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Notes from a Boy @ The Window

Tag Archives: Afrocentric Education

I Was Never Good at the Popularity Contest

17 Tuesday Nov 2020

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Hebrew-Israelite, Mount Vernon New York, New York City, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Work, Youth

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616 East Lincoln Avenue, Afrocentric Education, Afrocentricity, Authentic Blackness, Authenticity, Black Action Society, Marc, Molefi Asante, Multicultural Education, Multiculturalism, Pitt, Popularity Contests, Temple University, Writing


Molefi Asante speech, Philadelphia, PA, September 13, 2014. (AP photo/file).

If I so chose, I could be a jealous-hearted bastard, and look at every achievement of all the folk in my life as, “Well, good for you, asshole!” But I learned a long time ago, maybe even when I was at high school’s end, that the main person I have to compete and contend with is me, that I am exhausting enough. Vying for popularity, kudos, or power was never a big thing for me. It was a game I’d almost always lose, for enough reasons to make my pre-Christian and depressed self actually jump off that bridge and end it all. What I learned by my mid-twenties was to allow myself a moment or two of envy, to feel like life was easier for those who achieved what seemed like cheap and easy success and fame. And then I’d think, But that’s not what I want for me. That’s their path, not mine, no matter how many parallels and similarities there may be between them and me.

What helped me get there is a story of plagiarism, of ideas, if not of actual words. It’s a story of my first attempt to publish an article as an adult, my first foray into the world of popularity, of ideas, of writing, and of extreme disappointment. It began the summer before grad school at Pitt in 1991. My friend Elaine egged me into this work, after a long and hard final semester of undergrad and three weeks on a starvation diet while working full time that April and May (I stretched $30 over 20 days). I began work on what I hoped would be my first article, comparing ideas around Afrocentric education with the broader idea of multicultural education.

The piece was originally to be her and my response to what was then a major controversy involving research into the revision of New York State’s social studies curriculum. The New York State Department of Education had given a committee the task of figuring out how to make the state’s K-12 curriculum more inclusive and representative of the state’s tremendous racial, ethnic and other forms of diversity. 

By July, I had gone from disinterested to fully engaged, minus the young woman in whom I no longer had an interest, now working on a piece that had become much more academic than we had originally intended. By then, I’d already learned the names Leonard Jeffries, Asa Hilliard III and Arthur Schlesinger, Jr. I’d read articles from the New York Times and The Wall Street Journal about Jeffries’ name-calling, Schlesinger’s incredulousness about calling slaves “enslaved persons,” and about the committee in general getting along like hyenas tearing at a dead wildebeest.

By the end of September, they would produce One Nation, Many Peoples: A Curriculum of Inclusion: Report of the Commissioner’s Task Force on Minorities: Equity and Excellence. With all my revisions out of the way, I’d produce my first publishable document since elementary school. I titled it “Comparing Afrocentric and Multicultural Education: Why American Education Needs Both.” I had reviewed much of the leading literature in the field at that point, between James A. Banks, Cherry McGee Banks, Christine Sleeter, Robert Slavin, Maulana Karenga, Frances Cress Welsing, 

I mailed it to three journals, including the Journal of Black Studies. It was then that I realized that one of the folks whose writing and research I had referred to in my review was also the editor of the journal. It was the one and only Molefi Kete Asante. He was also the founder and chair of the Department of Afro-American Studies (now Africology and African American Studies) at Temple University in Philadelphia. His The Afrocentric Idea (1987) was half the basis for my understanding what Afrocentricity could look like as pedagogy at the K-12 level.

But I had problems with that pedagogy. I chafed at the idea that there was any litmus test to what was and was not authentically Black or African. No, I’m not sure if “chafed” is the right word. The idea that anyone — including folks like Asante, Karenga, Welsing, Jeffries, and John Henry Clarke — could arbitrarily decided that ragtime isn’t authentically Black or African, while say, rap and hip-hop was definitively so? It seemed like a bunch of bullshit to me.

I knew why reading Asante’s work made me feel that way, too. Those three-and-a-half years spent living in a Hebrew-Israelite household. Those times were with a man who claimed to be my stepfather, the one who could quote the Torah. All while eating squid and crabs and lobster tails, cheating on my Mom while begetting other kids he never fed, and beating on his “womens”, too.

