Past Labor’s Opportunities Lost

07 Monday Sep 2015

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Pittsburgh, Politics, Pop Culture, race, Work, Youth

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Advisor-Student Relationships, Anger, CMU, Dissertation Completion, Howard University, Jealousy, job search, Joe William Trotter Jr., Labor Day, Mentoring, NYU, Post-Docs, Rage, Running Interference, Spencer Foundation, Spencer Foundation Dissertation Fellowship Program, Steven Schlossman, University of Maryland, University of Wisconsin-Madison

Title page of the first quarto of William Shakespeare’s Love’s Labour’s Lost (1598), uploaded May 2, 2011 (Tom Reedy via Wikipedia). In public domain.

One of the more gut-wrenching periods of my career began right after Labor Day 1995. In some respects, that period of my career has left a stain over the past two decades. Not so much in terms of what I have done or in what I’m doing now, as much as in setting limits on the range of possible outcomes with which I could’ve begun my career.

Right after Labor Day, I saw an ad in The Chronicle of Higher Education for an open-ranked (tenured or tenure-stream) position at NYU’s school of education in US education history. I hadn’t thought about teaching in a school of education before, but after meeting my friend Cath and having received my Spencer Foundation fellowship, I understood that this was likely a better choice for me than a history department. I wasn’t the only one who thought so. My department chair Steven Schlossman had received a letter and a telephone call from his equivalent peer at NYU asking if there were any graduate students in the pipeline who could apply for the position. Schlossman apparently told that department chair about me and my multiculturalism dissertation, and caught up with me that same week to give me a copy of the letter and encouraged me to apply for the job.

I was two-and-a-half chapters into my planned eight-chapter dissertation, and I still had some US Census data to look at and interviews to conduct as part of the process. I knew that my advisor Joe Trotter wouldn’t be happy about the idea of me applying for a job so soon into the process, but Schlossman and I also knew that the job — if I somehow got it — wouldn’t start for eleven months. That was more than enough time for me to write, revise, revise again, polish up and defend my dissertation. I was on a Spencer fellowship, after all!

A defensive pass interference penalty not called, Detroit Lions v. Dallas Cowboys Wildcard Game, January 4, 2015. (http://bleacherreport.com/articles/2319198-refs-pick-up-flag-after-pass-interference-on-cowboys-in-4th-quarter; FOX Sports).

Of course Trotter thought otherwise. He was incensed that Schlossman had discussed the NYU job with me, that I hadn’t talked with him about the position first. Of course Trotter said that he needed to “run interference” on my behalf, to protect me and my career. By “running interference,” Trotter meant that he would not write a letter of recommendation on my behalf. He told me to put the job out of my mind, to focus on my dissertation, and that we could revisit the prospect of apply for jobs when I was much further along.

A few months later, in February ’96, I saw another job ad in the Chronicle, this one for a history of education assistant professorship at University of Wisconsin-Milwaukee. Schlossman saw that ad as well, but I was still the dutiful ABD student with Trotter as my patron. I decided this time to approach Trotter before meeting with Schlossman about the job. Trotter flipped out again, telling me, “you’re not ready,” that he had seen too many of his own peers not finish dissertations when taking jobs, only to end up unemployed. Keep in mind, I had written six of my eight chapters at this point, and had started working on number seven that month.

Trotter’s “you’re not ready” pronouncements rang even more hollow in March, when I requested a letter from him to apply for a post-doctoral fellowship in African American Studies at University of Maryland, College Park. He refused at first, then agreed, with the caveat that he would write in his letter his belief that I wouldn’t complete my dissertation in time to begin the fellowship at the end of August ’96. With that kind of endorsement, of course I didn’t apply!

When we finally had our blow-out argument that April 4th, I was frustrated, he was actually angry, for reasons I didn’t put together until I considered my age and his HNIC status and age later on. Most of Trotter’s stonewalling occurred after he found out that I was still only about to turn twenty-six at the time of the NYU job prospect. Between that and the limited mileage remaining in his proletarianization hypothesis, I was working for and with an advisor who was giving me mixed signals and mediocre advice. Both were based in part on jealousy, and in part on Trotter’s own bad experiences at University of Minnesota and on the job front in the 1970s and early 1980s.

