Tag Archives: Sexual Assault

“Grace,” #MeToo, and Our Binary World

20 Saturday Jan 2018

Posted by in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Pittsburgh, Politics, Pop Culture, race

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Water buffaloes in mud, January 2017. (http://reddit.com).

Part of me knows that some of you will assume that I shouldn’t be discussing this on my blog at all. I’m a man, a Black man, a middle-aged Black man, so what do I know, really? I haven’t been on a date with anyone other than my wife since 1995. And my own history with hypermasculinity and sexism combined with my exposure to patriarchy and misogyny should disqualify me from making any comments on Babe.net’s “Grace” piece, right?

But I do have a few things to say. That is, after a week of reading tweets, articles, Facebook posts, as well as conversations with my wife and a couple of friends. Most of the divide has been between those adamant that “Grace” was a #MeToo victim of some form of sexual violation and those who believed that her evening with Aziz Ansari was little more than a bad date. This is yet another time in which the American penchant for seeing the world as white or black, or in computer code, as 0s or 1s, can literally blind most from the truth. Both sides are sort of right and sort of wrong. And like an electron (which can be in two places seemingly at once), this isn’t a binary issue. It’s a both-and situation.

Either-or thinking, December 2014. (http://survivingchurch.org).

Ansari was a doggish pig. Period. His intent with “Grace” was purely sexual. He saw her as a piece of meat (or, really, a “piece of ass”). That would explain both Ansari’s words and actions as Katie Way wrote them last week. Does that make his sexist? Of course!

Ansari also tried to persuade “Grace” into full-blown intercourse a couple of times after she had expressed her uncomfortability with moving beyond kissing, oral sex, and other fondling. Coercive behave is also doggish, venturing toward the misogynistic. All of this is true, and is certainly part of how entitlement and patriarchy can work together in sexual relationships.

Context, however, is always important in any situation. Especially one that isn’t as cut and dry as what Way described regarding “Grace” and her Ansari date. So many have harped on the idea that questioning “Grace’s” decision-making in any form is the equivalent of what misogynists do to rape victims. Not true. Not when the power dynamic is limited and diffuse at best. Not when Ansari never used physical coercion or the threat thereof to get the sex he obviously wanted.

And certainly not when “Grace’s” actions didn’t line up with her word. Some have argued about the inability of men to read the subliminal subtext of women when they are saying “No” or “I’m leaning toward no.” And for many men, this may well be the case. For so many women, being too direct may well lead to a verbal or physical confrontation with a misogynistic man. But that negates the context of Way’s piece. “Grace’s” physical responses and cues throughout the sexual encounter either belied her words, or her words were simply unclear.

Truth is, after their first try, Ansari should’ve not only just stopped, which he did. He should’ve also immediately called “Grace” a cab and sent her home. But in even writing this, isn’t this as much a form of ceding power to patriarchy as it would be a sign of sexual maturity, at least on Ansari’s part? 

Truth is, “Grace” should’ve also have been clearer with herself about what she wanted from her date. And should’ve just ended the date, rudely, discreetly, with clearer words and clearer actions, either at the restaurant or after the first sign of being uncomfortable. Because feminism is about taking charge of one’s own womanhood, and not just merely resisting patriarchy and misogyny with mealy-mouthed language.

Truth is, “Grace” had very different expectations of Ansari and that one-and-only date. The kind of expectations that are a bit immature, especially for a women who thinks that “[y]ou guys are all the same. You guys are all the fucking same.” That the main divide among women who’ve commented on “Grace” is age (with the over-under around 35 years old) is telling. Some will say that women (especially younger women) shouldn’t put up with legal yet boorish behavior, either. So don’t!

Truth is, “Grace’s” story via Way’s article is a hit piece, a sort of revenge for Ansari bursting her internalized image of him as one of the few “good guys.” “Grace” got to violate Ansari’s private life because she was enraged that Ansari saw her as little more than a piece of sexual meat. And while Ansari showed himself on this date with “Grace” to be a sexist pig, this isn’t a #MeToo moment.

