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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Coming-of-Age

Lit on Moonlight

16 Monday Jan 2017

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Sports, Youth

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A.B. Davis Middle School, Barry Jenkins, Black Males, Black Masculinity, Bullying, Chiron, Coming-of-Age, Faggot, Hypermasculinity, Italian Club, Mahershala Ali, Manhood, Moonlight (2016), Mount Vernon High School, MVHS, Rage, Sexual Orientation


Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

I finally, finally saw Moonlight with the wife and son at AFI Silver Spring yesterday, months after the in-crowd had already seen it and attempted to spoil it for the rest of us. It was excellent. The cinematography, the loud and incredible silences, the small moments, when actors just being in the moment with their facial expressions did more than any dialogue could to move me and anyone else watching. Mahershala Ali was only in five scenes. But his first scene set the tone for the whole movie. As Juan, Ali channeled both the need for hard hypermasculinity and the vulnerable fragility of such in just one scene. His time with the youngest version of Chiron made me laugh, cry, sad, and angry, and left me wondering if I’ve seen this much intimacy between Black man and Black boy on screen before. I know I have (Antwone Fisher, The Wire, even Roots comes to mind), but on-screen doesn’t reflect this anti-stereotypical slice of truth nearly as often as it should.

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Yet I was also not as impressed as I expected to be. Not because I didn’t like the performances — I loved them. I thought every actor in the film was legit, every scene was moving in some way. Naomie Harris I’ve been fond of for years, André Holland and Janelle Monáe’s work I already knew, and Trevante Rhodes and Barry Jenkins, well, the two need bigger platforms for doing more great work. Moonlight wasn’t a film. It was a collage, a kaleidoscope of precious moments, blood-churning episodes, and tender images. Jenkins’ treatment of coming-of-age, Black boyhood into manhood, and Black masculinity, hypermasculinity, and vulnerability was avant-garde.

Still, I felt like I’d seen Moonlight before. Or, really, lived parts of Moonlight in my own past. No, I did not befriend an older, Afro-Cuban crack dealer in 1990s Miami, have a drug-addicted, abusive mother, or have a group of kids chase me around and beat me up off and on for ten years. But I didn’t look at the world the same way as my peers. I didn’t sound like a Noo Yawker, walk and talk and code switch like Denzel Washington, or try to fit in like so many of my 616 neighbors and my Mount Vernon school mates during my growing up years. And I paid for it, dearly, with few friends before I turned eleven, and no friends in the six years before I went off to the University of Pittsburgh.

But on Chiron and that most pernicious issue of hypermasculinity, the need to be hard all the time, I’ve been there too. I’d been called “faggot” (or in my father’s case, “faggat”) enough times to occasionally question my own sexual orientation growing up. My senior year at MVHS one day, I hit a three-run homer during a softball game in gym class. It wasn’t the first time I’d done that. But for one Jamaican dude, me drilling a ball 350 feet off his slow fastball was an affront. He called me a “faggot” after the game, and threatened to wait for me after school with a machete to chop me, adding “bumbaclot mon” at the end of his threat. I left school as normal and waited for him. He was lucky he didn’t show up that day.

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

You see, my rage didn’t need years to build up. All before I’d finally lose it one day, and take out a bully with a wooden chair and break it across his back, like the way Chiron did at the end of II of Moonlight. I didn’t have bullies at school per se. There were a couple I dealt with at 616, but they weren’t regular. Many folks would make a crack, but generally left me along. Any bullying I faced in high school was completely random and momentary, because I stood up for myself. Because if I could face down a six-foot-one, Isshin-ryn black belt of an abuser in my idiot stepfather Maurice, a stupid football player was gonna get hurt trying to hurt me.

No, the bullying I faced was in middle school, from a bunch of overwhelmed and racist Italian classmates in Humanities. I’ve named them in Boy @ The Window and here in this blog before. Alex, Anthony N., Andrew, Anthony Z., etc, the Italian Club. That things were much, much worse at home meant that I saw them as background noise. There was always a part of me, though, that had enough rage, even in seventh grade, to take a desk and smash Anthony N.’s head in with it until his fuckin’ Italian brains spread out all over the floor and walls!

