Poverty Wages

20 Saturday Feb 2021

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, High Rise Buildings, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Work, Youth

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Academia, Bruce Anthony Jones, Elitism, Narcissism, Nonprofit World, Pitt, Politics of Academia, Poverty, Poverty Wages, Teachers College, Work

“How We Slice the Pie in the USA” editorial cartoon (cropped), September 19, 2011 (David Horsey/Hearst Newspapers; https://catherineandojaswi.weebly.com/document-ten.html)

It’s hard for me to believe sometimes how blissfully ignorant I used to be about the fourscore-and-three-layers’ worth of elitist bullshit there are to the nature of academic — and American — life. Even in the months after reading Derrick Bell’s Faces at the Bottom of the Well, even after reading Jonathan Kozol’s Savage Inequalities, I still believed that my talent and my production alone would win the day over having the right connections in my circle. What a dumb-ass chump I was, in 1993, and as recently as 2013.

But at least in 1993, my 23-year-old behind could be excused for simply not knowing enough about the world that I inhabited. I was a quick study, academically, but not so quick socially, only four-and-a-half-years removed from homelessness and not trusting humans all. My tutor, my unofficial advisor about the professional worlds that would take up the next 28 years of my life, was one Bruce Anthony Jones. I have talked about Bruce in the past, about how he quietly dumped me and all of his Pitt grad students upon leaving for University of Missouri-Columbia in 1996. That’s near the end of this story, though, not it’s beginning.

It was the year after I did an independent study on the literature of multicultural education in the US, Canada, and the UK with him as a master’s student. I was working with Bruce again, this time to learn more about curricula decision-making and cultural bias among the multicultural education and Afrocentricity set. He knew that this was likely my last semester at the University of Pittsburgh. I had tired of White professors and their withering White gaze, and of Larry not quite keeping up with my work, even though he was my history advisor.

So it was in late February 1993 that he invited me out to dinner to discuss my next moves. We ate at some high-end Chinese restaurant in downtown Pittsburgh on or off Grant Street. It was just a few blocks from where Bruce lived, his mini-penthouse on one-and-a-half floors (the 11th and 12th) in The Pennsylvanian, situated on a hill overlooking downtown. It was once the station building for all passenger trains in and out of Pittsburgh, having been converted into a luxury apartment building the year I arrived for undergrad at Pitt, in 1987.

As someone whose moments of interaction with affluence and luxury were few, the dinner meeting and discussion was dizzying. We had a five-course meal, sat and talked for two hours about grad school, the dissertation process, finding work in higher education, the crock of the tenure clock and tenure process, and so much more. Bruce really helped me demystify the cloistered world of academia that night.

But, between the end of that dinner, the walk over to Bruce’s penthouse apartment, and the conversation we had about his work, the high wore off. When we got to talking about salaries, he began to bitch and moan about his own lot as an assistant professor in the School of Education at Pitt. “Well, how much are you making as an assistant professor?,” I asked rather courageously (this isn’t something grad students were supposed to ask, my mutuals had told me, but you don’t get anywhere by not asking questions). “Forty-five thousand. But them’s poverty wages,” Bruce said matter-of-factly, his “Lon-Guy-Land” (Long Island, New York) accent kicking in more fully as he spoke.

In the back of my mind, I’m thinking, Arrogant asshole, the most I’ve ever made in a year is $11,000, and you talkin’ poverty wages to me? I’ve grown up without food, without any amenities beyond the basics, and you live in a 1.5-floor penthouse? Really? I don’t know how well I hid my envy and my rage after hearing Bruce’s complaints about his salary. I let him continue his monologue.

It turned out that Bruce’s time at Teachers College was about more than earning his doctorate. It was also an opportunity for him to earn money, really good money, through his connections at Teachers College and at Columbia University as a whole. Including one with Charles V. Hamilton, the co-author of Black Power: The Politics of Liberation (originally written with one Kwame Ture, née Stokely Carmichael in 1967).

The Pennsylvanian, near downtown Pittsburgh, PA, circa 2012.

I cannot recall if Hamilton was on his dissertation committee or not, but no matter. Apparently connections with Hamilton and others had helped Bruce find work as an education consultant with the Ford Foundation, among several other private foundations. In the two years leading to his PhD and the year before landing his Pitt faculty position, this was his other professional life. “I make double as a consultant than I do as a professor (really “professa,” the way it rolled off Bruce’s Long Island tongue), and for half the work,” I remember Bruce saying.

“What would I have to do to get into that kind of work?,” I asked once I got over the shock of calculating that Bruce was pulling between $130,000 and $150,000 a year while living in a 1,500-square-foot penthouse that cost $1,350 per month. Bruce should’ve said, “With help from people like me, lifting as we climb.” But instead, he made it sound like he just lucked out, somehow, like he just happened to be walking down a random hallway when leading Black scholars at Teachers College and Columbia offered lucrative consulting gigs on a random Friday.

