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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Bruce Hornsby and The Range

When Your Music Turns 30

11 Thursday Aug 2016

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, music, Pop Culture, race, Youth

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1980s music, Anita Baker, Beyonce, Bruce Hornsby and The Range, Chaka Khan, Chicago, Fountain of Middle Age, Kendrick Lamar, Maverick Sabre, Nneka, Pet Shop Boys, Run-D.M.C., Starship, Steve Winwood


Well, some of my music, anyway. About a third of all the music I own, like, or have access to was produced at least thirty years ago, as of this month. I guess I shouldn’t be bothered with the fact that everything from Johann Sebastian Bach, Blind Willie Johnson, and John Coltrane to Anita Baker, Steve Winwood, and Pet Shop Boys are all ancient in the mind of my teenage son. In a way, though, I am. Not so much that my music collection is an indication that I am no longer physically young. That happens to all of us. But whether this is a sign that my mind is no longer plastic enough to absorb new music, new styles, new ways of delivering a form of entertainment and escapism.

The fact that I’m still catching up with music released between 2011 and 2014 is troubling. I mean, it’s only been a year and a half since I picked up Kendrick Lamar’s Good Kid, MAAD City (2012). I have Nneka and Maverick Sabre on my playlists only because my wife keeps up with music through YouTube, Spotify, and Pandora. I still haven’t heard or seen the video for Beyoncé’s “Lemonade,” have yet to hear a Nicki Minaj or Rihanna song that I truly like, and think that Drake and Meek Mill are pretty weak. Am I getting so old that I don’t understand what is or isn’t good music anymore? Or, did I ever have a handle on what was and is good music when I was sixteen, and am more discerning or snobbish now? Or, am I just a goofball who wouldn’t know good music if it bit me in the ass?

Maybe it’s all of the above. Below is a sample of my list of song that I described as theme music for Boy @ The Window. This is all music that came out in ’86.

Screen Shot 2016-08-10 at 12.17.21 PM

There are some amazing songs on this list. Anita Baker’s “Sweet Love.” Simply Red’s “Holding Back The Years.” Sade’s “Never As Good As The First Time.” Who could argue with these? If anyone does, they just hate the whole genre of ’80 pop and R&B, and refuse to appreciate the music on any level.

Now there are other where I will concede the quality is questionable, but I like anyway. Pet Shop Boys’ “West End Girls,” Michael McDonald’s “Sweet Freedom,” and Falco’s “Rock Me Amadeus” all fit into all kinds of questionable tastes here. But compare “Sweet Freedom” to Prince’s “Raspberry Beret” and its syrupy goofiness. Or, really, Michael McDonald’s super-popular duet with Patti LaBelle in “On My Own.” I hated that song as much as I could hate any music, but I was apparently in a small minority three decades ago. Baby Boomers – gotta love ’em!

There’s also Steve Winwood’s “Higher Love” with Chaka Khan doing background vocals. You take Chaka Khan out of this song, and it’s an ’80s display of synthesizer prowess with pretty decent lyrics. Bruce Hornsby and The Range’s “The Way It Is” was and remains a simplistic “hearts and minds” analysis of American racism, but it was at least a self-consciously effort to address a social issue. Even when folks fall short, I can appreciate their music.

There are plenty of songs from thirty years ago that I either thought were silly, didn’t represent my mood from that time, or were a reflection of my need to escape my life. Anything by Chicago or Starship from ’86 would fit. I heard Starship’s “Nothing’s Going To Stop Us” at the local Trader Joe’s, a few days ago, and my stomach started cramping up. I actually got nauseous over a song! Grace Slick’s voice remains scary, I guess.

The thread between the music I listened to three decades ago and the music I have on my iPod, iPhone, and computers is clear, to me, if no one else. With the exception of country music as Whiteness affirming, I generally don’t care what genre it’s from. The lyrics are more important than the quality of vocals, and the vocals and music are way more important than any video made with the song. That probably makes me a bit old-fashioned. But it’s also why I still have music in my collection that predates my birth.