I ended up beating up a wannabe bully in JD that year instead. I won kufi battles in eighth and ninth grade. I wore a blank face that most of my more dumb ass classmates interpreted as a smile. I made plans to get out, because I never wanted to fit in. I was already awake, coping with the day-to-day, but in it for the long-term. I had that President Barack Obama, audacity-of-hope-beyond-failure, beyond reality thing goin’. When I saw Chiron as played by Ashton Sanders, I wanted to hug him, beat up his bullies for him, and tell him that you can love who you want to love, even if they never love you back. And to always, always be your best self, and not some “I don’t want to feel pain again” version.

Independence Day On The 6’s

04 Monday Jul 2016

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, New York City, Patriotism, Pittsburgh, Pop Culture, race, Sports, Work, Youth

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1976, 1996, 2006, 7 Train, Adulthood, Coming-of-Age, Dwight Gooden, Escapism, Growing Up, Independence Day, July 4th, Lee Iacocca, Manhood, Metro-North, Mets, New York Mets, Nolan Ryan, Peace, Shea Stadium, Siblings, Statue of Liberty, Subway, Technisort


Shea Stadium (taken from 7 Subway), Flushing Meadows, Queens, NY, September 10, 2008. (Gary Dunaier via http://farm4.static.flickr.com/). In public domain.

Shea Stadium (taken from 7 Subway), Flushing Meadows, Queens, NY, September 10, 2008. (Gary Dunaier via http://farm4.static.flickr.com/). In public domain.

For me, the 6’s are ’76, ’86, ’96, and ’06. For 2016, all I’ve done today is make BBQ chicken legs and thigh (after an hour of so of marinating), corn on the cob, mac and cheese, and New York Style blondies with chocolate chips and walnuts. It’s a rainy 240th anniversary of America’s independence from the United Kingdom of Great Britain, England, Wales, Scotland, and Northern Ireland. About as dreary the Mid-Atlantic and the nation, really, can be during an election cycle.

It wasn’t that way for most of my on-the-6 Independence Days. I’ve talked about my first one, the bicentennial of 1976, the summer of “baseball, hot dogs, apple pie, and Chevrolet.” That Saturday down in a ship and fireworks smoked filled New York Harbor, followed a train ride with my inebriated father to New Haven. I slept more peacefully on that train ride than I probably did at home. At least, until the conductor woke us up to let us know we were in Connecticut. We were lucky the trains in and out of New York were free that day.

Typical Pittsburgh fireworks show for Independence Day, Point State Park, Pittsburgh, PA, July 4, 2014. (http://davedicello.com/).

Typical Pittsburgh fireworks show for Independence Day, Point State Park, Pittsburgh, PA, July 4, 2014. (http://davedicello.com/).

Independence Day/Week 1996 was pretty good, if not as meandering. Me and my future spouse Angelia went to Point State Park in Downtown Pittsburgh to watch the fireworks. For all of the issues that po-dunk Pittsburgh has, bad fireworks shows weren’t one of them. I needed the break, after a spring of turmoil with my advisor Joe Trotter and weeks revised my then 430-page dissertation (I would end up writing seventy-five pages [net] that month while doing a second set of revisions). It rained that afternoon and early evening, but it cleared up at 8 pm, just in time for some excellent fireworks. We perched ourselves where we could see sparkles and artwork over the confluence of the Allegheny, Monongahela, and Ohio Rivers.

Tuesday, July 4th of ’06 wasn’t memorable. It was my first summer working on Boy @ The Window, and I had already began planning my escape from AED and the daily grind of nonprofit work and raising money. I think we had my sister-in-law over.  I made some ribs and chicken, bought dinner rolls and macaroni salad, and talked mostly about my then nearly three-year-old son and his potty training woes. Ah, the boring stability of a more typical middle-class American life!

