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Tag Archives: Voting Rights Act of 1965

The Importance of The Great Society, 50 Years Later

10 Friday Apr 2015

Posted by decollins1969 in 1, Academia, Boy @ The Window, Eclectic, Patriotism, Pittsburgh, Politics, Pop Culture, race, Work, Youth

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13th Amendment, Appomattox, Back To The Future (1985), Claiborne Pell, Elementary and Secondary Education Act of 1965, ESEA, Great Society, HEA, Higher Education Act of 1965, Juneteenth, LBJ, Legacy, Michelle Rhee, Poverty, President Lyndon Baines Johnson, Public Education Costs, Racial Discrimination, Racism, Roland Fryer Jr., Segregation, Technocrats, The Great Society, UN Conference on Women, Vietnam War, Voting Rights Act of 1965, War on Poverty, Wendy Kopp


Cartoon about American politics and the economy during the Great Recession, May 9, 2010. (Mike Luckovich, Atlanta Journal-Constitution). Qualifies as fair use under copyright laws (low resolution, relevance to subject matter).

Cartoon about American politics and the economy during the Great Recession, May 9, 2010. (Mike Luckovich, Atlanta Journal-Constitution). Qualifies as fair use under copyright laws (low resolution, relevance to subject matter).

This weekend marks a half-century since President Lyndon Baines Johnson signed the first series of bills into law that signified his Great Society/War on Poverty work. We won’t hear much about this, though. Not with 2015 being a benchmark year for commemorating and celebrating so much else. The Voting Rights Act of 1965. The 70th anniversary of the end of World War II. Appomattox at 150, along with President Lincoln’s assassination, Juneteenth, and the ratification of the 13th Amendment to the US Constitution, ending legal slavery (except for prisoners, of course). The trench warfare of World War I, and the Battle of Gallipoli (if one’s a real war trivia buff). Even the 30th anniversary of Back To The Future and the UN Conference on Women, which gathered in Nairobi, Kenya in the fall of 1985, will likely get more air time, cyber time, and ink than the first of LBJ’s Great Society programs.

But the Great Society was supposed to be a grand experiment and experience. It was supposed to wipe out poverty, end all legal forms of discrimination and segregation, and make the opportunity to achieve the modern American Dream of a middle-class life or better a reality for almost everyone. And it would’ve worked, too, if it weren’t for those pesky kids, um, LBJ’s pesky decisions to go escalate the Vietnam War. The war cost $269 billion in 1970 dollars, or, $1.7 trillion in 2015 money.

What $1 trillion looks like,  January 2012. (http://usdebt.kleptocracy.us/ via Elsolet Joubert).

What $1 trillion looks like, January 2012. (http://usdebt.kleptocracy.us/ via Elsolet Joubert).

Yet it’s not exactly true that it would’ve worked, or that it didn’t work. You see, despite the best efforts of an elitist, right-wing and ineffectual federal government corrupted by plutocrats and its military-industrial complex, the Great Society programs are still with us. For starters, there’s the Elementary and Secondary Education Act (ESEA) of 1965 and Higher Education Act (HEA) of 1965, the first one LBJ signed into law on April 11, fifty years ago on this date.

Without these laws, the modern era of educating millions of children whom states, colleges and universities and local school districts had shut out of K-12 and higher education wouldn’t have occurred at all. With federal government dollars and regulations, not to mention a foundation in the form of the Civil Rights Act of 1964, ESEA and HEA in its initial years provided real hope for “an equal opportunity for all.”

This wasn’t and isn’t just about Jim Crow and racial discrimination and segregation, whether de jure in the South or de facto via residential segregation and redlining in cities outsider the South. This became about opening doors for whole classes of children and adults that had been steel-reinforced-concrete walls before.

Harvard Economics Professor Roland Fryer at American Enterprise Institute, Washington, DC, July 16, 2007. (http://aei.org).

Harvard Economics Professor Roland Fryer at American Enterprise Institute, Washington, DC, July 16, 2007. (http://aei.org).