A bit more than four years later, the summer of 1997, I found myself without work post-PhD. Teachers College had just rejected me for an assistant professorship in social foundations of education. I was literally a month or two away from being completely out of funds. I could pay my rent, but that was about all I could do until I found more work. I hated to do this, but I ended up contacting Bruce for help, either in finding work or in lending me money until I could pay him back.

Bruce returned my call, and was very stern on the phone with me. “I usually don’t lend students money,” he said, as if I was some random students who reached out to him out of nowhere. But he offered to write me a check for $100. “Now I expect you to pay me back,” Bruce said, as if he was being magnanimous. That was when I finally, really, truly understood. My time with Bruce was about making him feel like a powerful person in academia. It was never about mentoring or helping me at all.

Between 1997 and 2000, I continued writing my own letters of recommendation with Bruce’s name on them, a practice we had developed while I was still a grad student. Only, I also used one of Bruce’s old signatures and some University of Missouri-Columbia letterhead to make his letters written by me on my behalf look more authentic. After I turned down a job at Howard in June 2000, I wrote Bruce a check for $100 and wondered, Should I include interest in the total, and if so, how much? That was the last time I used Bruce’s letter, the last time I contacted him.

In the years since, I’ve worked jobs that paid $70,000 and $80,000 a year, charged as much as $550-per-day as a consultant, and turned down jobs paying $100K in areas that were too expensive for that salary (like the Bay Area, for example). I’ve also had a couple of years where I’ve barely earned $20,000 as an adjunct (those were years I also consulted, so). I know damn fucking well what a real poverty wage looks like. The closest Bruce has been to socioeconomic poverty was probably the night he sat across from me at dinner all those years ago. Intellectual, social, and spiritual poverty have been Bruce’s close companions, I’d bet, for many years. For such are the wages of narcissism.

The Cruel Lure of Academia

22 Saturday Apr 2017

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Upper East Side, Upper West Side, Work, Youth

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Academia, Academic Culture, Academic Jobs, Barbara Lazarus, Bruce Anthony Jones, Burnout, CMU, Contingent Faculty, Faculty, False Gods, Family Issues, job search, Joe William Trotter Jr., Meritocracy, Pitt, Politics of Academia, Publish-or-Perish, Teachers College, Tenure-Stream Positions

Rihanna as Medusa, GQ Magazine cover, December 2013. (http://pinterest.com).

Twenty years ago on this date, I took the call that would help define my last two decades professionally. It was a call from Teachers College, Columbia University. I had made a final cut of interviewees “out of more than 300 applicants,” for a tenure-track assistant professorship in the history of education, the administrative assistant to the ed foundations department chair’s office had told me. It was my first post-PhD job call, one at the time that I hoped would be the only one I’d need.

It wasn’t my first interview for an academic position, though. That distinction went to Illinois State University, in April ’94. Two of their history professors were at the American Educational Research Association annual meeting in New Orleans, screening applicants for a lecturer and a non-tenured assistant professor position. I dared not tell my advisor Joe Trotter or anyone else about the screening invite. I went, I met the two youngish professors, both of whom told me to finish my PhD before applying for another job, because they thought my work “too promising” for non-tenure-stream positions. I had also interviewed for two education nonprofit positions, both in Pittsburgh, and both only offering me only a few thousand more than the US Postal Service offered me in ’92, when my name for a job finally came up.

Burned out 40w light bulb, April 27, 2010. (http://www.iamtonyang.com).

Now I had gotten a call from one of the most prestigious education schools in the world. A school within the same university that wanted to hire a private investigator ten years earlier because they didn’t want to give a poor Black kid a four-year free-ride. Despite the irony, I was happy, nervous, and apprehensive. I was happy for the opportunity, nervous about my prospects, and apprehensive about the possibility of moving back to New York. But, most important, I was also burned out emotionally and psychologically from the dissertation process, though not as burned out as I would become in the six weeks that followed.

The interview itself three weeks later was one of the best I’ve ever done for anything. I gave my job talk on multiculturalism and Black education, and for once, professors and graduate students in the audience didn’t look at me like I was speaking Vulcan. I actually had fun on that eight-hour interview day. As much fun as eight hours of scrutiny and answering the same questions over and over again could bring.

But, I remained apprehensive. Because I knew that I had a lot of big decisions ahead if I didn’t get this position, and just as many or more if I did.

Could I pay rent or eat through the summer if I didn’t get the job? Should I go groveling back to Carnegie Mellon, so that I could teach the required World History course for the 1997-98 school year? Could I pick up an adjunct gig at Pitt, Duquesne, or one of the other universities for next year, or what if it’s already too late to reach out? Could I get help from Bruce Anthony Jones, or beyond my dissertation committee, people like Barbara Lazarus, in securing my future? These were the normal questions that an army of PhDs in fields like history faced every single year.

