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Notes from a Boy @ The Window

Tag Archives: Privilege

The Scourge of Scholarship & Scallops

01 Saturday Jan 2022

Posted by decollins1969 in 1, Academia, Carnegie Mellon University, culture, Eclectic, Politics, Pop Culture, race, Work, Youth

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Academic Culture, Bias, CMU, Elites, Elitism, Fishiness, Fishy, Genius, Joe William Trotter Jr., Objectivity, Oppression, Privilege, Racism, Scallops, Status Quo


Pan-seared scallops with bacon cream sauce, February 10, 2015 (cropped, December 31, 2021). (https://www.cakenknife.com/pan-seared-scallops-bacon-cream-sauce/).

I am not much of a scholar. No, really, I’m not. At least not in the extremely narrow way those who taught me to do historical research defined scholarship. For me, uncovering deliberately hidden truths or coming to new ideas, realizations, and leap-in-logic epiphanies was always about more than just “evidence.” It was about the nexus between human history and human behavior, the ability to use the past to understand the present and possibly the future. And through all that, to predict, to prevent, to propose remedies or possibilities for being, and being better, as a person, as people, as entire societies.

But all through graduate school in the 1990s, especially during my Carnegie Mellon years, all I was supposed to learn was about the greatness of “scholarship.” The way my dissertation advisor Joe Trotter would say “scholarship,” it reminded me of how my now recovering-alcoholic father would say “pep-up” when he wanted a drink. Trotter said “scholarship” with the zeal and relish of a person ready to eat at their favorite down-home restaurant or fish shack. 

For years even after finishing my doctorate, I could still hear Trotter’s “scholarship” and think of scallops, the ugliest and fishiest tasting of mollusks, in my opinion. I imagined them raw, then either sautéed or seared in butter, as this is the only way to eat the nasty things. Just like with academic scholarship. None of this removed their fishiness or the loads of carcinogens lurking in their lumps of meat.

For years, I have watched former and current colleagues, former and current students, and big-fish academicians I have only seen from my cold and cheap seats in the Kuiper Belt promote scholarship as a great and mystical process. “This is groundbreaking scholarship” is a common phrase in my academic world. “The genius of” so-and-so’s “scholarship” can also be read and heard, in book reviews, in scholarly journals, at academic conferences. I could be jealous, but I’d eat a can of unseasoned and undressed tuna again before eating up these scallop-y descriptions of scholarship.

For those who really don’t know, “scholarship” is really a combination of three things. 

1. Research, which in my field usually involves archival materials, like a letter Martha Washington might have written about making “her” Rum Punch, or a diary left behind by a granddaughter of an enslaved African woman, providing details not normally found in historical literature. For me, it’s interdisciplinary. Interviewing people about their experiences, asking common questions along the way for comparative purposes. It could also mean looking at census records, running microfiche machines for 100-year-old op-eds about “Saturday Night and the Negro.” But it is ALL research, and you don’t even need a high school diploma to be this nosy. I knew this already, but was reminded of this by a former student, an archivist who recently completed his bachelor’s.

2. Training and Methodology helps folks shape the research they do into what we call scholarship. It is very hard to do historical research on any given topic without “going to the archives.” That’s where researchers can commune with the primary sources, where they can most readily find the first-hand and “objective evidence” they need. But, if dead folks didn’t write anything down, then proximate evidence, like census records, can tell us about a people who didn’t leave written records, or because of oppressors, might have seen their records destroyed. Ethnographies, all the rage in my profession in the 1990s, are a sociologist’s and an anthropologist’s tool. So is mere observation or years spent reading others’ research. This is how I and so many others know lazy-ass Martha Washington ain’t never mixed no drinks in her Mount Vernon mansion. Not when she had trusted enslaved Africans as cooks and mixologists doing all the work.

