• About Me
  • Other Writings
  • Interview Clips
  • All About Me: American Racism, American Narcissism, and the Conversation America Can’t Have
  • Video Clips
  • Boy @ The Window Pictures
  • Boy @ The Window Theme Music

Notes from a Boy @ The Window

~

Notes from a Boy @ The Window

Tag Archives: Music

Was I Really In Love In 7th Grade?

03 Saturday Mar 2012

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, Pop Culture, Sports, Youth

≈ Leave a comment

Tags

7S, A.B. Davis Middle School, Coldplay, Crush #1, First Love, Humanities, Love, Mount Vernon New York, Muse, Music, New York Giants, Patrick Ewing, U2


Tomorrow will mark thirty years since I began an emotional journey the likes of which I’ve only approximated maybe three other times since. In the three decades since, I’ve learned that I was actually in love for the first time. Not just a crush, or puppy love, or some preteen infatuation. Love, actually and truly. But as a person of deep thought, a boy surrounded by sexism and misogyny, and a lonely and semi-ostracized twelve-year-old, I didn’t have the thoughts, much less the words, to describe what I felt between March 4 and May 30 of ’82 (see my “On Women and Wired Weirdness” post from March ’11).

To think that this all pretty much started because I picked a fight with Crush #1 at the end of class on the first Thursday in March in 7S. Almost all of my extracurricular incidents that year began or ended in our homeroom with our homeroom/English teacher Mrs. Sesay. The incident began because Crush #1 asked a question about a subject that Mrs. Sesay had spent the entire week going over, a concept that Sesay would test us on that Friday. I laughed out loud — thinking that I was only snickering — after Crush #1 asked that question.

Thinking nothing of it, I began to pack up after the 2:15 pm bell rang. Crush #1 came up to me and pushed me from behind.

“You’re an ugly, arrogant asshole!” she said with the distaste of a ballerina being asked for money by a junkie.

I called her “stupid” and then said something else stupid. “You’re an idiot!,” Crush #1 yelled as she threw two punches into my chest and a third at my jaw.

The fight lasted about fifteen or twenty seconds, but after landing a punch on her left boob and nipple, I stopped fighting, already descending into the land of the idiot romantic, as in The Doobie Brothers “What A Fool Believes” (1979). All while Crush #1 kept hitting me, then being pulled away from me by a couple of her friends. One of them, the recently deceased Brandie Weston, called me a “pervert” as they exited the classroom.

I know that I wasn’t the first boy in history to start a fight with a girl who I’d come to like or love, but I do think that boys who do that have a lot of weird in them. Mind you, I hadn’t quite hit puberty yet, so my testosterone levels weren’t high enough yet to be the cause of my brain malfunction. No, my very sexism and her fierce sense of tomboyish feminism was why I liked her in the first place, and I drank deep from that well for the next three months.

I’ve had thirty years to reflect on this incident and the three months of school-day dreaming that followed. There are only a handful of childhood memories I’ve thought about more. For years, though, I’d packed my emotions away. Through high school and Crush #1’s first dating experiences, through my own high school and 616 trials and tribulations, through college and graduate school and my years of dating and then marriage to my wife of twelve years.

Then, as I began work on Boy @ The Window six years ago, I opened up that dusty box of memories and emotions, to find them almost as strange at thirty-six as they had been at twelve. But unlike in ’82, I shared it with a bunch of friends, and especially my wife. After telling the story of me and Crush #1, my wife said, she was my “first love. It doesn’t matter if she didn’t reciprocate.” Or, for that matter, if she didn’t know. It was the first time it dawned on me that I really had fallen in love before I’d learned how to love. Wow.

It explained why after so many years, through all of my ups and downs, and despite the love I do feel, have and show to family and friends in my life, that Crush #1 would show up in my dreams. It helped me understand why I found few girls, young women and women attractive prior to going to college, and even then, they didn’t compare. It also let me know that a feeling like that can’t die, doesn’t die. If anything, it allows room for more love, and more understanding for how to love in the process.

