The Painful Destruction of the Pedestal

26 Wednesday Jul 2017

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, Politics, Pop Culture, race, University of Pittsburgh, Work, Youth

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Bee-Line Bus, Birthday, Crush #2, Damsel-in-Distress Syndrome, Delusion, Disillusionment, Nice Guy, Oscillating Relationships, Pedestal, Phyllis, Pitt, Self-Discovery, Self-Loathing, Sexism, Sony Walkman, The Untouchables (1987), White Plains Galleria, White Plains New York, Yiscoc Washington

Demolition of the Kingdome as a GIF, Seattle, Washington, March 26, 2000. (USA Today).

This week thirty years ago was the beginning of the end of my sexist dream of having women recognize me for being “a nice guy.” As I wrote in one of my very first blog posts a decade ago, it was a dream “that had to die.” Precisely because it was a fantasy, a phantasmic display of teenage delusion borne from five years of abuse and oppressive social immaturity. In ’80s parlance, my wack ass had to learn the hard way that I had no game. And, more importantly, that pedestals are meant for smashing with sledgehammers, as people can never live up to their marble or bronze busts.

It wasn’t really women I was trying to impress with my quiet and stoic demeanor. I was all about my second infatuation, Crush #2, my version of Phyllis in the summer of 1987. I’ve outlined in painstaking detail here and in Boy @ The Window my obsession with Phyllis and her smile, and my ridiculously stupid attempts to make conversations with her in the three weeks of my various impromptu encounters at the old Galleria in White Plains and on the 40/41 Bee-Line Bus back to Mount Vernon.

But “the end of the lesson,” or at least, the “end of the beginning” of it (to quote both Kevin Costner in The Untouchables (1987) — which I saw at The Galleria twice that summer — and Winston Churchill), began on my brother Yiscoc’s birthday on the fourth Thursday that July.

I walked around for over an hour after I got off the bus at North Columbus and East Lincoln. I must’ve called myself “pathetic” at least a dozen times on that hot and steamy walk. And I was. I didn’t get home to wish Yiscoc a Happy Birthday until after 8 pm, by which time I missed any semblance of a birthday celebration at 616.

Packing up and moving to Pittsburgh — and my freshman year at the University of Pittsburgh — seemed as far away that weekend as it did during my summer of abuse five years earlier. I was no longer sure that this transformational period of my life would actually bear fruit. I thought I was destined to spend the rest of my days alone, ridiculed, emasculated, and otherwise as a piece of trash.

Toppling and destruction of Vladimir Lenin’s statue via sledge-hammer, Berdichev, Ukraine, February 22, 2014. (unknown).

I was seventeen years and barely seven months old when I had those thoughts. I’ve been married for nearly that long, and have a son on the cusp of turning fourteen. There’s no way that Donald 1.0 could have envisioned either of these experiences, much less worked to make them happen. It wasn’t exactly a miracle that I became a boyfriend, fiancé, husband, and father. No, it was an evolution, with a couple of personal rebellions and revolutions mixed in.

The one good thing I did after Phyllis took a wrecking ball to my delusions of feminine perfection was to talk about it with someone who was willing to listen. This time around, a young woman put up with me griping about something I never had, someone whom was never for me to begin with. As many times as I would go on to listen to women of all stripes about their relationship issues, I needed to be on the rueing end of things this one time.

It would take a lot more talking, a bit more learning, and four more years befriending and dating, before I’d completely give up putting women on pedestals entirely. Women may be beautiful, and Black girls may be magic, but none are meant to be worshipped at altars. Like all other anthropomorphized idols, humans on pedestals will always fail us when we delude ourselves into thinking that we need them to be free. Especially when we need them the most, or at least, believe so.