3. Experience works on multiple levels, and is often the way others who like what they’re reading reach the conclusion that so-and-so’s “scholarship” is “genius.” There’s the experience of interpretation and being able to take new information and meld it with everything one already knows about a specific person, a group of people, a given topic, event, question, and/or social problem. There’s the experience of being a human being, and how those experiences have shaped you and how you process information, including the small and big epiphanies gleaned from one’s research. There’s also the experience of being oppressed or benefiting from oppression, which utterly colors whatever “objectivity” one may believe they have. In the case of oppressors and their beneficiaries, those experiences often dilute one’s ability to take quantum and cosmic leaps in logic to cover up the ginormous holes in their research, training, and methodology.

So when like-minded people get together to discuss what is and is not “scholarship,” 3. outweighs 1. and 2., just like Jupiter outweighs the other seven planets in our solar system — combined. It is a toxic, cannibalizing system, made more potent by the riches and miseries of capitalism, where research grants, book deals, and media appearances, and lecture circuit checks are on the line. 

When people ask for “evidence,” whether at this year’s American Historical Association conference or on Twitter, they are saying, “My experiences in life and in my field are privileged and limited, so I have decided your experiences in life and in my field do not matter.” When people refuse to accept your findings, it is often their myopia and their sense of narcissism and entitlement at work, and not flaws within the research you did. Especially when one’s research is about oppression, oppressors, how to fight oppression, and what happens when a people succeed in that fight.

This is why I chafed at Trotter’s salivations over scholarship some 26 years ago. This is why I find much about the idea of scholarship offensive today. Oh, I think doing one’s own research in a field of expertise or even to acquire expertise is fundamentally important. I just don’t think genius and scholarship are in any way related. Not without the experiences of life, the understanding of one’s positionality in privilege, not only to do research, but one’s unique life experience through which to process it. This is why I can never be a scholar. I refuse to be part of a club that has to sear and sauté its poisonous, fishy-ass scallops and declare themselves all “geniuses” for doing so. 

One might say that there’s something fishy going on here in the academic world. Scholarship is like scallops in that way. Do not leave it at room temperature for too long. Just like the academic “geniuses” who refuse to shower while writing their latest unreadable tome.

Rich, Lorde, and What I Care/Don’t Care About

20 Tuesday Mar 2018

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, music, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Adrienne Rich, Audre Lorde, General Writing, Intersectionality, Pitt, Poetry, Poets, Positioning, Privilege, Sexual Orientation, The Last Poets


Audre Lorde, Meridel Lesueur, and Adrienne Rich after leading a writing workshop, Austin, TX, 1980. (K. Kendall/Flickr, July 15, 2007). Released to the public domain via CC-SA-2.0.

Among the literary arts, poetry is somewhere between okay and blech for me. At least most of the time. That doesn’t mean I hate all poetry or all poets. I fully appreciate the rhyme and meter (and lack thereof) of so many, from James Weldon Johnson and Archibald MacLeish to Phillis Wheatley and Langston Hughes. I love the emotional layering in the choice of the words, and in more modern times, the delivering of such words, with The Last Poets, with Gil Scott-Heron, and of course, Maya Angelou. Rap legends like Tupac, Nas, Eminem, Public Enemy have lyrics that are essentially spoken-word poetry put to bass, beats, and music loops. Heck, I’ve even enjoyed W. E. B. DuBois’ forays in the art in my scholarly research (when I more regularly did it) over the years.

But as a writer of prose (and often, long-winded prose), I also find the form of poetry ill-fitting. For me, it’s like being a home-run hitter in baseball playing hard-court tennis. It’s not that I can’t hit a baseline winner or an ace. But for every one of those, I could easily hit four tennis balls in a row out of the court, and literally onto the roof of a house half a block away. I prefer the ability to lay out my thoughts and explain them in full sentences, without worrying over every single word and the rhythm that a sequence of carefully chosen words may or may not bring.

I barely read any poetry during my Humanities years, unless my English classes forced me to. Emily Dickinson, Edgar Allan Poe, John Keats, Alexander Pope, all for 10th grade English, and with the exception of Pope’s “The Rape of the Lock,” not particularly entertaining. I was convinced after high school in ’87 that I’d never read poetry again.

