Bill Cobsy, The Nexus of Father Figure and Power Corruption

20 Thursday Nov 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Jimme, Marriage, Mount Vernon New York, My Father, Pop Culture, race, Youth

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"Pound Cake" speech, Bill Cosby, Conrad Bain, Culture of Poverty, Diff'rent Strokes (1978-86), Education, Father Figures, Hypocrisy, Imperialism, Jell-O, Misogyny, NBC, Racism, Rape, Robert Reed, Sexual Assault, The Brady Bunch (1969-74), The Cosby Show (1984-92), Violence

Jell-O Pudding Pops ad with Bill Cosby, circa 1983, November 20, 2014. (http://pinterest.com).

In the aftermath of my Mom’s second divorce in September ’89, she would sometimes engage me in conversations about manhood and fatherhood. It was as if she didn’t think of me as a man in really any sense at all. This despite years of handling adult responsibilities and running interference between her and my now ex-stepfather Maurice.

George Michael, “Father Figure” video screen shot, 1988. (http://vevo.com).

One Christmas holiday day in ’90, we were sitting in the living room at 616 watching a rerun of The Cosby Show on NBC, then the most popular show on the most popular network in the US. My Mom asked me, “If you could pick your father, you’d want it to be Cosby, right?” I stared blankly at my Mom, wondering where the heck that question came from. I didn’t say anything. But my Mom took that as me thinking, “Yeah, he would’ve been a great father for you.”

At the time, I certainly thought that Bill Cosby would’ve been an entertaining father, if I’d been lucky enough to have a near-billionaire as my dad. What I really wanted was my father, Jimme Collins, to get himself sober, to be lucid enough to talk to now that I was in my twenties. Beyond this, I didn’t give Cosby or my Mom’s question and comments much thought.

Over the years, I’ve watched TV dads come and go, frequently with some tragedy or controversy. Robert Reed of The Brady Bunch (1969-74) fame comes to mind, with his in-the-closet status and his early death from colon cancer and HIV complications. So too does Conrad Bain, because of the backlash Diff’rent Strokes (1978-86) received as a result of its dated way of treating issues such as race and poverty with his character Phillip Drummond as the father to two Black kids, not because of his personal life. But Bill Cosby as Dr. Heathcliff “Cliff” Huxtable, an obstetrician and gynecologist (talk about irony) and father of four daughters and one son, became for many “America’s Dad,” a title that the media has celebrated recently in the wake of The Cosby Show‘s thirtieth anniversary of its first airing earlier this fall. He was supposed to be above reproach.

Bill Cosby in midst of his “Pound Cake” speech (with Rev. Jesse Jackson in background), NAACP 50th Anniversary of Brown decision gala, Washington, DC, May 17, 2004. (http://blackpast.com).

I’ve long been disappointed with Cosby, though. For his culture-of-poverty arguments against welfare mothers, crack babies and pregnant teenagers. For his frequent need to chastise Blacks living in poverty for not knowing “proper moral behavior” (this from a person who purportedly holds a doctorate in education from the University of Massachusetts). Not to mention his double-standard on monogamy.

Now even the oblivious set has become aware of the growing number of accusations from women who’ve said that Cosby had allegedly committed rape and other forms of sexual assault going back at least thirty-two years. I’ve been aware of these accusations and rumors for nearly twenty years, in the wake of Cosby’s son Ennis’ death in ’97. I hoped that these accusations were false ones at first. Who would want to believe that “America’s Dad,” the Jell-O Pudding and Pudding Pop Man, was also drugging and raping women in his spare time?

I think what we need to recognize the most, maybe even more than systemic racism or our culture of imperialism and violence, is that this society of ours is somewhere between an oligarchy and a plutocracy. Bill Cosby’s stance on race, community and morals has only mattered because of his fame and fortune, not because of his expertise and certainly not because of his professional experience. Bill Cosby’s a comedian, an actor, a philanthropist and a philanderer, and perhaps a rapist as well. Americans all too frequently fall for the facade of father figures and others whom seem to say what we want to hear. When all those with power and money really want to do is to wield that power and money to their own capricious and narcissistic ends.

