Category Archives: Hebrew-Israelite

Rich, Lorde, and What I Care/Don’t Care About

20 Tuesday Mar 2018

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, music, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Audre Lorde, Meridel Lesueur, and Adrienne Rich after leading a writing workshop, Austin, TX, 1980. (K. Kendall/Flickr, July 15, 2007). Released to the public domain via CC-SA-2.0.

Among the literary arts, poetry is somewhere between okay and blech for me. At least most of the time. That doesn’t mean I hate all poetry or all poets. I fully appreciate the rhyme and meter (and lack thereof) of so many, from James Weldon Johnson and Archibald MacLeish to Phillis Wheatley and Langston Hughes. I love the emotional layering in the choice of the words, and in more modern times, the delivering of such words, with The Last Poets, with Gil Scott-Heron, and of course, Maya Angelou. Rap legends like Tupac, Nas, Eminem, Public Enemy have lyrics that are essentially spoken-word poetry put to bass, beats, and music loops. Heck, I’ve even enjoyed W. E. B. DuBois’ forays in the art in my scholarly research (when I more regularly did it) over the years.

But as a writer of prose (and often, long-winded prose), I also find the form of poetry ill-fitting. For me, it’s like being a home-run hitter in baseball playing hard-court tennis. It’s not that I can’t hit a baseline winner or an ace. But for every one of those, I could easily hit four tennis balls in a row out of the court, and literally onto the roof of a house half a block away. I prefer the ability to lay out my thoughts and explain them in full sentences, without worrying over every single word and the rhythm that a sequence of carefully chosen words may or may not bring.

I barely read any poetry during my Humanities years, unless my English classes forced me to. Emily Dickinson, Edgar Allan Poe, John Keats, Alexander Pope, all for 10th grade English, and with the exception of Pope’s “The Rape of the Lock,” not particularly entertaining. I was convinced after high school in ’87 that I’d never read poetry again.

What brought on a new interest in poetry came from my sophomore year at Pitt. I had to take a General Writing class in Fall 1988. I had to because if I wanted to take upper-level History classes as a History major, this general education requirement needed to be knocked off.  But I had an enthusiastic graduate student as my instructor. When I say enthusiastic, I mean someone who knew their students wouldn’t be, but whose passion for teaching and literature of all kinds made the class and the readings more interesting. She told me early on, after reading one of my first essays, that I should’ve been able to pass out of General Writing through the diagnostic tests Pitt gave my freshman year. “I wasn’t exactly awake when I took it last year,” I said in response.

Ways of Reading anthology book (2nd edition), used in 1988. (http://ebay.ca).

When we got to the poetry portion of the course, I thought at first I was going to die from boredom. But our instructor didn’t assign us the usual suspects. The main poet we read that week was Adrienne Rich. She was someone I’d heard of growing up, but that was about it. Until the assignment of reading both Rich’s poetry and her essay “When We Dead Awaken: Writing as Re-Vision,” that is.

There were three things I’d never considered before reading Rich. One was the idea that writing was both art and craft, and that most writing was editing and re-envisioning one’s work. Two was the notion of transforming and being transformed through the writing process, and all as a proxy for a meaningful life. Three was the positioning of poets and other writers in literature, the privileging of men over women, of White males over feminists, of White heterosexual feminists over lesbian feminists, and especially Black lesbian feminists.

That last one about power, privilege, and positioning, it really grabbed me. So much so that I read more Rich that October weekend, in between pangs of hunger from lack of money and my Saturday evening shift at the Cathedral of Learning computer lab.

And the more I read of Rich, the more I decided to read about one of Rich’s contemporaries. I moved on to Audre Lorde the following week. She wasn’t among the long list of readings we had for General Writing, but she should’ve been. I couldn’t believe that someone who lived only miles away from my growing up experience in Mount Vernon and in New York could yet have such a vastly different experience with the city and the area.

I picked up Sister Outsider (1984) for the first time near the end of that fall semester. Lorde’s collection of essays about civil rights, about Black feminism (or womanism), about what we now call intersectionality, opened my eyes to how even Rich’s brand of feminism could be problematic. But more than that. Lorde, along with Rich, helped me realize, and not for the first time, that I didn’t care if the person I read or learned from was straight or gay, male or female (or later on, transgender), Black, Brown, or White. This despite what the Hebrew-Israelites and the evangelicals tried to teach me. They just had to be excellent in their work.

Excerpt of Audre Lorde’s Power (1978) (screenshot). (http://poetryfoundation.org).

