A Family, A Man In Uniform, A War In Continuum

07 Tuesday Jul 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Jimme, Mount Vernon New York, My Father, New York City, Patriotism, Politics, Pop Culture, race, Youth

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" Wino Park, "Napalm Girl", "The Redcatchers, 199th Light Infantry Brigade, 616 East Lincoln Avenue, Alcoholism, BBQ restaurant, Collins Family, Demond Harris, Falon Collins, Family History, Felton Collins, Howard University, Kim Phuc, Lamont Sanford, MSW, Nick Ut, Post-Traumatic Stress Disorder, PTSD, Sanford and Son, Vietnam War, Violence, War

Extended Collins family photo (top row down, l-to-r: me, Jasmine, Uncle Felton, Falon, my dad, Aunt Christene, my son Noah), West Hyattsville, MD, May 8, 2015. (Donald Earl Collins).

Two months ago, I met portions of my extended Collins family in Maryland for the first time. I had no idea that my father had a younger brother, nor that his name was Felton, until I had received a call in August 2013 from my uncle about spotting him and his older daughter Falon a place to stay while she found a place to live here in suburban Maryland. My first cousin moved to the area to begin work on her MSW at Howard University’s School of Social Work. We couldn’t accommodate such a last-minute request, unless my uncle and first cousin had been willing to sleep on the floor.

When Falon graduated in May, I finally had the chance to meet this younger part of the Collins family, as well as an aunt I hadn’t seen since I was five (more on this next month). Among the things that came out of these meetings and our dinner together was that my Uncle Felton was not only a military veteran, but a Vietnam veteran with the 199th Light Infantry Brigade (“The Redcatchers”) between 1967 and 1969, no less. I knew that somehow the federal government managed to overlook my uncles on my mother’s side and not draft them for the Vietnam war effort (a “miracle” of rural Arkansas segregation, I assumed). So this was a lot of new information to take in.

Kim Phuc with her then infant son, Ontario, Canada, 1995. (Joe McNally/Time & Life Pics). Qualifies as fair use under US copyright laws -- photo illustrative of subject/ for educational purposes only.

Kim Phúc with her then infant son, Ontario, Canada, 1995. (Joe McNally/Time & Life Pics). Qualifies as fair use under US copyright laws — photo illustrative of subject/ for educational purposes only.

But then again, it shouldn’t have been new information at all. Except for the fact that my father had spent the first thirty years of my life too inebriated or caught up in New York City life to remember to hand down basic family history to me and my older brother Darren.

I was really almost too young to remember Vietnam, but with my ability to observe and remember going back to Nixon’s resignation and the OPEC oil crises, I had noticed a few things. Like some of the news clips of the end of the war in ’75, of refugees on aircraft carriers, pictures of B-52s destroying village after village and city after city. Not to mention, the iconic, Pulitzer Prize-winning 1972 photo “The Terror of War” by Nick Ut (also known as “Napalm Girl”), depicting a then nine-year-old, severely burned Kim Phúc, which I asked my Mom about a couple of years later. She didn’t give me an answer.

That’s what I knew in my little seven-year-old mind about Vietnam prior to moving to 616 in ’77. In the corner of our tripartite apartment building, living in a basement apartment of the “B” building, was a man who looked like Lamont Sanford to me. Except he wore a beat-up green Army jacket and green hat on his head most of the time. I often saw him come and go, where I didn’t know. I also saw parents who warned their kids to stay away from him, some young Turks who occasionally stopped the man to make fun of him, and kids who sometimes teased him for having served in Vietnam, parroting their parents, I guess.

The Vietnam veteran couldn’t have been more than thirty, but he moved like he was at least a decade older. It was as if he was afraid to move, to be outside, to be around life, the way he moved, or rather, lurked in his comings and goings. I mostly felt sad for him, because it seemed like no one wanted to bother themselves with his existence.

Demond Harris as Lamont Sanford standing next to Redd Foxx as Fred Sanford in midst of faux heart attack, Sanford and Son (1972-77), July 8. 2015. (http://gawker.com).

I witnessed his infrequent sojourns from his 616 apartment and back until sometime in late ’79, or early ’80, when I realized he had moved out. Given that I was hardly outside lurking myself those years, between being on lockdown for running away and Darren’s Clear View summer camps, it was amazing that I noticed his absence at all.

