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Notes from a Boy @ The Window

~

Notes from a Boy @ The Window

Tag Archives: 616 East Lincoln Avenue

Aside

Cable, Anyone?

11 Friday Sep 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Jimme, Mount Vernon High School, Mount Vernon New York, music, My Father, New York City, Pop Culture, race, Youth

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"Broken Wings" (1985), "Sweetest Taboo" (1985), "What About Love" (1985), 1010 WINS, 616, 616 East Lincoln Avenue, Aliens (1986), Bernard Shaw, BET, Cable, Cable TV, CNN, Heart, HLN, Lynne Russell, Michael Jackson, Mr. Mister, Platoon (1986), Sade, Thriller (1982)


1980s-style MTV logo, accessed September 11, 2015. (http://dogoodmediamix.weebly.com/).

1980s-style MTV logo, accessed September 11, 2015. (http://dogoodmediamix.weebly.com/).

The platform of multimedia access via paid cable subscriptions through the monopolies of Time-Warner, Verizon FiOS, and Comcast Xfinity is so normal that it would be hard for anyone under twenty-five to imagine the world that existed beforehand.

Yet on the first Friday in September ’85, my family at 616 didn’t have cable the morning I left for my second day of eleventh grade. We had the channels we always had: WCBS2, WNBC-4, WNEW-5 (which had just been bought by Rupert Murdoch via 20th Century FOX), WABC-7, WOR-9, WPIX-11, and WNET-13. The MTV revolution was more than six years old, and the hype from Michael Jackson’s classic Thriller album videos had come and gone. Though I was now current enough to be up with pop music, some rap, and some R&B — not to mention my Mets — so many cultural references went over my head at Mount Vernon High School that many of my classmates thought I was stupid and weird. (Don’t worry – I felt exactly the same way about many of them).

I came home from school that Friday afternoon to a platform I’d never seen before. A long, thick white wire and a couple of coaxial cables linking to a box next to our TV in the living room. The TV set was off, and my Mom was out picking up Maurice from Holmes Elementary (he had just started first grade). I turned it on, looked at the cable guide, and punched in the numbers to MTV for the very first time. Heart’s “What About Love” video had just started on the channel. To think that this would be my first direct experience with MTV, for the few moments I had to myself in the transition to yet another weekend of kids, laundromat duty, and hunting down my father Jimme at one of a dozen of his watering holes between Wakefield and The Bronx and Midtown.

It was actually, um, uplifting. I felt goofy. I didn’t mind hearing the overwrought band from the Pacific Northwest. I enjoyed the video that followed it, Mr. Mister’s “Broken Wings.” I even had time to flip over to BET to watch part of a Sade video (I think it was “Sweetest Taboo”) before my Mom and my four younger siblings came in, making me feel like watching these videos was really taboo. I didn’t want them to know what I was watching, so I dialed in either CNN or Headline News for the first time.

That afternoon would be one of only a handful of times I’d have clear access to cable TV without the cognitive dissonance of siblings and family and arguments and constant fighting and abuse. If first impressions really meant anything, then MTV and BET on September 6, 1985 pretty much reinforced my music eclecticism over a twelve-minute span. That was reinforced further in the coming weeks, with good, bad, and awful videos from a-ha, Eddie Murphy (with Rick James), Phil Collins, Billy Ocean, Journey, Lionel Richie, Lisa Lisa, and Run-D.M.C.

The great Bernard Shaw, CNN news anchor from 1980 to 2001, accessed September 11, 2015. (http://cnn.com).

The great Bernard Shaw, CNN news anchor from 1980 to 2001, accessed September 11, 2015. (http://cnn.com).

Getting news from beyond the local sources, Tom Brokaw, Peter Jennings and Dan Rather was pretty important too. Bernard Shaw, Lynne Russell, and Chuck Roberts became new news names for me that fall. Catching movies within six months of their release — instead of three to five years later (if ever) — like Aliens or Platoon was new to me. And getting more accurate data from The Weather Channel made me more aware of chilly spring mornings that would turn into summer-esque afternoons as ’85 turned into ’86 and then ’87.