For me, though, the idea of being an assistant professor twelve miles from where I grew up and thirty blocks from one of the buildings I helped my alcoholic father clean made my brain twist in knots. Heck, Teachers College had put me up at the Hotel Beacon on Broadway, between 74th and 75th Street, just three blocks from a high-rise me, my older brother Darren, and my father had cleaned the carpets and floors of regularly between 1984 and 1986. Did I really want to go back to a place with so many bad and embarrassing memories?

Plus, it wasn’t just my past I worried about. Living in subsidized faculty housing wasn’t ideal for me and my soon-to-be-wife. My younger siblings could reach me by catching the 1 or 2 train, and with the recent fire at 616 and the trauma that had caused, their visits were likely to be a regular part of my routine. I had given Mom something like $5,000 in the three years before the possibility of this job, as a graduate student. As a professor, she would likely expect me to do so much more.

Charging Bull of Wall Street (or a false god), cropped, January 19, 2016. (Sam Valadi/Flickr, via http://www.atlasobscura.com/)

Looking back, if Teachers College had offered me the job and I’d of course taken it, I likely wouldn’t have earned tenure. Oh, I would’ve been a fine classroom professor, and most of my students would’ve liked, loved, or learned from me. But between me having not dealt with my Mount Vernon/NY past, my Mom and siblings and family issues, and trying to turn my dissertation into a book and churn out academic pieces, I would’ve needed psychotherapy after three or six years. But Teachers College rejected me two months later. It supposedly came down to me and one other person.

This is what academia does to its own. With too few tenure-stream jobs and way too many qualified candidates, each job interview or job earned becomes magnified, to the point where taking a position can close as many doors as receiving a rejection for a job. Combine that with the false gods of meritocracy and academic freedom, and you have a recipe for a world of competitive disappointment. Academia is a world full highly educated people working for working-class wages but with elitist expectations of themselves and of those lucky few with tenure-stream positions. Add race, class, gender, family, and intersectionality to this brew, and it’s a wonder more of us don’t experience depression or some other mental illness.

I wouldn’t have been able to write this twenty years ago, even if I subconsciously suspected or consciously knew this to be true. I was tempted by the brass ring, only to find it was really a rusty old nail bent to look like something valuable.

Michael Clayton, My Writing, and 20 Years of Sinai-Wandering

16 Thursday Mar 2017

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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Academia, Academic Writing, CMU, Dan Resnick, Falsehoods, Gene Clayton, George Clooney, Lies, Michael Clayton, Michael Clayton (2007), Mythology, Pitt, Politics of Academia, Publish-or-Perish, Richard J. Altenbaugh, Scholarship, Sean Cullen, Unwritten Rules, Writing, Writing Career

George Clooney and Sean Cullen in Michael Clayton (2007), March 15, 2017. (http://bbc.co.uk).

My favorite scene from Michael Clayton (2007) is when the title character’s brother Gene (played by Sean Cullen) confronts Michael (played by George Clooney) about the past seventeen years of his career as a fixer.

You got these cops thinking you’re a lawyer. You got these lawyers thinking you’re a cop. You got everybody fooled, don’t you? Everybody but you. You know exactly what you are.

About a year and a half ago, I figured I could insert the words “writer” and “scholar” in those lines, with twenty years of my career(s) for context, and maybe some of the meaning would be correct. I am a writer’s version of Michael Clayton. I’ve got academicians thinking I’m a unscholarly writer, and journalists and editors who think I’ve only written for scholarly audiences. What a mess!

Last year, after receiving a rejection for a version of my article about American narcissism, American racism, and why real conversations on race (whether through Clinton’s Race Initiative or via Ferguson) are all but impossible, I decided no more. I will not seek to submit another scholarly piece to a peer-reviewed scholarly journal ever again. And if asked, unless it’s something I truly feel passionate about, I will say no.

Do not think of this as sour grapes. I have published two full-length journal articles in my career, not to mention a bunch of the standard book reviews, and an op-ed for Teachers College Record in the past. Technically, I am 3-for-11 in publishing academic articles over the past two decades, not great, but hardly abysmal.

My issue is with the elitism and implicit bias that is rampant in the publish-or-perish world of academia. While some folks could argue it is the same in publishing in general, it really isn’t. The unwritten rules in publishing, if not followed, may well still lead to published articles, even if a person is starving and homeless in between. In academic publishing, not following the rules leads to ostracism, and a career dead before it ever begins.

Keep in mind, no scholarly journal pays authors for their articles. It takes about two years to go from submission to publication in most history and education journals. If twenty people read your article, that’s icing on a protein-powder cake. If you aren’t in the tenure-stream, though, it really doesn’t matter how many articles you publish, because it doesn’t provide job stability or security. As a former nonprofit administrator, it scared most of my supervisors whenever and wherever I published, so no benefits there either. For those in tenure-stream positions, it does matter, no matter how crappy the research or how densely unreadable the writing.

After twenty years in the publishing struggle, it’s time to face the truth. I simply wasn’t good enough to publish in academic journals. I’m not talking about my writing ability or research skills. I’m pointing out my eclectic career path, my lack of tenure at an elite university, with few to vouch for me when I was younger and an up-and-comer. My interdisciplinary research on race, on multiculturalism, on education, meant that I was a misfit from day one. Heck, I know for sure in at least one case, a journal editor held my race and age against me.