From One Starving Writer to Another

19 Sunday Mar 2017

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pop Culture, University of Pittsburgh, Youth

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"The Raven", AP English, Columbia, Crush #2, Edgar Allen Poe, MVHS, Phyllis, Poverty, Rosemary Martino, Self-Discovery, Teaching and Learning, The Starving Artist, UMUC, Writing Career

Raven eating a hand (in my case, the writer’s dead hand), March 19, 2017. (creativeuncut.stfi.re via http://pinterest.com).

Six years ago, a student of mine made a reference that very much reminded me of, well, me, the person I was my senior year at Mount Vernon High School. It was as part of a conversation about looking for work. She didn’t want to be another starving artist, living in some basement apartment somewhere, “smearing paint on a canvas” while waiting for a big break. I thought at the time that the idea of a starving artist had all but died out in the era of bling-bling.

But it made me think for a while about the choices I’ve made with my life and career in the years since the middle of my senior year at MVHS. I once said to my AP English teacher Rosemary Martino that I didn’t want to be a starving artist “like Edgar Allen Poe” all those years ago. Now a student had made a similar — although better developed — reference. I think I understood better the momentary look of shock on my former teacher’s face after that conversation.

My student made me think about what Martino saw in my writing so many years ago. I certainly wasn’t focused on it. The same week she commented on making myself into a writer was also the week I had my Ivy League dilemma, between Columbia and the University of Pittsburgh for undergrad. I was waist-deep into my obsession with Phyllis, or really, my obsession with my crush on Phyllis. So much so that I wrote my creative writing assignment for Martino about me and my Crush #2, switching the names to “Donna” and “Phil” to barely cover up the truth of this otherwise short fictional work. Martino returned it without comment. She did comment heavily, though, on my assessment of Henrik Ibsen’s A Doll’s House, a series of redundant paragraphs in search for a coherent sentence.

But my wack “The Way It Is” title was as much an indication that I was as far away from seeing myself as a writer as Earth is for Alpha Centauri without a faster-than-light-speed vehicle. And I was starving on so many levels back then. For food. For attention. For love. For a connection with anything or anyone who didn’t remind me of my poverty. Martino’s encouragement, though she obviously meant well, sent me scurrying in my mind for something a bit more comfortable than Poe’s indebted and untimely death.

My own student’s commentary made me wonder if the quality of my life and career would be better these days if I had embraced the promise Martino saw in my writing back then. I mean, I was already a slightly malnourished six-foot-one and 160-pounder at that point anyway. The inner struggle to put thoughts to paper creatively would’ve been much easier at seventeen than it is as a married forty-seven year-old with a contrarian teenager and bills to pay.

Maybe so. But until Noah or one of his progeny designs a time machine, I can’t rewrite my history in order to make me embrace what I now see as my calling. All I know is that those words I uttered in March ’87 have stayed with me for three decades. The question of finding and following my calling has always been juxtaposed with my need to eat and pay the rent and other bills. How do I do both without dropping one of the balls that I’m juggling?

The issue for more than half of my adult life was finding my calling. Along the way, I spent the summer of ’88 unemployed, the first week of my sophomore year at Pitt homeless and three weeks in May ’91 losing sixteen pounds for lack of food. Not to mention six weeks of unemployment in ’93, walking to Carnegie Mellon many a time in the snow with holes in my sneakers in ’94, and two and a half years of underemployment from December ’96 to June ’99. I was a starving writer long before I saw myself foremost as one. In all, I’ve probably made about $2,500 in direct net income as an author and writer since 2003 (half through Fear of a “Black” America, the other half in the past two years), not counting consultancies or giving talks based on my writing. If I depended on my writing income, I maybe could pay the cable bill or treat us to a night of Cheesecake Factory and a movie. Two or three times a year. When one doesn’t follow their calling and doesn’t follow a typical path to making a buck, the tendency is insufficient funds.

Creative abilities, even genius, may well drive people mad, but most folks in pursuit of their calling aren’t fools. No one, including the starving artist, wants to starve. Some of us, though, have a desire for much more than the ability to get a job, any job, and hold one long enough to see our own kids graduate from college and meet someone they truly love. Even with the responsibilities of adulthood, we shouldn’t give up on our own aspirations, for it’s those things that we reach for (although not at all costs) that will help others — including the most important folks — in our lives pursue their own calling.