Sister Outsider also opened up my eyes to the possibility that even my poetry-loathing ass could appreciate a true master at work in the art. So early on the following semester, I read Lorde’s poetry for the first time, likely some poems from her Coal (1976). Lorde talking about her upbringing, her relationship with her mother, and her issues with her own skin color, resonated with me.

But that was it with poetry for me until I borrowed my friend E’s recording of The Lost Poets 1971 album, and then read Angelou’s poetry, both in the summer of ’91. By then, I knew that while I’d never be a full-fledged fan of it, I could still appreciate the work, the art, and the layering of ideologies, emotions, and ideas contained in the best of poetry.

My Mom’s Milestone

30 Monday Oct 2017

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Orange roses in a garden, February 2014. (https://hdwallsource.com/).

This past weekend, Mom turned seventy years old. 70! Wow! I sent her a plant with orange blossom roses, a vase and a candle setting, which arrived on time for her birthday on Saturday. We had a good phone conversation about the gift and about her day. When I turned the conversation to what she planned to do for her big day, she said she might “go to the Red Lobster at Cross County [Mall].” That was disappointing, but also somewhat expected. After a lifetime of drama, abuse, and pain, maybe a relatively peaceful weekend of phone calls, well wishes, and a table for one at Red Lobster is really all Mom can aspire to seven decades in.

I’ve thought a lot about Mom the last few days. Especially in light of my mother-in-law’s last two years of dementia and decline. Mom’s been a hard worker in her life, but not a strategic one. Mom dedicated a good portion of her life to relationships with men, to two abysmal marriages, and to the basic provisions for raising six kids. None of which she did with inspiration and passion, for none of this was what she dreamed for herself. Mom, when focused, could and did learn, but she’s not a particularly curious person, or a person devoted to learning new things. Mom was also one of the most vain persons I knew growing up. Despite $16,600/year for eight in most of the ’80s, would preen and primp for going on The Avenue (South Side Mount Vernon’s shopping district, Fourth Avenue) like it was an evening gala at the Met.

The good news and bad news about only being a bit more than 22 years younger than my Mom is that I have observed her growth and lack thereof for so many years. Some people say that to have a younger mother is to have someone who grows up with you while you’re growing up. No, not really. I was Mom’s second kid. My brother Darren came two years and eighteen days before me. Between my alcoholic, losing-one-good-job-after-another, seventh-grade-education dad and a full-time job at Mount Vernon Hospital, where was the time for Mom to grow as a young adult?

At the same time, I know this. At twenty, I had barely begun to know myself as a history student, writer, and human being. I had tons of thoughts, but often couldn’t find a way to articulate them fully. At 22, I was better at all these things, but not so much better that I could determine how I would raise one child, much less two. And before my wife of now more than seventeen years, I never saw myself getting married. Heck, I didn’t start regularly having sex until I was twenty-one!

Mom made a lot of decisions in her younger years by letting men and friends and circumstances — and really, fear — decide for her. Then, she played increasingly bad hands, each more laughable as they were more oppressive to all of us. Domestic violence, child abuse, grinding poverty, being Hebrew-Israelites. These barely scratch the surface of the emotional, psychological, and even spiritual torture Mom endured until she was 42.

Mom with my son Noah at 616, August 4, 2014. (Donald Earl Collins).

But you know something? I endured all of this as well. Because, when you are a keenly aware son of a Black woman going through all this, and you decide that you must help, that you must act, you take on the same burdens and the same pains. Being keenly aware isn’t the same thing as knowing what I signed up for, though. Certainly not at twelve, not at twenty, not even at 32. I only knew that I had taken on too much growing up after my son was born fourteen years ago.

Someone on my Twitter feed said recently that he couldn’t believe the cats who would get on Twitter to criticize their moms. I’m not arguing that grown-ass men should criticize their mothers on Twitter. Nor should that put them on pedestals. If we are doing too much of either of those, we’re not seeing our mothers as real human beings, ordinary and flawed like most others. Except that they carried us in their wombs, birthed us, and even under circumstances as crushing as mine, attempted to raise and nurture.

My relationship with Mom will always be complicated by the fact that I know more than most people ought to know about their mothers. Mom couldn’t hide, Mom couldn’t protect, even on the many occasions she did try. Since I couldn’t hide or protect, I just went out and did all I could to help her help herself. Only that by the time we’d driven off my idiot stepfather in ’89, the damage, the depression, the PTSD, was already fully manifest. The fire at 616 and having the burden of my younger siblings made it worse.

