Tag Archives: U2

Psalm 23 and Christian-isms I Don’t Understand

14 Friday Apr 2017

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, music, Patriotism, Politics, Pop Culture, race, Religion, Youth

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My iPod w/ U2, November 13, 2010. (Donald Earl Collins)

It’s Easter Week for 2017, and year 33 since I became a follower of Christ. I’ve written at length about my conversion and my evolution as a Christian. I’ve also posted about my problems with Christians and the way many impose — or at least, attempt to impose — their racism, sexism, misogyny, hyper-masculinity, heterosexism, homophobia, transphobia, Islamophobia, and anti-Black respectability politics on the world.

For me, it shows most American Christians to be hypocrites as best, and full of shit at worse, when it comes to following the two most basic rules of Christianity. To have “no other gods but God,” and “to do unto others as you would have others do unto you.” For most American Christians (if not Western Christians in general), money is god, Whiteness is god, and the two go together better than the chocolate and peanut butter in a Reese’s peanut butter cup. Both assert that others are but dirty pieces of gum on one’s shoe, that hatred, violence, and permanent superiority in the name of these gods supersedes following any important teaching or practice of Jesus and his disciples.

But that’s not all. After all these years, I still don’t quite get even some of the more mundane Christian practices and assumptions. The most basic one is Psalm 23. For the life of me, I don’t understand why pastors, priests, and parishioners seem to only read the psalm after a person has died. The psalm reads as:

The Lord is my shepherd; I shall not want.
He maketh me to lie down in green pastures; He leadeth me beside the still waters.
He restoreth my soul; He leadeth me in the paths of righteousness for His name’s sake.
Yea, though I walk through the valley of the shadow of death, I will fear no evil; for Thou art with me; Thy rod and Thy staff, they comfort me.
Thou preparest a table before me in the presence of mine enemies; Thou anointest my head with oil; my cup runneth over.
Surely goodness and mercy shall follow me all the days of my life; and I will dwell in the house of the Lord for ever.

The Bajoran Wormhole screenshot (or the entrance to the Celestial Temple), Star Trek DS9. June 18, 2011. (Donald Earl Collins).

It has always seemed to me that the living have needed the verses around “I shall not want,” lying down “in green pastures,” and walking “through the valley of the shadow of death” far more than the dead. No one has explained what Psalm 23 has to do with wakes and funerals to my satisfaction. The way people use Psalm 23 assumes so much about what occurs after we die — something none of us could ever fully comprehend — and completely neglects the reality that the living need rest, peace, and strength in our walk through a corrupt world. Kind of like the way many American Christians value embryos, cats, and dogs over Black and Brown babies, toddlers, and adults.

In 2005, I picked up evangelical Jim Wallis’ book God’s Politics in an attempt to expand my knowledge of the intersection between social justice activism and Christianity. Wallis’ book was supposed to be a primer on how to fight for the rights of the most vulnerable while also standing for “traditional” American Christian values. The book was a hot mess, as it did little more than insist on the right of those who weren’t Christian or following evangelical values (e.g., openly LGBT, pro-choice, womanist, and anti-racist) to exist and to be tolerated. Wallis wasn’t exactly calling for a revolution in God’s Politics. Certainly not when he insisted that many Black play “the race card” in identifying American racism in its myriad forms.

Where I stopped reading, though, was in Wallis’ description of U2 lead singer Bono’s activism and religiosity. Wallis saw Bono as someone “who has become a serious and well-informed activist,” and as a “spiritual man, though not a churchy person.” That was a back-handed compliment. But then Wallis expressed surprise to learn that Bono would get “on his knees” to pray for guidance, as this image of this rock superstar for Wallis was “humbling and heartening.” That came from pages 198-99 of God’s Politics, and that was where I stopped reading. The self-aggrandizement and name-dropping. The assumption that Bono couldn’t possibly be thinking in both social justice and Christian terms because of his profession. And the most obvious fact of all: Wallis likely had never listened to or read a single verse of a U2 song going back to the October album (1980). There are enough Christian and biblical allusions in U2’s catalog to keep most preachers in sermons for a generation. But yeah, let’s assume that anyone other than a devout evangelical Christian is living in sin or isn’t serious about combating Whiteness or poverty or any host of manmade plagues!

