Coping in the Boy @ The Window World

06 Saturday Oct 2012

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, earth, wind & fire, Eclectic, eclectic music, Marriage, Mount Vernon High School, Mount Vernon New York, music, Politics, Pop Culture, race, Religion, Sports, Youth

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"Owner Of A Lonely Heart", Battlestar Galactica, Battlestar Galactica (2004 series), Coping Strategies, Fantasy, Football, Humanities, Imagination, Inner Vision, Inner World, New York Giants, New York Knicks, New York Mets, Psychology, Self-Discovery, Touré, Who's Afraid of Post-Blackness (2011), Yes

Gaius Baltar tortured/in imagination (merged pics), Battlestar Galactica, October 6, 2012. Qualifies as fair use under US Copyright laws – low res (1st picture) and merged rendering.

“A wide receiver tiptoeing the sideline of a football field after making an acrobatic catch, barely keeping his left foot in-bounds by tapping his big toe in the two inches of space between the grass and the thick white line in front of him. A note in a song that is so inspiring, so well-balanced between rhythm and harmony, so well sung that the hairs on my neck stand up and my spirit feels like soaring.” This is what I wrote in the first paragraph of the preface (which I need to revise yet again, by the way) to my Boy @ The Window manuscript.

In context, I was writing about the infinitesimal decisions and actions that could’ve added up to success or failure for me growing up in those dismal days and years. But I could’ve just as easily been writing about what imaginations and fantasies went through my head growing up to make my inner world more powerful than anything I saw and experienced in the real world. Much of Boy @ The Window is about how I coped, good, bad and ugly (see my posts “Peanuts Land” from April ’12 and “Mr. Mister’s ‘Kyrie’” from March ’11 for more).

How I coped through imagination, inner projection and fantasy changed during the worst of my preteen and post-puberty years. I went from imagining and acting out an entire city, nation-state and culture in my room to the need for an internal world that couldn’t be taken apart by abuse, poverty and isolation. Ultimately it came for me in the form of the everyday things I either already liked or was on the cusp of liking. I already enjoyed a wide variety of music by the fall of ’82. Once I became a sports fan and occasional sports participant, those images and achievements became part of my inner movie and soundtrack.

It became a partnership that I eventually learned to conjure up at will, that became part of my residual sleeping state, that made the madness of 616, MVHS and Mount Vernon, New York dissolve into background noise.

Santonio Holmes’ Super Bowl XLIII game-winning catch, Tampa, FL, February 1, 2009. (http://bleacherreport.com).

It meant, though, that watching a Mets, Giants or Knicks game or listening to Earth, Wind & Fire wasn’t a simple casual experience. It involved rooting for the underdog, which in turn meant rooting for myself. It included the synching of home runs, touchdown passes and three-pointers to guitar riffs, crescendos and other highlights in a particular song or series of songs. It meant that my imagination became itself a fully dedicated line for coping with stress, checking anger, solving problems, and seeing my world the way I chose to see it, rather than the way my world actually was.

Take one of my favorite songs as a teenager, Yes’ “Owner Of A Lonely Heart” (1983). It wasn’t just the fact that I actually felt lonely and could relate to the song. When I heard the song, I could see myself running a screen play in football, following a group of well set-up blockers all the way to the end zone for a touchdown. I could relate emotionally, because the song was about me as an underdog, because of my unrequited love for Crush #1, because I now knew what a screen pass was. It made existential philosophy easier for me to understand my senior year of high school in my AP English and Philosophy classes.

“Owner Of A Lonely Heart” also reminded me to never “concede my free will,” even when my now ex-stepfather Maurice’s fists met my face and teeth and ribs at fifteen and sixteen. Like a scene from the ’00s Battlestar Galactica involving Gaius Baltar or Caprica Six, I often projected a view of the world I wanted over whatever was going on in reality. Going the mile or so between 616 and the C-Town in Pelham could either be a chance for me to catch a long touchdown pass or for me to figure out to which colleges I should apply.

Ryan Fitzpatrick of Buffalo Bills v. NY Jets, in rare protection against blitz while in pocket, October 6, 2012. (http://bleacherreport.com).

Sometimes, if I allowed myself to slip deeply enough, like, in the moments before an exam, I could use a buildup point in the song to bring in an extra blocking tight end to run a max-protect play. I’d snap the ball, send three receivers on one side of the defense, and wait just long enough for one to cross before delivering a perfect pass that allowed my receiver to split the secondary for a long score. All while taking a hit in my right ribs and being knocked down to the turf, just a quarter-second after my index finger’s come off the ball, giving it a smoother spiral rotation while in flight. And so many times, that re-visioning of my world made it so that my natural ability to remember everything and discern many things resulted in very good grades, solid performances, and a balancing act that made life at 616 and MVHS just bearable enough.

