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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Category Archives: Religion

Aside

“White Privilege,” “Privileged Whites,” and Other Clarifications

01 Saturday Aug 2015

Posted by decollins1969 in 1, culture, Eclectic, New York City, Patriotism, Politics, Pop Culture, race, Religion

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American Exceptionalism, Bigotry, Black Reconstruction (1935), Central Park, Colorblindness, Egalitarianism, Homelessness, Privileged Whites, Psychological Wages, Public Wages, Race, Racism, Socioeconomic Status, W. E. B. Du Bois, Wages of Whiteness, White Privilege, Whiteness


"White Privilege-Amex," April 2014. (http://theblacksphere.net/).

“White Privilege-Amex,” in black and white, April 2014. (http://theblacksphere.net/).

It is hard to discuss race. It is definitely so in the US, where virtually everyone believes that their individual good intentions mean more than systemic oppression and ugly truths. And it is really hard on people of color when they/we discuss race with most Whites and some people of color (e.g., Black conservatives, the elite of color, those with internalized racism issues), as their belief in American exceptionalism and individualism is so strong that any evidence to the contrary must be wrong. Especially if the person providing the evidence is Black, Latino, Native American or Asian, and even more so if they are women of color.

One thing that’s been on my mind lately is the lazy use of terms by the media around race. And their laziness is our collective and individual laziness as well. So much so that most Americans use the terms for discussing race about the same way most Americans eat — they say “gimme lots of fat” while refusing the vegetables and healthy, but “put everything on it” at the same time.

Mr. Moneybags of Monopoly (1934) fame, July 31, 2015. (http://streetsmartbrazil.com/).

Mr. Moneybags of Monopoly (1934) fame, July 31, 2015. (http://streetsmartbrazil.com/).

For example, most Whites see the terms White privilege and privileged Whites and assume they mean the same thing. They don’t and can’t. White privilege refers to both systemic and individual racial discrimination and disparities that almost no one White would ever have to deal with in most circumstances. It has little to do with socioeconomic standing, level of education, social networks, or any other variable to which most Americans who play devil’s advocate often refer. Privileged Whites, though, refers to the fact that this socioeconomic group is either upper middle class or wealthy, often with high education levels. The latter can also refer to White privilege, but then again, that’s already assumed in America’s racial construction of itself.

Anyone who is White and poor and also assumes that White privilege (or, to use W.E.B. Du Bois’ term, Whiteness) is ascribing to them a socioeconomic status that they do not possess, that’s just incorrect. As Du Bois wrote in Black Reconstruction (1935), even the poorest Whites received societal compensation, at least in part, through a “public and psychological wage.” In Jim Crow times, it was one in which poor Whites “were given public deference…were admitted freely…to public functions and public parks.” At the same time, the “police were drawn from their ranks and the courts, dependent on their votes, treated them with leniency” (pp. 700-01). Come to think of it, much of this still applies in 2015, even though the Civil Rights Movement dismantled Jim Crow, no?

But it’s not just terms like White privilege and privileged Whites that throws off all but a small minority of Americans. Most use terms like race, racism and bigotry interchangeably, as if they work at an Apple factory in the Longhua Subdivision of Shenzhen, in Guangdong Province, China (it’s outside Hong Kong) making iPhones and iPads. Race is a construct and not a biological fact in the case of Homo sapiens, since humans are all part of one species, albeit with some rather interesting surface variations. Racism is the result of a construct to justify social and economic advantages in the US and all over the globe, as well as the systemic construction and maintenance of such advantages. Bigotry, though, is something we as individuals all possess, regardless of race, gender, ideology, religion, atheism, or any other variable. There’s more, but I’ve already written a post about this.

A clip from The Colbert Report in a segment about the end of stop and frisk in New York City, August 2013. (http://globalgrind.com via http://billmoyers.com).

A clip from The Colbert Report in a segment about the end of stop and frisk in New York City, August 2013. (http://globalgrind.com via http://billmoyers.com).

And there’s this whole notion of color blindness, the idea that millions of Americans who see everything in color can claim that they’re colorblind to race. “I don’t care if you’re white, black, red, green or purple. It doesn’t matter to me,” most Americans often say. There’s two problems with this statement and these phrases. One is that unless someone is actually, physically and neurologically colorblind, what one is doing is choosing to ignore differences, which is completely different from tolerating, accepting or embracing difference. One might as well say that they don’t see the homeless in the middle of Central Park in New York, that’s how ridiculous — maybe even tone-deaf and callous — this idea is.

Two is that there aren’t any green, purple, blue or other weird hues of humanity anywhere on this planet. Heck, technically, Whites are pink, Blacks are varying shades of brown, Native Americans have reddish undertones (and then only some), and so on. The point is, this idea of color blindness to race is straight horse manure, allowing many Americans to feel good about their views on race, racism and bigotry without any serious thought about their country or the people in it at all.

And that is why conversations on race in the US remain a pipe dream for some, and raise the fear of the specter of Judgment Day for others.