Unless, of course, we distance ourselves from context, privilege, and intersectionality. Most assume that “Grace” was a 22-year-old White woman. Probably. But even if not, Way’s article about “Grace” is drowning in Whiteness. Especially when considering “Grace’s” relatively lofty expectations that Ansari would be different from other men. Especially when taking the approach that she wanted Ansari to calm her down after the awkwardness of their first sexual try. What made “Grace” think that he was so different? What made her actions as confusing as they were?

A lock of blonde hair (an allusion to Pope’s Rape of the Lock), June 18, 2013. (http://allure.com).

The Sturm und Drang over this hit piece reminds me of when I read Alexander Pope’s mock epic poem The Rape of the Lock in tenth grade. I might not remember much from Mrs. Buckley’s otherwise boring-ass English class in 1984-85, but I do remember the story of how a war started because a baron cut a lock of Belinda’s hair and kept it. It’s also typical of how race riots and lynchings of Black men often occurred, over perceived slights and embarrassing winks.

Speaking of intersectionality, where have all the “Grace” defenders been this week on serious #MeToo issues? Where have they been on Jade Martin for the past week, as a video of her assault at the hands of a Pizza Milano manager in Pittsburgh went viral, an instance of both racism and misogyny? Where have they been on the sentencing phase for Larry Nassar, a man who sexually assault over 100 young women and girls over decades? Where are they on the Rohingya, as the Myanmar security forces have admitted killing and raping women and children while driving them out of the country?

No, for so many privileged, younger, and White American women, a bad sexual encounter with a man whose sexual sexism was obvious is more important that the felony assault of a Black women for wanting to use the bathroom. The last week has shown yet again the racial, ethnic, class, and even age divide that has plagued #MeToo ever since it became more about White women and less about marginalized women and people.

A Big Wheel and Recovered Memories, Part Two

06 Saturday Aug 2016

Posted by in 1, Boy @ The Window, culture, Eclectic, Jimme, Marriage, Mount Vernon New York, My Father, New York City, Pop Culture, race, Youth

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It took me until three weeks after the sex assault on the Nathan Hale ES playground before I told my parents. Those three weeks are a blur, but not the blur that the incident with the light-skinned teenager and his three friends would become until three weeks before my forty-fifth birthday

At the beginning of August ’76, my Mom and my dad Jimme were having another one of their vicious arguments. It was that Saturday afternoon when I finally learned that my Mom had filed for a divorce the month before. Anyway, I somehow managed to get myself in the middle of that argument. I complained that Darren’s bigger butt had been the final straw for my Big Wheel. It had broken in half after he tried to ride it earlier that week.

“I told him, it says ‘90-lb limit’,”  I said to my Mom (which I pronounced as “ninety lebs”) while pointing at the inscribed warning label on my now broken Big Wheel, crying.

“You broke that shit weeks ago!,” my Mom yelled.

“I didn’t break it. A bunch of kids did,” I said.

“And you didn’t try to stop ‘em?,” Mom asked.

“I did try to stop ‘em. But they took it and one of them stuck a pee-pee in my mouth,” I explained.

“I done told you not to leave the house when I’m not here! That’s what you get for not listenin’!,” my Mom screamed.

I was so shocked by how angry she was. I was mad, too. I didn’t think. I just ran out the house and out into the middle of the street. I saw a tan Chevy Malibu coming down the street and I just stood there.

1973 tan-ish Chevy Malibu, August 5, 2016. (http://www.autoblog.com).

1973 tan-ish Chevy Malibu, August 5, 2016. (http://www.autoblog.com).

The older, salt-and-pepper bearded and balding Black man didn’t slow down until he realized I wasn’t planning to move. He slammed on the brakes and came to a stop about three feet in front of me. The man put his car in park and got out. He then slammed his driver’s side door really hard, and yelled, “Boy, what’s wrong with you? Are you tryin’ to get yourself killed? Where’s your mama?”

