Category Archives: earth, wind & fire

When the Black Rapture-Seeker in Your Life is a #45 Fan…

07 Tuesday Jul 2020

Posted by in 1, Boy @ The Window, Christianity, culture, earth, wind & fire, Pop Culture, Religion

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Depiction of the Rapture, Evangelical-style, n.d. (Benjamin Hass via https://shutterstock.com).

What does anyone do when a loved one reveals themselves as a #45 fanboy or fangirl? This sounds like a question only White people have to answer, or one in which only a handful of Black folks must deal. Otherwise, the short answer is to kick them to the curb. “These people aren’t your friends,” after all, at least, that’s what your friends will tell you if and when this situation occurs. But one cannot simply drag family and cut them off when they do the American equivalent of “Sieg Heil!” in support of Donald J. Trump. 

I discovered that one family member has done exactly that. They didn’t vote in 2016, because they could not bring themselves to vote for Hillary. They supported the Muslim Ban in 2017, saw nothing wrong with another round of tax cuts for the wealthy and for trillion-dollar corporations, and favored closing the southern border to keep out “them Spanish people.” Of course, this loved one also calls those who are LGBTQIA+ “faggots,” “dykes,” and “things” like they’re the Cylons from Battlestar Galactica (2003-2009 edition).

Of the last seven times we’ve talked on the phone, six times we have argued. The arguments have varied from disagreements over the meaning of a particular piece of scripture to rifts over televangelists and their misogynistic, homophobic, and Apocalyptic messages. Recently, this person has gone after Gov. Andrew Cuomo and others for their uneven responses to the COVID-19 pandemic, but has refused to lay any blame Trump’s way. Another relative confirmed that this person had planned to vote for 45 in November. What a shame and a pitiful!

I honestly do not understand how anyone American Black in 2020 could think well enough of Trump to defend his three years’ worth of wannabe autocratic rule and mini-calamities. It makes no sense for any Black man, Black woman, or transgender Black person to spend time and effort voting for this disaster of a human being. Except if one is committed fully to patriarchy, to vanity, and to seeing the end of the world Revelations-style. Wanting the Rapture to come so badly as to ignore blatant systemic racism, misogynoir, and rampant discrimination against anyone not rich, hetero-, White, and male. As much as I love this family member, I do not like their politics and their worldview. By comparison, I might as well be Pollyanna.

In the post-Western world to come, millennialism should be among the first things its leaders should ban from public debate and discussion. Too many people believing in and attempting to bring on the Apocalypse because they think their God or gods will usher in a more perfect world with a more perfect humanity. As a Christian myself, it was always weird to see people so desirous of a new world order that they were willing to see billions of others die in order to see it through. Now, with a family member who has committed themselves ever increasingly to this future, I could stop talking with them. But what good would that do? This is more than a hearts-and-minds issue. This is about hearts and minds pushing policies that will bring the world the self-fulfilling prophecy of Revelations.

So, hell yeah, banning millennialism and end-of-the-world prophecies meant to spur others to push humanity and all life on the planet into actual doom would be a good thing. Because so many of us are the descendants of people who had to live through the Apocalypse, their version anyway. Indigenous people in the Western Hemisphere, in the Arctic, in Oceania, and in Australia who died at rates up to 90 percent upon first contact with disease-carrying Europeans between 1492 and 1900. The 12 million Africans kidnapped into Western-Hemispheric-slavery between 1503 and 1888. The European Jews the Nazis murdered between 1933 and 1945. For these groups and in those times, this was the end of the world, the world that they knew, the lives they hoped to have. If one has already survived an Apocalypse (small “a” or big “A”), or has known so many who haven’t, why would a prediction of a larger Apocalypse coming from people who couldn’t care less about your ass ever matter?

For those who are in the Apocalypse-as-self-fulfilling-prophecy business, their goal is to reshape the world in their own fascist, patriarchal, racist, misogynistic, homophobic, nationalistic, and capitalistic image. It’s certainly not about God’s image or the vision of anyone’s gods.

As for this family member, all I can do now is limit my already limited conversations with them. They’ve had their bags packed for the Rapture since the 1980s. I love them, but I definitely do not like them. I can only hope that they recognize that the Apocalypse in any form is never something someone should wish for themselves, or something to wish upon the world. In what remains of their time in this life, or perhaps, in their next life.