It wasn’t until 1994 that I got cable on my own in Pittsburgh for the first time, otherwise having to go to bars or William Pitt Union’s TV room to catch moments that weren’t on network or independent television. To think that there was a time when information moved slower, when I listened to 1010 (AM) WINS, “you give us 22 minutes, we’ll give you the world” instead of watching BBC News or hitting Twitter for the latest news. Can’t wait for the streaming/mobile news and music revolution. Oh, wait a second…

Aside

Running Away, 30 Years Later

25 Tuesday Aug 2015

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, music, My Father, Pittsburgh, Pop Culture, race, University of Pittsburgh, Youth

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"Emotion (Ain't Nobody)" (2014), "Runnin'" (1995), 616, 616 East Lincoln Avenue, Dreams, Envy, Family Responsibilities, Fleetwood, Lliy-White, Loneliness, Making Plans, Maurice Eugene Washington, Maurice Washington, Maverick Sabre, MVHS, Pharcyde, Single-Minded, Spin Moves, Visions, Whiteness


Today’s date marks three decades since I took on my idiot stepfather Maurice Washington, and actually won, even though I didn’t realize it at the time. I’ve written about the incident and my twenty-three-hour trek through Mount Vernon, my dreams, prayers, and wishes, and my confrontation before, here and in Boy @ The Window. (Even now, the baseline to Pharcyde’s “Runnin'” (1995) is running in my head, temporarily replacing my writing theme song for the past week, Maverick Sabre’s “Emotion (Ain’t Nobody)” (2011), but that’s how my mind works). So I won’t go over all of the details again. Still, there are a few important takeaways that puts Sunday, August 25, 1985 in my lifetime victory column.

Michigan WR Jeremy Gallon's spin move gif on way to a 61-yd TD against Notre Dame, Ann Arbor, MI, September 7, 2013. (http://thebiglead.com/).

Michigan WR Jeremy Gallon’s spin move gif on way to a 61-yd TD against Notre Dame, Ann Arbor, MI, September 7, 2013. (http://thebiglead.com/).

1. Physical advantages. It never occurred to me until Maurice tried to blindside me in the apartment hallway with a punch that I had much faster reflexes than the idiot. It also never occurred to me that I had a better sense of balance. I managed to avoid the punch and spin around him by using his 350-400 pounds of bulk against him (I really hated having to touch the unwashed, greasy fat frog of a man), and in only a foot of space between the two of us. That’s how I escaped Maurice’s punch and grasp, and got out of the apartment to begin my trek. Knowing what I know now, I should’ve tried out for basketball instead of baseball in eleventh grade.

2. Not finding my father. I kind of wished I had, just to have a few hours that day not to think about my present and future. But my alcoholic dad was a significant part of my present, and his absence gave me real time to think about how jacked up my family life was. I knew, if nothing else, that Maurice, Mom, and Jimme couldn’t pin that on me.

3. Walking up Gramatan Avenue and into Fleetwood. It was partly a walk that reminded me about how the other half of Mount Vernon — affluent and predominantly White — lived. I knew that I’d never be a part of that Mount Vernon, and not just because most of them would run me over with a car sooner than say “Hello.” It was the sense of exclusively, the ability to check in and out of progressive issues, like Humanities and magnet programs, that made me see. These folks I could never befriend.

St. Ursulas Roman Catholic Church, 213 East Lincoln Avenue, Mount Vernon, NY, August 2012. (http://maps.google.com).

St. Ursulas Roman Catholic Church, 213 East Lincoln Avenue, Mount Vernon, NY, August 2012. (http://maps.google.com).

4. MVHS overnight dreams and Catholic church prayers. Both reminded me that if I played my cards right, I could be on my way to college in two years, twenty-four months, 730 days. I could cope with 616, Maurice, my older brother Darren and my younger siblings and high school and Humanities for that much longer, I thought. But I also knew I needed to make a conscious, almost single-minded effort to do so. Even then, I was tired of burying my thoughts and emotions and playing the role of enigmatic weirdo, though. I realized this was going to be a battle with myself.

Yet what I didn’t learn from my ordeal would also be two more reasons to leave Mount Vernon. I wouldn’t learn those reasons and lessons until the spring and summer of ’87, when the respectability police, the good middle class folk of Black Mount Vernon, would give me just the push I needed…

Aside

Finding A Memory, Knowing the Whole Truth

16 Thursday Jul 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Jimme, Marriage, Mount Vernon New York, My Father, New York City, Patriotism, Politics, Pop Culture, Youth

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1976, 425 South Sixth Avenue, 616, 616 East Lincoln Avenue, Bicentennial, Big Wheel, Child Abuse, Child Neglect, Diana, Eidetic Memory, First Grade, Mother-Son Relationship, Mount Vernon Hospital, Nathan Hale Elementary, Photographic Memory, Playground, Repressed Memories, Sarai Washington, Sexual Abuse, Sexual Assault


From Cam Jansen Mysteries, a series of children's books about a girl with a photographic memory who would solve mysteries and take pictures in her mind of the clues, August 9, 2012. (http://appraisingpages.com).

