Category Archives: eclectic music

Was I Really In Love In 7th Grade?

03 Saturday Mar 2012

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Tomorrow will mark thirty years since I began an emotional journey the likes of which I’ve only approximated maybe three other times since. In the three decades since, I’ve learned that I was actually in love for the first time. Not just a crush, or puppy love, or some preteen infatuation. Love, actually and truly. But as a person of deep thought, a boy surrounded by sexism and misogyny, and a lonely and semi-ostracized twelve-year-old, I didn’t have the thoughts, much less the words, to describe what I felt between March 4 and May 30 of ’82 (see my “On Women and Wired Weirdness” post from March ’11).

To think that this all pretty much started because I picked a fight with Crush #1 at the end of class on the first Thursday in March in 7S. Almost all of my extracurricular incidents that year began or ended in our homeroom with our homeroom/English teacher Mrs. Sesay. The incident began because Crush #1 asked a question about a subject that Mrs. Sesay had spent the entire week going over, a concept that Sesay would test us on that Friday. I laughed out loud — thinking that I was only snickering — after Crush #1 asked that question.

Thinking nothing of it, I began to pack up after the 2:15 pm bell rang. Crush #1 came up to me and pushed me from behind.

“You’re an ugly, arrogant asshole!” she said with the distaste of a ballerina being asked for money by a junkie.

I called her “stupid” and then said something else stupid. “You’re an idiot!,” Crush #1 yelled as she threw two punches into my chest and a third at my jaw.

The fight lasted about fifteen or twenty seconds, but after landing a punch on her left boob and nipple, I stopped fighting, already descending into the land of the idiot romantic, as in The Doobie Brothers “What A Fool Believes” (1979). All while Crush #1 kept hitting me, then being pulled away from me by a couple of her friends. One of them, the recently deceased Brandie Weston, called me a “pervert” as they exited the classroom.

I know that I wasn’t the first boy in history to start a fight with a girl who I’d come to like or love, but I do think that boys who do that have a lot of weird in them. Mind you, I hadn’t quite hit puberty yet, so my testosterone levels weren’t high enough yet to be the cause of my brain malfunction. No, my very sexism and her fierce sense of tomboyish feminism was why I liked her in the first place, and I drank deep from that well for the next three months.

I’ve had thirty years to reflect on this incident and the three months of school-day dreaming that followed. There are only a handful of childhood memories I’ve thought about more. For years, though, I’d packed my emotions away. Through high school and Crush #1’s first dating experiences, through my own high school and 616 trials and tribulations, through college and graduate school and my years of dating and then marriage to my wife of twelve years.

Then, as I began work on Boy @ The Window six years ago, I opened up that dusty box of memories and emotions, to find them almost as strange at thirty-six as they had been at twelve. But unlike in ’82, I shared it with a bunch of friends, and especially my wife. After telling the story of me and Crush #1, my wife said, she was my “first love. It doesn’t matter if she didn’t reciprocate.” Or, for that matter, if she didn’t know. It was the first time it dawned on me that I really had fallen in love before I’d learned how to love. Wow.

It explained why after so many years, through all of my ups and downs, and despite the love I do feel, have and show to family and friends in my life, that Crush #1 would show up in my dreams. It helped me understand why I found few girls, young women and women attractive prior to going to college, and even then, they didn’t compare. It also let me know that a feeling like that can’t die, doesn’t die. If anything, it allows room for more love, and more understanding for how to love in the process.

The video above is about the best way I can express what I felt in ’82, without the complete sappiness of an incurable romantic, or worse yet, a tragic one. Like Professor Snape (as played by Alan Rickman) in the Happy Potter movies, or worse still, Ralph Fiennes’ character in The English Patient (1996). Combining music and two of my three favorite sports (the other one’s golf, but Tiger’s inappropriate for this theme), it’s a mere approximation for how I felt back then.

There’s plenty of other music I could’ve used (see my “The Ultimate Crush” post from March ’08 and “Desert Rose” post from April ’09), other themes like figure skating or ballet that would better show what I saw and felt in Crush #1, and what I see and sometimes feel in my dreams on occasion now. I guess that I really was in love. But there’s at least one thing I can do now. I can be there for Noah when it happens to him for the first time.

