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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Post-Traumatic Stress Disorder

Aside

A Family, A Man In Uniform, A War In Continuum

07 Tuesday Jul 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Jimme, Mount Vernon New York, My Father, New York City, Patriotism, Politics, Pop Culture, race, Youth

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" Wino Park, "Napalm Girl", "The Redcatchers, 199th Light Infantry Brigade, 616 East Lincoln Avenue, Alcoholism, BBQ restaurant, Collins Family, Demond Harris, Falon Collins, Family History, Felton Collins, Howard University, Kim Phuc, Lamont Sanford, MSW, Nick Ut, Post-Traumatic Stress Disorder, PTSD, Sanford and Son, Vietnam War, Violence, War


Extended Collins family photo (top row down, l-to-r: me,  Jasmine, Uncle Felton, Falon, my dad, Aunt Christene, my son Noah), West Hyattsville, MD, May 8, 2015. (Donald Earl Collins).

Extended Collins family photo (top row down, l-to-r: me, Jasmine, Uncle Felton, Falon, my dad, Aunt Christene, my son Noah), West Hyattsville, MD, May 8, 2015. (Donald Earl Collins).

Two months ago, I met portions of my extended Collins family in Maryland for the first time. I had no idea that my father had a younger brother, nor that his name was Felton, until I had received a call in August 2013 from my uncle about spotting him and his older daughter Falon a place to stay while she found a place to live here in suburban Maryland. My first cousin moved to the area to begin work on her MSW at Howard University’s School of Social Work. We couldn’t accommodate such a last-minute request, unless my uncle and first cousin had been willing to sleep on the floor.

When Falon graduated in May, I finally had the chance to meet this younger part of the Collins family, as well as an aunt I hadn’t seen since I was five (more on this next month). Among the things that came out of these meetings and our dinner together was that my Uncle Felton was not only a military veteran, but a Vietnam veteran with the 199th Light Infantry Brigade (“The Redcatchers”) between 1967 and 1969, no less. I knew that somehow the federal government managed to overlook my uncles on my mother’s side and not draft them for the Vietnam war effort (a “miracle” of rural Arkansas segregation, I assumed). So this was a lot of new information to take in.

Kim Phuc with her then infant son, Ontario, Canada, 1995. (Joe McNally/Time & Life Pics). Qualifies as fair use under US copyright laws -- photo illustrative of subject/ for educational purposes only.

Kim Phúc with her then infant son, Ontario, Canada, 1995. (Joe McNally/Time & Life Pics). Qualifies as fair use under US copyright laws — photo illustrative of subject/ for educational purposes only.

But then again, it shouldn’t have been new information at all. Except for the fact that my father had spent the first thirty years of my life too inebriated or caught up in New York City life to remember to hand down basic family history to me and my older brother Darren.

I was really almost too young to remember Vietnam, but with my ability to observe and remember going back to Nixon’s resignation and the OPEC oil crises, I had noticed a few things. Like some of the news clips of the end of the war in ’75, of refugees on aircraft carriers, pictures of B-52s destroying village after village and city after city. Not to mention, the iconic, Pulitzer Prize-winning 1972 photo “The Terror of War” by Nick Ut (also known as “Napalm Girl”), depicting a then nine-year-old, severely burned Kim Phúc, which I asked my Mom about a couple of years later. She didn’t give me an answer.

That’s what I knew in my little seven-year-old mind about Vietnam prior to moving to 616 in ’77. In the corner of our tripartite apartment building, living in a basement apartment of the “B” building, was a man who looked like Lamont Sanford to me. Except he wore a beat-up green Army jacket and green hat on his head most of the time. I often saw him come and go, where I didn’t know. I also saw parents who warned their kids to stay away from him, some young Turks who occasionally stopped the man to make fun of him, and kids who sometimes teased him for having served in Vietnam, parroting their parents, I guess.

The Vietnam veteran couldn’t have been more than thirty, but he moved like he was at least a decade older. It was as if he was afraid to move, to be outside, to be around life, the way he moved, or rather, lurked in his comings and goings. I mostly felt sad for him, because it seemed like no one wanted to bother themselves with his existence.

Demond Harris as Lamont Sanford standing next to Redd Foxx as Fred Sanford in midst of faux heart attack, Sanford and Son (1972-77), July 8. 2015. (http://gawker.com).

Demond Harris as Lamont Sanford standing next to Redd Foxx as Fred Sanford in midst of faux heart attack, Sanford and Son (1972-77), July 8. 2015. (http://gawker.com).

I witnessed his infrequent sojourns from his 616 apartment and back until sometime in late ’79, or early ’80, when I realized he had moved out. Given that I was hardly outside lurking myself those years, between being on lockdown for running away and Darren’s Clear View summer camps, it was amazing that I noticed his absence at all.