From Cam Jansen Mysteries, a series of children’s books about a girl with a photographic memory who would solve mysteries and take pictures in her mind of the clues, August 9, 2012. (http://appraisingpages.com).

No one’s memories — even those whom are eidetic or whose memories can be near photographic — are perfect, especially over the long haul. As far as the scientific community knows, there are no exceptions. I include myself in that category. This despite having a memory cycle that has seldom let me down. Since August 8, 1974, there have been only a few gaps of any major significance. I might not be able to tell you exactly what I had for dinner on July 16, ’85, but my guess would include either chicken and dumplings or $5 spaghetti with meat sauce and frozen chopped broccoli, both courtesy of my shopping at C-Town in Pelham, New York almost every day (it was a welcome relief from the heat of sitting home at 616, anyway).

One area where my memory had let me down was parts of the summer of ’76, the bicentennial summer. I could vague remember being down in the city for some of the festivities that July 4th, followed by a long sleep on the free Metro-North ride that day, only to end up in New Haven, CT because my father had been drinking and sleeping on the train, too. I remembered my Mom buying a Polaroid and taking pictures of herself and us and her new furniture at 425 South Sixth at the beginning of the month.

And I remembered that this had occurred a couple of weeks later:

My first memories playing with a group of Black males in Mount Vernon, New York are all negative. When I was six in ’76, a group of preteens on the neighborhood playground near Nathan Hale Elementary on South 6th Avenue tried to force me into sucking one of their dicks, practically sticking it in my face to do so. I got away before being truly scarred for life.

But I knew that I couldn’t remember what occurred beyond that, not only for the rest of that day, but for the next three weeks afterward. It had bothered me for years that I couldn’t remember beyond the flash of images I did write down.

Even in writing Boy @ The Window (which thankfully wasn’t about my earliest years growing up), as much as I drilled down into my past, I couldn’t fully conjure the memory of this incident. And when I did try, I ended up inducing headaches.

It was the year after publishing my memoir that I realized my headaches weren’t just because I needed new pillows for my neck. I had a repressed memory, maybe even more than one. I didn’t try to find a way to un-repress the memory, though. I figured that if I concentrated on other memories from the spring and summer of ’76, it would manifest itself, one way or the other. The key was my Big Wheel, the only toy I truly loved growing up, and my first “girlfriend” in Diana, who moved away at the end of first grade. Those memories helped me conjure up the buried memories I needed to fill in the blanks.

Cecil Parker Elementary School (formerly Nathan Hale ES), Mount Vernon, NY,  November 23, 2006. (Donald Earl Collins).

Cecil Parker Elementary School (formerly Nathan Hale ES), Mount Vernon, NY, November 23, 2006. (Donald Earl Collins).

Over the course of a couple of weeks between Thanksgiving and Christmas last year, I either had dreams or wide-awake flashbacks that filled in my blanks. I was in fact sexually assaulted, by a light-skinned thirteen or fourteen-year-old. With the help of two of his friends, he had gotten his penis in my mouth while I was being held down to the ground on the rain-soaked, asphalt, Nathan Hale playground. I only got away because his friends were laughing after I spit his penis out of my mouth, laughing so hard that they were no longer holding me down.

I did a bit of digging into July ’76. I already knew from my memories it had rained on a Tuesday or Wednesday the week after July 4th. Turns out on that Wednesday, July 14, a quarter-inch of rain fell on the New York City area, as there was thundershower activity and high winds that afternoon, with a high of 78°F. That, unfortunately, confirmed everything.

1976 Chevrolet Nova, Seattle, WA area (not the right color, but the right model), July 16, 2015. (http://youtube.com).

1976 Chevrolet Nova, Seattle, WA area (not the right color, but the right model), July 16, 2015. (http://youtube.com).

What I remembered next after was probably just as horrific. I didn’t tell my Mom about my incident for weeks, because I was supposed to stay home while she went to work at Mount Vernon Hospital that day. I did tell her, though, about three weeks later, on the first Saturday in August, as she and my father were arguing as usual. And, my Mom being my Mom, she didn’t believe me, leading to my first attempt at taking my own life. I ran out of 425 South Sixth, straight into the street, and waited to be run down by an older Black guy in a Chevy Nova (more on that at a later date).