Virtual Linsanity

25 Saturday Feb 2012

Posted by in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, New York City, Pop Culture, race, Sports, Youth

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Jeremy Lin (Knicks) beating Matt Barnes (Lakers) in the paint for a layup, Madison Square Garden, February 10, 2012. (AP).

As a New York Knicks fan since my mother’s third trimester with me (the fall of ’69, the season the Knicks won their first of two NBA titles) here hasn’t been much to be excited about since Patrick Ewing popped his Achilles’ tendon in between Games 2 and 3 of the ’99 Eastern Conference Finals.

Enter Jeremy Lin, the sensation that’s sweeping the NBA Nation. When he scored 28 points in his first game as a starter nearly three weeks ago, my only thoughts were, “Finally, we have a real point guard who can get the ball to Stoudamire and Carmelo.” Beyond that, I thought of one of my high school students from the JSA-Princeton University Summer Program in which I taught in ’09, because they have the same first and last name. My former student, though, is still in college, and not at Harvard, either.

Patrick Ewing raising the roof after a dunk in Game 7 of the 1994 NBA Eastern Conference Finals against the Indiana Pacers, June 5, 1994. (AP).

Leave it to ESPN, the New York media and the motley crew of naysayers, though, to raise Lin to celebrity status faster than the USS Enterprise-D could reach maximum warp. The fact that Lin plays for the Knicks, a franchise in a decade-long search for respectability, and decades-long search for its lost glory, is reason enough for me to see their perspectives on the point guard as more than slightly skewed. I mean, New York’s the reason why sports fan still think the sun shines out of every Yankees’ behind, even Don Mattingly’s.

Not that Lin’s good and often very good play didn’t warrant attention. But if you could dig deeper into all the attention, it was as if the sports and entertainment worlds were shocked — actually shocked — that Lin could start and play with all the precision and poise of an above-average NBA player. What would bring this kind of outpouring of skepticism wrapped in somewhat exaggerated hype? The fact that Lin went to Harvard? The fact that he’s just under six-foot-three? What, pray tell, has been the key to this burst of attention?

Could it be, could it possibly be, about race? Really? After two decades of international competitions between Chinese and American basketball players? Really. By the time some of the shock jocks and uncouth commentators began to spread their versions of Lin-adjectives, Lin-verbs and Lin-phrases, it was obvious that the shock went something like this: “Oh my God! An Asian guy from Harvard can play professional basketball? Bring on the MSG!”

It all crystallized in one stupid, and yes, racist tweet on the part of a “journalist” I used to respect, Jason Whitlock. “Some lucky lady in NYC is gonna feel a couple of inches of pain tonight,” Whitlock tweeted while Lin scored 38 points against the Lakers on February 10. At the very least, this is a sign of some deep-seated insecurity being pushed upon Lin as a proxy for two stereotypes rolled into one. At worst, Whitlock was merely expressing what many White and Black folks feel about some Asian American guy excelling in an allegedly “Black” sport. Either way, it’s almost as disgusting as ESPN’s “Chink In The Armor” headlines from

Jay Kay in Jamiroquai's "Virtual Insanity" (1997) music video screen shot, January 6, 2006. (via Wikipedia). Qualifies as fair use under US Copyright laws because of picture's low resolution and relevance to blog post.

the Knicks’ February 17 loss to the New Orleans Hornets.

I don’t understand the exaggerated hype and the subsequent race-baiting, playa hatin’ comments in mass and social media around Lin since the middle of Black History Month. I played tons of pickup games at Pitt and Carnegie Mellon when I was in graduate school, and a good portion of the folks I played with were Asian or Asian American. Like the Whites, Blacks and Latinos I played with, some of them could really play basketball, and some couldn’t dribble three steps without bouncing the ball off their foot. Some could shoot from seventeen feet blindfolded, and others had the accuracy of a Scud missile.

Lin, as good as he is now, can and should get better. How good is anyone’s guess, but we shouldn’t be comparing him to Steve Nash or Magic Johnson quite yet. Nor should we write him off when he faces a team like the Miami Heat and turns the ball over five times in a three-minute span. We shouldn’t celebrate a media that apparently has bipolar disorder when it comes to anyone whose body of work cuts against stereotypes.