Now that Mom is a septuagenarian, it would be interesting to know how she looks back at her life, to see how she sees her years spent on Earth. I wonder because for so many years, the only thing Mom desired was for “the Rapture to come and take her up.” I wonder because nearly all of her southern Black migrant friends from her first decade in the Bronx and in Mount Vernon are dead. I wonder because I’m not sure how it is that she’s managed to make it to 70 under the constant strain that has been most of her life.

I have no idea if Mom has ever read or will ever read my blog. I know others around her have. If she is reading, I want her to know that I do love her, and want for her seventies to be her best decade ever. I want her to want to learn, to finally find herself, to take up projects, to travel and explore a bit, even if it’s only Manhattan. I want her to find some meaning in life, even if it’s only the size of a speck.

How Libraries Got Me Through

07 Tuesday Mar 2017

Posted by in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon New York, Pittsburgh, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Mount Vernon Public Library’s east entrance, Mount Vernon, NY, July 2, 2016. (http://maps.google.com).

I’ve been enthralled with books since my brother Darren helped me decipher the code of the English language during Christmas ’74. Going to the library for most of my life — especially my growing up years — was always a break from the Grade II bone bruise that my life often seemed to be. I remember the first time my Mom took us to Mount Vernon Public Library, in August ’74. It was only a few blocks from our old place, 48 Adams Street, and about seven blocks from 425 South Sixth. I was too young to get a library card, though, and I started complaining. “May-wa! May-wa!” — that’s what I used to call my Mom (a combination of her name Mary and Mama) — “Why can’t I get a card?,” I cried on my way out the door.

A New Rochelle Public Library card (a close approximation to my first card from 1975), March 1987. (http://flickr.com).

I got my first library card in first grade. It was a class trip, as me and the rest of Ms. Griffin’s class walked to and from Nathan Hale ES to Mount Vernon Public Library. The librarians gave us a tour, during which a thunderstorm erupted. It was sometime in September ’75, a Friday I think. But feeling that small, round-edged MVPL card in my hand with that stamped metal plate on it made my otherwise rainy day. That it had my name typed on it helped as well.

I spend many hours at Mount Vernon Public Library over the years. I needed to. I had so much to learn, more than the 28-volume World Book Encyclopedia set from 1978 could teach me. And certainly more than what my parents and idiot ex-stepfather Maurice knew, much less what they decided not to share. MVPL got me through my spiritual crisis of 1983-84, because I had access to the Qur’an, Torah, and other spiritual texts from which I could make a decision and move on from the cultish Hebrew-Israelites in my family and life. I wouldn’t have considered majoring in history if I hadn’t been able to check out dozens of dusty World War II books between 1980 and 1982. My love for all things Charles Schulz and Peanuts couldn’t have developed without the help of MVPL’s weekly Bookmobile visits at Nathan Hale on Tuesdays or William H. Holmes ES on Wednesdays, usually between 1:30 and 2 pm.

But by the summer of ’80, I began to realize that not all libraries were like the enormity of Mount Vernon’s. Nearby Pelham Library was on the ground floor of Hutchinson Elementary School. It was the size of a small bookstore, with maybe two tables and six chairs to sit in (they didn’t move into their own building until 1995). New Rochelle’s library was 1970s-style modern, with ugly shapes and colors. But both had more air conditioning and bathrooms that didn’t smell or weren’t under repair half the time.

From high school on, I used libraries mostly as a form of escape from my then-idiot stepfather and a gaggle of younger siblings. Or to escape the desperate poverty and chaos that enveloped my life at 616, and to a lesser extent, parts of Mount Vernon and other parts of the New York area. I first got the courage to go into the vastness that was the New York Public Library’s main branch on 42nd and Fifth in the fall of ’84. I infrequently went to White Plains’ public library. At least once between 1984 and 1988, I went to nearly all of the libraries between Wakefield in the Bronx and the various tiny libraries in southern Westchester County. But no library outside of NYPL’s main branch had both the collection and as easy access to the stacks as the one in Mount Vernon.

Carnegie Library of Pittsburgh, Oakland (Main) Branch, front entrance, Pittsburgh, PA, April 5, 2008. (HoboJones via Wikipedia). Released to public domain via CC-BY-SA-3.0.

