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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Category Archives: Pop Culture

Musical ‘Mates and Matters

24 Saturday Dec 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, New York City, Pop Culture, race, Youth

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Common Language, Cultural Divide, Cultural Eclectic-ness, Diversity, Eclectic Music, Mount Vernon High School, Mount Vernon New York, Mount Vernon public schools, Music, Musical Tastes, Race


The "A" Note, February 5, 2008. (Pearson Scott Foresman, via Wikipedia). In public domain.

If someone asked me what was the one thing that me and my classmates had in common during my middle school and high school years in Mount Vernon, New York, it would be a love of and for music. I wouldn’t have been able to draw this rather obvious conclusion five years ago. But, in the course of interviewing folks and writing and rewriting my Boy @ The Window manuscript since ’06, music seems to be the one common denominator that connected us all.

Take the fact that so many of my Class of ’87 classmates found their way into the underground or mainstream music scene over the past twenty-four years. At least one was a producer, a bunch rapped, played, sang, and danced their way into the industry, even if they’re not household names. Others did studio work, and at least two are doing music/sound work for the small and big screen.

These folks are Black, White, Afro-Caribbean and Latino, so, no, race doesn’t seem to be a factor. Was it something that was in the water or in Mount Vernon’s lead water pipes? Not likely. It really couldn’t have been instilled in us by Humanities, or going to Davis, Nichols or Mount Vernon High School, right? The official doctrine of the powers that were would’ve made our favorite music somewhere between Sinatra and Tchaikovsky.

It could be as simple and as complicated as the times we grew up in, the fellow travelers to which we were

Culture Club "Club Sandwich Tour" poster, September 27, 2011. (Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject of blog post.

exposed, the constant noise that was Mount Vernon public schools in the 1970s and 1980s. Living in a city in the early stages of decline, within shouting distance of Manhattan and a short walk to the Bronx. Having the level of Black and Brown diversity that we had, with a decent sized White minority in the school system, may be all that was needed to create the conditions for music to be our one common language.

It wasn’t just in my class, as the classes of ’85 and ’86 turned out the late Heavy D and Al B. Sure. Nor was it just in Mount Vernon’s public schools. There was something about Mount Vernon itself, a painful place for some, a cool and pleasureful one for others, that made music both a code for coolness and an escape from reality.

For my specific groups of Humanities nerds, renaissance folks and generally sharp classmates, though, the tastes ranged and even mingled. For the guidos and guidettes whom I labeled “The Italian Club,” the music was decidedly “White.” From “A” serenading 7S with The Police’s “Roxanne” ala Eddie Murphy, to the frequent blaring of Billy Idol, Bruce Springsteen and Foreigner from turbo-charged Camaros and Mustangs.

The Time promotional poster, circa 1990, July 6, 2006. (Mista Tee, via Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject matter for blog post.

Then the was the obviously cool Black and Afro-Caribbean, with a clique for every occasion, whose music was also obviously “Black.” Teena Marie, pre-“Material Girl” Madonna, Phyllis Hyman, Prince, Luther Vandross, Doug E. Fresh, Lisa Lisa & Cult Jam, Run-DMC, if it was Black and cool, they listened to it, and knew the exact date the new album would hit the stores. They drove around in their Nissan Maximas, Audis and old Cadillacs with this mesh of R&B, early rap and hip-hop, and crossover pop pumping out of their tinted windows.

Of course, that left the rest of us, the few who seemed to like a bit of everything. Crush #1 and Depeche Mode. Brandie Weston and her clique’s love of Boy George and Culture Club. V’s commitment to Billy Joel, at least a decade and a half too young to understand the full meaning of what we’d now call adult contemporary. Not to mention The Police, Sting, The Who, Rolling Stones, Thompson Twins, Duran Duran, ABC, Tears for Fears, a-ha, and so many others. But it didn’t stop there. For we, too, liked Luther, and Billy Idol, and John Coltrane, and Lisa Lisa, and Run.

