Category Archives: music

The Arrogance of Youth, Grad School Style

05 Tuesday Jun 2012

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, music, Politics, Pop Culture, race, Work, Youth

≈ 1 Comment

Tags

, , , , , , , , , , , , , , , , , ,


Me taking the most thuggishly-goofy-arrogant picture I could, June 5, 2012. (Donald Earl Collins).

I’m sure that there are plenty of folks I’ve met and known over the past three decades who think that they could sum me up in one word – arrogant. I know beyond a doubt that’s what Crush #1 thought of me back in ’82. I know that some my grad school classmates and friends varied between seeing me as “aloof,” “arrogant,” “cocky,” and “focused” in my five and a half years of master’s and doctoral work. And I know that one person I worked with in the past fifteen years thought of me as arrogant, even though I doubt that he would know what arrogance looked like if he saw it in the mirror every day, which he did (see my post “The Messiah Complex At Work, Part 1” from November ’11).

Former Sen. John Edwards [and new symbol of arrogance], after acquittal/mistrial, Greensboro, NC, May 31, 2012. (AP/Chuck Burton via Salon.com).

But arrogance isn’t simply cockiness run amok, or people bragging about what they intend to do without doing it, or doing it and then showing off with a Tiger Woods’ fist pump or my occasional cross-kick. It’s making assumptions about the things of life as if the march to success is a given, as if victory is guaranteed, like taking the next breath or being able to stand upright.

I did that in the spring and summer of ’93, in the transition between my grad school days at the University of Pittsburgh and my more successful yet gloomy times at Carnegie Mellon. I was a year removed from my great first year of master’s work (see my post “The 4.0 Of It All” from December ’11), and a summer removed from working for Westchester Country Department of Community Mental Health in Mount Vernon for the last time (which I will discuss later this summer). The way I saw things, I knew that God was on my side, that my hard work would pay off, that everything I did led to more success, or more money in my pocket.

I acted on those beliefs that March, April and May. I wanted to move out of my crappy studio and drug-infested apartment building on Penn Circle South in East Liberty, to what I called grad student’s row — Stratford Avenue — off North Negley and Penn Avenue between East Liberty and Friendship. I even put a deposit down on a one-bedroom apartment at the beginning of March, anticipating that I’d find something work-wise for the summer. “Something would come up,” I often thought and said. So typically American of me!

Terrell Owens, somewhere between arrogant and suicidal, 2012. (http://queensofkings.com).

I had applied for three fellowships that year, including a summer fellowship through Pitt and the Ford Foundation’s Predoctoral Fellowship Program (via the National Academies). I just knew that I’d get at least one. But the least laid plans of the arrogant often lead to the land of losses. Throughout April and May, I received rejections for all of my well-received, coming-in-second or “Honorable Mention” applications. Not to mention that my soon-to-be former grad program wouldn’t allow me to teach a US history course, though they didn’t have anyone else to teach it other than me at the time.

I realized after my mid-May root canal (see my “Facing The Tooth” post from May ’12) that I was about to enter a tough summer financially. I managed to get back my deposit for my dream apartment two weeks before I was due to move in, paying my Penn Circle South studio rent in the process. Then, with $350 to work with until further notice, I waited.

It wasn’t until the end of the first week in June that, after some qualms about my over-qualifications, Randy Brockington and the Allegheny County Department of Federal Programs hired me to work on a report. They wanted me to assess the work of their staff on the Job Training Partnership Act portion of their department. And all to the tune of $6 an hour. My mother spent the next four years teasing me about it. As if I had another option, as if coming back to 616 for the summer would be less torturous than falling six weeks behind on my rent and receiving an eviction notice.

I made one minor adjustment in my halcyon days of grad school that in-between summer of ’93. To simply not assume anything to be a sure thing, even when it was, to make Richard Marx’s “Don’t Mean Nothing” my mantra when it came to anything around money. Who knew that a little more than two months later, me and my friend Marc would have a controversial article in Black Issues in Higher Education? Who knew that less than two years later, I’d have a Spencer Foundation Dissertation Fellowship, this despite my advisor? Life is a funny, ironic walk.

