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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Italian Club

My Alex and America’s 45, Bullies with Fan Boys on the March

05 Monday Aug 2019

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, Politics, Pop Culture, race, Religion, Youth

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45, A.B. Davis Middle School, Alex, American Narcissism, Bullies, Bullying, Captain Zimbabwe, Dayton, Demagogue, El Paso, Fascism, Humanities, Italian Club, Mass Murder, Mass Violence, Misogyny, President Donald J. Trump, Racism, Xenophobia


45’s fans at campaign rally, Greenville, North Carolina, July 17, 2019. (Carolyn Kaster/AP; https:/usatoday.com).

At least one person will undoubtedly find my latest post unfair and offensive this time around. My Humanities classmate Alex, whom I interviewed as part of my book Boy @ The Window, will likely not be too happy with me this week. So Alex, if you do find yourself feeling this is unfair and my post offensive, I apologize in advance.

But either way, that’s okay, because the comparison between the person he once was and the person who is 45, America’s usurper-in-chief, is apt. Not because Alex was ever a malignant narcissist in need of constant adulation from his entourage. But because even small-d demagoguery around putting down so-called others out of insecurity, racism, xenophobia, misogyny, religion, a sense of superiority, and/or willful ignorance will still lead to violence and bullying. On a societal level, that is mass violence, that is fascism within a democracy, and nation-state sanctioned. No matter what the College Board and ETS says.

The thing I didn’t really allow myself to understand, even after I interviewed Alex in 2007, even after writing my first eight drafts of Boy @ The Window regarding Alex and the “Italian Club,” was this. That people like having leaders, folks they can relate to, even as preteens. In our times, that means someone who’s cool, or at least, pulls off the cool aesthetic well. Alex did. Whether you liked him or despised him at A. B. Davis Middle School in Humanities in seventh or eighth grade, Alex had a certain prepubescent charm. He was playful, goofy, corny, and fully engaged in pop culture as an up-with-everything 12 and 13-year-old.

And that attracted a specific group of folks into Alex’s solar system. Some of them knew him from their mutual time together at Columbus ES, but several in his entourage were from other schools prior to Davis. All of them were disaffected boys in some way or another, mostly Italian (or at least in one case, half-Italian), but almost to a person, not comfortable with the multicultural pressure cooker of relative uncoolness that was our magnet middle school program.

Alex led his “Italian Club” in acting out. Like a wolf pack, they looked for prey in the classroom to pick on, to call the wittiest names, to occasionally get physical with. Many times, they messed around with corny lines for girls like Sandra and Marianna. But I ended up on their radar early on. Between my kufi, my big but slow-talking mouth, and my fight with Brandie, I was ripe for Alex and his band of predators.

On November 2, 1981, the bullying started in earnest, as Alex and his band jumped me after school in the area near the side door exit from Davis. About a third of my classmates watched as the “Italian Club” knocked me to the ground, punched and kicked me until I began to cry. Alex himself never put his hands on me, but watched with glee as his fanboys did the dirty work.

But that wasn’t all. I had to endure seven months of being “dumb,” “stupid,” and a “monkey” from Alex’s band of brothers. It was topped off by a month of “Captain Zimbabwe” chants in May and June 1982, typically in Mrs. Sesay’s homeroom, but after counter-protests from other classmates, it moved to Ms. Fleming’s Italian class.

Eighth grade was nowhere near as bad, partly because I grew four inches over the summer, and partly because they likely sensed my rage from my summer of abuse with my idiot stepfather. Still, this didn’t stop Alex from messing with me or other vulnerable classmates that year or in ninth grade. I remember him greeting Josh a couple of times with the refrain from The Beatles “Hey Jude,” except it was, “Na, Na, Na, Na-Na-Na-Na, Na-Na-Na-Na, Hey Jew.” I remember him and his entourage calling my other classmates “monkey.” He once went after our class’ eventual valedictorian, “she’s a brainiac, a brainiac,” adapting a song from the Flashdance soundtrack.

This was the Alex I knew between the ages of 12 and 15. Comparing him to a 73-year-old who has the impulse control of a nine-year-old hopped up on crystal meth is somewhat unfair, as Alex isn’t that teenager anymore. Still, what 45 has done on a far larger stage than Davis’ Humanities program is essentially the same thing. Except that there are millions of folks — especially White men — attracted to his intersectional message of “this is our [read, ‘A White Man’s’] country.” And anyone not for White men first, second, and always needs to get out, or at least, get out of the way.

