Coping in the Boy @ The Window World

06 Saturday Oct 2012

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, earth, wind & fire, Eclectic, eclectic music, Marriage, Mount Vernon High School, Mount Vernon New York, music, Politics, Pop Culture, race, Religion, Sports, Youth

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"Owner Of A Lonely Heart", Battlestar Galactica, Battlestar Galactica (2004 series), Coping Strategies, Fantasy, Football, Humanities, Imagination, Inner Vision, Inner World, New York Giants, New York Knicks, New York Mets, Psychology, Self-Discovery, Touré, Who's Afraid of Post-Blackness (2011), Yes

Gaius Baltar tortured/in imagination (merged pics), Battlestar Galactica, October 6, 2012. Qualifies as fair use under US Copyright laws – low res (1st picture) and merged rendering.

“A wide receiver tiptoeing the sideline of a football field after making an acrobatic catch, barely keeping his left foot in-bounds by tapping his big toe in the two inches of space between the grass and the thick white line in front of him. A note in a song that is so inspiring, so well-balanced between rhythm and harmony, so well sung that the hairs on my neck stand up and my spirit feels like soaring.” This is what I wrote in the first paragraph of the preface (which I need to revise yet again, by the way) to my Boy @ The Window manuscript.

In context, I was writing about the infinitesimal decisions and actions that could’ve added up to success or failure for me growing up in those dismal days and years. But I could’ve just as easily been writing about what imaginations and fantasies went through my head growing up to make my inner world more powerful than anything I saw and experienced in the real world. Much of Boy @ The Window is about how I coped, good, bad and ugly (see my posts “Peanuts Land” from April ’12 and “Mr. Mister’s ‘Kyrie’” from March ’11 for more).

How I coped through imagination, inner projection and fantasy changed during the worst of my preteen and post-puberty years. I went from imagining and acting out an entire city, nation-state and culture in my room to the need for an internal world that couldn’t be taken apart by abuse, poverty and isolation. Ultimately it came for me in the form of the everyday things I either already liked or was on the cusp of liking. I already enjoyed a wide variety of music by the fall of ’82. Once I became a sports fan and occasional sports participant, those images and achievements became part of my inner movie and soundtrack.

It became a partnership that I eventually learned to conjure up at will, that became part of my residual sleeping state, that made the madness of 616, MVHS and Mount Vernon, New York dissolve into background noise.

Santonio Holmes’ Super Bowl XLIII game-winning catch, Tampa, FL, February 1, 2009. (http://bleacherreport.com).

It meant, though, that watching a Mets, Giants or Knicks game or listening to Earth, Wind & Fire wasn’t a simple casual experience. It involved rooting for the underdog, which in turn meant rooting for myself. It included the synching of home runs, touchdown passes and three-pointers to guitar riffs, crescendos and other highlights in a particular song or series of songs. It meant that my imagination became itself a fully dedicated line for coping with stress, checking anger, solving problems, and seeing my world the way I chose to see it, rather than the way my world actually was.

Take one of my favorite songs as a teenager, Yes’ “Owner Of A Lonely Heart” (1983). It wasn’t just the fact that I actually felt lonely and could relate to the song. When I heard the song, I could see myself running a screen play in football, following a group of well set-up blockers all the way to the end zone for a touchdown. I could relate emotionally, because the song was about me as an underdog, because of my unrequited love for Crush #1, because I now knew what a screen pass was. It made existential philosophy easier for me to understand my senior year of high school in my AP English and Philosophy classes.

“Owner Of A Lonely Heart” also reminded me to never “concede my free will,” even when my now ex-stepfather Maurice’s fists met my face and teeth and ribs at fifteen and sixteen. Like a scene from the ’00s Battlestar Galactica involving Gaius Baltar or Caprica Six, I often projected a view of the world I wanted over whatever was going on in reality. Going the mile or so between 616 and the C-Town in Pelham could either be a chance for me to catch a long touchdown pass or for me to figure out to which colleges I should apply.

Ryan Fitzpatrick of Buffalo Bills v. NY Jets, in rare protection against blitz while in pocket, October 6, 2012. (http://bleacherreport.com).

Sometimes, if I allowed myself to slip deeply enough, like, in the moments before an exam, I could use a buildup point in the song to bring in an extra blocking tight end to run a max-protect play. I’d snap the ball, send three receivers on one side of the defense, and wait just long enough for one to cross before delivering a perfect pass that allowed my receiver to split the secondary for a long score. All while taking a hit in my right ribs and being knocked down to the turf, just a quarter-second after my index finger’s come off the ball, giving it a smoother spiral rotation while in flight. And so many times, that re-visioning of my world made it so that my natural ability to remember everything and discern many things resulted in very good grades, solid performances, and a balancing act that made life at 616 and MVHS just bearable enough.