At the same time, during our (me and my older brother Darren’s) outings with my father between ’79 and ’81, I noticed that in his occasional stops at “Wino Park” (a mini-park on the corner of South Fulton and East Third in Mount Vernon), there were quite a few veterans in their late twenties or early thirties there. A typical Friday evening or Saturday afternoon outing could be spent watching Jimme and his drunk friends eat food they bought from the pit bbq joint across the street from the park while drinking beer, malt liquor, hard liquor, and cheap wine from paper bags. All while they took turns peeing on the rock face that jutted out on the side of the park, or around one of a handful of barren trees nearby.

The Vietnam veterans were the quietest people in the group. They were the ones who could laugh, but often didn’t, and rarely smiled. Sometimes, having to spend as long as an hour watching my father hang with these men, I found myself wondering about the man in his post-war uniform who used to live at 616. What happened to him? Did he take drugs? Was he really crazy? Did he drink in a semi-sullen silence and watch older drunks like my father make fools of themselves?

When there’s only either Wino Park or 240 East Third with Ida and Callie Mae to look forward to, wondering what happened to a silent veteran seemed like a much more useful activity. Of course, now we celebrate every veteran as a hero. Yet we don’t do nearly enough for veterans — for any Americans, really, much less the damage we do to the rest of the world in the name of America — who suffer from the wounds of war and life. We prefer to glorify or shun them all without thought, like the little narcissists we all are.

The Comedy of a Tragic Upbringing

10 Saturday Jan 2015

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, Eclectic, Hebrew-Israelite, Jimme, Mount Vernon High School, Mount Vernon New York, Movies, My Father, New York City, Politics, Pop Culture, race, Religion, Youth

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616, 616 East Lincoln Avenue, Alchemy, Alcoholism, Autobiography, Child Abuse, Comedy, D.L. Hughley, Dave Chappelle, Domestic Violence, Eddie Murphy, Evangelical Christianity, Father-Son Relationships, Fatism, Ghetto Klown (2014), John Leguizamo, Lewis Black, Mother-Son Relationship, Neglect, Physical Violence, Playwright, Poverty, Psychological Abuse, Respectability Politics, Richard Pryor, Rodney Dangerfield, Routines, Stand-Up Comedy, Tragedy, Transmutation

John Leguizamo playing ‘Abuelo’ in Tales from a Ghetto Klown, PBS Arts Festival, July 2012. (http://www.pbs.org).

Over New Year’s weekend, I watched John Leguizamo’s HBO comedy special Ghetto Klown (2014), based on one of his one-man autobiographical Broadway shows. I don’t think of Leguizamo as funny in the same way I think of Lewis Black or Dave Chappelle or Eddie Murphy. The sweet spot for me in terms of what is funny or not funny is a routine that makes me think for a second or two, not just laugh out of sheer expectations for a funny delivery or line. Otherwise, I’d think of D.L. Hughley as a great comedian, instead of as a vile one with equally vile opinions on race and culture.

Leguizamo’s hardly the funniest comedian. But then again, he’s always been more than one thing. He’s essentially a playwright, an actor, and comedian, which means Leguizamo’s a very elaborate storyteller. In most of his work, a nonfiction storyteller. I’ve seen some of his other one-man work before. With Ghetto Klown, though, I saw and felt the sense of tragedy and regret that I hadn’t seen in his other plays and specials. Especially when it came to his family — specifically his father — and his closest friends.

When Leguizamo went through his routine about how his mother and father were upset with him about he had portrayed them in his plays as somewhat selfish and oftentimes neglectful and abusive, I understood. I’ve only written one book about my life, and my Mom and dad have both been offended by the idea that I could write about them without their permission or blessings. Leguizamo used them as bits for his comedy and Broadway stage routines for years. That’s a lot of courage, and it’s a lot of tragedy to expose, too.

Transmutation of lead bars into gold, March 2013. (http://quazoo.com).

I’ve thought about it a few times over the past fifteen years. What if I decided to do a stand-up routine that included elements of my upbringing? How would I do that? How would I make domestic violence and child abuse and poverty funny?

I’d start with my father, who I’d call Jimme and my father interchangeably, since that’s been the nature of our relationship for forty-five years. I’ve been able to imitate his language, his drunken stupor, his evil meanness and off-kilter mannerisms since I was fifteen. It would be easy enough to do all of his “po’ ass muddafucka…” insults in bar scenes, all while getting robbed and beaten up by other alcoholics.