There’s a video clip making its social media rounds via Bloomberg editor Tim O’Brien from 45’s rally in Panama City, Florida on May 9. In it, you have 45 and many in his audience laughing at the idea of shooting “illegals” coming in from Mexico as a solution for stemming the tide of “invasion” from Central America.

This is hardly the only blunt signal 45 has sent to his anti-Black, anti-Muslim, and anti-Latinx fanboys and footsoldiers-for-the-patriarchy (thank you for the truth, Mona Eltahawy) fangirls over the years that their intersectional -isms are justified. But it is one direct example that those who really believe a race war is coming can use to take up arms and shoot to kill Black and Brown folks for existing in the US. That’s what Patrick Crusius and Connor Betts did this weekend in El Paso and Dayton, Ohio to their dozens of dead and injured victims. That’s what 45’s entourage has been doing with increasing frequency over the past decade. This is what demagogue bullies do. They build a following. They jizz their racism, misogyny, xenophobia, and homophobia all over their followers. Those most predisposed to lap up such vitriol and act on it then do the not-so-subtle calls for violent action and take it out on truly random marginalized people.

For a variety of reasons, not the least of which, attending a majority-Black-and-Brown high school and perhaps recognizing his own racism and misogyny, Alex wasn’t the same Billy Idol-worshipper I’d known in eighth grade. By our senior year, he even seemed like-able, and spend way more time with a group of Black and Latino friends than he did with his one-time entourage. I assumed he matured. Good for him. Really.

But it’s way too late for 45 to grow out of his -isms. It’s way too late for millions in his entourage to grow out of their violent fantasies for mastery over vulnerable others. We have to disarm them, with the repeal of the 2nd Amendment. We have to disarm them, by calling them out for the bullies and intersectional terrorists they are. We have to, if we’re going to survive them.

Lit on Moonlight

16 Monday Jan 2017

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Sports, Youth

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A.B. Davis Middle School, Barry Jenkins, Black Males, Black Masculinity, Bullying, Chiron, Coming-of-Age, Faggot, Hypermasculinity, Italian Club, Mahershala Ali, Manhood, Moonlight (2016), Mount Vernon High School, MVHS, Rage, Sexual Orientation


Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

I finally, finally saw Moonlight with the wife and son at AFI Silver Spring yesterday, months after the in-crowd had already seen it and attempted to spoil it for the rest of us. It was excellent. The cinematography, the loud and incredible silences, the small moments, when actors just being in the moment with their facial expressions did more than any dialogue could to move me and anyone else watching. Mahershala Ali was only in five scenes. But his first scene set the tone for the whole movie. As Juan, Ali channeled both the need for hard hypermasculinity and the vulnerable fragility of such in just one scene. His time with the youngest version of Chiron made me laugh, cry, sad, and angry, and left me wondering if I’ve seen this much intimacy between Black man and Black boy on screen before. I know I have (Antwone Fisher, The Wire, even Roots comes to mind), but on-screen doesn’t reflect this anti-stereotypical slice of truth nearly as often as it should.

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Yet I was also not as impressed as I expected to be. Not because I didn’t like the performances — I loved them. I thought every actor in the film was legit, every scene was moving in some way. Naomie Harris I’ve been fond of for years, André Holland and Janelle Monáe’s work I already knew, and Trevante Rhodes and Barry Jenkins, well, the two need bigger platforms for doing more great work. Moonlight wasn’t a film. It was a collage, a kaleidoscope of precious moments, blood-churning episodes, and tender images. Jenkins’ treatment of coming-of-age, Black boyhood into manhood, and Black masculinity, hypermasculinity, and vulnerability was avant-garde.

Still, I felt like I’d seen Moonlight before. Or, really, lived parts of Moonlight in my own past. No, I did not befriend an older, Afro-Cuban crack dealer in 1990s Miami, have a drug-addicted, abusive mother, or have a group of kids chase me around and beat me up off and on for ten years. But I didn’t look at the world the same way as my peers. I didn’t sound like a Noo Yawker, walk and talk and code switch like Denzel Washington, or try to fit in like so many of my 616 neighbors and my Mount Vernon school mates during my growing up years. And I paid for it, dearly, with few friends before I turned eleven, and no friends in the six years before I went off to the University of Pittsburgh.