The video above is about the best way I can express what I felt in ’82, without the complete sappiness of an incurable romantic, or worse yet, a tragic one. Like Professor Snape (as played by Alan Rickman) in the Happy Potter movies, or worse still, Ralph Fiennes’ character in The English Patient (1996). Combining music and two of my three favorite sports (the other one’s golf, but Tiger’s inappropriate for this theme), it’s a mere approximation for how I felt back then.

There’s plenty of other music I could’ve used (see my “The Ultimate Crush” post from March ’08 and “Desert Rose” post from April ’09), other themes like figure skating or ballet that would better show what I saw and felt in Crush #1, and what I see and sometimes feel in my dreams on occasion now. I guess that I really was in love. But there’s at least one thing I can do now. I can be there for Noah when it happens to him for the first time.

Musical ‘Mates and Matters

24 Saturday Dec 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, New York City, Pop Culture, race, Youth

≈ Leave a comment

Tags

Common Language, Cultural Divide, Cultural Eclectic-ness, Diversity, Eclectic Music, Mount Vernon High School, Mount Vernon New York, Mount Vernon public schools, Music, Musical Tastes, Race


The "A" Note, February 5, 2008. (Pearson Scott Foresman, via Wikipedia). In public domain.

If someone asked me what was the one thing that me and my classmates had in common during my middle school and high school years in Mount Vernon, New York, it would be a love of and for music. I wouldn’t have been able to draw this rather obvious conclusion five years ago. But, in the course of interviewing folks and writing and rewriting my Boy @ The Window manuscript since ’06, music seems to be the one common denominator that connected us all.

Take the fact that so many of my Class of ’87 classmates found their way into the underground or mainstream music scene over the past twenty-four years. At least one was a producer, a bunch rapped, played, sang, and danced their way into the industry, even if they’re not household names. Others did studio work, and at least two are doing music/sound work for the small and big screen.

These folks are Black, White, Afro-Caribbean and Latino, so, no, race doesn’t seem to be a factor. Was it something that was in the water or in Mount Vernon’s lead water pipes? Not likely. It really couldn’t have been instilled in us by Humanities, or going to Davis, Nichols or Mount Vernon High School, right? The official doctrine of the powers that were would’ve made our favorite music somewhere between Sinatra and Tchaikovsky.

It could be as simple and as complicated as the times we grew up in, the fellow travelers to which we were

Culture Club "Club Sandwich Tour" poster, September 27, 2011. (Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject of blog post.

exposed, the constant noise that was Mount Vernon public schools in the 1970s and 1980s. Living in a city in the early stages of decline, within shouting distance of Manhattan and a short walk to the Bronx. Having the level of Black and Brown diversity that we had, with a decent sized White minority in the school system, may be all that was needed to create the conditions for music to be our one common language.

It wasn’t just in my class, as the classes of ’85 and ’86 turned out the late Heavy D and Al B. Sure. Nor was it just in Mount Vernon’s public schools. There was something about Mount Vernon itself, a painful place for some, a cool and pleasureful one for others, that made music both a code for coolness and an escape from reality.

For my specific groups of Humanities nerds, renaissance folks and generally sharp classmates, though, the tastes ranged and even mingled. For the guidos and guidettes whom I labeled “The Italian Club,” the music was decidedly “White.” From “A” serenading 7S with The Police’s “Roxanne” ala Eddie Murphy, to the frequent blaring of Billy Idol, Bruce Springsteen and Foreigner from turbo-charged Camaros and Mustangs.

The Time promotional poster, circa 1990, July 6, 2006. (Mista Tee, via Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject matter for blog post.

Then the was the obviously cool Black and Afro-Caribbean, with a clique for every occasion, whose music was also obviously “Black.” Teena Marie, pre-“Material Girl” Madonna, Phyllis Hyman, Prince, Luther Vandross, Doug E. Fresh, Lisa Lisa & Cult Jam, Run-DMC, if it was Black and cool, they listened to it, and knew the exact date the new album would hit the stores. They drove around in their Nissan Maximas, Audis and old Cadillacs with this mesh of R&B, early rap and hip-hop, and crossover pop pumping out of their tinted windows.