Lin’s success shouldn’t threaten anyone’s Blackness, sense of manhood or intelligence or the world view of American sports journalists. At least no more than my having a PhD or being a writer on race, education reform and diversity should threaten higher education or anyone’s Whiteness. But, then again…

Musical ‘Mates and Matters

24 Saturday Dec 2011

Posted by in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, New York City, Pop Culture, race, Youth

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The "A" Note, February 5, 2008. (Pearson Scott Foresman, via Wikipedia). In public domain.

If someone asked me what was the one thing that me and my classmates had in common during my middle school and high school years in Mount Vernon, New York, it would be a love of and for music. I wouldn’t have been able to draw this rather obvious conclusion five years ago. But, in the course of interviewing folks and writing and rewriting my Boy @ The Window manuscript since ’06, music seems to be the one common denominator that connected us all.

Take the fact that so many of my Class of ’87 classmates found their way into the underground or mainstream music scene over the past twenty-four years. At least one was a producer, a bunch rapped, played, sang, and danced their way into the industry, even if they’re not household names. Others did studio work, and at least two are doing music/sound work for the small and big screen.

These folks are Black, White, Afro-Caribbean and Latino, so, no, race doesn’t seem to be a factor. Was it something that was in the water or in Mount Vernon’s lead water pipes? Not likely. It really couldn’t have been instilled in us by Humanities, or going to Davis, Nichols or Mount Vernon High School, right? The official doctrine of the powers that were would’ve made our favorite music somewhere between Sinatra and Tchaikovsky.

It could be as simple and as complicated as the times we grew up in, the fellow travelers to which we were

Culture Club "Club Sandwich Tour" poster, September 27, 2011. (Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject of blog post.

exposed, the constant noise that was Mount Vernon public schools in the 1970s and 1980s. Living in a city in the early stages of decline, within shouting distance of Manhattan and a short walk to the Bronx. Having the level of Black and Brown diversity that we had, with a decent sized White minority in the school system, may be all that was needed to create the conditions for music to be our one common language.

It wasn’t just in my class, as the classes of ’85 and ’86 turned out the late Heavy D and Al B. Sure. Nor was it just in Mount Vernon’s public schools. There was something about Mount Vernon itself, a painful place for some, a cool and pleasureful one for others, that made music both a code for coolness and an escape from reality.

For my specific groups of Humanities nerds, renaissance folks and generally sharp classmates, though, the tastes ranged and even mingled. For the guidos and guidettes whom I labeled “The Italian Club,” the music was decidedly “White.” From “A” serenading 7S with The Police’s “Roxanne” ala Eddie Murphy, to the frequent blaring of Billy Idol, Bruce Springsteen and Foreigner from turbo-charged Camaros and Mustangs.

The Time promotional poster, circa 1990, July 6, 2006. (Mista Tee, via Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject matter for blog post.

Then the was the obviously cool Black and Afro-Caribbean, with a clique for every occasion, whose music was also obviously “Black.” Teena Marie, pre-“Material Girl” Madonna, Phyllis Hyman, Prince, Luther Vandross, Doug E. Fresh, Lisa Lisa & Cult Jam, Run-DMC, if it was Black and cool, they listened to it, and knew the exact date the new album would hit the stores. They drove around in their Nissan Maximas, Audis and old Cadillacs with this mesh of R&B, early rap and hip-hop, and crossover pop pumping out of their tinted windows.

Of course, that left the rest of us, the few who seemed to like a bit of everything. Crush #1 and Depeche Mode. Brandie Weston and her clique’s love of Boy George and Culture Club. V’s commitment to Billy Joel, at least a decade and a half too young to understand the full meaning of what we’d now call adult contemporary. Not to mention The Police, Sting, The Who, Rolling Stones, Thompson Twins, Duran Duran, ABC, Tears for Fears, a-ha, and so many others. But it didn’t stop there. For we, too, liked Luther, and Billy Idol, and John Coltrane, and Lisa Lisa, and Run.

I don’t know if my musical tastes were the most eclectic of all, or if mine remain so. But I can say this. I ran 4.75 miles yesterday, listening to Genesis’ “Tonight, Tonight, Tonight” (album version), Sounds of Blackness’ “Optimistic,” U2’s “Beautiful Day,” Grover Washington Jr’s “Summer Chill,” Stevie Wonder’s “As,” Sting’s “A Thousand Years,” and Enigma’s “Silence Must Be Heard” along the way. It seems that I’ve always had a song in my head and theme music in my heart for every situation and every period of my life. For better and for worse, I have to give Mount Vernon credit for that, if for nothing else.

