Who’s Afraid of the Big, Bad P(Vagina)y? Men, in a Word

13 Sunday Sep 2020

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, music, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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"WAP", 616 East Lincoln Avenue, Black Feminism, Cardi B, Coming-of-Age, Feminism, Human Anatomy, Hypermasculinity, Masculinity, Maurice Eugene Washington, Megan Thee Stallion, Misogynoir, Patriarchy, Pussy, Self-Awareness, Self-Reflection, Stepfather, Vagine, Vulnerability, Weakness, William H. Holmes Elementary

Layered anatomy of the anatomical male and anatomical female body, June 5, 2016. (https://naturopathicdoctorwizangwira.wordpress.com/).

The first time I became self-aware of myself as a male with male parts was when I was five. At our second-floor flat on South Sixth in South Side Mount Vernon, New York, sometime in the summer of 1975, I walked in on my mother in the bathroom. She had just finished peeing and was wiping herself. All I could do was stare at her vagina area, seeing mostly what wasn’t there. “Maywa,” I said (a mash of my mother’s name Mary with Mom) “what happened to your pee-pee?” My mother explained that she didn’t “have a pee-pee” — without explaining why she didn’t have one. “When I get some money, I’m gonna go to the pee-pee store and buy you one,” I responded.

There are maybe 20 stories growing up where it seems me and my mother both share and end up smiling, with a sense of real warmth and affection, and not just base-level love, and without irony or a hidden sense of jealousy or disdain. The pee-pee story is one of them.

But this is more than just about the time before sexual assault, domestic violence, child abuse, neglect, and a massive slide into poverty changed my sense of the world. It’s about how men learn to fear all things vagina and vagina-related, and how that fear so easily turns us into misogynists and misogynoirists. It’s about how we as men fail to educate ourselves about women, about patriarchy, and ultimately, about who we are and who we need to be to end patriarchy.

A few years after discovering the differences between the anatomically male and the anatomically female, I knew a bit more, in both an intellectual and social sense. I no longer accidentally danced under my mother’s and other older women’s dresses at the parties my mother took us to when I was five and six years old. I guess if you get slapped upside the head enough times, you recognize why acting like you’re playing hide-and-seek with your mother’s dress as a prop might be socially inappropriate.

But that’s not all. By 1978 and 1979, we had World Book Encyclopedia at 616. Once I began plowing through it to learn all I could — and not just as a way to punish my mother for punishing me — I learned even more about the body than any eight or nine-year-old ought to learn on their own. The “Human Body” section contained celluloid slices of the male and female body, which would layer together to form a full body. From bones to muscles, from muscles to blood vessels, from blood vessels to nerves and organs and systems, and then to derma and coverings for orifices.

I remember the reproductive system either being the last or among the last of the sectional celluloids to form a male or female body. I learned about ovaries, testes, scrota, urethras, and vaginas long before I could say these words correctly. This also meant that I understood where babies come from, without fully understanding the drive that led to human reproduction.

A year later, near the end of fifth grade at William H. Holmes ES (I think it was the third week of May 1980), me and my classmate Joe were on our way home (we both lived in the A section of 616). We were talking shit about girls, about boys, about life in general, maybe with a few “yo’ mama” jokes thrown in. Suddenly, Joe hits me with the question, “Have you ever seen a pussy before?” “No!,” I lied, and loudly too. Joe teased me about it, saying, “You can’t even say ‘pussy,’ can you?” I just laughed it off, not knowing what to say, really. Even at ten, I knew enough to know I couldn’t reveal I’d seen my mother’s vagina at five or that I had seen the encyclopedia’s White female rendering of one.

I didn’t use the word at all until June 1988. It was after I escaped yet another attempt by my idiot stepfather Maurice to make me see him as my father through the use of his fists. He ended up falling into a tub of bathwater meant for my youngest siblings Sarai and Eri. What made this even more ridiculous? This was after my first year at Pitt, a year where I knew more than enough about the world, about the predicament at 616, and about myself to recognize I didn’t have to put up with this bullshit. But I slid back into my old role as teenaged man-child anyway.

This was what happened afterward, via Boy @ The Window

All I kept muttering to myself was, ‘I’m a pussy,’ because I still could’ve gone to the cops for his attempted assault. After a couple of minutes, he said, ‘Get this through your head, boy. Me and your mother are happy together, and we’re gonna be together long after you leave here and go out in the world. The world’s a dangerous place, and we’re just gettin’ you ready for it.’
Huh? What? I knew not to laugh right then, but I was laughing at him on the inside. I knew right then that him and Mom would be over sooner rather than later.