Battlescar Galactica

02 Saturday Jun 2012

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, music, Patriotism, Politics, Pop Culture, race, Religion, Youth

≈ 1 Comment

Tags

, , , , , , , , , , , , , , , , , , , ,


Battlestar Galactica artwork, Season 4, October 12, 2008. (Halil Gökdal via Flickr.com/iTunes TV). Battlestar Galactica Prologue (2003)

I’m a sucker for an epic story in any form. A book, a movie, a TV series, even the occasional epic poem. It really doesn’t matter. I’m also a late bloomer, one who discovers the stuff of life late, but probably enjoys the stuff I discover more because it’s on my own time, without necessarily being part of a crowd or trend.

That convergence has hit me once again, at the ripe old age of forty-two, in the form of the revisioned series Battlestar Galactica (2003, 2004-09). I had planned to watch the original miniseries for this drama when it came out in December ’03, but with so many things outside the realm of then newborn baby Noah, writing and work that year, my watching Battlestar Galactica fell to the side.

I already had a lineup of shows to watch — Six Feet Under, Queer As Folk, Law & Order, CSI. I didn’t need a new thing on my screen, especially something that was based on such an old and goofy series from the ’70s with Lorne Greene, Dirk Benedict and Richard Hatch. “What are they gonna do next, redo BJ & The Bear?,” I said to my wife when I first heard about the Battlestar Galactica miniseries in September ’03.

But as with so many events in my life, I stumbled on the miniseries, thanks in no small part to my wife. It was one late Friday night this past Easter weekend. I woke up about a quarter after three, having only been

Cylon Raider Scar screen shot, September 16, 2009. (Skier Dude via Wikipedia). Qualifies as fair use under US Copyright laws due to image’s poor resolution.

asleep about three hours, to my wife dosing off to the TV in our bedroom. I woke up to the sight of Cylon Raiders in flight, to a strange scientist seeing visions of either a skinny angel or his dead Cylon girlfriend, and Edward James Olmos playing the mercurial Commander Adama. I could tell in ten minutes that this series was way different from the Battlestar Galactica series of my ’70s youth.

The miniseries was on BBC America, so I watched it until 5 am, and then discovered that they had skipped two full seasons ahead to a random Battlestar Galactica episode. I was fully awake by then, so I went on Netflix to find the entire Battlestar Galactica series available on streaming video. I watched season one that day, and season two Easter Sunday and that Monday.

In fact, I watched all four seasons of Battlestar Galactica in six days. I found the story engrossing, the acting intense, and the series an in-depth exploration of the worst features of the human condition under the most difficult of stresses and circumstances. It was so unlike the original series that after a few episodes, I didn’t even think about the differences anymore. The story of a flawed, destructive race of humans fighting each other while fighting for their survival against their more destructive yet more rational creations. I couldn’t help but fall in love with the series.

After that week, I finally read and watched the reviews and the comments about the series. They fell into two categories. There were plenty of folks who refused to watch the new Battlestar Galactica on principle. They saw the recasting of Starbuck as a woman an insult, the ability to make Cylons as human-esque machines blasphemy, and the revisioning of these humans as ones with many of our worst features multipled by a factor of ancient Greece, Rome and Persia an abomination. Oh well! I never liked the original series, with its idealized version of humanity, with its archetype good and evil characters, and with its goofy atmosphere in the midst of potential extinction, the ultimate epic crisis (“All Along The Watchtower” notwithstanding).

The other group was just like me. Fascinated by the lengths to which the producers and writers for the show went to present humanity at its most monstrous, between violence, selfishness, lust, greed, avarice and strive. Mesmerized by the cast’s ability to explore our worst and deepest fears, to hold out hope against hope, to take us into the depths of despair again and again.

The battle-scarred Battlestar Galactica finally reaches Earth (orbiting over the horn of Africa, March 21, 2009. (http://graphic-engine.swarthmore.edu).

I had to watch Battlestar Galactica a second time, this time more slowly and deliberately. So, through the second half of April and first half of May, I watched again, to find something remarkable. Despite their deep flaws, many scars and scabs, and twisted minds, there was something noble and redeemable about these humans, about the Cylons. Even the fact that the Cylons were a human creation didn’t matter. And to top that all off with a divine hand, a guiding force as the prime mover for the 50,000 humans that survived the nuclear annihilation of their twelve planets by the Cylons.