Religion in general isn’t the issue. Christianity at its heart is a belief system based on forgiveness, reconciliation, embracing of diverse peoples and differences, and of course, eternal salvation. What people do with religion is what they do with everything else. It can occasionally become a catalyst for spiritual freedom and social change, even revolution. But, much more often, institutionalized religion is a spiritual yoke, a way to control the way multitudes of millions see themselves and the world around them. Funny, then, that American Christianity represents everything that America is, and very little of the basic tenets of Jesus’ teachings in practice. Promoting blind patriotism, a lover’s embrace of money changers — a.k.a., capitalism, a hatred of vulnerable populations, and a tendency to racially self-segregate. This is the American way.

American Christians have let me down in so many ways. We have let our individual -isms and individualism overwhelm whatever it is that supposedly makes us Christian in the first place. If evangelicals want to look for someone to blame for America’s decline since the 1970s, they need only to stand fully unclothed in front of a full-length mirror. Maybe Bono as quoted by Wallis was right when he said that maybe “God [was] on his knees praying” for us to get it together in eradicating poverty, systemic racism, homophobia, HIV-AIDS, and climate change. Too bad most of us aren’t listening.

America Denies For Others What It Demands For Itself

16 Tuesday Aug 2016

Posted by in 1, culture, Eclectic, eclectic music, music, Patriotism, Politics, Pop Culture, race, Sports, Youth

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Screen Shot 2016-08-16 at 7.57.50 AM

Excerpt from Frank Deford, “Cheer, Cheer, Cheer For The Home Team,” Sports Illustrated, August 13, 1984, p. 38. (http://www.si.com/vault/1984/08/13/620469/cheer-cheer-cheer-for-the-home-team).

The famous and often loopy sports writer Frank Deford wrote this about America’s narcissistic display of celebration in the 1984 Summer Olympics in Los Angeles. Despite the changes in location, the change in networks, and the shifts in coverage over the years, the ability of the US to celebrate its greatness as if the nation was an underdog every four years knows no bounds. Americans moralize, spin stories of wholesome athletes, and frame the games as if the rest of the world is a bunch of losers. Chuck a few words like “The Soviets,” “2.5 billion,” and “Rick Carey,” and substitute “The Chinese,” “5 billion,” and “Lilly King” or “Michael Phelps.” That, and the locale being Rio de Janeiro, are the main differences.

The late Barbara Billingsley as June Cleaver in Leave It To Beaver, October 17, 2010. (http://www.digitaljournal.com/article/299042).

The late Barbara Billingsley as June Cleaver in Leave It To Beaver, October 17, 2010. (http://www.digitaljournal.com/article/299042).

NBC’s coverage has been narcissistic jingoism to the extreme. If you want to see Olympians from other countries who competed but didn’t win gold — or Olympians who won gold but don’t speak English — you can pretty much forget about seeing them on NBC. BBC News has provided more of this global coverage, even in the midst of its British/British Commonwealth bias. NBC can say that it’s giving Americans what they want. Really? Primetime coverage on the mothership and spotty and often tape-delayed coverage on its other channels, with a few clips online? Wow, Americans must only care about America so much that they are willing to miss hours of inspirational stories and exemplary athletic performances. Yet apparently Americans do want the dozens of mentions of Maya DiRado’s recent marriage and new house in Atlanta, where she’ll apparently settle down like June Cleaver after The Games. That, and that most Americans expect to win, like the way L.A. Lakers fans have been at home games assuming twenty-point blowouts night after night for the better part of 60 years.

This isn’t to say that Americans haven’t achieved greatness during the Rio Games. Michael Phelps, Katie Ledecky, Lilly King, Maya DiRado, Simone Biles, Simone Manuel, Laurie Hernandez, Michelle Carter, Ibtihaj Muhammad, Aly Raisman, Gabby Douglas, Corey Cogdell-Unrein, Allyson Felix, among so many others, have had great, even historic, times. Yet Americans celebrated Ledecky’s 11-second win in the 800m final as if it was preordained magic and proof of American imperial superiority at the same time. Swimming is a resources-dependent sport, requiring Olympic-sized pools, investments in coaching, and thousands of hours of training. That Ledecky won by such a huge margin isn’t just an indication of superior athletic talent and training. It’s a reflection of a serious financial commitment by parents and public/private funds from the richest nation in the world to making gold medals in swimming a priority. It’s an example of haves versus have-nots, an unfairness baked into the cake of the Social Darwinist modern Olympics from the time they began in 1896.