Even in that moment, it felt weird to call myself “a pussy.” I never saw myself as weak, or women in general as weak. It didn’t occur to me that I was afraid, not of getting beat up or of being weak. I was afraid that I would never become the person I wanted to become. I was afraid that mfs like Maurice would continue to come at me because they saw the version of me that I presented at 616, the shell that seemed weak, just like how they saw women, just like how they saw anyone with a vagina.

This is the fear of all boys and men unknowingly or fully conscious of the patriarchy, masculinity, and the world, of folks on the verge of misogyny, misogynoir, and hypermasculinity. The fear of being seen by other men and women-as-patriarchy’s-footsoldiers as pussies, weak in body, mind, and spirit, and therefore as exploitable to the point of being used as a punching bag.

This was why there was such a ludicrous outcry over Cardi B and Megan Thee Stallion’s “WAP” last month. The responses weren’t about Christianity and morality. Not really. They were about the need to keep women from freeing themselves and their vaginas from the clutches of patriarchy. The angry gasbags on Instagram and Twitter venting their spleens were expressing their need to keep women and their pussies in a locked box, fully under the control of men and women-as-patriarchy’s-footsoldiers, for use only in case of wanting to make a sanctified baby (especially White ones). Anything short of this total control weakens men, weakens patriarchy, and makes us vulnerable to questioning ourselves.

The truth is, heterosexual men especially are scared because we as a group cannot be as strong as women, queer/transgender women included. None of us can be strong when we refuse ourselves the right of vulnerability, the need to feel feelings aside from anger, rage, and bravado, the courage of solidarity and love, and the humanity of affection with and for others — including for the men in our lives. This isn’t just about men needing to cry when in each other’s presence (although I am more than sure that would be helpful for millions). It’s about the need to connect with the parts of ourselves that we refuse to acknowledge. For most men, it’s as if we are all M1 Abrams tanks, ready to kill and destroy at a moment’s notice.

But as so many Black feminists in my life have reminded me over the years, the vagina is a really strong muscle. After all, the vast majority of humanity has passed through one on the way to being born. It is a muscle that can be strengthened, stretched, and even repaired, something we as a species and world so desperately need. Try as men might, there are no dick exercises in which any anatomical male can do reps with his penis and build strength. At least not yet.

Constantine’s, No Longer Around, Missed Anyway

19 Wednesday Aug 2020

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, music, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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1990s Hip-Hop/R&B, 1990s Rap, Coming-of-Age, Constantine's, Dance, Dancehall, East Liberty, Fights, Grad School Days, Graduate School, Hypermasculinity, Misogyny, Observation, PE, People-Watching, Pitt, Public Enemy, Reggae, Self-Reflection, Sexuality, Voyeurism

The East Liberty CVS on Penn Avenue (where Constantine’s once stood), August 2017. (Itay Gabay via Google Maps).

“Last call for the alcohol!,” the half-bartender, half-bouncer would yell about 20 minutes before the two o’clock closing of the hole-in-the-wall joint that spend a few too many Wednesdays, Fridays, and Saturdays in between the summer of 1991 and January 1995. It was my time “bein’ around my peeps,” sitting around to nurse two or three drinks, dance, people-watch, and occasionally go back home with a patron. It was my time to not think about what I feared, especially God and graduate school. It was my time to forget that I was the second of six kids who had the triple responsibility of father figure, oldest brother, and caregiver. Mostly, it was just a place to allow my horny and bored-with-the-world ass hang out and not be so intellectual and weird all the time.

Constantine’s was where the East Liberty CVS on Penn Avenue in Pittsburgh now sits. It was less than two blocks from where I lived on Penn Circle South, my first on-my-own flat that I didn’t have to share with no one. I have no idea what was there in that rickety and beaten up old one-floor building before Constantine’s. Maybe it had always been a bar or a club, one that had seen better days in the decade or two before I was born. Maybe it was once a hardware store or a dry cleaners. Who knows?

All I knew was, in the month or two after I moved into my Penn Circle South studio apartment, I stumbled onto the place. It would’ve been October 1990, just cool enough for Pittsburghers to start wearing winter gear, Steelers jerseys, and enough Steelers and Pirates pleather and leather to scare a herd of charging bulls. A group of 20-somethings were packing their way through Constantine’s front door. There was a bouncer, I guess, checking IDs to make sure everyone was over 21. Judging by the way some of the youngest women were made up, though, I didn’t think the bouncer was consistently checking folks.