What brought on a new interest in poetry came from my sophomore year at Pitt. I had to take a General Writing class in Fall 1988. I had to because if I wanted to take upper-level History classes as a History major, this general education requirement needed to be knocked off.  But I had an enthusiastic graduate student as my instructor. When I say enthusiastic, I mean someone who knew their students wouldn’t be, but whose passion for teaching and literature of all kinds made the class and the readings more interesting. She told me early on, after reading one of my first essays, that I should’ve been able to pass out of General Writing through the diagnostic tests Pitt gave my freshman year. “I wasn’t exactly awake when I took it last year,” I said in response.

Ways of Reading anthology book (2nd edition), used in 1988. (http://ebay.ca).

When we got to the poetry portion of the course, I thought at first I was going to die from boredom. But our instructor didn’t assign us the usual suspects. The main poet we read that week was Adrienne Rich. She was someone I’d heard of growing up, but that was about it. Until the assignment of reading both Rich’s poetry and her essay “When We Dead Awaken: Writing as Re-Vision,” that is.

There were three things I’d never considered before reading Rich. One was the idea that writing was both art and craft, and that most writing was editing and re-envisioning one’s work. Two was the notion of transforming and being transformed through the writing process, and all as a proxy for a meaningful life. Three was the positioning of poets and other writers in literature, the privileging of men over women, of White males over feminists, of White heterosexual feminists over lesbian feminists, and especially Black lesbian feminists.

That last one about power, privilege, and positioning, it really grabbed me. So much so that I read more Rich that October weekend, in between pangs of hunger from lack of money and my Saturday evening shift at the Cathedral of Learning computer lab.

And the more I read of Rich, the more I decided to read about one of Rich’s contemporaries. I moved on to Audre Lorde the following week. She wasn’t among the long list of readings we had for General Writing, but she should’ve been. I couldn’t believe that someone who lived only miles away from my growing up experience in Mount Vernon and in New York could yet have such a vastly different experience with the city and the area.

I picked up Sister Outsider (1984) for the first time near the end of that fall semester. Lorde’s collection of essays about civil rights, about Black feminism (or womanism), about what we now call intersectionality, opened my eyes to how even Rich’s brand of feminism could be problematic. But more than that. Lorde, along with Rich, helped me realize, and not for the first time, that I didn’t care if the person I read or learned from was straight or gay, male or female (or later on, transgender), Black, Brown, or White. This despite what the Hebrew-Israelites and the evangelicals tried to teach me. They just had to be excellent in their work.

Excerpt of Audre Lorde’s Power (1978) (screenshot). (http://poetryfoundation.org).

Sister Outsider also opened up my eyes to the possibility that even my poetry-loathing ass could appreciate a true master at work in the art. So early on the following semester, I read Lorde’s poetry for the first time, likely some poems from her Coal (1976). Lorde talking about her upbringing, her relationship with her mother, and her issues with her own skin color, resonated with me.

But that was it with poetry for me until I borrowed my friend E’s recording of The Lost Poets 1971 album, and then read Angelou’s poetry, both in the summer of ’91. By then, I knew that while I’d never be a full-fledged fan of it, I could still appreciate the work, the art, and the layering of ideologies, emotions, and ideas contained in the best of poetry.

“Grace,” #MeToo, and Our Binary World

20 Saturday Jan 2018

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Pittsburgh, Politics, Pop Culture, race

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#MeToo, Alexander Pope, and Our Binary World, Babe.net, Binary Thinking, Context, Either-Or, Feminism, Gender, Grace, Hypermasculinity, Intersectionality, Jade Martin, Katie Way, Larry Nassar, Maturity, Misogyny, Mrs. Buckley, Privilege, Rohingya Crisis, Sexism, Sexual Assault, The Rape of the Lock (1715), Whiteness


Water buffaloes in mud, January 2017. (http://reddit.com).

Part of me knows that some of you will assume that I shouldn’t be discussing this on my blog at all. I’m a man, a Black man, a middle-aged Black man, so what do I know, really? I haven’t been on a date with anyone other than my wife since 1995. And my own history with hypermasculinity and sexism combined with my exposure to patriarchy and misogyny should disqualify me from making any comments on Babe.net’s “Grace” piece, right?

