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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Category Archives: Academia

A Quick Note About Colleging in Fall 2020

02 Saturday May 2020

Posted by decollins1969 in 1, Academia, culture, Work, Youth

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Fall 2020, Higher Education, Online Education, Opening Campuses, Options, Shorten Semesters


Georgetown University, front entrance screen shot (cropped), Washington, DC, May 2, 2020. (https://uadmissions.georgetown.edu/visiting/directions/).

There is a standing COVID-19 pandemic debate about what higher education institutions should do about Fall 2020, when the Class of 2024 will begin their postsecondary studies, and when millions of other students are supposed to return. There are many who believe that because of where things are, that schools should remained closed through the fall, and that university heads should have already made this decision. At one point, Harvard University floated the idea of postponing its Fall 2020 semester to January 2021, but its President Lawrence S. Bacow recently made the announcement that Fall 2020 will proceed. How it will proceed, delayed, partially as online, gradually as face-to-face, no one knows.

But there are a series of if-thens that colleges and universities could work out to make it possible to open up campuses for in-person classes in Fall 2020 and to ensure a safe and healthy campus community for all involved.

1. No matter when they open, these institutions should test every student, staff member, and faculty member for COVID-19. They cannot rely on the honor system to make sure everyone is not contagious.

2. Those who do test positive should be afforded every opportunity to work or teach from home, or to take classes online.

3. Those who do get sick must be quarantined and allowed to make up their work, even if this takes more than a semester, for up to two years.

4. In the event that the US remains on this disheveled trajectory of every state for itself, many schools will not be able to open by mid- or late-August. This is where opting for a quarter-system semester may be best. A 10-to-12-week semester that begins around September 30 would provide enough time for university communities to prepare for a shorter semester, and to prepare to test everyone for COVID-19. But this option only works well if universities announce this soon, between now and June 30.

5. In the event that colleges and universities wait until after early July to think through their options, that will leave only three plausible scenarios for Fall 2020 on the table. One of them would be to opt for an even shorter semester, a half-semester of six-to-eight weeks, similar to a summer session format, but for everyone, starting sometime in mid-to-late-October.

6. Or, universities could just opt for a full-blown semester (however they decide to define this) online, from start to finish, even for incoming first-years. Although this breaks the tradition of welcoming freshmen to universities and upwards of two months of Welcome Back activities, it does have the advantage of protecting everyone while the shit storm continues.

7. Or, if it comes to it, universities could cancel the semester. But this is the worst of all possible options. Contingent faculty like myself would be out of work for four months without any interventions from universities or governments. Students may opt to stay local or try for two-year institutions (already cash-strapped prior to this pandemic), which would lower enrollment and may put even more pressure on higher education institutions to cut faculty and staff.

The truth is, there are no perfect solutions here. Add to this the real possibility that the US version of this pandemic might be with us until 2022, and even then, sans an effective vaccine. Which means that we could be having this same conversation about Spring 2021, Summer 2021, Fall 2021, and Spring 2022. No one wants that, certainly not me.

Which is why options 1., 4., and/or 6. are the best ones. They offer the most in flexibility for everyone involved, and balance safety and health with the need for people to work and enroll in school. All of them are likely expensive. But it’s less expensive than paying off billions of dollars in lawsuits if students, staff, and faculty die in the middle of a lecture or an event. It’s less damaging than rendering millions to unemployment. But we will all see how well America’s college and universities will succeed and survive this pandemic.

Revealing in Cloaked Blindness/I Heart Kendzior’s Work

30 Thursday Apr 2020

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon New York, music, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, Work, Youth

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American Dream, American Nightmare, Autocracy, Book Review, Both-And, Critique, George W. Bush, Glide Path, Great Writing, Hiding in Plain Sight (2020), History, Kleptocracy, Political Analysis, President Donald J. Trump, Sarah Kendzior


Front cover of Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America (2020), by Sarah Kendzior, April 30, 2020. (Donald Earl Collins).

In the past four years, I have read so many good and great books, fiction, nonfiction, and mixed genre. Black and Brown writers — especially Black women and Latinas — have written nearly all of them. Brittney Cooper (crunk, crunk!), Chimamanda Ngozi Adichie, Colson Whitehead (masterclass!), Crystal Marie Fleming, Darnell Moore, Bassey Ikpi (poetic masterclass!), Erica Armstrong Dunbar (literally brought together the academic with creative nonfiction) , Ijeoma Oluo, Kiese Laymon (Black abundance and excellence, of course!), Mona Eltahawy, Morgan Jerkins, Patricia J. Williams, the ever-great Roxane Gay,  Tressie McMillan Cottom, Raquel Cepeda (a New Yorker after my own heart!), Imani Perry (3 books in two years — this woman has range!), Leta Hong Fincher, Jose Antonio Vargas, Alondra Nelson, Mycheal Denzel Smith, and likely another ten or fifteen I can’t remember by name.

All of them (really, all of y’all, since I have had conversations with you all in person, on social media, or in my head since 2016) have confirmed so many of my ideas around racism and narcissism, about the use of the interdisciplinary, about the hard-nosed work of writing. They have strengthened my voice around Black feminism, critical race theory, Afrofuturism (a term I was chagrin to use about my own writing this time seven years ago), and queer studies. They all have shown what I have been teaching since I was a PhD student in 1993 — the connections between -isms-laden ideas and deliberately punitive policies meant to cower the ordinary and crush the marginalized.

Sarah Kendzior has done so much on this last theme, uncloaking the connections between the ambitions of brazenly craven rich White guys (and some women) to enrich and empower themselves while destroying the US that came to be with FDR, the New Deal, and the post-World War II superpower boom. And Kendzior does so unassumingly, with bits of memoir that parallels the US glide path toward naked autocracy since the mid-1970s.

I’ve been reading Kendzior since her freelancing days with Al Jazeera, so, somewhere around 2012 or 2013. So many of the themes in Hiding in Plain Sight are familiar, if only because those themes of a hollowed-out St. Louis, a systemically racist and autocratic government, where corrupt and unaccountable leaders are front and center in nearly everything that Kendzior writes. Plus, I am a half-century old Black man and historian who grew up in malnourished welfare poverty and around eschatological cults in Mount Vernon, New York and in New York City. Everything Kendzior has written over the years, I know down to my bones and veins.