But on Chiron and that most pernicious issue of hypermasculinity, the need to be hard all the time, I’ve been there too. I’d been called “faggot” (or in my father’s case, “faggat”) enough times to occasionally question my own sexual orientation growing up. My senior year at MVHS one day, I hit a three-run homer during a softball game in gym class. It wasn’t the first time I’d done that. But for one Jamaican dude, me drilling a ball 350 feet off his slow fastball was an affront. He called me a “faggot” after the game, and threatened to wait for me after school with a machete to chop me, adding “bumbaclot mon” at the end of his threat. I left school as normal and waited for him. He was lucky he didn’t show up that day.

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

You see, my rage didn’t need years to build up. All before I’d finally lose it one day, and take out a bully with a wooden chair and break it across his back, like the way Chiron did at the end of II of Moonlight. I didn’t have bullies at school per se. There were a couple I dealt with at 616, but they weren’t regular. Many folks would make a crack, but generally left me along. Any bullying I faced in high school was completely random and momentary, because I stood up for myself. Because if I could face down a six-foot-one, Isshin-ryn black belt of an abuser in my idiot stepfather Maurice, a stupid football player was gonna get hurt trying to hurt me.

No, the bullying I faced was in middle school, from a bunch of overwhelmed and racist Italian classmates in Humanities. I’ve named them in Boy @ The Window and here in this blog before. Alex, Anthony N., Andrew, Anthony Z., etc, the Italian Club. That things were much, much worse at home meant that I saw them as background noise. There was always a part of me, though, that had enough rage, even in seventh grade, to take a desk and smash Anthony N.’s head in with it until his fuckin’ Italian brains spread out all over the floor and walls!

I ended up beating up a wannabe bully in JD that year instead. I won kufi battles in eighth and ninth grade. I wore a blank face that most of my more dumb ass classmates interpreted as a smile. I made plans to get out, because I never wanted to fit in. I was already awake, coping with the day-to-day, but in it for the long-term. I had that President Barack Obama, audacity-of-hope-beyond-failure, beyond reality thing goin’. When I saw Chiron as played by Ashton Sanders, I wanted to hug him, beat up his bullies for him, and tell him that you can love who you want to love, even if they never love you back. And to always, always be your best self, and not some “I don’t want to feel pain again” version.

Icy Dream

14 Tuesday Jan 2014

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, Pop Culture, Religion, Youth

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Benetton Group, Bullying, Deja Vu, Dreams, Game of Thrones, HBO, Humanities, Imagination, Italian Club, Loneliness, Luck, Ostracism, Redemption, Renewal, Self-Determination, Winter


Massacre perpetrated by white walkers north of The Wall, "Winter Is Coming," Game of Thrones (2011). (http://justagirlinlondon.wordpress.com).

Massacre perpetrated by white walkers north of The Wall, “Winter Is Coming,” Game of Thrones (2011). (http://justagirlinlondon.wordpress.com).

One of only four times in which I use a dream or daydream device in Boy @ The Window, this one from January ’84:

It must’ve been everyone I’d come to know. About twenty-five or thirty of them in all. Led by Wendy, JD, Alex and Andrew, they all were marching down East Lincoln near where I lived, sticks and stones in hand. More like bricks and baseball bats and chains as they got closer. They were all dressed in Sergio Valente and Jordache, Benetton and OshKosh, Levi’s and Gap attire. They were all after me, my kufi, my life, my eternal soul. They weren’t running after me. They were marching in formation, like Soviet troops in Red Square, only with ridiculous smiles of mayhem giving away their intentions. I felt scared. But I had resigned myself to my fate. If I was goin’ down, gosh darn it, I was gonna put up a fight and take some of them with me!

I knew that dreaming about your classmates in any other way than out of adoration or infatuation wasn’t healthy. They served as a metaphor. They were an obstacle between me and my inner peace, a constant reminder that the odds were against me escaping 616 and Mount Vernon for the brighter pastures of a life and education elsewhere. They were symbols all right, symbols for everything from abuse and fear of abuse to undying and unrequited love. I woke up, sweating and with a panicked heartbeat from the nightmare. I looked at all of my body parts to make sure that I still had them in place before getting out of bed.

Later that snow-melt Saturday in early ’84, Mom sent me to the Fleetwood Station post office in the northwest corner of Mount Vernon to pick up a certified package. She had a PO box there, set up originally to protect sensitive documents from thieves in the building. I assumed that she was using it now to keep Maurice from getting his hands on any checks or other sensitive information. This was yet another task that I’d become the go-to-child for. I got dressed in my hand-me down winter coat and blue sweats and began the slushy trek to Fleetwood.

