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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Category Archives: Pop Culture

I’m Not Happy Feet (or Ted Williams)

21 Monday Feb 2011

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Movies, music, Politics, Pop Culture, race

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Acting, Avatar: The Last Airbender, Class, Classism, Dancing for Dinner, Drug Abuse, Drug Addiction, Entitlement, Gender, Happy Feet, Homelessness, Hustle, Hustlin', Hustling, Poverty, Prince Zuko, Race, Racism, Shuckin' an' Jivin', Tap Dancing, Ted Williams, The Soloist, Trained Seals, Uncle Iroh, Voyeurism, YouTube


Happy Feet Big Dancing Scene Screen Shot, February 19, 2011. Qualifies as fair use under US Copyright laws, as screen shot is of low quality and illustrates the subject of this post.

Happy Feet Big Dancing Scene Screen Shot, February 19, 2011. Qualifies as fair use under US Copyright laws, as screen shot is of low quality and illustrates the subject of this blog post.

Remember that homeless Black guy who kicked off our new year a few weeks ago through the power of YouTube and some folks who recorded him and his golden voice on their smartphone? Yeah, how could any of you forget, really? Ted Williams had a whirlwind ten days, as thirteen million people watched the YouTube recording, companies and individuals offered him jobs and money, his family came back into his life. And then, of course, Williams became violent, relapsed into drug use, and is in the midst of rehab — again.

But it all started with his YouTube performance for the good folks of voyeur America. The whole incident made me cringe from start to finish. It also made me think about something that has always bothered me about race in America. Why? Especially since the video surfaced a man who’d been on a downward spiral for three decades? Because it seems that in order for a Black person to be taken seriously in this society, we have to perform like trained seals in order to get the attention we need and deserve.

Ted Williams, Columbus, OH, January 3, 2011. AP. Qualifies as fair use under US Copyright laws because of low resolution and use as subject in blog post.

This isn’t about some metaphorical relationship between excellence and success, or displaying intellect at school and in the world of work. No, this is actually about giving a performance, acting, or as the older folks would say, shuckin’ an’ jivin’, or hustlin’, to grab the attention of mostly Whites in high places. While this isn’t always a bad thing, it also is mostly not good. For it also seems that many of us must experience hardship, prison, drug addiction, abuse and homelessness in order to get attention in the first place.

That’s why it pisses me off when hearing about journalists shadowing the homeless in order to learn about life on the streets. Or when writers sit down with a homeless man or woman to learn about their ironic life story. It also bothers me when I see lists of the “50 Most Successful X” and the “100 Most Innovative Y,” knowing before I read one word that the only Blacks who made these lists were entertainers (I include professional athletes in this category, by the way). It’s disheartening to know that, for all of my writing ability and intellect, the only way I’ll likely be as successful as I hope to be will be by delivering a performance that allows Americans — mostly White — to be voyeurs of my life beyond my words and deep thoughts.

It all came together for me in the Avatar: The Last Airbender episode  (Season 2, Episode 4) “The Swamp,” where Prince Zuko and his uncle Iroh sit at the side of the road in an Earth Kingdom town begging for change. One man forces the once proud general to dance for a gold coin — “Nothing like a fat man dancing for his dinner,” the man says. It speaks to shameful classism — or, at the very least, a sense of class and race entitlement — that we in this country engage in every day.

Fat Man Dancing For His Dinner

Fat Man Dancing For His Dinner

So, here are a few more thoughts. I look at Ted Williams, The Soloist with Robert Downey, Jr. and Jamie Foxx, even the Pixar/Disney movie Happy Feet (2006) — which me and my wife made the mistake of taking our son Noah to see (he didn’t like the movie, by the way) — and see lots of shuffling across a floor for the attention of Whites (and some people of color) in high places. Do two million penguins really need to tap dance ala Savion Glover in order to get attention from White scientists trying to save life on this planet from our global warming ways? No, but Blacks have had to literally tap dance for food and spare change in the exact same way.

I felt this way in grad school and at various times throughout my career. That I needed to sing, dance and do flips and cartwheels to make myself stand out for my middling White professors and supervisors. It would explain why some of them would ignore my grades, papers and awards to ask me if I could palm or dunk a basketball — out of the blue! Or why a muckity-muck at the Academy for Educational Development would walk by my office, notice the PhD on my name plate, and say, “Wow! You have a doctorate! I thought you only played softball!” I said, “Yeah, that’s why I’ve been working here for three years, just so I can play on the organization’s softball team.”