I don’t know if my musical tastes were the most eclectic of all, or if mine remain so. But I can say this. I ran 4.75 miles yesterday, listening to Genesis’ “Tonight, Tonight, Tonight” (album version), Sounds of Blackness’ “Optimistic,” U2’s “Beautiful Day,” Grover Washington Jr’s “Summer Chill,” Stevie Wonder’s “As,” Sting’s “A Thousand Years,” and Enigma’s “Silence Must Be Heard” along the way. It seems that I’ve always had a song in my head and theme music in my heart for every situation and every period of my life. For better and for worse, I have to give Mount Vernon credit for that, if for nothing else.

Reinventing the Writing Wheel

17 Saturday Dec 2011

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, music, Pop Culture, race, Religion, Youth

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"Children's Crusade", 616, 616 East Lincoln Avenue, Coping Strategies, Historian, Mount Vernon New York, Paul Riggs, Pitt, Re-Discovery, Reinventing the Wheel, Scholar, Self-Discovery, Sting, The Dream of the Blue Turtles, University of Pittsburgh, Western Civilization II, World War I, Writer, Writing


Inventing the Wheel cartoon, October 2, 2009. (Bill Abbott/http://www.toonpool.com/).

One of the side effects of having lived through the hell of my family struggles at 616 in Mount Vernon, New York between ’81 and ’89 was that I’d forgotten about the person I was before we became Hebrew-Israelites. As great as I am at recalling faces, smells, conversations, exact facts and phrases based on images and songs, I’ve been almost equally as good at blocking out whole sections of my personality. All in an effort to cope with the emotional pain and psychological trauma that is betrayal, abuse and neglect.

I have the unfortunate distinction of having seen myself as a writer in ’81 at the age of eleven, only to take nearly twenty years to see myself that way again. There were a few sign posts in the dark forest of confusion about my calling that I found on my way to getting back on the writing road. One of those sign posts was my teaching assistant and friend during my undergraduate years at the University of Pittsburgh in Paul Riggs.

Paul Riggs, Professor and Department Chair, Department of History, Valdosta State University (GA), December 17, 2011. (http://www.valdosta.edu).

Paul was the TA for my section of the Western Civilization II course taught by his advisor in Sy Drescher in the Spring semester of ’88. He was a second-year history grad student, a nice looking White guy for a nerd. Already in his mid-twenties with, his blonde-brown hair and around six-feet, Paul was a rarity on campus. So was his class. Paul found a way to do more than ask us a bunch of questions that were meant to quiz us on the textbook. We debated the significance of things like a richer diet and its impact on population growth and the expansion of European imperialism, the connections between Charles Darwin, evolution, and the advent of scientific racism at the end of the nineteenth century, and so many other things that allowed us to connect the dots.

Paul was also the first teacher I had at Pitt who assumed that I could do the work without acting as if I shouldn’t have been in their classroom. It helped that he occasionally indulged me. When our weekly discussion turned to the killing fields that had been northern France and Belgium for the bulk of the four years of World War I, I allowed my imagination to get the better of me. I made a comment that connected the tragedy of deadly trench warfare to a song by Sting called “Children’s Crusade.” I started quoting lyrics, like “virgins with rifles, a game of charade,” “the flower of England, faced down in the mud, and stained in the blood of a whole generation,” and “corpulent generals safe behind lines.”

I related it all to the documents book and Drescher’s lectures on the war that wiped out a generation of

Sting, The Dream of the Blue Turtle CD Cover (1985), December 17, 2011. (Donald Earl Collins).

young men in Western Europe. It took me two minutes of class time to draw all of the different connections. Paul, shaking his head at the end, got this incredulous smile on his face. All he said was, “um, you know Sting’s overrated?”