Chanukah, Christmas, My Birthdays, and No Gifting Traditions

04 Tuesday Dec 2018

Posted by in 1, Boy @ The Window, Christianity, culture, earth, wind & fire, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, My Father, Pop Culture, race, Religion, Youth

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A contemporary Candelabrum in the style of a traditional Menorah. United Kingdom, Chanukah service, December 2014. (Gil Dekel; http://www.poeticmind.co.uk; via 39james via Wikipedia). Released to public domain via CC-SA-4.0.

The truth is, the only holiday traditions I have come either from my wife or her family or were born out of my circumstances. Like making super-sweet, two-packs of Fruit Punch Kool-Aid and mixing it with either ginger ale or Sierra Mist for either Thanksgiving or Christmas. Or getting our son’s Christmas presents ready for him without him knowing the night before. Or me making some holiday/birthday cake for me and us (since my birthday is two days after Christmas). And often going to a soup kitchen, homeless shelter or other venue to give away clothes, toys, money, my time in knowing that no matter how I might feel about my life, plenty others have it much worse.

The truth is also more complicated than simple poverty. Up until my eighth birthday in ’77, my Mom and me and Darren (with either my father or my idiot stepfather) celebrated Darren’s birthday, Christmas and my birthday as separate or nearly separate events. Some of my best times growing up were those days. Then, when the hyperinflation of the late-1970s kicked in — along with a second marriage and two more mouths to feed — Christmases ’78 and ’79 consisted of a fake two-foot table tree, a new shirt or sweater and a new pair of slacks. There were no birthday celebrations for me.

Between Christmas ’80 and Christmas ’88, we didn’t even have the fake dwarf tree. Of course, four of those years we were Hebrew-Israelites. But see, there is this holiday known as Chanukah that also occurs in December, in which Torah believers celebrate the Festival of Lights with eight days of gifts and giving. But these were also the worst of our poverty-stricken years, and we could barely afford one candle for the menorah, much less eight or nine. The best gift I got those years was my idiot stepfather being out the apartment at 616 and on the prowl for other victims for his fast-talking nonsense about making money and living a godly way-of-life. I also attempted suicide on my fourteen birthday, not exactly a tradition worth repeating.

My running away in response to my Mom’s marriage to my stepfather Maurice on Saturday, December 2, 1978 was the start of eight consecutive years without an acknowledgement of my born day (that was part of my punishment for taking $16 in my and my older brother Darren’s savings with me). Even when the drought ended on Friday, December 27, 1985 (my 16th birthday), I had to get my own cake, with my idiot stepfather’s money, a Carvel ice cream cake on a cloudy 15-degree day. That and my father attempting to hook me up with a sex worker in ’86 was how my family reintroduced me to gifts during my last two Decembers before my 18th birthday. This was when and how I decided to celebrate my birthdays by making my own cakes. If I screwed up the cake, at least it was my screwup, and I’d still be able to eat my own screwup! 

But, in December ’89, we had our first Christmas at 616 with my Mom having divorced my now idiot ex-stepfather. She bought a fake full-sized tree. I bought my four younger siblings gifts big and small for the holiday. My mom even made me a Duncan Hines chocolate cake with vanilla icing for my twentieth birthday that year. We didn’t have much, but what we did that year meant so much as we moved into the 1990s.

In all of my adult Christmases, I’ve actually only done two in Pittsburgh. One was Christmas ’98. That week, perhaps the only important tradition I’ve ever been a part of began. I moved in with my then girlfriend Angelia, mostly as a cost-cutting measure, partly out of love and concern for our respective futures. We’ve been living together and celebrating the holidays ever since!

The other one was Christmas ’15, one of the worst Xmases and birthdays I’ve ever had. It included four days of my wife and son not being able to endure my now persistent snoring, even with a divided room. It included a Xmas in one of the most culturally boring-ass White towns in the US (not counting places like Indy, Cincinnati, and Buffalo, which are even more culturally White than the ‘Burgh). It included my 46th birthday-Sunday, one that began with a summer-like rain at 68ºF. The unusually warm and wet weather helped a spark plug in our Honda Element explode out of its cylinder as I started the car so that I could pick up my mother-in-law on the way to her church. The weather then immediately turned cold, as the rainstorm turned into an ice storm and temps dropped to 33 degrees by 4 pm that day. We were stuck in Pittsburgh an additional night, as we got by on Five Guys and The O that evening.