A glacier cave on Perito Moreno Glacier, in Los Glaciares National Park, southern Argentina, January 14, 2010. (Martin St-Amant [S23678] via Wikipedia). Released to public domain via Creative Commons 3.0.

A glacier cave on Perito Moreno Glacier, in Los Glaciares National Park, southern Argentina, January 14, 2010. (Martin St-Amant [S23678] via Wikipedia). Released to public domain via Creative Commons 3.0.

Then déjà vu struck. I found myself standing at the northeast corner of Lorraine and East Lincoln, unusually quiet because of the snow and the cold front that came with it the night before. This was where the metaphorical forces of destruction had lined up and marched against me. I laughed out loud, hoping at the same time that no one saw me. I looked down at the curb and sidewalk as the slush-ice was turning into mini-glacial streams and rivers, all blending as they ran toward a storm drain. In a semi-frozen pack nearby lay ten dollars. It had been trapped by the icy H2O. “My luck is getting better every day,” I said to myself. This happened to me, someone who never found more than a penny at a time on the streets and sidewalks of Mount Vernon. Despite all my worries and nightmares and other self-inflicted thoughts, things, at least at school, felt like they were getting better.

The Wall, viewing from the north, Game of Thrones (HBO), January 14, 2014. (http://gameofthrones.wikia.com/).

The Wall, as viewed from the north, Game of Thrones (HBO), January 14, 2014. (http://gameofthrones.wikia.com/).

I suppose that if Game of Thrones [Ramin Djawadi – Main Title (Game of Thrones)] was on HBO in ’84 (and if we had cable back then) that I could’ve thought, “Winter is coming! OMG, Winter is coming!” I’m a fan of winter (to a point), though, because there’s the promise of renewal, the possibility that struggle can lead to reinvention, even redemption. And for me thirty years ago, that’s exactly how I saw January ’84. I was looking for a fresh start, a new beginning, within myself, if not necessarily from others. But being fourteen, I could only be that wise for so long when I controlled so little of what was going on in my life, even with the best of icy dreams.

Monkey See, Baboon Do

22 Wednesday May 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon New York, Pop Culture, race, Youth

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8U, A.B. Davis Middle School, Baboon, Beauty, Bigotry, Humanities, Italian Club, Monkey, Racism, Stereotype Threat, Teenagers, Writing, Writing Scrapheap


Monkey See Monkey Do, May 22, 2013. (http://kidsunder7.com).

Monkey See Monkey Do, May 22, 2013. (http://kidsunder7.com).

There are plenty of stories and vignettes that ended up on the Boy @ The Window scrap heap. Most because they weren’t relevant, some because a particular person or character really wasn’t a significant player in the book. In my final set of story revisions (not dialogue revisions) in ’09 and ’10, I operated under the “two or more rule.” If a person or character showed up fewer than two times in the book, I took them out, as they really weren’t as significant as I originally thought.

But in the case of the Sonya story below, it was a tough cut. I wanted to craft a book in which people felt everything I went through while not feeling sorry for me. I think and hope that I did. Though this story contained many elements of what I wanted in the rest of the book, it didn’t quite fit. Still, it serves as a good reminder of how mean even someone as polite (but certainly not always nice) as I am today could be at thirteen.

—————————

“Sonya was major fodder for Alex in eighth grade. She had a short Afro, an ‘au naturale’ to be exact. She wasn’t nearly as polished in maintaining her looks as many of the other girls in 8U. Sonya wasn’t ugly by any stretch. But by her not attempting to beautify herself in any way, she stood out for some in our class. Why would’ve she needed to anyway? She was also well-spoken, intelligent and outgoing, at least at the beginning of the year. Unfortunately for Sonya, my Italian Club classmates Alex, et al. were around to call her all kinds of names, like ‘baboon,’ and ‘monkey.’ I felt sorry for her, but I was also angry with her too. It pissed me off to see her respond to these semi-racist barbs with a blank face or even a smile.

It pissed me off so much that I ended up calling Sonya one of those names by the end of the school year. One day in homeroom, par for the course, Alex and company picked with Sonya again, calling her a ‘baboon’ among other things. She just sat there with that silly ‘Oh well’ smile on her face, as if they were telling her that she should go into professional modeling. Under my breath, I called her ‘monkey,’ and not as a joke. I just couldn’t believe that she was going to sit there like some pre-Civil Rights era Black in the South and take their crap without any response.