Danger Bad Advice Ahead fake sign, September 7, 2015. (http://wordspicturesweb.com).

Trotter didn’t understand that in blocking my first attempts to begin my career, he had helped set up a struggle for me to have even a semblance of a career before I had completed the first draft of my dissertation. As it was, I finished the first draft in June ’96, the second at the end of July, and polished it up before Labor Day Weekend ’96. That fact that I was done with all major revisions to my dissertation in time for any job that year made ready to strangle Trotter at that point.

Still, it would be only fair to say that my career moves — good and bad, smart and stupid — have mainly been of my own making. It would also be unfair to blame Trotter for any moves that I have made or didn’t make that didn’t work out after 1996-97. But every career has a beginning. And in the beginning, Trotter was there, making a mess of my first steps. It took until the spring of 2000 before Howard University offered me a tenure-track position in Afro-American Studies, to which I did say no. I didn’t need any more Joe Trotter’s in my life at that point, and working in the nonprofit world paid my bills better than teaching at that time.

My overall advice would be to make damn sure that you choose an advisor who cares about your whole career and about you as a person. Don’t choose someone to advise and mentor you out of convenience, and make sure that your advisor isn’t someone who just wants to mold you into a mediocre version of themselves. After all, it’s not their career trajectory or reputation that’s on the line. It’s yours.

Aside

Caught Between Rage and a Working Faith

21 Thursday Aug 2014

Posted by decollins1969 in 1, Academia, culture, Eclectic, New York City, Politics, Pop Culture, race, Work, Youth

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Activism, Anger, Anger Management, Black Reconstruction (1935), Civil Rights, Eric Garner, Faith, Federal Government, Ferguson Missouri, Ferguson PD, God, Institutional Racism, James 2:26, Michael Brown, Murder, NYPD, Officer Darren Wilson, Police, Police Brutality, Prayer, Rage, Science, Social Justice, Structural Racism, Sunil Dutta, W. E. B. Du Bois, Wages of Whiteness, Works

“Officer Go Fuck Yourself” aiming rifle at protestors and journalists, Ferguson, MO, August 19, 2014. (http://www.deathandtaxesmag.com/).

We can add Tamir Rice, Sandra Bland, Walter Scott, Freddie Gray, Kindra Chapman, Samuel DuBose, Joyce Curnell, Ralkina Jones, Raynette Turner and Christian Taylor to the list I started the post below with nearly a year ago. You could add Zachary Hammond to it as well, as structural White supremacy kills Whites dead, too (police state). There’s The Guardian‘s “The Counted” webpages on deaths at the hands of law enforcement. There’s also the Killed By Police website and via Facebook, and Fatal Encounters, among others, that track these death back much further (since The Guardian only began their webpages in June 2015).

The post I wrote last year was about what we could do, what I could or can do in light of living in a racist police state, otherwise known as living with the Gestapo. It’s still an open question, especially with reporters shoving microphones in the faces of the aggrieved asking them to forgive police officers who murder five seconds after learning the news. We’re supposed to be nonviolent, to forgive and turn the other cheek. Long before Malcolm X said during a radio interview in Boston in 1964, “In fact, it’s a crime for any Negro leader to teach our people not to do something to protect ourselves in the face of the violence that is inflicted upon us by the white people here in America,” this has been an issue. Martin Delany, Frederick Douglass, Ida B. Wells (before she became Wells-Barnett) Booker T. Washington, W. E. B. Du Bois, Nannie Burroughs, Marcus Garvey, among many others, raised this issue of what to do about state-sanctioned racism-based violence and murder years ago. We still don’t have any good answers, but we do have options. (A revolution, though, may well be necessary…)

+===================================================+

After the events of the past month — between Eric Garner and the NYPD, Michael Brown and the Ferguson, Missouri PD — I find myself of two minds. My primal mind says, “Fuck the fucking police!” Resist with rocks, with bricks, with bombs and grenades. Go buy a composite bow with composite arrows. Go buy a rifle with a scope, and take out as many of these motherfuckers as I can. Maybe they’ll think twice about putting someone like me in a choke-hold or shooting us with our hands up if they knew we could organize ourselves into vigilante groups, well armed and well adept at escape and stealth, ready to put the likes of Sunil Dutta out of their racist-ass misery!