Reinventing the Writing Wheel

17 Saturday Dec 2011

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Inventing the Wheel cartoon, October 2, 2009. (Bill Abbott/http://www.toonpool.com/).

One of the side effects of having lived through the hell of my family struggles at 616 in Mount Vernon, New York between ’81 and ’89 was that I’d forgotten about the person I was before we became Hebrew-Israelites. As great as I am at recalling faces, smells, conversations, exact facts and phrases based on images and songs, I’ve been almost equally as good at blocking out whole sections of my personality. All in an effort to cope with the emotional pain and psychological trauma that is betrayal, abuse and neglect.

I have the unfortunate distinction of having seen myself as a writer in ’81 at the age of eleven, only to take nearly twenty years to see myself that way again. There were a few sign posts in the dark forest of confusion about my calling that I found on my way to getting back on the writing road. One of those sign posts was my teaching assistant and friend during my undergraduate years at the University of Pittsburgh in Paul Riggs.

Paul Riggs, Professor and Department Chair, Department of History, Valdosta State University (GA), December 17, 2011. (http://www.valdosta.edu).

Paul was the TA for my section of the Western Civilization II course taught by his advisor in Sy Drescher in the Spring semester of ’88. He was a second-year history grad student, a nice looking White guy for a nerd. Already in his mid-twenties with, his blonde-brown hair and around six-feet, Paul was a rarity on campus. So was his class. Paul found a way to do more than ask us a bunch of questions that were meant to quiz us on the textbook. We debated the significance of things like a richer diet and its impact on population growth and the expansion of European imperialism, the connections between Charles Darwin, evolution, and the advent of scientific racism at the end of the nineteenth century, and so many other things that allowed us to connect the dots.

Paul was also the first teacher I had at Pitt who assumed that I could do the work without acting as if I shouldn’t have been in their classroom. It helped that he occasionally indulged me. When our weekly discussion turned to the killing fields that had been northern France and Belgium for the bulk of the four years of World War I, I allowed my imagination to get the better of me. I made a comment that connected the tragedy of deadly trench warfare to a song by Sting called “Children’s Crusade.” I started quoting lyrics, like “virgins with rifles, a game of charade,” “the flower of England, faced down in the mud, and stained in the blood of a whole generation,” and “corpulent generals safe behind lines.”

I related it all to the documents book and Drescher’s lectures on the war that wiped out a generation of

Sting, The Dream of the Blue Turtle CD Cover (1985), December 17, 2011. (Donald Earl Collins).

young men in Western Europe. It took me two minutes of class time to draw all of the different connections. Paul, shaking his head at the end, got this incredulous smile on his face. All he said was, “um, you know Sting’s overrated?”

But Paul proved to be much more helpful a year and a half later. By then I was in my junior year at Pitt, no longer living in constant worry that I’d have to return to 616 to bury my mother and press charges against my idiot stepfather. By then, Maurice was my ex-stepfather, and thankfully so. For the first time in eight years, I kept a journal, putting together a series of stories based on my worst experiences at 616, on welfare, with my family, and in Mount Vernon.

All of it made me think about writing a book that looked at the sociological and psychological dimensions of the welfare system, for both recipients and for case managers charged with providing benefits. I wanted to make Westchester County Department of Social Services the centerpiece for such a book. I decided to talk to Paul about all of my ideas, not wanting to give away how personal this issue was for me. Paul asked me the questions that it would take another eleven years to answer. “What kind of writer do you want to be?,” and “How is history related to what you want to write about?,” he asked over the course of our conversation.

I really didn’t know the answers to either question. I wasn’t even sure that I wanted to pursue an advanced degree, become a professor, or become a writer. But I knew that I needed to find out.

Still, one thing that I decided to do that would determine most of my career travels over the next decade is to make myself into the semi-dispassionate scholar I knew I needed to become in order to be a better historian, which I presumed would make me a better writer. Only to spend this past decade reconnecting to my emotions and passion, which has made me the writer I once hoped to become.

Simple. Foolish. Thinking. Folk.

07 Wednesday Dec 2011

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Virtual Insanity (Jamiroquai) music video screen shot, 1997. (http://www.vid81.com/). Qualifies as fair use under US Copyright laws because of photo's low resolution.