Last Gasps, Anita Baker’s “Sweet Love,” and My ’86 Mets

26 Sunday Oct 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, My Father, New York City, Pittsburgh, Pop Culture, race, Sports, University of Pittsburgh, Youth

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"Sweet Love" (1986), 1986 World Series, Alcoholism, Anita Baker, Bill Buckner, Billboard Pop Chart, Cameo, Child Abuse, Club Nouveau, Coping Strategies, Domestic Violence, Drug Abuse, Giants, Grammys, Hip-Hop, Joe Morris, Living Vicariously, Mets, Mookie Wilson, R&B, Rap, Rapture album, Singing, Super Bowl XXI, WFAN

The Mookie Wilson-Bill Buckner connection, Game 6, 1986 World Series, Bottom 10th, Shea Stadium, Queens, NY, October 25, 1986. (http://halloffamememorabilia.net).

Sunday, October 26, 1986 was part of a great three days for me, perhaps the three best days during my Boy @ The Window years. My Mets had pulled off a miracle. They survived being within a strike of losing the ’86 World Series because Mookie Wilson put a ball between Boston Red Sox 1st baseman Bill Buckner’s rickety legs the night before. Anita Baker’s “Sweet Love” was #1 or #2 on the R&B charts and was near the top of Billboard’s Top 40 on this day twenty-eight years ago. Within the next thirty-eight hours, my Mets would complete the comeback, and win their second (and last, to this point anyway) World Series after falling behind 3-0 through the first six innings. Meanwhile, my Giants would run through the Deadskins at home in East Rutherford, NJ, as Joe Morris rushed for 185 yards in a 27-21 victory, on their own march to a championship title.

GoGurt, Yoplait’s squeeze -in-mouth, portable yogurt, October 26, 2014. (http://freehotsamples.com).

My coping mechanisms were at their peaks, though, and had nothing else to do but crash down into the Earth. It was also my senior year in high school, a time of too many AP courses, too many college-going pressures, too many haters and doubters among my classmates, and too much of the grinding poverty and chaos that was living at 616. Within two weeks of my Mets, my Giants and Anita Baker’s first big hits, I’d discover my idiot stepfather’s pornography collection, nearly got set up with a prostitute because of my father, and face humiliation at the hands of my AP Physics teacher David Wolf and his boss Estelle Abel for the first time.

It took me almost two years to recover from the happenings of the mid-fall of ’86. In the process, I faced betrayal, ostracism, humiliation, broken-heartedness, and homelessness, but somehow managed to not make every song and every Mets and Giants (and Knicks and Rangers) victory a vicarious signpost for my own life. It helped that I started to think of Pitt — if not Pittsburgh — as my home, with concerns beyond living and dying with my New York teams and with relatively unknown but talented music artists.

Giants’ RB Joe Morris running through Deadskins again, RFK Stadium, Washington, DC, December 7, 1986. (http://sikids.com).

I learned other things along the way, too. That my Mets and Giants weren’t the perfect teams I thought they were. Between the alcohol and drug issues of Darryl Strawberry, Dwight Gooden, Len Dykstra, Lawrence Taylor, Kevin Mitchell, not to mention their and other teammates’ domestic violence issues, it was obvious to me that talent and winning were more important than living by a consistent code. Listening to the new 24/7 sports radio station WFAN when it began its run in the summer of ’87 showed me the hearts and minds of most fans. They obviously weren’t using sports as a coping strategy for dealing with the emotional grind of poverty and threats of abuse and domestic violence at home. Mostly White and male, their constant barrage of vitriol and disparaging racial commentary about my favorite athletes at that time — Mike Tyson in particular — actually made me wary of White sports fans for years afterward.

I also learned that with artists like Anita Baker and Luther was really the last gasp of R&B as I’d known it to be in the US. R&B was already too much like ’80s pop and a bit too mixed up with rock at times, but with Cameo’s “Word Up” and Club Nouveau’s cover of Bill Withers’ “Lean On Me,” R&B was already beginning its merge with hip-hop, and not in a good way, either. Yeah, there were some exceptions, like Levert, or Regina Belle, but the process of R&B devolving into some Yoplait GoGurt version of itself — with Autotunes, bad rap lyrics and worse rhyme spitters, and assembly-line hip-hop beats — had already begun.

Anita Baker, Rapture phase, circa 1986. (http://projects.latimes.com).

Some of you may say, R&B’s still alive in the US, specifically in our churches, but that’s not true, thanks in large measure to Kirk Franklin. His work in the ’90s made it so that it’s taken longer for jazz to catch on in bands and choirs than rap and hip-hop. No, if you want to find R&B with actual singers these days, try the United Kingdom of Great Britain, try France, try Senegal, try Nigeria. But don’t try the US. Nicki Minaj is no Aretha, no matter how imaginative her videos and her clothes. For that matter, Iggy Azalea’s no Teena Marie, as the former doesn’t understand the difference between cultural appropriation and authenticity. Hip-hop sprang in part from the roots and branches of R&B, but like a parasitic vine, it has cannibalized those roots.