Aside

“Between the World and Me,” What I Don’t Get…

23 Thursday Jul 2015

Posted by decollins1969 in 1, culture, Eclectic, Politics, Pop Culture, race, Religion, Youth

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"Listening to Ta-Nehisi Coates While White", "The Dream", American Dream, Between the World and Me (2015), Black Bodies, Black Women, Book Reviews, Britni Danielle, Cornel West, Critiques, David Brooks, Exclusion, Facebook, Homage, Intersectionality, Mabel Jones, Memoir, Narcissism, National Review, New York Times, Politico.com, Prince Jones, Race Matters, Rich Lowry, Samori Touré, Sidelined, Systemic Racism, The Root


My reading (and writing) for Summer 2015, July 23, 2015. (Donald Earl Collins).

My reading (and writing) for Summer 2015, July 23, 2015. (Donald Earl Collins).

I don’t get most of the critiques of Ta-Nehisi Coates’ bestselling new book, Between the World and Me. It’s as if Coates had written Richard Herrnstein and Charles Murray’s The Bell Curve (1994), the way White reviewers allegedly liberal and conservative have reacted to its publication. I have read Between the World and Me, and there are more than a few things that any reader could criticize or even praise. But more than a fair share of the criticisms of Coates’ book are flat-out misreads, impositions of the critics’ own biases on Coates, or based purely on the book’s back cover.

“Go West, Young Man!”

Cornel West began this parade of badly handled critiques last week with his Facebook post. The title — “In Defense of James Baldwin – Why Tony (how West spelled it originally) Morrison (a literary genius) is Wrong about Ta-Nehisi Coates.” — says it all. One impressive blurb from a leading author of the last half-century, and West seems to have lost his mind. Aside from disagreeing with Morrison about the James Baldwin, West wrote, “Coates is a clever wordsmith with journalistic talent who avoids any critique of the Black president in power,” adding that

Coates can grow and mature, but without an analysis of capitalist wealth inequality, gender domination, homophobic degradation, Imperial occupation (all concrete forms of plunder) and collective fightback (not just personal struggle) Coates will remain a mere darling of White and Black Neo-liberals, paralyzed by their Obama worship…

Funny. I didn’t know that Coates’ 152-page letter to his fifteen-year-old son was supposed to be a damning critique of President Barack Obama. Ax-grind much, Dr. West? Especially since, in a structural sense, anyway, Coates’ book indirectly pays homage to West’s groundbreaking 101-page treatise, Race Matters (1994). For West, though, the world is not enough, because in his mind, “it’s all about me.”

Intersectionality vs. Exclusion

There have been a few reviews criticizing Coates’ for not dealing with the intersectionality between race and gender for Black women in the context of facing the same struggles as Black men. Britni Danielle wrote in her review of Between the World and Me in The Root last week, “[b]ut what of the women? In Between the World and Me, black women are footnotes to the men’s stories—baby mamas, lovers, mothers, classmates, around-the-way girls, grieving mothers.”

I don’t entirely disagree with Danielle’s assessment, especially in specific cases, like when Coates discussed his mother, talked about the first two women he fell in love with, and in his understanding of his slain friend Prince Jones’ mother, Dr. Mabel Jones. Then again, how could a late-bloomer like Coates really dig deep enough to discuss intersectionality with any depth for his fifteen-year-old son? My suspicion is that a more serious attempt on Coates’ part would’ve fallen flat.

Narcissistic White Men on “Race Matters”

The most explosive critiques of Between the World and Me — at least for most Americans (read “White Americans” here) — have come from two rather unimpressive high-brow intellectual narcissists. New York Times columnist David Brooks last Friday and National Review editor Rich Lowry on Wednesday (via Politico.com) both took it upon themselves to express personal outrage on the part of millions of other upstanding White Americans.

Brooks titled his column “Listening to Ta-Nehisi Coates While White,” though it really should’ve been titled, “Hearing Ta-Nehisi Coates While White.” Because based on what Brooks wrote, with sentences like “It [Coates’ book] is a mind-altering account of the black male experience. Every conscientious American should read it,” it becomes fairly obvious to the astute that Brooks wasn’t listening. As I’ve explained to my soon-to-be-twelve-year-old son and my students over the years, “there’s a difference between hearing and listening. One requires you to be look like you’re listening, the other requires you to think and act on what you read and hear.” I guess Brooks didn’t listen to Morpheus in The Matrix (1999) either. Like so many, he doesn’t want to understand that the American Dream is “the world that has been pulled over your eyes to blind you from the truth”

Brooks read Between the World and Me, and heard, “White people like me are bad, the American Dream is bad — how dare you say that about me, Mr. Coates!” This is even more evident later in the review, as Brooks wrote, “Is my job just to respect your experience and accept your conclusions? Does a white person have standing to respond?” Yes, Mr. Brooks, your White privilege matters, but doesn’t give you standing here. 

Lowry based his nullification of Between the World and Me on the very themes that Coates’ spun on their heads in his book — individualism and skin-color-based violations of the Black body. Lowry wrote, “He [Coates] argues — although that might be too generous a word; it’s more like assertion shrouded in a haze of lyricism — that all that other black people did to hurt or threaten him was ultimately the product of white racism.” As if racism is somehow self-contained, an individual choice or decision, and not something that is embedded in America’s institutions, with systematic effects throughout society, to the point of self-hatred and internalized racism. Wake up, Mr. Lowry, and smell what you’re shoveling!