I could also do my now deceased ex-stepfather Maurice, especially his constant threats to put me in the hospital or kill me. “Watch dat base in yo’ voice, boy, ‘fore I cave yo’ chest in!,” he started saying to me once my voice changed with puberty. I could imitate Maurice when he weighed over 400 pounds and wore size-54 Fruit-of-the-Loom briefs around 616, with enough fat and dinginess to make me wanna puke.

I could even imitate my Mom, at least on the threatening front. If I argued with her too long about something important that she didn’t want to talk about (like paying bills, for instance), she’d tell me, “Shut up o’ I’ma gonna cut the piss out of you.” Or I could run around a stage singing at the top of my lungs to evangelical Christian music while also acting like my younger brothers, who’d get into knockdown fights in the living room while my Mom was in her spiritual zone.

The fact is, some of the best comedy grows out of tragedy. It may not be funny to the respectable middle class types or the respectability politics types. They both would prefer people “forget about” their pasts and “just move on,” as if these issues are taboo. But you can’t be a very good comedian or writer without confronting your upbringing in some way.

Richard Pryor doing stand up, posted August 11, 2014. (http://deadline.com).

I attempted at times in Boy @ The Window to inject some sarcasm or comedy in many of the tragic scenes in the book. Because they reflecting my thinking in the moments in which they occurred, whether in ’82 or ’88. The few people who commented on this aspect of the memoir didn’t like the comedy or the language. It was because they couldn’t reconcile the mild-mannered version of myself that I presented to the world in high school or in academia with the way in which I grew up.

Watching Leguizamo in Ghetto Klown reminded me of what I learned in watching Rodney Dangerfield (who himself was sexually abused and neglected by his parents growing up) and Richard Pryor (the son of an active and neglectful prostitute) over the years. We all have baggage and demons to deal with every day of our lives. We ignore that past and those evils at risk to ourselves and every person we’ve ever loved. We must turn the tragedy of our upbringing into something that isn’t just a cancer of pain. Be it through storytelling, autobiography, even the kind of comedy that those whose lives were much more stable growing up can appreciate but can never fully understand.

Out There In The World

13 Saturday Dec 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Jimme, Mount Vernon New York, music, My Father, New York City, Pop Culture, University of Pittsburgh, Youth

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616, 616 East Lincoln Avenue, Alcoholism, Camping, Camping Trip, Drug Abuse, Drugs, Father-Son Relationships, Mother-Son Relationship, Overnight Stays, Pam, Walks

Last week, my son went with his classmates on his first overnight trip without me or his mother, a middle school “camping” trip in the forests of Montgomery County, Maryland. He was gone fifty-two hours, just a bit more than two days, checking out wildlife and sitting around a campfire. My son came back on his bus, worn out with equally worn out sneakers and clothes, smelling of river and bad cafeteria food. Boy did I miss him. But at least I knew where he was, more or less.

Some of the dorms at Lathrop E. Smith Environmental Education Center, Rockville, MD, December 12, 2014. (http://www.montgomeryschoolsmd.org/).

I did no such trips like the one my son did until the day I went off to Pittsburgh and college, some twenty-seven years ago. Let me repeat. Not one overnight trip on my own or with my classmates growing up. The closest I came to being out in the world, other than my 10,000 walks to the store or up Route 22 or down in the Bronx, was in the years my father Jimme would take me and my older brother Darren for a day, only for it to turn into a weekend. With a couple of exceptions, all of these extended excursions occurred before we started working with our father in the city in the fall of ’84. Most of them happened before I turned thirteen and had to resort to hunting down my father every Friday or Saturday for a few extra dollars, for me and for helping out my Mom.

At least a dozen times between April ’79 and September ’84, we ended up with Jimme overnight. In the days without cellphones and with my father never having his own landline, he’d and we’d have to call my Mom from a pay phone to let her know how we were. There were plenty of those nights in which I didn’t want to call my Mom or go home.

Lionel Richie on a mock-missing-person’s flyer, March 20, 2011. (Chris Glass/Flickr.com).

This despite the fact that every time we did an overnight or, on three occasions, back-to-back overnights, Jimme was lit. How it happened depended on at what point during the weekend he’d pick us up. If my father came over early enough on a Friday evening to take us out for a pizza or Mickey D’s or a movie, he’s sometimes have a Miller or a Schlitz with him, in his coat pocket, ready to drink after the sober version of himself had picked us up from 616. Or, much more often, Jimme would fulfill his Saturday fatherly duties by picking us up, usually between 10 am and 1 pm, take us out to eat, and then swing by one or more of his drinking buddy’s places, where he could get his fill of beer or malt liquor, move on to stronger stuff, and lose track of time.