Yes, I’m A Sexist Feminist

27 Tuesday Dec 2016

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, Politics, Pop Culture, race, Religion, Youth

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Black Masculinity, Chivalry, Contradictions, Dahlia, Damsel-in-Distress Syndrome, Father-Son Relationship, Feminism, Masculinity, Misogyny, Mother-Son Relationship, Nice Guy, Owning Imperfection, Patriarchy, Phyllis, Sexism, Womanism

Hostile vs. Benevolent Sexism, March 10, 2015. (http://www.dailymail.co.uk).

I finished up a chapter in Boy @ The Window with the closest approximation to my contemporaneous thoughts about Phyllis (a.k.a., “Crush #2” at times on this blog) in August 1988:

I must’ve rewritten these two paragraphs at least a half-dozen times before putting the book out for limited consumption. The thought process that I went through at eighteen years old bothered me then, and looking at the words even today leaves me wanting. Probably because there is more than a bit of sexism contained within these words.

But I wasn’t wrong, of course, not in ’88, not when I wrote and rewrote these paragraphs between 2007 and 2011, and not now, at least in terms of how I perceived things then. While I believed in reproductive rights, in equal pay for equal work, and in passing the Equal Rights Amendment growing up, I also believed in saving damsels from distress and in distinguishing between “ladies” and “bitches.” Or, as my father put it when he argued with my Mom in front of me when I was four years old, “You’s a black bit’!” Or, my contradiction could’ve fully formed when my father tried to set me up with a prostitute a couple of weeks before my seventeenth birthday, in December 1986.

There was no way in 1988 I could’ve understood the contradictions between the idea of feminism (in any form) and the notion of “being a nice guy.” I hadn’t been exposed, or, rather, exposed myself to Paula Giddings, Elsa Barkley Brown, Evelyn Brooks Higginbotham, bell hooks, Maya Angelou, Angela Davis, and Zora Neale Hurston. I hadn’t yet been engaged in the hundreds of conversations I’d eventually have with women folk I’d become friends with, people with whom I bonded because of their suffering, people from whom I’d hidden my own suffering during those years. Date rape, physical abuse, the more typical abuse of serial cheating, among other issues. With many of these women, I recognized the sexism and misogyny I saw in myself in 1988, and saw them again when I wrote down my contemporaneous thoughts in Boy @ The Window. It didn’t occur to me until the mid-1990s that women could be just as sexist and misogynistic as men, and often could pass down their notions of masculinity and patriarchy to their children. And that thought scared me.

Imprisoned brain (or, maybe, Culture Club and “Church of the Poison Mind” [1983]), December 27, 2016. (http://mdjunction.com).

It scared me because I realized I may have learned more of my contradictions from my Mom than from my father or idiot ex-stepfather. After all, she was the one constant in my parenting, the one person who engaged me in ideas like chivalry and manliness, who through her acquiescence to Maurice might have made it okay for me to see women, especially Black women (and to a lesser extent, Latina women) as ones in need of help, even when they decide not to take it.

And it may have made it okay for me to see myself as the victim in my incident with Dahlia in June 1987, when I accidentally (the first time), and later deliberately smacked her on her left butt cheek. Maybe I was the victim in a way, at least of my own deluded thought process. And there hasn’t been a time in the past twenty-nine and a half years in which I haven’t regretted that second, deliberate slap, in response to Dahlia accusing of thoughts I didn’t have, because my only obsession in 1987 was Phyllis. I’ve said and written this before, including in Boy @ The Window. To Dahlia, I am so sorry.

Beijing smog alert, Beijing, China, December 6, 2016. (http://ibtimes.com).