Rich vs. Poor cartoon, John Darkow, September 18, 2011. (http://www.columbiatribune.com).

Rich vs. Poor cartoon, John Darkow, September 18, 2011. (http://www.columbiatribune.com).

Lilly King and others have moralized about their achievements being done without the enhancements of PEDs. As if American athletes are always clean. As if American Olympians haven’t been caught doping in the recent past. As if the advantages of living in a wealthy nation committed to winning above all else doesn’t translate into maximizing athletic talents in every Olympic sport. King’s bravado might have been seen as cute or wonderful by some, especially over her Russian competitor Yuliya Efimova. But it’s no different from Donald Trump bragging about how much money he has to a room full of ex-cons who served time for shop lifting or stealing a few dollars.

There’s a racial component to all of this as well. It’s okay for wholesome folks like Phelps to make Chad Le Clos look stupid, or for King to moralize about doping. Not so much in the Black-dominated track and field, or in men’s basketball, or for Blacks in swimming and gymnastics. There, Americans not only expect their Olympians to win. They expect them to know their place, not discuss race, and have their hand over their heart when the National Anthem’s playing.

U2 in “Crumbs From Your Table” (2004) asked the question — in regard to rich countries like the US — “Would you deny for others what you demand for yourself?” In the case of the US, the answer is, “U-S-A! U-S-A! U-S-A!,” or “Y-E-S! Y-E-S! Y-E-S!” Americans already do it to each other, through racism, misogyny, homophobia, xenophobia, and plutocracy. Why would it be different for the US regarding the rest of the world?

Pitt Graduation Day, +25 Years, +25 Hard Truths

26 Tuesday Apr 2016

Posted by in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, earth, wind & fire, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon High School, music, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Peterson Events Center (where they do all the commencements now) University of Pittsburgh, Pittsburgh, PA, circa 2008. (http://www.rosser.com/).

Peterson Events Center (where they do all the commencements now) University of Pittsburgh, Pittsburgh, PA, circa 2008. (http://www.rosser.com/).

I can’t believed that I’ve lived long enough to make a quarter-century since my end to undergrad at the University of Pittsburgh! It makes me sound old, at least to the twenty-one year-old I used to be. The one who couldn’t decide between a J.D. and an M.A./Ph.D. program. The person who worried that they would have an MA before their driver’s license. The young ‘in who believed that my advanced degree choices would define my career and life more than anything else.

That person was wise beyond his years, and yet stupid at the same time. He believed in the American meritocracy, in the triumph of hard work, talent, and a Christian faith over every obstacle. He believed that any costs incurred on the path to the MA — and later, the PhD — would be covered in the Bank of a Great Career. He believed, most of all, that professors as advisors and mentors would be there to guide his path every step of the way, the trustworthy individuals that most of them had proven themselves to be.

Me & Mark James (Cropped), Pan-African Graduate & Professional Student Association, University of Pittsburgh, February 27, 1993. (Lois Nembhard).

Me & Mark James (Cropped), Pan-African Graduate & Professional Student Association, University of Pittsburgh, February 27, 1993. (Lois Nembhard).

So much of that belief system was poisoned by the e. coli bacteria of academia and by the leaching lead pipes of American -isms. From my trials at Pitt to my tribulations with Joe Trotter, Dan Resnick, and Bruce Anthony Jones. The fact that my entire nineteen years of teaching, consulting, and nonprofit work has been cobbled together out of necessity and constantly changing circumstances, on which ground has rarely been solid. That after eighteen years and six months of payments, and I’m still a decade or so away from paying off student loans I began borrowing seventeen days after graduating from Mount Vernon High School in ’87.

If I had to talk to my twenty-one year-old self now, I’d say, get the MA in history, then get certified to teach at a high school somewhere. Spend the precious moments not in the classroom reaching high school-age students honing your craft as a writer. Jump headlong into putting down in words your experiences growing up, your times as a Hebrew-Israelite and in Humanities. Get that ms turned into a published work. Work hard at understanding the larger issues and contexts that make America the seething contradiction that it has always been, between racism and freedom, individualism and multiculturalism, social control and narcissism. Then, somewhere between the age of twenty-five and thirty, maybe, go back to school and earn that PhD in history, or in education, and take a few social psychology courses focused on personality disorders along the way.