Of all my Independence Days — on a “6” year or not — one stands out over all the rest. Friday, July 4, 1986. It was the grand re-opening of the Statue of Liberty, courtesy of one-time Chrysler head Lee Iacocca and The Statue of Liberty-Ellis Island Foundation, which had raised hundreds of millions to restore both symbols of American inclusion (via European immigrants, at least) and American freedom to museum-quality glory. My Mom, my idiot stepfather Maurice, and my younger siblings Sarai and Eri went down to Battery Park by Subway and Bee-Line bus to see the grand ships and fireworks for that celebration of the Statue of Liberty at 100 years old.

Dwight Gooden, aka, "Dr. K," Shea Stadium, 1986. (Source/http://itsonbroadway.wordpress.com/2011/05/16/dwight-gooden-aka-dr-k/).

Dwight Gooden, aka, “Dr. K,” Shea Stadium, 1986. (Source/http://itsonbroadway.wordpress.com/2011/05/16/dwight-gooden-aka-dr-k/).

Not so for me and the rest of us. I took me, my older brother Darren, and my then near-seven year-old brother Maurice and nearly five year-old brother Yiscoc to Shea Stadium to watch the Mets play. It was either a 1:05 pm or 1:35 pm start, I don’t remember. What I do remember, though, is that was a beautiful eighty-five degree afternoon, beautiful because it wasn’t particularly humid, and there were no storm clouds to be found that Friday. Dwight Gooden was on the mound for the Mets, starting against the all-time great Nolan Ryan. It was built up to be a duel, and it was.

Keith Hernandez drove in a run in the first, and that was it until the top of the seventh inning, when Dr. K gave up a home run to Kevin Bass. Other than that, fly balls, walks, double-plays, and strikeouts were the order of the day. Lenny Dykstra drove in the game-winning run with a double to right-center field at the bottom of the seventh inning off of a reliever, as Ryan was out after beginning the bottom of the sixth giving up a walk and a hit. Despite giving up five walks and only striking out four, Gooden got a complete-game win, and 30,000 saw the Mets go to 54-21, well on their way toward their World Series title for 1986.

That was already a good day. But it so much better with three of my brothers there, away from 616 and Mount Vernon, hanging out, without an adult to supervise, or rather, abuse us in some way. It was one of the first times I actually felt like a responsible adult. I took the four of us down to the city on Metro-North at the Pelham stop, rode into grimy Grand Central, took the Shuttle train to Times Square, and then the 7 Subway to Shea. Maurice and Yiscoc were so enamored with the trains and the city that it seemed all they did was stare at skyscrapers and out of train windows when we weren’t at the game. Darren, though mostly quiet, at least wasn’t staring off into space plotting some revenge on me for my “5” on the AP US History Exam while doing the Wave.

Shea Stadium, second level, behind visitors dugout, Flushing Meadow, Queens, NY, 2008. (http://www.bloggingmets.com/)

Shea Stadium, second level, behind visitors dugout, Flushing Meadow, Queens, NY, 2008. (http://www.bloggingmets.com/)

It was so cheap to do what we did that day. The four upper-deck, left-of-home plate tickets we bought cost $4 each, but each hot dog was $3, and the sodas were $2. apiece Given my $3.40-per-hour job with Technisort, though, the $50 excursion wasn’t so cheap that I wasn’t thinking about sneaking a Sabrett hot dog from a street vendor in before we got to the stadium. To be sure, the hot dogs at Shea were better than my usual fare on the street or at Gray’s Papaya.

It was probably the best day I had during my Boy @ The Window years. I was with innocent family members, watching my favorite team and one of my favorite players. I was lost in the humongous human mob of New York on a double-whammy of an Independence Day weekend. I slept well that evening, knowing that I’d drawn a 10 am-2 pm shift that Saturday. I planned on buying a new Walkman at the Cross County Mall that Saturday afternoon. A normal weekend for many sixteen-year-olds was a small eye-wall in the chaotic hurricane that was my life back then.