Between Coates and Me

As for my read, I found the book powerful, self-important, compelling, pompous, and at times nihilistic and heart-rendering. Yet I also found some of Coates’ work weak and underdeveloped. Yet for almost none of the reasons that other reviewers have used to excoriate him and Between the World and Me. If Coates’ book is really just a letter from a near middle-aged Black man to his teenager son, I can tell you that at fifteen, my head would’ve been spinning for weeks after reading the letter. And not in a good way. My first reaction would be, “Thanks a lot, Dad! This burden you’ve given me could finish me before I have a serious chance to start!”

This book is far more than a mere letter. It’s part memoir and part treatise on the nature of the poisonous American Dream (one critique I read thought that Coates’ bought into the Dream — someone needs to learn how to comprehend what they read) and American racism. It is also partly journalistic commentary on the lives destroyed by “The Dream” and the structural racism that has supported it for centuries. Coates’ book is not just a nod to Baldwin, Langston Hughes or Malcolm X (whom he identifies in his book). There’s some influence, direct or not, between Martin Luther King, Zora Neale Hurston, Ralph Ellison, even the late Derrick Bell.

And that strength is perhaps Between the World and Me‘s great weakness. As strong as the writing is, and as personal and emotional the journey Coates tries to take us on, it is a journey with far too many destinations. Some of the people on Coates’ journey remain underdeveloped as characters, so to speak, and really serve as foils rather than as other bodies with the same hopes and fears that Coates’ had growing up. The appeal of The Mecca of the Howard University yard and Moorland-Spingarn would be difficult for some to appreciate without more of a sense of Coates’ lack of belonging, as there is so little about his relationship with his parents (especially his mother) and siblings beyond ass-whuppins. The repetitive declarations around the light-skinned kid with the gun, the notion of “twice as good” (which is mentioned several times over thirty pages before Coates provided a definition), and Coates’ cringing at all things Christianity, while understandable, probably do as much to exclude readers as they do to invite.

All in all, the book probably could have been thirty or even fifty pages shorter. But whether too repetitive, too long, too much rhetoric and not enough intersectionality, I still think Coates’ succeeded in his goal. If I’m understanding it correctly, that is. To remind his son (actual and the millions of proverbial sons and sidelined daughters, I guess) that the “Struggle is in your name, Samori–you were named for Samori Touré, who struggled against French colonizers for the right to his own black body” (p. 68). Imparting this wisdom may be perhaps the most important duty any Black parent has toward any of their children.

Aside

RIP Sister, Sarai Adar Washington (February 9, 1983-July 11, 2010)

11 Saturday Jul 2015

Posted by decollins1969 in 1, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pop Culture, race, Work, Youth

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616, 616 East Lincoln Avenue, Brother-Sister Relationship, Death, Dread, Eri Washington, Father Figures, Growing Up, Independence, Life, Mazza Gallerie, Sarai Washington, Sickle Cell Anemia, The Matrix Revolutions (2003)


 

Sarai Washington, circa 2003.

Sarai Washington, circa 2009.

It’s been five years since I received my brother Eri’s call telling me what I had known and dreaded would come for nearly thirty years. That my only sister Sarai had died from complications stemming from sickle-cell anemia.

As soon as I picked up the phone five years ago, I knew. Sarai had been in and out the hospital for months since she had returned to New York at the tail end of ’09. Before then, she had lived either on her own or with two of her high school friends in Huntsville, Alabama since ’05. The skin and bone bruises, the constant blood transfusions, the always-there pain of sickled red blood cells circulating through her body. The average life expectancy for anyone with the disease is thirty-three years. That I had Sarai in my life for 82 percent of that life expectancy was still a minor miracle in the midst of what to me seemed completely unnecessary pain.

We weren’t as close in her later years, though. I mean, Sarai saw me as a bit of a father-figure when she was growing up. I had thirteen years and six weeks on her, so that’s how it goes. Between the 616 fire and homelessness for her and my other younger siblings in ’95, though — not to mention puberty — Sarai no longer treated me as her hero. That was fine by me. I already had too many people in my life who thought of me as some sort of hero or saint.

I think, though, that my sister enjoyed not really having to think about her future, about not feeling the need to grow up, since, what would be the point, really? I thought that because she knew more about her disease than anyone, it was her responsibility to grow up and find the best care possible to manage her disease, to bring some meaning to her life. That’s where our closeness became less so. I have a way of expecting more out of people than most people are willing to expect of themselves.

Sarai & Noah, November 2003. (Donald Earl Collins).

Sarai & Noah, November 2003. (Donald Earl Collins).

When Sarai came to live with me and my wife Angelia in ’03, to help us out with our then newborn son Noah, it was obvious that my sister was doing little to take care of herself. When I finally confronted her about her poor diet and unwillingness to watch over her disease, Sarai yelled, “You’re not my father!,” right in front of Mazza Gallerie, on the DC-Chevy Chase border (we had gone to see The Matrix Revolutions, much more for her than for me). Of course she was right. But of course, I was right also.