– What we should be able to do to any corrupt cop or vigilante killing unarmed people of color…

Eric Garner in midst of dying from choke-hold via NYPD’s finest, Daniel Pantaleo and (not pictured) and Justin Damico, Staten Island, NY, July 17, 2014. (http://www.thegrio.com).

The mind I live in and with every day, though, puts the kibosh on such evil yet well deserved plans of action. Because in light of so much police harassment, brutality and state-sanctioned murders, to say that this shouldn’t be a response belies everything all of us know about human nature. Yet my mind says, “No. This isn’t the way to fight. You’re a writer. You’re a teacher. You’re a believer. Use your tools!” So I pray, I always pray, for people to seek and find the light, to forgive and be forgiven, for peace.

But as the New Testament in James says, “Faith without works is dead” (look that one up, evangelical Christians committed to White privilege!). None of us can hope to change our own lives — much less something as intractable as structural and institutional racism — on prayer and faith in God, the federal government and/or science alone. We have to do, too. In my case, writing and teaching is what I do. Posting to my blog about the palpable rage that I know exists within me and many others who have faced brutality because of racism, misogyny, poverty, homophobia, Whiteness and fear. Teaching about “the physical and psychological wages of Whiteness” (thanks, W.E.B. Du Bois via Black Reconstruction [1935]). Being part of the social media crowd demanding humanity and justice for Michael Brown. This is who I am and what I do.

Me the Evil Blogger at home, Silver Spring, MD, August 1, 2010. (Donald Earl Collins).

Is it enough to assuage my rage, my guilt for not being able to do more? Yes, most of the time. But I have to remind the perfectionist that remains within me, I can’t do much, but I can do something. And, that this isn’t about me, even with as much as I’ve experienced in racial profiling and abuse of power, at home and with police. It’s about all of us. So, if I do buy a composite bow with arrows, I will train to use it well. Just not on other humans, no matter how reprehensible.

On Maturity and Writing In Text Message Form

11 Monday Nov 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, Pop Culture, race, University of Pittsburgh, Youth

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"I Would Die 4 U" (1984), Anger, Black Masculinity, Crush #1, Crush #2, Depression, Disillusionment, Emasculation, Maturity, Objectification, Obsession, Pedestal, Phyllis, Pitt, Prince, Rejection, Sexism, Text Messaging, Wendy, White Plains Galleria

Dulcesita, “i would die for you,” November 11, 2013. (http://www.myxer.com).

In Boy @ The Window, I have a chapter on my first year at Pitt and the baggage I carried from my last months in Mount Vernon, New York, Phyllis (a.k.a., Crush #2) included. I haven’t discussed Phyllis much in the six and a half years I’ve been running this blog on all things related to my memoir. Mostly because once I got over my crush-turned-internalized-obsession, I realized that she wasn’t really all that as a person. Still, given the number of posts I’ve done on my Mom, my late idiot ex-stepfather Maurice and Wendy (a.k.a., Crush #1), Phyllis does deserve some mention, along with my stumbled-filled transition to manhood that went with the years between December ’85 and August ’88.

A key point for me in this transition was in October and early November ’87. I finally worked up the courage to write Phyllis a note about an incident earlier that summer, one in which she all but emasculated me at the White Plains Galleria. As I wrote in Boy @ The Window:

Crushing walnuts in plastic bag, November 11, 2013. (http://2.bp.blogspot.com/).

I got the address, bought her a card for her eighteenth birthday, and sat down and wrote her. About how I liked her and wanted to know if she “ever liked me.” I needed to know if she and her sister really were talking about me at the bus stop that day, “one way or the other.” I wanted to know what she thought I needed in order to impress someone like her in the future. Then I added “Happy 18th Birthday!” I sent the card off on the second week in October, just a few days before her birthday.