Sinai Desert, where Moses, the Israelites (and I) wandered for a generation, Egypt, March 9, 2010. (Tommy from Arad via Wikipedia). Released to public domain via CC-BY-SA 2.0.

I know most of the academic writing rat-race is a system of exploitation based in part on fears of joblessness, loss of prestige, and elitism based on class, race, gender, and whether one teaches at an elite university or at a community college. It is based on an academician’s ability to blame themselves and themselves alone for their failings, and not the oppressive publishing system itself. Kind of like the poor blaming themselves for their poverty. Or Whites and Blacks blaming other Blacks for a degenerative culture instead of looking at systemic racism as the real culprit for racial inequality. Academia is very much in and of this wider world of social injustice and oppression, no matter how university presidents attempt to spin it.

Truly, I find the idea of a cold, objective, dispassionate, dense writing style as more serious and scholarly than any other form to be high-grade bullshit. It’s what folks in academia tell each other. Just like many a journalist and editor is a frustrated writer looking for creative and book manuscript-length outlets, many a writer in academia believes their writing (and as often as not, their research) to be much more than it is.

But the biggest issue for me was my elitist and naive attempt to straddle the fence between academic publishing and writing for wider audiences. This living in two worlds began for me during my heady days, my grad school years at both the University of Pittsburgh and Carnegie Mellon. Some of my history professors, like Paula Baker, Kate Lynch, and Joe Trotter, all tried with a considerable amount of frustration to get me to write in more scholarly tones. Others seemed to be fine with my writing style. I had a tone that was too “journalistic,” according to my racial paternalistic professor Dan Resnick, who meant it as an insult.

Between 1997 and 2002, I churned out eight full-length pieces (in the 20-35-page-range) on multiculturalism and Black education/history meant for peer-reviewed scholarly journals, four of them between February and December 1997 alone. None of them were ever published. One, an admittedly ambitious state-of-the-subfield piece on multicultural education and its history in American education, elicited a response from the History of Education Quarterly’s editor-in-chief. He was my one-time professor during my first year of graduate school at Pitt, Dick Altenbaugh. Him and his managing editor met with me for nearly an hour and a half in March 1998.

Some of the meeting was about the deficiencies in my article and in my argument. But most of the time was about my writing style, my ambitiousness, and quite frankly, my age and race. I wrote about some of this in Fear of a “Black” America. Apparently, at twenty-eight, I needed to be in my mid-40s to write a grand essay on multicultural education. Allegedly, I needed long-retired (and in one case, dying) White scholars to support my arguments, no matter what evidence I brought to bear. I needed, most of all, to stop being so ambitious about my work, and stick to more objective, run-of-mill, 181-variations-on-a-theme topics in the education field. Like what Karl Marx or John Dewey would have to say about ability grouping.

I gave up on academic publishing in 2002, at least on the topic of Black education/history and multiculturalism. I tried to write articles on everything from social justice movements to the fallacies of the liberal-conservative construct, on education, poverty and mythology of American social mobility, even on intersectionality. Only, I had worked so hard to make myself more of a scholarly writer. So much so that I now had to relearn how to write for more than fifteen people, and really, to write for myself. It took about a year to drop the 40, 50, and 60-word compound sentences, the use of inappropriately complex language, and the mask of dispassionate objectivity in my writing. Ironically, this was also when I published my first scholarly piece, on multicultural conservatism and Derrick Bell’s “Rules of Racial Standing,” in 2003. I also published my first solo op-ed, in the Washington Post, around the same time.

By this time, I saw myself as a recovering academic. I also had some unfinished personal business, around how I got to my mid-thirties, to this place in my life where I had “made it,” sort of, but I hadn’t escaped my past. This was where the story of Boy @ The Window took over, and why I have a memoir and nearly ten years of blog posts.

But because of my nonprofit work on college access and retention, two professors invited me and my team to submit a piece for publication in their journal. It was a four-person piece with me as the primary author (I wrote about 90 percent of it, so there’s that). The original invite was in June 2007, and the article came out in mid-October 2009. I had stopped working for the Academy for Educational Development, and found writing the article like a strait-jacket and a time-gobbler.

Michael Clayton (George Clooney) and a horse, a moment of truth, screen shot and crop, 2007. (http://chud.com).

After Boy @ The Window in 2013, I decided to write articles for a broader audience again. This time, I made the decision to take my memoir-writing experiences and apply them to my writing. I started writing about K-12 and corporate education reform, the problems in higher education, about racism in the Obama era, about poverty and its connections to race, gender, and current issues. And over the past two years, I’ve published more and reached more people than I could ever have done with an award-winning article in the Journal of American History.

So academia, you win. I give up.