We ignore those suffering the most, whether because of race or class or gender or a combination of the three (or more) until they do something that impresses us. That’s when they deserve a chance, at least from the perspective of those laughing at them. And that’s shameful, demeaning, and yes, racist and elitist in a very specific way.

Dairy Queens, Dick Oestreicher and Race

01 Tuesday Feb 2011

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Pop Culture, race

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"Sittin' on the Dock of the Bay", Affirmative Action, Bigotry, Black History Month, Dairy Queen, Dick Oestreicher, History Department, Michael Bolton, Otis Redding, Race, Racism, Richard Oestreicher, Segregation, Thomas Sowell, University of Pittsburgh, William Julius Wilson


Dairy Queen Sign, Near Frankstown Road, Penn Hills (outside of Pittsburgh, PA), June 14, 2005. Shawn Wall. Qualifies as fair use under US Copyright law because there is no attempt to distribute or alter, and this photo is only being used for illustrative purposes.

Black History Month is upon us once again. But instead of the same tired discussion of Carter G. Woodson, MLK or the meaning (or lack thereof) of this month, I’m telling a story that will (hopefully) dredge up issues for many of you.

It was the last Tuesday in October ’92. I was a student in Dick Oestreicher’s US General Field 2 graduate seminar in the history department at the University of Pittsburgh. The topic for our discussion this day

Otis Redding Album Cover, January 31, 2011. Unknown. This photo qualified as fair use under US copyright laws because of its low quality.

was, “Why has black economic mobility, political assimilation, and cultural identity differed from other ethnic groups.” On the surface, it sounded like a good academic discussion to have. But after having to write a fifteen-page analysis on the topic, where I was restricted to William Julius Wilson’s Declining Significance of Race (1978), Thomas Sowell’s Ethnic America (1971), and Kenneth Kusmer’s analysis of race in the context of Black migration to Cleveland (1976), I wasn’t so sure. I made the mistake of being provocative, naming my paper “Sittin’ on the Dock of the Bay” — after the Otis Redding version, and not the Michael Bolton one.

It was a long two-and-a-half hour class. Especially since I was the lone African American in the room talking about race and standing up to the classroom consensus that class was more important than race in the case of the thirty-million-plus people who looked like or had been classified the same as me. I was on the hot seat, arguing that both Sowell and Wilson’s bias was politically conservative in nature, which influenced their analysis of the question of Black progress and lack of such. I also decided that — like so many issues in history — the question of race versus class was an and-both and not an either-or one. That race and class were so intertwined in American culture and history that to separate them would do severe damage to our ability as historians to understand the nature of racism and poverty in American society.

One of my classmates, an over-50 White male, decided at this point to cut off my final point. “You should be grateful, to be able to go to an esteemed institution like the University of Pittsburgh, to be able to sit in that chair and get to earn a Ph.D. If it were thirty years ago, we couldn’t stand in the same Dairy Queen line, right here in Pittsburgh,” the older man said as slowly and as deliberately as someone giving an Oscar acceptance speech. I was amazed, angry, ready to put the man in his place academically. I wanted to verbally take a Dairy Queen triple-scooper and smash it in his stubby nose.

Then my mentally absent professor Dick Oestreicher immediately interrupted, literally positioning himself in the middle of the room to keep me from giving my response. Oestreicher ended class right then and there, dismissing us without even summarizing our discussion or criticizing our allegedly weak academic

Dick Oestreicher, circa 2009

analysis, which he had done in all of the previous weeks.

I was incensed, actually more pissed with Oestreicher than with the bigoted older man. I made sure to stop by Oestreicher’s office the next afternoon after my other grad seminar to find out why he interfered. “You’re going to have to deal with this anyway,” he said while shrugging his shoulders. The following week, I received an A- on my paper, with “Sowell’s well read” as the only comment on my critique of the authors and the undeniably conservative, pro-class and anti-race analysis that the authors provided.

Of my five and a half years in graduate school — and in my two years of grad school at Pitt — it was one of my most unbelievable moments. I wanted to pick Oestreicher up by his mangy hair and show him how some people deal with moments of racism and the people who allow it to continue on their watch. I wanted to tell him that he should stay out of the classroom if he’s too scared to actually teach students.