Big Feet and Football Tryouts

20 Wednesday Aug 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pop Culture, Sports, Work, Youth

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616, 616 East Lincoln Avenue, Adulthood, Coming-of-Age, Decision-Making, Foot Sizes, Football, Football Tryouts, Humanities, Humanities Program, Mother-Son Relationship, MVHS, Puberty, Puma, Self-Awareness


Aerial view of refurbished fields (for track and field, football, softball and tennis) across from MVHS (and the Cross County Parkway), Mount Vernon, NY, circa 2012. (Google Maps)

Aerial view of refurbished fields (for track and field, football, softball and tennis) across from MVHS (and the Cross County Parkway), Mount Vernon, NY, circa 2012. (Google Maps)

Three decades ago this week, I tried out for Mount Vernon High School’s junior varsity football team and made the team. Only to immediately quit. Mostly because I realized that there was too much going on at 616 for me to be a Humanities student, a blocking wide receiver (the coaches had an unimaginative view of offense) and a jack-of-all-adult-responsibilities at home.

What made the decision easier was something my Mom did that made my tryouts harder. As I wrote in Boy @ The Window:

Screen shot 2014-08-19 at 9.55.52 PM

I ended up making the team, but they wanted me to sit on the bench for a year while I bulked up to at least 175 pounds. The most I’ve ever weighed was 238 pounds at six-foot-three, and I weigh 228 now. It took me until ’10 before I wore my first pair of size-fifteen sneakers that actually fit (I wear size sixteens now). The idea of me as an offensive lineman simply because my sneakers were two sizes too big was and remains ridiculous. Thanks Mom, and thanks, coaches!

The one lesson I took with me from the process of trying out was that I couldn’t rely on my Mom to help me do the things I wanted to do with my life. Nor could I rely on her encouragement (or lack thereof) in that process. It wasn’t an assessment based on anger or disappointment. I’d only begun to figure out that my life was my life, and the decisions I needed to make needed to be my own.

When Those Close Put Up Roadblocks

07 Saturday Jun 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Coming-of-Age, Detours, Dr. Don, Dreams, Faith, Forgive and Forget, Forgiveness, History, Internalized Racism, Jealousy, Memoir, Past, PAT Transit, PhD, PhD process, Pitt, Roadblocks, Self-Discovery, Self-Loathing, Sellout, Writing


Detours vs. roadblocks, June 1, 2012. (http://www.ideaarchitects.org).

Detours vs. roadblocks, June 1, 2012. (http://www.ideaarchitects.org).

This was the best title I could come up with, since it’s about folks in my life with whom I’ve shared some affinity over the years, beyond family, and to a lesser extent, friendships. This isn’t about haters or crabs-in-the-barrel mentality per se. It’s simply the observation that as I pursue dreams and push through goals in life that some whom have the choice between being supportive or actively working against my interests, how more than a few have chosen to do the latter.

That this has occurred in my life mostly as I pursued my doctorate and pressed on as a writer isn’t a coincidence. The things I’ve worked the hardest for in life, the dreams most difficult to achieve, the amount of energy and pressing through needed to overcome my own doubts in the process — all came with an audience of detractors. A bit more than twenty years ago, some of my Pitt friends started falling by the wayside as I pursued my grad degrees, which is normal, but there were some pretty weird conversations I had with them as they did. One insisted on calling me “Dr. Don” about a dozen times during a PAT Transit bus ride one day in September ’92, laughing to the point of hilarity while doing it. I thought that he was going to choke on his own spit all the while, he was laughing so hard. Or that I was going to choke him myself if he said “Dr. Don” one more time!

Screen shot of character played by Samuel L. Jackson in Django Unchained (2012) with "Sellout" addition (not an endorsement, by the way), October 31, 2013. (http://forwardtimesonline.com/2013/).

Screen shot of character played by Samuel L. Jackson in Django Unchained (2012) with “Sellout” addition (not an endorsement, by the way), October 31, 2013. (http://forwardtimesonline.com/2013/).

Another guy — who eventually committed suicide in ’98 — told me straight up that people like me were “sellouts,” that “The Man” wasn’t going to accept people like me or him “no matta how many degrees we get” or don’t get. That was six weeks before my committee approved my dissertation, in October ’96. Luckily, I learned not to bring up my education to folks unless it was for professional purposes or unless someone asked.