On the second of November, I got her response. It was in purple ink, with heart shapes and circles for dots over “i”s. Reading her letter was like reading the liner notes off of a Prince album. Like the song “I Would Die 4 U,” Phyllis had decided to limit her English skills to the ’80s equivalent of sign language on paper, a real “revolution” on both their parts. I remember she started, “Thank U 4 your card 2day,” an insult to my intelligence. She would’ve been better off with, “Yo nigga, ’s up wit’ ya sweatin’ me?” She wrote indirectly that she did like me at one point in time, but added “but we’re in college now . . . around lots of nu people” She admitted that I was her and Claudia’s topic of conversation that day, but “I needed 2 get over that.” She hinted that I shouldn’t write her again, and that was it. No apologies, no attempt to understand how I felt…

After Phyllis’ wonderful response, I all but stopped going to class. I missed most of my classes the month of November, only showing up for exams or if my mood had let up long enough to allow me to function like normal. The weekend before Thanksgiving, I allowed my dorm mates to cheer me up by getting a couple of cases of Busch Beer. These were the Pounder type, sixteen-ounce cans. After getting Mike to get us the cases, we went back to Aaron’s room and started drinking. I downed four cans in fifteen minutes, and was drunk within a half hour. I started throwing around the word “bitch.” Anytime anyone mentioned Phyllis’ name – or any woman’s name for that matter — one of us said the B-word and we’d guzzle down some beer.

In today’s world of text messaging, I would’ve found Phyllis’ response so ridiculous that I probably would’ve shared it with close friends and laughed about it for weeks afterward. But as someone with the emotional and psychological maturity of a twelve-year-old in the fall of ’87, Phyllis’ response really, really, really hurt. Her letter shattered the pedestal on which I had placed her, and reaffirmed every negative thing I’d felt about myself for the previous half decade.

Depression image, Carroll College, Counseling Services, November 11, 2013. (http://www.carroll.edu).

It also left me so depressed that I finished that semester with a 2.63 GPA. That, and spending the holidays at 616, made me determined to use the anger I felt toward myself and Phyllis as fuel for the next semester. And even though that worked so well that I made Dean’s List, I still hadn’t really gotten over Phyllis’ rejection by the time the school year was over in April ’88.

It took one last look at that letter — that unbelievably trifling and simple letter — to realize that even under the best of circumstances, Phyllis and I would’ve been a match made only in a mad scientist’s laboratory. I’d never be interested in a human being who talked down to me, as if I was unworthy of anything other than some simple shorthand language. Or in any woman whose expectations of men were about as objectifying as Mike Tyson’s views of women. I realized that I had finally gotten to know the real Phyllis, and in the process, had begun to know the real me, and what I needed to change about myself in order to build a better, 2.0 version of me. With that, like so much from my freshman dorm at Lothrop Hall, Phyllis’ letter became part of my garbage pile.

Earth, Wind & Fire’s “Fantasy,” My Reality

18 Thursday Jul 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon New York, music, New York City, Politics, Pop Culture, race, Youth

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"Fantasy" (1978), Anger, Anger Management, Bigotry, Fear, Forgiveness, George Zimmerman, Lyrics, Police Brutality, Racism, Reality, Trayvon Martin, Zimmerman Trial

n Cover of Earth, Wind & Fire's single "Fantasy" (1978), February 29, 2008. (Columbia Records). Qualifies as fair use due to low resolution and subject matter of this blog post.

Cover of Earth, Wind & Fire’s single “Fantasy” (1978), February 29, 2008. (Columbia Records). Qualifies as fair use due to low resolution and subject matter of this blog post.

Below are two excerpts from Boy @ The Window about how I viewed Mount Vernon, New York and my world between the ages of ten and twelve:

“My only links to the great metropolis to the south were WNBC-TV (Channel 4), Warner Wolf – with his famous “Let’s go to the video tape!” line – doing sports on WCBS-TV (Channel 2), and WABC-AM 77 and WBLS-FM 107.5 on the radio. I found the AM station more fun to listen to, but I also liked listening to the sign-off song WBLS played at the end of the evening, Moody’s Mood for Love, with that, ‘There I go, There I go, The-ere I go…’ start. Music had been an important part of my imagination in ’79, with acts like Earth, Wind & Fire, Christopher Cross, Billy Joel and The Commodores. Not to mention Frank Sinatra, Queen, Donna Summer and Michael Jackson’s Off The Wall album. The music also made me feel like I was as much a part of New York as I was a part of Mount Vernon. It left me thinking of the ozone and burnt rubber smell that I noticed as soon as I would walk down into the Subway system in Manhattan…

“Besides the occasional reminder of life outside of my world, of Mount Vernon, I was the center of my own universe. Mount Vernon was but a stage on which my life played out, a place I hoped would stay this way forever. I was an eleven-year-old who thought that my world was the world. I lived my life like Philip Bailey and Maurice White would’ve wanted me to. I came to see ‘victory in a life called fantasy’ as my own life, living as if my imagination and dreams could be made into reality. All I had to do was wish it so.”