Technocrats and other public education crises gurus of the likes of Michelle Rhee, Wendy Kopp, and Roland Fryer would have us think that the $600 billion that states and the federal government via ESEA spend on public education each year is all wasteful spending. They say that we have about the same number of students in schools today (about 50 million) as we did in 1970.

Of course, they don’t tell the whole story, leaving out a lot of truth for us. For in my lifetime, students with disabilities (cognitive, physical, emotional) have gone from shutout to included in public schools as part of the Americans with Disabilities Acts of 1989 and 1992, and of course, ESEA. Students with language proficiency issues became part of the public education fabric under the Lau v. Nichols Supreme Court decision in 1974, with funds provided out of ESEA. Charter schools, magnet programs, school counseling, and so many other things that have made public education more inclusive and also more expensive wouldn’t have been possible without ESEA. Meaning, technocrats, that public education was severely underfunded and exclusionary prior to 1965.

The HEA hasn’t had the same effect, primarily because we as a society tend to think of higher education as a luxury and not a right, and have fought hard to make many colleges and universities the exclusive domain of “the worthy.” Still, without HEA and the Pell Grants (named after former Sen. Claiborne Pell (D-RI, 1961-97), the Supplemental Educational Opportunity Grant, the Direct Student Loan Program, and the Supplemental Loan Program, a whole generation of low-income and middle-income families wouldn’t have been able to send their kids to college. They were often the first in their families, as Blacks, as women, as Black and Latino women, as working-class Whites with only a steel mill or automobile plant in their future. At least back then.

President Lyndon Johnson signing the Higher Education Act of 1965, Master's Gymnasium, Texas State University, San Marcos, TX, November 8, 1965. (http://smmercury.com/). In public domain.

President Lyndon Johnson signing the Higher Education Act of 1965, Master’s Gymnasium, Texas State University, San Marcos, TX, November 8, 1965. (http://smmercury.com/). In public domain.

There’s also the National Endowment for the Arts and the National Endowment for the Humanities, the Head Start program, and Congress passing Medicaid and Medicare, providing health coverage for the elderly and deeply poor for the first time. And all in 1965.

What does all of this mean in 2015? That despite the mountains of books written on LBJ and the failures of the War on Poverty and the Great Society, that these programs worked and work in ameliorating poverty and expanding opportunities for all, even across racial lines. Would they have been more effective with more investment, especially in those initial years, when Vietnam became more of a priority? No doubt.

That’s just it, though. Most Americans — who despite the fears of Ted Cruz and Rudy Giuliani, remain White — didn’t care about poverty and racism and the structures that supported it then, and they mostly don’t care now. They want Congress to work, just not on issues that would permanently unbalance the social hierarchy that they’ve assumed as their birthright for two centuries.

Hence the constant one-two punch of a relationship they see with poverty and those with black and brown skin. Hence the constant carping about taxes and needless spending on food stamps and welfare, even though the true face of government assistance in the US has always been a haggard White one. Hence the constant media tropes about hard work and so-called self-made men worth billions making their money without holding a college degree, who somehow can tell the rest of us how to live. The Great Society, for all of LBJ’s foibles and its weaknesses, remains a great legacy of what America could be, and at times, has been, but overall, refuses to be.

In Finally Seeing Selma

24 Saturday Jan 2015

Posted by decollins1969 in 1, Academia, culture, Eclectic, Movies, Patriotism, Politics, Pop Culture, race

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Academy Awards, American Sniper (2014), Ava DuVernay, Bill Moyers, Carmen Ejogo, Civil Rights Act of 1964, Coretta Scott King, David Oyelowo, Double Standards, Film Making, Historical Accuracy, Hypocrisy, LBJ, MLK, Oprah Winfrey, Oscar, President Lyndon Baines Johnson, Racial Quotas, Racism, Rev. Dr. Martin Luther King Jr., Selma, Voting Rights Act of 1965


Selma movie poster, January 2015. (http://www.freakinawesomenetwork.com).

