Tag Archives: 616 East Lincoln Avenue

The Last 616 Summer

15 Friday Jun 2012

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Toni Collette and Nicholas Hoult, About A Boy (2002) screenshot, June 14, 2012. (http://www.movieactors.com).

Twenty summers ago was my last summer at home — 616 East Lincoln Avenue — for more than a visit. It was the long, hot summer of ’92, two months in which my master’s-degree-earnin’, twenty-two year-old-self reverted to my teenage years. At least, in terms of the responsibilities that I carried beyond taking care of myself, dating or clubbing, working or going to school. And it was a painful two months of submergence, revealing to me that I’d long since been on my own. Too long to be happy to play the role of big brother, young uncle, surrogate father, and my mother’s confidant all rolled into one.

I ended up in Mount Vernon that summer after an unsuccessful search for work in Pittsburgh in the six weeks between the end of the school year and the middle of June. At the last minute, I contacted the Director of Westchester County Government’s Department of Community Mental Health, hoping (and knowing) that he could toss me some work. From him, I found out that the work I’d done at the Mount Vernon clinic in ’89, though successful, hadn’t been followed up with improvements in the front office or in billing. Once again, I’d be working as a senior summer intern with Valerie Johnstone and a group of wacky psychiatrists.

I knew it would be a bumpy ride, as I’d only been home a total of thirty-five days in the previous two years. But I hadn’t counted on my mother acting like I was still a senior at Mount Vernon High School. Right from jump, I found myself constantly being nagged about how I trimmed my mustache, the “baggy” pants I wore, who my friends were, who I did and didn’t keep in touch with while I was back.

Boomerang (movie) poster, 1992, October 31, 2007. (Alessgrimal via Wikipedia). Qualifies as fair use under US Copyright laws because this image is a low resolution copy.

That wasn’t all though. One Saturday night that July, I decided to go check out Eddie Murphy’s latest movie, Boomerang. It had more good reviews than bad, and I just wanted a night to myself, to just be myself. I told my mother that I’d be home late.

I didn’t get in until about 2 am. To my surprise, my mother was awake, in the living room, waiting for me. “Where havey ou been?,” she asked, as if I had a curfew. “I went to see the movie down in the city, I hung out, I walked around, and then I took the last train back,” I said, with shock. “When you said late, I was thinkin’ 12 o’clock,” my mother said in response.

I was pissed. As many Friday and Saturday nights I spent during the ’80s tracking down my father Jimme for $50 or to pull him out of some dive in Mount Vernon, the Bronx or in Midtown Manhattan. I was a teenager then! I’m an adult, and now I’m supposed to be home by a certain time?

It got so that on another occasion, as I was pressing my clothes to go out — anywhere really — my mother tried to take the iron out of my hand to iron my clothes. “Mom, I got this,” I said, not about to let go. “You ain’t doin’ it right!,” my mother half-yelled as she yanked the iron away from me to press my jeans. Then, I realized that she was about to put creases in then, I yelled, “Mom, stop! No one wears creases in their jeans anymore.”

I took the iron away, and finished what I started, all with the b-word in my head. My mother knew what was in my head, too. “You can think it, but you better not say it!,” she yelled as she left the room.It was the first time I ever found myself thinking that way about my mother. Unfortunately, it wouldn’t be the last.

Of course, the word that was really in my head most of the last summer was weird. Everyone around me seemed weird that summer, especially my mother. She was overprotective, in my business, and talking to me about gettin’ filled with the Spirit more than usual.

Or was it me that had become weird? After all, I’d been in the role of the dutiful son for so long that it probably was weird for my mother to see me go out to see a movie, hang out with a friend, or go down to the city at night. Maybe, at least in my mother’s case, she simply wasn’t used to me carving out time for myself, to actually act like the adult male that I had become.

The Arrogance of Youth, Grad School Style

05 Tuesday Jun 2012

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Me taking the most thuggishly-goofy-arrogant picture I could, June 5, 2012. (Donald Earl Collins).

I’m sure that there are plenty of folks I’ve met and known over the past three decades who think that they could sum me up in one word – arrogant. I know beyond a doubt that’s what Crush #1 thought of me back in ’82. I know that some my grad school classmates and friends varied between seeing me as “aloof,” “arrogant,” “cocky,” and “focused” in my five and a half years of master’s and doctoral work. And I know that one person I worked with in the past fifteen years thought of me as arrogant, even though I doubt that he would know what arrogance looked like if he saw it in the mirror every day, which he did (see my post “The Messiah Complex At Work, Part 1” from November ’11).