Sarai decided the next day to pack up her stuff and move back home to 616 and Mount Vernon, “where no one told her what to do,” she wrote as part of her going away letter. She also said that I “don’t know anything about the streets” as yet another familial “Just because you have a Ph.D…” coup de grace. I thought, “If I didn’t know anything about the streets, you and the rest of the younger siblings would’ve gotten your asses kicked through the early ’90s.”

But I knew Sarai’s letter wasn’t about the streets. It was about her living her life the way she wanted, without me or anyone else telling her how to take care of herself. That’s why she went away to Alabama for nearly four years.

Luckily I did get to talk to her a couple of times after that. Though we weren’t close, I loved her, and I know she loved me. The sad truth was, though, Sarai never had enough time to take charge over her life, and I couldn’t make her take that precious little time.

Aside

American Narcissism, or, “Smiling, Crying, and Celebrity”

10 Friday Jul 2015

Posted by decollins1969 in 1, Christianity, culture, Eclectic, eclectic music, Movies, music, Patriotism, Politics, Pop Culture, race, Religion

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"Charlie X", "Original Of The Species" (2005), American Narcissism, Captain James T. Kirk, Gordon Ramsey, How To Dismantle An Atomic Bomb (2004), Kitchen Nightmares, Narcissism, Psychic Powers, Self-Aggrandizement, Self-Love, Self-Promotion, South Carolina State Rep. Jenny Horne, Star Trek, Star Trek TOS (1966-69), Thasians, U2, US Foreign Policy, US History, William Shatner


South Carolina Representative Jenny Horne (Republican) speaking on floor of House chamber, Columbia, SC, July 8, 2015. (http://www.slate.com via C-SPAN3).

South Carolina Representative Jenny Horne (Republican) speaking on floor of House chamber, Columbia, SC, July 8, 2015. (http://www.slate.com via C-SPAN3).

There are so many examples of the US as a nation of narcissists that when I step outside of my own narcissism, it literally leaves me with vertigo. I can see narcissism everywhere. In how Americans drive, as if they’re the only car on the road in bumper-to-bumper traffic. I see it in how people walk on sidewalks, as if no one else will ever need space to walk in the opposite direction, or as if everyone wants to walk at a slow, plodding pace. I see it in how we reacted to even minor criticism, as if the comment “this needs revision” equals “you’re a lazy, untalented hack of a writer,” and deserves a response equally personal and nasty.

From U2's "Original Of The Species" (2005) video, from How To Dismantle An Atomic Bomb (2004) album, July 9, 2015. (http://youtube.com).

From U2’s “Original Of The Species” (2005) video, from How To Dismantle An Atomic Bomb (2004) album, July 9, 2015. (http://youtube.com).

One of the better demonstrations of narcissism American style is through our popular culture. From Frank Sinatra to Rick Ross, Mae West to Nicki Minaj, we have a century’s worth of pop culture divas as examples of narcissism at the level of prominent American individuals. The narcissism is so normal that we have benign terms for it, like “self-promotion” or “self-love.” People, especially in the pop culture world, should promote and love themselves, of course. But at what point is narcissism a self-defeating process of “me as triumphant,” “me as the center of the universe,” “me for everyone to like/love more and more?”

A clear-cut example of art imitating life imitating art for me around narcissism would be a Star Trek: TOS (The Original Series) episode. Season 1, Episode 2, September 15, 1966, was the airing of the “Charlie X” episode on NBC. It was the one in which a seventeen-year-old who had been stranded on an alien planet since the age of three was taken up to the Enterprise by a transport ship. Once on the Enterprise, the teenager displayed both petulance and his toolbox of god-like powers, hurting crew members or making them disappear at a whim. All because they either unknowingly insulted him or made him jealous in some way. As one story line summary for the episode reads, “Captain Kirk must learn the limits to the power of a 17-year-old boy with the psychic ability to create anything and destroy anyone.”

Charlie Evans, played by Robert Walker, Jr., Star Trek TOS, Season 1, Episode 2, September 15, 1966. (https://thesouloftheplot.files.wordpress.com/).

Charlie Evans, played by Robert Walker, Jr., Star Trek TOS, Season 1, Episode 2, September 15, 1966. (https://thesouloftheplot.files.wordpress.com/).

The Charlie Evans character became fixated on a female crew member — consistently called “a girl” in 1966 (that wasn’t acceptable even back then) — in one Yeoman Janice Rand. Charlie’s obsession with having her, his dislike for criticism and being told what to do, his inability to check his emotions, his destructive responses, were all based on his needs from moment to moment. Every potential slight, every action that he couldn’t control led Charlie to do some damning things. With his thoughts, Charlie took away Lt. Uhura’s voice, broke Spock’s legs, blinded another crew member, took away one woman’s face, aged another woman, and made one other woman disappear. When Charlie couldn’t win at chess, he melted the chess pieces. “I can make you all go away! Any time I want to!,” Charlie exclaimed at one point in the episode.