But maybe what triggered these repressed memories in the first place was the trauma of losing my sister Sarai in July ’10. After all, that’s also the week I learned that one of my younger brothers had been raped by a short Black guy in his early twenties while pursuing his video game addiction via arcades at the age of nine. As traumatic as that revelation was, it was my Mom’s response that was the most chilling. “It serves you right. I told you to stay away from that man,” my Mom said in response.

Maybe it was too much for my Mom to hear on the same week as her only daughter’s death. Then again, from what I’ve come to remember now, finding out about any one of her children being abused was always too much for my Mom to bear. As for me, knowing the whole truth has made sleeping much easier, my dreams more peaceful, and my headaches all about stress and neck tension.

Aside

RIP Sister, Sarai Adar Washington (February 9, 1983-July 11, 2010)

11 Saturday Jul 2015

Posted by decollins1969 in 1, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pop Culture, race, Work, Youth

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616, 616 East Lincoln Avenue, Brother-Sister Relationship, Death, Dread, Eri Washington, Father Figures, Growing Up, Independence, Life, Mazza Gallerie, Sarai Washington, Sickle Cell Anemia, The Matrix Revolutions (2003)


 

Sarai Washington, circa 2003.

Sarai Washington, circa 2009.

It’s been five years since I received my brother Eri’s call telling me what I had known and dreaded would come for nearly thirty years. That my only sister Sarai had died from complications stemming from sickle-cell anemia.

As soon as I picked up the phone five years ago, I knew. Sarai had been in and out the hospital for months since she had returned to New York at the tail end of ’09. Before then, she had lived either on her own or with two of her high school friends in Huntsville, Alabama since ’05. The skin and bone bruises, the constant blood transfusions, the always-there pain of sickled red blood cells circulating through her body. The average life expectancy for anyone with the disease is thirty-three years. That I had Sarai in my life for 82 percent of that life expectancy was still a minor miracle in the midst of what to me seemed completely unnecessary pain.

We weren’t as close in her later years, though. I mean, Sarai saw me as a bit of a father-figure when she was growing up. I had thirteen years and six weeks on her, so that’s how it goes. Between the 616 fire and homelessness for her and my other younger siblings in ’95, though — not to mention puberty — Sarai no longer treated me as her hero. That was fine by me. I already had too many people in my life who thought of me as some sort of hero or saint.

I think, though, that my sister enjoyed not really having to think about her future, about not feeling the need to grow up, since, what would be the point, really? I thought that because she knew more about her disease than anyone, it was her responsibility to grow up and find the best care possible to manage her disease, to bring some meaning to her life. That’s where our closeness became less so. I have a way of expecting more out of people than most people are willing to expect of themselves.

Sarai & Noah, November 2003. (Donald Earl Collins).

Sarai & Noah, November 2003. (Donald Earl Collins).

When Sarai came to live with me and my wife Angelia in ’03, to help us out with our then newborn son Noah, it was obvious that my sister was doing little to take care of herself. When I finally confronted her about her poor diet and unwillingness to watch over her disease, Sarai yelled, “You’re not my father!,” right in front of Mazza Gallerie, on the DC-Chevy Chase border (we had gone to see The Matrix Revolutions, much more for her than for me). Of course she was right. But of course, I was right also.

Sarai decided the next day to pack up her stuff and move back home to 616 and Mount Vernon, “where no one told her what to do,” she wrote as part of her going away letter. She also said that I “don’t know anything about the streets” as yet another familial “Just because you have a Ph.D…” coup de grace. I thought, “If I didn’t know anything about the streets, you and the rest of the younger siblings would’ve gotten your asses kicked through the early ’90s.”

But I knew Sarai’s letter wasn’t about the streets. It was about her living her life the way she wanted, without me or anyone else telling her how to take care of herself. That’s why she went away to Alabama for nearly four years.

Luckily I did get to talk to her a couple of times after that. Though we weren’t close, I loved her, and I know she loved me. The sad truth was, though, Sarai never had enough time to take charge over her life, and I couldn’t make her take that precious little time.