He grabbed me by the back of my chocolate-brown t-shirt and made me show him where I lived. We marched upstairs to the second-floor, where he proceeded to explain my suicidal actions. My Mom then took the older man’s belt and beat me with it in front of him, with Darren and Jimme watching. Afterwards, she said “Thank you” to the older man, and then sent me to bed without dinner. “Don’t you EVER do that again!,” she screamed.

Nine months after that bicentennial summer, we moved across town to 616 East Lincoln, a three-in-one, five-story Tudor-style apartment complex. After a summer camp at Darren’s Clear View School in Dobbs Ferry, we went outside on 616’s grounds for the first time, in August ’77. The kids at 616 and 630 East Lincoln chased us around the vast two-building complex while throwing rocks at us. Scared, we hid behind the big, wooden, dark-brown front door and huddled, hoping that the kids wouldn’t find us.

Instead, a couple of young Black Turks saw us and took us upstairs to my Mom and my eventual stepfather Maurice. The two young men said that they saw us doing “the dukey.” I had no idea what they were talking about. All I knew was that my Mom and stepfather proceeded to whip us as if we’d gone to the grocery store and stolen $100 worth of candy and soda. Both “dukey” and “faggot” were part of my vocabulary — again.

The mind of a child is a strange place. Mine was no different. For years afterward, I’d managed to forget these most painful memories. I managed to bury them without burying all of my other memories, so many memories that I have for the last forty-one out of my forty-five years. I somehow didn’t remember the connections between my Big Wheel, the light-skinned teenager and standing in the middle of South Sixth, waiting to be run over. I didn’t remember my Mom’s response to finding out that her six-year-old son had been sexually assaulted.

It’s ironic. Ironic because I’ve already written my coming-of-age memoir in Boy @ The Window. I spent the better part of a decade researching, writing and revising it before self-publishing it in 2013. I included excruciating details about my family, my Mom, my father Jimme. I included as many relevant and embarrassing events as I could about how I became the person I always wanted to be. And with all that work, I never remembered the moment a teenager forced his penis tip into my mouth.

Buildings/dream in state of collapse, via Inception (2010), August 5, 2016. (http://www.cinemablend.com).

Buildings/dream in state of collapse, via Inception (2010), August 5, 2016. (http://www.cinemablend.com).

I only remembered during the holidays in 2014. One night in early December, I had a really bad trying-to-escape dream — again. This time, though, I remembered the taste of a penis in my mouth, and then I saw the light-skinned teenager. Even in my dream, I said, “That’s him. That’s it.”

After I woke up, a flood of images erupted in my brain. The Chevy Malibu and me standing in the street. Seeing the light-skinned kid who  assaulted me on the playground at 616 on the same day the other kids chased Darren and me around the building while pelting us with pebbles and rocks. The wall of fear that my Mom had on her face when the neighbors told her that they thought Darren and me were “faggots” because we were standing so close to each other that we looked like we were “doing the dukey.”

The now-remembered incident explained so much. My Mom’s constant fear that I’d turn out gay. My father Jimme constantly calling me a “faggat” (as he pronounced it when he was drunk) whenever I stepped out of line or looked at people the wrong way. My Mom giving my one-time idiot stepfather Maurice carte blanche to “turn” me and Darren “into men” through Isshin-ryu karate and draconian physical abuse. Me being terrified at times when around Black guys on the basketball courts or in other social setting. My looking at young women from afar, attainable and yet all but unattainable for me. The sheer desire to save the people in my life from violence and destruction, especially my Mom and Darren, but the inability to do either.