Because of that, I wasn’t sure if I wanted to buy Hiding in Plain Sight, forget about reading it. But Kendzior uses her book to build a case better than Perry Mason and Jack McCoy (of Law & Order lore, played by Sam Waterston) could on their best days. Kendzior’s thesis is that Trump as POTUS was inevitable, as the “elite criminal network” of which Trump is a part “has been building for decades.” This network includes “right-wing Republican extremists, apocalyptic religious movements of varied faiths, social media corporations, advocacy groups like the National Rifle Association, and part of the mainstream media.” According to Kendzior, what makes them new and lethal to the US is their “transactional nature and reliance on non-state actors.” Ultimately, this cabal “will take your money, they will steal your freedom, and if they are clever, they will eliminate any structural protections you had before the majority realizes the extent of the damage.” Along the way, they are transitioning the US “from a flawed democracy to a burgeoning autocracy” (pp. 8-9).

Kendzior skillfully uses her own growing up and adult experiences and the places she’s inhabited in building the interconnections between Trump’s lifetime of enabled narcissism and criminality and the rise of the American autocracy. She starts where she usually does, in Missouri, “the bellwether state turned corruption capital, the broken heartland that got the sneak preview to the national shitshow” (p. 20). Kendzior makes the case that Missouri and St. Louis even more specifically represents well the erosion of democracy all over the US with the infusion of dark money and out-of-state money and operators in state and local elections. I do think that she oversells the assumption of Missourian and Rust Belt irrelevance here, if only because every White American actor attempts a Missourah or Midwestern accent in the standard movie, TV show, or internet series not centered in New York.

But I digress. The gutting of Missouri and the rest of the Midwest between St. Louis and Pittsburgh (although so many cities outside the Rust Belt could say the same, like my own original hometown) was a deliberate one, meant to destroy unions, to line politicians’ pockets, and to enrich already filthy-rich folk. People like one Donald J. Trump.

Kendzior again builds a Mayan-step-pyramid-of-evidence to show how Trump had aspirations toward the presidency at least since the 1980s, and had gotten away with grifting projects and Ponzi schemes since the 1970s. And with those twin motivations, how Trump could easily become comrades with Russian mobsters and the likes of the infamous Roy Cohn, with Paul Manafort, with Roger Stone, and the rest of this crew of the craven. And Kenzior ties this one up with a macabre dystopian bow, bracketing Trump’s almost inevitable rise with the story of how her mother taught her about George Orwell’s 1984, a timeline her “mother laughingly assured [her] did not exist” (p. 76). “We are living in the future Orwell warmed about” now, Kendzior wrote.

Among the more heartbreaking vignettes in Hiding in Plain Sight is the story of Kendzior’s own personal experience with the new normal of constant job and financial insecurity born from a false Great Recession recovery in the years after 2008. The collective we have often looked back at the Obama years with fondness. But all the while, the US kept rolling down the same road to autocratic perdition, chewing up everyone not affluent along the way. Kendzior’s experience is no different from my own, and no different from at least 150 million others.

For over a year I would wake up shaking. The economic nightmare I had documented for years as a journalist had finally gotten me, like a monster I had tracked but failed to slay…It made no difference what we could offer the world. We only knew what the world could take away…The rage, though — that stays with you. (pp. 133-135).

Kendzior wrote a book that few who truly understand the nature of the evil that has infected the US since the 1970s could argue is incorrect. Her analysis is nearly as excellent as the prose, to be sure.

I do have a few bones to pick. Mostly because I had a hard time figuring out the audience Kendzior was attempting to reach. Was it other journalists? The broader American public? Anyone who needs a Laurence Fishburne-style “Wake up!!!” call from School Daze?

I landed on nearly-disillusioned-White-Americans as Kendzior’s audience, the ones still clinging to the hope of the American Dream with their fingernails, the ones who all but realize that the Dream is a lie and a nightmare for almost all of us. “I am trying to show them [her children] our country was always vulnerable, always flawed, but that people fought back. We’ve survived as long as we have due to self-criticism and sacrifice, a willingness to examine our faults and try to fix them,” Kendzior wrote (p. 213).

I’m sorry, but this is the America I read about in a Harcourt, Brace and Jovanovich textbook from fifth grade in 1980, not the America in which I have lived for 50 years, worked in since I was 14, and studied for three decades. This is a part of the American mythology, this idea of self-correction. The only times the US has changed to mete out symbolic half-measures toward its ideals has been when the marginalized through years and even decades of resistance have forced it to. Full stop. To suggest otherwise would be to suggest a land that believes in anti-racism, Black feminism, reproductive rights, non-binary sexuality, and democratic socialism. Where is this US? I am still looking.

Another criticism is around Trump himself, and about the arc of the autocratic glide path of the US since 1968. Yes, just as Kendzior and others have written, I have also written that Trump was an inevitable consequence of rampant criminality and grifting, of lying in the same bed with mobsters and autocrats from Russia, Israel, Saudi Arabia, and the US. But really, in a country as racist, misogynistic, and narcissistic as the US has always been, someone like Trump was always the danger, and has happened on some level in the past (see Andrew Jackson, see James Buchanan, see Teddy Roosevelt, see even FDR’s four terms in office, as good as his New Deal policies were). The US is just two months removed from Mike “will get it done” Bloomberg running for president, a much more competent billionaire and grifter, with his own ideas for autocratic rule. It ended up being Trump, but it could have been any of a dozen aspirants we’ve seen from the top 1% over the past three decades, starting with Ross Perot.

Kendzior’s centering of Trump is disturbing because the “burgeoning autocracy” has always been an autocracy for Blacks and for indigenous Americans, going back to the days before the US even existed. In modern politics, the dividing line isn’t Trump or the Great Recession. It’s Vietnam and Richard Nixon and his “Southern Strategy” in 1968. It’s the Reaganomics and the corporate deregulation of the 1980s, followed up with gutting the social welfare state that has occurred with every president since Reagan, including Mr. “Mend it, don’t end it” himself, Bill Clinton. As Malcolm X said in his “The Ballot or the Bullet” speech at King Solomon Baptist Church in Detroit, Michigan in 1964, “Oh, I say you been misled. You been had. You been took.” But not by Trump, at least not just. Trump was the one Kendzior and so many others saw coming, but could do nothing about, because Trump wasn’t the first.