That really is an epic journey. One that heals as much as it scars. The story of my life the past thirty years, not to mention a reference in three of my posts over the past month. A commentary on the state of humanity in the early twenty-first century. What more can a late-bloomer ask for?

Before The Fall

28 Monday May 2012

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, Marriage, Mount Vernon New York, Movies, music, Pop Culture, race, Religion, Youth

≈ Leave a comment

Tags

, , , , , , , , , , , , , , , , , , ,


Cylon Raiders, Battlestar Galactica miniseries (2003), May 28, 2012. (http://tombsofkobol.com). BSG Theme Music (2003) [UK Version]

It’s Memorial Day ’12. It’s been thirty years since that fateful Memorial Day ’82. A part of me, the child that I was, still remains in that day, in the weeks and months before that day.

Little in my life in the previous three years bore a real resemblance to a carefree childhood. But I somehow managed to pretend my way through the three-year-period that included the birth of my younger brothers Maurice and Yiscoc, my idiot stepfather walking out with our food in October ’80, and the first year of the Hebrew-Israelite experiment (see my “Peanuts Land” post from last month).

The speed-of-light shockwave that was my love for Crush #1, and the interrelated turnaround of my grades

Solar flare, aka Coronal Mass Ejection, c. 2010, May 28, 2012. (NASA/GSFC/Solar Dynamics Observatory’s AIA Instrument). In public domain.

in the previous three months gave me a tenuous lifeline to what remained of my childhood self. Making it rain A’s in March, April and May that year reaffirmed the person I thought I was in sixth grade, despite the “Captain Zimbabwe” taunts that began from A and the Italian Club as we approached Memorial Day Weekend (see my post “The Legend of ‘Captain Zimbabwe’” from May ’09).

But the teetering and temporary bliss of grades and the crush on Crush #1 could only distract. They couldn’t delay, even as much as they helped me deny. They could in no way prepare me for the blinding light, the initial shockwave and heat, the full blast effect of what was coming.

It was 5 pm that Memorial Day Monday when it began.

“I’m sick and tired of you treating me this way. I’m sick of you not lovin’ me!,” my stepfather yelled.

“What do you mean ‘love you’?,” Mom said. “Most women wouldn’t even put up with your stinkin’ ass. And now you want more money for a business that I’m not even a part of? You must be kiddin’!”

Mom was on the phone in the master bedroom, while my stepfather yelled into the phone in the kitchen, back in the days when land-lines ruled the world. She picked up the bedroom phone because my stepfather had made a long-distance call to his wayward mother in California, at a time when we were seriously behind on paying the bill. I didn’t understand why he’d want to continue to talk to a woman who abandoned him as a baby to his relatives in Richmond, Virginia and Trenton, New Jersey in ’50. It seemed to me that Maurice was wasting time and money on a woman who cared for him as little as he cared for us.

I was lying down on my bed across the hall from the master bedroom, trying my hardest not to pay any attention to the unfolding drama. With both of them yelling over the phone, though, I couldn’t block their argument out any longer. So I sat up in my bed — giving me a view from our room across the hall into Mom’s bedroom — and continued to listen.

This was one of many arguments over bills and my stepfather’s wack attempts to start a telecommunications business. He had used $2,500 of Mom’s precious money to get a New York State business license for “Sun-Lion Communications” (see my post “Dumb Ass Communications, Inc.” from March ’11 for more). Somehow, Mom’s $15,000-a-year income was supposed to be enough to feed six people and get a business off the ground floor? “Their arguments are insane,” I thought.

I usually could tune them out. But not this time, and not anytime since.

“Who you talkin’ to, bitch!,” Maurice yelped as he punched Mom in the jaw. He followed up with a kick to her stomach and a forearm that knocked her into the queen-sized bed. With each hit he shouted “Are you gonna gimme some respect, bitch!” A moment later, Maurice poured an industrial-sized bucket of water on Mom to wake her up, but that didn’t completely work.