Former Sen. John Edwards [and new symbol of arrogance], after acquittal/mistrial, Greensboro, NC, May 31, 2012. (AP/Chuck Burton via Salon.com).

But arrogance isn’t simply cockiness run amok, or people bragging about what they intend to do without doing it, or doing it and then showing off with a Tiger Woods’ fist pump or my occasional cross-kick. It’s making assumptions about the things of life as if the march to success is a given, as if victory is guaranteed, like taking the next breath or being able to stand upright.

I did that in the spring and summer of ’93, in the transition between my grad school days at the University of Pittsburgh and my more successful yet gloomy times at Carnegie Mellon. I was a year removed from my great first year of master’s work (see my post “The 4.0 Of It All” from December ’11), and a summer removed from working for Westchester Country Department of Community Mental Health in Mount Vernon for the last time (which I will discuss later this summer). The way I saw things, I knew that God was on my side, that my hard work would pay off, that everything I did led to more success, or more money in my pocket.

I acted on those beliefs that March, April and May. I wanted to move out of my crappy studio and drug-infested apartment building on Penn Circle South in East Liberty, to what I called grad student’s row — Stratford Avenue — off North Negley and Penn Avenue between East Liberty and Friendship. I even put a deposit down on a one-bedroom apartment at the beginning of March, anticipating that I’d find something work-wise for the summer. “Something would come up,” I often thought and said. So typically American of me!

Terrell Owens, somewhere between arrogant and suicidal, 2012. (http://queensofkings.com).

I had applied for three fellowships that year, including a summer fellowship through Pitt and the Ford Foundation’s Predoctoral Fellowship Program (via the National Academies). I just knew that I’d get at least one. But the least laid plans of the arrogant often lead to the land of losses. Throughout April and May, I received rejections for all of my well-received, coming-in-second or “Honorable Mention” applications. Not to mention that my soon-to-be former grad program wouldn’t allow me to teach a US history course, though they didn’t have anyone else to teach it other than me at the time.

I realized after my mid-May root canal (see my “Facing The Tooth” post from May ’12) that I was about to enter a tough summer financially. I managed to get back my deposit for my dream apartment two weeks before I was due to move in, paying my Penn Circle South studio rent in the process. Then, with $350 to work with until further notice, I waited.

It wasn’t until the end of the first week in June that, after some qualms about my over-qualifications, Randy Brockington and the Allegheny County Department of Federal Programs hired me to work on a report. They wanted me to assess the work of their staff on the Job Training Partnership Act portion of their department. And all to the tune of $6 an hour. My mother spent the next four years teasing me about it. As if I had another option, as if coming back to 616 for the summer would be less torturous than falling six weeks behind on my rent and receiving an eviction notice.

I made one minor adjustment in my halcyon days of grad school that in-between summer of ’93. To simply not assume anything to be a sure thing, even when it was, to make Richard Marx’s “Don’t Mean Nothing” my mantra when it came to anything around money. Who knew that a little more than two months later, me and my friend Marc would have a controversial article in Black Issues in Higher Education? Who knew that less than two years later, I’d have a Spencer Foundation Dissertation Fellowship, this despite my advisor? Life is a funny, ironic walk.

Before The Fall

28 Monday May 2012

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Cylon Raiders, Battlestar Galactica miniseries (2003), May 28, 2012. (http://tombsofkobol.com). BSG Theme Music (2003) [UK Version]

It’s Memorial Day ’12. It’s been thirty years since that fateful Memorial Day ’82. A part of me, the child that I was, still remains in that day, in the weeks and months before that day.

Little in my life in the previous three years bore a real resemblance to a carefree childhood. But I somehow managed to pretend my way through the three-year-period that included the birth of my younger brothers Maurice and Yiscoc, my idiot stepfather walking out with our food in October ’80, and the first year of the Hebrew-Israelite experiment (see my “Peanuts Land” post from last month).

The speed-of-light shockwave that was my love for Crush #1, and the interrelated turnaround of my grades

Solar flare, aka Coronal Mass Ejection, c. 2010, May 28, 2012. (NASA/GSFC/Solar Dynamics Observatory’s AIA Instrument). In public domain.

in the previous three months gave me a tenuous lifeline to what remained of my childhood self. Making it rain A’s in March, April and May that year reaffirmed the person I thought I was in sixth grade, despite the “Captain Zimbabwe” taunts that began from A and the Italian Club as we approached Memorial Day Weekend (see my post “The Legend of ‘Captain Zimbabwe’” from May ’09).