“The Bush Legacy” editorial cartoon, Nate Beeler, January 13, 2009. (https://www.dailykos.com/stories/2010/11/13/919739/-; Washington Examiner). Fair use applies due to low resolution of screen shot and subject matter.

And if Trump was inevitable, then what does that say about our first family of autocrats, George H. W. Bush and George W. Bush? The amount of international meddling in which these two presidents engaged? The trillions spent on wars, all for more access to Saudi Arabian oil, their autocracy, and their money, and all to line their pockets and the pockets of cronies, especially those within the military-industrial complex? Dubya and Cheney used 9/11 to push the Patriot Act in Congress, the single biggest autocratic move in American history since the Electoral College? The players on the US side of the table may be different in 2020, but the evidence gathered in the years since 2000 show significant foreign interference and at least one rigged election. But I’m supposed to believe that Trump’s version of autocracy is worse because his corruption is much more obvious and because his flaunts it with buffoonery and a deluge of lies? Anyone remember a Dubya presser between 2000 and 2009?

I am a big believer in both-ands. Binary either-or explanations may be simple, but they are usually incomplete. Kendzior argues that Trump’s a master of using buffoonery and deception to bamboozle an audience and distract them from his daily crimes. Most of the rest of us think Trump is as dumb as shit. But why can’t he be both? Mussolini, Stalin, and Hitler are all proof-positive that one does not need great analytical power to be savvy, brazen, and bullying enough to make one’s stupidity work for them. And when someone like Trump comes from money, it is that much easier.

There’s this song “Silent Running” by the ensemble pop/rock group Mike + The Mechanics — with Mike Rutherford of Genesis, Paul Carrack of Squeeze, B. A. Robertson, et al. — from 1985-86. Kendzior may have heard it growing up. The music is eerie and an homage to resisting totalitarianism. The lyrics, though, so poignant, both to Hiding in Plain Sight and to where my mindset has been about the US since the 1980s.

Take the children and yourself
And hide out in the cellar
By now the fighting will be close at hand
Don’t believe the church and state
And everything they tell you
Believe in me, I’m with the high command…

Swear allegiance to the flag
Whatever flag they offer
Never hint at what you really feel
Teach the children quietly
For some day sons and daughters
Will rise up and fight while we stand still

That’s what I hope my descendants (literal and figurative) will take with them, and that’s what I hope for Kendzior’s children. Anything about a primrose American past in the time before cronyism and Coronavirus, though, would belie this “Silent Running” truth. I strongly urge everyone I know to read Kendzior’s book. Just be sure to find the words “Bush,” “Dubya,” and “both-and” along the way.

My Whole Self At 50

27 Friday Dec 2019

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, My Father, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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Academic Writing, Achievements, Betrayal, Calling, CMU, Crew, Domestic Violence, DV, Failures, Family, Fears, Love, Misfits, Misogynoir, Ostracism, Patriarchy, Pitt, Purpose, Self-Reflection, Setbacks, Toxic Masculinity, Turning 50, Writing


Selfie of me at 50, December 27, 2019. (Donald Earl Collins)

The title could just as easily be, “Confessions From an Educated Fool.” After all, I am highly educated, and have done more than my share of dumb-ass bullshit over the years to avoid certain truths about myself.

I have no idea what turning 50 really means. For Black men, the average life expectancy of 64.5 years makes me worry about every ache and every anomaly. Based on my family genetics, I have at least 30 years where my age will in no way be reflected in my height, weight, athleticism, sex drive, or other general health issues. My mind should remain sharp until I am in my late-80s or early 90s, if not longer. As of now, I know I am in better overall shape than I was this time 10 years ago, but lack the running stamina I developed during most of my 40s. On the other hand, my knees have been thanking me for the past 17 months since I stopped running 300-plus miles a year.

Depending on how I look at my life, I am a scrambler who has turned an Olympic-size swimming pool full of diarrhea with turd chunks into two kilos of gold. Or, I am a once brilliant and talented young Black man whose temper and impatience fucked up his future. Two things can be true, sometimes equally so, and at the same time. That is, if I don’t account for upbringing, systemic racism, extreme poverty, the violence of misogynoir and toxic masculinity, and a host of other burdens that my differential equation mind could not factor into my life’s calculus. Much less control or counteract with respectability or kindness or the Golden Rules of Christianity.

Some context. When I was 11, I participated in my first writing contest and came in second place among the dozens of K-12 students who submitted to the local newspaper, the Mount Vernon Daily Argus. By then, I had long buried the sexual assault I endured and the subsequent suicide attempt from five years earlier. I graduated 14th in a class of 509 in 1987, only to spend my last days of high school and the year after my enrollment at Pitt treated as if I were an invisible ghost by many of my former classmates. At 25, I earned a Spencer Foundation Dissertation Fellowship. But the entire time I was in commune with “my fellow Fellows,” as I used to say, I was ambivalent about my prospects, in and out of academia. At 26, in part because of the Spencer fellowship, I completed my dissertation. Yet my advisor’s petty jealousies and psychological abuse burned me out, just as my dissertation committee’s subsequent abandonment of me once I graduated left me feeling burned.

I was a young prospect with a doctorate from Carnegie Mellon, but with little in financial support or connections to continue to spin shit into gold. After two years, I left the wonderful world of adjunct teaching for a civic education job with the center-right organization Presidential Classroom. My boss was both extremely paranoia about terrorist attacks on DC and openly racist, referring to Asians as “Orientals” and making comments like “Slavery was a hoax.” After seven job interviews for academic positions over three years, Howard University offered me a tenure-stream assistant professorship in June 2000. I said no. At the time, I told my significant other, two months into our marriage, “I do not like working for racists, but at least I know where I stand. With Howard’s constant elitism, I’d likely lose it and pop one of my colleagues in the mouth for saying something elitist and stupid.” I was averaging 100-to-110 hours of work per week and about five hours of broken sleep at night when I made this decision.