But I do have a few things to say. That is, after a week of reading tweets, articles, Facebook posts, as well as conversations with my wife and a couple of friends. Most of the divide has been between those adamant that “Grace” was a #MeToo victim of some form of sexual violation and those who believed that her evening with Aziz Ansari was little more than a bad date. This is yet another time in which the American penchant for seeing the world as white or black, or in computer code, as 0s or 1s, can literally blind most from the truth. Both sides are sort of right and sort of wrong. And like an electron (which can be in two places seemingly at once), this isn’t a binary issue. It’s a both-and situation.

Either-or thinking, December 2014. (http://survivingchurch.org).

Ansari was a doggish pig. Period. His intent with “Grace” was purely sexual. He saw her as a piece of meat (or, really, a “piece of ass”). That would explain both Ansari’s words and actions as Katie Way wrote them last week. Does that make his sexist? Of course!

Ansari also tried to persuade “Grace” into full-blown intercourse a couple of times after she had expressed her uncomfortability with moving beyond kissing, oral sex, and other fondling. Coercive behave is also doggish, venturing toward the misogynistic. All of this is true, and is certainly part of how entitlement and patriarchy can work together in sexual relationships.

Context, however, is always important in any situation. Especially one that isn’t as cut and dry as what Way described regarding “Grace” and her Ansari date. So many have harped on the idea that questioning “Grace’s” decision-making in any form is the equivalent of what misogynists do to rape victims. Not true. Not when the power dynamic is limited and diffuse at best. Not when Ansari never used physical coercion or the threat thereof to get the sex he obviously wanted.

And certainly not when “Grace’s” actions didn’t line up with her word. Some have argued about the inability of men to read the subliminal subtext of women when they are saying “No” or “I’m leaning toward no.” And for many men, this may well be the case. For so many women, being too direct may well lead to a verbal or physical confrontation with a misogynistic man. But that negates the context of Way’s piece. “Grace’s” physical responses and cues throughout the sexual encounter either belied her words, or her words were simply unclear.

Truth is, after their first try, Ansari should’ve not only just stopped, which he did. He should’ve also immediately called “Grace” a cab and sent her home. But in even writing this, isn’t this as much a form of ceding power to patriarchy as it would be a sign of sexual maturity, at least on Ansari’s part? 

Truth is, “Grace” should’ve also have been clearer with herself about what she wanted from her date. And should’ve just ended the date, rudely, discreetly, with clearer words and clearer actions, either at the restaurant or after the first sign of being uncomfortable. Because feminism is about taking charge of one’s own womanhood, and not just merely resisting patriarchy and misogyny with mealy-mouthed language.

Truth is, “Grace” had very different expectations of Ansari and that one-and-only date. The kind of expectations that are a bit immature, especially for a women who thinks that “[y]ou guys are all the same. You guys are all the fucking same.” That the main divide among women who’ve commented on “Grace” is age (with the over-under around 35 years old) is telling. Some will say that women (especially younger women) shouldn’t put up with legal yet boorish behavior, either. So don’t!

Truth is, “Grace’s” story via Way’s article is a hit piece, a sort of revenge for Ansari bursting her internalized image of him as one of the few “good guys.” “Grace” got to violate Ansari’s private life because she was enraged that Ansari saw her as little more than a piece of sexual meat. And while Ansari showed himself on this date with “Grace” to be a sexist pig, this isn’t a #MeToo moment.

Unless, of course, we distance ourselves from context, privilege, and intersectionality. Most assume that “Grace” was a 22-year-old White woman. Probably. But even if not, Way’s article about “Grace” is drowning in Whiteness. Especially when considering “Grace’s” relatively lofty expectations that Ansari would be different from other men. Especially when taking the approach that she wanted Ansari to calm her down after the awkwardness of their first sexual try. What made “Grace” think that he was so different? What made her actions as confusing as they were?