Selma movie poster, January 2015. (http://www.freakinawesomenetwork.com).

My son had an extra day off from school this week, the day after MLK Day. To give him a break from his daily dose of manga and anime, I took him to the downtown Silver Spring cineplex to see Selma. I hadn’t planned to see it until after Selma had come out on DVD or streaming via Netflix or Comcast, because I knew my son would have questions. And he did — lots of them!

But I was also curious. Not about the history. As the historian I am, I really didn’t need to see Selma to confirm the brutality of Jim Crow racism and violence, that I’d in fact seen and lived much worse. I wanted to see how Ava DuVernay’s treatment of Dr. King, Coretta Scott King, President Lyndon B. Johnson, Bayard Rustin, George Wallace, J. Edgar Hoover and so many others would stack up against years of research, writings, lectures and discussions (some of which are my own) on the period. I wanted to know if the staunchest critics of the film were in any way accurate in their criticisms, or if they were just holding DuVernay and Selma to a double-standard.

Billy Drago as Frank Nitti in The Untouchables (1987), falling to his fictitious death at Elliott Ness' hands in 1931 (he actually died from a self-inflicted gunshot wound in 1943). (http://youtube.com).

Billy Drago as Frank Nitti in The Untouchables (1987), falling to his fictitious death at Elliott Ness’ hands in 1931 (he actually died from a self-inflicted gunshot wound in 1943). (http://youtube.com).

In light of so many other films, from Mississippi Burning (1988) to Remember the Titans (2000), from The Untouchables (1987) to The Hurricane (1999), it’s obvious the art of film-making isn’t as exact as a scalpel. This may well be sacrilege, but I as a historian and educator do not expect movies to be 100 percent accurate depictions of historical events. A great film can educate as well as entertain, but education is far more than getting all the facts correct because some folks want to hold a “Black” film to a higher standard than Zero Dark Thirty (2012) or Schindler’s List (1993). Making a very good movie requires the right context for facts, whether the accuracy level is 50 percent or 98 percent. It requires the right language and words, the right intonations and inflections, the correct mood and emotions, not just accuracy levels only a scholar with 800 endnotes and 1,200 sources could meet.

Knowing this, I dismiss nearly all the critics who’ve been pissed that LBJ was portrayed as a racist. Well, he was! He grew up in rural Texas, ran as part of an anti-Black Democratic machine for Congress and the Senate. Still, he also cared about people, about eliminating poverty, and even about providing federal civil rights protections for Blacks. This may be a contradiction, but what else is new in human nature? We’re not simply black or white, evil or good. We’re gray and mercurial, obsequious and hypocritical. So yes, LBJ was a racist and a progressive and a warmonger, and as far as I am concerned, the best president since FDR.

The idea that we should completely discount Selma because DuVernay didn’t make rabbis obvious in the film is ridiculous. That argument has been based on the exclusion of one Rabbi Abraham Heschel, who was front and center in the third Selma march on March 19, 1965, from the images in the film. As one person who actually saw the film, however, it seemed no single actor portrayed Heschel or any other yarmulke and robe-wearing rabbi. There were at least two scenes, though, in which David Oyelowo (who played Dr. King) appeared to interact with men of Jewish faith. They were rabbis, but not dressed obviously so.

Co-Executive Producer Oprah Winfrey, Oscar Nominee David Oyelowo, and Director Ava DuVernay at AFI Fest premiere for Selma, November 12, 2014. (Alberto E. Rodriguez/Getty Images, via http://variety.com).

Co-Executive Producer Oprah Winfrey, Oscar Nominee David Oyelowo, and Director Ava DuVernay at AFI Fest premiere for Selma, November 12, 2014. (Alberto E. Rodriguez/Getty Images, via http://variety.com).