I was reminded of how often my mind went down this road by Touré’s Who’s Afraid of Post-Blackness (which I blogged about earlier this week), particularly his chapter on imagination and art, “Keep It Real Is a Prison.” Except that my mind does still go there sometimes. Usually as I’m about to give a speech, or while running a five-miler, drilling a three or driving. Or in writing something for publication, like Boy @ The Window.

Before The Fall

28 Monday May 2012

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, Marriage, Mount Vernon New York, Movies, music, Pop Culture, race, Religion, Youth

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"Stuck In A Moment", 616, 616 East Lincoln Avenue, Angel Eyes (2001), Battlestar Galactica, Captain Zimbabwe, Childhood, Cowardice, Crush #1, Cylon Attack, Domestic Violence, Fear, Maurice Eugene Washington, Maurice Washington, Memorial Day, My Mother, Nuclear Blast, Seventh Grade, Shock, Solar Flare

Cylon Raiders, Battlestar Galactica miniseries (2003), May 28, 2012. (http://tombsofkobol.com). BSG Theme Music (2003) [UK Version]

It’s Memorial Day ’12. It’s been thirty years since that fateful Memorial Day ’82. A part of me, the child that I was, still remains in that day, in the weeks and months before that day.

Little in my life in the previous three years bore a real resemblance to a carefree childhood. But I somehow managed to pretend my way through the three-year-period that included the birth of my younger brothers Maurice and Yiscoc, my idiot stepfather walking out with our food in October ’80, and the first year of the Hebrew-Israelite experiment (see my “Peanuts Land” post from last month).

The speed-of-light shockwave that was my love for Crush #1, and the interrelated turnaround of my grades

Solar flare, aka Coronal Mass Ejection, c. 2010, May 28, 2012. (NASA/GSFC/Solar Dynamics Observatory’s AIA Instrument). In public domain.

in the previous three months gave me a tenuous lifeline to what remained of my childhood self. Making it rain A’s in March, April and May that year reaffirmed the person I thought I was in sixth grade, despite the “Captain Zimbabwe” taunts that began from A and the Italian Club as we approached Memorial Day Weekend (see my post “The Legend of ‘Captain Zimbabwe’” from May ’09).

But the teetering and temporary bliss of grades and the crush on Crush #1 could only distract. They couldn’t delay, even as much as they helped me deny. They could in no way prepare me for the blinding light, the initial shockwave and heat, the full blast effect of what was coming.

It was 5 pm that Memorial Day Monday when it began.

“I’m sick and tired of you treating me this way. I’m sick of you not lovin’ me!,” my stepfather yelled.

“What do you mean ‘love you’?,” Mom said. “Most women wouldn’t even put up with your stinkin’ ass. And now you want more money for a business that I’m not even a part of? You must be kiddin’!”

Mom was on the phone in the master bedroom, while my stepfather yelled into the phone in the kitchen, back in the days when land-lines ruled the world. She picked up the bedroom phone because my stepfather had made a long-distance call to his wayward mother in California, at a time when we were seriously behind on paying the bill. I didn’t understand why he’d want to continue to talk to a woman who abandoned him as a baby to his relatives in Richmond, Virginia and Trenton, New Jersey in ’50. It seemed to me that Maurice was wasting time and money on a woman who cared for him as little as he cared for us.

I was lying down on my bed across the hall from the master bedroom, trying my hardest not to pay any attention to the unfolding drama. With both of them yelling over the phone, though, I couldn’t block their argument out any longer. So I sat up in my bed — giving me a view from our room across the hall into Mom’s bedroom — and continued to listen.

This was one of many arguments over bills and my stepfather’s wack attempts to start a telecommunications business. He had used $2,500 of Mom’s precious money to get a New York State business license for “Sun-Lion Communications” (see my post “Dumb Ass Communications, Inc.” from March ’11 for more). Somehow, Mom’s $15,000-a-year income was supposed to be enough to feed six people and get a business off the ground floor? “Their arguments are insane,” I thought.

I usually could tune them out. But not this time, and not anytime since.

“Who you talkin’ to, bitch!,” Maurice yelped as he punched Mom in the jaw. He followed up with a kick to her stomach and a forearm that knocked her into the queen-sized bed. With each hit he shouted “Are you gonna gimme some respect, bitch!” A moment later, Maurice poured an industrial-sized bucket of water on Mom to wake her up, but that didn’t completely work.

Parisians in shock, tears as German soldiers march into Paris, June 14, 1940. (National Archives). In public domain.

For a full two-minutes, I just stood there. I was in shock, scared for Mom, scared for all of us. Somewhere in that time, my stupid stepfather had escaped the apartment, not to come back for two days, while my mother lay there, nearly lifeless.

I snapped out of it, determined to wake my Mom up. She was groggy, concussed from the battering she took. I sat her up, talked to her, and eventually helped her out of her waterlogged bed down the hallway to the living room, where she lay on the couch for the next day or so.