Except that I had called Sonya a ‘monkey’ within earshot of her and Alex. She ran out of the room, apparently to the girls bathroom, where she cried for several minutes, I later learned from Allison. I immediately tried to apologize, which Sonya eventually accepted (after my eighth grade science teacher Ms. Mignone and Allison shamed me for what I said). What I said was unacceptable to me, and the rationale was too intellectual for my own good. For Sonya, it simply came down to her looks, not her disposition. I wished that it had never happened, given what I faced from some of my classmates on a semi-regular basis.”

———————————————————-

1990s R&B/hip-hop duo Zhané from their 1994 album cover Pronounced Jah-Nay, May 22, 2013. (http://centrictv.com).

1990s R&B/hip-hop duo Zhané, from 1994 album cover Pronounced Jah-Nay, May 22, 2013. (http://centrictv.com).

The Sonya story has many of those elements, exposing me good, bad and ugly in the process. It’s about race and teenage ignorance and intellect. It’s about stereotype threat on one obvious level and trying to fit in on an unconscious one. It’s about the person I needed to become in high school as well as how I got to be that quiet yet observant person. The story is significant, yet because I only dealt with Sonya for two paragraphs in a 345-page book (in print form), it didn’t make the final cut. Because there are other and more central characters and stories in which stereotype threat and the ugly side of my immaturity both come out, I didn’t include Sonya.

Luckily, I also have a blog, where even scrap-heap stories can find the light of a new day. So, for this week, the thirtieth anniversary of my calling Sonya a “monkey,” I apologize again. I was a baboon for saying it in the first place. And Sonya, I hope you are well!

Kufi Battles

15 Friday Feb 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, Movies, Pop Culture, race, Religion, Youth

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"The Man In Black", A.B. Davis Middle School, Abuse, Bigotry, Bullying, Esau and Jacob, Fights, Geometry, Intimidation, Intolerance, Italian Club, Kufi, Lost (2004-10), Louis Cuglietto, Masculinity, Multicultural Education, Puberty, Rage, Tackles, The Matrix Revolutions (2003)


Slow-motion punch frame from Matrix Revolutions (2003), February 15, 2013. (http://theathleticnerd.com/).

Slow-motion punch frame from The Matrix Revolutions (2003), February 15, 2013. (http://theathleticnerd.com/).

My days as a kufi-wearing Hebrew-Israelite at school is one of those things I don’t spend much time on this blog talking about. Mostly because it involved defending myself to protect a piece of clothing and a religion in which I never fully believed, especially after early ’83. Plus, it involved fairly rare attempts in which dumb asses attempted to bully me. Compared to my now deceased idiot ex-stepfather’s abuse, no kid or wannabe thug after the summer of ’82 really stood a chance.

There were three incidents in eighth and ninth grade in which a kid got into a scuffled with me over my kufi, for whatever reason they’d invented in their head. The first was in February ’83, as one Black kid — probably about fifteen — snatched my kufi from my head and started to run up the basement hallway with it at Davis Middle School. The incident occurred as I, A and another member of A’s “Italian Club” entourage were in the middle of an errand for a teacher. I immediately ran the boy down, knocked him to the floor, dusted off my kufi, and put it back on my head. The boy got up and threatened to beat me up. It was at this point that A intervened, saying that he would “have to take us all on” if he wanted to fight me. A’s moment of support notwithstanding, I would’ve beaten the kid in the face as many times as it would’ve taken to get my kufi back.

Pittsburgh Steelers' James Harrison sacks Baltimore Ravens QB Joe Flacco, AFC Division Round, January 15, 2011. (http://espn.go.com).

Pittsburgh Steelers’ James Harrison sacks Baltimore Ravens QB Joe Flacco, AFC Division Round, January 15, 2011. (http://espn.go.com).

The second incident occurred a month later, prior to the opening morning bell at Davis. Out of the blue, “Little J” picked a fight with me, calling me a “dickweed” and a “shithead” for no reason at all. I hardly knew the Jewish kid, who immediately came at me to push, shove, throw punches, and grab at my kufi. It really was crazy for Little J to think that he had a shot at doing any damage. I was already five-eight. He was lucky if he was four-eleven and one hundred pounds after a potato latkes breakfast.