I may never be the perfect intersectional womanist feminist I’ve tried to be since I told my Mom to abort my future (and since deceased) sister in 1982. I still believe that professional women’s tennis players should play best-of-five-set matches at the Gram Slam tournaments. I think more women — particularly White women — should stop calling themselves feminists if their feminism stops when dealing with women of color or poor women in general. I think that most men who aren’t feminists are assholes. But I also know that, just like with racism (as now well noted by Ibram Kendi) and with narcissism (my next project, maybe), sexist ideas are as pervasive as smog in L.A. and Beijing. I don’t have to like it or accept it, but I do have to accept that I am a man, and I will make mistakes, including sexist ones. I will have to own up, and keep trying to do better.

The Cold Light of Grades

05 Tuesday Jan 2016

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, earth, wind & fire, Eclectic, Jimme, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Pop Culture, race, University of Pittsburgh, Work, Youth

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Ann Jannetta, Challenge Scholarship, Continental Airlines, Crush #2, Dean's List, Disillusionment, East Asian History, Financial Aid, General Foods, Grades, Grinding, Homesickness, Humanities, Internalized Racism, Masculinity, Mom, Mother-Son Relationship, MVHS, Newark International Airport, Phyllis, Pitt, Racism, Self-Discovery, Sexism, Stereotype Threat, Travel

University of Pittsburgh after a snow storm, Cathedral of Learning, downloaded January 5, 2016. (http://www.everystockphoto.com).

Dateline, Tuesday, January 5, 2016. Exactly twenty-eight years ago on this day and date, I left Mount Vernon and New York for my second semester at the University of Pittsburgh. I sensed, but did not know, that this was a make-or-break time for me as a student and as a person. At least when that day began. I had a 5 pm Continental Airlines flight out of Newark (my last time flying out of there, thank God!), and had plenty of time to kill before catching a cab to East 241st at 2 pm to catch the 2 Subway to 42nd, the Shuttle to Grand Central, and then the Carey Bus to New Jersey.

Then the mailman arrived a bit earlier than I expected, around 12:30 pm. I’d been anticipating and dreading this moment for seventeen days, since Saturday, December 19, the morning of my last final in Pascal.

The day I was scheduled to go back to Pittsburgh was also the day I finally received my grades. I earned an easy A in Astronomy, a B- in Pascal, and a C in Honors Calc. All three of those grades I expected. The C in East Asian History was completely unexpected. My grade point average for the semester gave me a 2.63 to start my postsecondary career. That might’ve been good enough for most folks. But of course not for me. My Challenge Scholarship absolutely depended on me maintaining a minimum 3.0 average at the end of every school year in order for me to stay eligible. That was my wake up call to what I’d allowed Phyllis, and my thoughts of her and me — and of her with me — to do to me. I didn’t even give Mom the chance to see my grades.

Because I was seventeen when my first semester began, my Mom was still the responsible adult and my Mom’s address the primary address for my academic records. This was the first and last time I received my Pitt grades this way.

I was so mad. But I was more disillusioned than angry, especially with myself and my view of the world. I knew I had no margin for error this Winter/Spring semester at Pitt. I needed to raise my overall GPA to a 3.0 or higher in order to keep my academic scholarship for my sophomore year. I could barely afford Pitt as it was, between room and board and books. It wasn’t as if I could depend on Mom and my father to keep sending me money. They had sent a total of $480 my way that first semester. I was still $1,200 behind on my Pitt bill, even with student loans and me working sixteen hours a week.

The days after I got back to my dorm I spent assessing my situation and what to do about it. The first decision I made was to consolidate the funds I managed to secure at the end of December. I had General Foods cover my remaining room and board payments for the school year, increased my Stafford Loan amount for the semester, and marched down to Thackeray Hall. I waited all day to take care of my bills, get my few hundred dollars of leftover cash from all of my aid — all of which I needed for books — and registered for classes. The last part took the most time, and was the hardest to do. The low the second morning of the semester was two below zero, and the high that day was eight above. Fahrenheit, not Celsius. I stood in line outside for over an hour in that weather surrounded by two feet of snow with the occasional winds and snow drifts before getting inside at nine that morning.