A lock of blonde hair (an allusion to Pope’s Rape of the Lock), June 18, 2013. (http://allure.com).

The Sturm und Drang over this hit piece reminds me of when I read Alexander Pope’s mock epic poem The Rape of the Lock in tenth grade. I might not remember much from Mrs. Buckley’s otherwise boring-ass English class in 1984-85, but I do remember the story of how a war started because a baron cut a lock of Belinda’s hair and kept it. It’s also typical of how race riots and lynchings of Black men often occurred, over perceived slights and embarrassing winks.

Speaking of intersectionality, where have all the “Grace” defenders been this week on serious #MeToo issues? Where have they been on Jade Martin for the past week, as a video of her assault at the hands of a Pizza Milano manager in Pittsburgh went viral, an instance of both racism and misogyny? Where have they been on the sentencing phase for Larry Nassar, a man who sexually assault over 100 young women and girls over decades? Where are they on the Rohingya, as the Myanmar security forces have admitted killing and raping women and children while driving them out of the country?

No, for so many privileged, younger, and White American women, a bad sexual encounter with a man whose sexual sexism was obvious is more important that the felony assault of a Black women for wanting to use the bathroom. The last week has shown yet again the racial, ethnic, class, and even age divide that has plagued #MeToo ever since it became more about White women and less about marginalized women and people.

Whiteness, Symbols and Racial Context

21 Wednesday May 2014

Posted by decollins1969 in 1, culture, Eclectic, Politics, Pop Culture, race, Youth

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Affirmative Action, Class Privilege, Colorblind Racism, Colorblindness, Entitlement, Individual Racism, Individualism, Institutional Racism, Privilege, Racial Assumptions, Racial Context, Racial Stereotypes, Racism, Structural Racism, Symbolism, Symbols, Whiteness


The Matrix (1999) meme (only, the "What if I told you" part is incorrect) featuring Laurence Fishburne as Morpheus, May 21, 2014. (http://imgflip.com).

The Matrix (1999) meme (only, the “What if I told you” part is incorrect) featuring Laurence Fishburne as Morpheus, May 21, 2014. (http://imgflip.com).

For most Whites, racism’s an individual thing. For most Whites, Racism must be obvious. For most Whites, racial bias can only be a deliberate choice. For most Whites, racism’s not infused in the fabric of American culture, or baked into America’s institutions, or infused in its very political and economic structure. Of course, these “most Whites” are just plain wrong. What scares them on this issue — maybe even more than actually using the words “race” or “racism” — is the possibility that though racism is learned, that it also isn’t a decision. It’s an assumption, or really, many layers of assumptions. Of “rights.” Of entitlement. Of privilege. Of being special. Of being colorblind. Of folks knowing their place, and they as Whites knowing where to place these folks.

As I wrote in another social media context last week, part of the insidious nature of Whiteness — aside from its ability to morph over time — are the issues of symbolism and context. Racism for most is obvious and relies heavily on the most obvious of symbols, like in the case of hooded KKK members burning crosses, or in Donald Sterling‘s case, an elderly rich White guy whose Archie Bunker paternalism can be seen from space.

These incidents are the tip of the proverbial iceberg of race and racism in the US because most people of color exist outside the context that comes with Whiteness. For walking in Whiteness without any acknowledgement of one’s privilege — but with tons of assumptions of privilege — is the psychological and social equivalent of breathing and walking at the same time — one only thinks about it when forced to. If those Black and Brown are on TV in orange jump suits, it fits the narrative and context of Whiteness. If someone like me is a college professor in a predominantly White classroom, however, the context doesn’t fit the Whiteness playbook, and with that systems error, many of my White students manifest so many racial assumptions.

Writer, educator and NBA Hall of Famer Kareem Abdul-Jabbar on ABC's This Week discussing NBA's response to Donald Sterling's racist statements, May 4, 2014. (http://www.politifact.com).

Writer, educator and NBA Hall of Famer Kareem Abdul-Jabbar on ABC’s This Week discussing NBA’s response to Donald Sterling’s racist statements, May 4, 2014. (http://www.politifact.com).