I had more appreciation for one of the few pleasures offered by my original hometown during my twelve years in Pittsburgh. Within 230 yards of each other were the University of Pittsburgh’s Hillman Library and Carnegie Library of Pittsburgh’s main Oakland branch. If it weren’t for their extensive collections and my alumni status after the spring of ’91, I couldn’t have attended graduate school. Pitt’s policies toward alumni alone saved me $3,000 in book and printing costs, as well as from an additional year of dissertation research. And as many times I could pick up a book, any book, go to the African American Literature section of Hillman, put two lounge chairs together, read, fall asleep, and read some more? The only other thing I could’ve asked for was a blanket and room service!

Since moving to suburban Maryland and DC in ’99, I have been struck by the lack of in libraries around here. Lack of books, lack of extensive interlibrary networks, and a lack of substances over style. The Montgomery County library system had two new ones built in Silver Spring and in Rockville. Each has enough space for a half million volumes, it seems as if their designers built them on the assumption that everyone uses a tablet or an iPhone to read books these days. If it’s nonfiction and a bestseller, they likely don’t have it. Though DC Public Library’s main branch in Gallery Place — the Martin Luther King, Jr. Library — has an extensive collection of DC artifacts and histories, and African American nonfiction and scholarly volumes, patrons cannot borrow these volumes at all. Like the Library of Congress, the MLK library is mostly a museum with books. And by the way, the main branch is now closed for the next three years for modernization, leaving the homeless, researchers, and book lovers like me with even fewer DC area options.

Silver Spring Air & Space Museum, er, Public Library, Silver Spring, MD, June 2016 (http://www.adtekengineers.com/).

Georgetown and Johns Hopkins both have wonderful main libraries with friendly security guards and extra-helpful librarians. But they’re not Hillman. Even as a professor, if I fell asleep in a lounge chair, I’d likely get kicked out. Plus, in our era of smartphones and tablets, most patrons are stuck in social media in between hectic moments for exam cramming and last-minute paper writing. This, though, is still way better than George Washington’s main library, or NYU’s and Columbia’s, for that matter. You can’t walk into either without a form from a staff or faculty member giving you permission to walk through the door.

The building that houses MVPL, built interestingly enough with Andrew Carnegie’s money between 1897 and 1904, is in serious disrepair. The men’s bathroom is nearly always out-of-order, and the collection of Mount Vernon history materials has been closed for years. A friend recently commented on the fact that an older man relieved himself in the snow after leaving the library before going back in to do his whatevers. The money is simply not there to build a brand-new home for one of the largest collections in New York State.

Still, I know how good a library Mount Vernon has. It carries the first three of my former advisor Joe Trotter’s books. I have to go to a university library for that around here. It also has my memoir, and it may have Fear of a “Black” America as well (not so sure about that). I just know that the affluent of Montgomery County have never put that much in resources into the library system I frequent now. I hope and pray that the folks raising the money MVPL so desperately needs for a major renovation, maybe even a new building, are able to meet their goals before my son is old enough to remember when libraries actually held bound books in their collections.

Lit on Moonlight

16 Monday Jan 2017

Posted by in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Sports, Youth

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Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

Moonlight (2016) poster, October 2016. (Film Fan via Wikipedia; orig. A24). Qualifies as fair use under US copyright law as illustration of subject/review of film.

I finally, finally saw Moonlight with the wife and son at AFI Silver Spring yesterday, months after the in-crowd had already seen it and attempted to spoil it for the rest of us. It was excellent. The cinematography, the loud and incredible silences, the small moments, when actors just being in the moment with their facial expressions did more than any dialogue could to move me and anyone else watching. Mahershala Ali was only in five scenes. But his first scene set the tone for the whole movie. As Juan, Ali channeled both the need for hard hypermasculinity and the vulnerable fragility of such in just one scene. His time with the youngest version of Chiron made me laugh, cry, sad, and angry, and left me wondering if I’ve seen this much intimacy between Black man and Black boy on screen before. I know I have (Antwone Fisher, The Wire, even Roots comes to mind), but on-screen doesn’t reflect this anti-stereotypical slice of truth nearly as often as it should.

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Moonlight snap shot (cropped), Mahershala Ali and Alex Hibbert, October 23, 2015. (http://variety.com).

Yet I was also not as impressed as I expected to be. Not because I didn’t like the performances — I loved them. I thought every actor in the film was legit, every scene was moving in some way. Naomie Harris I’ve been fond of for years, André Holland and Janelle Monáe’s work I already knew, and Trevante Rhodes and Barry Jenkins, well, the two need bigger platforms for doing more great work. Moonlight wasn’t a film. It was a collage, a kaleidoscope of precious moments, blood-churning episodes, and tender images. Jenkins’ treatment of coming-of-age, Black boyhood into manhood, and Black masculinity, hypermasculinity, and vulnerability was avant-garde.