At the same time, during our (me and my older brother Darren’s) outings with my father between ’79 and ’81, I noticed that in his occasional stops at “Wino Park” (a mini-park on the corner of South Fulton and East Third in Mount Vernon), there were quite a few veterans in their late twenties or early thirties there. A typical Friday evening or Saturday afternoon outing could be spent watching Jimme and his drunk friends eat food they bought from the pit bbq joint across the street from the park while drinking beer, malt liquor, hard liquor, and cheap wine from paper bags. All while they took turns peeing on the rock face that jutted out on the side of the park, or around one of a handful of barren trees nearby.

The Vietnam veterans were the quietest people in the group. They were the ones who could laugh, but often didn’t, and rarely smiled. Sometimes, having to spend as long as an hour watching my father hang with these men, I found myself wondering about the man in his post-war uniform who used to live at 616. What happened to him? Did he take drugs? Was he really crazy? Did he drink in a semi-sullen silence and watch older drunks like my father make fools of themselves?

When there’s only either Wino Park or 240 East Third with Ida and Callie Mae to look forward to, wondering what happened to a silent veteran seemed like a much more useful activity. Of course, now we celebrate every veteran as a hero. Yet we don’t do nearly enough for veterans — for any Americans, really, much less the damage we do to the rest of the world in the name of America — who suffer from the wounds of war and life. We prefer to glorify or shun them all without thought, like the little narcissists we all are.

Poverty, Violence and PTSD – But What About Racism?

07 Monday Jul 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, Politics, Pop Culture, race, Work, Youth

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616 East Lincoln Avenue, Chicago, Child Abuse, Community Violence, Culture of Poverty, Culture of Violence, Domestic Violence, Gun Violence, July 4th, July 4th Weekend, Mainstream Media, Mental Health, Mental Illness, Post-Traumatic Stress Disorder, Poverty, PTSD, Public Health, Shooting Deaths, Soft Bigotry, Structural Racism, Uncle Sam


Chicago Police fatally shot a 16-year-old boy in the city’s Gresham neighborhood Saturday night and distraught family members are questioning the incident, July 6, 2014. (http://nbcchicago.com).

Chicago Police fatally shot a 16-year-old boy in the city’s Gresham neighborhood Saturday night and distraught family members are questioning the incident, July 6, 2014. (http://nbcchicago.com).

Over the past two weeks, thanks to Chris Hayes’ reporting on the state of Chicago for MSNBC, not to mention a horrific July 4th weekend, Mayor Rahm Emanuel’s lie of declining violent crime in the metropolis has been thoroughly exposed. In the past eighty-four hours, dozens of shootings in Chicago injured at least sixty people, with between nine and eleven killed. Six of these shootings involved the Chicago PD, as they killed two teenagers over the weekend. But if we leave it to the mainstream media and the moralist Black elite to explain, the Blacks on Chicago’s South Side are just immersed in a “culture of violence.” Black youth simply live careless, nihilistic lives, that “gang, drug, [and] gun violence” is the root of the problem

For those White, bright, and bi-racially White, though, there’s the knee-jerk reaction of media and caring adults that comes with it. For mass shooters apparently with much better aim than folks in Chicago, like Elliot Rodger, Adam Lanza, James Holmes, Wade Michael Page, Eric Harris and Dylan Klebold, mental health and mental illness, along with gun control, is the mainstream media’s topic of the day. Even their explicit racism and misogyny can become the media’s evidence for their mental illness. White and Black moral leaders don’t then speak of cultural deficiencies or of an enjoyment of crime and violence as reasons for their shootings.

It’s terrible that we afford one group of young men every benefit of the doubt because they were/are affluent or White, and the deny humanity of another because they were/are poor and Black or Brown. Yet recent sociological and psychological studies indicate what anyone who has lived in poverty and with violence has at least sensed throughout their lives. That many (if not most) growing up in these conditions experience post-traumatic stress disorder (PTSD), leading to more poverty and violence in adulthood.

I know this better than most. Below is a short sample of the violence I witnessed or experienced from birth through adulthood:

September ’70 – my father, drunk and jealous, attempted to attack my mother with a knife. My Mom with me and my brother Darren in tow, picked up a heavy quartz crystal ashtray and threw it at my father as he charged her in the kitchen. He was apparently struck in the head and knocked unconscious. The ashtray had detached the retina in his left eye, which he never had repaired. Nine years later, my father had to have his left eye removed. I don’t remember this attack or my Mom defending herself — I was all of ten months old. I do remember my father’s eye being removed, and the headache and vertigo he had prior to the surgery in the summer of ’79 The research indicates, though, that there would have been a psychological impact on me and my nearly three-year-old brother nevertheless, and not a good one at that.