Within a scene or two, just before the episode’s climax, Kirk finally said, “Charlie, there are a million things in this universe you can have and a million things you can’t have. It’s no fun facing that, but that’s the way things are.” This was when Charlie was on the verge of taking over the ship and possibly wiping out the Enterprise‘s crew. But then, the Thasians came (the aliens who’d given Charlie his powers in the first place) with their own starship to take Charlie in as one of their own. “We gave him [Charlie] the power so he could live. He will use it – always. And he will destroy you, or, you will be forced to destroy him,” the face of the Thasians said. Then, the Thasians disappeared Charlie to their starship, with Charlie’s final words, “I wanna stay… stay… stay… stay… sta…” lingering on the Enterprise‘s bridge.

Defaced woman, Star Trek TOS, Season 1, Episode 2, September 15, 1966. (http://goodcomics.comicbookresources.com/).

Defaced woman, Star Trek TOS, Season 1, Episode 2, September 15, 1966. (http://goodcomics.comicbookresources.com/).

If this episode doesn’t serve as a metaphor for America as a nation and Americans as 320 million individuals with varying levels of narcissism, I don’t know what does. America has always declared itself at the center of the world, centuries before it became a world superpower. Any affront — real or perceived — has often led to skirmishes and wars, embargoes and removals. America’s relatively short history includes Indian wars, Barbary pirates, the War of 1812, the American Revolution, Manifest Destiny and the Mexican-American War, the Monroe Doctrine, Banana Republics and Cuba, Manuel Noriega and Panama, Beirut and Grenada. The central theme of American history and foreign policy has been to self-aggrandize, to settle scores, to challenge other countries to duels, to take advantage of those in the most vulnerable places in the US and around the globe.

So too has narcissism been a part of ordinary Americans’ lives. Just watch a rerun of Kitchen Nightmares on BBC America or on FOX. Any criticism delivered by soccer coach-chef Gordon Ramsey is received about the same way as a toddler reacts when their favorite toy goes missing. Taunts, tantrums, threats, gnashing of teeth, juvenile guilt and despair.

And, for a moment, there may even be a haunting realization that your intellect and experiences aren’t at the center of the universe. But just for a moment. After all, there aren’t any Thasians to check and balance America’s narcissism. Still, narcissism has a way of using up people and nations. Maybe in a hundred years, maybe in 500, but some time in the future, historians will write about American narcissism the same way many historians write about the gross inequalities of an over-glorified ancient Rome.

Aside

Part of My Real-Life Hunger Games

24 Wednesday Jun 2015

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, Pop Culture, race, Religion, Youth

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"Things Can Only Get Better" (1985), 10th Grade, 616, 616 East Lincoln Avenue, Addie Viggiano, Authority Figures, Chemistry, Disillusionment, Harold Meltzer, Howard Jones, Humanities, hunger, Iced Fudge Nut Brownie, Italian, MVHS, New York State Regents Exams, Paul Lewis, Poverty, Sara Lee, Trigonometry


Consequences of hunger in schools, NOKID Hunger, January 2015. (http://www.youthonassignment.org/).

Consequences of hunger in schools, NOKID Hunger, January 2015. (http://www.youthonassignment.org/).

This time three decades ago I’d started to recover from a week of seemingly endless tests and Regents exams at Mount Vernon High School, which couldn’t have come at a worse time for me. The cupboards and fridge at 616 were as bare as they had been since the days before my Mom had gone on welfare. There was only enough milk for my younger siblings, and besides cornbread and cabbage, we were SOL. That Monday we had our exams in World History and English. Tuesday was the Trig Regents, which I started preparing for at the end of February because our teacher Ms. Viggiano didn’t know the difference between sine, cosine and tangent. All of those went pretty well.

Then we ran out of food Tuesday night. I woke up the next morning with water, milk, ice and freeze-dried meat as my choices for breakfast and 50 cents in my pocket. I chose water and only water for the morning. And Wednesday was the busiest day of all. There were two Regents exams, one that morning in Italian, the other in Chemistry. I went to school feeling like I could overcome my hunger and do decently on the test. After all, I had been taking Italian since seventh grade, and I already knew I had scored an eight out of ten on the oral part of this exam. But deep down, I knew I just didn’t have the energy to get through the exam. I had a headache from the lack of food, which grew worse as I started to forget the difference between Italian in past, present, future and present perfect tense. I finished the exam and found myself just hoping for a 70 (anything below a 65 was an F, and the exam counted for a third of my total grade for the course).

Sara Lee Iced Fudge Nut Brownie (yes, they still make them), 2014. (http://saraleefoodservice.com/).

Sara Lee Iced Fudge Nut Brownie (yes, they still make them), 2014. (http://saraleefoodservice.com/).

I went to lunch and walked over to Chester Heights (Eastchester) to a deli and bought the only thing I could think of to eat: one Sara Lee Brownie. It cost 45 cents, and it was probably the best investment I had made up to this point in my life. I walked back to MVHS, slowly ate the brownie to make it last, and had just enough time to drink some more water before we sat down to take the Chemistry Regents.