This wasn’t a fight. It was a pushing and shoving match, with me doing all of the pushing and shoving and Little J landing in bushes or on his ass. For seven minutes, he kept running at me, trying to throw a punch or kick me. I caught or blocked his attempts, grabbed him, and shoved him into the bushes near the boys’ entrance to Davis. By the sixth time, Little J was crying and his cheeks were fire truck-red, I was laughing and shaking my head, and the other Black boys at Davis were asking me what was going on. When I told them, they started laughing as well.

Beyond him grabbing at me and my kufi, I never knew what Little J wanting to fight me was all about. My guess then was that Little J was playing the role of Esau (the hairy brother of Jacob from the Bible, Torah and Qur’an) and didn’t like the fact that I claimed to be a descendant of the father of ancient Israel and his people.

The Man In Black (presumably Esau; played by Titus Welliver) with Jacob (Mark Pellegrino), from TV series Lost (2009-10), February 15, 2013. (http://magiclamp.org).

The Man In Black (presumably Esau; played by Titus Welliver) with Jacob (Mark Pellegrino), from TV series Lost (2009-10), February 15, 2013. (http://magiclamp.org).

Incident Three occurred on my second day at Mount Vernon High School. After a day of assignments and learning the names of our new teachers, I went to Louis Cuglietto’s eighth-period Geometry class. It was on the first floor of the school, just to the right of the front entrance and the cafeteria. As I milled around the classroom looking to take my seat, my Latino classmate “N” came out of nowhere and snatched my kufi off my head.

“Give it back now!,” I yelled.

“Make me!,” N responded with a bit of sarcasm.

Just as he was about to throw it to another classmate. I grabbed N and knocked him to the floor. There we were, on the floor by the dark green chalkboard, me on top of N, who was struggling to hold on to my kufi. I lay on top of him, punched him in the face a couple of times, and took my kufi back from him just before Cuglietto came into the room. By this time everyone in our class had formed a circle to watch the spectacle. I don’t remember all of what Cuglietto said, but he did ask, “Do you want to get suspended?” After we dusted ourselves off, we went to our desks and got back to work.

For me, the incident marked a transition point in my life at school. This would be the last fight I’d have in school. Some people continued to try to verbally intimidate me. But they left it at that, probably because my height and my face said “Don’t mess with me” before I’d say anything.

The more immediate result was that I began to question more consciously my motives for defending myself as a Hebrew-Israelite. “Why do I care if N snatches my kufi from me?,” I said to myself on the way home from school that day. It wasn’t as if I truly believed in any of the teachings anymore. I definitely didn’t want anyone messing with me at home or in school. At the same time, I didn’t want to use up energy defending something in which I didn’t believe.

The Beatdown

05 Saturday Nov 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon New York, music, Pop Culture, race, Religion, Youth

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7S, A.B. Davis Middle School, Anti-Bullying, Bullying, Captain Zimbabwe, Hebrew-Israelite, Humanities, Italian Club, Mount Vernon New York, Mount Vernon public schools, Race, Racism, Religion


Ironing out balled up paper, a bullying symbol, November 4, 2011. (Donald Earl Collins)

An anti-bullying video’s been trending in the social media sphere this week, in which a teacher demonstrates to her class the effects of bullying on a student’s psyche. All courtesy of balled up, stomped on and unfolded yet crumpled pieces of paper. It’s a good, though incomplete description, because it doesn’t address the great feeling of superiority that those dispensing the verbal, physical and psychological abuse get from bullying their classmates.

Though I seldom have thought of myself as someone who was bullied, by today’s definition, that’s exactly what happened to me for the better part of five months of seventh grade, from November ’81 through February ’82 and late-May to early June ’82 (see my post “The Legend of Captain Zimbabwe” from May ’09 for much more). I guess I’d been called so many names by so many people in 7S so first few months — and, to be truthful, did the same in response to a fair number of classmates myself — that I didn’t think too much of it as November ’81 began.

About two weeks after my fight with Brandie (see “Adverbs and A-Holes” post from last month), I experienced a serious physical bullying altercation (there were one or two attempts by neighborhood kids while I went to Nathan Hale and Holmes Elementary, and a couple of attempts in high school). The best way to describe it is that I got jumped and then beat-down after the end of the school day on the first Friday in November ’81.