That is the benefit of 20/10 hindsight (I’d say 20/20, but I still see most things at 20/15, and with warp speed at that!), of course. One big barrier I faced twenty-five years ago is a thorough and excoriating understanding of myself and the life I had to live. I remembered so much of my past that I never questioned the things that I’d forgotten. About abuse, physical and sexual. About deprivation, real and imagined. About people, the layers of yellow onions that most sheepishly are.

Unfortunately, I’d learn the most about what I’d forgotten in my forties, well after most people reconnect with the bitterest parts of their past (if any ever dare to). That I know what I know now is in the category of “better late than never.” Some things, though, I needed to know much sooner than 2014 or 2002. Like my discovery of my ambivalence toward academia. Not teaching or publishing per se. But the idea that I could only be taken seriously by publishing scholarly works that mostly would be read by a few dozen colleagues or when I assigned them to my students. I didn’t figure out how to make my ambivalence work for me until I was thirty-seven, and then, with me at mid-career, fighting to move forward.

Chris Farley facing a hard truth, being hit by a 2x4 in Tommy Boy (1995), April 26, 2016. (http://stream1.gifsoup.com/).

Chris Farley facing a hard truth, being hit by a 2×4 in Tommy Boy (1995), April 26, 2016. (http://stream1.gifsoup.com/).

The silver lining is, that if it weren’t for my time at Pitt, I simply wouldn’t be here to write these words at all. The pressures and pollutions of this world would’ve killed me. Or worse still, killed my inspirations and aspirations, rendering my imagination, my sense of what makes a just and wise world, dead. I’d be as bitter as a cup of Italian roast coffee mixed with vinegar and raw horseradish.

I’m sure that even among my more successful colleagues — and even more sure among my less successful ones — their journeys since the halcyon times of undergrad and even graduate school have been bittersweet. That is life. Especially in a nation in which others encourage us to have aspirations beyond the stars, a complete contradiction to that cracked concrete-reinforced reality that is America.

But even if all of the remaining highs in my career and life outnumber the lows by ten-to-one (who knows, right?), two truths are clear. One is that most people who experience any depth of success in their lives tend to remember the lulls and ruts more than their moments at the top of the mountains. Two is that without me having climbed that first mountain, the college degree mountain, I would have a story to tell, but would lack the words to tell it. I would still be living vicariously through the music of others, whether U2, Earth, Wind & Fire, Michael Jackson (RIP), Prince (RIP), or Mary J. Blige. And for me, at least, as genius as they are — alive and dead — I still need to tell my own story.

Prince, circa 2013 concert, April 26, 2016. (Ethan Miller/Getty Images).

Prince (1958-2016), circa 2013 concert, April 26, 2016. (Ethan Miller/Getty Images).

Aside

Ode to Tiger Woods

17 Friday Jul 2015

Posted by in 1, culture, Eclectic, eclectic music, My Father, Politics, Pop Culture, race, Sports, Youth

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Gray Tiger Woods "TW" cap 2014, July 17, 2015. (http://ebay.com).

Gray Nike Tiger Woods “TW” cap 2014, July 17, 2015. (http://ebay.com).

Okay. So my wife calls me “the last true Tiger Woods fan” in her tweets about me watching Tiger struggle mightily to find his authentic swing and rhythm again, a process that supposedly was over in 2013 (when Tiger won five tournaments). But since the calendar flipped to 2014, Tiger may well be angrily muttering to himself, “Where have you f**ing gone, Eldrick ‘Tiger’ Woods?” All as he spends yet another week looking for balls in bunkers and hazards, hooking and slicing driver and 3-wood like he’s working on differential mathematics for NASA’s next deep space probe.

The loop water near the 1st green at St. Andrews' Old Course, (where Tiger put his second shot of his 1st round), Scotland, UK, July 16, 2015. (http://golfdigest.com).

The loop water near the 1st green at St. Andrews’ Old Course, (where Tiger put his second shot of his 1st round), Scotland, UK, July 17, 2015. (http://golfdigest.com).