That’s ultimately what I saw in Asante’s work, hell, in the work of the Afrocentric set across the board. That none of them grew up in Accra, Lagos, Dar es Salaam, Gaborone, Nairobi, or Jo’Burg or were Africanists who spent years and years living somewhere on the continent before committing to this litmus test. Intellectually, it made as much sense as a “reincarnated” Balkis Makeda in her 70s living in my Mom’s master bedroom at 616 in 1984 while we eight lived by rules like me cooking for the family at 14 because Mom had “unclean issues of blood.” Or, this fake-ass Balkis Makeda telling us that we could no longer use Ivory soap because she dreamt about rats gnawing on it. Authenticity has its costs, no?    

I didn’t write all this in my essay, though. I merely wrote that between an authentic African-centered education and an authentic multicultural curriculum, the latter made the most sense in a multicultural nation like the US, in a multicultural state like New York. I justified this because I only grew up in New York State, in and around New York City. I justified it because the fact was and remains, American Black folx are, well, Americans, who have cobbled together a culture of resistance, and joy within that, both multicultural American with shards and pieces of African Blackness, and all at the same time.

Nearly two months pass. The Black Action Society at Pitt had brought in Asante to speak, a week and a half before Thanksgiving. The ballroom BAS used in William Pitt Union was jam-packed. BAS heads Justin and Doug looked so proud of themselves that evening. And Asante was just as full of himself. He spoke for between 45 minutes and an hour, about Eurocentricity, about Afrocentricity, about creating a path where Black boys (and sometimes, girls) could become proud Afrocentric men (and sometimes women). Really, it wasn’t much different than anything I heard from temple during my Hebrew-Israelite years.

Then, he turned to multiculturalism and the controversy over the revisions to the New York State global studies curriculum. Unbeknown to the nearly 300 students in the room — aside from yours truly — he began parroting my submitted article. Not quite word-for-word, though. You see, he used my arguments as fodder for sarcasm while on stage, to point to “how the poison” of Eurocentricity “flows” in multicultural curriculum across the US. Asante believed that multicultural education was a mere euphemism to disguise the “Eurocentric in the multicultural.”

“He stole my ideas. He quoted me to crush me,” I told my friend Marc, who attended the talk with me that evening. Marc thought I was wrong, that Asante wasn’t quoting me at all. Yeah, sure Marc, I thought.

Two months later, I received my first article rejection. It was a week after I finally got my driver’s license, and two weeks before I published my first piece, a book review for a small scholarly journal. It was from Journal of Black Studies. I do not remember what the rejection letter said, but I read it as, “Nice try, but you’re not Black enough for this publication.”

This was my first foray — but hardly my last — into this world, where popularity mattered more than reality, perception more than evidence, and power more than anything.

But I do consider myself lucky. A few months later, I presented another paper at a conference at Lincoln University. Bettye Collier-Thomas was in attendance, and we ended up in a conversation. She invited me to apply for the PhD program in history, where I could work with her and esteemed people like Asante. I listened and respectfully declined. 

A year later was my joint article with Marc about the pitfalls of Afrocentricity. And with it, two months of Asante’s sycophants, er, students sitting in seminar rooms writing scathing rebuttal letters questioning if between the two of us we had enough brainpower to spell Black. To learn from one of his former students in 2007 that my imaginations of what could have happened in Asante’s seminars was actually true? Well, I was so glad he had used my words as a baseball bat to my head back in 1991.

I grew up with phony proselytizers. I didn’t need to follow another one. Plus, where’s my Afrocentric gravy? Does it go with my Jollof and Brussels sprouts, too?

Afrocentricity and the Writing Bug

15 Wednesday May 2013

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, eclectic music, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, music, Pittsburgh, Politics, Pop Culture, race, Religion, University of Pittsburgh, Youth

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Africana Studies, Afrocentric Education, Afrocentric Idea (1987), Afrocentricity, Authentic Blackness, Authenticity, Black Action Society, Black Issues in Higher Education, Black Studies, Blackness, Cool, Coolness, Litmus Test, Marc Hopkins, Maulana Karenga, Molefi Asante, Pitt, Temple University, Writing, Writing Bug


A ladybug, often a symbol for the writing “bug,” May 15, 2013. (http://flickr.com). In public domain.