Parisians in shock, tears as German soldiers march into Paris, June 14, 1940. (National Archives). In public domain.

For a full two-minutes, I just stood there. I was in shock, scared for Mom, scared for all of us. Somewhere in that time, my stupid stepfather had escaped the apartment, not to come back for two days, while my mother lay there, nearly lifeless.

I snapped out of it, determined to wake my Mom up. She was groggy, concussed from the battering she took. I sat her up, talked to her, and eventually helped her out of her waterlogged bed down the hallway to the living room, where she lay on the couch for the next day or so.

I should’ve called the cops. As much as I’d been taught not to trust them, I just should’ve dialed 911 and done the deed. What a coward I was! I should’ve done what Jennifer Lopez’s character did in Angel Eyes (2001). It certainly would’ve been easier. In that one decision, I could’ve reported Maurice’s heinous crime, gotten him arrested and jailed, and ended this sham of a marriage and family. Assuming, of course, that my Mom would’ve pressed charges.

Instead, I settled for a psychological and literal guerilla war which left me battered myself by summer’s end and willing to commit suicide within nineteen months. Most of all, I was stuck in that moment (Stuck In A Moment You Can’t Get Out Of), in the weeks and months before that moment, for nearly seven years.

Anatomy of An Abuser, Hebrew-Israelite Style

07 Saturday Apr 2012

Posted by in 1, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Marriage, Mount Vernon New York, music, Pop Culture, race, Religion, Youth

≈ Leave a comment

Tags

, , , , , , , , ,


Abomination as played by Tim Roth, The Incredible Hulk (2008) screen shot, April 6, 2012. (http://www.comics2film.com). Qualifies as fair use under US Copyright laws, as the image is only used once and is rendered in low resolution to avoid piracy.

This month marks thirty years since my idiot stepfather Maurice Washington first attempted to make me a man, a Black man, a Hebrew-Israelite man, all at the same time, through karate and physical abuse. But there were any number of signs that his conversion to this strange mix of Afrocentricity and Judaism wasn’t genuine, and that his re-entry into our lives as husband and father in April ’81 was teetering on the edge of disaster only twelve months later. At least for me, my older brother Darren, Maurice’s two young boys, and for my mother. Certainly not for him.

As early as September ’81, my chronically unemployed stepfather had started acting strange, expecting us to run errands for him without question or comment. Armed with the conviction that comes with a recent religious conversion (who during the early-80s was “Judah ben Israel;” see my “The Tyranny of Salvation” post from April ’11), Maurice began to demand that we call him “Dad.” We were required to wear our kufis whenever we left 616, which identified us immediately as our stepfather’s kids to our idiot 616 and 630 East Lincoln neighbors.

Maurice also made it mandatory for us to pray aloud every night, giving us a four-page, single-spaced document full of “Blessed art thou, O Lord our God, King of the Universe…” lines to recite as part of our daily Black Jewish ritual. The first time we went through it, in both Hebrew and English, it took well over an hour. If we started to nod off, Maurice would slap us upside the head, or actually give us one of his “whuppins.”

His language was also changing, becoming coarser and more threatening as ’81 turned into ’82. For just asking, “Why?” or “What?,” my stepfather would often say, “Take that base outta ya voice, boy, before I cave yo’ chest in!” Maurice would sometimes sing his threats, bellowing “I’m gonna beat yo’ ass, jus’ like a car burns gas,” adding, “And you know that!” at the end. That last part was something he pulled from a song by a disco group called The Jammers. His language was worse now than it had been before he had separated from Mom eighteen months earlier. I found myself scratching my head, and not just because it itched.

By April, Maurice had become a hanger-on at a newly opened Karate studio down the street from 616, next

Benson & Hedges Menthol, hard green pack, April 6, 2012. (http://cigarettespedia.com).

door to the old dry cleaner business on East Lincoln Avenue. He made me come to the studio because he wanted to show me “how to be a man.” But when I saw him on my almost daily runs to the grocery store, he mostly hung out with young Turks and wannabe thugs from the Pearsall Drive projects across the street. Maurice smoked up a storm of Benson & Hedges Menthol while talking about women, being a Hebrew-Israelite, and about me as his kid, at least when I happened to walk by.