But in the moments I had that week, between some quiet time for myself and in discussing my performance with two of my professors (I just couldn’t believe I earned a C in East Asian History!), I realized two or three things. One was that I over-performed, given how depressed I was the last seven weeks of the semester. I missed nearly three out of every four classes in November, and nearly forty percent of my East Asian History class during the entire semester. I went without a textbook for Honors Calc I after someone stole it from my job in the computer labs in the Cathedral of Learning at the end of October. I managed a solid C in the course anyway. It could’ve been much worse.

Two was that my East Asian History professor Ann Jannetta was right. I really was “lucky” to have managed a C in an upper-level history course my first semester of college. I still acted as if I was in Humanities at A.B. Davis Middle School or MVHS, that a C was some indication of low IQ or confirmation that Whites had bigger brains or something. Jannetta was very encouraging. It was the first time any of my professors had made me feel like I belonged in college.

The most important thing I realized, though, was that I couldn’t let anyone or anything get in the way of me bringing my A-game (or A- game, maybe) every semester and in every course. Phyllis didn’t matter. My internalized sexism or what others though of me because of their racism didn’t matter. My idiot classmates or parents didn’t matter. Heck, being hungry, cold, and short on money didn’t matter. All that mattered was my ability to do what I did best back then. Get A’s in bunches when I needed to.

Of course, all these things really did matter. I merely decided to play the game of college that semester with a combination of fear and anger, arrogance and obliviousness. To the tune of a 3.33 and the Dean’s List! Yay me!

But when that semester ended on Saturday, April 30, those demons and distractions resurfaced. Oh, the days before I spent five days homeless and weeks eating tuna fish and pork neck bones!

My One Drunk Moment, An Un-Sober Mind

21 Saturday Nov 2015

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Politics, Pop Culture, race, University of Pittsburgh, Youth

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Antisocial Behavior, Authentic Blackness, Black Masculinity, Blackness, Busch Beer, Coping Strategies, Crush #2, Disidentification Hypothesis, Drunk, Internalized Racism, Invisibility, Jealousy, Lothrop Hall, Misogyny, MVHS, Phyllis, Pitt, Self-Discovery, Self-Loathing, Self-Reflection, Sexism, Underage Drinking

16-ounce “Pounder” can of Busch Beer, November 19, 2012. (http://price2watch.com)

As the son of an alcoholic father (the latter who’s been on the wagon for more than seventeen years now), I have almost always maintained control over my own alcohol intake. I’m always the designated driver, and rarely will I have three beers in one year, much less in one evening. My favorite drink is cranapple juice mixed with Disaronno, followed by Angry Orchard hard apple cider.

I have also always believed that I should be the same person, sober, buzzed, drunk and otherwise. If I’m generally a feminist on my best behavior in the classroom or at work, then I should be the same way at a dive bar on my second screwdriver. My low tolerance for bullshit — including and especially my own — should always be on display.

Both of these strands of how I’ve lived my life met a weekend of contradictions on this day/date twenty-eight years ago. In the wake of my Phyllis (Crush#2) crash-and-burn obsession and subsequent depression, I began hanging out with dorm mates at Lothrop Hall who were already dropping out of college socially by Week 11 of the Fall ’87 semester. That was a mistake of epic proportions.

Lothrop Hall (we lived on the fourth floor in 1987-88), University of Pittsburgh, June 8, 2008. (TheZachMorrisExperience via Wikipedia). Released to the public domain via CC-SA-3.0.