I was reminded of how often my mind went down this road by Touré’s Who’s Afraid of Post-Blackness (which I blogged about earlier this week), particularly his chapter on imagination and art, “Keep It Real Is a Prison.” Except that my mind does still go there sometimes. Usually as I’m about to give a speech, or while running a five-miler, drilling a three or driving. Or in writing something for publication, like Boy @ The Window.

Living in the Land of “No!”

23 Wednesday Mar 2011

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Politics, race, Youth

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Academia, Academic Writing, Ageism, Bias, Bigotry, Career Options, Forbes Quadrangle, Historical Dictionary of American Education, History of Education Quarterly, Multiculturalism, No!, Passion, Pitt, Race, Richard J. Altenbaugh, The Second Plate, University of Pittsburgh, Wesley Posvar Hall, Writing, Yes

People forming a "NO" to London's Heathrow Airport Expansion, May 31, 2008. Source: The Daily Mail http://bit.ly/hc0KSP

There was a time in my career and life when I was desperate to publish an article in a scholarly journal. Right after finishing grad school at Carnegie Mellon at the end of ’96, I set out to write a literature review essay on how folks in education foundations and education policy had covered multiculturalism and connected it — or, in most cases, not connected it — to the politics around this controversial topic during the 1980s and 1990s. Of all the things I’d written up to this point in my career, this was a bit ambitious.

I had submitted an article for publication with the History of Education Quarterly in March ’97 and had made several revisions at Richard Altenbaugh’s request. He was the new senior editor of the journal, as it had recently moved from Indiana University to Slippery Rock to be under his direction. Altenbaugh had also been my professor for my education foundations graduate class in the spring of ’92, and I’d done entries for his Historical Dictionary of American Education, which was published in ’99.

Historical Dictionary of American Education Cover, March 23, 2011. Donald Earl Collins

At Altenbaugh’s behest, I met him and a wildly bearded co-editor at an informal meeting in March ’98. We met at The Second Plate, an eating place on the second floor of Forbes Quadrangle at Pitt, where I’d spent my homeless days in ’88, my history major days, and my first two years of grad school. Over the course of a two-hour lunch that had little to do with the food, Altenbaugh and his assistant grilled me about the contents of my article, my writing in general, and about the publishing business. Now I knew that this essay would need more revisions, but a two-hour inquisition on why a twenty-eight-year-old was too young to make bold conclusions based on existing studies was just a ridiculous argument.

For Altenbaugh and the other editor, I was simply too young to write an essay that reviewed previous scholarly work. Their logic: “even a senior scholar with fifteen years in the field would have trouble pulling this off.” The editors also insisted that the only road to academic Nirvana regarding my work would be through publishing academic articles and books that met the approval of an exclusive scholarly community. Translation: “write something that is interesting to a few other professors — but not so exciting that it would catch the public’s attention — and by all means do not work on something as controversial as multiculturalism.” Oh yeah, they also recommended that get approval for my essay draft from two elderly, nearly-dead White historians before resubmitting to the journal.

Bottom line: my essay was rejected, given a “No!” Not because it didn’t have potential, or because the early drafts weren’t any good. But because I was working on a topic too cutting edge as a Black male who even now at forty-one would be too young — according to these guys — to work on a state of the profession essay on multiculturalism, much less thirteen years ago.

Did their “No!” matter? In one sense it really did. I knew that the topic itself was too controversial for most conservative-thinking (in a topical, not political, sense) editors in scholarly publishing. That there were few venues for me to address multiculturalism in an academic sense. I also knew that their “No!” was about much more than my topic. My age and my race also played a role in their decision to not publish my essay — they said as much by implication. Funny thing is, that in these weird times, I’d probably have a much better shot at publishing this essay now than I did when multiculturalism seemed more relevant.

But in the end, it didn’t matter at all. I was already in the middle of a five-year period of questioning whether I was an academic historian first and a writer second, or was it really the other way around? If the latter was true — and it’s turned out to be — then what did it matter that I pushed to publish on a topic that I cared about, but I was already beginning to lose passion for?

What I learned from that “No!” is that there are times to force a “Yes!” out of the land of “No!” And that there are other times when I should choose to take that “No!” and evaluate my own motives for wanting a “Yes!” In the case of my growth as a writer — both in academic writing and in other kinds of writing — there couldn’t have been a better, more bigoted “No!” than the one I received thirteen years ago.