Sometimes I think it’s the dumbest adult decision I ever made. Most of time, though, I think about the broom closet that they offered me as an office. I remember the urinals in the Founders Library that dated back to the tenure of Mordecai Johnson (1926-1960). I ruminate on rough attitudes of my one-time colleagues (I eventually taught there as an adjunct in 2007). And through all this, I remind myself that it was okay to say no. Especially to colorism, respectability politics, and a campus that has been in need of a total gutting and a top-down renovation at least since I began visiting in 1993.

My career has been one of wandering by necessity. I have never been a complete fit anywhere. Damn sure not in academia. Definitely not in the nonprofit world. Certainly not in consulting. And not quite as a freelance writer and author. I have had to bend and break so many rules and norms, just to survive, that to mold and shape myself like a shapeshifter would nearly always lead to me feeling at constant war, with myself and my work.

Selfie of me post-workout, December 24, 2019. (Donald Earl Collins).

Especially since so much of this war was over who I am. I am a writer, damn it! I love teaching — most of the time. I like managing projects, and was fairly good at raising money. I am an excellent cook (just ask anyone other than my Mom). I am a pretty good basketball player even now, and could’ve made a D1 college squad back in the day. I once considered stripping to make ends meet after finishing my doctorate (my eventual wife talked me out of it, a lot, while I gunned for a six-pack). But since at least the spring of 1981 (maybe, with Peanuts Land, the spring of 1979), I have been a storytelling, introspective, imagining-of-alternative-worlds-and-lives, mixing-fictional-techniques-with-my-real-life writer. It took me 21 years to admit that I was a writer, another decade to see myself as a writer first and foremost. That no matter the job or my roles in that job, that I was, am, and will always be a writer.

That was what motivated me to write Fear of a “Black” America and Boy @ The Window and then self-publish them, even as the process of researching and writing Boy @ The Window led me to uncover so many uncomfortable truths about me, my family, and the people I grew up around. Including the truth about my greatest failure, my refusal to dig out the splinter in my mind. The dual decision to not see myself as a writer and then to not dedicate myself spirit, soul, and body to my craft and calling until after turning 45. That’s my biggest regret, my daily frustration, my constant companion, buried just a few millimeters between my flesh and my bones.

Even when I finally push through, break through, blow up, and have any modest level of success as an author of x-number of books — and I will, because, me — I will continue to carry this deep well of what coulda and shoulda been. My need to credential myself, to make up for the loss of my childhood to poverty and domestic violence and child abuse, my desire for worth and work, my simple arrogance of youth. It nearly squeezed out the divine voice of purpose in my mind. More than once, it all drove me to the edge of the galaxy, where rage against the world, a lust for lust and self-destruction, and the sheer drop into the abyss of depression all intersect into a nebula of desperate insanity.

This is precisely why it is so important to have a crew, a group of folx who will not jump into the void with you, but instead will support you with critique and encouragement, and yes, love. Of course, I could not have transitioned from the burnout of the nonprofit world and the constant search for money to “change the world” into the constant search for income through freelance writer and teaching social justice through history and education without my wife. After years of watching bosses and co-workers get down on their knees to beg for money while they morphed the grassroots and systemic social justice work they really wanted to do into inchworm-paced “social change” models, I wanted out. I figured, consulting, occasionally teaching, and doing the work I truly wanted to do would be better.

Then, the Great Recession hit, and did a number on my permanent job prospects and consulting work. If someone had told me on verge of my 40th birthday that I would spend the next decade primarily working as contingent faculty at not one but two universities, I would have laughed until I cried. I would’ve also predicted that my wife would’ve handed me divorce papers. I didn’t die from woeful laughter, and my beloved did not demand that I move on.

But we did argue. One of those arguments led me to a “Fuck It” realization at the end of 2014. No one would ever offer me a permanent position at a university as faculty, not without offering me an administrator position first. And since the unofficial rules of the academy have never really applied to me and my writing, I had the right to publish anywhere, on any topic, even if and when other academicians — including some whom I had trained — looked at me like I was some tragic figure.

Along with some counterintuitive thinking about my eclectic writing skills and queer approaches to understanding the application of history and education in mainstream journalism, this new truth has been my resurrection and insurrection as a writer. Between The Guardian and Seven Scribes, The Atlantic, Huffington Post, and The Washington Post, and especially Al Jazeera English, I have come closest to being my truest and whole self outside of marriage, friendship, parenting, and my many moments in prayer.

I owe my wife for allowing me the space necessary to finally access my calling. But I also owe my small inner circle of folx who may not have always understood my journey and the decisions I made that led me to where I am at half-century. They’ve read my horrific drafts, heard my most hare-brained ideas, smiled through my most ludicrous of plans both before and during this bitter slog of a rollercoaster ride. I’m more than sure that some in my circle still don’t understand my end game. Mostly because there is some aspect of my whole self that I haven’t shared with them. Not only my desire as a writer. But my general desire to be excellent at everything, my quest to know everything, and my contradictory default of being scared of nearly everything, especially of whatever good moments I have had. Too many times, I have seen the anvil drop on or near me all too soon after drilling a three.

I think I have one more big run in me left. The proverbial they say that life is a marathon and not a sprint. They are wrong. Life is like a continuous basketball game, where one can be overmatched, but can take timeouts and make a series of 12-0 or 30-13 runs to tie the game or take the lead. I am in the midst of a run right now, as unexpected as living past the age of 30 was for me when I almost jumped off a bridge on my 14th birthday, 36 years ago.

I need the crew I have, and I could use some help from a few more folx who may want to join me on my journey into decade six. I’m gunning for a book contract for my American narcissism and American racism work. I’m looking for some career stability that takes advantage of my work in academia, in nonprofits, and in freelance writing. I’m looking to make sure that my son becomes the whole person he needs to be without spending the next 20 or 30 years kvetching about everything in the universe. I’m looking forward to spending more time traveling outside the US with him, with my wife, with others, and with myself. It’s time. It’s been time for 50 years.

My Thoughts on Cut-Throat Finals Week

17 Tuesday Dec 2019

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Movies, Politics, Pop Culture, Religion, University of Pittsburgh, Youth

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Cheating, CMU, Cut-Throat Competition, Death Race (2008), Finals Week, Immaturity, Narcissism, Obsession with A's, Pitt, Teaching and Learning, The Equalizer (2014)


Death Race (2008) Dreadnought scene screen shot, December 17, 2019. (https://youtube.com).