A Weak Legacy: The Acts of the Civil Rights Apostles at 50

24 Friday Oct 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, Politics, Pop Culture, race, Work, Youth

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"The Way It Is" (1986), AERA, American Educational Research Association, Brown Lecture, Brown v. Board of Education (1954), Bruce Hornsby and The Range, Civil Rights Act of 1964, Class Inequality, Color Bar, Derrick Bell, Inequality, Jesse B. Semple, Legacy, Mother-Son Relationship, Poverty, Racial Inequality, Racism, Symbols, The Acts of the Apostles, Voter Disenfranchisement, Voting Rights Act of 1965


The Acts of the Apostles (book cover), 1999. (http://books.google.com).

The Acts of the Apostles (book cover), 1999. (http://books.google.com).

Yesterday evening, I attended the eleventh annual Brown lecture hosted by the American Educational Research Association at the Ronald Reagan Building here in DC. The great scholar James Anderson talked for about an hour about the connections between voter disenfranchisement and state policies that created systems of educational inequality for Blacks as part of the Jim Crow era. Anderson wondered aloud that with the recent efforts to restrict voting and with the Supreme striking down Section 4(b) (and essentially Section 5) of the Voting Rights Act of 1965 if this meant a return of gross educational inequality on the basis of race and class in 2014. As if the trends of inequality only rise and fall with well protected or unprotected voting rights. Voting rights enforcement is a good barometer, but hardly the only one. The last twenty years of high-stakes testing and corporate education reform provide evidence of a trend of educational inequality that has occurred despite and (in many cases) precisely because of voter participation across all racial lines.

The following, though, is my full response, to Anderson, AERA and all of those in legacy-celebration mode with the Brown decision and the Acts in 2014 and 2015. What was true in 1964 and 1965 remains true fifty years later. The Civil Rights and Voting Rights Acts have been much more lightbulbs on a symbol of real progress — the Civil Rights Movement — than it has been an actual marker of progress. At least for those poor, Black and of color. For Whites, though, the Acts have been the sign of a post-racial America without having to work at it or talk about it. But for the adults I grew up around in Mount Vernon, New York in the 1970’s, there was a lingering hopefulness about race relations and racial equality in America that is absent these days. I don’t know if I felt it because of Archie Bunker and All In The Family or because of all those reproductions I saw of the late Martin Luther King, John F. Kennedy and Robert F. Kennedy together in the same painting over so many living-room mantles when I was six years old. Yet no matter how down or how out, so many poorer Blacks I knew back then had hope for a brighter present and future.

Jesse Jackson, an Obama election sign, and the American flag -- three symbols in one picture, July 2008. (http://plus.google.com).

Jesse Jackson, an Obama election sign, and the American flag — three symbols in one picture, July 2008. (http://plus.google.com).

It wasn’t as if they contemplated Title VII of the Civil Rights Act or Section 2 of the Voting Rights Act at the disco house parties my mother would take me and my older brother to, playing with other kids while the adults danced away their troubles. No, it was the idea that finally, Blacks who looked like us could pry open a door and get an opportunity to succeed in America. Or, to quote The Jeffersons‘ theme song, to “gettin’ our turn at bat.” It didn’t matter to them that the Civil Rights Act, even with all its enforcement teeth, would benefit White women and those lucky enough to be part of Black middle class more than us poor Black folk. Or if the Voting Rights Act could be thwarted by gerrymandering and state decisions to make voting harder for us. The Acts crystallized hope, symbolized a chance, however small, for a better education, a better job, and a better life, for themselves and their families.

The adults in my life were putting on a good face, though, as I came to realize when I was a preteen. My mother had once held the hope that me and my older brother would “make it” by going to college and finding “good-paying jobs.” But by the start of the Reagan Revolution, she no longer spoke in such lofty terms. My mother was hardly alone. By 1979, Blacks like Florence Grier in Bob Blauner’s oral history book Black Lives, White Lives (1989) were saying, to “tell you the truth, I’m not hopeful that we’re going to progress in the eighties as fast as we progressed from the sixties to the seventies.”

Polling back then also reflected this sense of frustration about race and over racial discrimination among Blacks, in contrast to the White sentiment that America had move beyond its racist past. In March 1981, ABC News and The Washington Post conducted their first combined poll on the state of race relations in the US. While 73 percent of Blacks in the poll saw “deep rooted continuing racial problems and blame them on discrimination…only 46 percent of the Whites agreed.”

First page of the Civil Rights Act of 1964 (bent and warped), July 8, 1964. (http://www.ourdocuments.gov/document_data/pdf/doc_097.pdf). In public domain.