Still, it’s good to remember days like the ones I lived through twenty-eight years ago, with Anita Baker in my ear, my Mets in victory formation, my Giants lined up right beside them. Those days are gone, like the coping strategies I used to get through every one of those days. Not to mention the R&B that was more a part of my life than the hip-hop that my contemporaries were supposedly raised on.

Can Family and Friends Ever Understand The Why Behind a Memoir?

20 Monday Oct 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Jimme, Mount Vernon New York, My Father, Pop Culture, race, Religion, Work, Youth

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"Dirty Laundry", Catharsis, Charles M. Blow, Child Abuse, Core Friends, Extended Family, Family, Father-Son Relationships, Fire Shut Up in My Bones (2014), Friends, Memoirs, Mother-Son Relationship, Neglect, Poverty, Sexual Assault, Sexuality, Writing

Front cover, Fire Shut Up in My Bones, Charles M. Blow, September 23, 2014. (http://goodreads.com).

I started reading New York Times columnist Charles M. Blow’s memoir Fire Shut Up In My Bones two weeks ago. Like many who have read it, I have found it a good read, a revealing read, even a powerful read at times. I have been able to put it down, though. Mostly because as someone who’s recently written a memoir about my own painful and trying experiences with abuse and neglect, about confusion, distrust and occasional rage, Blow’s book has been a reminder of how difficult it was for me to relive those experiences enough to write them down in words and revise them into a book of my own.

Still, as I do intend to finish Fire before the holidays, I do have a couple of questions. One is really basic. Had Blow ever heard of the Kinsey Report (1948), the first one about the sexual experiences and habits of men, particularly gay and bisexual men, prior to turning thirty? The one thing I learned from reading this report twenty years ago is that there’s a lot of gray between heterosexual, gay and bisexual. That you can be heterosexual, and still have a small level of attraction to those of your same gender simultaneously.

256 shades of gray (cropped), October 20, 2014. (http://cs.dartmouth.edu).

But this is a minor question, more about his curious road to understanding his sexuality — not to mention my own road — than it is about Fire itself. My second question is a much more important one. How have Blow’s family and friends received his book since he decided to write it? How have they received Fire in the months since he announced it was coming out in September? How have they received him and Fire since it officially hit the shelves last month?

If his immediate and extended family was/is anything like mine (and from reading Fire so far, it is), then my best guess is their reaction’s been mixed at best. In the year since I released Boy @ The Window in paperback, my siblings have liked the book, but my mother and father haven’t exactly been happy about me writing it. My mother hasn’t said one word about Boy @ The Window since I put it out last year. Nor did she ask any questions about the book in the six and half years that I toiled in writing and rewriting it.

My father, meanwhile, showed interest in the book right from the moment I told him I planned to write Boy @ The Window. That was, until the paperback edition came out during the holidays last year. At that point, he said, “I don’t wanna talk to you no more.” We’ve talked several times since, but he’s still pissed with me about including him in my memoir, even though I never hid this from him at any point in the process.

Among my friends, most of my core group has bought and read Boy @ The Window. Most have given me positive feedback, some very extensive. Yet I found myself mildly surprised how few friends outside of this core group have bought or read the book. I take that back. Actually, I’m surprised by the negative feedback I’ve gotten from folks who’ve claimed to be friends of mine, who’ve never read a word of Boy @ The Window. But this feedback hasn’t been about the memoir. It’s really about their wanting to deny facts about me or about them that they’ve assumed are in Boy @ The Window, as if my job in this instance was to only be truthful when it felt good for them.

Dirty laundry in a basket, October 20, 2014. (http://plus.google.com).

My platform is tiny when compared with Blow’s, so I imagine that the reaction to Fire in terms of both praise and condemnation has been more extreme, even as the praise has been much more public. I suppose if I was the perpetrator whom sexually assaulted Blow, I’d likely want to shut him up. I’m not so sure that anyone in his family, proud of him as they may be, wants what they’d likely consider “dirty laundry” out there for anyone to read. You don’t grow up in a family as traditional as Blow’s and expect everyone to be alright with their character’s characterization in a bestseller.