I didn’t go in that day. Too many bills, not enough money, and too many thoughts about What would Mom think? and What temptations would harm my soul? So I forgot about the place for the remainder of my senior year at Pitt.

It wasn’t until I started having problems with my friend E during my first full summer living in the ‘Burgh in ’91 that I started carving out me-time at Constantine’s. I went in on a sweltering mid-June Wednesday, and as would become ritual over the next 3.5 years, the so-called bouncer didn’t check me for ID. The joint was tacky as hell. The tables and chairs on the left were either plastic or plywood, Kelly green or harsh white.

Ving Rhames in Dave (1993), Screen Shot, August 17, 2020. (https://MovieActors.com).

The barstools on the right were of better quality, up against a bar with a prickly middle-aged-looking Black dude who maintained his fresh Ving Rhames-in-Dave (1993) haircut under any and all circumstances serving drinks. He was so mercurial. He could be, “Wassup man? How you be?” one Saturday, and “We don’t serve your kind!” another. One Friday, I ordered a screwdriver (Vodka and O.J.) without any pushback. The next Friday, he was all like, “Muthafucka, just call it a vodka and orange juice! I don’t mix screwdrivers here!”

There was a well-proportioned Black woman who always, always, always, sat in the middle of seven barstools, just to the right of the cash register. She was maybe about five-two, skin the color of mahogany, her hair in a ’90s-style perm or in ruffles. She either wore skin-tight dresses or jeans with a revealing blouse, never danced, and rarely greeted anyone. I figured she was either the gruff bartender’s girlfriend or that Constantine’s was her favorite watering hole. Whatever. She probably could drink the entire group of men (and sometimes women) who hit on her every night under the table and under the concrete foundation, too.

Much of what remember from my Constantine’s outings were the fights. There were so many fights. Fights between two guys over a woman would break out in the middle of the dance floor one Friday or Saturday after another. I once saw a guy beaten until there was a pool of blood in the center of the floor, with a trail of blood leading into the alleyway that led to the side entrance of my apartment building. It wasn’t unusual for women to throw down either, knocking each other out somewhere between PE’s “Can’t Truss It” and Daddy Freddy’s “We Are The Champions.”

Speaking of the music, it was the early ’90s, so the vibe went from New Jack Swing, Babyface and Tony! Toni! Toné! to Jodeci, MJB, and PE, with bits of Kriss Kross, Tribe Called Quest, Naughty By Nature, TLC, Dre, MC Lyte, and LL Cool J thrown in. But it was reggae — specifically dancehall — and gansta rap that was mostly in our ears at Constantine’s for most of my time attending. Shabba Ranks was so big at Constantine’s. So was Patra and Buju Banton and fake raggamuffin Shaggy. Outside of Pitt, I didn’t know African Caribbeans lived in Pittsburgh until I started sipping drinks at Constantine’s.

I also didn’t really know how to dance until I started hanging out at this smoked-filled and slick-floored destination. I went on the floor maybe once every three trips. Sometimes I was more interested in observing than in participating. Sometimes I was too stressed and horny to do anything else but stare at faces, breasts, hips, and asses for a few hours. But I did dance, at least, as best as I could. I used my halfway decent post-up moves from the basketball court as the basis for decent footwork. But, as I began realizing that some of the women wanted to grind, I learned how to do that too.

I had some awkward moments. Like the time my Swahili instructor and I found ourselves at Constantine’s one really warm Wednesday night in the fall of ’91. He had a woman on each arm. All three of them were from Tanzania, not the typical group of Constantine attendees. We greeted each other, and proceeded to ignore each other the rest of the night. Class the next afternoon was pretty much about my and his after-hours habits.

Sometimes I almost got into it with a guy here or a woman there because I looked at them the wrong way, said the wrong thing, sounded too educated or “White,” or because someone’s conversation with me ran on too long. In 1992, one woman laughed at me and kicked me in my rear on my way out the door after I revealed that I was “also working on my master’s” — she obviously didn’t believe me. Until she saw me on campus a week later. After that, I lied, and told folks who asked that I was a “part-time college student.”

I was too young, stressed about grad school and life, and excited and aroused to be scared. I should’ve been. On two occasions, someone threw a large liquor bottle in my direction when I was on my way out of Constantine’s. One other time, I swear, a bullet whizzed past me and into the window of a parked car.

The last time I went to Constantine’s was the beginning of February ’95. I kid you not, they were running the place with a portable electric generator plugged into an outdoor outlet — someone hadn’t paid their Duquesne Light bill. It kept the lights even dimmer than normal. There was no heat. This is a bar in Pittsburgh, before climate change made American winters into the wet season in Guyana. It was 15 degrees Fahrenheit that day, and it felt like it at Constantine’s that night, even with nearly 30 dumbasses like me in the bar that night. I left after 45 minutes.