These out-of-context scenarios occur on individual and institutional scales. Like having White co-workers only recognize me in the context of being at work and at a desk, but being scared upon seeing me board an elevator with them five minutes after the end of a work day. Or in spotting me searching for something at a store, only to ask me to help them find something for them, assuming that I work there. Or in assuming that in the context of sports and entertainment, anyone Black or Brown with an IQ higher than 100 with verbal skills is “angry,” or is “too cerebral” to be successful, or has “an attitude problem.”

Then there’s the assumption that no matter one’s grades, test scores or degrees, that wee folk of color achieved all we have because of affirmative action, the symbol of so-called reverse racism in the US (talk about the narcissism and master-race assumptions of intelligence embedded in this line of reasoning!). For most of the history of Whiteness and racism in American history, this was an infrequent prospect. These days, these microaggressions and racist behaviors occur almost every moment of every day. Precisely because there are so many successful Black and Brown folks, at least in the semi-conscious mind of Whites in the midst of their own Whiteness. This despite the reality that these successful Black and Brown folks are only symbols of  the very success that has eluded a broad majority of those of color.

Agent Mr. Smith (played by Hugo Weaving) about to explode, The Matrix (1999), May 21, 2014. (http://www.oocities.org/)

Agent Mr. Smith (played by Hugo Weaving) about to explode, The Matrix (1999), May 21, 2014. (http://www.oocities.org/)

But the context here will rarely be obvious to those awash in Whiteness. Structural inequality and racism, institutional racism, even internalized racism — all confirm the world that most operating in Whiteness can see, precisely because this world is the one in which they are comfortable and virtually unchallenged. Challenging the very structures and institutions upon which Whiteness has been built is like trying to metaphorically deconstruct The Matrix. Most living in Whiteness don’t want to wake up, For waking up would obliterate their world, their very understanding of their existence. And that’s too high a price for recognizing racism and inequality, and their own inadvertent hand in both.

AP US History Exam Day & Harold Meltzer

13 Tuesday May 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, Politics, Pop Culture, race, Youth

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AP, AP American History, AP US History, AP US History Exam, Appreciation, College Board, Coping Strategies, ETS, Exam Day, Harold Meltzer, Kaplan, Mentoring, Photographic Memory, Princeton Review, Privilege, Self-Discovery, Teaching and Learning


AP Day (cropped), May 9, 2014. (Tim Needles/http://artroom161.blogspot.com/).

AP Day (cropped), May 9, 2014. (Tim Needles/http://artroom161.blogspot.com/).

Twenty-eight years ago on this day/date, I was on my way to Mount Vernon High School, listening to Mr. Mister, Simple Minds, Sting and Whitney along the way. I was a few minutes away from a three-hour exam that could change my future. It wasn’t exactly the sunniest or warmest of days, though. That second Tuesday in May ’86 was brisk and heavy with clouds, a high of only 52°F. Still, with the way I felt that morning, May 13th might as well have been sunny with a high of seventy-two. 

I’ve written about my AP US History exam experience and Harold Meltzer ad nauseum here in this blog, as well as in Boy @ The Window. How I felt in the months and weeks before the exam. My expectations for a “5” and what that meant in comparison to taking something much less representative of the college experience, like the SAT. My perspective on my AP classmates and the general sense of obnoxious whining that permeated our classroom in throughout March and April ’86, and in whispers the following year. The keys to my academic success, and me being conscious of those keys, for the very first time. And, of course, the mentoring and tutelage of the late Harold Meltzer, the only teacher after elementary school who took a genuine interest in my development as a human being, not just in my grades or in my intellectual abilities.

I was a high school junior whom, at sixteen years old, had more wisdom about what would leave me well prepared for college than most parents, teachers and so-called education reformers possessed in ’86 or in 2014. Taking Algebra in eighth grade, AP courses in eleventh and twelfth grade, accelerated math and science classes all through high school. I knew even then that the APUSH exam was far more representative of my academic preparation than any SAT score would indicate, no matter how high.