No cake, no celebration, no gifts on my first day of year 47, my first year of middle age. Just like my Hebrew-Israelite years. Someone light a candle for me!

Prom Toking

29 Monday May 2017

Posted by in 1, Boy @ The Window, culture, earth, wind & fire, Mount Vernon High School, Mount Vernon New York, My Father, Politics, Pop Culture, race, Youth

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Me at Prom Dinner, White Plains, NY, May 21, 1987. (Suzanne Johnson neè DeFeo).

I can say with absolute honesty that I have never rolled, smelled, or smoked a joint. No weed, not ever, as I approach my late forties. I have, however, gotten a contact high on at least a dozen occasions, over the past thirty years. Heck, I’ve probably been high a few times off of burnt oregano and gasoline fumes, as infrequently as I’ve exposed myself to endorphin catalysts in my life.

My first contact high happened in the vestibule of 616 East Lincoln Avenue, on the night of my senior prom, the third Thursday in May ’87. As with all things in my life at seventeen, this was unexpected, uncomfortable, and underappreciated on my part. I had just called to find out when the limousine was coming to pick me up before swinging across town to pick up the other four people with whom I was to ride. I had done myself up as well as my sinewy bean-pole ass could. With my father’s funds, I rented a well-fitting tux with a white shirt and peach cummerbund. I’d bought my friendly date Dara a white carnation, matching the once pinned on my tux jacket. My idiot stepfather tied my peach bow-tie. Unusual for me, I lotioned myself from head to toe, greased my hair down, and otherwise made sure I smelled as clean as a Carolina pine forest. Not that I usually smelled bad, but I couldn’t look like a po’ boy tonight.

It was almost 6:30 pm before I walked downstairs to wait for the limo. Right on the steps leading into the vestibule were my C-building neighbors and two guys I didn’t recognize. They were all smoking joints, and the smoke had filled a good portion of the semi-enclosed lobby leading to the front doors. My elementary school classmate Valerie was in this group, across the lap of one of the unknown young men, all as he felt up Valerie’s ass like it was his own. Part of her thong underwear was visible, as Valerie’s boyfriend gave one of her butt cheeks a good slap while she giggled. Her brother Ernie was also there, fully blazed up, apparently without a care in the world. I don’t think he went by Ernie by ’87, though. He was a low-level drug dealer at this point, and had bulked up a bit over the previous couple of years, to protect himself in his line of work, I guessed.

Screen shot from video, Mako, “Smoke Filled Room” (2015). (http://beautifulbuzzz.com).

Ernie asked me if I wanted a puff. I said, “Naw, man, I’m fine.” Him and his sister and crew just laughed like I told the funniest joke. But I knew why they were laughing. In the half-minute or so of standing around waiting for the limo, I was already high. So much so that I didn’t sound like the proper English-speaking teen I often was in public. I sounded like one of them, in slow motion even to me. A full hydro hit would’ve left me ready to do anything else other than go to the prom.

The limo arrived, and not a moment too soon. Even though I’d been in the lobby and vestibule less than two minutes, even I could smell that the weed was a bit stronger than my deodorant, lotion, and cologne combined. The one guy already in the limo with me asked if I was “okay.” I knew what he meant. “I just have a contact high, that’s all,” I responded.

I would’ve hated to admit this thirty years ago, but I needed to be a little high and a little more relaxed, and not just that prom night. It actually helped to be under the influence, even though the contact high only lasted for thirty or forty minutes. By that time, I had noticed that the non-alcoholic drinks in the back of our limo were alcoholic. My date and a couple of the guys, after they became little buzzed, asked me how I knew. I said, maybe for the first time in public, that, “I know from experience. My father’s an alcoholic.”

White Castle, 550 East Fordham Road, Bronx, NY, circa 2015. (http://zomato.com).