Of course, that left the rest of us, the few who seemed to like a bit of everything. Crush #1 and Depeche Mode. Brandie Weston and her clique’s love of Boy George and Culture Club. V’s commitment to Billy Joel, at least a decade and a half too young to understand the full meaning of what we’d now call adult contemporary. Not to mention The Police, Sting, The Who, Rolling Stones, Thompson Twins, Duran Duran, ABC, Tears for Fears, a-ha, and so many others. But it didn’t stop there. For we, too, liked Luther, and Billy Idol, and John Coltrane, and Lisa Lisa, and Run.

I don’t know if my musical tastes were the most eclectic of all, or if mine remain so. But I can say this. I ran 4.75 miles yesterday, listening to Genesis’ “Tonight, Tonight, Tonight” (album version), Sounds of Blackness’ “Optimistic,” U2’s “Beautiful Day,” Grover Washington Jr’s “Summer Chill,” Stevie Wonder’s “As,” Sting’s “A Thousand Years,” and Enigma’s “Silence Must Be Heard” along the way. It seems that I’ve always had a song in my head and theme music in my heart for every situation and every period of my life. For better and for worse, I have to give Mount Vernon credit for that, if for nothing else.

High Falsetto Highs and Lows

25 Monday Apr 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, music, Pop Culture, race, Youth

≈ Leave a comment

Tags

Belonging, Billboard Pop Chart, Black Males, Chorus, Code Switching, Context, High Falsetto, Identity, Masculinity, Mount Vernon High School, Mount Vernon New York, Music, Ostracism, Pop Culture, Pop Music, Race, Singing, Voice


I know that I’m weird, a freak, and if I were a quarter-century younger, a bit geekish. Well, maybe a geek in a tall man’s body with fourteen percent body fat. Music is one of those things that separates me as weird. Not just because of what I listen to from moment to moment. Smooth jazz to R&B to hip-hop soul to ’80s pop to ’90 White male angst grunge to rap to divas like Mariah Carey and Celine Dion. Few people I know — much less males, much, much less Black males — have any appreciation for eclectic musical tastes. But they’ve had almost no tolerance for my high-falsetto singing voice over the years.

Puberty was the reason I discovered it all. My closest friends and wife don’t believe me when I tell them that I used to be able to hold a tune. That in sixth, seventh and eight grade, I sang with my elementary school and middle school chorus. I was a baritone, and a decent one at that. But the voice changes of puberty cracked my voice and sent it into high falsetto in ’83, ’84 and into ’85, whenever I did try to sing.

So I went with it. Once I reconnected with music outside of school in the ’80s, I sang mostly in that ear-splitting, shaky and unevenly high tone and pitch to everything I liked. And that made me stand out, mostly as the weird guy with the Walkman that my fellow Black males made fun of for not being cool. Did I care? Sure, in an obvious, I-know-I-don’t-fit-in kind of way. But, did I care? For the most part, no. I knew enough to not walk down certain streets in Mount Vernon and certain part of the high school singing in that voice, walking to the beat of my own internal music box.

That voice was my release. As awful as I sounded in it, as imperfect and grating my tone, as much of a strain as I put on my cords, it was one of a handful of ways for me to experience happiness, joy, laughter. Other emotions besides rage, fear and anger. That’s what singing Cyndi Lauper’s “Time After Time,” Michael Jackson’s “Human Nature,” and a-ha’s “Take On Me” well outside my normal vocal range did for me. It gave me a high without the benefit of pot, and a low without the benefit of friends.

Singing in high falsetto still brings a natural high. Except now, I laugh at myself while doing it, and I don’t care about the people who think I’m a freak because I sound like a buffoon. Damn right.

Interceptions Cause Excitement and Emotion

28 Tuesday Dec 2010

Posted by decollins1969 in 1, culture, Eclectic, eclectic music, music, Pop Culture, Sports

≈ Leave a comment

Tags

"Interjections", Brett Favre, Ed Reed, Eli Manning, ESPN, Interceptions, Jay Cutler, Jemele Hill, Lynn Ahrens, Lyrics, Music, New York Giants, NFL, Pick 6, Poetic License, Schoolhouse Rock!