July ’75 –  from Boy @ The Window

Screen shot 2014-07-07 at 1.08.28 PM

December ’76 – when my father stomped in a brand-new glass coffee table and had to go to the hospital with several serious bloody cuts in his legs.

April ’77 – when my Uncle Sam clotheslined my father after his months of psychological and abuse toward my Mom had landed her in Mount Vernon Hospital with kidney problems.

April ’82, May ’82, July-August ’82 – my then stepfather beating me up in a Karate studio in front of a group of men because I refused to call him “Dad,” beating up my Mom for not “lovin’ him,” and beating me up for the first six weeks of my summer between seventh and eighth grade for me defending my Mom.

January ’86 – the last time my stepfather actually laid a fist on me, damaging or chipping three of my front teeth and busting my lip in the process.

June ’89 – the last fight between my Mom and my stepfather, where the same crystal ashtray my Mom used in ’70 easily could’ve fractured her jaw and left cheekbone. Thankfully, my then stepfather had terrible aim.

If it were just a matter of domestic violence and child abuse for me alone, that would be tragic, but not necessarily relevant. The violence of 616 East Lincoln Avenue, sadly, wasn’t contained to A32. Domestic violence was the way of the A-building at 616, starting with our adjacent next-door neighbors. In the two-bedroom department immediately below us, the husband and wife had a violent, alcoholic relationship, so bad that it was a rare weekend in the years between ’77 and ’87 where a plate or wine glass didn’t break or the police weren’t called. Their son once pointed a gun at me on my walk up the front steps of 616 when I was a senior in high school and claimed he’d secretly pointed a gun at me in the past. Muggings and robberies, including the four that I experienced, were as common as the common cold

At the near-door apartment building, 630 East Lincoln, the drug trade had been alive and well years before the arrival of crack cocaine. Fights involving knives and baseball bats were normal, often involved a crowd of kids as spectators. Sometimes these fights would spill onto the front lawn of 616’s A-building, where I could witness it first-hand.

That violence was a frequent companion in my life wasn’t surprising. I never lived anywhere growing up where the majority of the people around me weren’t welfare-poor, working-poor or working-class Blacks, where the heating oil came in time for winter, and where maintaining mental health was a topic of conversation. To act as if employment practices, education policy, public health access, police neglect or brutality or housing policies had nothing to do with the sheer concentration of poverty and violence around me would be at the least naive. Fundamentally, it was the benign neglect in the chain between individual racial assumptions, the soft bigotry of mainstream media, and the hard concrete of structural racism in play.

What was my constant companion growing up in Mount Vernon, New York has remained the story of poverty, race and violence in Chicago’s South Side for a century. Don’t feel sorry, for me or for all of those shot up in Chicago this past July 4th weekend. Do something, say something, or don’t. But feeling sorrow without saying or doing something about shouldn’t be an option.

When Nightmares Go Nuclear

03 Saturday May 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, earth, wind & fire, Eclectic, Hebrew-Israelite, High Rise Buildings, Mount Vernon New York, Movies, music, New York City, Pittsburgh, Politics, Pop Culture, Religion, Youth

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"99 Luftballons" (1983), Dreams, Ebony Pictorial History of Black America (1974), Lerone Bennett, Mrs. O'Daniel, Nena, Nightmares, Nuclear Annihilation, Nuclear War, Post-Traumatic Stress Disorder, PTSD, Subliminal Messages, Terminator 2 (1991), Textbooks, The Day After (1983), Whiteness


Color version of mushroom cloud over Nagasaki, Japan, August 9, 1945. (http://www.mphpa.org via US Army Air Force). In public domain.

Color version of mushroom cloud over Nagasaki, Japan, August 9, 1945. (http://www.mphpa.org via US Army Air Force). In public domain.

I find myself seeing bright orange, yellow and white lights filling the sky and obscuring everything around me. It doesn’t matter whether I’m above ground, at home, at school or work, or on a Subway platform underground in New York. Once these lights hit, it’s over. I find myself no longer in my body, for it no longer exists. Yet I still have eyes with which to witness. Through a purple haze, the intense heat, literally searing, melting and vaporizing flesh and bone. A shock wave, crushing and churning the world all at once. Spirits once safely in bodies are now on the same plane of this new existence with me, all watching as the light, the heat and the supersonic shock wave tear into our former world. Where do we go from here, as the world is no more?