But the teetering and temporary bliss of grades and the crush on Crush #1 could only distract. They couldn’t delay, even as much as they helped me deny. They could in no way prepare me for the blinding light, the initial shockwave and heat, the full blast effect of what was coming.

It was 5 pm that Memorial Day Monday when it began.

“I’m sick and tired of you treating me this way. I’m sick of you not lovin’ me!,” my stepfather yelled.

“What do you mean ‘love you’?,” Mom said. “Most women wouldn’t even put up with your stinkin’ ass. And now you want more money for a business that I’m not even a part of? You must be kiddin’!”

Mom was on the phone in the master bedroom, while my stepfather yelled into the phone in the kitchen, back in the days when land-lines ruled the world. She picked up the bedroom phone because my stepfather had made a long-distance call to his wayward mother in California, at a time when we were seriously behind on paying the bill. I didn’t understand why he’d want to continue to talk to a woman who abandoned him as a baby to his relatives in Richmond, Virginia and Trenton, New Jersey in ’50. It seemed to me that Maurice was wasting time and money on a woman who cared for him as little as he cared for us.

I was lying down on my bed across the hall from the master bedroom, trying my hardest not to pay any attention to the unfolding drama. With both of them yelling over the phone, though, I couldn’t block their argument out any longer. So I sat up in my bed — giving me a view from our room across the hall into Mom’s bedroom — and continued to listen.

This was one of many arguments over bills and my stepfather’s wack attempts to start a telecommunications business. He had used $2,500 of Mom’s precious money to get a New York State business license for “Sun-Lion Communications” (see my post “Dumb Ass Communications, Inc.” from March ’11 for more). Somehow, Mom’s $15,000-a-year income was supposed to be enough to feed six people and get a business off the ground floor? “Their arguments are insane,” I thought.

I usually could tune them out. But not this time, and not anytime since.

“Who you talkin’ to, bitch!,” Maurice yelped as he punched Mom in the jaw. He followed up with a kick to her stomach and a forearm that knocked her into the queen-sized bed. With each hit he shouted “Are you gonna gimme some respect, bitch!” A moment later, Maurice poured an industrial-sized bucket of water on Mom to wake her up, but that didn’t completely work.

Parisians in shock, tears as German soldiers march into Paris, June 14, 1940. (National Archives). In public domain.

For a full two-minutes, I just stood there. I was in shock, scared for Mom, scared for all of us. Somewhere in that time, my stupid stepfather had escaped the apartment, not to come back for two days, while my mother lay there, nearly lifeless.

I snapped out of it, determined to wake my Mom up. She was groggy, concussed from the battering she took. I sat her up, talked to her, and eventually helped her out of her waterlogged bed down the hallway to the living room, where she lay on the couch for the next day or so.

I should’ve called the cops. As much as I’d been taught not to trust them, I just should’ve dialed 911 and done the deed. What a coward I was! I should’ve done what Jennifer Lopez’s character did in Angel Eyes (2001). It certainly would’ve been easier. In that one decision, I could’ve reported Maurice’s heinous crime, gotten him arrested and jailed, and ended this sham of a marriage and family. Assuming, of course, that my Mom would’ve pressed charges.

Instead, I settled for a psychological and literal guerilla war which left me battered myself by summer’s end and willing to commit suicide within nineteen months. Most of all, I was stuck in that moment (Stuck In A Moment You Can’t Get Out Of), in the weeks and months before that moment, for nearly seven years.

28 Years Later

22 Tuesday May 2012

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My brother Eri with my then 3-year-old son Noah roaming free (cropped), November 23, 2006. (Angelia N. Levy).

Knowing the nuances of the solar calendar allows me a unique perspective on the rhythms of life. That this leap year is laid out in exactly the same way as the one from ’84, twenty-eight years ago, means that any event that occurred in ’84 happened on the same day and date that I live in this year. And twenty-eight years ago today, on this Tuesday morning, my youngest brother Eri Washington was born (see my post “The Meaning of Eri’s 25th” from May ’09 for much more).

My youngest sibling’s birth occurred on the fringes of the worst period of all of our lives. But of course the newest member of this poor facsimile of a functioning family didn’t notice any of this in his first moments and days. Despite our fall into welfare in April ’83 (see my “Good Times, Good Times…Not!” post from August ’09), and Eri being the fourth of my younger siblings born in a five-year-span, my youngest brother thrived.