On Anachronistic Bullshit

12 Monday Oct 2015

Posted by decollins1969 in 1, Academia, Carnegie Mellon University, Christianity, culture, Eclectic, Movies, Patriotism, Politics, Pop Culture, race, Work, Youth

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Afrocentricity, Anachronisms, Anachronistic, Beating a Dead Horse, Black Nationalism, Bullshit, Burnout, Conference Presentations, Fear of a "Black" America (2004), Jesus, Journal of American History, Mental Exhaustion, Multicultural Education, Multiculturalism, Nat Turner, OAH, Politics of Academia, Politics of Education, Socialism, Toronto

Kirsten Dunst and Jason Schwartzman get anachronistic between shots on set of Marie Antoinette (2006), September 2012. (Pinterest via http://buzzfeed.com).

It’s that time of year in academia, folks. The heart of the fall scholarly conference schedule, between the beginning of October and mid-November (American Political Science Association conference as an exception, though). For the first time in a few years, I’m part of the schedule, as part of a panel on American imperialism and narcissism this weekend at the Society of U.S. Intellectual Historians conference here in DC.

The topic is a departure for me. In the couple of dozen or so conference presentations I’ve done since the mid-1990s, I have discussed two interrelated topics. Multiculturalism in the contexts of US history, African American history, and education policy was one, and covered every presentation I did between 1992 and 2003. Education reform in the context of college access, retention, and diversity was the other, and covered every conference presentation or other talk I did from 2004 through 2009.

Bokeem Woodbine, October 12, 2015. (http://imdb.com)

I never wanted to be wedded to one topic my whole career. It was the academic equivalent of being typecast, like Bokeem Woodbine (thug) or Anthony Azizi (terrorist). But in the spring of 2003, there I was, doing conferences as “Dr. Multiculturalism,” either for the benefit of eager grad students or to the chagrin of more senior scholars.

No one really discusses this issue in academia. The idea that any of us can decide to move on to a completely different topic as a scholar, become engrossed in it, even become an expert and present and write on that topic, and then move on to the next one (yes, there are consequences, but…). At best, most scholars in academia have variations-on-a-theme careers, covering sports history and society, moving from baseball to football to tennis. Or from Black migration in the early 20th century to gentrification and its impact on Black families in the ’90s and ’00s. (It’s not as if many academicians can’t find the time to pick up another idea!)

What’s even worse are the ways in which we in academia beat up on each other’s work at conferences, and not in a constructively critical way, either (that would be refreshing). The key for me moving on from multiculturalism began at the 1999 Organization of American Historians conference in Toronto. I presented on “The Black Brahmins of Harvard: W. E. B. Du Bois, Carter G. Woodson, and Alain L. Locke on
Multiculturalism, 1890-1940.” Admittedly, there were a few issues with the paper. I didn’t include any Black women in my consideration (although, given Harvard’s institutional racism and sexism in this period, Black women were almost nonexistent, including at the doctoral level). I had to deal with the Afrocentricity sect, who didn’t see multiculturalism as a fellow traveler, but instead as a Eurocentric “feel-good” understanding of US and Black culture.

Most importantly, I was being “anachronistic.” I had applied a term that hadn’t become commonplace until the 1970s to a previous period in history, one in which the term hadn’t been conceived. It didn’t matter that cultural pluralism had existed as a term since the 1890s and that many in the philosophy and education fields had used cultural pluralism and multiculturalism interchangeably. For this group of cultural and education historians, multiculturalism in my work equalled a no-go zone.

Jesus was a Socialist bumper sticker, an anachronism, October 12, 2015. (http://plus.google.com).

Though I managed a few short articles and a chapter on multiculturalism, time and time again, the question of anachronism came up. And despite all of my documented evidence, more senior scholars at journals refused to accept multiculturalism and Black history in the same sentence. “Surely you must be referring to Afrocentricity or Black Nationalism,” one reviewer for the Journal of American History wrote on a manuscript that he rejected in 2002.

It never occurred to me to call them directly on this bullshit. These same folks will write articles with titles like, “Was Jesus a Socialist?” or “a Marxist?,” or “Nat Turner’s Rebellion and the Birth of Black Nationalism.” Talk about anachronistic! Jesus and Karl Marx are roughly 1,800 years apart, and Black Nationalism is a specifically mid-to-late-twentieth century term. Yet this was much more all right than my early-thirties-self yammering about something as complex as multiculturalism and its role in the thinking and education of African Americans.

Beating a dead horse cartoon, September 2012. (Marc Cortez, http://marccortez.com).

I’m hardly arguing that academicians who didn’t like my work should have seen my brilliance and allowed me to publish or present more on multiculturalism. Heck, by 1999, I was tired of my former dissertation topic already! A bit more honesty about what really bothered them, though, would’ve been helpful. The idea that ordinary people could be unconsciously participating in multiculturalist activities, in this case, ordinary Black folk, some academicians found unacceptable. The idea that I could write this was unacceptable to quite a few. The fact that my former patron in Joe Trotter wasn’t out there opening up doors for me on my topic left me in a bad place politically as well. I wasn’t supposed to be in academia, after all, at conferences or in scholarly journals. I know now that part of the point was to thin out the herd of competition, to anoint some and shun so many others, me included.