In the end, I was more patient at twenty-two than I’d probably be about something like this now. I remained academically defiant the rest of the semester, opposed every argument he made whenever he made it. Meanwhile, the bigoted old man had withdrawn from the course in the last month of the semester.

I learned, more than anything else, that many so-called liberal professors were only academic liberals, not actual liberals. Oestreicher in my mind was worse than my hard-ass principal Richard Capozzola at Mount Vernon High School. At least with Capozzola, you knew that he didn’t like anyone who looked like me — meaning young, Black, male, unpopular and poor. With Oestreicher and so many in academia, their liberalism and expressions in support of racial equality were mere scholarly arguments. In reality, people like him would never expect someone like me to have a chance in hell or heaven to become one of their academic peers.

But you know what was the funniest thing of all? I’d never been to a Dairy Queen before.

The Turd Dream

24 Monday Jan 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Politics, Pop Culture, race, Religion, Youth

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1980s culture, A.B. Davis Middle School, Board of Education, Boy @ The Window, City Hall, Coming-of-Age, Dreams, Friendship, Growing Up, Hebrew-Israelites, Interpreting Dreams, Mount Vernon public schools, Nightmares, Pittsburgh, Race, Racial Strife, Russet Potatoes, Socioeconomic Strife, University of Pittsburgh


Russet Potatoes, January 23, 2011. Source: http://www.Fotosearch.com. Qualifies as fair use under US Copyright laws because of the limited use of picture and because its use is for illustrative purposes directly related to the topic of this post.

I found myself at a party one cold and starry evening, standing in an equally cold kitchen. It was really bright in the kitchen, almost to the point of overpowering my eyes. The walls and cabinets were all-white, the counters made of formica, and the floor light blue-and-white tiled. This was in stark relief from the adjacent living room. It was in a red-brown, ’70s dimmed-light den mode, with beads hanging over the doorway leading out of the kitchen to it. It was the kind of party I never had the chance to go to in high school.

But everyone was there. Even people I hadn’t seen since my Davis Middle School days. The class valedictorian and salutatorian, the affluent and middle class types who went to Pennington Elementary, Crushes #1 and #2, members of the Italian Club, and so many others were there. Two of them were peeling potatoes and throwing them into big pots of boiling water. They started slicing and dicing them, laughing as they were throwing the pieces into the bubbling clean and clear liquid.

Except these weren’t potatoes. These were turds, each shaped like a large Russet, being peeled and chopped, looking white but quickly turning crappy-brown upon contact with the air. The two turd-peelers shared the boiled and mashed turds with my former classmates, who were smiling in glee and eating them up with delight. I then looked at this six-foot, trapezoidal pyramid of a rack in the middle of the super-bright kitchen. It was full of turds, stacked on each one of its seven levels. It was enough to feed the guests several times over.

When I sat up from this dream in my small room in a shared row house on Welsford in Pittsburgh and found myself in the present, the first Saturday of February ’90, I gave Mom a call. I told her about the dream in all of its strange details. I asked her what she thought of it. “You’re friends are full of shit,” she said. After laughing so hard that I nearly rolled out of bed, I said, “That can’t be. It’s got to be more complicated than that.”

Yet I knew that Mom was absolutely right. Most of the people I knew during my years in Humanities — classmates, teachers, administrators, family members and neighbors — were full of crap when it came to me. I certainly included myself in that category. I might’ve made sure of or accidentally given myself a couple of enemas between 7S and the University of Pittsburgh. But it would’ve been hard to stay clean around all the filth on which we dined growing up. This was thanks in large measure to our community leaders and all of the racial and socioeconomic strife that was part of everyday politics and conversations at school and at city hall.

What Mom said was ironic, too. For better and mostly for worse, Mom, father and ex-stepfather had crapped up our lives with their baggage. The turds from their lives were the reason why my dreams had grown to be so vivid, so complicated by the time I reached adulthood. Mostly, my dreams and nightmares brought me to anger, as if someone were trying to steal my life from me, which, as it turned out, was how I felt most of the time when I was awake. And that also made me resolute whenever I left my dreams for the conscious world.

This was the final break between my immediate past of Mount Vernon, the whole Hebrew-Israelite and Humanities thing, and all of the ridicule, ostracism, poverty and abuse that came with those things. My past experiences were all now a part of my dream world. It was an occasional reminder that I wasn’t really myself in the relatively recent past.