Three days later, I was in Washington, DC, working on my dissertation project. When I returned at the end of March, Constantine’s was gone, bulldozed to make way for East Liberty’s first CVS.

Truly, if my field had been sociology, cultural anthropology, or social psychology, creative nonfiction writing, my times at Constantine’s would’ve made a great project, with me as subject, too. The misogyny, transphobia, homophobia, and hypermasculinity on display, side-by-side with intersectionality, feminism, sexuality, all in the midst of the beginning of this neighborhood’s gradual shift toward gentrification. It was, well, fascinating. Thankful, though, to not feel that awkward at this stage of life.

Lit on Moonlight

16 Monday Jan 2017

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Sports, Youth

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A.B. Davis Middle School, Barry Jenkins, Black Males, Black Masculinity, Bullying, Chiron, Coming-of-Age, Faggot, Hypermasculinity, Italian Club, Mahershala Ali, Manhood, Moonlight (2016), Mount Vernon High School, MVHS, Rage, Sexual Orientation

Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

I finally, finally saw Moonlight with the wife and son at AFI Silver Spring yesterday, months after the in-crowd had already seen it and attempted to spoil it for the rest of us. It was excellent. The cinematography, the loud and incredible silences, the small moments, when actors just being in the moment with their facial expressions did more than any dialogue could to move me and anyone else watching. Mahershala Ali was only in five scenes. But his first scene set the tone for the whole movie. As Juan, Ali channeled both the need for hard hypermasculinity and the vulnerable fragility of such in just one scene. His time with the youngest version of Chiron made me laugh, cry, sad, and angry, and left me wondering if I’ve seen this much intimacy between Black man and Black boy on screen before. I know I have (Antwone Fisher, The Wire, even Roots comes to mind), but on-screen doesn’t reflect this anti-stereotypical slice of truth nearly as often as it should.

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Yet I was also not as impressed as I expected to be. Not because I didn’t like the performances — I loved them. I thought every actor in the film was legit, every scene was moving in some way. Naomie Harris I’ve been fond of for years, André Holland and Janelle Monáe’s work I already knew, and Trevante Rhodes and Barry Jenkins, well, the two need bigger platforms for doing more great work. Moonlight wasn’t a film. It was a collage, a kaleidoscope of precious moments, blood-churning episodes, and tender images. Jenkins’ treatment of coming-of-age, Black boyhood into manhood, and Black masculinity, hypermasculinity, and vulnerability was avant-garde.

Still, I felt like I’d seen Moonlight before. Or, really, lived parts of Moonlight in my own past. No, I did not befriend an older, Afro-Cuban crack dealer in 1990s Miami, have a drug-addicted, abusive mother, or have a group of kids chase me around and beat me up off and on for ten years. But I didn’t look at the world the same way as my peers. I didn’t sound like a Noo Yawker, walk and talk and code switch like Denzel Washington, or try to fit in like so many of my 616 neighbors and my Mount Vernon school mates during my growing up years. And I paid for it, dearly, with few friends before I turned eleven, and no friends in the six years before I went off to the University of Pittsburgh.

But on Chiron and that most pernicious issue of hypermasculinity, the need to be hard all the time, I’ve been there too. I’d been called “faggot” (or in my father’s case, “faggat”) enough times to occasionally question my own sexual orientation growing up. My senior year at MVHS one day, I hit a three-run homer during a softball game in gym class. It wasn’t the first time I’d done that. But for one Jamaican dude, me drilling a ball 350 feet off his slow fastball was an affront. He called me a “faggot” after the game, and threatened to wait for me after school with a machete to chop me, adding “bumbaclot mon” at the end of his threat. I left school as normal and waited for him. He was lucky he didn’t show up that day.

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

You see, my rage didn’t need years to build up. All before I’d finally lose it one day, and take out a bully with a wooden chair and break it across his back, like the way Chiron did at the end of II of Moonlight. I didn’t have bullies at school per se. There were a couple I dealt with at 616, but they weren’t regular. Many folks would make a crack, but generally left me along. Any bullying I faced in high school was completely random and momentary, because I stood up for myself. Because if I could face down a six-foot-one, Isshin-ryn black belt of an abuser in my idiot stepfather Maurice, a stupid football player was gonna get hurt trying to hurt me.

