommy Boy (1995), April 26, 2016. (http://stream1.gifsoup.com/).

Chris Farley facing a hard truth, being hit by a 2×4 in Tommy Boy (1995), April 26, 2016. (http://stream1.gifsoup.com/).

The silver lining is, that if it weren’t for my time at Pitt, I simply wouldn’t be here to write these words at all. The pressures and pollutions of this world would’ve killed me. Or worse still, killed my inspirations and aspirations, rendering my imagination, my sense of what makes a just and wise world, dead. I’d be as bitter as a cup of Italian roast coffee mixed with vinegar and raw horseradish.

I’m sure that even among my more successful colleagues — and even more sure among my less successful ones — their journeys since the halcyon times of undergrad and even graduate school have been bittersweet. That is life. Especially in a nation in which others encourage us to have aspirations beyond the stars, a complete contradiction to that cracked concrete-reinforced reality that is America.

But even if all of the remaining highs in my career and life outnumber the lows by ten-to-one (who knows, right?), two truths are clear. One is that most people who experience any depth of success in their lives tend to remember the lulls and ruts more than their moments at the top of the mountains. Two is that without me having climbed that first mountain, the college degree mountain, I would have a story to tell, but would lack the words to tell it. I would still be living vicariously through the music of others, whether U2, Earth, Wind & Fire, Michael Jackson (RIP), Prince (RIP), or Mary J. Blige. And for me, at least, as genius as they are — alive and dead — I still need to tell my own story.

Prince, circa 2013 concert, April 26, 2016. (Ethan Miller/Getty Images).

Prince (1958-2016), circa 2013 concert, April 26, 2016. (Ethan Miller/Getty Images).

EWF, A Reminder That I Did Have a Childhood

06 Saturday Feb 2016

Posted by in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, High Rise Buildings, Mount Vernon New York, music, New York City, Pop Culture, race, Religion, Youth

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Earth, Wind & Fire's All 'N All (1977) album cover, February 6, 2016. (http://www.allmusic.com).

Earth, Wind & Fire’s All ‘N All (1977) album cover, February 6, 2016. (http://www.allmusic.com).

I’m still reeling over Maurice White. Yeah, I still have my Earth, Wind & Fire on my CDs, my iPod, my iPhone, on three laptops and a desktop. Phillip Bailey and White’s brothers-in-arts are still here. Their music will always be with me and with us. But it feels like a little piece of my relative (if not contrived) innocence from my pre-Humanities, pre-Hebrew-Israelite days died with White Wednesday night.

Here’s what I wrote about those days of deliberately-induced blissful naiveté, Earth, Wind & Fire included, in my memoir:

“For me, this boy, this tweener, an active imagination and an even more animated dream life was critical. Living in between the hustle and bustle of “The City,” — Manhattan and the other four boroughs of New York — and the relative quiet of the ritzy suburbs immediately north of it was everything and everyone I knew before the age of twelve. Just three blocks after the elevated 2 Subway line ended at East 241st Street in the Bronx was where “Mount Vernon, New York” began. From the hard concrete sidewalks and green street signs of New York to the crumbling light blue slate and dark blue signs were my only indications that I had truly left the city. This despite the claims of so many I knew that upstate New York began somewhere above 125th or 207th Street in Manhattan. I knew by the time I was twelve that, sleepy bedroom suburb or not, Mount Vernon had more features in common with the Bronx and upper Manhattan than most city folk were willing to recognize.

“My only links to the great metropolis to the south were WNBC-TV (Channel 4), Warner Wolf — with his famous “Let’s go to the video tape line — doing sports on WCBS-TV (Channel 2), and WABC-AM 77 and WBLS-FM 107.5 on the radio. I found the AM station more fun to listen to, but I also liked listening to the sign-off song WBLS played at the end of the evening, Moody’s Mood for Love, with that, ‘There I go, There I go, The-ere I go…’ start. Music had been an important part of my imagination in ’79, with acts like Earth, Wind & Fire, Christopher Cross, Billy Joel and The Commodores. Not to mention Frank Sinatra, Queen, Donna Summer and Michael Jackson’s Off The Wall album. The music also made me feel like I was as much a part of New York as I was a part of Mount Vernon. It left me thinking of the ozone and burnt rubber smell that I noticed as soon as I would walk down into the Subway system in Manhattan. But aside from my occasional slip of the tongue — ‘warda’ for ‘water’ and ‘bawwgt’ for ‘bought’ — I didn’t sound or act much like a New Yawker. Still, I discovered something about New York from afar. I could sneak up to the rooftop of my apartment building, 616 East Lincoln, a five-story complex of three connected brick buildings with Tudor-style facades and a concrete-stone foundation. I’d find the exit to the roof unlocked and see the tops of the Twin Towers floating over some low-lying clouds on an otherwise sunny day. The symbols of the greatest city on Earth seemed to float toward the heavens on those days, and me with them.

“Besides the occasional reminder of life outside of my world, of Mount Vernon, I was the center of my own universe. Mount Vernon was but a stage on which my life played out, a place I hoped would stay this way forever. I was an eleven-year-old who thought that my world was the world. I lived my life like Philip Bailey and Maurice White would’ve wanted me to. I came to see ‘victory in a life [sic] called fantasy’ as my own life, living as if my imagination and dreams could be made into reality. All I had to do was wish it so.”

Because of what I went through during the Boy @ The Window years, I had to learn to get over my idiot ex-stepfather’s abuse to continue listening to Earth, Wind & Fire between ’82 and ’89. The late Maurice Eugene Washington was a fan as well, and I didn’t want us to both like the same music. Who the heck knew what was going on in his head when he heard “Fantasy” or “After The Love Is Gone,” anyway?

All I know is, there won’t be another group like the one Maurice White founded in ’69, the year I was born. All I can do is hold on to my precious Earth, Wind & Fire music, and the imagination that it helped spark. All I can do now is hope that someone can even begin to approach the kind of ethereal and powerfully Black-and-proud mix of music that White, Bailey, et al. were able to construct for nearly a decade. One can fantasize, right?