In many ways, Eri had it better than any of us in those first days and months of life. With the great Balkis Makeda having taken up residence in the master bedroom and watching to make sure that my mother didn’t contaminate our food with her “issues of blood,” I became the cook of the house from May 25 through the middle of July (see my “Top Cook” post from May ’09). That freed up my mother to spend more time with Eri and my late sister Sarai than she had with my other younger siblings, or with me and Darren for that matter.

Eri had been born weighing in at something like six pounds and fourteen ounces, making him the smallest baby out of the six of us. But he grew the fastest of any of us in those first weeks. Eri had more than doubled his weight by the second half of July ’84. It wasn’t because of my cooking, though, at least not directly. My mother having more free time to take care of the youngest two, especially Eri, meant that he was as healthy as any breastfed middle class kid in the suburbs, even though he was only choking down Enfamil.

Twenty eight years later, and Eri’s still here, struggling and working. That Sarai isn’t here with us is a testimony to how strong and healthy Eri was from conception to birth to his first days and weeks at 616, in the midst of grinding, unyielding poverty.

I’ve long since ceased to give him and my other brothers serious advice about how to go about their lives. They didn’t listen much to me when I lived at 616 — at least about the value of an advanced education. Nor did they listen during my years in college and grad school in Pittsburgh. Eri certainly didn’t listen much to me between the ages of eight and seventeen. The fact, though, that some things about a basic education and a need to work hard and smart in order to give yourself chances at success, apparently did sink in.

Eri, you’re still my little brother, all six-foot-four, 240 or so pounds of you. So Happy Birthday on this day, your actual birth day twenty-eight years ago. I love you very much!

The Women In My Brain

28 Saturday Apr 2012

Posted by in 1, Boy @ The Window, Eclectic, eclectic music, Marriage, Mount Vernon New York, Pop Culture, race, Religion, Youth

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Angelia & me on honeymoon, Seattle's Space Needle, May 20, 2001. (Donald Earl Collins)

Today’s my twelfth wedding anniversary. It means that I already have one woman in my brain almost all of the time, mostly around the mundane tasks of running a place of residence, other domestic duties, and watching over/nurturing the midsized human that is our eight-year-old.

Gaius Baltar & Caprica Six, Battlestar Galactica image (2004), June 25, 2009. (http://25fps.cz). Qualifies as fair use under US Copyright laws due to low resolution of picture.

But the reality is, there have always been women in my brain, with images that inspire, voices that encourage, and actions that embolden. This post isn’t about undressing a woman in my mind’s eye every six seconds. Nor is it about putting women on some pedestal so that I can mentally kneel and worship in an empty space. Trust me, I’ve done both and more over the years. No, this is about who gets into my head and how they stay there.

Of course, no one has had more air time on my mind’s screen over the past forty-two years and change than my mother. She did give birth to me, after all, and for better and worse, helped me make it to my preteen years before things in our lives fell apart at 616. For years, I’ve lived with the lessons learned at my mother’s hip, lessons about race, trust, religion and relationships. Many of which I’ve had to revise in order to make better choices in my own life. Still, I can hear my mother’s voice, bad jokes and all, in the things I do with my son, in the mistakes I hope to avoid as a writer and as an educator, in the bills that constantly have to be paid.

I hear my wife’s voice every time I go the grocery store. Or when I’m dealing with my son. Or when I think about our travels over the years. Literal and figurative. I think about all of things we’ve made happen, and all of the things that are still works-in-progress for us, as individuals and as a family. I hear her doubt, her most critical of voices, her scalpel sense of editing in what I write, in how I speak and in the diplomacy I show the folks in my life who otherwise don’t deserve it. Though our marriage is as complicated as astrophysics shows the universe to be when accounting for dark matter, my wife’s voice bounces around my 100 trillion nerve ending almost as much as my own.

Then there’s Crush #1. She’s more insidious than my mother or my wife. The tenacious ballerina of a

Inception (2010), Paris dream construct screen shot, April 27, 2012. (http://dpmlicious.com). Qualifies as fair use under US Copyright laws because of poor resolution of shot, not intended for distribution.

tomboy who one represented my personification of Lynda Carter’s Wonder Woman often will show up when I least expect. Often enough in my dreams, and usually when I’m writing in my head. I hear her giggles and see her smiles under the strangest of circumstances. A pirouette here, a punch to the jaw there, an encouraging word and a thoughtful look will surprise me in my dreams as much as it would’ve in real life thirty years ago.