No, the bullying I faced was in middle school, from a bunch of overwhelmed and racist Italian classmates in Humanities. I’ve named them in Boy @ The Window and here in this blog before. Alex, Anthony N., Andrew, Anthony Z., etc, the Italian Club. That things were much, much worse at home meant that I saw them as background noise. There was always a part of me, though, that had enough rage, even in seventh grade, to take a desk and smash Anthony N.’s head in with it until his fuckin’ Italian brains spread out all over the floor and walls!

I ended up beating up a wannabe bully in JD that year instead. I won kufi battles in eighth and ninth grade. I wore a blank face that most of my more dumb ass classmates interpreted as a smile. I made plans to get out, because I never wanted to fit in. I was already awake, coping with the day-to-day, but in it for the long-term. I had that President Barack Obama, audacity-of-hope-beyond-failure, beyond reality thing goin’. When I saw Chiron as played by Ashton Sanders, I wanted to hug him, beat up his bullies for him, and tell him that you can love who you want to love, even if they never love you back. And to always, always be your best self, and not some “I don’t want to feel pain again” version.

Independence Day On The 6’s

04 Monday Jul 2016

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, New York City, Patriotism, Pittsburgh, Pop Culture, race, Sports, Work, Youth

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1976, 1996, 2006, 7 Train, Adulthood, Coming-of-Age, Dwight Gooden, Escapism, Growing Up, Independence Day, July 4th, Lee Iacocca, Manhood, Metro-North, Mets, New York Mets, Nolan Ryan, Peace, Shea Stadium, Siblings, Statue of Liberty, Subway, Technisort

Shea Stadium (taken from 7 Subway), Flushing Meadows, Queens, NY, September 10, 2008. (Gary Dunaier via http://farm4.static.flickr.com/). In public domain.

For me, the 6’s are ’76, ’86, ’96, and ’06. For 2016, all I’ve done today is make BBQ chicken legs and thigh (after an hour of so of marinating), corn on the cob, mac and cheese, and New York Style blondies with chocolate chips and walnuts. It’s a rainy 240th anniversary of America’s independence from the United Kingdom of Great Britain, England, Wales, Scotland, and Northern Ireland. About as dreary the Mid-Atlantic and the nation, really, can be during an election cycle.

It wasn’t that way for most of my on-the-6 Independence Days. I’ve talked about my first one, the bicentennial of 1976, the summer of “baseball, hot dogs, apple pie, and Chevrolet.” That Saturday down in a ship and fireworks smoked filled New York Harbor, followed a train ride with my inebriated father to New Haven. I slept more peacefully on that train ride than I probably did at home. At least, until the conductor woke us up to let us know we were in Connecticut. We were lucky the trains in and out of New York were free that day.

Typical Pittsburgh fireworks show for Independence Day, Point State Park, Pittsburgh, PA, July 4, 2014. (http://davedicello.com/).

Independence Day/Week 1996 was pretty good, if not as meandering. Me and my future spouse Angelia went to Point State Park in Downtown Pittsburgh to watch the fireworks. For all of the issues that po-dunk Pittsburgh has, bad fireworks shows weren’t one of them. I needed the break, after a spring of turmoil with my advisor Joe Trotter and weeks revised my then 430-page dissertation (I would end up writing seventy-five pages [net] that month while doing a second set of revisions). It rained that afternoon and early evening, but it cleared up at 8 pm, just in time for some excellent fireworks. We perched ourselves where we could see sparkles and artwork over the confluence of the Allegheny, Monongahela, and Ohio Rivers.

Tuesday, July 4th of ’06 wasn’t memorable. It was my first summer working on Boy @ The Window, and I had already began planning my escape from AED and the daily grind of nonprofit work and raising money. I think we had my sister-in-law over. I made some ribs and chicken, bought dinner rolls and macaroni salad, and talked mostly about my then nearly three-year-old son and his potty training woes. Ah, the boring stability of a more typical middle-class American life!

Of all my Independence Days — on a “6” year or not — one stands out over all the rest. Friday, July 4, 1986. It was the grand re-opening of the Statue of Liberty, courtesy of one-time Chrysler head Lee Iacocca and The Statue of Liberty-Ellis Island Foundation, which had raised hundreds of millions to restore both symbols of American inclusion (via European immigrants, at least) and American freedom to museum-quality glory. My Mom, my idiot stepfather Maurice, and my younger siblings Sarai and Eri went down to Battery Park by Subway and Bee-Line bus to see the grand ships and fireworks for that celebration of the Statue of Liberty at 100 years old.