Aside

A Family, A Man In Uniform, A War In Continuum

07 Tuesday Jul 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Jimme, Mount Vernon New York, My Father, New York City, Patriotism, Politics, Pop Culture, race, Youth

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" Wino Park, "Napalm Girl", "The Redcatchers, 199th Light Infantry Brigade, 616 East Lincoln Avenue, Alcoholism, BBQ restaurant, Collins Family, Demond Harris, Falon Collins, Family History, Felton Collins, Howard University, Kim Phuc, Lamont Sanford, MSW, Nick Ut, Post-Traumatic Stress Disorder, PTSD, Sanford and Son, Vietnam War, Violence, War


Extended Collins family photo (top row down, l-to-r: me,  Jasmine, Uncle Felton, Falon, my dad, Aunt Christene, my son Noah), West Hyattsville, MD, May 8, 2015. (Donald Earl Collins).

Extended Collins family photo (top row down, l-to-r: me, Jasmine, Uncle Felton, Falon, my dad, Aunt Christene, my son Noah), West Hyattsville, MD, May 8, 2015. (Donald Earl Collins).

Two months ago, I met portions of my extended Collins family in Maryland for the first time. I had no idea that my father had a younger brother, nor that his name was Felton, until I had received a call in August 2013 from my uncle about spotting him and his older daughter Falon a place to stay while she found a place to live here in suburban Maryland. My first cousin moved to the area to begin work on her MSW at Howard University’s School of Social Work. We couldn’t accommodate such a last-minute request, unless my uncle and first cousin had been willing to sleep on the floor.

When Falon graduated in May, I finally had the chance to meet this younger part of the Collins family, as well as an aunt I hadn’t seen since I was five (more on this next month). Among the things that came out of these meetings and our dinner together was that my Uncle Felton was not only a military veteran, but a Vietnam veteran with the 199th Light Infantry Brigade (“The Redcatchers”) between 1967 and 1969, no less. I knew that somehow the federal government managed to overlook my uncles on my mother’s side and not draft them for the Vietnam war effort (a “miracle” of rural Arkansas segregation, I assumed). So this was a lot of new information to take in.

Kim Phuc with her then infant son, Ontario, Canada, 1995. (Joe McNally/Time & Life Pics). Qualifies as fair use under US copyright laws -- photo illustrative of subject/ for educational purposes only.

Kim Phúc with her then infant son, Ontario, Canada, 1995. (Joe McNally/Time & Life Pics). Qualifies as fair use under US copyright laws — photo illustrative of subject/ for educational purposes only.

But then again, it shouldn’t have been new information at all. Except for the fact that my father had spent the first thirty years of my life too inebriated or caught up in New York City life to remember to hand down basic family history to me and my older brother Darren.

I was really almost too young to remember Vietnam, but with my ability to observe and remember going back to Nixon’s resignation and the OPEC oil crises, I had noticed a few things. Like some of the news clips of the end of the war in ’75, of refugees on aircraft carriers, pictures of B-52s destroying village after village and city after city. Not to mention, the iconic, Pulitzer Prize-winning 1972 photo “The Terror of War” by Nick Ut (also known as “Napalm Girl”), depicting a then nine-year-old, severely burned Kim Phúc, which I asked my Mom about a couple of years later. She didn’t give me an answer.

That’s what I knew in my little seven-year-old mind about Vietnam prior to moving to 616 in ’77. In the corner of our tripartite apartment building, living in a basement apartment of the “B” building, was a man who looked like Lamont Sanford to me. Except he wore a beat-up green Army jacket and green hat on his head most of the time. I often saw him come and go, where I didn’t know. I also saw parents who warned their kids to stay away from him, some young Turks who occasionally stopped the man to make fun of him, and kids who sometimes teased him for having served in Vietnam, parroting their parents, I guess.

The Vietnam veteran couldn’t have been more than thirty, but he moved like he was at least a decade older. It was as if he was afraid to move, to be outside, to be around life, the way he moved, or rather, lurked in his comings and goings. I mostly felt sad for him, because it seemed like no one wanted to bother themselves with his existence.

Demond Harris as Lamont Sanford standing next to Redd Foxx as Fred Sanford in midst of faux heart attack, Sanford and Son (1972-77), July 8. 2015. (http://gawker.com).

Demond Harris as Lamont Sanford standing next to Redd Foxx as Fred Sanford in midst of faux heart attack, Sanford and Son (1972-77), July 8. 2015. (http://gawker.com).