(And yes, I know the actual lyrics are about a land called fantasy, but that’s not how I sang it back then).

There have been so many moments since then where my Earth, Wind & Fire visions have collided with the reality that life for me and people who look like me has hardly been a fantasy. I had to get over my idiot ex-stepfather’s abuse in order to even listen to Earth, Wind & Fire again, because he was a fan as well, and I didn’t want us to both like the same music. But even more than that has been the reality that there are people, places and things who’ve (and that have) come through my life and stood in between me and all the things I wanted out of life. Individuals like Joe Trotter or Ken, policies like racial profiling and redlining, institutions like Columbia University or the former Academy for Educational Development.

The Enchanted Garden of Messer Ansaldo (1889), by Marie Spartali Stillman, March 7, 2006. (Charivari via Wikipedia). In public domain.

While some of these instances have been disappointing in the sense of betrayal that I felt, the disillusionment that came with these incidents of discrimination and harassment pushed me ever closer to the person and writer I wanted to be. I don’t know what to make of how I’ve been feeling about the Zimmerman trial and verdict, the response of so-called White liberals and more obviously racist and gleeful White teabaggers over the past five days. I’ve felt badly for Trayvon Martin’s family, Rachel Jeantel and for so many others who’ve been figuratively beaten down by media coverage and stereotypes over the past months.

But I didn’t think I was angry. Not until I went for a run this morning. It’s was a comparatively pedestrian 3.1-mile run after I’d done a five-miler a day and a half before. Earth, Wind & Fire’s “Fantasy” started playing on my iPod as I was running uphill. All it made me think about was all the challenges that I and so many others have had to face because of individual bigotry and fear and institutional racism and indifference. I know that many things in life aren’t fair. What I realized at that moment, though, was that there really are folks in this world who wish evil and unfairness on people like me. That’s their fantasy!

That made me angry again, but not for too long. For I also knew that I had the power to ask for forgiveness, as well as the power to forgive others. It’s a power that no one can take away from me, that enables me to be honest about where I am, and clear-headed about where I want to go. That power, among others, does truly help bring my “mind to everlasting liberty.” Even in the face of the evil, indifference and ignorance that I see every day.

Conversations With M² About “Big Foot”

15 Friday Mar 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Pop Culture, race, Youth

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" "Should've Known Better, "Don't Shed A Tear, Abe Vigoda, Anger, Channeling Emotions, Crush #2, Geology, Manhood, Masculinity, M², Paul Carrack, Pitt, Rage, Richard Marx, Self-Discovery, Sexuality, University of Pittsburgh

My left foot (excuse movie pun), size 14 4W, March 15, 2013. (Donald Earl Collins).

Sometimes in my life, my anger and rage are a driver toward the better. Usually it’s because I channel that negative energy into something positive, like writing, running, praying and forgiving. In the case of the year after Crush #2 crushing me emotionally and psychologically, it was school and needing to pull my grades up that gave me a place to channel my anger and rage. But with a twist. I deliberately decided that it was the older students at Pitt that I’d befriend my second semester, shunning all but a few classmates under the age of twenty-two.

In Geology that Winter ’88 semester, I had a professor who sounded like Abe Vigoda from Barney Miller and looked like he’d been digging up shale every time he lectured in class. The class was pretty easy, all multiple choice. The main issue of significance wasn’t the class, though. It was M². I had met her at the Cathedral lab the previous semester. She always came to the lab with her boyfriend, and always somehow found something she needed help with. She made almost every girl I went to high school with, well, look like they were girls by comparison.

A “young” Abe Vigoda, Barney Miller, circa 1978, March 15, 2013. (http://notalwaysaboutmonkeys.com).

We were in this Geology class together, which apparently gave her a ready-made excuse for toying with me off and on that semester. As sexy and attractive as she was, I was ill-equipped for any drama between her and her boyfriend. M² was twenty-four, her boyfriend twenty-two and six-two at that. He looked like he worked out, or had at least filled out, in ways that I knew I hadn’t yet.