I have seen some shady shit as a student and educator over the years. Between my middle school and high school magnet programs in Money Earnin’ Mount Vernon, my four years as an undergrad at the University of Pittsburgh, my three years of grad school course work at Pitt and at Carnegie Mellon, and my years of contingent teaching, I have seen students do everything short of killing me or killing their classmates for a higher grade.

This semester provided some new wrinkles (really, old wrinkles I haven’t seen since my Humanities days in the 1980s) that actually shocked me. All as I taught my 77th, 78th, 79th, and 80th classes in my roller-coaster of a teaching career. I have felt a certain way toward some of my most demanding, hold-my-hand-for-an-A, spoiled-brat students over the years. This semester, I found myself actually despising three in particular across two universities and four classes. By no means does my grading reflect what I think of them, as I assigned each of them the grades they earned. But really, there is no letter in the alphabet low enough for them that I could assign. At least, one in which I would ever feel fully satisfied. And that is all because they all made the decision to be cut-throat, toward me and toward their peers.

I fully understand the compulsion. Six years in a magnet program that was one part Benetton commercial and three parts Death Race — the Jason Statham version from 2008 — showed me George Orwell’s Animal Farm as a live-action drama set from 1981 to 1987. Students giving each other incorrect notes from which to study. Classmates telling each other they were going to fail a final, or that they didn’t belong in Humanities. One Class of ’87 star making sure to say to another that they were only getting into an elite school because they were Black.

Hazing, bullying, torture, ostracism, denigration were all part of my experience, and that was before we started taking AP courses! I even snickered when our valedictorian received a 67 on an English essay in 11th grade because she failed to underline the title of a James Baldwin book (either Go Tell It on the Mountain or The Fire Next Time, who can remember such mundanity nearly 34 years later). We became good friends for a while after high school — go figure!

So, it’s not like I couldn’t conceive of setting up a classmate to fail, using someone else’s better words to substitute for my gross and imperfect writing, or spending money to hire a tutor to study for an AP exam. I could’ve really done it, if I had the will and/or the wealth. I just wouldn’t do it. You know, “Do unto others as you would have others do unto you.” It’s in Matthews, the first book of the Gospels in the New Testament. It’s one of the few tenets that I have tried hard to follow in all my years as a human being and as a Christian. (The tenets I follow consistently are universal ones, so please do not get your atheistic drawers all twisted.)

But not always. During finals week my second semester at Pitt, at the end of April 1988, I put that Golden Rule aside, and for good reason. During our two-hour, multiple-choice final exam in Roman History, I noticed him. A skinny, geeky White yinzer with dirty blond hair sitting behind me in the Cathedral of Learning lecture hall on the ground floor. I noticed him because I heard him, somewhere around the question 70 mark. The only time his pencil made a noise was after I had filled in a bubble with an answer. By question 75, I knew the dumb mf was cheating off my answer sheet.

Denzel Washington’s character putting corkscrew to throw/soft palate/brain cavity, The Equalizer (2014), December 17, 2019. (https://imdb.com).

So I did what my years in Mount Vernon and in Humanities had trained me for. I proceeded to answer the next 25 questions on this 100-question exam incorrectly on purpose. It was rich and dripping with caramel-chocolate-on-ripe-strawberries revenge! I knew every correct answer and just kept bubbling in one wrong one after another. And as sure as dog-shit peppering dirty snow piles on Manhattan’s Upper West Side in February, Mr. Yinzer bubbled in his answers right after mine.

Then, I stopped. I paused for a half-minute after bubbling in question 100. I picked up my big eraser, and frantically rubbed out my incorrect answers to each of those last 25 questions. Then I turned around, and gave the yinzer a “Gotcha!” look. He was pissed and scared, his face the pale color of white pastel paint mixed with water. I turned back around, and carefully bubbled in my correct answers for the last quarter of the exam.

After I got up to submit my exam to the professor, I walked up the steps toward the back of the lecture hall, passing Mr. Yinzer along the way. He shot me a look, one where he knew he was caught, like a rat in an old-style trap, about to die from the pain of asphyxiation and a broken neck. I rolled my eyes with the thought, That’s what you get, dumb muthafucka!

I am not proud of that moment. Sure, the yinzer deserved it. But, I could’ve reported it to the professor. I could have just covered my answer sheet up better. I could have confronted the student directly. I could have even let the student ride my coattails toward an A on his final exam. Instead, I went all cut-throat and ensured that this student failed his final. In what way am I really better than him when I helped an academically drowning classmate swallow more water while holding his head down?

I know. What I did may seem milquetoast on the scale between blatant cheating and the viral slut-shaming of a peer with whom you are in academic competition. But that’s the point. None of this should be acceptable. My A in the course would not have changed, and Mr. Yinzer would still have struggled academically even if had succeeded at cheating on this one exam.

At just 10 days before I turn 50, I have figured out what I hate, actually hate, about other humans. I hate habitual liars, especially the ones who regularly lie to themselves while telling me their lies. I hate elitist assholery, even from those whom I admire, even from among my friends. I hate cheating, and those who think they can get away with it. I hate brown-nosing, as I smell this shit from a mile away. Now, I despise those who would eat A’s and A-‘s for their three squares a day before recognizing that education is about much more than a high grade an a job to pay off their student loans. Education is about freedom, having and making good choices, and finding yourself a crew that you can rely on and can rely on you long after graduation. Those who think otherwise are as lost as Dr. Manhattan caught in a quantum vortex.

When I Choose The Wrong Book For a Class

09 Saturday Nov 2019

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Politics, Pop Culture, race, Youth

≈ Leave a comment

Tags

American University, Anti-Blackness, AU, Countering Stereotypes, Dinaw Mengestu, Elitism, Internalized Racism, Self-Criticism, Sepha Stephanos, Teaching and Learning, Teaching Mistakes, The Beautiful Things That Heaven Bears (2007), Washington DC: Life Inside a Monument, White Gaze


Screen Shot of The Beautiful Things That Heaven Bears (2007), by Dinaw Mengestu, November 9., 2019. (https://target.com).