AP US History For Dummies cover (2008), May 13, 2014. (http://bookoutlet.com/).

AP US History For Dummies cover (2008), May 13, 2014. (http://bookoutlet.com/).

Yet I’ve found myself in debates with folks in recent months over an issue that’s been well settled in the education world for more than a decade. Over a single four-digit score that many thought should be the difference between going to an elite school and attending a no-name local technical institute. These folks refused to recognize what even the College Board and ETS recognize. That social class and racial privilege have been infused in the SAT process for years, with so many students taking SAT-prep courses at Princeton Review and Kaplan being all the prima facie evidence I need.

Now, this doesn’t mean that Advanced Placement (or International Baccalaureate, for that matter) is much better. But in terms of the actual amount of time spent in direct preparation, with the right teacher, even an impoverished Black kid like I was could attend a public school with a magnet program and earn a “5” — without spending $1,500 on Kaplan or Princeton Review. 

Enough on that. Today, I can truly say that AP US History Exam ’86 Day was a fundamentally important milestone for me. It sealed the deal I made for myself in the midst of the summer of abuse, to get out of 616, out of Mount Vernon, and into college. Thanks Humanities. Thanks, Mr. Meltzer. Thanks, classmates. And, thank God!

Beyonce Surprises Fans With New Album (via HuffPost)

14 Saturday Dec 2013

Posted by decollins1969 in 1, Eclectic, music

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Beyonce, iTunes, Privilege


While I think it’s wonderful in one sense for Beyonce fans that she put out her latest album directly via iTunes, it’s not exactly earth-shattering or a demonstration of independence. Didn’t Prince pave the way here 17 years ago by going around Sony to put an album out directly on the Internet? Not exactly an original idea.

And for those who aren’t Beyonce fans but did get hyped up on her showing of “power,” really? Beyonce was powerless before, a commodity that the music industry bought and sold until 36 hours ago? I call hypocrisy here. Beyonce’s already in a privileged position and caste. She could have walked down Times Square and handed out 100 copies of her album and videos and sold them from her website and would’ve sold out.

That she used a platform within iTunes specifically created for the unknown artist or writer to put out her new material is neither brave nor something that is particularly innovative. In fact, it’s something that actually can have a corrosive effect on the new and unknown folks who do not have the access, privilege or money to put out their own albums and books like Beyonce just did.

I’m not saying that Beyonce should or shouldn’t have used the iTunes publishing platform here. It’s free and easy enough for my 10-year-old son to use. But we shouldn’t praise Beyonce for doing so, especially if it means fledgling artists and writers get crowded out of the marketplace as a result. (via http://huff.to/18rQU6t)

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

There's a few ways in which you can read excerpts of, borrow and/or purchase and download Boy @ The Window. There's the trade paperback edition of Boy @ The Window, available for purchase via Amazon.com at http://www.amazon.com/Boy-Window-Donald-Earl-Collins/dp/0989256138/

There's also a Kindle edition on Amazon.com. The enhanced edition can be read only with Kindle Fire, an iPad or a full-color tablet. The links to the enhanced edition through Apple's iBookstore and the Barnes & Noble NOOK edition are below. The link to the Amazon Kindle version is also immediately below:

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Boy @ The Window on Amazon.com: http://www.amazon.com/Boy-The-Window-Memoir-ebook/dp/B00CD95FBU/

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Boy @ The Window on Apple's iBookstore: https://itunes.apple.com/us/book/boy-the-window/id643768275?ls=1

Barnes & Noble (bn.com) logo, June 26, 2013. (http://www.logotypes101.com).

Boy @ The Window on Barnes & Noble: http://www.barnesandnoble.com/w/boy-the-window-donald-earl-collins/1115182183?ean=2940016741567

You can also add, read and review Boy @ The Window on Goodreads.com. Just click on the button below:

Boy @ The Window

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  • RT @lesbrains: All of the news about Jonathan Majors is very triggering. Just wanted to say that. Sending love to survivors who are feeling… 14 hours ago
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