Dwight Gooden, aka, “Dr. K,” Shea Stadium, 1986. (Source/http://itsonbroadway.wordpress.com/2011/05/16/dwight-gooden-aka-dr-k/).

Not so for me and the rest of us. I took me, my older brother Darren, and my then near-seven year-old brother Maurice and nearly five year-old brother Yiscoc to Shea Stadium to watch the Mets play. It was either a 1:05 pm or 1:35 pm start, I don’t remember. What I do remember, though, is that was a beautiful eighty-five degree afternoon, beautiful because it wasn’t particularly humid, and there were no storm clouds to be found that Friday. Dwight Gooden was on the mound for the Mets, starting against the all-time great Nolan Ryan. It was built up to be a duel, and it was.

Keith Hernandez drove in a run in the first, and that was it until the top of the seventh inning, when Dr. K gave up a home run to Kevin Bass. Other than that, fly balls, walks, double-plays, and strikeouts were the order of the day. Lenny Dykstra drove in the game-winning run with a double to right-center field at the bottom of the seventh inning off of a reliever, as Ryan was out after beginning the bottom of the sixth giving up a walk and a hit. Despite giving up five walks and only striking out four, Gooden got a complete-game win, and 30,000 saw the Mets go to 54-21, well on their way toward their World Series title for 1986.

That was already a good day. But it so much better with three of my brothers there, away from 616 and Mount Vernon, hanging out, without an adult to supervise, or rather, abuse us in some way. It was one of the first times I actually felt like a responsible adult. I took the four of us down to the city on Metro-North at the Pelham stop, rode into grimy Grand Central, took the Shuttle train to Times Square, and then the 7 Subway to Shea. Maurice and Yiscoc were so enamored with the trains and the city that it seemed all they did was stare at skyscrapers and out of train windows when we weren’t at the game. Darren, though mostly quiet, at least wasn’t staring off into space plotting some revenge on me for my “5” on the AP US History Exam while doing the Wave.

Shea Stadium, second level, behind visitors dugout, Flushing Meadow, Queens, NY, 2008. (http://www.bloggingmets.com/)

It was so cheap to do what we did that day. The four upper-deck, left-of-home plate tickets we bought cost $4 each, but each hot dog was $3, and the sodas were $2. apiece Given my $3.40-per-hour job with Technisort, though, the $50 excursion wasn’t so cheap that I wasn’t thinking about sneaking a Sabrett hot dog from a street vendor in before we got to the stadium. To be sure, the hot dogs at Shea were better than my usual fare on the street or at Gray’s Papaya.

It was probably the best day I had during my Boy @ The Window years. I was with innocent family members, watching my favorite team and one of my favorite players. I was lost in the humongous human mob of New York on a double-whammy of an Independence Day weekend. I slept well that evening, knowing that I’d drawn a 10 am-2 pm shift that Saturday. I planned on buying a new Walkman at the Cross County Mall that Saturday afternoon. A normal weekend for many sixteen-year-olds was a small eye-wall in the chaotic hurricane that was my life back then.

Big Feet and Football Tryouts

20 Wednesday Aug 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pop Culture, Sports, Work, Youth

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616, 616 East Lincoln Avenue, Adulthood, Coming-of-Age, Decision-Making, Foot Sizes, Football, Football Tryouts, Humanities, Humanities Program, Mother-Son Relationship, MVHS, Puberty, Puma, Self-Awareness

Aerial view of refurbished fields (for track and field, football, softball and tennis) across from MVHS (and the Cross County Parkway), Mount Vernon, NY, circa 2012. (Google Maps)

Three decades ago this week, I tried out for Mount Vernon High School’s junior varsity football team and made the team. Only to immediately quit. Mostly because I realized that there was too much going on at 616 for me to be a Humanities student, a blocking wide receiver (the coaches had an unimaginative view of offense) and a jack-of-all-adult-responsibilities at home.

What made the decision easier was something my Mom did that made my tryouts harder. As I wrote in Boy @ The Window:

I ended up making the team, but they wanted me to sit on the bench for a year while I bulked up to at least 175 pounds. The most I’ve ever weighed was 238 pounds at six-foot-three, and I weigh 228 now. It took me until ’10 before I wore my first pair of size-fifteen sneakers that actually fit (I wear size sixteens now). The idea of me as an offensive lineman simply because my sneakers were two sizes too big was and remains ridiculous. Thanks Mom, and thanks, coaches!

The one lesson I took with me from the process of trying out was that I couldn’t rely on my Mom to help me do the things I wanted to do with my life. Nor could I rely on her encouragement (or lack thereof) in that process. It wasn’t an assessment based on anger or disappointment. I’d only begun to figure out that my life was my life, and the decisions I needed to make needed to be my own.