Yes, I’m back! After two months of grading, writing, pitching, grading, revising, pitching, and more grading, though I’m not sure I’m ready to be back, but I have things to get down on here anyway.

I have taught eighty undergrad and grad-level classes since 1996, and been a part of more than 90 high school, college, and graduate classes as a guest lecturer, TA, instructor, or professor since 1991. I have definitely made more than my share of mistakes in the classroom. Miscounted the number of students to split into small groups. Occasionally quipped in New Yorker-sarcasm English to my Midwestern or Southern-raised students, not exactly endearing myself to them. I have miscalculated grades, posted an electronic announcement to one class when it was meant for another. But, on historical context, historical content, storytelling, use of materials, the substance and guts of courses, I can honestly say I do not allow myself to make egregious errors.

Now, that does not mean that I haven’t inherited errors from courses that others had taught or haven’t been hamstrung with mediocre materials and textbooks that my previous institutions (and one current one) have said were just fine for my students over the years. This is about my unforced errors.

This semester, in my Washington, DC class (the full title is Washington, DC: Life Inside a Monument, a terrible title, really) at AU, I made one all-time error, one in which I should take 60 percent of the blame. I chose a book for the course based mostly on a couple of recommendations from colleagues, a Washington Post review of the best books on DC and the DMV, and an admittedly quick skimming of the first 15 pages. It was Dinaw Mengestu’s The Beautiful Things That Heaven Bears, a historical novel about the lonely and isolated experience of one Sepha Stephanos, an Ethiopian immigrant living in Logan Circle, set some 17 years after his escape from the Ethiopian Civil War (roughly 1996 or 1997).

I picked it ultimately because there are precious few books about any aspect the DC immigrant experience, much less one about the history of Black and Brown immigrants in the area. The problem was, I decided to read the book — one month into the semester, that is. Once I dug in, I started having flashbacks of my AP English class with Rosemary Martino, where we spent the better part of three months reading Fyodor Dostoyevsky’s Crime and Punishment. Mengestu’s Sepha was not lonely, apathetic, and dyspeptic merely because he was a thirtysomething stranger in the strange land of the US, of DC, of Black DC. I’m more than sure that loneliness and isolation are an inevitable consequence of leaving one’s home country and family behind for another country in another part of the world. But no, most of Sepha’s isolation was self-imposed. For 17 years, this man lived in a predominantly Black part of DC, in the midst of a nascent Ethiopian residential and business community within walking distance of his apartment and corner store, during the heart of the Marion Barry years. Yet he only has two friends, one from Kenya, the other from the DRC (Democratic Republic of the Congo). Really?

What was worse was once the White character Judith and her biracial daughter Naomi moved into Logan Square at the height of Sepha’s deepening self-loathing and depression. Judith apparently bought a mansion-turned-broken-down-addict hangout across the street from Sepha, and spent a significant chunk of change fixing it up for upper-middle-class habitability. Sepha becomes enamored with the two of them as they began to frequent his falling-apart store. He becomes sort-of-friends with Judith, and sort-of-a-father-figure to Naomi.

There were at least four times between pages 52 and 120 where I put down the book out of sheer frustration with the plot, the characters, and with Mengestu for writing this non-historical, non-realistic historical novel. Mengestu crafted a main character that had serious internalized racism, and was as anti-Black as a drunk Trump supporter at a tiki-torch rally. How can any reader explain a man who owns a store for the better part of a decade and a half in Black Washington, interacting with Black women of all classes and stripes — some presumably who may have struck up a conversation with him, some presumably with a precocious preteen daughter — and it’s this first White women in the neighborhood that raises your spirits?

Mengestu had Sepha do awkward Data-from-Star-Trek: TNG-type things. Like standing in the middle of the sidewalk a block from his place while watching Judith go into her house. Or over-explaining the shabbiness of his apartment to Judith, who invited herself over to his place. Or weird kisses between Sepha and Judith, not unlike ones involving two tweeners unsure of themselves. The awkwardness ultimately stems from Sepha’s elitism, self-loathing, and internalized racism. Judith is too good for me, was what Sepha thought, just like he thought he was too good for too poor and too Black Logan Circle. That’s why this thirtysomething man was acting like a weird homeless stalker, fully befitting a macabre and existential Dostoyevsky work.

But then came the backlash from the Mengestu-reverse-one-drop-rule approach to pre-gentrification gentrification. Somehow, the Black Washingtonians in Logan Circle became so hostile to the presence of one White woman with a kid that they threw a brick through her window and later set fire to her house. In what scenario in any major city in the US have Black folks ever deliberately attempted to forcibly drive out White folks who happened to move into a predominately Black neighborhood? There isn’t one.

My students, for the most part, though, loved the book. They thought it was “so cool” to get a glimpse of the “real” immigrant experience from an atypical perspective. They really liked the interplay between Sepha, Judith, and Naomi. They mostly wrote papers relating the book to the actual relations between Black Washingtonians in Shaw with the Ethiopia community there. They used Mengestu’s book as evidence that Blacks in Shaw drove Ethiopians out of Shaw and across the border into Silver Spring, Maryland, all because Black Shaw residents blocked renaming the U Street strip “Little Ethiopia” in 2005. All these conclusions, despite two full hours of discussion over two weeks about the books and its historical and local inconsistencies and stereotypes.

I haven’t been this beside myself about having inadvertently reinforced racial and cultural stereotypes since the first time I taught World History under Peter Stearns in 1994. But at least I was a 24-year-old grad student then. Now, I’m thinking that maybe 2.5 hours per week with my mostly affluent and White students is not enough time to counteract the idea that an excursion to Georgetown, Nats Park, or Chinatown is peak DC exploration. I also think that me as the little-old-nobody professor cannot overcome a MacArthur “genius” award-winner author whose book libraries possess in volume and school districts like DCPS and Montgomery County (and apparently) all over the country regularly use.

But if Mengestu is a genius, he is such because he has captured the White gaze. A story about Ethiopian migration to the US and the impact of such on that generation between the late-1970s and the turn of the 21st century. It is tailor-made to pull on the heartstrings of White Baby Boomers and loaded with a sense of exoticism. Mengestu’s DC looks more like where he grew up in real life (Peoria, Illinois and in the Chicagoland area — pretty White-bred communities, really) than any part of the DMV I have experienced since 1992. And no, being a Georgetown University student and earning a bachelor’s degree in the process is nowhere near enough time in DC to realistically depict even a sliver of DC, fiction or nonfiction.