This I do know, and I suspect Blow has known for a while, too. That writing a memoir like Fire isn’t about seeking revenge or outing family secrets per se. Bottom line — it ain’t about the proverbial you! In some respects, as cathartic as writing a memoir like my Boy @ The Window or Blow’s Fire may be, it’s not so much about the authors,’ really, at least after the tenth edit.

There are so many stories that never see the light of day, because the fire for telling them burned out a long time ago. Or the window became a rubber room or a jail cell. It’s about telling a story that needs to be told, regardless of whether family’s happy about it, or whether some of your friends can relate to it or not. Because there’s always, always, an audience who needs to read it, hear it, see it and learn from it themselves.

Teaching Migration, In Song

17 Friday Oct 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, music, My Father, New York City, Politics, Pop Culture, race, Religion, Upper East Side, Upper West Side, Work, Youth

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"(Sittin' On) The Dock of the Bay" (1968), "Living For The City" (1973), African American History, Africana Studies, Arrested Development, Black Boy (1945), Black History, Black Migration, Bruce Springsteen, Cities, Gil Scott-Heron, Gladys Knights and The Pips, Great Migration, Isabel Wilkerson, James Grossman, Joblessness, John Mellencamp, Kate Bush, Land of Hope (1989), Marvin Gaye, Mary Patillo, Migration, Nas, Nicholas Lemann, Nina Simone, Otis Redding, Peter Gabriel, Poverty, Richard Wright, Stevie Wonder, Teaching and Learning, The Promised Land (1991), The Warmth of Other Suns (2010), Tracy Chapman, Tupac, Urban America, urban blight

Stevie Wonder and Wonderlove, live performance of “Living For The City,” circa 1974. (http://youtube.com).

If I ever had the chance to teach a course specifically on the history of Black migration in America, I already know what books I’d use. Isabel Wilkerson’s The Warmth of Other Suns (2010); Nicholas Lemann’s The Promised Land (1991); James Grossman’s Land of Hope (1989); Mary Patillo’s Black Picket Fences (1999); even Richard Wright’s Black Boy (1945) and Maya Angelou’s I Know Why the Caged Bird Sings (1969). All have moved beyond the statistics of some seven or eight million Blacks moving from the rural Jim Crow South to America’s cities, North, Midwest, West and South for the first three-quarters of the twentieth century.

Falsas Promesas Broken Promises, taken by John Fekner, Charlotte Street Stencils, South Bronx, New York. 1980. (Liftarn via Wikipedia). Released to public domain via CC-SA-3.0.

But that wouldn’t be near enough to communicate the range of emotions, the psychological states and the pressures that these people faced in leaving their homes for the not-so-bright lights of America’s big cities, not to mention what they faced in the days and years after they arrived. I should know. I’m the nearly forty-five year-old son of a mother originally from Bradley, Arkansas (population 500) and a father from Harrison, Georgia. They moved to New York City in the ’60s (specifically, the Tremont section of the Bronx), then to the South Side of Mount Vernon, New York (just outside the Bronx), hooked up, and sired me and my older brother Darren between December 1967 and January 1970.

That short summary is hardly the story, though. For me — like with so many other things in my life — music tells the story, emotions and psychology beyond what words on a page alone can approximate, but not fully duplicate. Music communicates the stories, emotions and psychology of those who migrated and stayed (or didn’t) in cities across the US better than Census data or a hypothesis on proletarianization. I wanted music from my own lifetime (or at least, within a few years of it) — not just folk songs or Blind Willie Johnson or Duke Ellington — music that fit my family’s transition from migration to our current times of racism and urban poverty.

Easily the top two songs on my list to play in class would be:

Trade ad for Otis Redding’s single “Try a Little Tenderness,” January 7, 1967. (Viniciusmc via Wikipedia/Billboard Magazine, page 7). In public domain).

1. Otis Redding, “(Sittin’ On) the Dock of the Bay,” (1968), released after Redding’s death in a plane crash in Madison, Wisconsin; and

2. Stevie Wonder, “Living For The City,” (1973).

Both songs run the full emotional and psychological gamut. From hopefulness to oblivion, from delusion to despair, from rage and anger to resignation. The melancholy of Redding’s “It’s two thousand miles I roamed/Just to make this dock my home” (in reference to the distance from Georgia to San Francisco Bay) juxtaposed with Wonder’s bitterness and anger:

“His hair is long, his feet are hard and gritty
He spends his life walkin’ the streets of New York City
He’s almost dead from breathin’ in air pollution
He tried to vote but to him there’s no solution…”

It communicates so much beyond the lyrics and liner notes, a reminder for those of us who find America and its cities unforgiving today just how relentless it must’ve been for our parents and uncles and aunts and grandparents forty or more years ago.