When Those Close Put Up Roadblocks

07 Saturday Jun 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Coming-of-Age, Detours, Dr. Don, Dreams, Faith, Forgive and Forget, Forgiveness, History, Internalized Racism, Jealousy, Memoir, Past, PAT Transit, PhD, PhD process, Pitt, Roadblocks, Self-Discovery, Self-Loathing, Sellout, Writing

Detours vs. roadblocks, June 1, 2012. (http://www.ideaarchitects.org).

This was the best title I could come up with, since it’s about folks in my life with whom I’ve shared some affinity over the years, beyond family, and to a lesser extent, friendships. This isn’t about haters or crabs-in-the-barrel mentality per se. It’s simply the observation that as I pursue dreams and push through goals in life that some whom have the choice between being supportive or actively working against my interests, how more than a few have chosen to do the latter.

That this has occurred in my life mostly as I pursued my doctorate and pressed on as a writer isn’t a coincidence. The things I’ve worked the hardest for in life, the dreams most difficult to achieve, the amount of energy and pressing through needed to overcome my own doubts in the process — all came with an audience of detractors. A bit more than twenty years ago, some of my Pitt friends started falling by the wayside as I pursued my grad degrees, which is normal, but there were some pretty weird conversations I had with them as they did. One insisted on calling me “Dr. Don” about a dozen times during a PAT Transit bus ride one day in September ’92, laughing to the point of hilarity while doing it. I thought that he was going to choke on his own spit all the while, he was laughing so hard. Or that I was going to choke him myself if he said “Dr. Don” one more time!

Screen shot of character played by Samuel L. Jackson in Django Unchained (2012) with “Sellout” addition (not an endorsement, by the way), October 31, 2013. (http://forwardtimesonline.com/2013/).

Another guy — who eventually committed suicide in ’98 — told me straight up that people like me were “sellouts,” that “The Man” wasn’t going to accept people like me or him “no matta how many degrees we get” or don’t get. That was six weeks before my committee approved my dissertation, in October ’96. Luckily, I learned not to bring up my education to folks unless it was for professional purposes or unless someone asked.

That these were Black acquaintances from my days as an undergrad at the University of Pittsburgh was a bit surprising, considering that my tendency is to always encourage folks to pursue their dreams. I’d always assumed the worst of the folks — Black, White, Afro-Caribbean and Latino — that I grew up with in Mount Vernon, New York, precisely because their encouragement literally made me suicidal by the time I turned fourteen. By the late-90s, I realized this was more than a New-York-area-social-etiquette-disorder.

With writing and books over the past decade — especially with Boy @ The Window — I’ve experienced some of those same headwinds from folks who seemed to think they had a better idea for the direction of my life than I. When I first started working on my memoir at the end of ’06, I had a conversation with my Pitt and AED colleague Stacey, whom I’d known for sixteen years. Upon telling her about my project, she said, “You need to wait on that,” that I should “publish a few more books,” be in my fifties, before “writin’ a biography.” So I knew that she wasn’t going to buy a copy when it came out. Oh well!

Last fall, at an African American Alumni Council event at Pitt, it was one of my first opportunities to discuss the now published Boy @ The Window, which was immediately followed by public criticism. Right after I talked about the book, an older alumna walked right up to me, and got within a foot or so of my face — close enough to hug. “You’re too young to have a memoir,” she said with a smile on her face, and then walked away as if her’s was the final say on the topic.

At the least, it showed that most don’t know the difference between a memoir (on one period or aspect of one’s life, often with a look at the world beyond) and an autobiography (the story of my entire life). Boy, understand the genre before criticizing it or my role in it already!

One foot in the grave (apparently), June 7, 2014. (http://www.virginmedia.com/).

And, yes, I know. I see my Facebook friends especially posting other people’s sayings every single day. About letting go, moving on, forgetting the past, pushing past the haters, sitting in a lotus position, meditating and praying, and then drinking a wheat-grass smoothie. I do let go, I do forgive, and I don’t let the naysayers in my life have the final say. But letting go doesn’t mean I don’t get to highlight some truth, point out hypocrisy, and that I should just be quiet for the sake of being quiet.

It hasn’t been lost on me that most of these specific, potentially dream-destroying microaggressions have come from Black folk, male and female, well-off and immersed in poverty. Do I put these people in the same category as White literary agents who’ve said things to me like, “Oh no, not another abuse story!” or “There are too many black coming-of-age stories in the market?” Of course not. Gate keepers practicing ignorance in the midst of structural racism isn’t the same as people who may have internalized racism.