That these were Black acquaintances from my days as an undergrad at the University of Pittsburgh was a bit surprising, considering that my tendency is to always encourage folks to pursue their dreams. I’d always assumed the worst of the folks — Black, White, Afro-Caribbean and Latino — that I grew up with in Mount Vernon, New York, precisely because their encouragement literally made me suicidal by the time I turned fourteen. By the late-90s, I realized this was more than a New-York-area-social-etiquette-disorder.

With writing and books over the past decade — especially with Boy @ The Window — I’ve experienced some of those same headwinds from folks who seemed to think they had a better idea for the direction of my life than I. When I first started working on my memoir at the end of ’06, I had a conversation with my Pitt and AED colleague Stacey, whom I’d known for sixteen years. Upon telling her about my project, she said, “You need to wait on that,” that I should “publish a few more books,” be in my fifties, before “writin’ a biography.” So I knew that she wasn’t going to buy a copy when it came out. Oh well!

Last fall, at an African American Alumni Council event at Pitt, it was one of my first opportunities to discuss the now published Boy @ The Window, which was immediately followed by public criticism. Right after I talked about the book, an older alumna walked right up to me, and got within a foot or so of my face — close enough to hug. “You’re too young to have a memoir,” she said with a smile on her face, and then walked away as if her’s was the final say on the topic.

At the least, it showed that most don’t know the difference between a memoir (on one period or aspect of one’s life, often with a look at the world beyond) and an autobiography (the story of my entire life). Boy, understand the genre before criticizing it or my role in it already!

One foot in the grave (apparently), June 7, 2014. (http://www.virginmedia.com/).

One foot in the grave (apparently), June 7, 2014. (http://www.virginmedia.com/).

And, yes, I know. I see my Facebook friends especially posting other people’s sayings every single day. About letting go, moving on, forgetting the past, pushing past the haters, sitting in a lotus position, meditating and praying, and then drinking a wheat-grass smoothie. I do let go, I do forgive, and I don’t let the naysayers in my life have the final say. But letting go doesn’t mean I don’t get to highlight some truth, point out hypocrisy, and that I should just be quiet for the sake of being quiet.

It hasn’t been lost on me that most of these specific, potentially dream-destroying microaggressions have come from Black folk, male and female, well-off and immersed in poverty. Do I put these people in the same category as White literary agents who’ve said things to me like, “Oh no, not another abuse story!” or “There are too many black coming-of-age stories in the market?” Of course not. Gate keepers practicing ignorance in the midst of structural racism isn’t the same as people who may have internalized racism.

Or in the latter case, it could just be that my pursuit of what I’ve wanted and finally come to know for my life brought attention to dreams deferred, delayed and denied, by others and by their own fears of failure and success. If I’d let this stand in my way, I’d still be living in Mount Vernon, undoubtedly living in grinding poverty, wondering how could I let everything I wanted out of life get away from me.

Last Dance, The Last Class

09 Friday May 2014

Posted by decollins1969 in 1, Academia, Carnegie Mellon University, culture, Eclectic, Pittsburgh, Politics, Pop Culture, University of Pittsburgh, Work, Youth

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"Last Dance" (1979), Boredom, CMU, Coming-of-Age, Coursework, Department of HIstory, Donna Summer, Grad School, Growing Up, Loneliness, Pitt, Single-Minded, Student Life


The late Donna Summer, album cover, circa 1979, May 9, 2014. (http://digboston.com/).

The late Donna Summer, album cover, circa 1979, May 9, 2014. (http://digboston.com/).

Twenty years ago on this date was my last formal class as a formal student, a grad course at Carnegie Mellon with Kate Lynch on Comparative Urban History. I spent that evening of my last day of classes polishing up a twenty-five page research essay that compared the development of public housing practices in Toronto, Berlin and Chicago. It was too ambitious a paper, especially given that I did all the research for it in the final four weeks of that semester, after spending a week at AERA (American Educational Research Association) in New Orleans presenting on a panel and networking, and two days meeting the Gill side of my extended family for the first time. I just wanted to get it done, though.