There are other songs that I’d put on this playlist. Some are directly related to Black migration, some try to bridge the gap between the abundance of music on “the ghetto” and urban poverty and chaos and the lack of music from my own lifetime on migration.

3. Gladys Knight and the Pips, “Midnight Train to Georgia” (1973).
4. Marvin Gaye, “Inner City Blues” (1971).
5. Gil Scott-Heron, “95 South (All of The Places We’ve Been)” (1977).
6. Tracy Chapman, “Fast Car” (1987).
7. Nas (featuring Olu Dara, his father), “Bridging the Gap” (2004).

Pruitt–Igoe public housing projects, St. Louis, Missouri, circa 1967. This late-1950s “urban renewal” project was built, but failed and was razed in the 1970s. (Cadastral via Wikipedia/US Geological Survey). In public domain.

That most of these songs come from the period between 1967 and 1974 isn’t an accident. It was the height of the Civil Rights Movement, combined with the Black Power Movement and the “Black is Beautiful” campaign, the beginning of the White backlash against civil rights — including Dr. Martin Luther King, Jr.’s assassination — and the Anti-War Movement was in full swing. It was a good time to take a look at the present and recent past to reconnect with hopes and dreams in the midst of the nightmare of urban poverty.

After ’73 was the beginning of the dance and disco era, as well as a focus on the urban, on crime, on drugs, on poverty — but not in a “let’s try to solve it” kind of way. This was where rap, hip-hop, some R&B and early forms of what we now call neo-soul picked up, with little reflection on this once prominent past.

Still, there would be some honorable mentions for this migration course, music that could evoke some aspect of the Black migration, of the hope that took a downward turn, of the poverty and joblessness that have permeated America, Black and White and Brown, since the ’70s.

8. Arrested Development, “Tennessee” (1992).
9. Tina and Ike Turner (and Credence Clearwater Revival), “Proud Mary” (1970).
10. Nina Simone, “The Backlash Blues” (1967).
11. NWA, “Straight Outta Compton” (1989).
12. Tupac, “Cradle 2 the Grave” (1994).
13. John Mellencamp, “Pink Houses” (1983).
14. Bruce Springsteen, “Born In The U.S.A..” (1984). [the song’s release was thirty years ago this month, by the way]
15. Peter Gabriel and Kate Bush, “Don’t Give Up” (1986)

Nina Simone performs at a concert in 1964. (http://npr.org, via Hulton Archive/Stringer/Getty Images).

Through music, I’d hope to have a course and discussion about Black migration that reaches beyond the words origin and destination, that migration has merely been a physical manifestation of a difficult and seemingly unending cultural and spiritual journey in the US. That Black migration can also easily include the parallel journeys of those of the African or Afro-Caribbean diaspora, not to mention those from Latin America.

For me, though, a course like this would be a personal foray into all the things that have made me who I’ve been for nearly four and a half decades — a person better than the sum of America’s parts and racist, sexist, homophobic and evangelical assumptions.

The Poverty of One Toilet Bowl For Eight

20 Saturday Sep 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, High Rise Buildings, Jimme, Marriage, Mount Vernon New York, My Father, New York City, Youth

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616, 616 East Lincoln Avenue, Alcoholism, Apartment Super, Balkis Makeda, Cesspool, Chores, Clear View School, Clogged Toilet, Drain Snake, Feces, Mount Vernon Public Library, MVHS, Poverty, Sewage, Stopped up Toilet, Toilet, Toilet Bowl

A post-1994 environmental friendly toilet, September 20, 2014. (http://greeleygov.com).

It was during the Balkis Makeda phase at 616 thirty years ago where I realized not only that we were in serious poverty, but that we as a family, as part of 616 and part of Mount Vernon, New York lived with a poverty of ideas. Not just ideas about changing the world or other grand concerns. I’m talking about simple stuff, about how to get from Point A to Point B, about how to fix things, about the idea that help can always be found when things go wrong.

It started and ended with our one toilet the third weekend in September ’84. That Friday evening, during my standard early weekend search for my father Jimme and at least $50 after school, my three-year-old brother Yiscoc managed to drop a toy into the toilet and then attempted to flush it and his waste down it at the same time. The result by the time I returned home was a stopped up toilet.