The constant rejection on fairly hypocritical grounds just made it easier for me to publish Fear of a “Black” America in ’04 and move on. Since I am at the beginning of the process of thinking through a new topic, I don’t have mental exhaustion as an excuse for crumbling in the face of soul-destroying, narcissistic opposition. I also have at least one thing going for me these days. I feel I’m old enough now to call numbskulls on their bullshit.

The Long Road Home

19 Tuesday May 2015

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Jimme, Pittsburgh, Politics, Pop Culture, race, Work, Youth

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"Thriving as a Freelance Academic", Academia, Academic Writing, Bruce Anthony Jones, Career, Career Decisions, Career Development, Career Options, CMU, Disillusionment, Joe William Trotter Jr., Katie Rose Guest Pryal, Peter Stearns, Politics of Academia, Politics of the Foundation World, Self-Awareness, Self-Determination, Self-Discovery, Social Justice, Teaching and Learning, The Chronicle of Higher Education, Troublemaker, Writing

My stressed-out PhD walk photo, Carnegie Mellon University, May 18, 1997. (Angelia N. Levy).

It’s been eighteen years and nearly a day since I had to shake then Carnegie Mellon Dean Peter Stearns’ hand on stage as part of the PhD portion of the 100th commencement ceremony for graduates, that third sweltering Sunday in May ’97. I’ve talked about the ceremony, my Mom’s jealousy and issues about my degree, Peter Stearns, Joe Trotter, Bruce Anthony Jones, and what happened before and after the degree ceremonies on that fateful day.

But time and enlightenment — especially the latter — has allowed me to take a step back from the events leading to a new wave of disillusionment in my life. If I really think about it, my struggles with where I wanted to go with my career go as far back as ’81, in the months after my first accolades as a writer, to the time when at eleven, I already had an encyclopedic knowledge of history, basic science, and technology. Heck, I already knew some of the historiography around World War II, the Cold War, American slavery and civil rights, long before I ever knew the definition for historiography. Not to mention, I was already living what we now call migration studies, thanks to my Mom and dad.

But my Boy @ The Window years did their damage to me. By the time I turned twenty at the end of the ’80s, I wasn’t fully clear of the array of choices I had for a career or set of careers. I knew I could write, and often write well. Yet I had stopped seeing myself as a writer by the time I went through my summer of abuse in ’82. I knew that I was a historian, because I asked the kinds of questions about history that only trained historians would. Yet I hated the idea that I was supposed to write only one way, using words like synergistic and interstitial (at an esoteric minimum) along the way. I toyed with the idea of going to law school in ’90, even going so far as to take the LSAT, scoring a then-50th percentile 31 on the exam in my one-and-only try.

Arthur Wesley Dow (1857-1922), The Long Road–Argilla Road, Ipswich, circa 1898, April 28, 2010. (BrooklynMuseumBot via Wikipedia). In public domain.

I struggled for years with my fundamental question: “Am I an academic historian who’s also a writer? Am I a writer who’s also a historian? Can I be both?” I realized about a decade ago the question was moot. I am both. The real question really has been, will the working world allow me to operate as both without giving me grief and a hard way to go? (By the way, if I ever were to do a second, post-Boy @ The Window memoir, this would be one of that book’s big themes.)

I can safely say as a mildly successful freelance writer that the answer for many in this world of singularities is no. The working world puts up a fight, has and will continue to try to force me and others with multiple talents to choose one path, to do one thing, and one thing only, ideally for all time.

Academicians only think about each other via teaching duties or well-placed articles and books in scholarly journals and scholarly publishing houses. Higher education administrators believe that the only way to understand their work is through the lens of their specific university, as if universities and colleges aren’t similar from a management standpoint. Nonprofit organizations

A male mallard duck, a bird’s triple threat (can walk, swim under water and fly), Saint-Eustache, Quebec, Canada, November 19, 2007. (Acarpentier via Wikipedia). Released to public domain via CC-SA-3.0.

discount teaching and higher education administrator positions because finding money or managing students isn’t exactly the same as managing staff. Foundations who use your salary history instead of your scope of programs developed, people reached, and money raised as a barometer for even granting you an interview. All would prefer that you be quiet about injustices, especially ones in which their institution, organization, or foundation might well be complicit.

For me in the past couple of decades, though, I’ve worked in and with academicians, higher education administrators, nonprofit organizations, and private foundations. I’ve helped raise $3 million over the years, managed as many as twenty-five staff members, organized four-day conferences with a couple hundred attendees, worked with as many as 500 students at any given time, and taught undergraduate and graduate courses. I’ve written scholarly articles, published in scholarly journals, presented at a couple dozen conferences, and consulted for nonprofit organizations and foundations. To think of myself as only one thing is beyond ridiculous given my by-necessity-and-neglect careers so far.