When I opened up the exam booklet I started laughing. Our idiot Chemistry teacher Mr. Lewis had told us the month before to “not worry” about organic chemistry as part of the Regents exam even though he had never covered it in class. Listening to him had me averaging a C in his class all year, with my highest exam grade an 87. So I bought a Barron’s Chemistry Regents test prep book the weekend after his pronouncement, and did nothing but study organic chemistry for this exam. It turned out that the first ten questions on the exam were organic chemistry ones, and something like thirty-five out of 100 total covered organic chem. With my brownie digesting, I was ready to kick some butt. I left that afternoon knowing that I did pretty well. But after that shaky morning, I found myself still wondering, did I do well, or was my malnourished mind playing tricks on me?

I found out on Friday, June 21st that I had failed the Italian Regents, with a total score of 45 — I’d only earned a 37 out of 90 on the written party of the exam (I’d taken the oral part with Ms. Maldonado a couple of weeks earlier). On the Chemistry Regents, I had the third highest score in the school — a 95 out of 100. I was bummed, ecstatic, pissed and disillusioned with my teachers and with myself, all at the same time. The goofy-assed Howard Jones tune “Things Can Only Get Better,” a hit at that time, popped into my head from that morning and off and on for the rest of June.

Luckily on the Friday we found out our scores was also the same day we were to meet our AP US History teacher. I’ve already described my late friend and mentor in a previous post. But it’s worth mentioning again how he broke down my protective wall to talk to me about things I’d never discuss with my classmates or my Mom or Jimme. One of those issues was hunger. Not just my constant need for food even when there was food at 616. My hunger, my drive for something better in life. Meltzer noticed it, and gradually got me to exhibit that side of myself in class.

NO KID Hungry campaign logo, Share Our Strength, June 24, 2015. (https://www.nokidhungry.org/).

NO KID Hungry campaign logo, Share Our Strength, June 24, 2015. (https://www.nokidhungry.org/).

For years after AP, Meltzer would say, over and over again, “You know, I never worried about you.” I guess it was because I didn’t take the world around me at face value. I had a healthy disdain for authority figures and the daily bullshit that the world attempted to feed my mind with every day. I wasn’t intimidated by my classmates, and I wasn’t going to allow myself to engage in worrying about grades and pleasing teachers the ways in which they did.

Meltzer picked up on this, and laughed about it all the time. He said that I had that one-of-a-kind look of a student who wasn’t just hungry for good grades, but hungry for knowledge, hungry for something to make sense of a senseless world. I guess that this is all true. Boy, it’s remembering days of hunger past that I miss people like Meltzer the most.

Not Finding My Musical Center

16 Tuesday Jun 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, My Father, New York City, Politics, Pop Culture, race, Religion, Youth

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616, 616 East Lincoln Avenue, Authentic Blackness, Authenticity, Bad Ideas, Bad Music, Black Masculinity, Columbia House, Coping Strategies, Crush #2, Dahlia, David Wolf, Escapism, Estelle Abel, Glass Tiger, Honors Convocation 1987, MVHS, Phyllis, Richard Capozzola, Self-Discovery, Silent Treatment, Sylvia Fasulo, Terre Haute, Thompson Twins, Tower Records


Glass Tiger, The Thin Red Line (1986) album cover, June 6, 2015. (http://www.amazon.ca).

Glass Tiger, The Thin Red Line (1986) album cover, June 6, 2015. (http://www.amazon.ca).

June ’15’s calendar is exactly the same as the one I lived through in June ’81, June ’87, June ’98, and June ’09 (you can look it up). But June ’87’s the month I graduated from Mount Vernon High School. At seventeen, my Blackness, my authenticity as a young man and as a Black man, my place in the world, all were question marks. Between Black administrators like Estelle Abel and Brenda Smith (not to mention White ones like Richard Capozzola and Carapella), teachers like David Wolf and my guidance counselor Sylvia Fasulo, plus the fifty or so “cool” kids with their ’80s pre-Nu Jack Swing/post-Purple Rain Prince look, I might as well have been an alien from another planet. That’s not even counting my strange and out-of-character incident with Dahlia, the humiliation of the Sam and Laurell Awards Show, the dissonance of dealing with Mom, my idiot stepfather Maurice and my siblings at 616, my father Jimme’s drinking, and the run-ins with not-so-normal Crush #2 in Phyllis.

The day I realized most how differently the world outside of Mount Vernon viewed me from how I viewed myself came the day after graduation at Tower Records on West 66th and Broadway. I’ve told this story before, here and in Boy @ The Window, about how some NYPD officers working security there accosted me and accused me of stealing tapes that I had bought the previous week. What I have left out, though, was my state of mind in the two-week period prior to this incident. As I said in the memoir

I had my latest Walkman, my first Sony Walkman, actually, and my book bag with my recent tape investments, including a few I’d bought at Tower Records the previous Friday. Investments like Fleetwood Mac’s Tango In The Night, Genesis’ Invisible Touch, Whitney Houston’s Whitney and Glass Tiger. Glass Tiger, by the way, was a good indication of my state of mind. Boy was I pathetic!

Here I was, attempting to discover myself through what was then my normal coping strategy of escapism via eclectic music. Given my long periods of deprivation from pop culture between religion, abuse and poverty, I’d really only been at this discovering music thing for a little more than three years. I was basically a preteen in terms of pop culture and musical development outside of choir in elementary and middle school and playing the trombone and fife.