Ed Reed of Baltimore Ravens Pick, 2004, December 28, 2010. Source: http://sportsillustrated.cnn.com/2005/writers/jeffri_chadiha/08/30/chadiha.safeties/index.html; AP Photo. Though this image is subject to copyright, its use is covered by the U.S. fair use laws because the photo is only being used for informational purposes.

Eli Manning’s masterful four-interception performance against the Green Bay Packers this past Sunday for my New York Giants the day after Christmas (as he was still in the spirit of giving, with his league-high 24 picks so far this season) inspired this latest post of mine. Not to mention ESPN columnist Jemele Hill’s tweeted R&B musical musings about the aerial mistakes of strong armed QBs and the lyrics of Lynn Ahrens and Schoolhouse Rock. I give you my adaptation of “Interjections,” “Interceptions:”

 

With Eli Manning at quarterback, uh-huh-huh,
The defense knew how to at-tack.
They baited the man
With Cov-2 again
While #10 threw some interceptions…

F***! Oh no!
S***! Oh God!
D***! That really, really sucks!

Interceptions (F***!) cause excitement (S***!) and emotion (D***!).
They’re generally set apart from a sack or fumble by a Pick-6 down the field
Or by dejection when the result’s not as bad.

Though Jay Cutler has a strong arm, uh-huh-huh
Jay didn’t know he could do, ha-arm
He was put under pressure
And despite his great treasure
Cutler lofted some interceptions…

What! Who are you throwing at, pal?
Oh my God! You think the ball comes with a radar system!
Hey! You’re kinda dumb, aren’t you?

Interceptions (Well!) cause excitement (OMG!) and emotion (Hey!).
They’re generally set apart from a sack or fumble by a Pick-6 down the field
Or by dejection when the result’s not as bad.

So if you’re happy (Hurray!) or sad (Man!)
Or pissed off (Grrrrr!) or mad (Rats!)
Or excited (Yes!) or glad (Yay!)
An interception makes or breaks a game.

The game was tied at seven all, uh-huh-huh,
When Brett Favre tried to throw the ba-hall
He made a connection
In the other direction,
And the crowd saw a game-ending interception…

Aw! You threw it right to him – again!
Damn! You just lost the game – again!
Yes! Favre, you choked – again!

Interceptions (Aw!) cause excitement (Damn!) and emotion (Yes!).
They’re generally set apart from a sack or fumble by a Pick-6 down the field
Or by dejection when the result’s not as bad.

So if you’re happy (Hurray!) or sad (Man!)
Or pissed off (Grrrrr!) or mad (Rats!)
Or excited (Yes!) or glad (Yay!)
An interception makes or breaks a game.

Interceptions (Hey!) cause excitement (Hey!) and emotion (Hey!).
They’re generally set apart from a sack or fumble by a Pick-6 down the field
Or by dejection when the result’s not as bad.

Interceptions cause excitement and emotion,
Hallelujah, Hallelujah, Hallelujah… YEA!

Turn out the lights! The party’s over! (Even if the Giants somehow make the playoffs this year).

A Musical Mirror in Time

13 Saturday Nov 2010

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, music, Pop Culture

≈ Leave a comment

Tags

"White Discussion", Anthony Hamilton, Boy @ The Window, Eclectic Music, Futurists, iPod, Live, Mariah Carey, Michael Bolton, Mr. Mister, Music, Musical Tastes, Nickelback, Sting, The Police, Time Traveling


My iPod, November 13, 2010. Donald Earl Collins

A side benefit to working on Boy @ The Window has been walking down memory lane in describing the music of those times. The music I listened to for inspiration, out of love, rage or goofiness. Or music that provided my means of escape from the drudgery of poverty at 616, the organized chaos that was Humanities and Mount Vernon public schools. Music that I stumbled upon, or deliberately discovered or discounted.

I’ve wondered off and on what the tunes in my ear and head would’ve been like if all the music that I’ve been exposed to since the end of the ’80s had all been at my fingertips in ’81 and ’82. I know one thing for sure. Had I the ability to send my eleven or twelve-year-old self my iPod from ’10, weird or not, Hebrew-Israelite or not, I’d been one of the coolest kids in school. Assuming that I wouldn’t have had to defend my improbable toy against bullies and muggers, that is.