I witnessed his infrequent sojourns from his 616 apartment and back until sometime in late ’79, or early ’80, when I realized he had moved out. Given that I was hardly outside lurking myself those years, between being on lockdown for running away and Darren’s Clear View summer camps, it was amazing that I noticed his absence at all.

At the same time, during our (me and my older brother Darren’s) outings with my father between ’79 and ’81, I noticed that in his occasional stops at “Wino Park” (a mini-park on the corner of South Fulton and East Third in Mount Vernon), there were quite a few veterans in their late twenties or early thirties there. A typical Friday evening or Saturday afternoon outing could be spent watching Jimme and his drunk friends eat food they bought from the pit bbq joint across the street from the park while drinking beer, malt liquor, hard liquor, and cheap wine from paper bags. All while they took turns peeing on the rock face that jutted out on the side of the park, or around one of a handful of barren trees nearby.

The Vietnam veterans were the quietest people in the group. They were the ones who could laugh, but often didn’t, and rarely smiled. Sometimes, having to spend as long as an hour watching my father hang with these men, I found myself wondering about the man in his post-war uniform who used to live at 616. What happened to him? Did he take drugs? Was he really crazy? Did he drink in a semi-sullen silence and watch older drunks like my father make fools of themselves?

When there’s only either Wino Park or 240 East Third with Ida and Callie Mae to look forward to, wondering what happened to a silent veteran seemed like a much more useful activity. Of course, now we celebrate every veteran as a hero. Yet we don’t do nearly enough for veterans — for any Americans, really, much less the damage we do to the rest of the world in the name of America — who suffer from the wounds of war and life. We prefer to glorify or shun them all without thought, like the little narcissists we all are.

Aside

Part of My Real-Life Hunger Games

24 Wednesday Jun 2015

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, Pop Culture, race, Religion, Youth

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"Things Can Only Get Better" (1985), 10th Grade, 616, 616 East Lincoln Avenue, Addie Viggiano, Authority Figures, Chemistry, Disillusionment, Harold Meltzer, Howard Jones, Humanities, hunger, Iced Fudge Nut Brownie, Italian, MVHS, New York State Regents Exams, Paul Lewis, Poverty, Sara Lee, Trigonometry


Consequences of hunger in schools, NOKID Hunger, January 2015. (http://www.youthonassignment.org/).

Consequences of hunger in schools, NOKID Hunger, January 2015. (http://www.youthonassignment.org/).

This time three decades ago I’d started to recover from a week of seemingly endless tests and Regents exams at Mount Vernon High School, which couldn’t have come at a worse time for me. The cupboards and fridge at 616 were as bare as they had been since the days before my Mom had gone on welfare. There was only enough milk for my younger siblings, and besides cornbread and cabbage, we were SOL. That Monday we had our exams in World History and English. Tuesday was the Trig Regents, which I started preparing for at the end of February because our teacher Ms. Viggiano didn’t know the difference between sine, cosine and tangent. All of those went pretty well.

Then we ran out of food Tuesday night. I woke up the next morning with water, milk, ice and freeze-dried meat as my choices for breakfast and 50 cents in my pocket. I chose water and only water for the morning. And Wednesday was the busiest day of all. There were two Regents exams, one that morning in Italian, the other in Chemistry. I went to school feeling like I could overcome my hunger and do decently on the test. After all, I had been taking Italian since seventh grade, and I already knew I had scored an eight out of ten on the oral part of this exam. But deep down, I knew I just didn’t have the energy to get through the exam. I had a headache from the lack of food, which grew worse as I started to forget the difference between Italian in past, present, future and present perfect tense. I finished the exam and found myself just hoping for a 70 (anything below a 65 was an F, and the exam counted for a third of my total grade for the course).

Sara Lee Iced Fudge Nut Brownie (yes, they still make them), 2014. (http://saraleefoodservice.com/).

Sara Lee Iced Fudge Nut Brownie (yes, they still make them), 2014. (http://saraleefoodservice.com/).

I went to lunch and walked over to Chester Heights (Eastchester) to a deli and bought the only thing I could think of to eat: one Sara Lee Brownie. It cost 45 cents, and it was probably the best investment I had made up to this point in my life. I walked back to MVHS, slowly ate the brownie to make it last, and had just enough time to drink some more water before we sat down to take the Chemistry Regents.