Seriously, I look at this Canadian group Glass Tiger’s ’86 album cover The Thin Red Line now and think, “this stuff isn’t even Michael Bolton worthy!” Songs like “Don’t Forget Me (When I’m Gone)” and “Someday” were actual Billboard chart-toppers in ’87, though, and because I had no friends in whom I placed trust, I trusted my coping strategies and Casey Kasem.

That, and Columbia Record Club, which I signed up for off and on between ’86 and ’89, with my high point for using their Terra Haute, Indiana mailing operation being the spring and summer of ’87. I could use them to find music I wouldn’t dare buy even at Tower Records or Crazy Eddie’s. I bought new age music by Phillip Glass, took a hand at jazz with Dizzy Gillespie, bought Van Halen’s 1984 and 5150 (California-crazy me), and went for it with Big Daddy Kane, MC Lyte and Salt ‘n Pepa.

Thompson Twins, Here's to Future Days (1985) album cover, June 6, 2015. (http://audiokarma.com).

Thompson Twins, Here’s to Future Days (1985) album cover, June 6, 2015. (http://audiokarma.com).

But for every Simple Minds‘ Once Upon A Time (1985), there was Toto’s The Seventh One (1988), or Thompson Twins’ anything, really. For every song that stuck with me, like Sting’s “Be Still My Beating Heart” (1987) or Anita Baker’s “No One In The World” (1986), there was Whitney Houston’s “Love Is A Contact Sport” (1987) — one of the worst songs I’ve ever heard a voice as awesome as Whitney’s sing — and Howard Jones’ “Things Can Only Get Better” (1985). “Things Can Only Get Better,” by the way, is in my iPod’s random rotation, as I have come around to it again in the past decade.

I was trying to figure out what I liked and didn’t like musically on the fly, having lost a significant amount of time growing up for the triviality of enjoying music. This was hard to do, though, in a world in which my peers and many adults assumed that I knew myself well at the ripe old age of seventeen. No matter what my IQ score was in ’87 (about a 130, for the eugenicists out there), my emotional and psychological development probably put me about five years behind my now former classmates.

So my music tastes varied from genius to God-awful. They still do. The difference is, I recognize I may be the only one who listens to DMX for comic relief, because there’s no way to take him or his rap seriously. Or that I find Tupac and Eminem equally compelling and equally problematic. I still

Taco Bell's Waffle Taco w/ syrup, sausage, eggs and cheese, March 27, 2014. (http://vice.com).

Taco Bell’s Waffle Taco w/ syrup, sausage, eggs and cheese, March 27, 2014. (http://vice.com).

don’t understand the genius of Miles Davis, no matter how many times jazz enthusiasts like my friend Marc try to convince me to keep listening. Still, half of my music comes from the period between May ’87 and October ’97, and the rest crosses boundaries in time, genre, race and language (Deep Forest, anyone?).

I also recognize complete schlock, too. Unfortunately, commercial music these days is about as emotionally and mentally nutritious as a McDonald’s Big Mac and a Taco Bell Gordita combined. I try every few weeks to find out about the latest artists, just in case my son ever becomes interested in music again. Thank goodness, though, there’s no Lil’ Wayne, Rick Ross, or Iggy Izalea in our house! I’ll take my Glass Tiger (not really) any day over that!

Didn’t We Never Have It All

04 Thursday Jun 2015

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, Eclectic, eclectic music, Hebrew-Israelite, Marriage, Mount Vernon New York, My Father, New York City, Pop Culture, race, Religion, Work, Youth

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"Why Women Still Can't Have It All", Anne-Marie Slaughter, Arkansas, Black Migration, Bradley Arkansas, Conservatism, Evangelical Christianity, Hats, Judah ben Israel, Maurice Eugene Washington, Melissa Harris-Perry, Mother-Son Relationship, Mount Vernon Hospital, MSNBC, Perfectionism, Self-Awareness, Self-Loathing, Self-Sufficiency, Self-Worth, Strikebreaker, Tenant Farming, Vanity, Wear and Tear, Welfare, Welfare Poverty, Xenophobia


Whitney Houston, "Didn't We Almost Have It All" (released August 1987) Single 45rpm, from 2nd Whitney album (not exactly a favorite), June 4, 2015. (combined/cropped by Donald Earl Collins; http://musicstack.com and http://rapgenius.com).

Whitney Houston, “Didn’t We Almost Have It All” (released August 1987) Single 45rpm, from 2nd Whitney album (not exactly a favorite), June 4, 2015. (combined/cropped by Donald Earl Collins; http://musicstack.com and http://rapgenius.com).

I’ve been thinking about this for nearly a year. It started for me last August. Melissa Harris-Perry had a segment on her MSNBC show regarding the multiple hats women of color have worn over the years in taking care of their families, immediate, extended and non-biological. In response to Anne-Marie Slaughter’s July/August 2012 piece in The Atlantic about “Why Women Still Can’t Have It All,” Harris-Perry and her guests made the point that feminism for women of color has been about far more than having a successful, sexist-free career. That throughout American history, women of color have found themselves wearing multiple hats as primary breadwinners, primary caretakers and primary childrearers, often in ways that traditional feminists don’t discuss or recognize. All without fanfare and with many setback along the way.