Ida’s place, Lo’s stoop, Pam’s den, it really didn’t seem to matter to our father. These were his easy places to drink, to hang out, to tell the world how much of “a big shot” he was. All the while, money would spill out of his pocket, scooped up by his hosts to cover groceries, rent, mortgages, car notes, and street drugs. But we didn’t really notice that until I hit thirteen.

Our last extended weekend with Jimme was in August ’84, right after my j.v. football tryouts, just before the start of tenth grade. We went over to Pam’s apartment off South Fulton, just a couple of blocks away from Adams Street, where we had lived as a family before I started kindergarten. Those days were long off by now. Instead, I saw my father in a completely sloshed state, really, for the first time, with the mind of an adult. Pam, for her part, was wasted, on some form of cocaine, crack or powdered, I didn’t know for sure.

Daniel Day-Lewis in There Will Be Blood (2009), screen shot of him drinking, drooling, December 3, 2010 (http://dudleydoody.com).

Daniel Day-Lewis in There Will Be Blood (2007), screen shot of him drinking, drooling, December 3, 2010 (http://dudleydoody.com).

By the end of the day that last Saturday in August, he could barely stand up. Pam had some music on, Lionel Richie’s “Hello,” as it was in the middle of the bridge portion. While it was playing, Jimme tried to dance to it, with a thick string of drool hanging from him bottom lip and all the way to his right pant leg. He stumbled to his left, then his right, as the song went, “dun-dun-dun, dun-dun-dun, du-du-dat-dat-dun-dun-dun,” via a guitar string and a synthesizer. We had to sit him down on Pam’s ’70-style couch to let him snore and drool for an hour and a half before taking him back to his place that Saturday evening. On the way out, we bumped into my classmate Dahlia and her grandmother. They lived in an apartment complex across the street. How embarrassing!

We didn’t call my Mom to let her know what was going on. So when we came home late that Sunday afternoon, she was pissed. But she didn’t seem that concerned about her safety. Instead, it was all about, “What? You think Jimme’s a good father now?” and “I need someone around here to go to the store.”

As much as I loved my Mom, she didn’t realize that we needed moments to escape, even if it meant being with our alcoholic father and being around his equally drug-addled friends. Those were our overnights before we reached adulthood.

Last Gasps, Anita Baker’s “Sweet Love,” and My ’86 Mets

26 Sunday Oct 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, My Father, New York City, Pittsburgh, Pop Culture, race, Sports, University of Pittsburgh, Youth

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"Sweet Love" (1986), 1986 World Series, Alcoholism, Anita Baker, Bill Buckner, Billboard Pop Chart, Cameo, Child Abuse, Club Nouveau, Coping Strategies, Domestic Violence, Drug Abuse, Giants, Grammys, Hip-Hop, Joe Morris, Living Vicariously, Mets, Mookie Wilson, R&B, Rap, Rapture album, Singing, Super Bowl XXI, WFAN

The Mookie Wilson-Bill Buckner connection, Game 6, 1986 World Series, Bottom 10th, Shea Stadium, Queens, NY, October 25, 1986. (http://halloffamememorabilia.net).

Sunday, October 26, 1986 was part of a great three days for me, perhaps the three best days during my Boy @ The Window years. My Mets had pulled off a miracle. They survived being within a strike of losing the ’86 World Series because Mookie Wilson put a ball between Boston Red Sox 1st baseman Bill Buckner’s rickety legs the night before. Anita Baker’s “Sweet Love” was #1 or #2 on the R&B charts and was near the top of Billboard’s Top 40 on this day twenty-eight years ago. Within the next thirty-eight hours, my Mets would complete the comeback, and win their second (and last, to this point anyway) World Series after falling behind 3-0 through the first six innings. Meanwhile, my Giants would run through the Deadskins at home in East Rutherford, NJ, as Joe Morris rushed for 185 yards in a 27-21 victory, on their own march to a championship title.

GoGurt, Yoplait’s squeeze -in-mouth, portable yogurt, October 26, 2014. (http://freehotsamples.com).

My coping mechanisms were at their peaks, though, and had nothing else to do but crash down into the Earth. It was also my senior year in high school, a time of too many AP courses, too many college-going pressures, too many haters and doubters among my classmates, and too much of the grinding poverty and chaos that was living at 616. Within two weeks of my Mets, my Giants and Anita Baker’s first big hits, I’d discover my idiot stepfather’s pornography collection, nearly got set up with a prostitute because of my father, and face humiliation at the hands of my AP Physics teacher David Wolf and his boss Estelle Abel for the first time.