I made my final edits to my introduction and argument and to a few of my citations and references just before 9:30 pm that second Monday in May ’94. I was working in a computer lab in Wean Hall, using one of the rare PCs on campus. Rare because Carnegie Mellon had made a ridiculous deal with Apple back in ’83 to be a Macintosh campus — a terrible move if you were using Macs in the 1990s.

Apple Macintosh II Computer, April 15, 2004. (Alexander Schaelss via Wikipedia). Released via GNU FDL/CC-SA-3.0.

Apple Macintosh II Computer, April 15, 2004. (Alexander Schaelss via Wikipedia). Released via GNU FDL/CC-SA-3.0.

Normally I wrote my papers on the University of Pittsburgh’s campus, as my alumnus status gave me access to computers and Hillman Library. Plus, it took Pitt almost a year to shut down my grad school accounts, allowing me to make thousands of copies of materials that I would’ve needed a month’s worth of my stipend to make at Carnegie Mellon’s Hunt Library. And, even after a year of torture and courses, nearly all of my friends and interests remained across the bridge connecting Oakland and Pitt with Schenley Park and the southern end of Carnegie Mellon’s campus.

Once I completed my paper, I walked over to Baker Hall, went up to the second floor, and dropped it off for Lynch to review and grade. It was all over but the dissertation overview defense and the dissertation itself. I was happy, but I was more relieved than happy. The last year of transferring to and doing coursework at Carnegie Mellon had taken a toll on me. For the first time ever, I found myself actually hating classes and school in general. Sure, there were individual teachers and professors I despised. Dr. Demontravel. David Wolf. Estelle Abel. Dick Ostreicher. But not the formal process of classroom learning itself. It took a year of redundant courses at CMU at the insistence of the powers that were to steal that immutable joy of learning from me. At least, temporarily.

I thought about it the next day. My first day of kindergarten was September 8, ’74, which meant that I had experienced twenty school years between the ages of four and twenty-four. For virtually all of my life, I’d been a student, from kindergarten to PhD, between Presidents Nixon and Ford and Bill Clinton. I had done several thousand assignments, hundreds of exams, and dozens of papers and essays. Combining undergrad and grad school, I’d taken fifty-eight (58) courses. It’s a wonder I hadn’t tired of listening to mercurial professors any sooner.

Keep Calm and Hate School poster, May 9, 2014. (http://keepcalmstudios.com).

Keep Calm and Hate School poster, May 9, 2014. (http://keepcalmstudio.com).

I spent the next few days doing something I normally didn’t have time for. I slept in late, took lots of naps, and watched my Knicks play and struggle with the Jordan-less Bulls in the NBA’s second round of playoffs. It would be the most rest I’d have for the rest of ’94.

Two decades later, and I’ve taught nearly as many courses as I took to earn my bachelors, masters and doctorate. I do like the view of a classroom — in-person or virtual — from the instructor’s perspective. But I learned so much about being a teacher, too, from what to do and what not to do, long before my final semesters at Carnegie Mellon. Ms. Griffin, Mrs. Shannon, Mrs. O’Daniel, Mrs. Bryant, Harold Meltzer were great counterbalances to the teachers/professors who were as inspiring as watching paint dry in a desert.

The Third Armpit of Hell

27 Friday Jul 2012

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, High Rise Buildings, Marriage, Mount Vernon New York, My Father, New York City, Politics, Pop Culture, race, Upper East Side, Upper West Side, Work, Youth

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Coming-of-Age, Dante's Inferno, Economic Inequality, Growing Up, Home, Metro-North, Neighborhoods, New York, New York City, NYC, Poverty, Race, Self-Discovery, Subway Trains, The City


Illustration of Dante’s Inferno, Map of Lower Hell, 16th century. (Giovanni Stradano via Wikipedia). In public domain.