Still, I felt like I’d seen Moonlight before. Or, really, lived parts of Moonlight in my own past. No, I did not befriend an older, Afro-Cuban crack dealer in 1990s Miami, have a drug-addicted, abusive mother, or have a group of kids chase me around and beat me up off and on for ten years. But I didn’t look at the world the same way as my peers. I didn’t sound like a Noo Yawker, walk and talk and code switch like Denzel Washington, or try to fit in like so many of my 616 neighbors and my Mount Vernon school mates during my growing up years. And I paid for it, dearly, with few friends before I turned eleven, and no friends in the six years before I went off to the University of Pittsburgh.

But on Chiron and that most pernicious issue of hypermasculinity, the need to be hard all the time, I’ve been there too. I’d been called “faggot” (or in my father’s case, “faggat”) enough times to occasionally question my own sexual orientation growing up. My senior year at MVHS one day, I hit a three-run homer during a softball game in gym class. It wasn’t the first time I’d done that. But for one Jamaican dude, me drilling a ball 350 feet off his slow fastball was an affront. He called me a “faggot” after the game, and threatened to wait for me after school with a machete to chop me, adding “bumbaclot mon” at the end of his threat. I left school as normal and waited for him. He was lucky he didn’t show up that day.

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

Me at 16, Mount Vernon High School ID, Mount Vernon, New York, November 1985, March 21, 2012. (Donald Earl Collins).

You see, my rage didn’t need years to build up. All before I’d finally lose it one day, and take out a bully with a wooden chair and break it across his back, like the way Chiron did at the end of II of Moonlight. I didn’t have bullies at school per se. There were a couple I dealt with at 616, but they weren’t regular. Many folks would make a crack, but generally left me along. Any bullying I faced in high school was completely random and momentary, because I stood up for myself. Because if I could face down a six-foot-one, Isshin-ryn black belt of an abuser in my idiot stepfather Maurice, a stupid football player was gonna get hurt trying to hurt me.

No, the bullying I faced was in middle school, from a bunch of overwhelmed and racist Italian classmates in Humanities. I’ve named them in Boy @ The Window and here in this blog before. Alex, Anthony N., Andrew, Anthony Z., etc, the Italian Club. That things were much, much worse at home meant that I saw them as background noise. There was always a part of me, though, that had enough rage, even in seventh grade, to take a desk and smash Anthony N.’s head in with it until his fuckin’ Italian brains spread out all over the floor and walls!

I ended up beating up a wannabe bully in JD that year instead. I won kufi battles in eighth and ninth grade. I wore a blank face that most of my more dumb ass classmates interpreted as a smile. I made plans to get out, because I never wanted to fit in. I was already awake, coping with the day-to-day, but in it for the long-term. I had that President Barack Obama, audacity-of-hope-beyond-failure, beyond reality thing goin’. When I saw Chiron as played by Ashton Sanders, I wanted to hug him, beat up his bullies for him, and tell him that you can love who you want to love, even if they never love you back. And to always, always be your best self, and not some “I don’t want to feel pain again” version.

Yes, I’m A Sexist Feminist

27 Tuesday Dec 2016

Posted by in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, Politics, Pop Culture, race, Religion, Youth

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Hostile vs. Benevolent Sexism, March 10, 2015. (http://www.dailymail.co.uk).

Hostile vs. Benevolent Sexism, March 10, 2015. (http://www.dailymail.co.uk).

I finished up a chapter in Boy @ The Window with the closest approximation to my contemporaneous thoughts about Phyllis (a.k.a., “Crush #2” at times on this blog) in August 1988:

screen-shot-2016-12-27-at-7-43-51-am

I must’ve rewritten these two paragraphs at least a half-dozen times before putting the book out for limited consumption. The thought process that I went through at eighteen years old bothered me then, and looking at the words even today leaves me wanting. Probably because there is more than a bit of sexism contained within these words.

But I wasn’t wrong, of course, not in ’88, not when I wrote and rewrote these paragraphs between 2007 and 2011, and not now, at least in terms of how I perceived things then. While I believed in reproductive rights, in equal pay for equal work, and in passing the Equal Rights Amendment growing up, I also believed in saving damsels from distress and in distinguishing between “ladies” and “bitches.” Or, as my father put it when he argued with my Mom in front of me when I was four years old, “You’s a black bit’!” Or, my contradiction could’ve fully formed when my father tried to set me up with a prostitute a couple of weeks before my seventeenth birthday, in December 1986.