With the Hebrew-Israelite matriarch living with us, eight out of the nine humans in the apartment would need to use the one toilet at some point. Early Saturday morning, Makeda left, presumably for temple, but didn’t return to resume her occupation of my Mom and Maurice’s master bedroom until Tuesday afternoon. So much for the power of prayer!

I must’ve gone down to the bowels of 616 to search out our alcoholic Latino super a half-dozen times between Saturday morning and Sunday evening, in between all of my other more typical weekend chores. Not only wasn’t he around the entire weekend. The stench back in the apartment got worse as the weekend progressed, as my Mom, Maurice, and my younger siblings Maurice and Yiscoc continued to try to use a toilet that went from fifty-percent clogged to eighty-percent backed up.

Ancient Greek child seat and chamber pot, early 6th century BCE, Agora Museum, Athens, March 14, 2009. (Sharon Mollerus via Flickr/Wikipedia). Released to public domain.

My Mom even tried to have me plunger out this nearly overflowing cesspool Saturday evening, after another walk over to Jimme’s place for money and relief. “What, you never touch shit in a toilet before?” my Mom asked after seeing my face turn toward absolute disgust. I managed to get the sewage water down temporarily, found a way to scoop out a turd without gloves and without throwing up, and pledged to not go in the bathroom again until after the super came to fix the problem. Maurice, my idiot stepfather, left 616 that evening, most likely to carouse and for a working toilet, also not to return until Tuesday afternoon.

There weren’t any good options for toilet use beyond home. That was the Mount Vernon and New York area in which I grew up. Pelham Library and Mount Vernon Public Library were the only decent options where the public restrooms worked and the homeless and careless hadn’t ruined the toilets. Everything else required me buying food or was closed. I used Mount Vernon Public Library before it closed Saturday afternoon, back when stayed open until 5 pm on Saturdays, at least (I think it only stays open until 1 pm on Saturdays now).

I split that Sunday between washing clothes with the little bit of money we had left from my Jimme-run the previous weekend and then searching for Jimme that afternoon. I couldn’t be at 616 for another round of virtual typhoid and dysentery while splashing around in deadly toilet water and using a cleaning bucket as a chamber pot.

We reached Jimme’s, my older brother Darren and me, by 2 pm that Sunday afternoon. He was home, hung over from another weekend of gettin’ to’ up, moaning as usual about how he “cain’ do dis no mo’. Nex’ week. Gotta stop drinkin’ nex’ week.” I didn’t care what my father had left of his money that Sunday. We stayed there until after 7 pm, watched the Jets beat up on the then sucky post-Ken Anderson Cincinnati Bengals, ate a few snacks and some golden delicious apples and pears, and used the functioning attic toilet to our bowels’ content.

Electric drain cleaner with a 100-foot snake, aka, Roto-Rooter, February 7, 2010. (Pgdp123 via Wikipedia). Released to public domain via CC.SA.3.0.

I did manage to get $30 out of Jimme, with promises of more by that Tuesday. It came with the caveat that we’d start earning our money by working for him down in the City again. But that wasn’t a big concern.

Me and Darren went to MVHS and Clear View School school that Monday morning with a still stopped up toilet and no sign of the super. So, before I came back to the apartment after school, I tracked down the man, yelled at him for not being available all weekend, and then asked politely for him to bring up his snake machine. Which he immediately did.

It took between forty-five minutes and an hour for him to clear the pipe and pull out the toy truck that Yiscoc had somehow managed to get down in the toilet on Friday. The super laughed through his mask, said something about kids in his combination of broken English and Dominican Spanish, and left us with a working toilet once again. I still didn’t sit on it to take a dump for nearly a week after the whole ordeal, though.

Why My Mom Stayed

11 Thursday Sep 2014

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, My Father, Pop Culture, race, Religion, Youth

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#WhyIStayed, 616, 616 East Lincoln Avenue, Battered Women's Syndrome, Beverly Gooden, Child Abuse, Domestic Violence, DV, Hypermasculinity, Isshin-ryu Karate, Janay Palmer Rice, Judah ben Israel, Maurice Eugene Washington, Maurice Washington, Misogyny, Ray Rice, Self-Worth, Sexism, Social Media, Twitter

My Mom at 48 years old, Yonkers, NY, December 23, 1995. (Donald Earl Collins).

I planned to write something about my Mom on her birthday again this October, focusing on her multiple roles as mother, breadwinner, domestic violence victim and evangelical Christian in that post. With the TMZ-released video of Ray Rice and the public response to the NFL’s misogynistic hypocrisy making the issue of domestic violence front and center this week, it makes sense for me to talk about my experience and my observations via my Mom this week as well.