My stepfather made it known that he thought of me as soft, a boy who spent too much time in books and not enough time on New York’s mean streets. These despite the fact that we lived in Mount Vernon, a quietly violent city whose meanest streets were on the South Side, the part of town that bordered the Bronx. Not that 616 and the Pearsall Drive projects (consisting of six five-story buildings) down the street didn’t qualify as “mean.” They were tough by North Side standards, but at least people didn’t go into parks with baseball bats attempting to head hunt (see my “A Baseball Bat and a Father’s Absence” post from July ’11).

Maurice had tried to teach me and my older brother Darren Isshin-ryu Karate two years earlier. Despite myself, I did pick up a few moves. Now he decided that I would learn how to fight no matter the consequences. It was all about breaking bones and inflicting maximum pain. When I told Maurice that I didn’t want to learn, he said “You will learn because I’m your father” as he started to throw hard punches into my midsection.

Squidward losing to Seabear, SpongeBob camping episode, 2011, April 6, 2012. (Nickelodeon). Qualifies as fair use under US Copyright laws due to picture's low resolution.

After I yelled “You’re not my father!,” he drop-kicked me to the floor. Maurice, all six-foot-one and 270 pounds of him, then pulled me up by my arms, slammed me back-first into a mirrored wall, and punched me several times in the head, chest, and stomach until several of the men in the studio surrounded him. My stepfather, completely exasperated and winded, yelled “Don’t you EVER say that again, muthafucka! I’ll kill you next time!” I ran for home with a knot on my forehead that didn’t go down for almost a week.

I was slowly learning a very valuable lesson (see my “Never As Good As The First Time” post from April ’11). I didn’t have control over anything in my life, even my emotions. I also learned to not trust Black men, especially fast talkers who thought with their fists and penises like dumb ass Maurice. It took several years for me to unlearn part of that second lesson, no thanks to him.

Miller Genuine Draft: The Messiah Complex At Work, Part III

30 Friday Mar 2012

Posted by in 1, Boy @ The Window, culture, Eclectic, eclectic music, music, New York City, Pop Culture, Work

≈ Leave a comment

Tags

, , , , , , , , , , , , , ,


This is the third in a series of posts I’ve done about my experiences with a former supervisor during my years with the New Voices Fellowship Program at the Academy for Educational Development (see my earlier posts, “The Messiah Complex At Work, Part I” and “Breakdown: The Messiah Complex At Work, Part II” for more). This one is a bit out-of-order, but it’s also both funny and sad at the same time.

It was the last Friday in March ’03 that the powers that were at the Ford Foundation had requested a meeting with Ken about the program up in New York. Not me and Ken, not “Driving Miss Daisy” Sandra and Ken, and not Yvonne and Ken. Just Ken. I knew immediately that this was a bad sign when I learned of the meeting. But Ken said, “No, no, this could be good. We’ve done everything they’ve asked of us.”

With Alan Jenkins now the head of the Human Rights and International Cooperation unit — Anthony Romero having left more than a year before for the ACLU — and with Yvonne about to retire, there really wasn’t anyone on either side of the AED-Ford Foundation relationship that would ensure the continuing, intact funding of our little program. If I could figure this out, I figured anyone could. At least, anyone with any experience working with foundations.

So around 5:30 on March 28, as I was cleaning up my office and preparing for the much-needed weekend with my five-months’ pregnant wife, my phone rang. I half-expected it to be Angelia making some requests for stuff to pick up from CVS or the grocery store on my way from the Silver Spring Metro, so I left the music running, which happened to be Depeche Mode’s “Personal Jesus.”

As soon as I picked up and said my name and “New Voices,” Ken began to talk. He asked me,”Are you sitting down?,” and then continued about the main event at 320 East 43rd. Despite the efforts of Ken, me and the rest of the staff to attract new kinds of fellows to New Voices, the various successes of those Fellows and their organizations, that a couple of program officers were unhappy with the amount of investment it took to attract these highly qualified individuals. That, and an overall change in priorities — which could have been seen from Mount Everest looking down on New York once Ford had launched its International Fellowship program at the end of ’01 — meant that there was a decreasing interest in New Voices.