There was no way in 1988 I could’ve understood the contradictions between the idea of feminism (in any form) and the notion of “being a nice guy.” I hadn’t been exposed, or, rather, exposed myself to Paula Giddings, Elsa Barkley Brown, Evelyn Brooks Higginbotham, bell hooks, Maya Angelou, Angela Davis, and Zora Neale Hurston. I hadn’t yet been engaged in the hundreds of conversations I’d eventually have with women folk I’d become friends with, people with whom I bonded because of their suffering, people from whom I’d hidden my own suffering during those years. Date rape, physical abuse, the more typical abuse of serial cheating, among other issues. With many of these women, I recognized the sexism and misogyny I saw in myself in 1988, and saw them again when I wrote down my contemporaneous thoughts in Boy @ The Window. It didn’t occur to me until the mid-1990s that women could be just as sexist and misogynistic as men, and often could pass down their notions of masculinity and patriarchy to their children. And that thought scared me.

Imprisoned brain (or, maybe, Culture Club and "Church of the Poison Mind" [1983]), December 27, 2016. (http://mdjunction.com).

Imprisoned brain (or, maybe, Culture Club and “Church of the Poison Mind” [1983]), December 27, 2016. (http://mdjunction.com).

It scared me because I realized I may have learned more of my contradictions from my Mom than from my father or idiot ex-stepfather. After all, she was the one constant in my parenting, the one person who engaged me in ideas like chivalry and manliness, who through her acquiescence to Maurice might have made it okay for me to see women, especially Black women (and to a lesser extent, Latina women) as ones in need of help, even when they decide not to take it.

And it may have made it okay for me to see myself as the victim in my incident with Dahlia in June 1987, when I accidentally (the first time), and later deliberately smacked her on her left butt cheek. Maybe I was the victim in a way, at least of my own deluded thought process. And there hasn’t been a time in the past twenty-nine and a half years in which I haven’t regretted that second, deliberate slap, in response to Dahlia accusing of thoughts I didn’t have, because my only obsession in 1987 was Phyllis. I’ve said and written this before, including in Boy @ The Window. To Dahlia, I am so sorry.

Beijing smog alert, Beijing, China, December 6, 2016. (http://ibtimes.com).

Beijing smog alert, Beijing, China, December 6, 2016. (http://ibtimes.com).

I may never be the perfect intersectional womanist feminist I’ve tried to be since I told my Mom to abort my future (and since deceased) sister in 1982. I still believe that professional women’s tennis players should play best-of-five-set matches at the Gram Slam tournaments. I think more women — particularly White women — should stop calling themselves feminists if their feminism stops when dealing with women of color or poor women in general. I think that most men who aren’t feminists are assholes. But I also know that, just like with racism (as now well noted by Ibram Kendi) and with narcissism (my next project, maybe), sexist ideas are as pervasive as smog in L.A. and Beijing. I don’t have to like it or accept it, but I do have to accept that I am a man, and I will make mistakes, including sexist ones. I will have to own up, and keep trying to do better.

Christmas is Carnage!

25 Sunday Dec 2016

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon New York, Patriotism, Politics, Pop Culture, race, Religion, Youth

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A white duck? goose?, December 25, 2016. (http://pinterest.com).

A white duck? goose?, December 25, 2016. (http://pinterest.com).

One of the funniest lines in Babe (1995) comes from Ferdinand the duck (who kind of looks like a goose) yelling just before Christmas Day, “Christmas means carnage!,” as he hoped to avoid A. Hoggett’s chopping block for making duck a l’orange. But really, that’s what this holiday has felt like for me for years.

Saying “Jesus is the reason for the season” doesn’t quite help, because that’s only partly true. All the actual evidence points to Jesus’ birthday being either in April or August, not the Winter solstice. The combination of a celebration of Jesus’ birth with either the Saturnalia festivals or the “birthday of the unconquered sun” (sol invictus) commemorations via Constantine and other Roman emperors (take your pick), led to Christmas becoming a December 25th tradition in Europe, the Middle East, and Northern/East Africa. And all of this became formalized by the end of the fourth century CE. So while I believe in Jesus’ life, death, and resurrection, and what Jesus stood for while walking among humans, I don’t see Christmas as a strictly religious, spiritual, or Christian holiday.

The Queen's Christmas tree, Windsor Castle (steel engraving), published in The Illustrated London News, 1848, in "Godey's Lady's Book," December 1850 . (Wetman via Wikipedia). In public domain.