But Paul proved to be much more helpful a year and a half later. By then I was in my junior year at Pitt, no longer living in constant worry that I’d have to return to 616 to bury my mother and press charges against my idiot stepfather. By then, Maurice was my ex-stepfather, and thankfully so. For the first time in eight years, I kept a journal, putting together a series of stories based on my worst experiences at 616, on welfare, with my family, and in Mount Vernon.

All of it made me think about writing a book that looked at the sociological and psychological dimensions of the welfare system, for both recipients and for case managers charged with providing benefits. I wanted to make Westchester County Department of Social Services the centerpiece for such a book. I decided to talk to Paul about all of my ideas, not wanting to give away how personal this issue was for me. Paul asked me the questions that it would take another eleven years to answer. “What kind of writer do you want to be?,” and “How is history related to what you want to write about?,” he asked over the course of our conversation.

I really didn’t know the answers to either question. I wasn’t even sure that I wanted to pursue an advanced degree, become a professor, or become a writer. But I knew that I needed to find out.

Still, one thing that I decided to do that would determine most of my career travels over the next decade is to make myself into the semi-dispassionate scholar I knew I needed to become in order to be a better historian, which I presumed would make me a better writer. Only to spend this past decade reconnecting to my emotions and passion, which has made me the writer I once hoped to become.

If Boy @ The Window Were A Movie…

10 Saturday Dec 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Movies, My Father, Pop Culture, Youth

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Acting, Actors, Alison Arngrim, Boy @ The Window, Brad Dourif, Brian Dennehy, Clarke Peters, Gabrielle Union, Harold Perrineau, Humanities, James Avery, Jesse L. Martin, Khandi Alexander, Mount Vernon New York, Movies, Nathan Fillion, Ray Liotta, Rita Moreno, Rob Brown, Thandie Newton, TV Shows


Not So Young Man @ His Window, December 10, 2011. (Donald Earl Collins).

…who would I hire to play the characters in my memoir? Especially if I could reach across space and time to pick actors with the range necessary to play complicated characters, like yours’ truly, for instance. Hmm. I have a few ideas:

Rob Brown, ala Finding Forrester (2000) – He’d been a perfect character to play me during my high school years, between the blank stare and face, his height, and his ability to show awkwardness around Whites in authority.

Rob Brown as Jamal Wallace in Finding Forrester (2000) Screen Shot. (http://filmdope.com).

Khandi Alexander, ala The Corner (2000) – While she isn’t nearly as tall and is a bit chestier than my mother, her affect as the down-and-out West Baltimore mother on the groundbreaking HBO miniseries fits here.

James Avery – He would be in the role of my idiot ex-stepfather, with his bulging eyes and belly, and with his flashes of rage, yeah, he’d been perfect.

Clarke Peters, ala The Wire, Treme – I thought about someone like Sammy Davis, Jr. playing the role of my father, Jimme, but Davis’ acting range wouldn’t have been enough to capture both my father’s drunken rage and the comedy that often served as an overlay to my encounters with my father growing up.

Clarke Peters at Edinburgh Festival 2010, August 6, 2010. (Ausir). Released to public domain via GNU Free Documentation License.

Jesse L. Martin – The man’s acting range is enormous, and would capture the complexities of playing someone like my older brother Darren, a super-shy kid who himself played the role of someone mentally retarded while also having taught himself to read at the age of three. Only, Darren didn’t know how to stop.

Jesse L. Martin at Annual Flea Market and Grand Auction hosted by Broadway Cares/Equity Fights AIDS, September 26, 2006. (Insomniacpuppy). Released to public domain via Wikipedia.

Harold Perrineau, ala Oz – His face alone captures a lot of emotion, and show does the way he says his lines, something that I’d want from someone playing my best friend from elementary school. Perrineau’s face would also capture duplicity, a necessary ingredient for betraying a friendship. Just like many of the characters in the HBO series Oz.

Thandie Newton – This was a tough one, as I also thought about Rosario Dawson in the role of Crush #1. But Newton has quirkiness as an actor that Dawson lacks at times, and for all of the wonderful traits of the character known as Crush #1, quirkiness is key.