I should’ve called the cops. As much as I’d been taught not to trust them, I just should’ve dialed 911 and done the deed. What a coward I was! I should’ve done what Jennifer Lopez’s character did in Angel Eyes (2001). It certainly would’ve been easier. In that one decision, I could’ve reported Maurice’s heinous crime, gotten him arrested and jailed, and ended this sham of a marriage and family. Assuming, of course, that my Mom would’ve pressed charges.

Instead, I settled for a psychological and literal guerilla war which left me battered myself by summer’s end and willing to commit suicide within nineteen months. Most of all, I was stuck in that moment (Stuck In A Moment You Can’t Get Out Of), in the weeks and months before that moment, for nearly seven years.

The Women In My Brain

28 Saturday Apr 2012

Posted by decollins1969 in 1, Boy @ The Window, Eclectic, eclectic music, Marriage, Mount Vernon New York, Pop Culture, race, Religion, Youth

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616, 616 East Lincoln Avenue, Battlestar Galactica, Brain, Brain Wiring, Crush #1, Images, Inception, Love, Marriage, Mind's Eye, Muse, My Mother, My Wife, Neurons, Self-Discovery, Self-Reflection, The Cell, Wedding Anniversary, Women, Wonder Woman

Angelia & me on honeymoon, Seattle's Space Needle, May 20, 2001. (Donald Earl Collins)

Today’s my twelfth wedding anniversary. It means that I already have one woman in my brain almost all of the time, mostly around the mundane tasks of running a place of residence, other domestic duties, and watching over/nurturing the midsized human that is our eight-year-old.

Gaius Baltar & Caprica Six, Battlestar Galactica image (2004), June 25, 2009. (http://25fps.cz). Qualifies as fair use under US Copyright laws due to low resolution of picture.

But the reality is, there have always been women in my brain, with images that inspire, voices that encourage, and actions that embolden. This post isn’t about undressing a woman in my mind’s eye every six seconds. Nor is it about putting women on some pedestal so that I can mentally kneel and worship in an empty space. Trust me, I’ve done both and more over the years. No, this is about who gets into my head and how they stay there.

Of course, no one has had more air time on my mind’s screen over the past forty-two years and change than my mother. She did give birth to me, after all, and for better and worse, helped me make it to my preteen years before things in our lives fell apart at 616. For years, I’ve lived with the lessons learned at my mother’s hip, lessons about race, trust, religion and relationships. Many of which I’ve had to revise in order to make better choices in my own life. Still, I can hear my mother’s voice, bad jokes and all, in the things I do with my son, in the mistakes I hope to avoid as a writer and as an educator, in the bills that constantly have to be paid.

I hear my wife’s voice every time I go the grocery store. Or when I’m dealing with my son. Or when I think about our travels over the years. Literal and figurative. I think about all of things we’ve made happen, and all of the things that are still works-in-progress for us, as individuals and as a family. I hear her doubt, her most critical of voices, her scalpel sense of editing in what I write, in how I speak and in the diplomacy I show the folks in my life who otherwise don’t deserve it. Though our marriage is as complicated as astrophysics shows the universe to be when accounting for dark matter, my wife’s voice bounces around my 100 trillion nerve ending almost as much as my own.

Then there’s Crush #1. She’s more insidious than my mother or my wife. The tenacious ballerina of a

Inception (2010), Paris dream construct screen shot, April 27, 2012. (http://dpmlicious.com). Qualifies as fair use under US Copyright laws because of poor resolution of shot, not intended for distribution.

tomboy who one represented my personification of Lynda Carter’s Wonder Woman often will show up when I least expect. Often enough in my dreams, and usually when I’m writing in my head. I hear her giggles and see her smiles under the strangest of circumstances. A pirouette here, a punch to the jaw there, an encouraging word and a thoughtful look will surprise me in my dreams as much as it would’ve in real life thirty years ago.

Are these women anything like the folks I’ve known and learned to know again over the past three decades? Yes and no. They likely represent the many sides of me as much as they each represent themselves. Loving or not, caring or not, forever elusive, and yet always there for me to grasp, love and even despise. They all represent the best and worst in me, the best and worst I’ve seen, endured and overcome in this life. Hard, tough, blood-from-a-turnip love. Unrequited, one-sided love. And deep, conditional, familiar love. They’re all there. They seem to always be there.

Jennifer Lopez in dream sequence in The Cell (2000), April 27, 2012. (http://media.avclub.com). Qualifies as fair use under US Copyright laws because of screen shot's low resolution.

God, my own thoughts — however deep or shallow — the billions of images of sports and men and women in my head from every walk of life and every song made in the past four centuries also remain constant in my brain. But mother, wife and first love can’t be shut off or out either. I could use some endorphins for the headache I have now.