So, now that I have access to music from any time and any year up to 2010, what would I’ve listened to

My iPod, Sting's "Desert Rose", November 13, 2010. Donald Earl Collins

during the Boy @ The Window years? Thinking about Crush #1, the music I had available in mind and in ear was Stevie Wonder’s “As” and “That Girl,” and The Police’s “Every Little Thing She Does Is Magic” between March and June ’82.

Fully acknowledging that I was in some sort of love then, gee, what would’ve fit my mood? What would’ve been appropriate to the chaos in the rest of my life? U2’s “Beautiful Day” — where “you’ve been all over, and it’s been all over you?” Or Coldplay’s “Clocks,” Sting’s “Desert Rose,” Tevin Campbell’s “Can We Talk,” and Celine Dion’s “That’s The Way It Is,” all songs of shyness and unrequited love? Talk about framing a mood!

Well, what about Crush #2, my obsession with her, and the pain she helped cause? What could complement music like Richard Marx’s “Should’ve Known Better,” Paul Carrack’s “Don’t Shed A Tear,” or Geto Boys’ “My Mind Playin’ Tricks On Me”? Going back to January ’88, Live’s “White, Discussion” would’ve been a place to start. White male angst about race and possibly love — “Look what all this talking got us, baby” screamed at maximum lung-ness by lead singer Ed Kowalczyk — could’ve just as easily been my sarcastic and rage-laced refrain regarding Crush #2.

Other, more goofy and less epic tunes to lay out my anger and disappointment — or to get over it — hmm. Probably something like Michael Bolton’s “Time, Love & Tenderness,” Mariah Carey’s “Can’t Let Go,” or Annie Lennox’s “Walking On Broken Glass.” Music from the ’90s. So much better for coping with crushes and trifling people.

On a more serious tip, what from my present would’ve soothed my constantly worried mind back in the days when mp3 would’ve been thought of as a kind of motor oil? My faves of the ’80s were Mr. Mister’s “Kyrie” and “Broken Wings,” because the songs met me where I was, a teenager struggling to find his true self, to succeed in school, to survive life at 616. Other than some social justice-lite songs like Marvin Gaye’s “What’s Goin’ On,” Sting’s “They Dance Alone,” or Peter Gabriel’s “Don’t Give Up,” there wasn’t much of a message in most of the music from the mid- to late-80s — at least related to my life.

My iPod, Nickelback's "If Today Was Your Last Day," November 13, 2010. Donald Earl Collins.

But bringing music back from the future would’ve helped. Like Anthony Hamilton’s “Comin’ From Where I’m From,” Creed’s “Higher,” Sounds of Blackness’ “Optimistic,” even Nickelback’s “If Today Was Your Last Day.” The line of lines — “Against the grain should be a way of life” — has been when I’ve gotten the most out of myself, my God and my life.

I can only imagine what life would’ve been like with a piece of second-decade, twenty-first century

My iPod w/ U2, November 13, 2010. Donald Earl Collins

technology in the early ’80s. It made have made most of my embarrassing, disheartening and sorrowful moments easier to bear. But without those moments, I certainly wouldn’t have as full an appreciation of the music I listen to now and the blessings that have occurred in my life in the three decades since. As Anthony Hamilton would say, “Sometimes you gotta walk alone,” although with music, not completely alone.

An a-ha Moment

08 Friday Oct 2010

Posted by decollins1969 in 1, Boy @ The Window, Eclectic, eclectic music, Mount Vernon High School, music, Youth

≈ Leave a comment

Tags

"Take On Me", a-ha, Aiwa, Albany NY, Billboard Pop Chart, FDR, FDR Mansion, Friendship, High Falsetto, Hunting High And Low, Hyde Park, Music, Walkman


Screen shot from the music video of “Take on Me” *Artist(s): a-ha *Director: Steve Barron *Copyright: ©1985 Warner Bros. Records==Fair use in “Take on Me”

Today’s date marks a full twenty-five years — a whole quarter century — since me and my AP US History classmates rolled out from Mount Vernon High School at 6:30 am for a trip to Albany and Hyde Park. But nothing historical was especially eye-opening on this date. No, it was really more about the people, one in particular, that made this time an a-ha moment.