Thandie Newton at the 2007 Toronto International Film Festival, September 2007. (http://www.flickr.com/photos/gdcgraphics/1639139527/in/set-72157602744288487/). Released to public domain via Creative Commons Attribution 2.0.

Ray Liotta – Not nearly as tough, this despite the fact that the real “A” had blondish hair when we were kids. Liotta’s meanness, his laugh, his Italian coldness easily capture what “A” was like as my tormentor in seventh grade.

Nathan Fillion, ala Firefly (2002-03), Serenity(2005) – the near-perfect actor to play the contrarian one, “JD” (see my post “The Contrarian One” from February ’11), his aloofness, his sense of superiority, his maverick affect throughout our years in Humanities together.

Nathan Fillion as Capt. Malcolm Reynolds, Firefly (2002-02). (Wikipedia.org).

Alison Arngrim, ala Little House on the Prairie (1974-82) – She played Nellie Olson on the show, a bratty, well-off girl who only knew how to view the world through her own selfish lens. She could play any number of my former White classmates, especially many of the ones who left Humanities between the end of eighth and the beginning of tenth grade.

Little House on the Prairie's Nellie Olson as played by Alison Arngirm, circa 1977. (http://www.flickr.com/3595/3433153010_b5f3cae12a.jpg).

Gabrielle Union – as this actor has done the affect of pissed off and Black preppie well over the years, she’d be great for the role of Crush #2, the one the main character (me) becomes obsessed with in the six months after graduating high school. Like the character, Union can crush hearts.

Rita Moreno – A fixture in the acting business for more than sixty years, one of a handful to win an Oscar, an Emmy, and a Tony Award, she could easily slip on the role of a guidance counselor like the chain-smoking, stereotyping bigot Sylvia Fasulo. The only other person who’d fit this role is Callie Thorne from the USA show, Necessary Roughness.

Brian Dennehy – There aren’t many actors who could play my late AP US History teacher Harold Meltzer. You see, you’d need to be able to spit, to tell long and strange stories, to have moment of macabre laughter and moments of bitter rage. Dennehy, though, has experience doing all of those things, though not in one role. Plus, he’s tall and rotund enough for the part.

Brad Dourif, ala Dune (1984), Lord of the Rings: The Two Towers (2002) – He’s weird enough to play the role of Regis, one of my older friends from my undergraduate days at the University of Pittsburgh, someone who was there for me the semester I went through homeless and three months without money.

Brad Dourif at the Lord of the Rings-Convention Ring*Con in Bonn, Germany, November 23, 2002. (Diane Krauss). Released to public domain via GNU Free Documentation.

I could go on and on. But that’s unnecessary here. This ensemble cast, with the right script — and a time machine — would make Boy @ The Window come alive, and have me blushing and crying over and over again.

Simple. Foolish. Thinking. Folk.

07 Wednesday Dec 2011

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, Politics, Pop Culture, race

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Charles M. Blow, Child Labor Statements, Election 2012, GOP, Jamiroquai, New York Times, Newt Gingrich, Political Corruptions, Political Messages, Politicians, Say Anything, Tea Party, Tony Kornheiser, Virtual Insanity, Voting, Voting Rights


Virtual Insanity (Jamiroquai) music video screen shot, 1997. (http://www.vid81.com/). Qualifies as fair use under US Copyright laws because of photo's low resolution.

On all sides of the political divide, we bear witness to some of the most unsophisticated thinking that anyone looking back on this time in history could ever possibly imagine.

It’s not just that GOP/TPers like Michele Bachmann or Rick Perry don’t know basic American history or about a constitutional amendment that directly affected their lives as young adults. It’s not just the racial, socioeconomic and gender-based bigotry that Newt Gingrich and Herman Cain have given us for months. It’s among supposedly liberal and moderate political animals as well. It makes me question not only the political process. It makes me think that we should recheck the lead content of our water (tap and bottled), our vegetables and our meat.