In between, me, my date Dara, classmates Allison and Gina, and two MVHS upperclassmen now in college, went to White Plains for the prom dinner and dance, then to Midtown for Copacabana on West 34th, and somewhere around 2 am, for the White Castle on Fordham Road in the Bronx. I didn’t get home until 3 am.

I went to the prom mostly because I didn’t want to look back at my time in high school years later and feel regret about not attending. But the fact is, other than a feigned attempt at social protest during the prom dinner, there was little particularly memorable about the event. Not the rubber chicken or overcooked salmon. Not the music or the overextended small talk. Nor should I have gone on a friendly date to the prom. I should’ve either found someone I did like to go out with, and months earlier, gone in solo, or not gone at all.

But really, the main event for me prom night occurred in the two minutes before I walked out to get into the limo. I didn’t want to smoke weed, feel up a one-time classmate, or risk years of imprisonment in New York State. But even in the midst of a living hell, sometimes it’s best to relax a little. I have five 616 folks to thank for that reminder.

Pitt Graduation Day, +25 Years, +25 Hard Truths

26 Tuesday Apr 2016

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, earth, wind & fire, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon High School, music, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Peterson Events Center (where they do all the commencements now) University of Pittsburgh, Pittsburgh, PA, circa 2008. (http://www.rosser.com/).

Peterson Events Center (where they do all the commencements now) University of Pittsburgh, Pittsburgh, PA, circa 2008. (http://www.rosser.com/).

I can’t believed that I’ve lived long enough to make a quarter-century since my end to undergrad at the University of Pittsburgh! It makes me sound old, at least to the twenty-one year-old I used to be. The one who couldn’t decide between a J.D. and an M.A./Ph.D. program. The person who worried that they would have an MA before their driver’s license. The young ‘in who believed that my advanced degree choices would define my career and life more than anything else.

That person was wise beyond his years, and yet stupid at the same time. He believed in the American meritocracy, in the triumph of hard work, talent, and a Christian faith over every obstacle. He believed that any costs incurred on the path to the MA — and later, the PhD — would be covered in the Bank of a Great Career. He believed, most of all, that professors as advisors and mentors would be there to guide his path every step of the way, the trustworthy individuals that most of them had proven themselves to be.

Me & Mark James (Cropped), Pan-African Graduate & Professional Student Association, University of Pittsburgh, February 27, 1993. (Lois Nembhard).

Me & Mark James (Cropped), Pan-African Graduate & Professional Student Association, University of Pittsburgh, February 27, 1993. (Lois Nembhard).

So much of that belief system was poisoned by the e. coli bacteria of academia and by the leaching lead pipes of American -isms. From my trials at Pitt to my tribulations with Joe Trotter, Dan Resnick, and Bruce Anthony Jones. The fact that my entire nineteen years of teaching, consulting, and nonprofit work has been cobbled together out of necessity and constantly changing circumstances, on which ground has rarely been solid. That after eighteen years and six months of payments, and I’m still a decade or so away from paying off student loans I began borrowing seventeen days after graduating from Mount Vernon High School in ’87.

If I had to talk to my twenty-one year-old self now, I’d say, get the MA in history, then get certified to teach at a high school somewhere. Spend the precious moments not in the classroom reaching high school-age students honing your craft as a writer. Jump headlong into putting down in words your experiences growing up, your times as a Hebrew-Israelite and in Humanities. Get that ms turned into a published work. Work hard at understanding the larger issues and contexts that make America the seething contradiction that it has always been, between racism and freedom, individualism and multiculturalism, social control and narcissism. Then, somewhere between the age of twenty-five and thirty, maybe, go back to school and earn that PhD in history, or in education, and take a few social psychology courses focused on personality disorders along the way.

That is the benefit of 20/10 hindsight (I’d say 20/20, but I still see most things at 20/15, and with warp speed at that!), of course. One big barrier I faced twenty-five years ago is a thorough and excoriating understanding of myself and the life I had to live. I remembered so much of my past that I never questioned the things that I’d forgotten. About abuse, physical and sexual. About deprivation, real and imagined. About people, the layers of yellow onions that most sheepishly are.