On all sides of the political divide, we bear witness to some of the most unsophisticated thinking that anyone looking back on this time in history could ever possibly imagine.

It’s not just that GOP/TPers like Michele Bachmann or Rick Perry don’t know basic American history or about a constitutional amendment that directly affected their lives as young adults. It’s not just the racial, socioeconomic and gender-based bigotry that Newt Gingrich and Herman Cain have given us for months. It’s among supposedly liberal and moderate political animals as well. It makes me question not only the political process. It makes me think that we should recheck the lead content of our water (tap and bottled), our vegetables and our meat.

Gingrich’s statements over the past few weeks are much more than “unfortunate,” as Tony Kornheiser — an eighty-five-year-old impersonating a sixty-three-year-old — said on his ESPN DC radio show Tuesday. No, Gingrich’s statements are ahistorical, flat-out wrong, borderline racist, and downright nasty toward poor Americans and their children.

Say Anything... movie poster with cropped picture of Newt Gingrich at CPAC conference in Orlando, FL (taken September 23, 2011), December 7, 2011. (Quentin X and Gage Skidmore via Wikipedia/Donald Earl Collins). Released in public domain via cc by 3.0.

To a crowd in Iowa last Thursday, Gingrich said, “Really poor children, in really poor neighborhoods have no habits of working and have nobody around them who works so they have no habit of showing up on Monday…They have no habit of staying all day, they have no habit of I do this and you give me cash, unless it is illegal.” Unfortunate is when you mistakenly drop your flash drive down a garbage disposal. This was so bigoted that it was actually dumb beyond words. And even I thought Gingrich had a bigger brain than this.

This comes only a few weeks after telling the Occupy Wall Street protests to “get a job after you take a bath.” As if getting a college education only to become a $60,000 student loan debt-slave and find oneself unemployed is funny. No, Gingrich, you’re a slime ball, utterly out of touch with America and Americans. At least, any Americans who live in 2011 with less than $10 million to draw from.

But the reactionary right isn’t the only group that has spoken foolery of late, showing us how corrupt our system of politics and government is in our age. Media types of all strips have spoken like simpletons as well. Take Charles M. Blow, visual Op-Ed columnist with the New York Times, who frequents on Twitter as a “pox on both your houses” type. Somehow, though, when people talk about not voting at all, his ability to be rational declines almost as far and as fast as Newt Gingrich’s.

Usually Blow does his SMH sign when he reads 140 characters of what he considers foolishness. Not on November 21. On that day, he tweeted, “I must say that I’m shocked at the number of tweets I’m getting from ppl, seemingly prog, who sound resigned to not voting. Shocked!” Blow followed that with “Voting isn’t just about the right to complain. It’s a demonstration of power. Same as wiggling your fingers in the air, but w politicians.”

The question I have for Blow and voting purists is, what alternative universe do you think we’re living in?

Charles M. Blow, visual Op-Ed columnist, New York Times (cropped), January 18, 2009. (Flickr.com via Arlene M. Roberts). In public domain.

Where money isn’t the key to everything in American politics, and doesn’t determine everything from who runs to literally rigging the system on Election Day? And people considering the possibility of not voting are crazy? Really?

Yes, I know how many people fought and died for my right as a Black male to vote in these United States of America. I’ve been teaching about it for half my life. But that America doesn’t exist anymore. This America, this one where Gingrich, Bachmann and Perry are viable candidates, where progressives with ideas for making our nation better are told they’re being “unrealistic,” is one where normal behaviors often aren’t rational ones. In this case, voting for two sides of virtually the same coin makes no sense to many.

I, for one, will vote next year, and — barring Van Jones running or something — will vote for Obama. But unlike Gingrich or Blow, I’m not arrogant or traditional (or foolish) enough to believe that my ideas for how people should behave are the only ones worth considering.

The Top 1% – And Their Top Hits

15 Tuesday Nov 2011

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Protesters affiliated with the Occupy Wall Street movement rally in Foley Square before marching through Lower Manhattan, October 5, 2011. (Mario Tama/Getty Images via Amnesty International blog).