That was nearly twenty-one years ago. Except for the occasional email from an ex-teacher or ex-Humanities classmate, the only reminders I have of the time before I became myself again are my Boy @ The Window project and manuscript. And though I don’t necessarily see the people whom I grew up with and around as being full of crap these days, I do see how our collective community baggage would make it difficult for many of us to find our way, our calling. Even in the midst of the best education our city had to offer.

Why Ferengi Are Jewish & The Maquis Are Latino

17 Monday Jan 2011

Posted by decollins1969 in 1, culture, Eclectic, Movies, Pop Culture, race

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Acting, Actor Roles, Anti-Stereotype, Archetypes, Armin Shimerman, Aron Eisenberg, Avery Brooks, Cultural Stereotypes, Deep Space 9, DS9, Ferengi, Jr., LeVar Burton, Martin Luther King, Max Grodenchik, Michael Dorn, MLK Day, Racial Stereotypes, Reggie Miller, Robert Beltran, Roxann Dawson, Star Trek, Star Trek: Deep Space Nine, Star Trek: Enterprise, Star Trek: The Next Generation, Star Trek: Voyager, Stereotype Threat, Stereotypes, The Maquis, TNG, Tony Plana


 

Ferengi Characters, Star Trek: DS9, "Little Green Men" Episode Screen Shot, January 16, 2011. Image qualifies as fair use under United States copyright law because of its low quality and limited use nature.

Maquis Characters, Star Trek: Voyager, "Caretaker, Part I" Episode Screen Shot, January 16, 2011. Image qualifies as fair use under United States copyright law because of its low quality and limited use nature.

In honor of Martin Luther King Day ’11, it’s my privilege to discuss Star Trek and stereotypes. For whatever reason, I’ve spent the better part of the past six months watching episodes of different Star Trek series in my spare entertainment time. Whether the theatrically great DS9 (Deep Space 9), the ever-goofy TNG (Next Generation), or the uneven and mediocre Voyager, the Star Trek franchise that made runs of four different series between ’87 and ’05 had at least one theme consistent with our much less harmonious twentieth and twenty-first century times. Playing to stereotypes seemed to be a common undercurrent, though with great makeup artists — and at least with DS9, good writing and acting — those stereotypes were light and subtle.

 

In watching, it amazed me that nearly all actors who played the alien Ferengi were Jewish. Yes, the actors who played the Ferengi characters were supposed to be short, but I didn’t know that Jews had cornered the acting market for people under five and a half feet tall. Armin Shimerman, Aron Eisenberg, Wallace Shawn, and Max Grodenchik all played the main Ferengi characters on DS9. Not so ironically, the Ferengi culture centered itself on making profit by virtually any means necessary, a pretty vile stereotype for an entertainment franchise based on a future and better human race.

Reggie Miller, Potential Ferengi

 

Even while watching DS9 in the late-90s, when all of the episodes were new ones, I commented to my friends that NBA Hall-of-Famer Reggie Miller could easily play a Ferengi, even at six-foot-seven, because the makeup artists would have very little work to do. Of course, that wasn’t to be.

 

Tony Plana as Maquis Character, Star Trek: DS9, "The Maquis" Episode Screen Shot, January 16, 2011. Image qualifies as fair use under United States copyright law because of its low quality.

It wasn’t just the Jews-as-Ferengi that I picked up on the first or second time around. On both Voyager and DS9, the Maquis, a guerilla group fighting for disputed territories, had a disproportionate number of Latino actors playing those lead characters. Robert Beltran, Roxann Dawson and Tony Plana (mostly known these days as the father on the recently ended TV series Ugly Betty) were among the Latino actors playing these characters. I guess that the passionate or hot-blooded Latino stereotype played a role in the selection of these quality actors to play passionate or hot-blooded rebels in the relatively placid paradise of the Star Trek galaxy.