My family’s fear of the mere possibility that I or my brother Darren could be gay drove many of their measures of physical, verbal and emotional abuse. So much so that they ignored all the signs of my actual abuse. Like standing in middle of the street to get run over by a car, were just considered “defiant” or “weird.” Or with me constantly chewing my fingernails right down to nail bed. Or me constantly stuffing sandwiches and other food down into the recesses of my winter coats, having already ripped out the pockets, and leaving the food there. Or the day I stood on Nathan Hale’s playground during recess in May ’77, when I took some string from my red and blue-striped t-shirt, gradually unraveled it, and swallowed nearly a third of it. My Mom figured she could beat the “something’s wrong with you, fool” out of me. My father calling me a “faggat” from the time I turned fourteen was just tough love, not a form of abuse piled on top of abuse.

Now that I remember everything about the physical and the sexual abuse, what do I do next? It’s been forty years since I found out how horrible life could be. It’s not as if I’ll be able to track down and then beat up the light-skinned teenager, who’s now in his early fifties, assuming he’s still alive.

I could start by revising Boy @ The Window. I wasn’t just weird because I wore a kufi, spoke too slowly, or grew up with weird people. I wasn’t just a child of poverty, abuse, and divorce. I was also a sexual abuse victim, all but completely unacknowledged, and yet such a major part of the story.

Forgiving my abuser could be at the top of the list. It would be difficult to be angry at someone whom I’d forgotten about for nearly four decades. But you know what? If I could just punch him in the throat and then knee him in the balls until one fell out and rolled down the street, that would give me some satisfaction.

Mostly, I’m just satisfied that I know my past in full. I already paid the bill. Now that I know what I paid for, I can move forward. I can look at my past, present, and future with more sanity than I thought possible.

Aside

Finding A Memory, Knowing the Whole Truth

16 Thursday Jul 2015

Posted by in 1, Boy @ The Window, culture, Eclectic, Jimme, Marriage, Mount Vernon New York, My Father, New York City, Patriotism, Politics, Pop Culture, Youth

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From Cam Jansen Mysteries, a series of children's books about a girl with a photographic memory who would solve mysteries and take pictures in her mind of the clues, August 9, 2012. (http://appraisingpages.com).

From Cam Jansen Mysteries, a series of children’s books about a girl with a photographic memory who would solve mysteries and take pictures in her mind of the clues, August 9, 2012. (http://appraisingpages.com).

No one’s memories — even those whom are eidetic or whose memories can be near photographic — are perfect, especially over the long haul. As far as the scientific community knows, there are no exceptions. I include myself in that category. This despite having a memory cycle that has seldom let me down. Since August 8, 1974, there have been only a few gaps of any major significance. I might not be able to tell you exactly what I had for dinner on July 16, ’85, but my guess would include either chicken and dumplings or $5 spaghetti with meat sauce and frozen chopped broccoli, both courtesy of my shopping at C-Town in Pelham, New York almost every day (it was a welcome relief from the heat of sitting home at 616, anyway).

One area where my memory had let me down was parts of the summer of ’76, the bicentennial summer. I could vague remember being down in the city for some of the festivities that July 4th, followed by a long sleep on the free Metro-North ride that day, only to end up in New Haven, CT because my father had been drinking and sleeping on the train, too. I remembered my Mom buying a Polaroid and taking pictures of herself and us and her new furniture at 425 South Sixth at the beginning of the month.

And I remembered that this had occurred a couple of weeks later:

My first memories playing with a group of Black males in Mount Vernon, New York are all negative. When I was six in ’76, a group of preteens on the neighborhood playground near Nathan Hale Elementary on South 6th Avenue tried to force me into sucking one of their dicks, practically sticking it in my face to do so. I got away before being truly scarred for life.

But I knew that I couldn’t remember what occurred beyond that, not only for the rest of that day, but for the next three weeks afterward. It had bothered me for years that I couldn’t remember beyond the flash of images I did write down.

Even in writing Boy @ The Window (which thankfully wasn’t about my earliest years growing up), as much as I drilled down into my past, I couldn’t fully conjure the memory of this incident. And when I did try, I ended up inducing headaches.