Our eccentric and late AP US History teacher, Harold Meltzer, used this trip to get us out of the classroom. to make history and government more real to us. We — meaning our AP class and folks from Meltzer’s Government class — went to Albany to meet our state representative and to learn a bit about the history of New York State’s governance. We also made a stop to visit the FDR mansion in Hyde Park. The trip to Albany was itself a three-and-a-half hour school bus ride.

Besides the standard exaggerated bouncing up and down we did whenever the bus hit a bump somewhere along I-87 North, there were a couple of things to note. It was my first time outside the New York metro area since ‘78, when Darren, my mother, my soon-to-be-stepfather and I went to Amish country in Pennsylvania. The Roosevelt’s master bedroom and “king-sized” bed was much smaller than I thought. FDR and Eleanor both looked pretty tall to me in their pictures and in those ’30s newsreels. And the Norwegian pop band a-ha had climbed to the top of the Top-40 pop charts with “Take on Me” a few days before.

A-ha? Well, “SD” had a brand-new $150 Aiwa Walkman (its normal retail value in ’85) with a state-of-the-art design and stereo system, including Dolby noise reduction and equalizer controls. The entire trip to Albany and Hyde Park and back she played a-ha’s Hunting High and Low album nonstop on the bus. After hearing the beginning of the song for what seemed like the 117th time, I chimed in, and SD sang briefly out loud with me: “Talking away, I don’t know what I’m to say….” I’d heard the lead singer’s “TAAAAAKKKKEEE!” without the need for an interpreter so many times already, since SD sat a row or two behind me. So me being me, during the return trip I attempted to hit the same high falsetto note to see if I could compete with a Norwegian pop star.

As soon as I hit the note for “TAAAAAKKKKEEE!” — badly, as it was in my balls-strangled version of high falsetto — the window in the row behind me on my right shattered and scattered all around D and A’s seats. D was closest to the window, and she was unhurt, but we had to stop for about ten minutes. Everyone was laughing this nervous, “this-is-funny-but . . . ” laugh, like audience members laughing at a Richard Pryor joke. Five of my classmates all but gave me a sarcastic standing ovation. After all, it turned out that no rocks or stones were found on the bus, and there wasn’t a sign of a sniper anywhere. All we could think was that I’d dialed up the correct frequency and shattered a glass window that may’ve been weak already from everyday wear and tear. I thought it was amazing to generate that kind of power with my voice. Even if it meant that I’d get flack for it.

But that’s not all I took from that day. I’d accidentally become more than an acquaintance with SD. Not only did I eventually go and buy a-ha’s Hunting High and Low. I appreciated all of her ’80s pop music. From Heart’s “What About Love” to Scandal’s “The Warrior” — it’s listed in our yearbook as SD’s favorite song. I picked up a writing habit that I use to this day, putting a dash through my 7’s and Z’s to make sure to distinguish them from 1’s and S’s.

It was a fun trip for me, even though most in my class would’ve likely preferred a trip to Grand Central over Albany and FDR’s mansion. It was fun because I had made a connection that would lead to friendship.

The Eclectic, Authentic Donald

04 Saturday Sep 2010

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, Pop Culture, race, Youth

≈ Leave a comment

Tags

"Broken Wings", "What About Love", 616 East Lincoln Avenue, Authenticity, BET, Cable, Heart, Humanities, Mount Vernon High School, Mount Vernon New York, Mr. Mister, MTV, Music, Race, Sade, VH1


Maxwell's Embrya (1997) Album Art

I am, and will always remain, a goofy oddball. I’ve known that for at least twenty-five years, probably closer to thirty. For it was this week in ’85 that we finally got cable at 616. More than four years after MTV, and a few months into VH1, we finally no longer needed antennas to watch TV. My fat, greasy slob of a stepfather hogged the gigantic wood-framed hand-me-down of a nineteen-inch Zenith, along with the living room, most of the time. But I came home from the beginning of the school year — my junior year of Meltzer and AP US History at MVHS — at the end of the first week, with no one home.