First off, thanks to all the brave women who’ve tweeted, posted on Instagram, Facebook, WordPress and other places their experiences with domestic violence. Thanks especially to Beverly Gooden (@bevtgooden) for creating and using the hashtag #WhyIStayed in response to the barrage of criticism leveled at Janay Palmer Rice for marrying Ray Rice after his brutal act of violence against her. I know domestic violence and child abuse firsthand, as I watched my Mom experience the Isshin-ryu-Karate version of a knockout and concussion on Memorial Day ’82 at the hands of my then stepfather Maurice Washington.

This wasn’t the first time Maurice had hit my Mom, as I’d learn years later, but it was the first time I witnessed it. I’d seen my Mom attacked before, by my own father when I was little. My father was often drunk and equally incompetent during his attacks, so any physical damage that was done was from my Mom beating him up. The psychological and emotional damage, though, flowed right from her first marriage to my father to her second one with Maurice.

For seven years and sixteen days after the day my childhood ended, my Mom and Maurice lived together as husband and wife at 616. I can say with one hundred percent clarity that there wasn’t a day between Memorial Day ’82 and the final fight that led to my late ex-stepfather moving out that I didn’t feel some sort of dread, a cloud of lethargy hanging over my head, even while at college at Pitt. That was partly because I’d made a point of running interference and taking abuse to make up for not calling the police on that day of days.

I didn’t know why my Mom couldn’t find the strength to kick Maurice to the curb, at least not before the middle of ’89. But there was an incident between me and Maurice about a year before he finally moved out, one where what he said afterward gave me additional insight into my Mom’s inaction.

At least, I had to believe that, right? It just seemed we’d been through too much with a man who’d never paid a month’s rent, a phone bill, a Con Ed bill, a cable bill, and only bought Great Northern beans, rice and cabbage for his kids (my younger siblings) on the handful of days he decided to contribute to our malnourished family.

So finally, in the months after he left 616 for good, I asked. My Mom’s first answer was, “He fooled me. He fooled us all!” Her answer was completely unsatisfying, considering that I ran away from home to get away from Maurice when I was nearly nine years old.

The summer of ’89 wouldn’t be the last time I’d ask. Over the years, my Mom has given various explanations. “I thought he was a changed me,” she’d say, referencing their six-month separation in ’80-’81 and Maurice becoming a Hebrew-Israelite and “Judah ben Israel” in the interim. “What good would that done?,” my Mom would ask me in response, implying that she wanted to avoid a physical confrontation.

Really, I spent thirteen years reading in between the lines, asking relatives questions about my Mom, doing research and boning up on domestic violence and child abuse from a social science perspective, all for more substantial answers. Really, my Mom’s domestic violence experience, our fall into welfare poverty, and my child abuse experiences were the first reasons for me wanting to write what would become Boy @ The Window in the first place.

“Divorced at last” layer cake, or “Broken Marriage,” March 2014. (http://www.nigeriancurrent.com/).

By the time I did the family intervention in January ’02, I knew why. I knew that despite my Mom not remembering much from the beating, knockout and concussion she took in May ’82, she lived in fear. If for no other reason than from seeing the look of hurt on my face whenever the subject of her beating came up. Maybe not a constant, shaking-in-her-shoes fear, but the idea of having to force a six-one and overweight yet powerful man out of 616 probably scared my Mom. But that wasn’t her only fear. As I wrote in Boy @ The Window, “[w]e were already the children of one divorce, and I wasn’t sure if I wanted to see another one so soon.” I’m more than sure that my Mom felt the same way about herself and her relationships with my father Jimme and Maurice as well.

I also know with certainty my Mom would never want me to write about her, especially about her as a victim of domestic violence. But she wasn’t the only one to experience it. I may be able to live my life successfully despite it, but I’ll never be able to un-see what I saw nearly thirty-two and half years ago. It put me on a very long road, one that involved my own conflicting feminism and sexism (though with zero tolerance for violence against women). Or, what I call damsel-in-distress syndrome, where I always want to help, even when that help is unwelcome.

There are millions of reasons why women get married or stay in relationships and marriages, some of them rational, some based in fear, many who stay because abuse does untold damage to self-worth. I may not fully understand what it’s like to be a woman who’s been abused, but I do understand what it’s like to be the son of one. Most of us who don’t know of these horrors need to be quiet, read, and listen more.