It took me almost two years to recover from the happenings of the mid-fall of ’86. In the process, I faced betrayal, ostracism, humiliation, broken-heartedness, and homelessness, but somehow managed to not make every song and every Mets and Giants (and Knicks and Rangers) victory a vicarious signpost for my own life. It helped that I started to think of Pitt — if not Pittsburgh — as my home, with concerns beyond living and dying with my New York teams and with relatively unknown but talented music artists.

Giants’ RB Joe Morris running through Deadskins again, RFK Stadium, Washington, DC, December 7, 1986. (http://sikids.com).

I learned other things along the way, too. That my Mets and Giants weren’t the perfect teams I thought they were. Between the alcohol and drug issues of Darryl Strawberry, Dwight Gooden, Len Dykstra, Lawrence Taylor, Kevin Mitchell, not to mention their and other teammates’ domestic violence issues, it was obvious to me that talent and winning were more important than living by a consistent code. Listening to the new 24/7 sports radio station WFAN when it began its run in the summer of ’87 showed me the hearts and minds of most fans. They obviously weren’t using sports as a coping strategy for dealing with the emotional grind of poverty and threats of abuse and domestic violence at home. Mostly White and male, their constant barrage of vitriol and disparaging racial commentary about my favorite athletes at that time — Mike Tyson in particular — actually made me wary of White sports fans for years afterward.

I also learned that with artists like Anita Baker and Luther was really the last gasp of R&B as I’d known it to be in the US. R&B was already too much like ’80s pop and a bit too mixed up with rock at times, but with Cameo’s “Word Up” and Club Nouveau’s cover of Bill Withers’ “Lean On Me,” R&B was already beginning its merge with hip-hop, and not in a good way, either. Yeah, there were some exceptions, like Levert, or Regina Belle, but the process of R&B devolving into some Yoplait GoGurt version of itself — with Autotunes, bad rap lyrics and worse rhyme spitters, and assembly-line hip-hop beats — had already begun.

Anita Baker, Rapture phase, circa 1986. (http://projects.latimes.com).

Some of you may say, R&B’s still alive in the US, specifically in our churches, but that’s not true, thanks in large measure to Kirk Franklin. His work in the ’90s made it so that it’s taken longer for jazz to catch on in bands and choirs than rap and hip-hop. No, if you want to find R&B with actual singers these days, try the United Kingdom of Great Britain, try France, try Senegal, try Nigeria. But don’t try the US. Nicki Minaj is no Aretha, no matter how imaginative her videos and her clothes. For that matter, Iggy Azalea’s no Teena Marie, as the former doesn’t understand the difference between cultural appropriation and authenticity. Hip-hop sprang in part from the roots and branches of R&B, but like a parasitic vine, it has cannibalized those roots.

Still, it’s good to remember days like the ones I lived through twenty-eight years ago, with Anita Baker in my ear, my Mets in victory formation, my Giants lined up right beside them. Those days are gone, like the coping strategies I used to get through every one of those days. Not to mention the R&B that was more a part of my life than the hip-hop that my contemporaries were supposedly raised on.

The Poverty of One Toilet Bowl For Eight

20 Saturday Sep 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, New York City, Youth

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616, 616 East Lincoln Avenue, Alcoholism, Apartment Super, Balkis Makeda, Cesspool, Chores, Clear View School, Clogged Toilet, Drain Snake, Feces, Mount Vernon Public Library, MVHS, Poverty, Sewage, Stopped up Toilet, Toilet, Toilet Bowl

A post-1994 environmental friendly toilet, September 20, 2014. (http://greeleygov.com).

It was during the Balkis Makeda phase at 616 thirty years ago where I realized not only that we were in serious poverty, but that we as a family, as part of 616 and part of Mount Vernon, New York lived with a poverty of ideas. Not just ideas about changing the world or other grand concerns. I’m talking about simple stuff, about how to get from Point A to Point B, about how to fix things, about the idea that help can always be found when things go wrong.

It started and ended with our one toilet the third weekend in September ’84. That Friday evening, during my standard early weekend search for my father Jimme and at least $50 after school, my three-year-old brother Yiscoc managed to drop a toy into the toilet and then attempted to flush it and his waste down it at the same time. The result by the time I returned home was a stopped up toilet.