When I opened up the exam booklet I started laughing. Our idiot Chemistry teacher Mr. Lewis had told us the month before to “not worry” about organic chemistry as part of the Regents exam even though he had never covered it in class. Listening to him had me averaging a C in his class all year, with my highest exam grade an 87. So I bought a Barron’s Chemistry Regents test prep book the weekend after his pronouncement, and did nothing but study organic chemistry for this exam. It turned out that the first ten questions on the exam were organic chemistry ones, and something like thirty-five out of 100 total covered organic chem. With my brownie digesting, I was ready to kick some butt. I left that afternoon knowing that I did pretty well. But after that shaky morning, I found myself still wondering, did I do well, or was my malnourished mind playing tricks on me?

I found out on Friday, June 21st that I had failed the Italian Regents, with a total score of 45 — I’d only earned a 37 out of 90 on the written party of the exam (I’d taken the oral part with Ms. Maldonado a couple of weeks earlier). On the Chemistry Regents, I had the third highest score in the school — a 95 out of 100. I was bummed, ecstatic, pissed and disillusioned with my teachers and with myself, all at the same time. The goofy-assed Howard Jones tune “Things Can Only Get Better,” a hit at that time, popped into my head from that morning and off and on for the rest of June.

Luckily on the Friday we found out our scores was also the same day we were to meet our AP US History teacher. I’ve already described my late friend and mentor in a previous post. But it’s worth mentioning again how he broke down my protective wall to talk to me about things I’d never discuss with my classmates or my Mom or Jimme. One of those issues was hunger. Not just my constant need for food even when there was food at 616. My hunger, my drive for something better in life. Meltzer noticed it, and gradually got me to exhibit that side of myself in class.

NO KID Hungry campaign logo, Share Our Strength, June 24, 2015. (https://www.nokidhungry.org/).

NO KID Hungry campaign logo, Share Our Strength, June 24, 2015. (https://www.nokidhungry.org/).

For years after AP, Meltzer would say, over and over again, “You know, I never worried about you.” I guess it was because I didn’t take the world around me at face value. I had a healthy disdain for authority figures and the daily bullshit that the world attempted to feed my mind with every day. I wasn’t intimidated by my classmates, and I wasn’t going to allow myself to engage in worrying about grades and pleasing teachers the ways in which they did.

Meltzer picked up on this, and laughed about it all the time. He said that I had that one-of-a-kind look of a student who wasn’t just hungry for good grades, but hungry for knowledge, hungry for something to make sense of a senseless world. I guess that this is all true. Boy, it’s remembering days of hunger past that I miss people like Meltzer the most.

Not Finding My Musical Center

16 Tuesday Jun 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, My Father, New York City, Politics, Pop Culture, race, Religion, Youth

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616, 616 East Lincoln Avenue, Authentic Blackness, Authenticity, Bad Ideas, Bad Music, Black Masculinity, Columbia House, Coping Strategies, Crush #2, Dahlia, David Wolf, Escapism, Estelle Abel, Glass Tiger, Honors Convocation 1987, MVHS, Phyllis, Richard Capozzola, Self-Discovery, Silent Treatment, Sylvia Fasulo, Terre Haute, Thompson Twins, Tower Records


Glass Tiger, The Thin Red Line (1986) album cover, June 6, 2015. (http://www.amazon.ca).

Glass Tiger, The Thin Red Line (1986) album cover, June 6, 2015. (http://www.amazon.ca).

June ’15’s calendar is exactly the same as the one I lived through in June ’81, June ’87, June ’98, and June ’09 (you can look it up). But June ’87’s the month I graduated from Mount Vernon High School. At seventeen, my Blackness, my authenticity as a young man and as a Black man, my place in the world, all were question marks. Between Black administrators like Estelle Abel and Brenda Smith (not to mention White ones like Richard Capozzola and Carapella), teachers like David Wolf and my guidance counselor Sylvia Fasulo, plus the fifty or so “cool” kids with their ’80s pre-Nu Jack Swing/post-Purple Rain Prince look, I might as well have been an alien from another planet. That’s not even counting my strange and out-of-character incident with Dahlia, the humiliation of the Sam and Laurell Awards Show, the dissonance of dealing with Mom, my idiot stepfather Maurice and my siblings at 616, my father Jimme’s drinking, and the run-ins with not-so-normal Crush #2 in Phyllis.