Yesterday, The Chronicle of Higher Education posted the article “Thriving as a Freelance Academic” by Katie Rose Guest Pryal. In it, Pryal interviewed three White women about their experiences freelancing in the academic world. The women interviewed found a singular niche, found steady work through that niche, and otherwise didn’t question the idea of freelancing in a world in which freelancing is a rare career choice.

A square peg hammered into a round hole, May 2014. (http://joshbrahm.com/).

All that is fine. Except there was little soul-searching in Pryal’s piece. The women interviewed might as well have decided to go on a global trek or rock climbing, given their lack of ambivalence about academia or deliberate lack of specifics and dryness about the work they actually do. I don’t doubt that one can freelance in academia. I doubt, though, that one can do it without personal relationships with a specific university or alma mater, or with a specific higher education administrator or prominent professor. Why pick on this piece? Because there are far more people like me in and out of academia, who’ve consulted and freelanced and worked and stitched together a career, then there are the people represented in Pryal’s boutique article.

There is a lesson here besides the reality that life is a journey, and to get it right, we need to understand that it can and will be a roller-coaster-ride of a journey. The lesson, for me at least, is that while being true to myself has sometimes had consequences in terms of immediate victories and easy financial gains, it does mean I get to have success, and sometimes, even lasting success.

Carnegie Mellon Stamp of Approval

17 Monday Mar 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Pittsburgh, Pop Culture, race, University of Pittsburgh, Work, Youth

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Advice, Barbara Lazarus, Book Reviews, CMU, Coursework, Doctoral Completion, Graduate School, Hazing, Joe William Trotter Jr., John Modell, Oral Comprehensive Exams, PhD, Pitt, Politics of Academia, Prayer, Stamp of Approval, Steve Schlossman, Sycophants, Torture

Approved rubbed stamp in green, March 17, 2014. (http://depositphotos.com).

Two decades ago on this date, I took my oral PhD comprehensive exam. It was on a cloudy Thursday, a day after a late afternoon shower had left a rainbow over the otherwise dreary campus. Like the day after that rainbow, the exam was anticlimactic, more indicative of what I’d learned in two years as a grad student at Pitt than in my two semesters at Carnegie Mellon.

Getting to this exam was sheer torture. Not because I didn’t understand historiography, or hadn’t read at least 230 books and countless articles since my first day of grad school. No, it was torturous because the powers that were had insisted to make my schedule more like the one of a first-semester grad student the previous fall.

I ended up with two courses that I didn’t want and didn’t need, especially since the History Department at CMU had told me that they had accepted all of my master’s and PhD credits from the University of Pittsburgh. Though I had taken four grad seminars in US history (not to mention CMU Professor Joe Trotter’s grad seminar in African American history the year before), I was taking a first-year student’s grad seminar in US history – again! I also had to take comparative working-class history seminar with a combination of anti-race Marxists and brown-nosing sycophants more interested in an A than in actual evidence-based historical interpretation.

Prostate exam from Family Guy (1999-2003, 2005-present) screen shot, July 17, 2013. (http://chattanoogaradiotv.com).

That, and being broke for most of the ’93-’94 school year — I took what amounted to a $2,000 stipend cut in my transfer from Pitt to CMU — made me pretty cranky my first six months at the home of elitist lily-Whiteness. There were days in those courses where I wanted to literally strangle some of my fellow grad students for being so dense (in the case of first-years) or for being so obviously fake in their praise of a given professor’s argument (in the case of two sycophants in particular). Only the late Barbara Lazarus and Trotter kept me grounded enough so that I didn’t spend every moment of Fall ’93 making voodoo dolls out of Steve Schlossman and John Modell for putting me through the hazing process.

Somewhere around the beginning of November ’93 — after some much-needed time in prayer — I began to realize a few things. One, that I’d already done so much reading on topics like immigration, industrialization, slavery and the connections between race and class (and race, class and gender). So much so that unless it was an author of major interest, I could skim or skip the reading, or even find a few book reviews and compare them to my extensive library of notes on the other authors in a given subfield or field.

Two, that my time outside of class was still my time. I knew that I wanted to do multiculturalism as a dissertation topic, and that I wanted to do it in the context of Black Washington, DC. So I began ordering microfilm of Black weekly newspapers like the Washington Tribune and Washington Bee (going back as far as 1915) to look at as much material as possible. It calmed me to know that I was working on my dissertation topic nearly a year before Trotter and my committee would official approve it.

Three, I knew by January ’94 that Schlossman, et al. had agreed that the Spring ’94 semester would be my last one in coursework. I still had to take Modell’s goofy Historical Methodologies course, but having to do things like my oral comprehensives made going to class just bearable enough.

Acting a part quotes from actors, March 17, 2014. (http://thepeopleproject.com/actors/quotes).

Finally, I took out a loan. I’d only taken out one student loan since finishing undergrad in ’91, but it was obvious I couldn’t live off of a $7,500-per-year stipend. Really, no one could, not without rooming with another student or having a spouse with a real income. The money came in at the beginning of March, making my march to become ABD that year that much easier.