The Queen’s Christmas tree, Windsor Castle (steel engraving), published in The Illustrated London News, 1848, in Godey’s Lady’s Book, December 1850. (Wetman via Wikipedia). In public domain.

That’s because of how the holiday came to dominate much of the world. The myth-making in the UK and the US between 1820 and 1870 helped turn an inconsistently celebrated holiday for Jesus’ birth, community, family, and some gift-giving into capitalism at its best and worst. That the Christmas tree didn’t become a common part of the holiday until Queen Victoria and her husband Prince Albert began taking an annual picture of themselves around a tree in 1850 was a function of German influences and British imperialism, not just the beauty of a decorated tree. Christmas cards didn’t become normalized until a German immigrant to the US thought he could make a fortune selling cards for people to mail each other, in the 1860s and 1870s. Congress didn’t make Christmas a federal holiday until 1870, and did so in an attempt to reunite the country around the common idea of Christmas as a form of family healing. Enacted five years after the Civil War and the loss of 620,000 lives, the Christmas holiday was one thing that formerly slave-owning Southerners and anti-slavery/anti-Black Northerners could agree on.

The British and later American influences on the world — military, geopolitical, economic, and popular culture — made the holiday into the trillion-dollar business that is today. You do not have to be Christian, Muslim, or even Jewish to celebrate the holiday, because while Jesus is important to tens of millions, it is not the unifying theme, and hasn’t been for decades. Commercials and other ads, endless rounds of shopping for the latest in high-tech electronics, the near-global slaughtering of spruce and fir trees, turkeys, chickens, sheep, goats, geese, and yes, ducks. That has been the main theme of Christmas for most, It’s A Wonderful Life’s (1946) annual re-broadcast on NBC notwithstanding.

The bridge scene in It's A Wonderful Life, where James Stewart's character's was contemplating suicide, 1946. (http://salon.com).

The bridge scene in It’s A Wonderful Life, where James Stewart’s character’s was contemplating suicide, 1946. (http://salon.com).

I am not bah-humbugging out about the holiday, though. I just want to remind people to not wallow too much in the mythology they tend to believe is universal about the holiday, because most of what people believe about Christmas is at best only one-third true. The fact is, some folks do bug out this time of the year, from loneliness, from a daily reminder during this season that they are the have-nots in a holiday myth built on fables of abundance. And some people attempt to and actually succeed in checking out — some permanently — this time of the year. I should know, because I almost did thirty-three years ago.

And with social media, we reinforce these tensions of economic inequality, of moralistic exclusion, of reading more spiritual meaning into a holiday that has been a big driver of consumer capitalism for nearly 150 years. We essentially stick up middle fingers at those whose families are distant and dysfunctional. We basically blow raspberries at those who do not have enough resources to do much more than provide the basics for themselves and their loved one, with many more having even less. And we shun those who have the audacity to point out the hypocrisy that is the annual holiday season.

Christmas for me has only been a holiday for me because of my younger siblings (when they were just kids, between 1988 and 1996) and because of my wife and now teenage son. I went nearly a decade of my life without Christmas trees, cards, and gifts, a combination of being a Hebrew-Israelite and abject poverty between 1979 and 1988. So despite the temptations of being in this capitalist world and somewhat of it, Christmas is only a big deal to me because of kids and their vulnerability during this time of year. Otherwise, a moment of thanksgiving and prayer, well-prepared food (but not a Saturnalia feast’s worth), and being around those who truly love and care about me is really all I’ve ever needed. That folks may only get a facsimile of this, and only around holidays like Thanksgiving and Christmas (if at all), is part of the carnage that is Christmas.

This, by the way, is what all of us need, every day, Christmas or not. So, Happy Holidays, Merry Christmas, Happy Chanukah, and Merry Kwanzaa, but let’s pay it forward, too!

Songs in the Key of Life at 40

18 Friday Nov 2016

Posted by in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, music, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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Stevie Wonder's Songs in the Key of Life LP/CD cover and sleeve, 1976, 1999. (http://genius.com).

Stevie Wonder’s Songs in the Key of Life LP/CD cover and sleeve, 1976, 1999. (http://genius.com).

In all the nuclear meltdowns in the last weeks of Election ’16 and in the asteroid impact of Donald Trump becoming the 45th president of the United States, I almost completely forgot about one of the modern era’s greatest milestones. At the end of September, Stevie Wonder’s Songs in the Key of Life double-album turned forty years old!