Unfortunately, I’d learn the most about what I’d forgotten in my forties, well after most people reconnect with the bitterest parts of their past (if any ever dare to). That I know what I know now is in the category of “better late than never.” Some things, though, I needed to know much sooner than 2014 or 2002. Like my discovery of my ambivalence toward academia. Not teaching or publishing per se. But the idea that I could only be taken seriously by publishing scholarly works that mostly would be read by a few dozen colleagues or when I assigned them to my students. I didn’t figure out how to make my ambivalence work for me until I was thirty-seven, and then, with me at mid-career, fighting to move forward.

Chris Farley facing a hard truth, being hit by a 2x4 in Tommy Boy (1995), April 26, 2016. (http://stream1.gifsoup.com/).

Chris Farley facing a hard truth, being hit by a 2×4 in Tommy Boy (1995), April 26, 2016. (http://stream1.gifsoup.com/).

The silver lining is, that if it weren’t for my time at Pitt, I simply wouldn’t be here to write these words at all. The pressures and pollutions of this world would’ve killed me. Or worse still, killed my inspirations and aspirations, rendering my imagination, my sense of what makes a just and wise world, dead. I’d be as bitter as a cup of Italian roast coffee mixed with vinegar and raw horseradish.

I’m sure that even among my more successful colleagues — and even more sure among my less successful ones — their journeys since the halcyon times of undergrad and even graduate school have been bittersweet. That is life. Especially in a nation in which others encourage us to have aspirations beyond the stars, a complete contradiction to that cracked concrete-reinforced reality that is America.

But even if all of the remaining highs in my career and life outnumber the lows by ten-to-one (who knows, right?), two truths are clear. One is that most people who experience any depth of success in their lives tend to remember the lulls and ruts more than their moments at the top of the mountains. Two is that without me having climbed that first mountain, the college degree mountain, I would have a story to tell, but would lack the words to tell it. I would still be living vicariously through the music of others, whether U2, Earth, Wind & Fire, Michael Jackson (RIP), Prince (RIP), or Mary J. Blige. And for me, at least, as genius as they are — alive and dead — I still need to tell my own story.

Prince, circa 2013 concert, April 26, 2016. (Ethan Miller/Getty Images).

Prince (1958-2016), circa 2013 concert, April 26, 2016. (Ethan Miller/Getty Images).

EWF, A Reminder That I Did Have a Childhood

06 Saturday Feb 2016

Posted by in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, High Rise Buildings, Mount Vernon New York, music, New York City, Pop Culture, race, Religion, Youth

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Earth, Wind & Fire's All 'N All (1977) album cover, February 6, 2016. (http://www.allmusic.com).

Earth, Wind & Fire’s All ‘N All (1977) album cover, February 6, 2016. (http://www.allmusic.com).

I’m still reeling over Maurice White. Yeah, I still have my Earth, Wind & Fire on my CDs, my iPod, my iPhone, on three laptops and a desktop. Phillip Bailey and White’s brothers-in-arts are still here. Their music will always be with me and with us. But it feels like a little piece of my relative (if not contrived) innocence from my pre-Humanities, pre-Hebrew-Israelite days died with White Wednesday night.

Here’s what I wrote about those days of deliberately-induced blissful naiveté, Earth, Wind & Fire included, in my memoir:

“For me, this boy, this tweener, an active imagination and an even more animated dream life was critical. Living in between the hustle and bustle of “The City,” — Manhattan and the other four boroughs of New York — and the relative quiet of the ritzy suburbs immediately north of it was everything and everyone I knew before the age of twelve. Just three blocks after the elevated 2 Subway line ended at East 241st Street in the Bronx was where “Mount Vernon, New York” began. From the hard concrete sidewalks and green street signs of New York to the crumbling light blue slate and dark blue signs were my only indications that I had truly left the city. This despite the claims of so many I knew that upstate New York began somewhere above 125th or 207th Street in Manhattan. I knew by the time I was twelve that, sleepy bedroom suburb or not, Mount Vernon had more features in common with the Bronx and upper Manhattan than most city folk were willing to recognize.