With the Hebrew-Israelite matriarch living with us, eight out of the nine humans in the apartment would need to use the one toilet at some point. Early Saturday morning, Makeda left, presumably for temple, but didn’t return to resume her occupation of my Mom and Maurice’s master bedroom until Tuesday afternoon. So much for the power of prayer!

I must’ve gone down to the bowels of 616 to search out our alcoholic Latino super a half-dozen times between Saturday morning and Sunday evening, in between all of my other more typical weekend chores. Not only wasn’t he around the entire weekend. The stench back in the apartment got worse as the weekend progressed, as my Mom, Maurice, and my younger siblings Maurice and Yiscoc continued to try to use a toilet that went from fifty-percent clogged to eighty-percent backed up.

Ancient Greek child seat and chamber pot, early 6th century BCE, Agora Museum, Athens, March 14, 2009. (Sharon Mollerus via Flickr/Wikipedia). Released to public domain.

My Mom even tried to have me plunger out this nearly overflowing cesspool Saturday evening, after another walk over to Jimme’s place for money and relief. “What, you never touch shit in a toilet before?” my Mom asked after seeing my face turn toward absolute disgust. I managed to get the sewage water down temporarily, found a way to scoop out a turd without gloves and without throwing up, and pledged to not go in the bathroom again until after the super came to fix the problem. Maurice, my idiot stepfather, left 616 that evening, most likely to carouse and for a working toilet, also not to return until Tuesday afternoon.

There weren’t any good options for toilet use beyond home. That was the Mount Vernon and New York area in which I grew up. Pelham Library and Mount Vernon Public Library were the only decent options where the public restrooms worked and the homeless and careless hadn’t ruined the toilets. Everything else required me buying food or was closed. I used Mount Vernon Public Library before it closed Saturday afternoon, back when stayed open until 5 pm on Saturdays, at least (I think it only stays open until 1 pm on Saturdays now).

I split that Sunday between washing clothes with the little bit of money we had left from my Jimme-run the previous weekend and then searching for Jimme that afternoon. I couldn’t be at 616 for another round of virtual typhoid and dysentery while splashing around in deadly toilet water and using a cleaning bucket as a chamber pot.

We reached Jimme’s, my older brother Darren and me, by 2 pm that Sunday afternoon. He was home, hung over from another weekend of gettin’ to’ up, moaning as usual about how he “cain’ do dis no mo’. Nex’ week. Gotta stop drinkin’ nex’ week.” I didn’t care what my father had left of his money that Sunday. We stayed there until after 7 pm, watched the Jets beat up on the then sucky post-Ken Anderson Cincinnati Bengals, ate a few snacks and some golden delicious apples and pears, and used the functioning attic toilet to our bowels’ content.

Electric drain cleaner with a 100-foot snake, aka, Roto-Rooter, February 7, 2010. (Pgdp123 via Wikipedia). Released to public domain via CC.SA.3.0.

I did manage to get $30 out of Jimme, with promises of more by that Tuesday. It came with the caveat that we’d start earning our money by working for him down in the City again. But that wasn’t a big concern.

Me and Darren went to MVHS and Clear View School school that Monday morning with a still stopped up toilet and no sign of the super. So, before I came back to the apartment after school, I tracked down the man, yelled at him for not being available all weekend, and then asked politely for him to bring up his snake machine. Which he immediately did.

It took between forty-five minutes and an hour for him to clear the pipe and pull out the toy truck that Yiscoc had somehow managed to get down in the toilet on Friday. The super laughed through his mask, said something about kids in his combination of broken English and Dominican Spanish, and left us with a working toilet once again. I still didn’t sit on it to take a dump for nearly a week after the whole ordeal, though.

Mothers’ Meeting Day, 1997

17 Saturday May 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, Cleaning, culture, Eclectic, Jimme, Marriage, Mount Vernon High School, Mount Vernon New York, My Father, Pittsburgh, Pop Culture, race, University of Pittsburgh, Youth

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Abuse, Alcoholism, Baggage, Betrayal, CMU, Insomnia, LaGuardia Airport, Laurell, Misogyny, Mother's Day, Mother-in-Law, Mother-Son Relationship, PhD Graduation, Pitt, US Air, US Airways

Normally I do a post every May 18th on a topic related to my PhD graduation ceremony at Carnegie Mellon. They usually revolve around two subjects: Joe Trotter and my Mom, betrayal and burnout. For once, I have no intention of doing a post on the seventeenth anniversary of officially becoming “Dr. Collins” and all of the baggage that I brought/came with that. Instead, today’s post is about the day before, Saturday, May 17 ’97. It was the day that my Mom and my future mother-in-law would meet each other for the first time, during my Mom’s one-and-only visit to Pittsburgh during my twelve years there.