Two things occurred at this meeting. One, the Human Rights and International Cooperation unit would now only renew funding for New Voices on an annual basis — it was funded in two-year chunks up until that day. And two, starting in ’04, Ford would reduce their overall funding effort by fifteen percent across all aspects of the New Voices budget.

“Well, at least they didn’t cancel the program,” I thought. Ken, though, seemed distraught. Then I noticed

Depressed Forty Year Old Man Drinking Alone, May 6, 2010. (http://istockphoto.com).

that he was slurring his words, a bunch of voices, and the clinking of glasses.

“Ken, where are you?,” I asked.

“Oh, I’m at a bar, drinking a Miller Genuine Draft,” he said.

“Really, you’re drinking?,” I responded, with a gasp as a substitute for laughter.

“I have to drown my sorrows somehow,” Ken said.

“Oh geez,” I thought. He continued talking about the good fight, about parts of the program that we’d have to curtail immediately, about looking for new funding streams for New Voices (the last one I had suggested two years earlier).

“Given where you are, I don’t think that this is a good time or place for us to discuss these issues. Plus, I can barely hear you,” I said.

“You’re right. Well, have a good weekend,” Ken said with his worried, crazy laugh.

I got off the telephone, and turned off the music from my computer’s Windows Media system. Two songs had played since Depeche Mode’s “Personal Jesus,” but it was pounding in my head. It was now mixed up with the image of Ken looking disheveled post-Ford meeting, downing a bottle of Miller Genuine Draft while sitting on a bar stool, then ordering another. All by himself. All the while, everyone else around Park Avenue and Grand Central having themselves a good time. I realized at that moment that I wouldn’t see or hear “Personal Jesus” the same way again.

I felt sorry for him, but knowing what I’d gone through with Ken two years earlier, I couldn’t trust his judgment either (see my “Working At AED: Alternate Sources of Fear” post from June ’11). It was the first evening of the end of my time at New Voices, as well as the first day of Ken’s ten-month spiral that led to Georgetown University Hospital’s psychiatric ward. Apparently, a bottle of MGD’s hardly strong enough to take the weight of mental illness off. Nor did it make Ken wise enough to recognize that when a messiah has failed to deliver, that it would be a good time to rethink how one sees himself and the world.

Why Black Men Carry A Public Anger

21 Wednesday Mar 2012

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, High Rise Buildings, Mount Vernon High School, music, New York City, Politics, Pop Culture, race, Upper West Side, Youth

≈ 3 Comments

Tags

, , , , , , , , , , , , , , , ,


Harvard University Professor Henry Louis Gates, Jr. arrested by Cambridge Police, Cambridge, MA, July 22, 2009. (http://assets.nydailynews.com/img/2009/07/22/alg_henry-louis.jpg via Wikipedia). Qualifies as fair use under US Copyright laws because of historical significance of photo and topic and its poor resolution.

I hadn’t planned on posting this piece until June, when it will be twenty-five and fifteen years since my shopping while Black incidents literally a block apart on the Upper West Side of Manhattan. But in light of the Trayvon Martin murder — and that’s what this is, a murder — at the hands of the racist vigilante George Zimmerman more than three weeks ago, it makes sense to do this post now.

Tower Records, 1961 Broadway (NW corner of 66th and Broadway, Lincoln Square), New York City, November 22, 2006. (Stuart Johnson via Flickr.com). In public domain.

Tower Records, Friday afternoon, June 19th, ’87, the day after I graduated from Mount Vernon High School (see more from my “The Day After” post from June ’08). With high school now over, I was in a celebratory mood. I took the 2 train from 241st to 72nd and walked the six short blocks to the great Tower Records on 66th. I had my latest Walkman, my first Sony Walkman, actually, and my book bag with my recent tape investments, including a few I’d bought at Tower Records the previous Friday. Investments like Fleetwood Mac’s Tango In The Night, Genesis’ Invisible Touch, and Glass Tiger (yes, Glass Tiger — absolutely terrible).