By the time I walked into the second-floor conference room in Baker Hall to take my orals, I knew there wasn’t a question about what I knew and how well I knew it. It was about whether I could show the folks at CMU that I could play along with them in their version of grad school, which wasn’t any different from any other history doctoral program’s version. And I did play along, for two hours, more than long enough to move on to the dissertation proposal round.

When I said years later to my friend Laurell that Humanities and Mount Vernon High School had prepared me more for grad school than it did for undergrad at Pitt, this was what I meant!

The Road to Boy @ The Window, Part 4: Fear of a “Black” America

26 Thursday Sep 2013

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, eclectic music, music, Patriotism, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Academia, Afrocentricity, Authentic Blackness, Authenticity, Emotion, Estelle Abel, Fear of a "Black" America, Fear Of A Black Planet, Fear of Black Males, Joe Trotter, Multicultural Education, Multiculturalism, PE, Personal Vignettes, Politics of Academia, Politics of Education, Politics of Fear, Public Enemy, Rage, Richard Altenbaugh

Given that Fear of a “Black” America was my first book, but one based on my doctoral dissertation, and that Boy @ The Window is a memoir, the road from one to the other may not be that obvious with an initial glance. But despite the intellectual, semi-scholarly nature of my book on Blacks and multiculturalism, there are parallel themes that run between Fear of a “Black” America and Boy @ The Window. Perhaps none are more important, though, than the challenge of authenticity, of fitting in, of being able to mesh the complicated onion that I’ve found myself to be over the years.

I think that was why I decided in November ’98 to turn my dissertation “A Substance of Things Hoped For” into a more readable book. Yes, after all that work to write a 505-page thesis, it would’ve been a shame to just let it sit on my then girlfriend’s coffee table, to be used either as a door stop or a base for her doing her nails. Yes, I still had something to prove to academia. That my scholarship as a historian and educator on the issue of multiculturalism was sound. That the conventional academic wisdom around Blacks, people of color and multiculturalism was paternalistic fear-mongering.

Public Enemy, Fear Of A Black Planet (1990) Album Cover

And in thinking that last part through, I came up with my Public Enemy-inspired title and thread for the first book. It was about fear in many forms. Elite White fears of a majority-people-of-color US within their own lifetimes. Conservative fears of a K-16 education system that included the cultural and historical perspectives of peoples of color, of the poor, of women, of the LGBT, of so many others they’d rather discard. General American skepticism that any Blacks had ever given any thought at all to cultural pluralism, intercultural education, or multiculturalism/multicultural education, at least before White theorists had thought through these ideas first.

Afrocentrists and nationalists who thought of multiculturalism as soft and utterly unrepresentative of the Black experience — or, at least, what they considered an authentic version thereof? That was as difficult a challenge as any I faced in writing both my dissertation and Fear of a “Black” America. So much so that I made a few interesting decisions along the way. I sought out an agent — yes, a literary agent — for the first book, and found one, too (things were so much easier in ’99). I wanted the book to have an impact beyond academia.

In the writing process, I decided to weave the theme of fear, skepticism, willful and inadvertent misunderstandings throughout the 200-page book. All while covering Black intellectual thought about what we now call Afrocentricity and multiculturalism, Black activism and activities around education and Negro History Week, and the so-called Culture Wars of the 1980s and 1990s. All to show that multiculturalism was/is a part of America’s evolution, even if some folks are gnashing their teeth and wearing sackcloth and ashes along the way.

One thing was missing, though, from my six chapters. Me, in a word. Yes, my argument was crystal clear, my evidence was sound, my notes and analysis lined up well enough by the summer of ’00. Yet, as my one-time agent noted, “there’s not enough of you in this manuscript.” Bottom line: folks weren’t going to buy the book unless I made it more compelling, which meant putting something of me or about me in it.

So I did. I wrote mostly about my experiences in academia and how they paralleled with some of the critical issues in Fear of a “Black” America. I talked about my Duquesne University students in the College of Education in ’98 and ’99, most of whom were cultural conservatives. I brought up conversations I had with professors skeptical about my scholarship, like Richard Altenbaugh in March ’98 or my former dissertation advisor Joe Trotter in April ’96. I also wrote about my conversation with Estelle Abel over my lack of authenticity as a young Black man in June ’87, having thought about it for the first time in thirteen years. I wasn’t sure if that made Fear of a “Black” America any better, but it made me feel better about my first book.

By the time I’d given my agent the final draft of Fear of a “Black” America in October ’00, I was ready — maybe for the first time in years — to take a look at my life before Pitt, grad school, Spencer Fellowship and becoming Dr. Collins. I wasn’t sure if I wanted to open up the emotional side of that Pandora’s box just yet. But in some ways, I really needed to, precisely because of my experiences with people in grad school at Pitt and Carnegie Mellon. And precisely because of my occasional moments of rage and overreaction, if only because Fear of a Black “America” helped me tap into emotions I didn’t know I had.