There’s Know Place Like Home…

29 Friday Aug 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, Cleaning, culture, Eclectic, High Rise Buildings, Jimme, Mount Vernon New York, My Father, New York City, Pop Culture, race, Upper East Side, Upper West Side, Work, Youth

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241st Street Subway, East Side, Father-Son Relationships, Gramercy Park, Home, Levi Brothers, Manhattan, Metro-North, Sense of Direction, Street Knowledge, Subway, The Bronx, Wakefield, West Side

Dorothy’s heel-clicking in screen shot from The Wizard of Oz (1939), August 29, 2014. (http://vivandlarry.com). Qualifies as fair use under US copyright laws – low resolution and relevance to subject matter.

Yes, the title’s a deliberate play on words. In no small part because of Facebook and Boy @ The Window, I am reminded every day of where I grew up, Mount Vernon, New York. But all too frequently, those who think they know me either assume that Mount Vernon’s so far from New York City that I seldom spent time there. Or, more recently, some have assumed that my experience of The Big Apple is a recent phenomenon, as if I only started spending time in the five boroughs when I hit my mid-thirties.

Neither is true, of course. In many ways, I’m as much of a child of The Bronx and Manhattan as I am of Mount Vernon. I spent countless hours catching the 2, 3, 5 and 6 trains between 241st, Dyre Avenue, 180th, Pelham Parkway, 149th, 110th, 125th, 72nd, 86th and so many other stops. I used to know where to get the best brownies in the area, in Wakefield, at a bakery near some taxi stands and between the 238th and 241st Street stops. I could tell you which bars my father Jimme frequented, which bars he didn’t, what pizza shops had slices to die for, and what places to avoid near Times Square. I’d been to Mets games, Ice Capades, the Bronx Zoo, a Puerto Rican Day and a Pulaski Day parade, concerts at Van Cortlandt Park, even MOMA before I graduated high school.

One of the reasons I could do all of this by the time I was fifteen was because of all the times Jimme had taken me and Darren down to the Bronx and Manhattan. Mostly to watch him pick up his paycheck from the Levi brothers at their cleaners on 20 West 64th or on East 59th. But between ’82 and ’85, I learned where nearly all of my father’s watering holes were, and on the most desperate of weekends, could track him to one of them in order to get money for myself and to help out my Mom at 616. While my classmates would occasionally take the Metro-North into the city to take in a Broadway play or go to a Knicks game, I was learning about the city in all of its varying inequalities and nuances by looking for and working for my father.

Fast-forward to the end of August ’93, just a few days before I began the Carnegie Mellon University phase of my grad school and doctoral journey. I had been short on money that whole summer, unemployed for six weeks after transferring from Pitt, working as an “intern” for six dollars and hour, and nearly $600 behind on rent at one point in late June. I’d survived the eviction notice and a summer in which I learned who my truest, closest friends were. I took a few days from my personal drama to visit my Mom and my siblings at 616, and in the process, decided to track down my father for a few extra dollars, as well as to see him for the first time in over a year. It had been that long because Jimme had accused me of faking my master’s degree when I lasted visited him.

Central Park, looking out toward Midtown’s West Side, New York, NY, August 5, 2014. (Donald Earl Collins).

But I wasn’t fifteen anymore. Instead of a long walk and the Subway, I took the Metro-North down from Pelham to Grand Central, took the S (Shuttle) over to Times Square, and the 1 train to 66th, and walked over to the Levi’s cleaners on West 64th. Only to find out Jimme wasn’t in that day. I then remembered that the other Levi brother had a dry cleaner on East 59th. I walked the ten blocks over there and found the other Levi brother in the midst of arguing with clients and barking orders to his Latino and Afro-Caribbean underlings. My father was doing a cleaning job for him at some high-rises down near Gramercy Park.

I rode the 4 train down to 23rd Street, got my east-west bearings, and walked toward a set of high-rises near FDR Drive. Though I’d forgotten the address, I knew somehow that Jimme would be in the most expensive-looking high-rise or set of high-rises in the bunch. I found a guard, who sent me to the floor where Jimme and his co-worker John were working.

As soon as Jimme saw me come off the elevator, he said, “Bo’ watcha doin’ up here? How the hell yo’ find me?”

“You’re not the only one who knows The City, you know” I said.

It’s no wonder I feel a bit insulted when people either tell me I’m from upstate New York or that I’m not a New Yorker. I know the city better than at least a third of the people who live and work there every day.