During most of my Pittsburgh years, whenever someone I knew asked me what it was like to live in the New York City area, I often said two things. One, that “New York was a great place to live if you have money.” But, “if you don’t have money, New York could be like the third armpit of hell.”

I didn’t even bother to discuss Mount Vernon until I was well into graduate school. Too unknown, too complicated to explain its proximity to the Bronx and to midtown Manhattan. And from the average Pittsburgher’s perspective, it was a distinction without a difference. As far as some were concerned, Mount Vernon could’ve just as easily been outside of Buffalo as it could’ve been in the heart of Harlem.

But I definitely knew better, that my relationship with Mount Vernon and “The City” was a love-hate one, born from my growing-up experiences during the Reagan years. The lens with which I viewed the New York City area, a trifocal one of race, poverty and “outsider” status, made me ambivalent about my times growing up in Mount Vernon and all of my times in New York.

2 NYC subway train with graffiti (cropped), 1980s, December 20, 2009. (Cope2 via http://www.doobybrain.com/). Qualifies as fair use – low resolution picture.

I have my father Jimme to thank, though. Without him, I would still be afraid of New York, not just ambivalent about it. Drunk or not, working or on his way to a hole-in-the-wall bar. Jimme would take me and my older brother Darren out and down to the city often enough, to ride the Subway, to hang out with him in Harlem, Spanish Harlem, and especially Midtown. Whether it was to help him with his janitorial work on weekends, or just to hang out, we frequented Manhattan and other parts of the five boroughs off and on between ’80 and ’85, ’82 — the year of abuse — excepted.

Because of that year, the longest time I spent outside of the city growing up was between April ’81 and July ’83. After not making it down to Manhattan in all of ’82, we went to Midtown in July, where we learned about two of my father’s watering holes between 43rd and 47th. They were both near Mickey Mantle’s restaurant on 47th. He also had an Irish pub he’d like to go to around East 59th and Third, a drinking bar near his job on 64th and Columbus, and a couple of places near Macy’s on 34th Street. Because of our height and the times, when it was still legal for eighteen-year-olds to drink in public watering holes, me and Darren were allowed into these fine establishments. I learned a lot about vermouth, vodka, Cosmos and Long Island Iced Tea that summer.

Grand Central Terminal Main Concourse in New York City, March 4, 2006. (Janke and Diliff via Wikipedia). Permission granted via cc-Attribution-Share Alike 3.0 license.

I also learned a lot about the not-so-nice side of New York in those years. I recognized this as I’d board the Uptown 2 Subway from West 42nd Street and 7th Avenue in Manhattan at the tail end of rush hour. As I’d board the train, I’d notice the crunch of humanity in all of its oblivion, self-absorption, and diversity. As the doors close, I’d watch as the express train passed 50th, 59th, and 66th Street before it would grind to a halt at 72nd Street. I’d notice that a fair number of the White passengers alighted here. Between 96th and 125th Street, the load of the train would gradually lighten as about half of the passengers who’d crushed me between a tall, stale-breathed smoker and a woman who wasn’t my girlfriend were now at street level.

About three-quarters of the passengers for the rest of my trip would be Latino and Afro-Caribbean. After another hour of endless stops in the Bronx, the 2 would pull me out of my slumber as it would slowly roll into the rickety East 241st stop.

By the time I was a rising senior at Pitt, I certainly didn’t need my father to accompany on my trips into Manhattan. I also avoided the long trek from 616 across Mount Vernon to 241st to take the 2 whenever I could afford to. Metro-North was a luxurious godsend compared to the puddles of piss and infinite amounts of graffiti on the Subway I’d seen throughout the ’80s.

Toph’s “Hairy Pits” from Avatar: The Last Airbender (screenshot), July 26, 2012. (Donald Earl Collins). Qualifies as fair use — low resolution picture.

But it introduced me to other odious issues. Like Grand Central Station, which by the summer of ’90 was in desperate need of renovation. Especially the restrooms, festooned with enough garbage, feces and bodily odors and fluids to make a coroner vomit.