I covered the cost of my Mom’s round-trip flight on US Air from LaGuardia to Pittsburgh, knowing that she wouldn’t have been able — or, as it turned out, willing — to see me graduate otherwise. That Friday evening, May 16th, was my Mom’s first time on an airplane since she was pregnant with me, the summer of ’69, when she visited her family in Arkansas. She’d already missed my ceremonies at Pitt for my bachelor’s and master’s in ’91 and ’92 respectively, and, as a result, I hadn’t gone to my graduations those years either.

So I made it easy for her this time around. Or rather, me and my then girlfriend Angelia made it easy for her. I gave up my studio apartment that weekend, because my Mom wasn’t comfortable with me putting her up in a hotel. Angelia cleaned my apartment from top to bottom — including the moulding at the bottom of my apartment’s walls. The place wasn’t this clean the day I’d moved in back in ’90!

But with so many other things that week, my Mom showed little appreciation for the significance of this trip, or for what we were doing to make this trip as convenient for her as possible. I went through Friday night and Saturday at Angelia’s apartment on the edge of East Liberty, about a twelve-minute walk away, where I hadn’t done an overnight before. I spent the first half of the next day going back and forth between my Mom, Angelia, my high school friend Laurell and her sister Naomi and unofficial surrogate (who were all staying at the Downtown Marriott). I took my Mom to both Pitt and CMU, to show her the place of my ten years’ working toward something much more important than a second high school diploma. I might as well have been taking my son to both campuses when he was a newborn!

Around 2:30 pm, I realized we needed to get to Angelia’s mother’s place in Homewood for a mid-afternoon meal. That was next on the schedule. I think we took the bus, the 71D from a block off CMU to Homewood, and walked the three blocks up a steep hill to Monticello Street. There, Angelia’s mom extended a long greeting, a hug for which my Mom hardly seemed prepared. Angelia was also there, and had bought a KFC bucket meal for the four of us to share.

After a few pleasantries, it started. How my mother and eventual mother-in-law, in their first-ever meeting, spent three hours discussing their failed marriages and the horrible nature of Black men the day before my graduation, I really don’t know. I was in a fog, worn out from a week’s worth of insomnia and from the growing realization that my Mom didn’t really care about my journey or accomplishments.

I stayed and respected my elders, maybe too much. Three hours listening to stories I already knew, between my first-hand knowledge of my father Jimme and my idiot ex-stepfather Maurice, not to mention the stories Angelia had told me about her mother’s trials (luckily, Angelia never witnessed these, because her mother’s marriage was over by the time she’d turned two). A concussion here, a bruised lip there. A broken jaw, a fractured arm. Alcoholism and abuse, and men, working or unemployed, not paying any bills. “Men are no good,” my Mom said over and over again.

Of course, I didn’t count, for as far as my Mom was concerned, I wasn’t a man, because I’d spent the previous decade as a student. But that wasn’t the worst part. My Mom did a bunch of revisionist history in telling the story of “raisin’ six kids” and her doomed two marriages, somehow writing me and Darren and the decisions she had some degree of control over out of this story.

I’d never been part of a conversation like this as an adult. As a six or ten-year-old kid on The Avenue in Mount Vernon with my Mom and her hospital friends, yes, but not since those times. I felt as if I might as well found some stoop outside, sat down with a 40, and fallen into a deep sleep.

Even Angelia’s mom wanted to change the subject by the middle of hour number three. Instead, she used her elderly-ness as a excuse to beg off more conversation on the topic of misogyny, told me that she was proud of me, said that she was excited about going to the CMU ceremony, and retired for the evening. I wish I could’ve gone upstairs with her and done the same. I instead had the distinction of dropping my Mom off at my apartment, picking up Angelia and going down to Station Square to eat dinner with Laurell, Naomi and Archie. And that was all the day before the graduation ceremony!

Kidneys, Baking Soda & 240 East Third Street

06 Wednesday Feb 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Jimme, Marriage, Mount Vernon New York, My Father, Politics, Pop Culture, race, Youth

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240 East Third Street, 616, 616 East Lincoln Avenue, Alcohol Abuse, Alcoholism, Arthur, Baking Soda, Black Migrants, Black Migration, Callie Mae, Cecil Parker Elementary, Child Neglect, Divorce, Domestic Violence, Drinking Buddies, Drug Abuse, Flu, Ida, Kidney Failure, Kidney Transplant, Lo, Mount Vernon Hospital, Nathan Hale Elementary, North Side, Poverty, South Side

Arm & Hammer Baking Soda, 1lb Box, circa 1970s, February 6, 2013. (http://wackypackages.org).