It wasn’t a random jumping or beat-down, and not one that involved Davis’ Black or Latino students, who were always described to us super-nerds as “dangerous.” No, the perps in this case were from what I euphemistically called the “Italian Club,” a full two years before we had an official Italian Club in high school. They’d been on me in 7S homeroom and in Italian class with nearly constant verbal abuse for the two weeks or so since my scuffle with Brandie. Apparently, my decision to ignore them didn’t work well enough.

The leader of this pack of uncouth Italian or White working-class preteen Humanities boys was “A,” who presented himself as between John Travolta’s character on Welcome Back, Kotter and Arthur Fonzerelli from Happy Days. A’s favorite move those Humanities middle school years was to walk into our homeroom and belt out The Police’s “Roxanne” refrain, as if he were Eddie Murphy in 48 Hours. The way his band of Italian or Italian-esque brothers hung around him, you would’ve thought he was a rock star, someone like his fave, Mr. “White Wedding” himself, Billy Idol.

A Christmas Story (1982) screen shot of bunny suit kid, December 11, 2009. (http://myhealthypassion.wordpress.com). Qualifies as fair use under US copyright laws, between low resolution, cropping, and intent of use.

Led by A, about ten 7S classmates attacked me after school as I was on my way out the school’s side door closest to the Humanities wing to walk home. They grabbed, punched, and kicked me, and called me everything but a child of God. A, of course, wasn’t actually involved in any of the dirty work of beating on me. Like a about half a dozen other 7S classmates, A watched as he directed his gang.

That was my third A Christmas Story moment. Except I’d been better off wearing the pink bunny suit over my kufi! Bullying is a funny thing, even when you’re one being bullied.

But unlike the piece of trampled, stomped, balled up paper, I wasn’t scarred in the sense that my self-esteem was shattered. Far from it, my self-absorption and delusions of academic grandeur shielded me, made it possible for me to iron out most of the wrinkles in my psyche from being jumped that day. It took my grades, a crush, and events that played out at home, at 616, to shatter my childhood.

Of course, being called a “dumb ass” as if it were my nickname, or “Captain Zimbabwe,” as a proxy for “Negro” or the N-word, wasn’t exactly besides the point. Nor was the idea that a bunch of White kids could decide that they could gang up on me essentially because I was an enigma to them. Like me being weird, uncool and smart was too much for their pubervescent heads to handle.

The best revenge, though, was going through puberty myself, to find myself growing ten inches in twenty months, between March ’82 and December ’83. That, and taking care of my body, mind and spirit over the past thirty years. Not that I have a dart board of my tormentors or anything, but I think it would be hilarious if any of them attempted to bully the 225-pound me today. Of course, I’d probably laugh so hard that they’d get a couple of licks in, at least before my sense of righteous rage would kick in.

The moral here, I guess, is to have a sense of how to deal with bullying if and when it does occur, to not shrug it off as “boys just being boys” or, for that matter, “cliquish girls being cliquish girls.” By middle school, though, it’s not just about reporting it to teachers or parents. It’s about other students stepping in, and students the subject of bullies’ discontent defending themselves. And that is what I’m instilling in my son. Of course, I’ll step in when necessary, too.

Flexing muscles, as in too bad I didn't have these 30 years ago, November 4, 2011 (Donald Earl Collins).

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

There's a few ways in which you can read excerpts of, borrow and/or purchase and download Boy @ The Window. There's the trade paperback edition of Boy @ The Window, available for purchase via Amazon.com at http://www.amazon.com/Boy-Window-Donald-Earl-Collins/dp/0989256138/

There's also a Kindle edition on Amazon.com. The enhanced edition can be read only with Kindle Fire, an iPad or a full-color tablet. The links to the enhanced edition through Apple's iBookstore and the Barnes & Noble NOOK edition are below. The link to the Amazon Kindle version is also immediately below:

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Boy @ The Window on Amazon.com: http://www.amazon.com/Boy-The-Window-Memoir-ebook/dp/B00CD95FBU/

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Boy @ The Window on Apple's iBookstore: https://itunes.apple.com/us/book/boy-the-window/id643768275?ls=1

Barnes & Noble (bn.com) logo, June 26, 2013. (http://www.logotypes101.com).

Boy @ The Window on Barnes & Noble: http://www.barnesandnoble.com/w/boy-the-window-donald-earl-collins/1115182183?ean=2940016741567

You can also add, read and review Boy @ The Window on Goodreads.com. Just click on the button below:

Boy @ The Window

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