Off a return trip from Pittsburgh that summer, I made the mistake of having no choice but to use the almost  unusable facilities there, which in the end I couldn’t use. Meanwhile, I observed homeless males hanging out in the restroom with carts, along with an individual who looked to have Kaposi’s sarcoma, an obvious sign of full-blown AIDS.

That’s when I coined New York to be “the third armpit of hell,” the place where poverty had meant your dreams were dead on arrival. For once, it made me content that I was from a place where many smug New Yorkers disdainly considered “upstate.” Though the New York City area has changed — and mostly for the better — since ’90, it’s still a place where economic inequality can easily grind the life out of people.

Milk-N-Things

21 Saturday Apr 2012

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, race, Youth

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Tags

Adulthood, Black Males, Coming-of-Age, Discrimination, Fear of Black Males, Frank Sinatra, Hutchinson River Parkway, Milk-n-Things, Pelham New York, Persecution, Race, Racism, Shopping While Black


Major fire Sunday evening at F&Y Store (formerly Milk-n-Things), Grand Cleaners, Pelham, New York, March 9, 2008. (PelhamWeekly.com). Qualifies as fair use because of low resolution of picture and subject of this blog post.

As most folks who aren’t Black males have learned in the past couple of months, part of our collective coming-of-age story involves this sordid and cruel rite of passage to manhood. One in which people we’ve known since childhood suddenly start to treat us as if we’ve committed a crime or an unpardonable sin. No matter how smart, how tall or short, how athletic or waif-like, this ritual has continued unabated in American culture for as long as there have been free Black males living their lives.

My whole year between my seventeenth and eighteenth birthday in ’87 was like that. Between a crossing guard I’d know since third grade, some of my classmates, my idiot Mount Vernon High School principal, the late Richard Capozzola (see post “Capo, Mi Capo” from September ’09) and Tower Records (see my post “Why Black Men Carry A Public Anger” from March ’12). I was constantly shown through their eyes how my man-sized Black body was a threat to them.

One of the bigger kickers that year was an incident at the former Pelham, New York mini-mart Milk-n-Things. It was in a strip mall across the street from a Mobil gas station, off a Hutchinson River Parkway exit, just across the bridge on East Lincoln connecting Mount Vernon to Pelham. The store was two doors down from the laundromat in which we washed our clothes every week (or just about) between ’78 and ’87, and next to Hutchinson Elementary School and Pelham Library.

I’d been shopping there on my own since ’77, before I’d started third grade. Over the years, I’d gotten used to the smell of cheap cologne, the noise of broken Italian and Brooklyn-ese as spoken by the Hair Club for Couples, the people who owned Milk-n-Things. Not to mention their love of all things from the ’50s, especially with a gigantic picture of Frank Sinatra on the wall that greeted customers upon entrance. By the time I was fourteen, it dawned on me that these folks may have been mobbed up, but what did that matter to me?

Then one day in April ’87, the Italian folks who owned Milk-n-Things reacted to me as if they’d never seen me before. As usual, I went there to buy a few groceries late in the evening, somewhere around 9 pm, when C-Town had already closed. Milk, eggs and butter were among the things I planned to buy. When I got to the counter, the old Italian lady said, “I got you on camera.”

“On camera doing what?,” I asked without thinking.

“You know whatcha been up to. I got you stealing, thief,” she said as if she had another word in mind.

“There’s no way you could have me on camera. You might have someone else on camera, but I know I haven’t stolen a thing,” I said, as I felt both hurt and rage coming out of me.

“Get out of my store now before I call the cops!,” the woman yelled.

I left the groceries and took back my money, feeling persecuted. This was a store I’d been shopping at for ten years. Now this Frank Sinatra-worshiping bitch has the nerve to accuse me of stealing right out of the blue? “Fine,” I thought. “You’re not getting another dime of my money.” That was the last time I shopped there.

I actually didn’t step foot into the space again until ’06, during a Thanksgiving visit with family. By that time, it was no longer Milk-n-Things, and the Italians who owned the place had long since moved away. I went in, realized they had nothing I wanted, and left. No one walked up to me to check my pockets as I walked out. I was mildly surprised.

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