Are these women anything like the folks I’ve known and learned to know again over the past three decades? Yes and no. They likely represent the many sides of me as much as they each represent themselves. Loving or not, caring or not, forever elusive, and yet always there for me to grasp, love and even despise. They all represent the best and worst in me, the best and worst I’ve seen, endured and overcome in this life. Hard, tough, blood-from-a-turnip love. Unrequited, one-sided love. And deep, conditional, familiar love. They’re all there. They seem to always be there.

Jennifer Lopez in dream sequence in The Cell (2000), April 27, 2012. (http://media.avclub.com). Qualifies as fair use under US Copyright laws because of screen shot's low resolution.

God, my own thoughts — however deep or shallow —  the billions of images of sports and men and women in my head from every walk of life and every song made in the past four centuries also remain constant in my brain. But mother, wife and first love can’t be shut off or out either. I could use some endorphins for the headache I have now.

Quitting Before a Fight

13 Monday Feb 2012

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Mike Tyson-Michael Spinks Fight, Convention Hall, Atlantic City, NJ, June 27, 1988. (http://antekprizering.com).

As a writer, I can often see my past as if it happened within the past week. As a forty-two year-old, though, it sometimes seems like my failures and pitfalls are a long-lost memory, one of a very bad dream. To think that it’s been a full thirty years since my preteen struggles with identity, purpose, and the realization that I was in an intense academic competition that I was predestined to lose. It seems like I was playing a role, acting my way through my tweener and teenage years.

But this time thirty years ago, I seriously thought about quitting the Humanities Program. It was the beginning of the third marking period in seventh grade at A.B. Davis Middle School, early February ’82. My grades were unimpressive. I struggled in every subject except social studies, where three years of reading World Book Encyclopedia and forty books of all kinds on World War II made me a nerdy standout among my mostly nerdy peers. My social studies teacher Paul Court was so much fun and so inept that he played games with us to keep our class interesting. Anyone who could find factual errors in his teachings on American history would earn twenty-five cents. I’d already earned more than three dollars by the end of the second marking period.

I barely averaged a C+ in math. My Italian teacher Ms. Fleming told me that my “Italian sounded British.” And I was averaging a C+ in art. In Art! All because Doris Mann, who was about as good an art teacher as I was at making friends, said, “I don’t give A’s for effort. I give out grades based on your ability to create good art.” I couldn’t believe that she gave me C+’s while the art world fifteen miles away cheered folks who smeared blood, paint, and feces on canvasses!

I thought that I was the only one who felt like a failure. I was certain that I was more of a failure than my Holmes School classmates or other, non-Pennington-Grimes students in Humanities, at least. If other students appeared to have problems, especially my classmates who were alumni of the Pennington-Grimes program (Mount Vernon public schools’ K-6 Humanities Program), I believed that they were faking it.

The Crucible (play), date and location unknown. (http://reyvl.com).

I had good reason to. It was around this time that one of my White female classmates from Pennington-Grimes had become anxiety-ridden prior to a test in our English class. She began to sweat, her hands and face turned colors, like one of Arthur Miller’s female characters in The Crucible, his famous Salem-Witch-Trial play.

Within a few seconds, three of her friends joined this tortured soul in this expression of fear. The one girl kept saying, over and over, “I know I’m going to fail!” The other three huddled around her and joined in séance, as if they expected God to witness this physical expression of pressurized fear and take pity on them. That this involved the Pennington-Grimes group of Humanities girls was not lost on me. They loved their grades, almost as much as they loved Jordache Jeans, The Gap or Benetton.

We received our exam grades from Mrs. Sesay a few days later. My grade: a 78. The Fear Bunch’s lowest grade: a 92. Understanding how quickly fear can destroy your confidence: priceless. Their fears had left me thinking more about failure — theirs and mine — than it did about the task at hand.

Then it was my turn to act demon-possessed. I went to the back of the classroom at the end of that day and chanted, “I’m silly, I’m stupid. I’m silly, I’m stupid. I’m silly, I’m stupid.” over and over again while pounding the back of my head into the side wall. But I learned a valuable lesson that day. That doing well required me to ignore the worries and grades of other, to concentrate on me and my own emotions on test days.

So, I spent the first two weeks in February thinking about sliding into the general population of A.B. Davis Middle School. I couldn’t do much else other than think. With the growing problems of lack of food, late rent payments and three siblings at 616, my mother’s tiny Mount Vernon Hospital paycheck, and my idiot and long-term unemployed Hebrew-Israelite of a stepfather, I had no one to talk to about school (see “Humanities: First Contact, Full Circle” from September ’11).