So at first I kept my distance, not wanting any part of what was going on in M²’s head. I bumped into her one day while getting lunch at the Cathedral of Learning, in the Roy Rogers restaurant on the ground floor. She asked me to sit down and eat with her, and for once, I didn’t refuse. We started talking, or rather, M² started talking about her boyfriend and how she felt about their relationship, particularly their sex life. I really didn’t want to know anything about it, but my ears perked up when she said, “You’d think that as tall as he is he would be bigger down there.” That was definitely too much information.

“You know what they say about men with big feet?,” M² asked next.

I really didn’t know. I guessed that I was about to talk my way into a punchline.

“What?”

“Big feet equals a big you-know-what,” she answered while pointing to my size thirteens and then looking at my face.

“You’re blushing,” M² said with a coy smile.

Of course I was blushing. It wasn’t every day that someone six years older than me hinted that they might want to have sex with me, boyfriend or no boyfriend.

Frame 352 from Patterson-Gimlin film, claiming to show Bigfoot, October 20, 1967. (Beao via Wikipedia). Qualifies as fair use under US Copyright laws – low resolution picture.

For what it was worth, a gorgeous Black woman in her mid-twenties flirting with and insinuating that she wanted to have sex with me did give me a confidence boost that slowly wore away the anger I started the year with. What also helped was a battery of new music that helped focus my anger and reinvigorate my imagination. Richard Marx’s “Should’ve Known Better” and Paul Carrack’s “Don’t Shed a Tear” were two songs that were close enough in lyrics, meaning and emotion to my situation with Crush #2 that I smiled a silly smile every time I heard or played them both.For the first time in two years, I started paying attention to rap again. Rob Base, Salt ’n Pepa, Big Daddy Kane, and Public Enemy all began to seep into my consciousness that winter and spring. Geto Boys’ “Mind Playin’ Tricks on Me” would’ve been nice to hear six or eight months before, when I was waist deep in obsession over Crush #2.

Still, M² helped me realize, maybe for the very first time, that as much of a mess I was back then, that I was attractive — or at least handsome –in my own right. And that a goodly portion of my former Humanities classmates were assholes.

The Emotional, The Personal and Black History

01 Friday Feb 2013

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Movies, Patriotism, Politics, Pop Culture, race, Youth

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A Lynching in Marion, African American History, Anger, Black History, Black History Month, Carnegie Mellon University, Comparative Slavery, Emotions, Fear, Fogel and Engerman, Grief, Indiana (1995), Irony, Jim Crow, Larry Glasco, Laurence Glasco, Learning, Lynching, Pitt, Racism, Rage, Roots (1977), Sarcasm, Seymore Drescher, Slavery, Students, Sy Drescher, Teaching and Learning, Time on the Cross (1974), UMUC, University of Pittsburgh

Black History Month 2013 electronic poster, February 1, 2013. (http://dclibrary.org).

After all of these years — and thirty-seven years’ worth of Black History Months — I sometimes forget how emotionally charged Black history can be. After all, I’m an academically trained historian, one whose emotional range varies from sarcastic to ironic with most things US, World and African American history. But ever so often, I’m reminded by my students about the sadness and pain involved in learning history. I surprise myself sometimes at how passionate or angry I can become in revisiting a piece of history that I otherwise would show no emotion for on most days.

Black history, though, can bring out both the water works and the daggered eyes. My African American history students at Carnegie Mellon University surprised me one day in October ’96 during a discussion I tried to have about lynching and the KKK. It was based on the Indiana PBS documentary, A Lynching in Marion, Indiana, about the lynching of two Black men and the almost lynching of a young Black male for allegedly killing and robbing a White male and raping a young White female in 1930.

The forty-five minute documentary showed clips of defaced and emasculated Black men hung from trees, beaten beyond recognition and even burned postmortem. It also showed films of KKK rallies in the 1920s and early 1930s Indianapolis and other towns in the state, as well as pictures from the Marion lynching itself. The young Black man in Marion, one James Cameron, was only saved from lynching because a member of White mob actually protected him. It turned out, per usual, that the alleged murder and rape was a false accusation, but Cameron still had to spend four years in jail for a crime he didn’t commit.