Gingrich’s statements over the past few weeks are much more than “unfortunate,” as Tony Kornheiser — an eighty-five-year-old impersonating a sixty-three-year-old — said on his ESPN DC radio show Tuesday. No, Gingrich’s statements are ahistorical, flat-out wrong, borderline racist, and downright nasty toward poor Americans and their children.

Say Anything... movie poster with cropped picture of Newt Gingrich at CPAC conference in Orlando, FL (taken September 23, 2011), December 7, 2011. (Quentin X and Gage Skidmore via Wikipedia/Donald Earl Collins). Released in public domain via cc by 3.0.

To a crowd in Iowa last Thursday, Gingrich said, “Really poor children, in really poor neighborhoods have no habits of working and have nobody around them who works so they have no habit of showing up on Monday…They have no habit of staying all day, they have no habit of I do this and you give me cash, unless it is illegal.” Unfortunate is when you mistakenly drop your flash drive down a garbage disposal. This was so bigoted that it was actually dumb beyond words. And even I thought Gingrich had a bigger brain than this.

This comes only a few weeks after telling the Occupy Wall Street protests to “get a job after you take a bath.” As if getting a college education only to become a $60,000 student loan debt-slave and find oneself unemployed is funny. No, Gingrich, you’re a slime ball, utterly out of touch with America and Americans. At least, any Americans who live in 2011 with less than $10 million to draw from.

But the reactionary right isn’t the only group that has spoken foolery of late, showing us how corrupt our system of politics and government is in our age. Media types of all strips have spoken like simpletons as well. Take Charles M. Blow, visual Op-Ed columnist with the New York Times, who frequents on Twitter as a “pox on both your houses” type. Somehow, though, when people talk about not voting at all, his ability to be rational declines almost as far and as fast as Newt Gingrich’s.

Usually Blow does his SMH sign when he reads 140 characters of what he considers foolishness. Not on November 21. On that day, he tweeted, “I must say that I’m shocked at the number of tweets I’m getting from ppl, seemingly prog, who sound resigned to not voting. Shocked!” Blow followed that with “Voting isn’t just about the right to complain. It’s a demonstration of power. Same as wiggling your fingers in the air, but w politicians.”

The question I have for Blow and voting purists is, what alternative universe do you think we’re living in?

Charles M. Blow, visual Op-Ed columnist, New York Times (cropped), January 18, 2009. (Flickr.com via Arlene M. Roberts). In public domain.

Where money isn’t the key to everything in American politics, and doesn’t determine everything from who runs to literally rigging the system on Election Day? And people considering the possibility of not voting are crazy? Really?

Yes, I know how many people fought and died for my right as a Black male to vote in these United States of America. I’ve been teaching about it for half my life. But that America doesn’t exist anymore. This America, this one where Gingrich, Bachmann and Perry are viable candidates, where progressives with ideas for making our nation better are told they’re being “unrealistic,” is one where normal behaviors often aren’t rational ones. In this case, voting for two sides of virtually the same coin makes no sense to many.

I, for one, will vote next year, and — barring Van Jones running or something — will vote for Obama. But unlike Gingrich or Blow, I’m not arrogant or traditional (or foolish) enough to believe that my ideas for how people should behave are the only ones worth considering.

Out of Touch, In A Bubble

18 Friday Nov 2011

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Politics, Pop Culture

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American Narcissism, Bubbles, Child Rape, Collusion, Cover-up, Insularity, Jerry Sandusky, Media, Narcissism, Occupy Wall Street, Pedophilia, Penn State, Police Brutality, President Barack Obama, Protests


Bubbles in water, November 17, 2011. (http://crusaders.biz).

I have said in many a blog post over the past four years how narcissistic our people are in this age. But with the recent uncovering of the extinction-level-event involving a serial child rapist and the decades-long covering for Jerry Sandusky at Penn State University has come something somewhat more subtle. A number of journalists and commentators have discussed the “bubble” that has existed at Penn State for years, the one that allowed for a group of high level of administrators to cover up at least one crime.