So let’s put Selma right up there with Howard the Duck (1986)! Except that this outrage over historical accuracy is as false as American Sniper‘s (2014) depiction of Arab Muslims as blood-thirsty caricatures of real human beings. Long-ago released tapes (now at the Johnson Presidential Library) indicate that LBJ regularly used the n-word, and that he wanted to wait on the Voting Rights Act, with it coming so soon after the Civil Rights Act.

To complain about the lack of religious Jewish garb in Selma, though, would be like Blacks complaining about film directors not portraying them as liberators in holocaust films. And yes, there are at least two confirmed instances in which segregated Black Army units did in fact help liberate concentration camps in western Germany in the final weeks of World War II. When that film comes out about the segregated 761st Tank Battalion’s exploits and participation in liberating camps, then I will take much more seriously complaints about the lack of yarmulkes and tzitzits in Selma. As in, not seriously at all.

The only complaints about Selma that have made sense to me have come from Bill Moyers, press secretary under LBJ from 1965 to 1967. Moyers recently refuted the idea that President Johnson gave the go-ahead to J. Edgar Hoover to release the so-called sex tape to Coretta Scott King during the Selma march period, contrary to how this DuVernay portrayed this segment in Selma. Wow! Two minutes out of a two-hour movie! (The interplay between Oyelowo and Carmen Ejogo as Dr. and Mrs. King over the tape was as engrossing as it was gut-wrenching).

Preview clip screen shot of American Sniper (2014) with lead actor Bradley Cooper, January 23, 2014. (http://huffingtonpost.com).

Preview clip screen shot of American Sniper (2014) with lead actor Bradley Cooper, January 23, 2014. (http://huffingtonpost.com).

I did enjoy the movie, found Oyelowo’s portrayal of Dr. King Oscar-worthy (if not as perfect as some believe), and actually found nearly all the characters real and truly representative of the times. It should be said, though, that excuses of inaccuracy are always made by those who really have no excuses for snubbing really well done films. Especially ones that aren’t White clichés. Like American Sniper. No question that the Academy Awards committee should’ve nominated Ava DuVernay for best director, but for their faux liberal racial sensibilities.

A Weak Legacy: The Acts of the Civil Rights Apostles at 50

24 Friday Oct 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, Politics, Pop Culture, race, Work, Youth

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"The Way It Is" (1986), AERA, American Educational Research Association, Brown Lecture, Brown v. Board of Education (1954), Bruce Hornsby and The Range, Civil Rights Act of 1964, Class Inequality, Color Bar, Derrick Bell, Inequality, Jesse B. Semple, Legacy, Mother-Son Relationship, Poverty, Racial Inequality, Racism, Symbols, The Acts of the Apostles, Voter Disenfranchisement, Voting Rights Act of 1965


The Acts of the Apostles (book cover), 1999. (http://books.google.com).

The Acts of the Apostles (book cover), 1999. (http://books.google.com).

Yesterday evening, I attended the eleventh annual Brown lecture hosted by the American Educational Research Association at the Ronald Reagan Building here in DC. The great scholar James Anderson talked for about an hour about the connections between voter disenfranchisement and state policies that created systems of educational inequality for Blacks as part of the Jim Crow era. Anderson wondered aloud that with the recent efforts to restrict voting and with the Supreme striking down Section 4(b) (and essentially Section 5) of the Voting Rights Act of 1965 if this meant a return of gross educational inequality on the basis of race and class in 2014. As if the trends of inequality only rise and fall with well protected or unprotected voting rights. Voting rights enforcement is a good barometer, but hardly the only one. The last twenty years of high-stakes testing and corporate education reform provide evidence of a trend of educational inequality that has occurred despite and (in many cases) precisely because of voter participation across all racial lines.