My wife swears that this was Stevie Wonder’s last great production of genius, that virtually all the music he’s done since has either been merely “that’s nice” or complete schlock. But compared to Songs In The Key Of Life, at least 75 percent of the music produced since 1500 CE would be schlock! I mean, between “I Wish,” “Sir Duke,” “Love’s in Need of Love Today,” “Have a Talk with God,” “Village Ghetto Land,” and my all-time favorite, “As,” who could ask for anything more out of an album or an artist?

My fandom for Songs in the Key of Life has occurred over several stages since its release on September 28, 1976. I was nearly seven when the double-album dropped, and my life couldn’t have been messier. Between my Mom and my father Jimme’s rocky and violent divorce process, my own coping with sexual assault, and my Mom getting kidney sick and ending up at Mount Vernon Hospital as a patient for three months. Add to this having babysitters as primary caregivers during that time, and a second-grade teacher who wasn’t exactly sympathetic to Black kids who couldn’t settle down. It was a rough time, maybe even rougher than my Hebrew-Israelite years.

But songs from the double-LP were there, either thanks to WBLS-107.5 FM, or to people blasting songs off 8-tracks and cassette decks out of their cars in South Side Mount Vernon. Or, in the case of hanging out with my dad, because of his drinking buddies playing Stevie Wonder’s songs over and over again. For those first few years, “I Wish” and “Sir Duke” were my favorite songs from Songs in the Key of Life. That was probably because they were the only songs from the set I’d heard in full prior to 1982.

Then, with the Wendy crush/puppy love/mini-love of the spring and summer of ’82, one of the songs my mind conjured up was “As.” The song’s more than seven minutes long, and I barely knew the words “until the rainbow burns the stars out in the sky,” much less the entirety of the poetry of that song, much less its full meaning. But my heart knew how that song made me feel, and for matter, how Wendy made me feel, at least for a time. Once my stepfather Maurice began beating on me, my Mom lost her job, and we slipped into welfare poverty, though, Stevie Wonder’s greatest works slipped from my mind.

Nine years later, and it was my friend Elaine who reintroduced me to Songs in the Key of Life. It was during the spring and summer of ’91, when I both liked and loathed Elaine at the same time. It was also the summer before graduate school at the University of Pittsburgh, and it was like my mind and heart knew I needed to feed myself more than Phil Collins, Anita Baker, PE, and Salt ‘n Pepa. I borrowed Elaine’s set of cassette recordings from the genius’ 2-LP set, and spent parts of April, May, and June walking the 3.4 miles between my place in S’Liberty and my job at Western Psychiatric in Oakland listening to Stevie Wonder. I played Songs in the Key of Life straight through a half-dozen times. But of all the songs, “Love’s in Need of Love Today” and “Have a Talk with God” became two of my favorites. After the potential for a more serious relationship with Elaine faded, I gave her back her cassettes in August.

It would be another fifteen years before I finally got Songs in the Key of Life on CD. It was 2006, and I’d finally gotten me and my wife into the iPod era. Between that and my work on my memoir Boy @ The Window, I wanted to explore what made me me musically over the years. In remembering my Wendy-love days, I literally had to go through every song on Songs in the Key of Life again before I remembered “As” in full. I was shocked that after thirty years and so many other Stevie Wonder songs, that it had remained a melody in my heart and mind. It was in the summer of ’06 that “As” became my favorite song off this all-time great album(s).

Given what had occurred in the US over the past decade, and what has been happening to people of color in the US for as long as I’ve been alive, Stevie Wonder’s music from Songs in the Key of Life is always relevant, always uplifting, always life-affirming. Trust me, with Trump’s ascendancy to the White House, “the force of evil plans” will try “to make you its possession.” And yes, I did think “that love would be in need of love today,” because it wasn’t as if “hate” wasn’t going around “breaking hearts” and bodies during the Obama years.

But I’ll close with this, perhaps the most important stanza from “As.” This, to remind myself and all of you America’s may be in more trouble than ever before, but know that trouble has been with America longer than we’ve had the privilege of Stevie Wonder’s Songs in the Key of Life as genius. Thanks to Wendy, Elaine, my former Mount Vernon neighbors, and unknown New Yorkers, for playing these songs for me over the years, whether they meant to or not.

We all know sometimes life’s hates and troubles
Can make you wish you were born in another time and space
But you can bet you life times that and twice its double
That God knew exactly where he wanted you to be placed
So make sure when you say you’re in it but not of it
You’re not helping to make this earth a place sometimes called Hell
Change your words into truths and then change that truth into love
And maybe our children’s grandchildren
And their great-great grandchildren will tell
I’ll be loving you