First page of the Civil Rights Act of 1964 (bent and warped), July 8, 1964. (http://www.ourdocuments.gov/document_data/pdf/doc_097.pdf). In public domain.

The hopes and aspirations that the Civil Rights Act symbolized have eroded with the Act itself, and are all but absent for younger generations of Americans. An MTV and David Binder Research poll from early 2014 found that 48 percent of White millennials believe anti-White discrimination is as significant as discrimination against people of color, while 65 percent of the people of color they polled believe that Whites have more opportunities for success. Even my own eleven-year-old son reflects this trend. “People were more stupid back then,” my son said to me recently while we talked about the Civil Rights Movement and White resistance to integration, as if racial inequality ended with the movement.Thanks in no small part to the success of the neoconservative movement in declaring the death of racism in the 1980s and 1990s, the generation born after 1981 does not see the federal government as the catalyst for a better life or as a leveler of any playing field.

Bruce Hornsby and The Range’s lyrics from their hit “The Way It Is” summed up the weaknesses of the Civil Rights Act and its legacy well, for us in 1986 as well as today:

Well, they passed a law in ’64

To give those who ain’t got a little more

But it only goes so far

Cause the law don’t change another’s mind…

Nor, apparently, does it create a lasting legacy of racial equality and social mobility.

Herman Cain’s Greatest Hits

01 Tuesday Nov 2011

Posted by decollins1969 in 1, Eclectic, eclectic music, Patriotism, Politics, Pop Culture, race, Work

≈ Leave a comment

Tags

Bruce Hornsby and The Range, Class Warfare, Dean Martin, Herman Cain, Naughty By Nature, Opposition, Otis Redding, Phil Collins, Politics, Popular Music, Racial Denial, Racial Stereotypes, Republicans, Sexism, Singing


Mr. Herman "Get A Job!" Cain, at Republican Party of Florida Presidency 5 Convention, Orlando, FL , September 24, 2011. (AP).

Since the allegedly sexually harassing, racism and classism denying, Republican presidential candidate leader of the moment Herman Cain likes to sing, I decided to make a short list of Cain’s greatest hits. Trust me, they’re all doozies. They draw on the experiences of a man about as in touch with average Americans as Marie Antoinette was with French peasants on the eve of the French Revolution.

1. “The Way It Is” (1986) — Bruce Hornsby and The Range: Here, he puts special emphasis on the line, “Just for fun he says, ‘Get a job!,” not out of sarcasm, but out of sincerity.

2. “Another Day In Paradise” (1989) — Phil Collins: Cain tries to get a bit of social consciousness, at least, in emphathizing with “the man on the street,” the poor guy subjected to a worn-out homeless women begging for help.

She calls out to the man on the street
“Sir, can you help me?
It’s cold and I’ve nowhere to sleep
Is there somewhere you can tell me?”

He walks on, doesn’t look back
He pretends he can’t hear her
He starts to whistle as he crosses the street
She’s embarrassed to be there

The real test with this song would be whether Cain’s whistling is as good as his crooning.

3. “O.P.P.” (1991) — Naughty By Nature: Here Cain would need help from ex-RNC head Michael Steele to get his rap game together, as well as from Supreme Court Justice Clarence Thomas in interpreting the sexual laden lyrics. But in light of the accusations — and in Justice Thomas’ case, evidence — of sexual harassment and general insensitivity of Cain, Steele and Thomas, figuring out “who’s down with O.P.P.?” is an appropriate question in their bubble.

4. “Cigarettes And Coffee” (1966) — Otis Redding: Cain’s tribute to his campaign manager in his recent commercial as he slows down the pace a bit. “And please, darling, help me smoke this one more cigarette,” Cain baritones to Mark Block.

5. “Ain’t That A Kick In The Head” (1960) — Dean Martin: Cain’s theme song for his campaign. The main lyrical refrain for him would be as much about his rise to the top of the Republican heap as it would be about the people he’s stereotyped, vilified, denigrated and ultimately exploited over the course of his career and campaign.

My head keeps spinning;
I go to sleep and keep grinning;
If this is just the beginning,
My life’s gonna be beautiful.
I’ve sun- shine enough to spread;
It’s like the fella said…

“Ain’t [I] like a kick in the head?” And the 99 percent of us say, “Hell, yeah, where’s the aspirin?”

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

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