My downward spiral was made worse a week earlier with a burglary on a Monday night at the end of October. While I took a bathroom break at the computer lab, someone stole my Calculus textbook. I felt violated, especially since it happened at work. It made me more distrustful of the people I worked with and of Pitt students in general. And after Phyllis’ wonderful response, I all but stopped going to class. I missed most of my classes the month of November, only showing up for exams or if my mood had let up long enough to allow me to function like normal. The weekend before Thanksgiving, I allowed my dorm mates to cheer me up by getting a couple of cases of Busch Beer. These were the Pounder type, sixteen-ounce cans. After getting Mike to get us the cases, we went back to Aaron’s room and started drinking. I downed four cans in fifteen minutes, and was drunk within a half hour. I started throwing around the word “bitch.” Anytime anyone mentioned Phyllis’ name — or any woman’s name for that matter — one of us said the B-word and we’d guzzle down some beer. I was drunk, but not so drunk I didn’t know what was going on around me. That night, my geeky acquaintances started calling me “Don” and “Don Ho,” since I was the life of that illegal party. I would’ve been better off smoking some cheap herb with Todd and Ollie. I recovered from my bender in time to go home for Thanksgiving, but I was in a fog for the rest of the semester.

This was how the end of my 2.63 first semester at Pitt unfolded. But that was hardly the only thing that came out of last weeks of ’87. For a long time, I was angry with myself. About Phyllis. About allowing Phyllis, my dorm mates — anyone, really — affect my emotions, my thinking, and actions over any significant period of time. So for about three months, I put everyone in my life into two categories. Men were “assholes, women were “bitches,” and I was done with humanity. And all by my eighteenth birthday.

I wasn’t just being sexist. I was being downright antisocial. I had internalized issues, about where I fit in this new world of college. I would never be man enough, Black enough, “White” enough, smart enough, athletic enough, or cool enough. At least that’s what I thought in late-November ’87.

Antisocial bumper sticker, November 21, 2015. (http://www.quotationof.com/).

I look back at that time and realize how stupid I was twenty-eight years ago. To think that I could go out in the world, attend a four-year institution, and not have my assumptions about the world, about people, and about myself challenged. That’s like going overseas to visit some ruins, but never meeting the people who live there (Or, in this case, like rich White Americans doing Sandals and other brown-skinned service-based vacations).

Phyllis and my dorm mates at Lothrop Hall weren’t even the first step of that process. They were the last step of a process of controlling and protecting myself from my years of living in the shadows in Mount Vernon, New York. The coping strategies I had honed for five years to survive 616 and Humanities and MVHS had barely worked. By the end of my first semester, they were completely useless. I came to realize that a strategy to seal myself up from all criticism and praise, to keep humanity out of my life, was doomed to fail. There was no way to keep the world from forming a first impression of me, no matter how many layers of invisibility I attempted to wear. But there was a way to reshape how I saw myself and the world.

Not Finding My Musical Center

16 Tuesday Jun 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, My Father, New York City, Politics, Pop Culture, race, Religion, Youth

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616, 616 East Lincoln Avenue, Authentic Blackness, Authenticity, Bad Ideas, Bad Music, Black Masculinity, Columbia House, Coping Strategies, Crush #2, Dahlia, David Wolf, Escapism, Estelle Abel, Glass Tiger, Honors Convocation 1987, MVHS, Phyllis, Richard Capozzola, Self-Discovery, Silent Treatment, Sylvia Fasulo, Terre Haute, Thompson Twins, Tower Records

Glass Tiger, The Thin Red Line (1986) album cover, June 6, 2015. (http://www.amazon.ca).

June ’15’s calendar is exactly the same as the one I lived through in June ’81, June ’87, June ’98, and June ’09 (you can look it up). But June ’87’s the month I graduated from Mount Vernon High School. At seventeen, my Blackness, my authenticity as a young man and as a Black man, my place in the world, all were question marks. Between Black administrators like Estelle Abel and Brenda Smith (not to mention White ones like Richard Capozzola and Carapella), teachers like David Wolf and my guidance counselor Sylvia Fasulo, plus the fifty or so “cool” kids with their ’80s pre-Nu Jack Swing/post-Purple Rain Prince look, I might as well have been an alien from another planet. That’s not even counting my strange and out-of-character incident with Dahlia, the humiliation of the Sam and Laurell Awards Show, the dissonance of dealing with Mom, my idiot stepfather Maurice and my siblings at 616, my father Jimme’s drinking, and the run-ins with not-so-normal Crush #2 in Phyllis.