“My only links to the great metropolis to the south were WNBC-TV (Channel 4), Warner Wolf — with his famous “Let’s go to the video tape line — doing sports on WCBS-TV (Channel 2), and WABC-AM 77 and WBLS-FM 107.5 on the radio. I found the AM station more fun to listen to, but I also liked listening to the sign-off song WBLS played at the end of the evening, Moody’s Mood for Love, with that, ‘There I go, There I go, The-ere I go…’ start. Music had been an important part of my imagination in ’79, with acts like Earth, Wind & Fire, Christopher Cross, Billy Joel and The Commodores. Not to mention Frank Sinatra, Queen, Donna Summer and Michael Jackson’s Off The Wall album. The music also made me feel like I was as much a part of New York as I was a part of Mount Vernon. It left me thinking of the ozone and burnt rubber smell that I noticed as soon as I would walk down into the Subway system in Manhattan. But aside from my occasional slip of the tongue — ‘warda’ for ‘water’ and ‘bawwgt’ for ‘bought’ — I didn’t sound or act much like a New Yawker. Still, I discovered something about New York from afar. I could sneak up to the rooftop of my apartment building, 616 East Lincoln, a five-story complex of three connected brick buildings with Tudor-style facades and a concrete-stone foundation. I’d find the exit to the roof unlocked and see the tops of the Twin Towers floating over some low-lying clouds on an otherwise sunny day. The symbols of the greatest city on Earth seemed to float toward the heavens on those days, and me with them.

“Besides the occasional reminder of life outside of my world, of Mount Vernon, I was the center of my own universe. Mount Vernon was but a stage on which my life played out, a place I hoped would stay this way forever. I was an eleven-year-old who thought that my world was the world. I lived my life like Philip Bailey and Maurice White would’ve wanted me to. I came to see ‘victory in a life [sic] called fantasy’ as my own life, living as if my imagination and dreams could be made into reality. All I had to do was wish it so.”

Because of what I went through during the Boy @ The Window years, I had to learn to get over my idiot ex-stepfather’s abuse to continue listening to Earth, Wind & Fire between ’82 and ’89. The late Maurice Eugene Washington was a fan as well, and I didn’t want us to both like the same music. Who the heck knew what was going on in his head when he heard “Fantasy” or “After The Love Is Gone,” anyway?

All I know is, there won’t be another group like the one Maurice White founded in ’69, the year I was born. All I can do is hold on to my precious Earth, Wind & Fire music, and the imagination that it helped spark. All I can do now is hope that someone can even begin to approach the kind of ethereal and powerfully Black-and-proud mix of music that White, Bailey, et al. were able to construct for nearly a decade. One can fantasize, right?

 

The Cold Light of Grades

05 Tuesday Jan 2016

Posted by in 1, Academia, Boy @ The Window, culture, earth, wind & fire, Eclectic, Jimme, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Pop Culture, race, University of Pittsburgh, Work, Youth

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University of Pittsburgh after a snow storm, Cathedral of Learning, downloaded January 5, 2016. (http://www.everystockphoto.com).

University of Pittsburgh after a snow storm, Cathedral of Learning, downloaded January 5, 2016. (http://www.everystockphoto.com).

Dateline, Tuesday, January 5, 2016. Exactly twenty-eight years ago on this day and date, I left Mount Vernon and New York for my second semester at the University of Pittsburgh. I sensed, but did not know, that this was a make-or-break time for me as a student and as a person. At least when that day began. I had a 5 pm Continental Airlines flight out of Newark (my last time flying out of there, thank God!), and had plenty of time to kill before catching a cab to East 241st at 2 pm to catch the 2 Subway to 42nd, the Shuttle to Grand Central, and then the Carey Bus to New Jersey.

Then the mailman arrived a bit earlier than I expected, around 12:30 pm. I’d been anticipating and dreading this moment for seventeen days, since Saturday, December 19, the morning of my last final in Pascal.

The day I was scheduled to go back to Pittsburgh was also the day I finally received my grades. I earned an easy A in Astronomy, a B- in Pascal, and a C in Honors Calc. All three of those grades I expected. The C in East Asian History was completely unexpected. My grade point average for the semester gave me a 2.63 to start my postsecondary career. That might’ve been good enough for most folks. But of course not for me. My Challenge Scholarship absolutely depended on me maintaining a minimum 3.0 average at the end of every school year in order for me to stay eligible. That was my wake up call to what I’d allowed Phyllis, and my thoughts of her and me — and of her with me — to do to me. I didn’t even give Mom the chance to see my grades.