That’s a milder version of a nightmare that has been with me now off and on for thirty-four years. I’m sure that I was among the hundreds of millions of folks in the West whom dreamt often of a nuclear nightmare. It was during the final phase of the Cold War, with Soviet and American aggressions, Reagan’s presidency, and a renewed arms race. All made the prospect of “99 Luftballons” (1983) and the launch of 1,000 nuclear tipped ICBMs and SLBMs and one billion or more dead a dreadful, gnawing fact that I couldn’t do a damn thing about.

Screen shot from The Day After (November 1983) ABC movie, presumably suburban Kansas City, MO/KS, October 21, 2007. (Stout/NY Times).

Screen shot from The Day After (November 1983) ABC movie, presumably suburban Kansas City, MO/KS, October 21, 2007. (Stout/NY Times).

The very first time I fully understood the dangerous and fatal that defined this world was toward the end of fifth grade, in May ’80. It was an early May Thursday in Mrs. O’Daniel’s classroom at William H. Holmes Elementary in Mount Vernon, New York, a bright, sunny spring day. We were in independent reading mode, and Mrs. O’Daniel had given me permission to read ahead in our social studies textbook, which focused on American history.

We had left off with the Great Depression and all of the suffering that came with it. Of course, this was a collective history, one which didn’t even have the special sufferings of people of color or women in blue boxes — yet. So Whites represented all Americans. This wasn’t something I picked up on in ’80, at least consciously. But luckily, between Lerone Bennett’s edited three-volume Ebony Pictorial History of Black America (1974) at home and Mrs. O’Daniel constantly supplementing our knowledge at school, I was more aware of the deficiencies of textbooks long before I could articulate them.

As I turned the pages and read about the great battles of World War II, the horrors of Pearl Harbor and the gathering of the righteous power of the US to win the war, I suddenly saw something that shook me to my core. It was the picture of the atomic bomb’s mushroom cloud hovering over Nagasaki like death itself. It was in full color, bright and yellow and white, and obviously hot and broiling. The camera shot had managed to capture some of the landscape below, the area surrounding Nagasaki an August summer green. As I read about the 70,000 killed instantly at Hiroshima, an area the size of Mount Vernon completely flattened by a bomb that at its core had only a few pounds of weapons-grade uranium, I was frightened. I could be dead at a moment’s notice, or worse, suffer from radiation burns and sickness, in which case I’d truly be among the walking dead.

But this was only one phase of my nightmare. As things at 616 went from stable to completely out of control, my nuclear nightmares became more frequent. It seemed like there was a nuke for every day of the week during my last year as a Hebrew-Israelite. Watching The Day After on ABC in November ’83 didn’t help matters, but I also couldn’t help myself. I was both repulsed by and attracted to the idea of nuclear annihilation and survival. Maybe because I was already living through one hell of a disaster at 616.

Cropped screen shot of Los Angeles at beginning of nuclear strike, from Terminator 2 (1991), May 3, 2014. (http://youtube.com).

Cropped screen shot of Los Angeles at beginning of nuclear strike, from Terminator 2 (1991), May 3, 2014. (http://youtube.com).

My nuclear nightmares continued at nearly daily pace until after I saw Terminator 2 in June ’91. At that point, I realized that my nightmares weren’t so much about the plausibility of surviving a nuclear holocaust as they were about surviving my own preteen and teenage years. It occurred to me there are worse things in life than dying, and like surviving nuclear war, surviving a violent and unstable childhood like mine has significant side effects. I could be occasionally be up, I was much more frequently down, I could occasionally fly into a rage. And I could have recurring nightmares of me murdering my now dead ex-stepfather. All signs of PTSD.

Realizing this, I took control over my dream world, and managed to push my plutonium-tipped dreams into a box, along with so many things from my decade of evangelistically twisted fire and brimstone from two religions. I still watch end-of-the-world movies, though without the extreme fervor of dream-based certainty of suffering a lingering death. Though I do often find it funny how White fears permeate these movies.

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

There's a few ways in which you can read excerpts of, borrow and/or purchase and download Boy @ The Window. There's the trade paperback edition of Boy @ The Window, available for purchase via Amazon.com at http://www.amazon.com/Boy-Window-Donald-Earl-Collins/dp/0989256138/

There's also a Kindle edition on Amazon.com. The enhanced edition can be read only with Kindle Fire, an iPad or a full-color tablet. The links to the enhanced edition through Apple's iBookstore and the Barnes & Noble NOOK edition are below. The link to the Amazon Kindle version is also immediately below:

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Boy @ The Window on Amazon.com: http://www.amazon.com/Boy-The-Window-Memoir-ebook/dp/B00CD95FBU/

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Boy @ The Window on Barnes & Noble: http://www.barnesandnoble.com/w/boy-the-window-donald-earl-collins/1115182183?ean=2940016741567

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