For years I have thoroughly enjoyed watching Tiger’s dominance in a sport dominated by Whites and Whiteness. I have used and sang stock phrases and songs whenever Tiger’s competitors (e.g., Phil Mickelson, Luke Donald, Bubba Watson, Sergio Garcia, ad infinitum) have found the drink, deep grass, impassable fescue, and have gotten the yips with two-and-a-half-foot putts to tie or take the lead at a major. Watching Tiger play like he’s fifteen years older and ready for the Champions Tour right now is like, well, watching any other professional golfer play.

I’m sure Tiger will find his swing and rhythm — eventually. I’m sure, though, that I’ll only see flashes of dominance even when he does. In the meantime, like every other golfer, Tiger gets the silly golfer treatments I’ve been giving to everyone else since 1989. Today’s cut day at The Open Championship, and Tiger’s got me “hangin’ on the cut line” (thanks, Loose Ends, for lending me your song in my thoughts) — “like waitin’ on the bus, I’m waitin’ on you.”

But that’s not all for musical silliness and golf. Here’s some other smash hits Tiger has become well acquainted with in the past five years:

Sade — “You gave me the hook and slice/Hook and slice” (really, “Kiss of Life”)

Pat Benatar — “Par is for Children” (in your case, exactly like “Hell is for Children”)

Billy Idol — “Bogey, bogey, double bogey, triple bogey…” (derivative of “Mony Mony,” but not the 1968 Tommy James and the Shondells’ version)

Grace Jones — “Pull up to the bunker, baby/with driver in between, ooh, ooh” (yeah, I went there)

U2 — “I still haven’t found (a good golf swing)” (self-explanatory)

The Supremes — “Ooh baby, baby, where is my ‘A-game’?” (self-explanatory)

Thompson Twins — “Driver! Driver!/Can’t you see I’m hurting, hurting…”

That’s the extent to which I’m willing to call Tiger “just another guy” (in reference to Isiah Thomas’ ill-conceived comments on Larry Bird in 1987). Because I’m still a fan after all. Seriously. I think that U2’s “Stuck In A Moment You Can’t Get Out Of” is most appropriate for breaking out of a slump, and not wallowing in one (I should know — I’ve faced a few slumps of my own). The last six lines are most appropriate:

And if the night runs over
And if the day won’t last
And if your way should falter
Along this stony pass

It’s just a moment
This time will pass

 

Aside

American Narcissism, or, “Smiling, Crying, and Celebrity”

10 Friday Jul 2015

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South Carolina Representative Jenny Horne (Republican) speaking on floor of House chamber, Columbia, SC, July 8, 2015. (http://www.slate.com via C-SPAN3).

South Carolina Representative Jenny Horne (Republican) speaking on floor of House chamber, Columbia, SC, July 8, 2015. (http://www.slate.com via C-SPAN3).

There are so many examples of the US as a nation of narcissists that when I step outside of my own narcissism, it literally leaves me with vertigo. I can see narcissism everywhere. In how Americans drive, as if they’re the only car on the road in bumper-to-bumper traffic. I see it in how people walk on sidewalks, as if no one else will ever need space to walk in the opposite direction, or as if everyone wants to walk at a slow, plodding pace. I see it in how we reacted to even minor criticism, as if the comment “this needs revision” equals “you’re a lazy, untalented hack of a writer,” and deserves a response equally personal and nasty.

From U2's "Original Of The Species" (2005) video, from How To Dismantle An Atomic Bomb (2004) album, July 9, 2015. (http://youtube.com).

From U2’s “Original Of The Species” (2005) video, from How To Dismantle An Atomic Bomb (2004) album, July 9, 2015. (http://youtube.com).

One of the better demonstrations of narcissism American style is through our popular culture. From Frank Sinatra to Rick Ross, Mae West to Nicki Minaj, we have a century’s worth of pop culture divas as examples of narcissism at the level of prominent American individuals. The narcissism is so normal that we have benign terms for it, like “self-promotion” or “self-love.” People, especially in the pop culture world, should promote and love themselves, of course. But at what point is narcissism a self-defeating process of “me as triumphant,” “me as the center of the universe,” “me for everyone to like/love more and more?”