But the bubble is much more than covering up or denying the existence of a pedophile on a university campus. It’s how Penn State’s leadership has dealt with the world inside and outside of central Pennsylvania. Their commitments of support for two administrators who perjured themselves about what they knew regarding Sandusky’s child rape activities on Penn State’s campus in ’02. Their surly answers and vague statements to the media about the status of coaches or the football team. The three days it took Penn State’s Board of Trustees to respond to the national media crush that came with Sandusky’s arrest and release of the attorney general’s grand jury report with a statement and the firing of the university president and Joe Paterno.

A Real Time with Bill Maher writer playing role of conservative voter in a bubble, September 17, 2011. (Fanny Brown Rice/Flickr.com). In public domain.

And — even above Joe Paterno dictating his retirement terms to the Board of Trustees — Sandusky and his creepy lawyer Joe Amendola’s crash-and-burn defense of the pedophile’s “horse-play” actions via Bob Costas and Rock Center on NBC on Monday. It’s as if Sandusky, Paterno, Amendola and the interim head coach Tom Bradley expect their one-off communiques and non-committal pressers to keep the national and international media away. Kind of like they way they’ve been operating their little fiefdom for the past half-century, by stonewalling and intimidating local media and local authorities.

This bubble, though, isn’t limited to an institution as insular as Penn State. Because our nation has been a superpower for so long, our narcissism has allowed the rich, famous and powerful to create lots of bubbles. Even when folks have wanted to be in touch with the rest of the world, with the common folk of our society, their bubbles have made their interactions awkward and elitist, and have created their own set of problems.

We can start with President Barack Obama. Despite all of his oratory powers, his keen powers of intellect and insight, and his well-connected handlers, POTUS 44 is in the ultimate bubble, as out of touch with the American public as any of his post-World War II predecessors. A president that rode in on a populist wave in ’08, Obama has been all but disconnected from the Occupy Wall Street movement that was sparked — at least in part — by his brief moments of energy on behalf of the jobless in August and September. The bubble allows even someone as bright as Obama to become deluded in his mission, to fall into the grasp of political and corporate interests, even as he works for the American people.

POTUS 43, the man in the ultimate bubble, at window on Air Force One during fly-over of Katrina devastation, August 31, 2005. (http://Politico.com). In public domain.

The mainstream media, colored as it is these days by the green of corporate and affluent interests, is also in its own bubble. They are so far removed from the pulse of the American public that even the “man on the street” interviews done by local news reporters seem staged. They talk mostly to themselves, and are so enamored with their own intellect that even most scholars in academia think journalists are arrogant.

There’s a reason why the media slants everything to look like two equal and opposite sides, no matter the moral imperative to tell the truth. Which, by the way, is the raison d’etre of the Fourth Estate, no? They go through Hell itself to find an opposing side to counter the overwhelming evidence of climate change, or bring in Sandusky’s lawyer — a man with a sordid sexual history, knocking up and marrying a sixteen-year-old client of his — to counter charges against a serial child rapist (alleged). All in the name of objectivity, as subjective as an art critic at an Andy Warhol show.

The mayors of New York, Portland, Oakland and other places are in their bubble of shunning protests that last longer than a Grateful Dead concert, more interested in protecting the interests of their corporate and rich individual buddies than the public at large. And the police? Their bubble is one that allows them to see everyone as the enemy. Their slogan might as well be “To protect and serve — as long as you’re rich or a corporation.”

Protests, sit-ins, revolutions. They all burst bubbles, and put even the most insulated in touch with the pain that ordinary folks feel. That’s what the powerful and rich fear most. And that’s why more of us need to walk around with our proverbial toothpicks, ready to pop as many bubbles as we encounter.