I turned on the TV, found MTV, and boom, I was in the heart of the ’80s. As soon as I hit the channel, a new video began, heavily synthesized and very much over the top. It turned out to be Heart’s “What About Love,” the first release off of their new album. I liked the song immediately. But more importantly, I liked

Heart, 1985. (Look at that hair!?!)

the fact that I could now also put faces and styles to voices and lyrics. I was late, four years too late in understanding the jokes, the fashion motifs and consumerism concerns of my more socioeconomically- blessed classmates. As the saying goes, though, better late than never.

That afternoon, I ended up seeing videos from Sade, Tears for Fears, Dire

Mr. Mister (1985) Welcome To The Real World

Straits, Sting, and Mr. Mister’s “Broken Wings.” The last one was a weird video, but very heartfelt, and one that has stayed with as long as any song I’ve heard or video I’ve seen since (more on that in December). I eventually checked out some boring Alexander O’Neal videos on BET before my mother and younger siblings came home from school and grocery shopping.

It wasn’t as if I hadn’t listened to music before September ’85. I was already well aware of the fact that my music tastes weren’t stereotypically Black, weren’t all that White, and certainly weren’t all that old and mature. Having played the trombone in fifth grade, the fife for Hebrew-Israelite stuff all through ’82, and sang in school choirs sixth, seventh and eighth grade (until my voice started cracking), it wasn’t as if I didn’t know when someone was off key or timing their drum sequences.

Still, I found music that didn’t have the voice of Luther (Vandross) or Patti (Austin or LaBelle) or the beats of Doug E. Fresh, Grandmaster Flash or Run-D.M.C. appealing. It reached me because I had moments I needed to be reached, to be serious, to focus on the pain that was my life in the mid-80s, a pain that few artists sang or wrote about in any direct way. I could relate to the lyrics of rejection, redemption and

The Best of Sade (1992) Album Art

resolution more than I could relate to someone stepping on my brand new sneakers and getting attitude. Songs that could reach me because I had moments I needed to feel and be goofy, to laugh at myself for feeling as pathetic as I did back then. Nothing, and I mean nothing, in the R&B and early hip-hop repertoire of ’85 did that for me.

So I branched out, almost immediately after that MTV afternoon in early-fall early-September. I became even more interested in what some of my classmates called “that White music,” even deliberately listening to WPLJ and Z-100, adding that to WBLS. I also took the occasional turn to WCBS-101 (oldies station of Sinatra, Nat King Cole and Dean Martin), had a brief foray into Phillip Glass and ’80s new age, a rare stumble into jazz, and yes, for those who believe I embody the rejection of all things “Black,” found my need for R&B and some rap in my eyes and ears.That first week in September ’85 pretty much sealed my fate as an eclectic music listener. Many who know me and my Mount Vernon past would say that Humanities and being around all those White kids had something to do with this. Some, including my mother, would say that my education has led to some sense of racial self-loathing, that I deliberately gave up my heritage to chase some false sense of Whiteness — or,

Seal (1994) Album Art

that I’m “acting White.”

I’d say that I was a goofy and serious late-bloomer, who listened to music and lyrics for meaning, for a kernel of wisdom and hope. Some or all of those things can be found in any genre of music, anywhere, anytime, under any circumstance. Music, like people, can’t be separated into races unless people choose to be separate, a truth I understand now and guessed at intuitively then.

← Older posts

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

There's a few ways in which you can read excerpts of, borrow and/or purchase and download Boy @ The Window. There's the trade paperback edition of Boy @ The Window, available for purchase via Amazon.com at http://www.amazon.com/Boy-Window-Donald-Earl-Collins/dp/0989256138/

There's also a Kindle edition on Amazon.com. The enhanced edition can be read only with Kindle Fire, an iPad or a full-color tablet. The links to the enhanced edition through Apple's iBookstore and the Barnes & Noble NOOK edition are below. The link to the Amazon Kindle version is also immediately below:

scr2555-proj697-a-kindle-logo-rgb-lg

Boy @ The Window on Amazon.com: http://www.amazon.com/Boy-The-Window-Memoir-ebook/dp/B00CD95FBU/

iBookstore-logo-300x100

Boy @ The Window on Apple's iBookstore: https://itunes.apple.com/us/book/boy-the-window/id643768275?ls=1

Barnes & Noble (bn.com) logo, June 26, 2013. (http://www.logotypes101.com).