A clear-cut example of art imitating life imitating art for me around narcissism would be a Star Trek: TOS (The Original Series) episode. Season 1, Episode 2, September 15, 1966, was the airing of the “Charlie X” episode on NBC. It was the one in which a seventeen-year-old who had been stranded on an alien planet since the age of three was taken up to the Enterprise by a transport ship. Once on the Enterprise, the teenager displayed both petulance and his toolbox of god-like powers, hurting crew members or making them disappear at a whim. All because they either unknowingly insulted him or made him jealous in some way. As one story line summary for the episode reads, “Captain Kirk must learn the limits to the power of a 17-year-old boy with the psychic ability to create anything and destroy anyone.”

Charlie Evans, played by Robert Walker, Jr., Star Trek TOS, Season 1, Episode 2, September 15, 1966. (https://thesouloftheplot.files.wordpress.com/).

Charlie Evans, played by Robert Walker, Jr., Star Trek TOS, Season 1, Episode 2, September 15, 1966. (https://thesouloftheplot.files.wordpress.com/).

The Charlie Evans character became fixated on a female crew member — consistently called “a girl” in 1966 (that wasn’t acceptable even back then) — in one Yeoman Janice Rand. Charlie’s obsession with having her, his dislike for criticism and being told what to do, his inability to check his emotions, his destructive responses, were all based on his needs from moment to moment. Every potential slight, every action that he couldn’t control led Charlie to do some damning things. With his thoughts, Charlie took away Lt. Uhura’s voice, broke Spock’s legs, blinded another crew member, took away one woman’s face, aged another woman, and made one other woman disappear. When Charlie couldn’t win at chess, he melted the chess pieces. “I can make you all go away! Any time I want to!,” Charlie exclaimed at one point in the episode.

Within a scene or two, just before the episode’s climax, Kirk finally said, “Charlie, there are a million things in this universe you can have and a million things you can’t have. It’s no fun facing that, but that’s the way things are.” This was when Charlie was on the verge of taking over the ship and possibly wiping out the Enterprise‘s crew. But then, the Thasians came (the aliens who’d given Charlie his powers in the first place) with their own starship to take Charlie in as one of their own. “We gave him [Charlie] the power so he could live. He will use it – always. And he will destroy you, or, you will be forced to destroy him,” the face of the Thasians said. Then, the Thasians disappeared Charlie to their starship, with Charlie’s final words, “I wanna stay… stay… stay… stay… sta…” lingering on the Enterprise‘s bridge.

Defaced woman, Star Trek TOS, Season 1, Episode 2, September 15, 1966. (http://goodcomics.comicbookresources.com/).

Defaced woman, Star Trek TOS, Season 1, Episode 2, September 15, 1966. (http://goodcomics.comicbookresources.com/).

If this episode doesn’t serve as a metaphor for America as a nation and Americans as 320 million individuals with varying levels of narcissism, I don’t know what does. America has always declared itself at the center of the world, centuries before it became a world superpower. Any affront — real or perceived — has often led to skirmishes and wars, embargoes and removals. America’s relatively short history includes Indian wars, Barbary pirates, the War of 1812, the American Revolution, Manifest Destiny and the Mexican-American War, the Monroe Doctrine, Banana Republics and Cuba, Manuel Noriega and Panama, Beirut and Grenada. The central theme of American history and foreign policy has been to self-aggrandize, to settle scores, to challenge other countries to duels, to take advantage of those in the most vulnerable places in the US and around the globe.

So too has narcissism been a part of ordinary Americans’ lives. Just watch a rerun of Kitchen Nightmares on BBC America or on FOX. Any criticism delivered by soccer coach-chef Gordon Ramsey is received about the same way as a toddler reacts when their favorite toy goes missing. Taunts, tantrums, threats, gnashing of teeth, juvenile guilt and despair.

And, for a moment, there may even be a haunting realization that your intellect and experiences aren’t at the center of the universe. But just for a moment. After all, there aren’t any Thasians to check and balance America’s narcissism. Still, narcissism has a way of using up people and nations. Maybe in a hundred years, maybe in 500, but some time in the future, historians will write about American narcissism the same way many historians write about the gross inequalities of an over-glorified ancient Rome.

The Great “Original Sin” Debate

03 Wednesday Oct 2012

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Obama-McCain Third Debate (post-debate picture), Hofstra University, Hempstead, NY, October 15, 2008. (Jim Bourg/Reuters).