What I’ve witnessed and been a part of in my own life reflects much of the conversation that Harris-Perry led on her show. The physical, mental and psychological scars from caring for family, friends and children, while struggling financially and dealing with racism and misogyny often manifests in disease and depression for so many women of color. There’s so much more, though, in terms of how my own mother’s multiple hats and habits led me to so many of my own. All initially to help her, but in the end, helping myself become self-sufficient. Not to mention making myself more understanding of where all the wear, tear and lack of care that wearing so much for so long can lead.

My Mom’s Hats and Habits:

The Anne-Marie Slaughter image of multitasking/wearing multiple hats (just think what this is like for poor, low-income, women of color), February 4, 2015. (ALAMY; http://telegraph.co.uk).

The Anne-Marie Slaughter image of multitasking/wearing multiple hats (just think what this is like for poor, low-income, women of color), February 4, 2015. (ALAMY; http://telegraph.co.uk).

Before I turned thirteen years old, my mother had been far more than my Mom. She’d been a dietary supervisor at Mount Vernon Hospital, just outside New York City, since 1968, the year before I was born. She had been a high school basketball player, a caregiver to her eleven brothers and sisters, and a cotton-picking breadwinner for her family in segregated southwestern Arkansas, an area located in the Red River Valley, part of the larger Mississippi Delta region. She had become our family’s primary breadwinner in the years after she gave birth to my older brother and me. Not to mention a married young woman now living a thirty-minute train ride from Midtown Manhattan, between the Hudson and Hutchinson Rivers, on the border between affluent Westchester County and the Bronx.

Life didn’t treat my Mom too kindly once she married my alcoholic father in 1971. And it actually went from bad to worse as she divorced him for my stepfather in 1978. By then, she had become a cigarette smoker, a one-time adulterer, and an abuse survivor. My Mom did everything she could to shield my older brother and me from her habits and the realities of our tough life in Mount Vernon in the 1970s and early 1980s. But by the end 1982, as I turned thirteen, all the hats my Mom had worn began to fall to the ground. In taking on the role of a strikebreaker, all of our lives would change forever.

In response to concessions made to the union, who left her unprotected, Mount Vernon Hospital cut her from full-time to part-time. My Mom became the besieged one. She was the old woman in the shoe, with six kids — including four under the age of five — and a cheating, abusive, unemployed, sometimes-at-home husband. It was my Mom’s job to take care of us all. Yet no longer was she a breadwinner. My Mom had become one of Reagan’s alleged welfare queens, pulling in $16,600 in AFDC payments per year from April 1983 until I left for college in August 1987. With all of that, I became a hat juggler myself.

Once Her Hats Became My Own:

For a while during my teenage years, my Mom had been my friend, one in which I could usually confide, albeit out of anger and frustration. All while taking on more and more of what had been her duties, including the brunt of her second husband’s rage and fists. I’d become an everyday grocery shopper, a frequent family cook, and a sometimes provider, the last mostly through tracking down my own father for a few extra dollars every Friday or Saturday at one of his favorite bars. Or, by the time I was sixteen, through working part-time. I provided childcare on afternoons, evenings and weekends. I washed clothes with my older brother on Saturdays or Sundays every week without fail from October 1982 on.

Hat stall at a Sunday fair, Amsterdam, The Netherlands, August 31, 2008. (Jorgeroyan via Wikipedia). Released to public domain via CC BY-SA 3.0.

Hat stall at a Sunday fair, Amsterdam, The Netherlands, August 31, 2008. (Jorgeroyan via Wikipedia). Released to public domain via CC BY-SA 3.0.

By the end of high school, I realized too who my Mom wasn’t, maybe for the first time. She wasn’t an encourager, a person who pushed her kids to pursue their dreams. With so many “Are you sure…?” questions my last two years of high school, it’s a wonder I applied to any colleges at all. Mom wasn’t a nurturer either, especially after I became a teenager. My Mom had only said “I love you” to me two times between my twelfth and nineteenth birthdays, including at my high school graduation ceremony in June 1987. She also wasn’t easygoing. Any mistake with money or my time would get a “Serves you right…” sermon about never screwing up.

The Toll Caring For Others Can Take:

All of this has made my Mom a conservatively cautious perfectionist, one living with depression and in constant denial about our shared past. I guess that it was all too much for her, like reaching the Jordan River, but not being allowed to cross it. Our shared experiences had also made me cautious and perfectionistic in my dealings with myself and the world, as I had to wear so many of my Mom’s hats and cross so many of those rivers with her. My mother tried to be all things to me and my older brother especially, and failed more than she succeeded in the process. For that and so many other reasons, despite her mistakes, I love her very much.

It’s been more than twenty-seven years since I moved away for the greener pastures of the University of Pittsburgh. Yet it’s only been in the past decade that I’ve learned to stop striving for perfection in all the things I say and do. It ultimately takes a lifetime to unlearn all the bad habits and prejudices and give up on juggling all the ideas and roles that our parents have put on us. My journey with and without my Mom has been no different. Now that my Mom’s in her late sixties, I just hope that the only hat she tries to wear these days is one to keep her head warm on the coldest of days.

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