I went into the store and began to browse the R&B and Pop/Rock sections for tapes. There I noticed some plastic wrapping on the floor, as if someone had taken a tape out of its case and stolen it. While I thought about the wrapper on the floor, three White security guards came out of nowhere, grabbed me and dragged me to a storage room downstairs.

“We got you for stealing,” one of them said, presumably the store’s head of security.

“You don’t have me for anything. Is this because I’m Black?”

“Well, how do you explain the wrappers we found on the floor and the tapes in your bag?”

“The wrappers were on the floor when I got there and the tapes . . .”

“You’re going to jail, asshole, when we bring the cops in here!”

“First of all, I’m not going anywhere. The tapes are all mine, and some of them I bought in this store last Friday. I have the receipt at home. Don’t you have ways to verify my purchases?”

“We don’t believe you!”

“It doesn’t matter if you don’t believe me. I’m under eighteen. You can’t hold me or turn me over to police without calling my parents. I’m not even from here, I’m from Westchester County, and my receipts are back home there.”

“If we were outside instead of in here, I’d slap you around, wise-ass!”

“Then I guess I’m the lucky one. Why don’t we check the receipts from your cash registers up front for my purchases from last Friday? I know they’ll show that I’m right and you’re wrong!”

The hotheaded White man who did all of the talking got up and made a threatening slap gesture with the back of his left hand before the other ones grabbed him and told him to calm down. They let me go. On my way out, I said, “I hope you learned that not every Black person coming in your store is a thief!” It would be ten years before I went into Tower Records again (of course, Tower Records went out of business in ’06).

That next time was May 12, ’97, and I had just finished a day-long interview for an assistant professor

Barnes & Noble, 1972 Broadway (NE corner of 66th and Broadway), New York City, December 30, 2010, three days before it closed. (Jim In Times Square via Flickr.com). In public domain.

position at Teacher College (Columbia University’s school of education). I had no problems as I browsed Tower Records for about twenty minutes. It was my first time there since the ’87 incident. Then I went across the street to the Barnes & Noble mega-store. From the moment I walked in the door until I left a half-hour later, a Latino security guard tailed me as I perused books in the African American nonfiction, Cultural Studies and Music sections of the store, across three floors. As I walked out, I walked up to the guard and said

“While you were stalking me, you probably let half a dozen White folks slip out of here with books and CDs. Did you learn anything while you were watching me?”

“I was just doing my job,” the dumb-ass security guard said in response.

“Well, if following a Black guy around for thirty minutes is part of your job, you deserve to lose your job,” I said as I walked out, not to return until Christmas ’02.

Over the years, I have been stopped by police in Mount Vernon, Pittsburgh, DC and L.A., followed by police in Maryland, Pittsburgh and L.A., patted down by police at Carnegie Mellon and the University of Pittsburgh, and followed by more security guards — including ones guarding those precious gated communities — than I’d ever care to count. My only crime was being a Black male in America’s public sphere.

Trayvon Martin in hoodie, March 19, 2012. (http://media.metronews.topscms.com/). Qualifies as fair use under US Copyright laws because photo is an illustration of one of the subjects of this post.

Like so many others, I could’ve easily been Trayvon Martin twenty-five, fifteen and even five years ago. This constant tightrope dance that we must do to make old White ladies and scared White guys and ig’nit Black folks feel comfortable. So that I’m not arrested, or maimed, or killed. So that I can go about the business of being me and making myself and the people in my life better. As Nathan McCall would say, it “makes me wanna holler.”

Short of moving to a nation not built on the imperialism and fear of Black males in particular, all I can do, for better and for worse, is to prepare my son for this very racial America in which we still live. And yes, that makes me angry.

Me at 16 (with torn gray hoodie), Mount Vernon High School ID, Mount Vernon, NY, November 1985, March 21, 2012. (Donald Earl Collins).

Musical ‘Mates and Matters

24 Saturday Dec 2011

Posted by in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, New York City, Pop Culture, race, Youth

≈ Leave a comment

Tags

, , , , , , , , , ,


The "A" Note, February 5, 2008. (Pearson Scott Foresman, via Wikipedia). In public domain.