What I didn’t realize was that I hadn’t yet begun to fight. My efforts up to that point in Humanities — from making friends to studying — were all half-hearted at best. I was the emotional equivalent of an eight-year-old in a preteen’s body, one right at the early stages of puberty at that. With life at 616 starting to fall apart and the isolation I felt at school, I was growing up, whether I wanted to or not. All it would take was an immature spark of inspiration to prove it….

Reinventing the Writing Wheel

17 Saturday Dec 2011

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Inventing the Wheel cartoon, October 2, 2009. (Bill Abbott/http://www.toonpool.com/).

One of the side effects of having lived through the hell of my family struggles at 616 in Mount Vernon, New York between ’81 and ’89 was that I’d forgotten about the person I was before we became Hebrew-Israelites. As great as I am at recalling faces, smells, conversations, exact facts and phrases based on images and songs, I’ve been almost equally as good at blocking out whole sections of my personality. All in an effort to cope with the emotional pain and psychological trauma that is betrayal, abuse and neglect.

I have the unfortunate distinction of having seen myself as a writer in ’81 at the age of eleven, only to take nearly twenty years to see myself that way again. There were a few sign posts in the dark forest of confusion about my calling that I found on my way to getting back on the writing road. One of those sign posts was my teaching assistant and friend during my undergraduate years at the University of Pittsburgh in Paul Riggs.

Paul Riggs, Professor and Department Chair, Department of History, Valdosta State University (GA), December 17, 2011. (http://www.valdosta.edu).

Paul was the TA for my section of the Western Civilization II course taught by his advisor in Sy Drescher in the Spring semester of ’88. He was a second-year history grad student, a nice looking White guy for a nerd. Already in his mid-twenties with, his blonde-brown hair and around six-feet, Paul was a rarity on campus. So was his class. Paul found a way to do more than ask us a bunch of questions that were meant to quiz us on the textbook. We debated the significance of things like a richer diet and its impact on population growth and the expansion of European imperialism, the connections between Charles Darwin, evolution, and the advent of scientific racism at the end of the nineteenth century, and so many other things that allowed us to connect the dots.

Paul was also the first teacher I had at Pitt who assumed that I could do the work without acting as if I shouldn’t have been in their classroom. It helped that he occasionally indulged me. When our weekly discussion turned to the killing fields that had been northern France and Belgium for the bulk of the four years of World War I, I allowed my imagination to get the better of me. I made a comment that connected the tragedy of deadly trench warfare to a song by Sting called “Children’s Crusade.” I started quoting lyrics, like “virgins with rifles, a game of charade,” “the flower of England, faced down in the mud, and stained in the blood of a whole generation,” and “corpulent generals safe behind lines.”

I related it all to the documents book and Drescher’s lectures on the war that wiped out a generation of

Sting, The Dream of the Blue Turtle CD Cover (1985), December 17, 2011. (Donald Earl Collins).

young men in Western Europe. It took me two minutes of class time to draw all of the different connections. Paul, shaking his head at the end, got this incredulous smile on his face. All he said was, “um, you know Sting’s overrated?”

But Paul proved to be much more helpful a year and a half later. By then I was in my junior year at Pitt, no longer living in constant worry that I’d have to return to 616 to bury my mother and press charges against my idiot stepfather. By then, Maurice was my ex-stepfather, and thankfully so. For the first time in eight years, I kept a journal, putting together a series of stories based on my worst experiences at 616, on welfare, with my family, and in Mount Vernon.

All of it made me think about writing a book that looked at the sociological and psychological dimensions of the welfare system, for both recipients and for case managers charged with providing benefits. I wanted to make Westchester County Department of Social Services the centerpiece for such a book. I decided to talk to Paul about all of my ideas, not wanting to give away how personal this issue was for me. Paul asked me the questions that it would take another eleven years to answer. “What kind of writer do you want to be?,” and “How is history related to what you want to write about?,” he asked over the course of our conversation.

I really didn’t know the answers to either question. I wasn’t even sure that I wanted to pursue an advanced degree, become a professor, or become a writer. But I knew that I needed to find out.

Still, one thing that I decided to do that would determine most of my career travels over the next decade is to make myself into the semi-dispassionate scholar I knew I needed to become in order to be a better historian, which I presumed would make me a better writer. Only to spend this past decade reconnecting to my emotions and passion, which has made me the writer I once hoped to become.