Thomas Shipp and Abram Smith, lynched in Marion, IN, August 7, 1930. (Lawrence H. Beitler). Qualifies as fair use under US Copyright laws, as It is the only image known to depict this hanging, and is used here to illustrate the event.

Thomas Shipp and Abram Smith, lynched in Marion, IN, August 7, 1930. (Lawrence H. Beitler via Wikipedia). Qualifies as fair use under US Copyright laws, as It is the only image known to depict this hanging, and is used here to illustrate the event.

My students could barely speak to me or each other after the film, much less be part of a dispassionate discussion of the film. My Black students were tearful and angry, and my White students were pale and scared. I let them express their emotions for about ten minutes, but waited until the next class to draw out a more comprehensive discussion. As this was the first standalone class I’d taught as an adjunct professor, I was a bit unprepared for the how emotional my students became, how personally they took the film and its content.

But I should’ve been better prepared, especially given my own emotions about Black and other histories over the years. I remember the first time I watched Roots, along with millions of other Americans, in February ’77. I cried or was stunned that whole week. Twelve years later, in my undergraduate readings seminar for History majors at Pitt, I found myself angry with my classmates. My eventual first graduate advisor Larry Glasco was leading a discussion on slavery and the Middle Passage. I didn’t know why, but I was angry that whole class. It wasn’t just a knee-jerk anger. It was a low-heat rage, beyond anything my idiotic classmates were saying about slavery in the eventual US not being as brutal as slavery in the Caribbean or Brazil.

The following semester, I took my first graduate course as a Pitt junior, Comparative Slavery with Sy Drescher. We got into a discussion of Fogel and Engerman’s Time on the Cross (1974), a study in which the authors tried to show scientifically that slavery wasn’t as bad for Africans in the US as it was for Africans in the Caribbean and Brazil. Using records from one plantation, Fogel and Engerman tried to show that since few slaves were whipped, that therefore slavery wasn’t brutal for my African ancestors. I was pissed when some of the grad students in my class defended Time on the Cross idea that 1,800 calories a day was sufficient for the average slave. It pissed me off so much that I had to leave the seminar room for five minutes to make sure I didn’t punch someone.

Me really pissed, at CMU PhD graduation, Pittsburgh, PA, May 18, 1997. (Angelia N. Levy).

I see some of this in my UMUC students sometimes. Students who turn every issue in US history into a referendum on race. “Immigrants exploited? Well, not compared to African Americans as sharecroppers!” Or “Jim Crow was really a second slavery,” some of my students have said emphatically, as if Blacks did nothing during Reconstruction or Jim Crow to make their lives better. They feel, and rightfully so for the most part, that Blacks have gotten a raw deal throughout American history, and that it is my job to expose the hypocrisy of racism in every lecture and discussion.

It’s emotional and it’s personal. But it’s also historical, which means not so much putting emotions or personal investment aside as much as it does putting these emotions and personal investments in perspective. I’ve never been dispassionate about history – I’ve just learned how to use my New York-style sarcasm to hide my passion pretty well.

Why Black Men Carry A Public Anger

21 Wednesday Mar 2012

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, High Rise Buildings, Mount Vernon High School, music, New York City, Politics, Pop Culture, race, Upper West Side, Youth

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Anger, Barnes & Noble, Bigotry, Black Males, Columbia University, Driving While Black, Fear, George Zimmerman, Lincoln Square, Manhattan, Murder, Racism, Teachers College, Tower Records, Trayvon Martin, Walking While Black, West Side

Harvard University Professor Henry Louis Gates, Jr. arrested by Cambridge Police, Cambridge, MA, July 22, 2009. (http://assets.nydailynews.com/img/2009/07/22/alg_henry-louis.jpg via Wikipedia). Qualifies as fair use under US Copyright laws because of historical significance of photo and topic and its poor resolution.

I hadn’t planned on posting this piece until June, when it will be twenty-five and fifteen years since my shopping while Black incidents literally a block apart on the Upper West Side of Manhattan. But in light of the Trayvon Martin murder — and that’s what this is, a murder — at the hands of the racist vigilante George Zimmerman more than three weeks ago, it makes sense to do this post now.

Tower Records, 1961 Broadway (NW corner of 66th and Broadway, Lincoln Square), New York City, November 22, 2006. (Stuart Johnson via Flickr.com). In public domain.