If someone asked me what was the one thing that me and my classmates had in common during my middle school and high school years in Mount Vernon, New York, it would be a love of and for music. I wouldn’t have been able to draw this rather obvious conclusion five years ago. But, in the course of interviewing folks and writing and rewriting my Boy @ The Window manuscript since ’06, music seems to be the one common denominator that connected us all.

Take the fact that so many of my Class of ’87 classmates found their way into the underground or mainstream music scene over the past twenty-four years. At least one was a producer, a bunch rapped, played, sang, and danced their way into the industry, even if they’re not household names. Others did studio work, and at least two are doing music/sound work for the small and big screen.

These folks are Black, White, Afro-Caribbean and Latino, so, no, race doesn’t seem to be a factor. Was it something that was in the water or in Mount Vernon’s lead water pipes? Not likely. It really couldn’t have been instilled in us by Humanities, or going to Davis, Nichols or Mount Vernon High School, right? The official doctrine of the powers that were would’ve made our favorite music somewhere between Sinatra and Tchaikovsky.

It could be as simple and as complicated as the times we grew up in, the fellow travelers to which we were

Culture Club "Club Sandwich Tour" poster, September 27, 2011. (Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject of blog post.

exposed, the constant noise that was Mount Vernon public schools in the 1970s and 1980s. Living in a city in the early stages of decline, within shouting distance of Manhattan and a short walk to the Bronx. Having the level of Black and Brown diversity that we had, with a decent sized White minority in the school system, may be all that was needed to create the conditions for music to be our one common language.

It wasn’t just in my class, as the classes of ’85 and ’86 turned out the late Heavy D and Al B. Sure. Nor was it just in Mount Vernon’s public schools. There was something about Mount Vernon itself, a painful place for some, a cool and pleasureful one for others, that made music both a code for coolness and an escape from reality.

For my specific groups of Humanities nerds, renaissance folks and generally sharp classmates, though, the tastes ranged and even mingled. For the guidos and guidettes whom I labeled “The Italian Club,” the music was decidedly “White.” From “A” serenading 7S with The Police’s “Roxanne” ala Eddie Murphy, to the frequent blaring of Billy Idol, Bruce Springsteen and Foreigner from turbo-charged Camaros and Mustangs.

The Time promotional poster, circa 1990, July 6, 2006. (Mista Tee, via Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject matter for blog post.

Then the was the obviously cool Black and Afro-Caribbean, with a clique for every occasion, whose music was also obviously “Black.” Teena Marie, pre-“Material Girl” Madonna, Phyllis Hyman, Prince, Luther Vandross, Doug E. Fresh, Lisa Lisa & Cult Jam, Run-DMC, if it was Black and cool, they listened to it, and knew the exact date the new album would hit the stores. They drove around in their Nissan Maximas, Audis and old Cadillacs with this mesh of R&B, early rap and hip-hop, and crossover pop pumping out of their tinted windows.

Of course, that left the rest of us, the few who seemed to like a bit of everything. Crush #1 and Depeche Mode. Brandie Weston and her clique’s love of Boy George and Culture Club. V’s commitment to Billy Joel, at least a decade and a half too young to understand the full meaning of what we’d now call adult contemporary. Not to mention The Police, Sting, The Who, Rolling Stones, Thompson Twins, Duran Duran, ABC, Tears for Fears, a-ha, and so many others. But it didn’t stop there. For we, too, liked Luther, and Billy Idol, and John Coltrane, and Lisa Lisa, and Run.

I don’t know if my musical tastes were the most eclectic of all, or if mine remain so. But I can say this. I ran 4.75 miles yesterday, listening to Genesis’ “Tonight, Tonight, Tonight” (album version), Sounds of Blackness’ “Optimistic,” U2’s “Beautiful Day,” Grover Washington Jr’s “Summer Chill,” Stevie Wonder’s “As,” Sting’s “A Thousand Years,” and Enigma’s “Silence Must Be Heard” along the way. It seems that I’ve always had a song in my head and theme music in my heart for every situation and every period of my life. For better and for worse, I have to give Mount Vernon credit for that, if for nothing else.