The following, though, is my full response, to Anderson, AERA and all of those in legacy-celebration mode with the Brown decision and the Acts in 2014 and 2015. What was true in 1964 and 1965 remains true fifty years later. The Civil Rights and Voting Rights Acts have been much more lightbulbs on a symbol of real progress — the Civil Rights Movement — than it has been an actual marker of progress. At least for those poor, Black and of color. For Whites, though, the Acts have been the sign of a post-racial America without having to work at it or talk about it. But for the adults I grew up around in Mount Vernon, New York in the 1970’s, there was a lingering hopefulness about race relations and racial equality in America that is absent these days. I don’t know if I felt it because of Archie Bunker and All In The Family or because of all those reproductions I saw of the late Martin Luther King, John F. Kennedy and Robert F. Kennedy together in the same painting over so many living-room mantles when I was six years old. Yet no matter how down or how out, so many poorer Blacks I knew back then had hope for a brighter present and future.

Jesse Jackson, an Obama election sign, and the American flag -- three symbols in one picture, July 2008. (http://plus.google.com).

Jesse Jackson, an Obama election sign, and the American flag — three symbols in one picture, July 2008. (http://plus.google.com).

It wasn’t as if they contemplated Title VII of the Civil Rights Act or Section 2 of the Voting Rights Act at the disco house parties my mother would take me and my older brother to, playing with other kids while the adults danced away their troubles. No, it was the idea that finally, Blacks who looked like us could pry open a door and get an opportunity to succeed in America. Or, to quote The Jeffersons‘ theme song, to “gettin’ our turn at bat.” It didn’t matter to them that the Civil Rights Act, even with all its enforcement teeth, would benefit White women and those lucky enough to be part of Black middle class more than us poor Black folk. Or if the Voting Rights Act could be thwarted by gerrymandering and state decisions to make voting harder for us. The Acts crystallized hope, symbolized a chance, however small, for a better education, a better job, and a better life, for themselves and their families.

The adults in my life were putting on a good face, though, as I came to realize when I was a preteen. My mother had once held the hope that me and my older brother would “make it” by going to college and finding “good-paying jobs.” But by the start of the Reagan Revolution, she no longer spoke in such lofty terms. My mother was hardly alone. By 1979, Blacks like Florence Grier in Bob Blauner’s oral history book Black Lives, White Lives (1989) were saying, to “tell you the truth, I’m not hopeful that we’re going to progress in the eighties as fast as we progressed from the sixties to the seventies.”

Polling back then also reflected this sense of frustration about race and over racial discrimination among Blacks, in contrast to the White sentiment that America had move beyond its racist past. In March 1981, ABC News and The Washington Post conducted their first combined poll on the state of race relations in the US. While 73 percent of Blacks in the poll saw “deep rooted continuing racial problems and blame them on discrimination…only 46 percent of the Whites agreed.”

First page of the Civil Rights Act of 1964 (bent and warped), July 8, 1964. (http://www.ourdocuments.gov/document_data/pdf/doc_097.pdf). In public domain.

First page of the Civil Rights Act of 1964 (bent and warped), July 8, 1964. (http://www.ourdocuments.gov/document_data/pdf/doc_097.pdf). In public domain.

The hopes and aspirations that the Civil Rights Act symbolized have eroded with the Act itself, and are all but absent for younger generations of Americans. An MTV and David Binder Research poll from early 2014 found that 48 percent of White millennials believe anti-White discrimination is as significant as discrimination against people of color, while 65 percent of the people of color they polled believe that Whites have more opportunities for success. Even my own eleven-year-old son reflects this trend. “People were more stupid back then,” my son said to me recently while we talked about the Civil Rights Movement and White resistance to integration, as if racial inequality ended with the movement.Thanks in no small part to the success of the neoconservative movement in declaring the death of racism in the 1980s and 1990s, the generation born after 1981 does not see the federal government as the catalyst for a better life or as a leveler of any playing field.

Bruce Hornsby and The Range’s lyrics from their hit “The Way It Is” summed up the weaknesses of the Civil Rights Act and its legacy well, for us in 1986 as well as today:

Well, they passed a law in ’64

To give those who ain’t got a little more

But it only goes so far

Cause the law don’t change another’s mind…

Nor, apparently, does it create a lasting legacy of racial equality and social mobility.

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