The Beatdown

05 Saturday Nov 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, Mount Vernon New York, music, Pop Culture, race, Religion, Youth

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7S, A.B. Davis Middle School, Anti-Bullying, Bullying, Captain Zimbabwe, Hebrew-Israelite, Humanities, Italian Club, Mount Vernon New York, Mount Vernon public schools, Race, Racism, Religion


Ironing out balled up paper, a bullying symbol, November 4, 2011. (Donald Earl Collins)

An anti-bullying video’s been trending in the social media sphere this week, in which a teacher demonstrates to her class the effects of bullying on a student’s psyche. All courtesy of balled up, stomped on and unfolded yet crumpled pieces of paper. It’s a good, though incomplete description, because it doesn’t address the great feeling of superiority that those dispensing the verbal, physical and psychological abuse get from bullying their classmates.

Though I seldom have thought of myself as someone who was bullied, by today’s definition, that’s exactly what happened to me for the better part of five months of seventh grade, from November ’81 through February ’82 and late-May to early June ’82 (see my post “The Legend of Captain Zimbabwe” from May ’09 for much more). I guess I’d been called so many names by so many people in 7S so first few months — and, to be truthful, did the same in response to a fair number of classmates myself — that I didn’t think too much of it as November ’81 began.

About two weeks after my fight with Brandie (see “Adverbs and A-Holes” post from last month), I experienced a serious physical bullying altercation (there were one or two attempts by neighborhood kids while I went to Nathan Hale and Holmes Elementary, and a couple of attempts in high school). The best way to describe it is that I got jumped and then beat-down after the end of the school day on the first Friday in November ’81.

It wasn’t a random jumping or beat-down, and not one that involved Davis’ Black or Latino students, who were always described to us super-nerds as “dangerous.” No, the perps in this case were from what I euphemistically called the “Italian Club,” a full two years before we had an official Italian Club in high school. They’d been on me in 7S homeroom and in Italian class with nearly constant verbal abuse for the two weeks or so since my scuffle with Brandie. Apparently, my decision to ignore them didn’t work well enough.

The leader of this pack of uncouth Italian or White working-class preteen Humanities boys was “A,” who presented himself as between John Travolta’s character on Welcome Back, Kotter and Arthur Fonzerelli from Happy Days. A’s favorite move those Humanities middle school years was to walk into our homeroom and belt out The Police’s “Roxanne” refrain, as if he were Eddie Murphy in 48 Hours. The way his band of Italian or Italian-esque brothers hung around him, you would’ve thought he was a rock star, someone like his fave, Mr. “White Wedding” himself, Billy Idol.

A Christmas Story (1982) screen shot of bunny suit kid, December 11, 2009. (http://myhealthypassion.wordpress.com). Qualifies as fair use under US copyright laws, between low resolution, cropping, and intent of use.

Led by A, about ten 7S classmates attacked me after school as I was on my way out the school’s side door closest to the Humanities wing to walk home. They grabbed, punched, and kicked me, and called me everything but a child of God. A, of course, wasn’t actually involved in any of the dirty work of beating on me. Like a about half a dozen other 7S classmates, A watched as he directed his gang.

That was my third A Christmas Story moment. Except I’d been better off wearing the pink bunny suit over my kufi! Bullying is a funny thing, even when you’re one being bullied.

But unlike the piece of trampled, stomped, balled up paper, I wasn’t scarred in the sense that my self-esteem was shattered. Far from it, my self-absorption and delusions of academic grandeur shielded me, made it possible for me to iron out most of the wrinkles in my psyche from being jumped that day. It took my grades, a crush, and events that played out at home, at 616, to shatter my childhood.

Of course, being called a “dumb ass” as if it were my nickname, or “Captain Zimbabwe,” as a proxy for “Negro” or the N-word, wasn’t exactly besides the point. Nor was the idea that a bunch of White kids could decide that they could gang up on me essentially because I was an enigma to them. Like me being weird, uncool and smart was too much for their pubervescent heads to handle.