It was the year after publishing my memoir that I realized my headaches weren’t just because I needed new pillows for my neck. I had a repressed memory, maybe even more than one. I didn’t try to find a way to un-repress the memory, though. I figured that if I concentrated on other memories from the spring and summer of ’76, it would manifest itself, one way or the other. The key was my Big Wheel, the only toy I truly loved growing up, and my first “girlfriend” in Diana, who moved away at the end of first grade. Those memories helped me conjure up the buried memories I needed to fill in the blanks.

Cecil Parker Elementary School (formerly Nathan Hale ES), Mount Vernon, NY, November 23, 2006. (Donald Earl Collins).

Cecil Parker Elementary School (formerly Nathan Hale ES), Mount Vernon, NY, November 23, 2006. (Donald Earl Collins).

Over the course of a couple of weeks between Thanksgiving and Christmas last year, I either had dreams or wide-awake flashbacks that filled in my blanks. I was in fact sexually assaulted, by a light-skinned thirteen or fourteen-year-old. With the help of two of his friends, he had gotten his penis in my mouth while I was being held down to the ground on the rain-soaked, asphalt, Nathan Hale playground. I only got away because his friends were laughing after I spit his penis out of my mouth, laughing so hard that they were no longer holding me down.

I did a bit of digging into July ’76. I already knew from my memories it had rained on a Tuesday or Wednesday the week after July 4th. Turns out on that Wednesday, July 14, a quarter-inch of rain fell on the New York City area, as there was thundershower activity and high winds that afternoon, with a high of 78°F. That, unfortunately, confirmed everything.

1976 Chevrolet Nova, Seattle, WA area (not the right color, but the right model), July 16, 2015. (http://youtube.com).

1976 Chevrolet Nova, Seattle, WA area (not the right color, but the right model), July 16, 2015. (http://youtube.com).

What I remembered next after was probably just as horrific. I didn’t tell my Mom about my incident for weeks, because I was supposed to stay home while she went to work at Mount Vernon Hospital that day. I did tell her, though, about three weeks later, on the first Saturday in August, as she and my father were arguing as usual. And, my Mom being my Mom, she didn’t believe me, leading to my first attempt at taking my own life. I ran out of 425 South Sixth, straight into the street, and waited to be run down by an older Black guy in a Chevy Nova (more on that at a later date).

But maybe what triggered these repressed memories in the first place was the trauma of losing my sister Sarai in July ’10. After all, that’s also the week I learned that one of my younger brothers had been raped by a short Black guy in his early twenties while pursuing his video game addiction via arcades at the age of nine. As traumatic as that revelation was, it was my Mom’s response that was the most chilling. “It serves you right. I told you to stay away from that man,” my Mom said in response.

Maybe it was too much for my Mom to hear on the same week as her only daughter’s death. Then again, from what I’ve come to remember now, finding out about any one of her children being abused was always too much for my Mom to bear. As for me, knowing the whole truth has made sleeping much easier, my dreams more peaceful, and my headaches all about stress and neck tension.

Bill Cobsy, The Nexus of Father Figure and Power Corruption

20 Thursday Nov 2014

Posted by in 1, Boy @ The Window, culture, Eclectic, Jimme, Marriage, Mount Vernon New York, My Father, Pop Culture, race, Youth

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Jell-O Pudding Pops ad with Bill Cosby, circa 1983, November 20, 2014. (http://pinterest.com).

Jell-O Pudding Pops ad with Bill Cosby, circa 1983, November 20, 2014. (http://pinterest.com).

In the aftermath of my Mom’s second divorce in September ’89, she would sometimes engage me in conversations about manhood and fatherhood. It was as if she didn’t think of me as a man in really any sense at all. This despite years of handling adult responsibilities and running interference between her and my now ex-stepfather Maurice.

George Michael, "Father Figure" video screen shot, 1988. (http://vevo.com).

George Michael, “Father Figure” video screen shot, 1988. (http://vevo.com).