The day I realized most how differently the world outside of Mount Vernon viewed me from how I viewed myself came the day after graduation at Tower Records on West 66th and Broadway. I’ve told this story before, here and in Boy @ The Window, about how some NYPD officers working security there accosted me and accused me of stealing tapes that I had bought the previous week. What I have left out, though, was my state of mind in the two-week period prior to this incident. As I said in the memoir

I had my latest Walkman, my first Sony Walkman, actually, and my book bag with my recent tape investments, including a few I’d bought at Tower Records the previous Friday. Investments like Fleetwood Mac’s Tango In The Night, Genesis’ Invisible Touch, Whitney Houston’s Whitney and Glass Tiger. Glass Tiger, by the way, was a good indication of my state of mind. Boy was I pathetic!

Here I was, attempting to discover myself through what was then my normal coping strategy of escapism via eclectic music. Given my long periods of deprivation from pop culture between religion, abuse and poverty, I’d really only been at this discovering music thing for a little more than three years. I was basically a preteen in terms of pop culture and musical development outside of choir in elementary and middle school and playing the trombone and fife.

Seriously, I look at this Canadian group Glass Tiger’s ’86 album cover The Thin Red Line now and think, “this stuff isn’t even Michael Bolton worthy!” Songs like “Don’t Forget Me (When I’m Gone)” and “Someday” were actual Billboard chart-toppers in ’87, though, and because I had no friends in whom I placed trust, I trusted my coping strategies and Casey Kasem.

That, and Columbia Record Club, which I signed up for off and on between ’86 and ’89, with my high point for using their Terra Haute, Indiana mailing operation being the spring and summer of ’87. I could use them to find music I wouldn’t dare buy even at Tower Records or Crazy Eddie’s. I bought new age music by Phillip Glass, took a hand at jazz with Dizzy Gillespie, bought Van Halen’s 1984 and 5150 (California-crazy me), and went for it with Big Daddy Kane, MC Lyte and Salt ‘n Pepa.

Thompson Twins, Here’s to Future Days (1985) album cover, June 6, 2015. (http://audiokarma.com).

But for every Simple Minds‘ Once Upon A Time (1985), there was Toto’s The Seventh One (1988), or Thompson Twins’ anything, really. For every song that stuck with me, like Sting’s “Be Still My Beating Heart” (1987) or Anita Baker’s “No One In The World” (1986), there was Whitney Houston’s “Love Is A Contact Sport” (1987) — one of the worst songs I’ve ever heard a voice as awesome as Whitney’s sing — and Howard Jones’ “Things Can Only Get Better” (1985). “Things Can Only Get Better,” by the way, is in my iPod’s random rotation, as I have come around to it again in the past decade.

I was trying to figure out what I liked and didn’t like musically on the fly, having lost a significant amount of time growing up for the triviality of enjoying music. This was hard to do, though, in a world in which my peers and many adults assumed that I knew myself well at the ripe old age of seventeen. No matter what my IQ score was in ’87 (about a 130, for the eugenicists out there), my emotional and psychological development probably put me about five years behind my now former classmates.

So my music tastes varied from genius to God-awful. They still do. The difference is, I recognize I may be the only one who listens to DMX for comic relief, because there’s no way to take him or his rap seriously. Or that I find Tupac and Eminem equally compelling and equally problematic. I still

Taco Bell’s Waffle Taco w/ syrup, sausage, eggs and cheese, March 27, 2014. (http://vice.com).

don’t understand the genius of Miles Davis, no matter how many times jazz enthusiasts like my friend Marc try to convince me to keep listening. Still, half of my music comes from the period between May ’87 and October ’97, and the rest crosses boundaries in time, genre, race and language (Deep Forest, anyone?).