The best revenge, though, was going through puberty myself, to find myself growing ten inches in twenty months, between March ’82 and December ’83. That, and taking care of my body, mind and spirit over the past thirty years. Not that I have a dart board of my tormentors or anything, but I think it would be hilarious if any of them attempted to bully the 225-pound me today. Of course, I’d probably laugh so hard that they’d get a couple of licks in, at least before my sense of righteous rage would kick in.

The moral here, I guess, is to have a sense of how to deal with bullying if and when it does occur, to not shrug it off as “boys just being boys” or, for that matter, “cliquish girls being cliquish girls.” By middle school, though, it’s not just about reporting it to teachers or parents. It’s about other students stepping in, and students the subject of bullies’ discontent defending themselves. And that is what I’m instilling in my son. Of course, I’ll step in when necessary, too.

Flexing muscles, as in too bad I didn't have these 30 years ago, November 4, 2011 (Donald Earl Collins).

Herman Cain’s Greatest Hits

01 Tuesday Nov 2011

Posted by decollins1969 in 1, Eclectic, eclectic music, Patriotism, Politics, Pop Culture, race, Work

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Bruce Hornsby and The Range, Class Warfare, Dean Martin, Herman Cain, Naughty By Nature, Opposition, Otis Redding, Phil Collins, Politics, Popular Music, Racial Denial, Racial Stereotypes, Republicans, Sexism, Singing


Mr. Herman "Get A Job!" Cain, at Republican Party of Florida Presidency 5 Convention, Orlando, FL , September 24, 2011. (AP).

Since the allegedly sexually harassing, racism and classism denying, Republican presidential candidate leader of the moment Herman Cain likes to sing, I decided to make a short list of Cain’s greatest hits. Trust me, they’re all doozies. They draw on the experiences of a man about as in touch with average Americans as Marie Antoinette was with French peasants on the eve of the French Revolution.

1. “The Way It Is” (1986) — Bruce Hornsby and The Range: Here, he puts special emphasis on the line, “Just for fun he says, ‘Get a job!,” not out of sarcasm, but out of sincerity.

2. “Another Day In Paradise” (1989) — Phil Collins: Cain tries to get a bit of social consciousness, at least, in emphathizing with “the man on the street,” the poor guy subjected to a worn-out homeless women begging for help.

She calls out to the man on the street
“Sir, can you help me?
It’s cold and I’ve nowhere to sleep
Is there somewhere you can tell me?”

He walks on, doesn’t look back
He pretends he can’t hear her
He starts to whistle as he crosses the street
She’s embarrassed to be there

The real test with this song would be whether Cain’s whistling is as good as his crooning.

3. “O.P.P.” (1991) — Naughty By Nature: Here Cain would need help from ex-RNC head Michael Steele to get his rap game together, as well as from Supreme Court Justice Clarence Thomas in interpreting the sexual laden lyrics. But in light of the accusations — and in Justice Thomas’ case, evidence — of sexual harassment and general insensitivity of Cain, Steele and Thomas, figuring out “who’s down with O.P.P.?” is an appropriate question in their bubble.

4. “Cigarettes And Coffee” (1966) — Otis Redding: Cain’s tribute to his campaign manager in his recent commercial as he slows down the pace a bit. “And please, darling, help me smoke this one more cigarette,” Cain baritones to Mark Block.

5. “Ain’t That A Kick In The Head” (1960) — Dean Martin: Cain’s theme song for his campaign. The main lyrical refrain for him would be as much about his rise to the top of the Republican heap as it would be about the people he’s stereotyped, vilified, denigrated and ultimately exploited over the course of his career and campaign.

My head keeps spinning;
I go to sleep and keep grinning;
If this is just the beginning,
My life’s gonna be beautiful.
I’ve sun- shine enough to spread;
It’s like the fella said…

“Ain’t [I] like a kick in the head?” And the 99 percent of us say, “Hell, yeah, where’s the aspirin?”

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