One Christmas holiday day in ’90, we were sitting in the living room at 616 watching a rerun of The Cosby Show on NBC, then the most popular show on the most popular network in the US. My Mom asked me, “If you could pick your father, you’d want it to be Cosby, right?” I stared blankly at my Mom, wondering where the heck that question came from. I didn’t say anything. But my Mom took that as me thinking, “Yeah, he would’ve been a great father for you.”

At the time, I certainly thought that Bill Cosby would’ve been an entertaining father, if I’d been lucky enough to have a near-billionaire as my dad. What I really wanted was my father, Jimme Collins, to get himself sober, to be lucid enough to talk to now that I was in my twenties. Beyond this, I didn’t give Cosby or my Mom’s question and comments much thought.

Over the years, I’ve watched TV dads come and go, frequently with some tragedy or controversy. Robert Reed of The Brady Bunch (1969-74) fame comes to mind, with his in-the-closet status and his early death from colon cancer and HIV complications. So too does Conrad Bain, because of the backlash Diff’rent Strokes (1978-86) received as a result of its dated way of treating issues such as race and poverty with his character Phillip Drummond as the father to two Black kids, not because of his personal life. But Bill Cosby as Dr. Heathcliff “Cliff” Huxtable, an obstetrician and gynecologist (talk about irony) and father of four daughters and one son, became for many “America’s Dad,” a title that the media has celebrated recently in the wake of The Cosby Show‘s thirtieth anniversary of its first airing earlier this fall. He was supposed to be above reproach.

Bill Cosby in midst of his "Pound Cake" speech (with Rev. Jesse Jackson in background), NAACP 50th Anniversary of Brown decision gala, Washington, DC, May 17, 2004. (http://blackpast.com).

Bill Cosby in midst of his “Pound Cake” speech (with Rev. Jesse Jackson in background), NAACP 50th Anniversary of Brown decision gala, Washington, DC, May 17, 2004. (http://blackpast.com).

I’ve long been disappointed with Cosby, though. For his culture-of-poverty arguments against welfare mothers, crack babies and pregnant teenagers. For his frequent need to chastise Blacks living in poverty for not knowing “proper moral behavior” (this from a person who purportedly holds a doctorate in education from the University of Massachusetts). Not to mention his double-standard on monogamy.

Now even the oblivious set has become aware of the growing number of accusations from women who’ve said that Cosby had allegedly committed rape and other forms of sexual assault going back at least thirty-two years. I’ve been aware of these accusations and rumors for nearly twenty years, in the wake of Cosby’s son Ennis’ death in ’97. I hoped that these accusations were false ones at first. Who would want to believe that “America’s Dad,” the Jell-O Pudding and Pudding Pop Man, was also drugging and raping women in his spare time?

I think what we need to recognize the most, maybe even more than systemic racism or our culture of imperialism and violence, is that this society of ours is somewhere between an oligarchy and a plutocracy. Bill Cosby’s stance on race, community and morals has only mattered because of his fame and fortune, not because of his expertise and certainly not because of his professional experience. Bill Cosby’s a comedian, an actor, a philanthropist and a philanderer, and perhaps a rapist as well. Americans all too frequently fall for the facade of father figures and others whom seem to say what we want to hear. When all those with power and money really want to do is to wield that power and money to their own capricious and narcissistic ends.

Can Family and Friends Ever Understand The Why Behind a Memoir?

20 Monday Oct 2014

Posted by in 1, Boy @ The Window, culture, Eclectic, Jimme, Mount Vernon New York, My Father, Pop Culture, race, Religion, Work, Youth

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Front cover, Fire Shut Up in My Bones, Charles M. Blow, September 23, 2014. (http://goodreads.com).

Front cover, Fire Shut Up in My Bones, Charles M. Blow, September 23, 2014. (http://goodreads.com).