I wrote at length thirteen months ago about the devolution of my mother and father’s marriage in ’76 and ’77, and how that led to an incident with a coffee table on or around my seventh birthday (see my post “Stomping in Coffee Table Glass” from December ’11). It was a difficult time in all of our lives, and my grades in second grade reflected this. Me and my older brother Darren had a different living arrangement from week to week between September ’76 and April ’77. But for my mom, it was life-threatening. No wonder my Uncle Sam clotheslined my father Jimme as if he were Deacon Jones and my father was Johnny Unitas!

Despite my mother’s (real and imagined) infidelity and her filing for divorce — or because of it — my father refused to move out of our second-floor flat at 425 South Sixth. From September ’76 through March ’77, he’d come and go as it pleased him. Jimme would be home for a few hours on a Wednesday, cut the cords to the telephone or dump my mom’s mink stole in a bathtub, and then be gone for another five days or a full week. If my mom somehow was home when Jimme was, they’d fight all hours. On the nights my mother was out with her bowling league, or with friends, or (presumably) with my eventual stepfather Maurice, she’d call us to make sure we were okay, only to find Jimme at the other end of the line, threatening to kill her and us.

Starting at the end of that September, barely a month into the school year, Darren and me found ourselves spending more and more time with our babysitter Ida at 240 East Third Street. For folks who have never been to this part of the Mount Vernon, New York’s South Side, the best thing to say about 240 East Third was that it was next door to an environmentally hazardous scrap metal yard. It was a dangerous place, one of extreme poverty, alcohol and drug abuse, a place in which the most recent of Black migrants from the South and their sons and daughters tried to make into a home.

240 East Third Street, Mount Vernon, NY, September 2007. (http://googlemaps.com).

Ida had been our babysitter for as long as long as we could remember. One of my first memories was calling her a “bitch” when I was three because she had made us a bubble bath out of very itchy Tide detergent. I didn’t know the full meaning of what I said, but Ida took a switch and whupped me anyway. Now we were living with her for days at a time, having to walk a mile down East Third, then South Fulton Avenue, and then Sanford Blvd to get to Nathan Hale Elementary (now Cecil Parker Elementary). The irony was that our real home was just two doors down from the school.

That wasn’t the only irony. On the many days we spent with Ida, we also spent time with her friends, Callie Mae, Lo (short for Lorenzo) and Arthur. The reason we could spend so much time with these friends of my mom was precisely because they were Jimme’s friends originally. They were part of his circle of drinking buddies! And, with us already at 240 East Third, my father would swing around and drink to his heart’s content with all of them.

My mother, meanwhile, began experiencing what the doctors at Mount Vernon Hospital thought was mere signs of stress. Her kidneys, though, were shutting down, causing a multitude of health issues. She’d gone to see her primary care physician about this in October, then again in December and January. By the end of January ’77, my mother was stuck at the hospital, as her doctors at one point thought that she would need a fast-track to a kidney transplant. Keep in mind that this is ’77, so kidney transplants weren’t the exact science that they are today.

I ended up in the hospital with her in early February ’77, with a fever of 105°F. They put me in a bed near my mom, stuck a thermometer in my butt, and figured out that I had the flu. That I still have positive thoughts of this visit is a sure sign of delusion and the grimness of that time in our lives.

One human kidney, sliced open to reveal hydronephrosis, typically the obstruction of the free flow of urine from the kidney, February 6, 2013. (http://meducation.net).

Luckily, my mom and her doctors were smart enough to have a specialist from Westchester County Medical Center come in to check out her candidacy for a kidney transplant. He took one look at her labs and realized that she didn’t need a transplant after all. It turned out that my mom’s sodium levels were so low that they had caused the flow of fluids and waste through her kidneys to drop by something like 80 percent. The doctor’s solution was really simple. “Eat baking soda,” he told my mom and her doctors. That was in March ’77.

Two teaspoons of baking soda a day, to be exact. That’s what it took to bring my mom’s kidneys back to life and for my brother and me to finally move toward a more stable home situation at 616 (at least between April ’77 and the Hebrew-Israelite years). It wasn’t that I hated 240 East Third. I just hated what being there meant for us and for my mom.