We’ve finally meandered our way into the presidential debate cycle portion of our Election ’12 cycle. I’m grateful to finally see what the media has built up to be a match between the Pittsburgh Steelers and the New York Giants! Not really, of course. But from standpoint of political reporters and pundits alike, tonight’s first debate between President Barack Obama and Mitt Romney might as well be a sports event.

In the end, though, this isn’t as much a presidential debate as it is a personality contest with questions and psychologists’ interpretations of nonverbal communication. It will be more hype than substance, more stiff than an overbaked souffle. One of the men — most likely President Obama — will win this first debate, though it won’t be clear how significant this “win” will be, given the trends for the past couple of months.

Professor Wendy Goldman, Carnegie Mellon University, circa 2012, October 3, 2012. (http://www.history.cmu.edu).

I am reminded of another debate, one that occurred in my Comparative Working-Class Formation graduate seminar at Carnegie Mellon University in the fall of ’93. It was taught by Professor Wendy Goldman, wife of Marcus Rediker, both decidedly Marxist, but in Goldman’s case, Marxist without any considerations of race at all. It was a course that turned into a debate because I’d already grown tired of professors at Pitt who believed race and gender to be identities subsumed under the long, hard human battle over class inequality (see my post “Dairy Queens, Dick Oestreicher and Race” from February ’11).

All semester-long, there had been a three-way tug-of-war between me (and occasionally, my former Pitt grad school colleague who decided to hop across the bridge to Carnegie Mellon to take this course), ten brown-nosing students who’d agree with her despite the evidence (led by Mike and Mark, the “M&M Boys,” as I labeled them for my friends and colleagues) and Goldman. I didn’t expect my now fellow Carnegie Mellon grad students to take my side. But I did expect them to read E.P. Thompson and Sean Wilentz and other folks with a critical eye and not just to get an A out of our professor. There may have been one or two other classes I dreaded more in three years of grad school. Yet I’d never been around a professor more unaware of their own biases than Goldman (see my “Crying Over E.P. Thompson” post from September ’09).

It all came to a head when it was time to discuss David Roediger’s Wages of Whiteness (1991) and, indirectly, Sean Wilentz’s Chants Democratic (1984) on the last Thursday in October ’93, which happened to be my mother’s forty-sixth birthday. Both authors looked at the formation of the White American (and male) working-class in the first half of the nineteenth century. Goldman, as usual, took the stance that the only ideology of significance was one that proclaimed class inequalities the predominant issue explaining the radicalization of the American working-class.

Michelangelo’s sin of Adam and Eve painting, Sistine Chapel ceiling, Vatican City (1508-1512), May 20, 2005. (The Yorck Project via Wikipedia). In public domain.

Finding this a bit laughable (a mistake on my part), I pressed my argument that at least in the case of US history, race and class distinctions have been and remain intertwined. So much so that a typical neo-Marxist analysis of the American working-class couldn’t apply. The next two hours were me and my Pitt colleague against the M&M Boys, the other brown-nosers and Professor Goldman. Luckily in my case, I could not only quote Roediger and Wilentz, but Herbert Gutmann, W.E.B. Du Bois, and a host of other scholars to press home my counterargument. At the end, our professor said to me, in utter exasperation, “I guess we should just go back to original sin.” It meant that I was being a racial determinist, which I guess was supposed to be an insult as well as her version of “No mas, no mas!”

Aside from the fact that America’s “original sin” really was the taking of Native American lands and the systemic destruction of Native American peoples and culture, I really didn’t have much of a response to Goldman’s excited utterance. I finished my argument with a final volley that included Du Bois’ Black Reconstruction (1935) and Roediger, and class adjourned sooner thereafter.

My brown-nosing classmates looked pretty beat from the class session, while me and my colleague from Pitt were both energized from the three-hour class. Still, we couldn’t help but discuss Goldman’s Moment of Surrender at the end of the class. Of course we knew what her “original sin” comment meant when it came to race and slavery. The comment, though, seemed small and petty coming from a professor, one that was too personal, and not professional.

Still, the worst thing I learned is that it took Roediger’s Wages of Whiteness to confirm ideas that Du Bois had begun writing about in 1903 and 1935. That, for me, made me apprehensive about wanting to work with scholars who may well see me and my work as well-intentioned, but inferior to theirs. At the same time, I learned that, for better and for worse, that not going along to get along can be a good thing, especially after years of ridicule from people of all stripes for doing so.