This time two decades ago, I was already a bit desperate for work. In transferring from Pitt to Carnegie Mellon, I’d left myself without any financial coverage for the summer of ’93 (see my post “The Arrogance of Youth, Grad School Style” from June ’12). I had applied for several fellowships, summer teaching gigs, even some nonprofit work. But as of the middle of that May, nothing had come through. I’d already spent $200 on a root canal that occurred on the same day as my written PhD comps at CMU (see my post “Facing the Tooth” from May ’12).

Even before my comps and my surprise root canal, I had talked with my friend Marc about writing a joint article about the false litmus test of Blackness that Afrocentricity had come to represent in our minds. Between Molefi Asante’s students at Temple — not to mention the overtly Afrocentric turn of both the Black Action Society and the Black Studies department (which had changed its name to Africana Studies) in the previous eighteen months — both of us felt we needed to provide an alternate perspective.

On that third Saturday in May (and the day after my comps and root canal surgery), we worked for five hours in putting together what amounted to a 1,200-word opinion piece against the belief system and authenticity test that Afrocentricity (and Afrocentric education) had become. By some folks’ definition, we realized that jazz, Miles Davis and John Coltrane would fail the authentically Black test of a Molefi Asante’s wonderful Afrocentric Idea (1987) and of Maulana Karenga as well.

Frances Cress Welsing's The Isis Papers (1991), [about as authentic as auto-tunes], May 15, 2015. (http://amazon.com).

Frances Cress Welsing’s The Isis Papers (1991), [about as authentic as auto-tunes], May 15, 2015. (http://amazon.com).

Now I’m pretty sure why Marc had problems with Afrocentricity. As a Christian and a jazz aficionado, Marc likely saw Afrocentricity as something somewhere between a misguided way of thinking about Blackness and complete and utter bull crap. His goal was to “add to the debate” and “educate” those who weren’t Asante or Karenga apostles and disciples. A laudable — if somewhat naive about the politics of academia and race — goal.

As for me, beyond the academic superficiality of having a litmus test on what is and isn’t Black, I had at least two unconscious reasons for writing my first crossover piece. One had to do with my sense that too many young folks were all too interested in doing the cool thing and not the right thing. Afrocentricity was cool, just like all rap and hip-hop was cool, just like giving libations to ancestors was cool.

Being cool had always meant following a crowd and seldom saying anything that would dig more than a nanometer beyond the surface. Or saying a critical thing about the cool thing that everyone in the same crowd otherwise takes in without a critical thought. I went to a high school full of people like that, and loathed being around people like that when I’d been a part of the Black Action Society at Pitt.

Unconscious reason number two had something to do with my Hebrew-Israelite days. Again, I gave this zero direct thought during my grad school days. But the given the trauma I’d suffered through during my three years of kufi-dom, it had to affect my thinking about Afrocentricity. The Black folk I knew who were part of the Hebrew-Israelite religion were much more obvious about what they did and didn’t consider Black or kosher. Yet, it was so obvious that they constantly contradicted themselves, in terms of food or music, how they treated their wives or children. Most important for me, though, was the fact that they tried to live separate and apart from other Blacks, yet seemed no more different beyond the kufis, veils and kosher meats from other Blacks (or Jews, for that matter).

I saw Afrocentricity as bullshit, and still see the fact that so many folks who get caught up in this sense of authenticity around Blackness as folks falling for bullshit. If I hadn’t lived as a Hebrew-Israelite between the ages of eleven and fifteen, perhaps I wouldn’t see Afrocentricity this way. If I hadn’t been around the “Party All The Time” folks in high school and the “Black Panther Party” posers at Pitt, maybe Afrocentricity would’ve been more appealing to me.

Letters to the Editor, Black Issues in Higher Education, September 9, 1993. (Donald Earl Collins).

Letters to the Editor, Black Issues in Higher Education, September 9, 1993. (Donald Earl Collins).

But at twenty-three years old, I was already tired of the pursuit of coolness and authenticity. That hasn’t changed in the past two decades. I’m sure the letters that called Marc and I “Uncle Toms” after our piece was published in Black Issues in Higher Education were from folks who thought we weren’t cool, and thought they had the answers to life itself.

I wonder how those folks back then would see the academics who believe that hip-hop can explain everything in the social sciences and humanities who are prominent today. Perhaps some of these people today were the Afrocentric followers of twenty years ago. Perhaps not. All I know is, I haven’t stopped writing since that cloudy day in mid-May.

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