I had planned at the end of last week to write about what the top one-percent richest people, Wall Street banks and corporations in general want to hear from us – in the form of a greatest hits list in music and in movies. In light of the events of the past twenty-four hours in Oakland and in New York City, I’ve decided to go ahead with this list, Mayor Michael Bloomberg (hereafter known by me as “Mayor 1%”) included.

These folks want everything from us, like an abusive father and husband who wants his wife and children to smile, bruises and all. They not only want us to buy into their sick and ugly version of the American Dream, the one that favors them and their children over us and the planet. They not only want us to be quiet, to shut the heck up and take it prone without lubrication, all of this economic and political inequality. They want us  to do the very opposite of protesting, to smile about all of this, as if we all happy little pickaninnies and Raggedy Anns’ and Andys’, all happy workin’ fo’ our all-wise and all-kind massa, the so-called free market.

And the three-term mayor of New York, Mr. 1%, has been involved in vilifying and actively cracking down on

Occupy Wall Street arrests at Zuccotti Park, November 15, 2011. (Don Emmert/Agence France-Presse) via New York Times.

the Occupy Wall Street movement almost from day one of these protests. He was for police brutality and suspension of First Amendment rights back when only a dozen or so brave souls began to gather in Zuccotti Park in mid-September. And why wouldn’t Mayor 1% be so active? He wholly represents everything that the Occupy Wall Street movement’s protesting. An overbearing, out-of-touch and out-of-time opportunist who’s rigged the political and economic system to his favor.

Well, here’s to you, Mayor 1%, you and the rest of the people you represent, the folks that will have all of us debt slaves from here to eternity. Here are the song you’re playing and movies you’re watching these days:

1. “Rock The Boat” (1974), Hues Corporation – note both the lyrics – like “don’t tip the boat over” – as well as the fact that the group named Hues Corporation wrote this first (or second) disco hit.

2. Star Wars: Episode V: The Empire Strikes Back (1980) – the movie fits perfectly what Mayor 1% and Wall Street have wanted from politicians and protesters over the past thirty years. “Do what we say, take our dirty money to do our dirty deeds, or shut the heck up!” I guess Mayor 1% would be the emperor, or Darth Vader?

Star Wars: Episode V: The Empire Strikes Back (1980), June 25, 2011. (Nehrams2020 via Wikipedia). Qualifies as fair use under US copyright laws due to its low resolution and the subject of this blog post.

3. “Opportunities (Let’s Make Lots Of Money)” (1987), Pet Shop Boys – the song embodies everything the one percent types like Mayor 1% stands for – and what he wants the rest of us to stand for as well. Except they haven’t “had enough of scheming, and messing around with jerks” – they are the schemers and jerks, of course.

4. Boiler Room (2000) – not the greatest film about Madoff-esque Wall Street scheming. But the Wall Street brokers and bankers can sit, watch and critique the bonafides of the film, to point out what the characters played by Giovanni Ribisi, Vin Diesel and Ben Affleck all did wrong in getting caught.

5. The Devil’s Advocate (1997) – a dark, semi-horror (and for some, horrid) drama involving Al Pacino and Keanu Reeves as money and power-hungry go-getters. But get this. Mayor 1% hosts a dinner party with his other one-percent buddies, who dress like the movie’s characters. Mayor 1% dresses up as Al Pacino’s character, the Devil Incarnate. Then, they sit down and watch some of the film. Except they all think that Devil’s Advocate is a comedy.

6. “Out Of Touch” (1984), Hall & Oates – the top one-percent’s closing hit, telling the Occupy Wall Street protesters with derision, “You’re out of touch, I’m out of time.” The “out of time” part would either be about their ability to make money hand-over-fist in five minutes, or about them making that money before we notice another rise in economic and political inequality. Mayor 1%, though, would bring Darryl Hall and John Oates in to sing the one-percenter’s version of “Out Of Touch” to the Occupy Wall Street protesters.

It’s too hard to do a top-ten hits list for the top one-percent. Ten is too many for them to begin with, especially without an additional nine zeroes after that ten. And Mayor 1%, you’re officially worse than Mayor “a verb, a noun and 9/11” himself, Rudy Giuliani.

The Beatdown

05 Saturday Nov 2011

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Ironing out balled up paper, a bullying symbol, November 4, 2011. (Donald Earl Collins)

An anti-bullying video’s been trending in the social media sphere this week, in which a teacher demonstrates to her class the effects of bullying on a student’s psyche. All courtesy of balled up, stomped on and unfolded yet crumpled pieces of paper. It’s a good, though incomplete description, because it doesn’t address the great feeling of superiority that those dispensing the verbal, physical and psychological abuse get from bullying their classmates.