 

Of course, Black men on these shows found themselves emasculated for the most part. From LeVar Burton

Anthony Montgomery as Travis Mayweather, Star Trek: Enterprise, January 16, 2011. This screen shot qualifies as fair use under US Copyright laws because it is of low resolution screen shot and is a minimal use.

as the blind engineer to Michael Dorn as the semi-defanged Klingon, and from Tim Russ as the more-emotionally-repressed-than-normal Vulcan to the milquetoast twenty-second century human played by Anthony Montgomery, these characters seldom were provided the opportunity of a higher level of complexity beyond stereotypes or in playing an anti-stereotype. The one notable exception was Avery Brooks’ character Capt. Benjamin Sisko, who became one of the Bajoran Prophets at the end of the DS9 series, destined not to enjoy the fruits of his god-like work in the here-and-now.

 

I’m not bringing all of this up to denigrate the Star Trek franchise. I actually love DS9, still like TNG, and can tolerate an occasional Voyager episode. Rather, this is about the battle over racial stereotypes, living them down, defying them, and being surprised when others don’t exhibit them. The fact that a franchise as optimistic and progressive as Star Trek couldn’t avoid major stereotypes says a lot about how deeply ingrained they are in our advanced culture.

Here’s a stereotype-breaking thought. Let’s make most of our images of alien humanoids out there somewhere in the Milky Way into folks who have various shades of brown skin. I know that this wouldn’t play well on any future Star Trek series. But this has about as much of a chance being true as the pink-skinned humanoids that characters in the Star Trek franchise constantly encounter. This first-contact stereotype, of course, is the hardest one of all for the Hollywood set to break.

It still amazes me that people are amazed that someone like me, a six-foot-three Black guy, has a doctorate, teaches, writes and still likes to play basketball. It also amazes me that many are still waiting for President Obama to slip into a stereotype, even though he’s bent over backwards to be neither a stereotype nor an anti-stereotype. Or, for that matter, the amazement of Blacks or others of color in watching a fast White guy play football or a tall one dunk a basketball. Stereotypes, like perceptions, are real, but not as real as the human capacity to defy them. Anyone who doesn’t believe that doesn’t believe in anything that Martin Luther King, Jr. stood for.

Mark Twain New Editions: ‘Offensive’ Words To Be Removed

07 Friday Jan 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, music, Politics, Pop Culture, race

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History, Huckleberry Finn, HuffingtonPost, Mark Twain, N-Word, Nigger, Race, Racial Reconciliation, Racism, Truth & Reconciliation Commissions, Writing


Mark Twain New Editions: ‘Offensive’ Words To Be Removed

Dear HuffingtonPost:

I find your deletion of my comment on the N-word-to-“slave” change in Mark Twain’s Huckleberr­y Finn offensive, Huffington­Post. You can’t erase history by simply erasing a word. Your knee-jerk deletion actually proves the point of my previous comment. That we Americans are willfully dumb and unwilling to have a real, ugly yet conciliato­ry conversati­on about race, racism, and racist behavior and speech. I guess I should’ve written Randall Kennedy’s book [N-word]: The Strange Career of a Troublesom­e Word (2002) or Stevie Wonder’s “Living For The City” (1973), where the warden says “in your cell, [N-word]” or Carl Van Vechten’s [N-word] Heaven (1926) instead of the actual word. We’d spend the next 50 years editing the word out of existence, only having not dealt with the hurt, anger, discrimina­tion, and issues of inferiorit­y contained in the context in which the N-word was and is being used.

Let’s go a step further, and edit Shakespear­e’s Othello or Rudyard Kipling’s “White Man’s Burden” (1899) or any number of other works because they contain potentiall­y offensive attitudes about race. Your deletion explains well why South Africa could do a truth and reconcilia­tion commission on apartheid, and why it will take a cultural revolution for racial reconcilia­tion to happen here in the US.

Interceptions Cause Excitement and Emotion

28 Tuesday Dec 2010

Posted by decollins1969 in 1, culture, Eclectic, eclectic music, music, Pop Culture, Sports

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"Interjections", Brett Favre, Ed Reed, Eli Manning, ESPN, Interceptions, Jay Cutler, Jemele Hill, Lynn Ahrens, Lyrics, Music, New York Giants, NFL, Pick 6, Poetic License, Schoolhouse Rock!


Ed Reed of Baltimore Ravens Pick, 2004, December 28, 2010. Source: http://sportsillustrated.cnn.com/2005/writers/jeffri_chadiha/08/30/chadiha.safeties/index.html; AP Photo. Though this image is subject to copyright, its use is covered by the U.S. fair use laws because the photo is only being used for informational purposes.