Or in the latter case, it could just be that my pursuit of what I’ve wanted and finally come to know for my life brought attention to dreams deferred, delayed and denied, by others and by their own fears of failure and success. If I’d let this stand in my way, I’d still be living in Mount Vernon, undoubtedly living in grinding poverty, wondering how could I let everything I wanted out of life get away from me.

Last Dance, The Last Class

09 Friday May 2014

Posted by decollins1969 in 1, Academia, Carnegie Mellon University, culture, Eclectic, Pittsburgh, Politics, Pop Culture, University of Pittsburgh, Work, Youth

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"Last Dance" (1979), Boredom, CMU, Coming-of-Age, Coursework, Department of HIstory, Donna Summer, Grad School, Growing Up, Loneliness, Pitt, Single-Minded, Student Life

The late Donna Summer, album cover, circa 1979, May 9, 2014. (http://digboston.com/).

Twenty years ago on this date was my last formal class as a formal student, a grad course at Carnegie Mellon with Kate Lynch on Comparative Urban History. I spent that evening of my last day of classes polishing up a twenty-five page research essay that compared the development of public housing practices in Toronto, Berlin and Chicago. It was too ambitious a paper, especially given that I did all the research for it in the final four weeks of that semester, after spending a week at AERA (American Educational Research Association) in New Orleans presenting on a panel and networking, and two days meeting the Gill side of my extended family for the first time. I just wanted to get it done, though.

I made my final edits to my introduction and argument and to a few of my citations and references just before 9:30 pm that second Monday in May ’94. I was working in a computer lab in Wean Hall, using one of the rare PCs on campus. Rare because Carnegie Mellon had made a ridiculous deal with Apple back in ’83 to be a Macintosh campus — a terrible move if you were using Macs in the 1990s.

Apple Macintosh II Computer, April 15, 2004. (Alexander Schaelss via Wikipedia). Released via GNU FDL/CC-SA-3.0.

Normally I wrote my papers on the University of Pittsburgh’s campus, as my alumnus status gave me access to computers and Hillman Library. Plus, it took Pitt almost a year to shut down my grad school accounts, allowing me to make thousands of copies of materials that I would’ve needed a month’s worth of my stipend to make at Carnegie Mellon’s Hunt Library. And, even after a year of torture and courses, nearly all of my friends and interests remained across the bridge connecting Oakland and Pitt with Schenley Park and the southern end of Carnegie Mellon’s campus.

Once I completed my paper, I walked over to Baker Hall, went up to the second floor, and dropped it off for Lynch to review and grade. It was all over but the dissertation overview defense and the dissertation itself. I was happy, but I was more relieved than happy. The last year of transferring to and doing coursework at Carnegie Mellon had taken a toll on me. For the first time ever, I found myself actually hating classes and school in general. Sure, there were individual teachers and professors I despised. Dr. Demontravel. David Wolf. Estelle Abel. Dick Ostreicher. But not the formal process of classroom learning itself. It took a year of redundant courses at CMU at the insistence of the powers that were to steal that immutable joy of learning from me. At least, temporarily.

I thought about it the next day. My first day of kindergarten was September 8, ’74, which meant that I had experienced twenty school years between the ages of four and twenty-four. For virtually all of my life, I’d been a student, from kindergarten to PhD, between Presidents Nixon and Ford and Bill Clinton. I had done several thousand assignments, hundreds of exams, and dozens of papers and essays. Combining undergrad and grad school, I’d taken fifty-eight (58) courses. It’s a wonder I hadn’t tired of listening to mercurial professors any sooner.

Keep Calm and Hate School poster, May 9, 2014. (http://keepcalmstudios.com).

Keep Calm and Hate School poster, May 9, 2014. (http://keepcalmstudio.com).

I spent the next few days doing something I normally didn’t have time for. I slept in late, took lots of naps, and watched my Knicks play and struggle with the Jordan-less Bulls in the NBA’s second round of playoffs. It would be the most rest I’d have for the rest of ’94.

Two decades later, and I’ve taught nearly as many courses as I took to earn my bachelors, masters and doctorate. I do like the view of a classroom — in-person or virtual — from the instructor’s perspective. But I learned so much about being a teacher, too, from what to do and what not to do, long before my final semesters at Carnegie Mellon. Ms. Griffin, Mrs. Shannon, Mrs. O’Daniel, Mrs. Bryant, Harold Meltzer were great counterbalances to the teachers/professors who were as inspiring as watching paint dry in a desert.