Tower Records, Friday afternoon, June 19th, ’87, the day after I graduated from Mount Vernon High School (see more from my “The Day After” post from June ’08). With high school now over, I was in a celebratory mood. I took the 2 train from 241st to 72nd and walked the six short blocks to the great Tower Records on 66th. I had my latest Walkman, my first Sony Walkman, actually, and my book bag with my recent tape investments, including a few I’d bought at Tower Records the previous Friday. Investments like Fleetwood Mac’s Tango In The Night, Genesis’ Invisible Touch, and Glass Tiger (yes, Glass Tiger — absolutely terrible).

I went into the store and began to browse the R&B and Pop/Rock sections for tapes. There I noticed some plastic wrapping on the floor, as if someone had taken a tape out of its case and stolen it. While I thought about the wrapper on the floor, three White security guards came out of nowhere, grabbed me and dragged me to a storage room downstairs.

“We got you for stealing,” one of them said, presumably the store’s head of security.

“You don’t have me for anything. Is this because I’m Black?”

“Well, how do you explain the wrappers we found on the floor and the tapes in your bag?”

“The wrappers were on the floor when I got there and the tapes . . .”

“You’re going to jail, asshole, when we bring the cops in here!”

“First of all, I’m not going anywhere. The tapes are all mine, and some of them I bought in this store last Friday. I have the receipt at home. Don’t you have ways to verify my purchases?”

“We don’t believe you!”

“It doesn’t matter if you don’t believe me. I’m under eighteen. You can’t hold me or turn me over to police without calling my parents. I’m not even from here, I’m from Westchester County, and my receipts are back home there.”

“If we were outside instead of in here, I’d slap you around, wise-ass!”

“Then I guess I’m the lucky one. Why don’t we check the receipts from your cash registers up front for my purchases from last Friday? I know they’ll show that I’m right and you’re wrong!”

The hotheaded White man who did all of the talking got up and made a threatening slap gesture with the back of his left hand before the other ones grabbed him and told him to calm down. They let me go. On my way out, I said, “I hope you learned that not every Black person coming in your store is a thief!” It would be ten years before I went into Tower Records again (of course, Tower Records went out of business in ’06).

That next time was May 12, ’97, and I had just finished a day-long interview for an assistant professor

Barnes & Noble, 1972 Broadway (NE corner of 66th and Broadway), New York City, December 30, 2010, three days before it closed. (Jim In Times Square via Flickr.com). In public domain.

position at Teacher College (Columbia University’s school of education). I had no problems as I browsed Tower Records for about twenty minutes. It was my first time there since the ’87 incident. Then I went across the street to the Barnes & Noble mega-store. From the moment I walked in the door until I left a half-hour later, a Latino security guard tailed me as I perused books in the African American nonfiction, Cultural Studies and Music sections of the store, across three floors. As I walked out, I walked up to the guard and said

“While you were stalking me, you probably let half a dozen White folks slip out of here with books and CDs. Did you learn anything while you were watching me?”

“I was just doing my job,” the dumb-ass security guard said in response.

“Well, if following a Black guy around for thirty minutes is part of your job, you deserve to lose your job,” I said as I walked out, not to return until Christmas ’02.

Over the years, I have been stopped by police in Mount Vernon, Pittsburgh, DC and L.A., followed by police in Maryland, Pittsburgh and L.A., patted down by police at Carnegie Mellon and the University of Pittsburgh, and followed by more security guards — including ones guarding those precious gated communities — than I’d ever care to count. My only crime was being a Black male in America’s public sphere.

Trayvon Martin in hoodie, March 19, 2012. (http://media.metronews.topscms.com/). Qualifies as fair use under US Copyright laws because photo is an illustration of one of the subjects of this post.

Like so many others, I could’ve easily been Trayvon Martin twenty-five, fifteen and even five years ago. This constant tightrope dance that we must do to make old White ladies and scared White guys and ig’nit Black folks feel comfortable. So that I’m not arrested, or maimed, or killed. So that I can go about the business of being me and making myself and the people in my life better. As Nathan McCall would say, it “makes me wanna holler.”

Short of moving to a nation not built on the imperialism and fear of Black males in particular, all I can do, for better and for worse, is to prepare my son for this very racial America in which we still live. And yes, that makes me angry.