The day I realized most how differently the world outside of Mount Vernon viewed me from how I viewed myself came the day after graduation at Tower Records on West 66th and Broadway. I’ve told this story before, here and in Boy @ The Window, about how some NYPD officers working security there accosted me and accused me of stealing tapes that I had bought the previous week. What I have left out, though, was my state of mind in the two-week period prior to this incident. As I said in the memoir

I had my latest Walkman, my first Sony Walkman, actually, and my book bag with my recent tape investments, including a few I’d bought at Tower Records the previous Friday. Investments like Fleetwood Mac’s Tango In The Night, Genesis’ Invisible Touch, Whitney Houston’s Whitney and Glass Tiger. Glass Tiger, by the way, was a good indication of my state of mind. Boy was I pathetic!

Here I was, attempting to discover myself through what was then my normal coping strategy of escapism via eclectic music. Given my long periods of deprivation from pop culture between religion, abuse and poverty, I’d really only been at this discovering music thing for a little more than three years. I was basically a preteen in terms of pop culture and musical development outside of choir in elementary and middle school and playing the trombone and fife.

Seriously, I look at this Canadian group Glass Tiger’s ’86 album cover The Thin Red Line now and think, “this stuff isn’t even Michael Bolton worthy!” Songs like “Don’t Forget Me (When I’m Gone)” and “Someday” were actual Billboard chart-toppers in ’87, though, and because I had no friends in whom I placed trust, I trusted my coping strategies and Casey Kasem.

That, and Columbia Record Club, which I signed up for off and on between ’86 and ’89, with my high point for using their Terra Haute, Indiana mailing operation being the spring and summer of ’87. I could use them to find music I wouldn’t dare buy even at Tower Records or Crazy Eddie’s. I bought new age music by Phillip Glass, took a hand at jazz with Dizzy Gillespie, bought Van Halen’s 1984 and 5150 (California-crazy me), and went for it with Big Daddy Kane, MC Lyte and Salt ‘n Pepa.

Thompson Twins, Here's to Future Days (1985) album cover, June 6, 2015. (http://audiokarma.com).

Thompson Twins, Here’s to Future Days (1985) album cover, June 6, 2015. (http://audiokarma.com).

But for every Simple Minds‘ Once Upon A Time (1985), there was Toto’s The Seventh One (1988), or Thompson Twins’ anything, really. For every song that stuck with me, like Sting’s “Be Still My Beating Heart” (1987) or Anita Baker’s “No One In The World” (1986), there was Whitney Houston’s “Love Is A Contact Sport” (1987) — one of the worst songs I’ve ever heard a voice as awesome as Whitney’s sing — and Howard Jones’ “Things Can Only Get Better” (1985). “Things Can Only Get Better,” by the way, is in my iPod’s random rotation, as I have come around to it again in the past decade.

I was trying to figure out what I liked and didn’t like musically on the fly, having lost a significant amount of time growing up for the triviality of enjoying music. This was hard to do, though, in a world in which my peers and many adults assumed that I knew myself well at the ripe old age of seventeen. No matter what my IQ score was in ’87 (about a 130, for the eugenicists out there), my emotional and psychological development probably put me about five years behind my now former classmates.

So my music tastes varied from genius to God-awful. They still do. The difference is, I recognize I may be the only one who listens to DMX for comic relief, because there’s no way to take him or his rap seriously. Or that I find Tupac and Eminem equally compelling and equally problematic. I still

Taco Bell's Waffle Taco w/ syrup, sausage, eggs and cheese, March 27, 2014. (http://vice.com).

Taco Bell’s Waffle Taco w/ syrup, sausage, eggs and cheese, March 27, 2014. (http://vice.com).

don’t understand the genius of Miles Davis, no matter how many times jazz enthusiasts like my friend Marc try to convince me to keep listening. Still, half of my music comes from the period between May ’87 and October ’97, and the rest crosses boundaries in time, genre, race and language (Deep Forest, anyone?).

I also recognize complete schlock, too. Unfortunately, commercial music these days is about as emotionally and mentally nutritious as a McDonald’s Big Mac and a Taco Bell Gordita combined. I try every few weeks to find out about the latest artists, just in case my son ever becomes interested in music again. Thank goodness, though, there’s no Lil’ Wayne, Rick Ross, or Iggy Izalea in our house! I’ll take my Glass Tiger (not really) any day over that!

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