Boy @ The Window on Barnes & Noble: http://www.barnesandnoble.com/w/boy-the-window-donald-earl-collins/1115182183?ean=2940016741567

You can also add, read and review Boy @ The Window on Goodreads.com. Just click on the button below:

Boy @ The Window

Twitter Updates

  • At this pt, @IBJIYONGI's "all your faves are problematic" is like Steph Curry pulling up from 45ft to shoot the 3.… twitter.com/i/web/status/1… 6 minutes ago
  • @nkalamb You can't have a sharecropping system if everyone makes a profit, now. And adding women to the mix? Those… twitter.com/i/web/status/1… 3 hours ago
  • RT @nkalamb: The NCAA signed a below market value deal to suppress the popularity of non-MBB and CFB sports, particularly WBB, precisely so… 3 hours ago
  • RT @abgutman: “Candida auris shouldn’t make anyone into a zombie, so that’s a good thing.” @aubreyjwhelan have been playing video games fo… 1 day ago
  • @blu_temptation Happy Birthday! 1 day ago
  • RSS - Posts
  • RSS - Comments

Archives

  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • May 2020
  • April 2020
  • March 2020
  • January 2020
  • December 2019
  • November 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • November 2010
  • October 2010
  • September 2010
  • August 2010
  • July 2010
  • June 2010
  • May 2010
  • April 2010
  • March 2010
  • February 2010
  • January 2010
  • December 2009
  • November 2009
  • October 2009
  • September 2009
  • August 2009
  • July 2009
  • June 2009
  • May 2009
  • April 2009
  • March 2009
  • February 2009
  • January 2009
  • December 2008
  • November 2008
  • October 2008
  • September 2008
  • August 2008
  • July 2008
  • June 2008
  • May 2008
  • April 2008
  • March 2008
  • February 2008
  • January 2008
  • December 2007
  • November 2007
  • October 2007
  • September 2007
  • August 2007
  • July 2007
  • June 2007

Blogroll

  • Kimchi and Collard Greens
  • Thinking Queerly: Schools, politics and culture
  • Website for My First Book and Blog
  • WordPress.com

Recent Comments

Eliza Eats on The Poverty of One Toilet Bowl…
decollins1969 on The Tyranny of Salvation
Khadijah Muhammed on The Tyranny of Salvation

NetworkedBlogs on Facebook

NetworkedBlogs
Blog:
Notes From a Boy @ The Window
Topics:
My Life, Culture & Education, Politics & Goofyness
 
Follow my blog

616 616 East Lincoln Avenue A.B. Davis Middle School Abuse Academia Academy for Educational Development AED Afrocentricity American Narcissism Authenticity Bigotry Blackness Boy @ The Window Carnegie Mellon University Child Abuse Class of 1987 CMU Coping Strategies Crush #1 Crush #2 Death Disillusionment Diversity Domestic Violence Economic Inequality Education Family Friendship Friendships Graduate School Hebrew-Israelites High-Stakes Testing Higher Education History Homelessness Humanities Humanities Program Hypocrisy Internalized Racism Jealousy Joe Trotter Joe William Trotter Jr. K-12 Education Love Manhood Maurice Eugene Washington Maurice Washington Misogyny Mother-Son Relationship Mount Vernon High School Mount Vernon New York Mount Vernon public schools Multiculturalism MVHS Narcissism NFL Pitt Pittsburgh Politics of Education Poverty President Barack Obama Race Racial Stereotypes Racism Relationships Self-Awareness Self-Discovery Self-Reflection Sexism Social Justice Teaching and Learning University of Pittsburgh Violence Whiteness Writing

Top Rated

Blog at WordPress.com.

  • Follow Following
    • Notes from a Boy @ The Window
    • Join 103 other followers
    • Already have a WordPress.com account? Log in now.
    • Notes from a Boy @ The Window
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...