Eli Manning’s masterful four-interception performance against the Green Bay Packers this past Sunday for my New York Giants the day after Christmas (as he was still in the spirit of giving, with his league-high 24 picks so far this season) inspired this latest post of mine. Not to mention ESPN columnist Jemele Hill’s tweeted R&B musical musings about the aerial mistakes of strong armed QBs and the lyrics of Lynn Ahrens and Schoolhouse Rock. I give you my adaptation of “Interjections,” “Interceptions:”

 

With Eli Manning at quarterback, uh-huh-huh,
The defense knew how to at-tack.
They baited the man
With Cov-2 again
While #10 threw some interceptions…

F***! Oh no!
S***! Oh God!
D***! That really, really sucks!

Interceptions (F***!) cause excitement (S***!) and emotion (D***!).
They’re generally set apart from a sack or fumble by a Pick-6 down the field
Or by dejection when the result’s not as bad.

Though Jay Cutler has a strong arm, uh-huh-huh
Jay didn’t know he could do, ha-arm
He was put under pressure
And despite his great treasure
Cutler lofted some interceptions…

What! Who are you throwing at, pal?
Oh my God! You think the ball comes with a radar system!
Hey! You’re kinda dumb, aren’t you?

Interceptions (Well!) cause excitement (OMG!) and emotion (Hey!).
They’re generally set apart from a sack or fumble by a Pick-6 down the field
Or by dejection when the result’s not as bad.

So if you’re happy (Hurray!) or sad (Man!)
Or pissed off (Grrrrr!) or mad (Rats!)
Or excited (Yes!) or glad (Yay!)
An interception makes or breaks a game.

The game was tied at seven all, uh-huh-huh,
When Brett Favre tried to throw the ba-hall
He made a connection
In the other direction,
And the crowd saw a game-ending interception…

Aw! You threw it right to him – again!
Damn! You just lost the game – again!
Yes! Favre, you choked – again!

Interceptions (Aw!) cause excitement (Damn!) and emotion (Yes!).
They’re generally set apart from a sack or fumble by a Pick-6 down the field
Or by dejection when the result’s not as bad.

So if you’re happy (Hurray!) or sad (Man!)
Or pissed off (Grrrrr!) or mad (Rats!)
Or excited (Yes!) or glad (Yay!)
An interception makes or breaks a game.

Interceptions (Hey!) cause excitement (Hey!) and emotion (Hey!).
They’re generally set apart from a sack or fumble by a Pick-6 down the field
Or by dejection when the result’s not as bad.

Interceptions cause excitement and emotion,
Hallelujah, Hallelujah, Hallelujah… YEA!

Turn out the lights! The party’s over! (Even if the Giants somehow make the playoffs this year).

The POTUS and The Last Airbender

08 Wednesday Dec 2010

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Movies, Politics, Pop Culture, race

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Avatar, Avatar: The Last Airbender, Bryan Konietzko, Bush Tax Cuts, Capitulation, Compromise, GOP, James Cameron, Left of Center, Liberals, M. Night Shyamalan, Michael DiMartino, Noah Ringer, Obama Administration, POTUS, POTUS 44, President Obama, Press Conference, Progressives, Tea Party, The Last Airbender, The Lexus and the Olive Tree, Thomas L. Friedman


C-SPAN Video Player - President Obama News Conference on Tax Cut Agreement Screen Shot, December 8, 2010. Donald Earl Collins. Qualifies as fair use under United States copyright law because screen shot is of low quality and is only intended to highlight the subject of this post.

In a post I did during President Obama’s campaign run (see “The Avatar State” post, July 22, 2008), I dared to hope that the then energized candidate and senator would be a bridge that would work across the divides of race and ideology. Much like the main character of my favorite animation series of all time, Aang of the Avatar: The Last Airbender. But unlike Thomas L. Friedman’s The Lexus and the Olive Tree (1999), I don’t purport to have a special wisdom about how he can do this.

 

And like the animated series, Obama’s run for president also came to a successful end. For both the creators of the series and our beleaguered president, it was time for the big time. For one, it was the opportunity to do a live-action, big screen movie to introduce the epic nature of kids embarking on a journey to save the world to a larger audience. For Obama and his group, it was the chance to govern based on the ideas and ideals that they communicated successfully to nearly 67 million voters.