I have learned my lesson. The Beautiful Things That Heaven Bears will not be a part of any course I teach moving forward. I will continue to pick books as I always have before this one. I will rely on my own counsel, and unlike most of my colleagues, will actually continue to read them before I put them in my syllabi. As for this DC course, I am replacing Mengestu’s book of anti-Blackness and elitism with Camille Acker’s Training School for Negro Girls. If I am going to continue to use historical fiction, it should center Black girls and Black women living in DC/the DMV, and not Mengestu’s kinder, gentler version of Dostoyevsky’s Raskolnikov in Sepha.

The Unbearable Elitism of This World (Especially Academia)

28 Wednesday Aug 2019

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Pittsburgh, race, University of Pittsburgh, Work, Youth

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Tags

1000th Blog Post, Academia, Ageism, CMU, Douglas Reed, Elitism, Gatekeepers, Georgetown, Graduate School, Inequality, James Baldwin, Nonprofit World, Pitt, Politics of Everything, Professional Failings, Racism, Scholarly Writing, Social Justice, Steve Salaita


Gated community, Houston, TX area [but virtual gates in education for years], February 13, 2012. (Chelsea Lameira via http://www.houstonagentmagazine.com)

This is my 1,000th blog, folks! It took me 12 years and three months to reach this milestone — yay, me!

But it’s on the exact day/date that I began grad school, specifically, the master’s program in the Department of History at the University of Pittsburgh, 28 years ago. Although that day and that semester were great times for me, my professional lifecycle has been almost as full of failures and setbacks as it has been one of triumph and overcoming. Unfortunately, the microaggressions of racism, ageism (too young and too old), and elitism have all been a central part of my experiences in academia, in the nonprofit world, in writing books, in freelance writing, and in consulting in the nearly three decades since.

In contrast to 2019, that day in 1991 was the first of many in which I heard from professors and colleagues, “You’re too young to do…” and “What? You’re just 21? You know the average age of a history grad student’s 28, right?” Now, when I say to people that I’m a fledgling writer, they ignore me or say, “but you’re too old to be a writer.”

If it were just Millennials or Baby Boomers discounting me, my successes, and my outlook on the world because of my age, I might have been able to live that down. But throw in the occasional, “Wow! You’re a program officer? I thought you only played basketball!” (this happened to me in one of my nonprofit jobs back in 2003), and, “You know what we call a Black guy with a PhD…,” and the rage that reminds me of everyday racism rises up. James Baldwin said as much as part of a 1961 conversation Nat Hentoff between him, Lorraine Hansberry, Langston Hughes, and Alfred Kasin, on “The Negro in American Culture.”  “To be a Negro in this country and to be relatively conscious is to be in a rage almost all the time,” Baldwin famously quipped.

But mostly, it has been others’ attempts to demean me by offering ashes as opportunities, whether for publishing a book, finding an agent, getting a consulting gig, or teaching a course. Or, rather, to expect me to perform free labor for a so-called opportunity at some middling job. Only to realize later on that the job was a mirage. And they really expected me to drink sand and glass shards while they mocked me by pouring cold water down their throats!

I had a reminder of the layers of professional elitism and the cruelty that it engenders in April. For nearly two years, I had been in contact with a colleague of mine at Georgetown about the prospect of teaching undergraduate education courses there. Even with my two teaching gigs (which combined make me slightly more than full-time, contingent, but not nearly as tenuous as life had been back in 2010), I still wanted to teach education foundations/policy courses. Because, well, I’m still me, eclectic and still wanting courses that fit my experiences working in multiple worlds.

Out of the blue, Douglas Reed, a professor in a related department, contacted me about the possibility of teaching a summer course. “I now direct a graduate level program that just launched two years ago and have a possible last-minute opening to teach a summer course entitled ‘Social Justice in Education’ to our incoming cohort of MA level students in Educational Transformation. Would you have time to meet over the next week or two to talk about that possibility?,” he emailed.

Now, as someone who has done this with seven universities since 1997, of course I wanted to meet! It’s a grad-level course, combining social justice and education, something that I had taught before, I thought. I hadn’t taught grad students in more than a decade, but at least I already knew how to. I figured that this was a legitimate chance at a third part-time teaching gig.

I was wrong. Instead of the informal meeting/interview process, it seemed more like a one-on-one interrogation. Reed asked questions that would have been easily answered by my cv, by our mutual colleague, by literally anyone in my classrooms that semester. I brought samples from my relevant courses, while Reed never produced a copy of his Social Justice in Education syllabus. When I assumed that I was brought in to teach this course, he mused, “Maybe there might be others involved,” a wishy-washy answer at best.

Five weeks later, after I prompted Reed several times, I got this response:

Our situation has changed a bit since we last spoke. We have extended an offer for a three year position to a candidate and that candidate has accepted our offer and she will also be teaching the course we discussed. We will definitely keep our CV in our files and be sure to reach out if we have any new opportunities.

Un-effing-believable. Unless I consider the truth. I am a 49-year-old Black guy with a salt-and-pepper beard who has never held a tenure-stream position, and one who never attended or has formally taught at an Ivy League school (I did two summers at Princeton, working with high school students, but that doesn’t count in the eyes of the elite gatekeepers). I had the nerve to leave contingent academia behind for nearly a decade, working at nonprofit entities. I made the decision three years ago to no longer pursue publishing scholarly articles, because of, well, the elitism of such publications. And, I eat friend chicken with my bare hands to boot — I’m sure that’s been a dealbreaker some time in the past twenty-something years!