Because I was seventeen when my first semester began, my Mom was still the responsible adult and my Mom’s address the primary address for my academic records. This was the first and last time I received my Pitt grades this way.

I was so mad. But I was more disillusioned than angry, especially with myself and my view of the world. I knew I had no margin for error this Winter/Spring semester at Pitt. I needed to raise my overall GPA to a 3.0 or higher in order to keep my academic scholarship for my sophomore year. I could barely afford Pitt as it was, between room and board and books. It wasn’t as if I could depend on Mom and my father to keep sending me money. They had sent a total of $480 my way that first semester. I was still $1,200 behind on my Pitt bill, even with student loans and me working sixteen hours a week.

The days after I got back to my dorm I spent assessing my situation and what to do about it. The first decision I made was to consolidate the funds I managed to secure at the end of December. I had General Foods cover my remaining room and board payments for the school year, increased my Stafford Loan amount for the semester, and marched down to Thackeray Hall. I waited all day to take care of my bills, get my few hundred dollars of leftover cash from all of my aid — all of which I needed for books — and registered for classes. The last part took the most time, and was the hardest to do. The low the second morning of the semester was two below zero, and the high that day was eight above. Fahrenheit, not Celsius. I stood in line outside for over an hour in that weather surrounded by two feet of snow with the occasional winds and snow drifts before getting inside at nine that morning.

But in the moments I had that week, between some quiet time for myself and in discussing my performance with two of my professors (I just couldn’t believe I earned a C in East Asian History!), I realized two or three things. One was that I over-performed, given how depressed I was the last seven weeks of the semester. I missed nearly three out of every four classes in November, and nearly forty percent of my East Asian History class during the entire semester. I went without a textbook for Honors Calc I after someone stole it from my job in the computer labs in the Cathedral of Learning at the end of October. I managed a solid C in the course anyway. It could’ve been much worse.

Two was that my East Asian History professor Ann Jannetta was right. I really was “lucky” to have managed a C in an upper-level history course my first semester of college. I still acted as if I was in Humanities at A.B. Davis Middle School or MVHS, that a C was some indication of low IQ or confirmation that Whites had bigger brains or something. Jannetta was very encouraging. It was the first time any of my professors had made me feel like I belonged in college.

The most important thing I realized, though, was that I couldn’t let anyone or anything get in the way of me bringing my A-game (or A- game, maybe) every semester and in every course. Phyllis didn’t matter. My internalized sexism or what others though of me because of their racism didn’t matter. My idiot classmates or parents didn’t matter. Heck, being hungry, cold, and short on money didn’t matter. All that mattered was my ability to do what I did best back then. Get A’s in bunches when I needed to.

Of course, all these things really did matter. I merely decided to play the game of college that semester with a combination of fear and anger, arrogance and obliviousness. To the tune of a 3.33 and the Dean’s List! Yay me!

But when that semester ended on Saturday, April 30, those demons and distractions resurfaced. Oh, the days before I spent five days homeless and weeks eating tuna fish and pork neck bones!

Copying, Lifting, and Cultural Appropriation

19 Thursday Mar 2015

Posted by in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, music, New York City, Politics, Pop Culture, race, Youth

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Pharrell Williams and Robin Thicke at the 56th Annual GRAMMY Awards, Beverly Hills, CA, January 25, 2014. (Larry Busacca/Getty Images, via http://images.musictimes.com/). Qualifies as fair use under copyright laws, via Getty Images agreement with CC-SA-3.0.

Pharrell Williams and Robin Thicke at the 56th Annual GRAMMY Awards, Beverly Hills, CA, January 25, 2014.
(Larry Busacca/Getty Images, via http://images.musictimes.com/). Qualifies as fair use under copyright laws, via Getty Images agreement with CC-SA-3.0.