Unfortunately, both have disappointed, and not just a little. James Cameron managed to wrest away the very title of the movie — Avatar — from the Avatar: The Last Airbender creators Michael DiMartino and Bryan Konietzko, even though his movie was merely a dream at the time that series had begun in ’04. That, and settling for M. Night Shyamalan as director turned The Last Airbender into an irrelevant movie that hurt the brand, while inadvertently helping Cameron’s Avatar make money-making history.

Poor Noah Ringer as Aang of M. Night Shyamalan's The Last Airbender Screen Shot, December 8, 2010. Donald Earl Collins. Qualifies as fair use under United States copyright law because screen shot is of low quality and is only intended to highlight the subject of this post.

 

The Obama Administration also began conceding its brand within weeks of reaching office. They say that governing dilutes the rhetoric of campaigns, and even hopeful me maintained enough jadedness to realize that. Yet to see how quickly Obama and his administration moved from action on the stimulus bill to a bunker mentality on virtually everything else was a bit distressing. The picks of Larry Summers, Peter McNickol of Ally McBeal fame — I mean Timothy Geithner — and Arne Duncan to be pillars of his economic and education teams should’ve been signs. That the Obama Administration would look after corporate and rich people’s interests before it would look out for mine. That there would be little fighting for the ideas and ideals of his campaign.

Only yesterday afternoon did Obama decide to flash anger at liberals and progressives. To be truthful, some of them have been bitter and overly critical of Obama’s decisions almost from day one. But to paint all of those left of center with the same broad brush, as if we all “have the satisfaction of having a purist position, and no victories for the American people. And we will be able to feel good about ourselves and sanctimonious about how pure our intentions are and how tough we are.”

It’s a nice sentiment. Except that the president doesn’t seem to understand the difference between compromise and capitulation. As David Gergen put it on CNN yesterday, while Obama may well be right in heading off political opposition from the Tea/GOP group looking to hold Americans and him hostage, his execution of this from a communications standpoint was terrible.

We’re approaching the midway point of his first — and possibly only — term in office, and Obama has yet to take a serious stand on any principle he campaigned for in ’08. I’m not speaking as a liberal or

"Sozin's Comet, Part 4" from Avatar: The Last Airbender Screen Shot, December 4, 2010. Donald Earl Collins. Qualifies as fair use under United States copyright law because screen shot is of low quality and is only intended to highlight the subject of this post.

progressive here. Just look at his memoirs, his speeches and campaign promises, even the speeches and pressers Obama gave in his first months in office. Now, some of this is the result of real compromise. But after nearly two years, those compromises look more and more like concessions for the rich and corporate, and less like compromises to protect the poor, unemployed and underemployed.

 

Like the poor kid who didn’t have a chance in heaven to measure up to the character Avatar Aang in the Avatar: The Last Airbender series, it looks as if President Obama is having a hard time measuring up to his forty-six-year-old self. But hopefully, like the animation version of Aang, the real Obama will find his way. He needs to take a stand on something important to him and us, and do it with the bravado in which he ran on. So that even the folks who wouldn’t vote for him if God asked them to will at least get out of his way.

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Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

There's a few ways in which you can read excerpts of, borrow and/or purchase and download Boy @ The Window. There's the trade paperback edition of Boy @ The Window, available for purchase via Amazon.com at http://www.amazon.com/Boy-Window-Donald-Earl-Collins/dp/0989256138/

There's also a Kindle edition on Amazon.com. The enhanced edition can be read only with Kindle Fire, an iPad or a full-color tablet. The links to the enhanced edition through Apple's iBookstore and the Barnes & Noble NOOK edition are below. The link to the Amazon Kindle version is also immediately below:

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Boy @ The Window on Amazon.com: http://www.amazon.com/Boy-The-Window-Memoir-ebook/dp/B00CD95FBU/

iBookstore-logo-300x100

Boy @ The Window on Apple's iBookstore: https://itunes.apple.com/us/book/boy-the-window/id643768275?ls=1

Barnes & Noble (bn.com) logo, June 26, 2013. (http://www.logotypes101.com).

Boy @ The Window on Barnes & Noble: http://www.barnesandnoble.com/w/boy-the-window-donald-earl-collins/1115182183?ean=2940016741567

You can also add, read and review Boy @ The Window on Goodreads.com. Just click on the button below:

Boy @ The Window

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