My “original sin” of not going along with whatever Goldman said forced a debate, one of the more exciting times I had in grad school, certainly at Carnegie Mellon. How could that be bad?

Summer of Sound

05 Sunday Aug 2012

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, Movies, music, New York City, Pop Culture, race, Work, Youth

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Mary J. Blige’s What’s the 411? (1992) CD cover, August 5, 2012. (Donald Earl Collins).

One of the few great things for me about being back in Mount Vernon and New York City the summer of ’92 was that I was ahead of the slow pop cultural curve that was Pittsburgh two decades ago (although it’s still slow — just not as slow as it used to be). For one last summer, despite the turmoil of kids and my mother treating me like I was one (see my post “The Last 616 Summer” from June ’12) and the constant chaos at my job (see my “Working With Wackos, Part I” post from July ’12), I had access to all the immediate in music, movies and other forms of culture, pop or otherwise.

This was truly the summer that my tastes turned from randomly weird to eclectic. To think that just five years earlier, early Whitney Houston, Thompson Twins, Glass Tiger and ABC were all part of my regular cassette rotation for my Walkman! My tastes had grown up to the point where music had to have a mood or rhythm to it. It no longer needed to be quirky or silly in order to put me in a quirky or silly mood.

But those weren’t the only emotions available to me by the summer of ’92. I could actually feel sexy, romantic, generous, loving, caring, and not just angry, depressed and goofy in my normal life. A half-decade away from the crushing life of strife at 616 and in Mount Vernon, high school, Humanities and in general, had something to do with that. Dating off and on had brought others into my life, which meant that Crush #1 and Crush #2 had become somewhat repressed memories. The bottom line was, I no longer needed music or pop culture to block out the daily emotional pain that had been my life in the ’80s.

And that opened me up to new and more eclectic (if still occasionally goofy experiences) music experiences that year and summer. I became a big Jon Secada fan that summer (see my “Otro Dia Mas Sin Verte” post from August ’09), both in English and en Espanol. I was so glad he branched off from Gloria Estefan, as I’d had it with the Miami Sound Machine’s sound years ago.

I also became enthralled a bit with jazz and what we now call smooth jazz that summer, between Grover Washington, Jr., Ronny Jordan’s “After Hours”, John Coltrane, even some Miles Davis (who I did appreciate, but never quite understood). I had friend at Pitt who had exposed me to jazz over the previous five years, but it took graduate school for me to finally fully appreciate it. It also took working in an office with a woman who played all kinds of music all the time for me to actually go out and buy their stuff on CDs.

Boyz II Men’s “End Of The Road” (1992) singles cover, May 19, 2009. (Undermedveten via Wikipedia). Qualifies as fair use under US Copyright laws (low resolution picture).

The expansion of hip-hop and rap twenty summers ago to include new and fresh sounds ended up having an impact on my own music collection as well. Mary J. Blige’s What’s The 411? hit the stores and her songs the NYC-area airwaves that July and August, so raw and so new that even I the late-bloomer noticed. And who could forget Boyz II Men’s “End Of The Road.” I heard that song at least eight times a day nearly every day between the end of June and the middle of August, especially at my Mount Vernon Clinic job. I guess if I’d been divorced or in a bad relationship, I would’ve appreciated it more. As it was, any thought of buying Boyz II Men’s second album disappeared by the beginning of August. The same was true for me regarding Jodeci, the hip-hop screechers and beggars from the Upper South. They were like nails on chalkboard to me then.

Still, I incorporated music more typical of my earlier tastes into my collection that summer as well. Mariah Carey’s “I Don’t Wanna Cry” became the song I went to every time my sister Sarai started whining about me telling her to do chores at 616. Sounds of Blackness’ “Optimistic,” I discovered that summer (one summer after its release). U2’s Achtung Baby, Garth Brooks’ “The Thunder Rolls” and Michael Jackson’s “Remember The Time” rounded out my catching up to the current that summer, while Annie Lennox’s “Walking On Broken Glass” was, new, silly and serious at the same time.

There have been other times, other summer in which my tastes have taken leaps forward. I must admit, this has usually occurred after great pain or after having recovered from a major trial in my life. The summer of ’92, though, was a transition summer for me, from having to act like an adult due to stressful circumstances to just being an adult because I actually was.