I’m sure all of you have heard about the recent court decision that gave Marvin Gaye’s estate a $7.3 million award, finding that Pharrell Williams and Robin Thicke committed copyright infringement stemming from their 2012 hit single “Blurred Lines.” They lifted the melody and rhythm for their song from Marvin Gaye’s 1977 single “Got To Give It Up.” The two songs do sound similar enough, and interviews with Williams do show that he was heavily influenced by Gaye’s work. I find myself agreeing with the jury on this because of Williams’ Whiteness rhetoric about being the “new Black” last year, as well as Thicke’s constant cultural appropriation in his videos and music.

The decision, though, made me think about how much copying has gone on in music over the years. It made me think about the first time I heard Madonna, off her first self-titled album, on the airwaves in the fall of ’83. It was her first Billboard Top 40 single “Holiday.” Except that the first dozen or so times I heard it, I thought at first it was “And The Beat Goes On,” a late ’79/early ’80 disco hit from the group The Whispers.

It was the first time I realized that music artists could copy each other, or at least, have similar sounds, rhythms, tones and other musical arrangements in their songs. The lyrics were obviously different, but both “And The Beat Goes On” and “Holiday” were “forget-the-cares-of-this-world” dance-pop songs with heavy R&B influences.

I’d wondered for years whether Madonna ever gave The Whispers any formal credit for sampling their music for one of her very first tracks. I did find an answer in the Madonna (1983) album’s liner notes. Nope, not a single mention, not a word of acknowledgement. But John “Jellybean” Benitez was mentioned as producer. There’s no way in this world that he and the other folks who worked on “Holiday” didn’t know who The Whispers were or hadn’t heard their song “And The Beat Goes On.” It’s possible that Madonna herself didn’t know, but given her constant credits to the disco era, I seriously doubt that, too. Take a gander below, folks, and tell me how similar the two songs were/are:

Keep in mind, though, this was before Madonna had become “Like A Virgin” Madonna, “Material Girl” Madonna, and “Vogue” Madonna. And copying, sampling, and lifting was more acceptable in the early 1980s than it is today. Especially since at the time, neither The Whispers nor Madonna were music icons. Of course, lifting from relatively obscure Black artists to mainstream a song or music genre is nothing new. Just ask Al Jolson and Elvis Presley!

Thirteen years later, The Fugees released their big hit, “Ready Or Not” (1996). As soon as I heard it, I knew they had sampled Enya’s “Boadicea” (1987), because I’m that kind of eclectic music enthusiast. They didn’t give Enya credit in their initial liner notes, either, and hadn’t obtained permission to use her music in their song. Enya threatened to sue over this rather obvious copyright infringement, and The Fugees and Enya settled the issue out of court.

By ’96, the rules for sampling other music artists’ work had become tightened, and Enya herself was a well-known, if not iconic, new age music artist. The up-and-coming Fugees picked the wrong Irish singer to copy without permission or acknowledgement.

What does all of this mean? For starters, you should never plagiarise someone whose work is well-known. Vanilla Ice, meet Queen and David Bowie. The Verve and “Bittersweet Symphony” from ’97? Let me introduce you to The Rolling Stones!

But the “Blurred Lines” decision means much more than the message that one should steal from an unknown without a major music contract instead of stealing from Marvin Gaye. The legal decision blurs the distinction between illegal sampling and inappropriate cultural appropriation. Really, Madonna’s use of The Whisper’s “And The Beat Goes On” is just as blatant, and so was her appropriation of disco, R&B and other Black and Latino dance rhythms between ’82 and ’93. Unlike Pharrell Williams and Robin Thicke, though, Madonna’s appropriation wasn’t seen as such, at least during her first years of fame. Heck, I knew more than a few Black folk who though Madonna was either Black or biracial prior to the Like A Virgin (1984) album, likely because like me, they didn’t have cable to watch MTV ad nauseam.

I guess that Pharrell’s and Robin Thicke’s act has worn thin with the fickle public. This may well point to the larger fact that mainstream popular music and the artists that are creating today’s music are about as creatively collaborative and eclectic as a dunker in basketball with no jumpshot and no defensive skills. This isn’t your father’s White Soul, aka, Michael McDonald, Darryl Hall & John Oates, or even Kenny Loggins, working with Earth, Wind & Fire or Kool & The Gang. Today’s music artists can only do their music one way, and need “inspiration” to “create” a “new sound.” One that is too often lifted from the past, yet never placed in context, and sampled with and without permission.