Though I seldom have thought of myself as someone who was bullied, by today’s definition, that’s exactly what happened to me for the better part of five months of seventh grade, from November ’81 through February ’82 and late-May to early June ’82 (see my post “The Legend of Captain Zimbabwe” from May ’09 for much more). I guess I’d been called so many names by so many people in 7S so first few months — and, to be truthful, did the same in response to a fair number of classmates myself — that I didn’t think too much of it as November ’81 began.

About two weeks after my fight with Brandie (see “Adverbs and A-Holes” post from last month), I experienced a serious physical bullying altercation (there were one or two attempts by neighborhood kids while I went to Nathan Hale and Holmes Elementary, and a couple of attempts in high school). The best way to describe it is that I got jumped and then beat-down after the end of the school day on the first Friday in November ’81.

It wasn’t a random jumping or beat-down, and not one that involved Davis’ Black or Latino students, who were always described to us super-nerds as “dangerous.” No, the perps in this case were from what I euphemistically called the “Italian Club,” a full two years before we had an official Italian Club in high school. They’d been on me in 7S homeroom and in Italian class with nearly constant verbal abuse for the two weeks or so since my scuffle with Brandie. Apparently, my decision to ignore them didn’t work well enough.

The leader of this pack of uncouth Italian or White working-class preteen Humanities boys was “A,” who presented himself as between John Travolta’s character on Welcome Back, Kotter and Arthur Fonzerelli from Happy Days. A’s favorite move those Humanities middle school years was to walk into our homeroom and belt out The Police’s “Roxanne” refrain, as if he were Eddie Murphy in 48 Hours. The way his band of Italian or Italian-esque brothers hung around him, you would’ve thought he was a rock star, someone like his fave, Mr. “White Wedding” himself, Billy Idol.

A Christmas Story (1982) screen shot of bunny suit kid, December 11, 2009. (http://myhealthypassion.wordpress.com). Qualifies as fair use under US copyright laws, between low resolution, cropping, and intent of use.

Led by A, about ten 7S classmates attacked me after school as I was on my way out the school’s side door closest to the Humanities wing to walk home. They grabbed, punched, and kicked me, and called me everything but a child of God. A, of course, wasn’t actually involved in any of the dirty work of beating on me. Like a about half a dozen other 7S classmates, A watched as he directed his gang.

That was my third A Christmas Story moment. Except I’d been better off wearing the pink bunny suit over my kufi! Bullying is a funny thing, even when you’re one being bullied.

But unlike the piece of trampled, stomped, balled up paper, I wasn’t scarred in the sense that my self-esteem was shattered. Far from it, my self-absorption and delusions of academic grandeur shielded me, made it possible for me to iron out most of the wrinkles in my psyche from being jumped that day. It took my grades, a crush, and events that played out at home, at 616, to shatter my childhood.

Of course, being called a “dumb ass” as if it were my nickname, or “Captain Zimbabwe,” as a proxy for “Negro” or the N-word, wasn’t exactly besides the point. Nor was the idea that a bunch of White kids could decide that they could gang up on me essentially because I was an enigma to them. Like me being weird, uncool and smart was too much for their pubervescent heads to handle.

The best revenge, though, was going through puberty myself, to find myself growing ten inches in twenty months, between March ’82 and December ’83. That, and taking care of my body, mind and spirit over the past thirty years. Not that I have a dart board of my tormentors or anything, but I think it would be hilarious if any of them attempted to bully the 225-pound me today. Of course, I’d probably laugh so hard that they’d get a couple of licks in, at least before my sense of righteous rage would kick in.

The moral here, I guess, is to have a sense of how to deal with bullying if and when it does occur, to not shrug it off as “boys just being boys” or, for that matter, “cliquish girls being cliquish girls.” By middle school, though, it’s not just about reporting it to teachers or parents. It’s about other students stepping in, and students the subject of bullies’ discontent defending themselves. And that is what I’m instilling in my son. Of course, I’ll step in when necessary, too.

Flexing muscles, as in too bad I didn't have these 30 years ago, November 4, 2011 (Donald Earl Collins).