I started reading New York Times columnist Charles M. Blow’s memoir Fire Shut Up In My Bones two weeks ago. Like many who have read it, I have found it a good read, a revealing read, even a powerful read at times. I have been able to put it down, though. Mostly because as someone who’s recently written a memoir about my own painful and trying experiences with abuse and neglect, about confusion, distrust and occasional rage, Blow’s book has been a reminder of how difficult it was for me to relive those experiences enough to write them down in words and revise them into a book of my own.

Still, as I do intend to finish Fire before the holidays, I do have a couple of questions. One is really basic. Had Blow ever heard of the Kinsey Report (1948), the first one about the sexual experiences and habits of men, particularly gay and bisexual men, prior to turning thirty? The one thing I learned from reading this report twenty years ago is that there’s a lot of gray between heterosexual, gay and bisexual. That you can be heterosexual, and still have a small level of attraction to those of your same gender simultaneously.

256 shades of gray (cropped), October 20, 2014. (http://cs.dartmouth.edu).

256 shades of gray (cropped), October 20, 2014. (http://cs.dartmouth.edu).

But this is a minor question, more about his curious road to understanding his sexuality — not to mention my own road — than it is about Fire itself. My second question is a much more important one. How have Blow’s family and friends received his book since he decided to write it? How have they received Fire in the months since he announced it was coming out in September? How have they received him and Fire since it officially hit the shelves last month?

If his immediate and extended family was/is anything like mine (and from reading Fire so far, it is), then my best guess is their reaction’s been mixed at best. In the year since I released Boy @ The Window in paperback, my siblings have liked the book, but my mother and father haven’t exactly been happy about me writing it. My mother hasn’t said one word about Boy @ The Window since I put it out last year. Nor did she ask any questions about the book in the six and half years that I toiled in writing and rewriting it.

My father, meanwhile, showed interest in the book right from the moment I told him I planned to write Boy @ The Window. That was, until the paperback edition came out during the holidays last year. At that point, he said, “I don’t wanna talk to you no more.” We’ve talked several times since, but he’s still pissed with me about including him in my memoir, even though I never hid this from him at any point in the process.

Among my friends, most of my core group has bought and read Boy @ The Window. Most have given me positive feedback, some very extensive. Yet I found myself mildly surprised how few friends outside of this core group have bought or read the book. I take that back. Actually, I’m surprised by the negative feedback I’ve gotten from folks who’ve claimed to be friends of mine, who’ve never read a word of Boy @ The Window. But this feedback hasn’t been about the memoir. It’s really about their wanting to deny facts about me or about them that they’ve assumed are in Boy @ The Window, as if my job in this instance was to only be truthful when it felt good for them.

Dirty laundry in a basket, October 20, 2014. (http://plus.google.com).

Dirty laundry in a basket, October 20, 2014. (http://plus.google.com).

My platform is tiny when compared with Blow’s, so I imagine that the reaction to Fire in terms of both praise and condemnation has been more extreme, even as the praise has been much more public. I suppose if I was the perpetrator whom sexually assaulted Blow, I’d likely want to shut him up. I’m not so sure that anyone in his family, proud of him as they may be, wants what they’d likely consider “dirty laundry” out there for anyone to read. You don’t grow up in a family as traditional as Blow’s and expect everyone to be alright with their character’s characterization in a bestseller.

This I do know, and I suspect Blow has known for a while, too. That writing a memoir like Fire isn’t about seeking revenge or outing family secrets per se. Bottom line — it ain’t about the proverbial you! In some respects, as cathartic as writing a memoir like my Boy @ The Window or Blow’s Fire may be, it’s not so much about the authors,’ really, at least after the tenth edit.

There are so many stories that never see the light of day, because the fire for telling them burned out a long time ago. Or the window became a rubber room or a jail cell. It’s about telling a story that needs to be told, regardless of whether family’s happy about it, or whether some of your friends can relate to it or not. Because there’s always, always, an audience who needs to read it, hear it, see it and learn from it themselves.