I also recognize complete schlock, too. Unfortunately, commercial music these days is about as emotionally and mentally nutritious as a McDonald’s Big Mac and a Taco Bell Gordita combined. I try every few weeks to find out about the latest artists, just in case my son ever becomes interested in music again. Thank goodness, though, there’s no Lil’ Wayne, Rick Ross, or Iggy Izalea in our house! I’ll take my Glass Tiger (not really) any day over that!

Woman In Love

15 Saturday Mar 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Marriage, Mount Vernon New York, music, Pop Culture, Youth

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"I'm Every Woman" (1979), "Sweet Love" (1986), "Woman In Love" (1980), Anita Baker, Barbra Streisand, Bipolar Disorder, Celine Dion, Chaka Khan, Crushes, Drugs, Empathy, Endorphins, Euphoria, Love, Male-Female Relationships, Phyllis, Romance, Understanding Women, Wendy, Woman

Cover art of “Woman In Love” (1980) single by Barbra Streisand, August 9, 2006. (JeanMarcDekesel via Wikipedia, http://www.discogs.com/viewimages?what=R&obid=539484). Qualifies as fair use under US copyright laws (low resolution and subject matter).

I actually like a couple of Barbra Streisand songs, both from ’80, and both from her collaboration with The Bee Gees (specifically, Barry Gibb). One is “Guilty,” the other “Woman In Love.” And yes, this is but one sign of how weird I am. But for the past thirty-four years, these songs have been part of my mental and actual music rotation, allowing me to ponder the mysteries of the opposite sex in the process.

For those moments, I’ve sometimes found myself wondering, has any woman ever felt that way about me? “I am a woman in love/And I’d do anything/To get you into my world/And hold you within.” I honesty have no idea, but the possibility of stirring passion in someone other than myself has fascinated me since the days of my Wendy crush in March ’82.

So, every time I’ve had a crush or love of major note, Streisand’s “Woman In Love” has given me to ability to think about what it would be like to be a woman. Young. In love. With all of the hopes and hurts, battles and betrayals. In ’85 with Phyllis, in ’91, in ’95 with my eventual wife, even after marriage. Somehow, the overwrought and — dare I say, Jewish — angst with which Streisand sang the song resonated with me and has stayed with me after all these years.

Cover art for Anita Baker’s Rapture (1986) CD, April 25, 2006. (Faustlin via Wikipedia). Qualifies as fair use (low resolution).

It wasn’t just Streisand that’s given me this feeling over the years. Anita Baker’s “Sweet Love,” and “Body and Soul,” Chaka Khan’s “I’m Every Woman” (still like this version better than Whitney’s, may she rest in peace) and “Through The Fire,” even some stuff from Celine Dion. Their music has gotten me about as close as could get to understanding what it must feel like to be a woman, at least in a generic sense. My wife, though, could probably testify to a lot more moments.

Of course, I can’t actually be a “woman in love,” no matter how much experience, imagination and empathy I can muster. Passing a kidney stone for nineteen hours in ’02 may approximate what my wife went through in giving birth to our son in ’03. But I didn’t have to carry that kidney stone around for nine months while it made noticeable changes to my body, my diet and my psyche. And having a child that you’ve fallen in love with before their birth often make the process worth it. I couldn’t get my doctors to let me see my kidney stone, much less keep it!

“It’s a right I defend/Over and over again,” Streisand sings in “Woman In Love.” As a boy and man who’s been “in love” at least four times in forty-four years, I feel that I can relate — a lot, if not in total. Taken to it’s most illogical extent, though, would mean obsession, possibly even stalker-like tendencies, especially if someone else doesn’t feel anything near the same way. But, when you’re in the middle of it, you might as well be on coke, Oxycontin and weed all at once, and with some latent form of bipolar disorder to boot. And the hangover from being in love requires much more than a Bloody Mary to get over.