The following is part of what I wrote in response to Reed:

===================================================

Thanks for your email and for letting me know. I am miffed. Not because I was not ultimately offered a teaching opportunity. Rejection is a heavy part of being an adjunct, as one doesn’t have a true home. No, what has left distaste in my proverbial mouth is the reality that this was never an opportunity for a summer teaching position to begin with, and that you were not an honest broker in discussion this teaching opportunity with me.
Let me be more specific. There are several ways in which anyone with no opinion on the matter could see that this was not an honest opportunity.
1. You never sent me a copy of the Syllabus for the Social Justice in Education course, nor did you ever provide a copy, before, during, or after our meeting on Friday, April 5. When I inquired about it on April 5, you seemed hesitant about sharing it with me.
3. You never quite said it, but you sort of implied that there was someone else who was vying for teaching the Social Justice in Education course this summer. When I asked specifically if there was another person you were considering for teaching this course, you implied “maybe” at best. You left the context for our meeting and the purpose of our meeting murky.
7. Specifically, the fact that another person was offered a three-year teaching position (one that included this summer course) in the four weeks between our meeting and yesterday afternoon is proof of 5. Since positions generally do not develop spontaneously, I can only assume that you knew about this possibility at the time you met with me, and chose not to disclose it, either because you did not want me to apply for it or because you simply felt I wasn’t qualified for whatever reason.
All of these add up to a clear example of bad faith on your part. I had to clear my schedule to set up a meet with you on Friday, April 5, in the middle of a four-course semester. I came prepared to talk about a teaching opportunity, while you didn’t even provide a Syllabus for the course you purportedly wanted me to teach. You had me travel across DC to Georgetown for a meeting that was really an interview, and one that could have been conducted by phone or videoconferencing at that. While you may have been meeting with me out of courtesy to X, it was not a courtesy to me, at least not in the ways you handled it.
I learned something from this experience. As an adjunct with a non-linear academic, nonprofit, and writing background, I know full well the snarky elitism of many of my so-called colleagues already. Now I have confirmed that in times of hiring, I have nothing to offer as an itinerant minister of education in the eyes of faculty like you.

====================================================

I ended with, “You already hold all cards. There was never a need to hide half the deck.”

Most of the time, I am okay with the idea that I can make the combination of mainstream freelance writing and full-time equivalent teaching work, for me, my wife and son, and for our future. It’s been working for almost a decade, after all. But I know that as I approach the big 5-0, that combination better become semi-successful author and term faculty pretty soon. Because I’m too young and too broke to retire, and too old and too good at what I do to try much of anything else. I have considered janitorial work or the Steve Salaita route, though.

The “Anti-American” Trope and Being a Black Writer

04 Thursday Jul 2019

Posted by decollins1969 in 1, Academia, culture, Patriotism, Politics, Pop Culture, race, Work

≈ 2 Comments

Tags

Al Jazeera, anti-American, anti-patriotic, AP World History, APUSH, College Board, Contingent Faculty, Educational Testing Service, ETS, July 4th, K-16 Education, Respectability Politics, Slavery, Whitewashing History


Malcolm X quote from his “By Any Means Necessary Speech,” Organization of Afro-American Unity, New York, June 28, 1964. (https://azquotes.com).

This week, I published yet another article article in Al Jazeera English, this one titled “How US history is whitewashed in high school exams.” It’s about my experiences scoring AP US History and AP World History exams for the College Board through Educational Testing Service as a contingent faculty member. It was also about how the two organizations consistently present a sanitized version of both histories, excluding and marginalizing those of African, of Latinx, and of indigenous descent in the process. My biggest concern was that folks would find my treatment of the work of the College Board and ETS unfair. Or, that readers would disagree with me personally, attacking my intellect and my race purely out of racism and jingoism.

On the second concern, I was mostly right, but not quite in the way I expected. At least three trolls accused me of being “anti-American” and “anti-patriotic.” Really? So, no critique of American education or of two education organizations can stand without it being a referendum on whether I am a patriot for America as it is instead of what I’d like it to be? The narcissism I see out of the mostly male, nearly all White set in the US — it must reside in a bottomless pit. Or in the black hole at the center of the Milky Way.

Is calling out folks who believe themselves to be educators because they favored Japanese internment during World War II as an example of state-sponsored mass violence over slavery in colonial America/US really anti-American? Is pointing out the flaws in the politics around K-12 and college education in the field of history an example of my anti-patriotism? Should I be subjected to jingoistic scorn because I dare say that “[c]hattel slavery will always serve as a complicating counternarrative to The College Board’s trope of the West’s continual social and political progress?” If this is anti-American, then so is racism, misogyny, anti-Latino and anti-Arab xenophobia, and rolling tanks into DC on the 4th of July.

But, there was more. At least two trolls tweeted and messaged me about Al Jazeera publishing my article this week. One called me a “fool” because they saw me as a mere tool for their otherwise anti-Black stances and tropes in their coverage. Another tweeted twice, “QATAR LAW: Since 2004, Article 296 of the current Penal Code (Law 11/2004) stipulates imprisonment between 1 and 3 years for sodomy between men.” This because Al Jazeera is partially owned by the Qatari government. Last I checked, the British government partially owns the BBC. The US has repugnant laws and policies in place toward Blacks, Latinxs, Native Americans, women, LGBTQIA folx, and the millions living with poverty. Yet I’m supposed to not publish a piece with one of the largest news outlets in the world because it might make me a tool of the Qatari, and therefore somehow anti-American? Give me a break!

Ultimately, I published with Al Jazeera this time around because they allowed me the most space to air my first-hand account and analysis, without delay and without editing out my direct experience. As a freelance writer and someone with an affinity for the journalistic, that’s really all any professional can ask for.

What I cannot nor will not do, though, is back down or renegotiate my critiques about the US, as is my right as an American citizen. Nor will I attempt to tailor what I write for folks who otherwise stand in opposition to a curriculum that holds fast to Western sacred cows and American mythologies.

At a job interview I did a couple of weeks ago in New Jersey, a search committee member asked me this. “What will you do to reach those people on campus who don’t just have concerns” about my work and the work of the department I could’ve represented, “but are in opposition to your work” and the department’s very existence? “Ultimately, I don’t believe it’s my job to reach folks who stand in opposition to equality, to my insistence that I am equally human. Why would I want to spend time and energy trying to reach those people? We’ve tried that already. With respectability politics, with assimilation. It hasn’t worked,” was my response.

The same goes for the trolls on the Internet, who’ve never seen an idea from a Black man or a Black woman that they’ve respected, who will find anything short of an endorsement from 45 anti-American. I am not writing for you. I am writing for everyone else but you.

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Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

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Barnes & Noble (bn.com) logo, June 26, 2013. (http://www.logotypes101.com).

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