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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Category Archives: earth, wind & fire

Earth, Wind & Fire’s “Fantasy,” My Reality

18 Thursday Jul 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon New York, music, New York City, Politics, Pop Culture, race, Youth

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"Fantasy" (1978), Anger, Anger Management, Bigotry, Fear, Forgiveness, George Zimmerman, Lyrics, Police Brutality, Racism, Reality, Trayvon Martin, Zimmerman Trial


n  Cover of Earth, Wind & Fire's single "Fantasy" (1978), February 29, 2008. (Columbia Records). Qualifies as fair use due to low resolution and subject matter of this blog post.

Cover of Earth, Wind & Fire’s single “Fantasy” (1978), February 29, 2008. (Columbia Records). Qualifies as fair use due to low resolution and subject matter of this blog post.

Below are two excerpts from Boy @ The Window about how I viewed Mount Vernon, New York and my world between the ages of ten and twelve:

“My only links to the great metropolis to the south were WNBC-TV (Channel 4), Warner Wolf – with his famous “Let’s go to the video tape!” line – doing sports on WCBS-TV (Channel 2), and WABC-AM 77 and WBLS-FM 107.5 on the radio. I found the AM station more fun to listen to, but I also liked listening to the sign-off song WBLS played at the end of the evening, Moody’s Mood for Love, with that, ‘There I go, There I go, The-ere I go…’ start. Music had been an important part of my imagination in ’79, with acts like Earth, Wind & Fire, Christopher Cross, Billy Joel and The Commodores. Not to mention Frank Sinatra, Queen, Donna Summer and Michael Jackson’s Off The Wall album. The music also made me feel like I was as much a part of New York as I was a part of Mount Vernon. It left me thinking of the ozone and burnt rubber smell that I noticed as soon as I would walk down into the Subway system in Manhattan…

“Besides the occasional reminder of life outside of my world, of Mount Vernon, I was the center of my own universe. Mount Vernon was but a stage on which my life played out, a place I hoped would stay this way forever. I was an eleven-year-old who thought that my world was the world. I lived my life like Philip Bailey and Maurice White would’ve wanted me to. I came to see ‘victory in a life called fantasy’ as my own life, living as if my imagination and dreams could be made into reality. All I had to do was wish it so.”

(And yes, I know the actual lyrics are about a land called fantasy, but that’s not how I sang it back then).

There have been so many moments since then where my Earth, Wind & Fire visions have collided with the reality that life for me and people who look like me has hardly been a fantasy. I had to get over my idiot ex-stepfather’s abuse in order to even listen to Earth, Wind & Fire again, because he was a fan as well, and I didn’t want us to both like the same music. But even more than that has been the reality that there are people, places and things who’ve (and that have) come through my life and stood in between me and all the things I wanted out of life. Individuals like Joe Trotter or Ken, policies like racial profiling and redlining, institutions like Columbia University or the former Academy for Educational Development.

The Enchanted Garden of Messer Ansaldo (1889), by Marie Spartali Stillman, March 7, 2006. (Charivari via Wikipedia). In public domain.

The Enchanted Garden of Messer Ansaldo (1889), by Marie Spartali Stillman, March 7, 2006. (Charivari via Wikipedia). In public domain.

While some of these instances have been disappointing in the sense of betrayal that I felt, the disillusionment that came with these incidents of discrimination and harassment pushed me ever closer to the person and writer I wanted to be. I don’t know what to make of how I’ve been feeling about the Zimmerman trial and verdict, the response of so-called White liberals and more obviously racist and gleeful White teabaggers over the past five days. I’ve felt badly for Trayvon Martin’s family, Rachel Jeantel and for so many others who’ve been figuratively beaten down by media coverage and stereotypes over the past months.

But I didn’t think I was angry. Not until I went for a run this morning. It’s was a comparatively pedestrian 3.1-mile run after I’d done a five-miler a day and a half before. Earth, Wind & Fire’s “Fantasy” started playing on my iPod as I was running uphill. All it made me think about was all the challenges that I and so many others have had to face because of individual bigotry and fear and institutional racism and indifference. I know that many things in life aren’t fair. What I realized at that moment, though, was that there really are folks in this world who wish evil and unfairness on people like me. That’s their fantasy!

That made me angry again, but not for too long. For I also knew that I had the power to ask for forgiveness, as well as the power to forgive others. It’s a power that no one can take away from me, that enables me to be honest about where I am, and clear-headed about where I want to go. That power, among others, does truly help bring my “mind to everlasting liberty.” Even in the face of the evil, indifference and ignorance that I see every day.

38.990666 -77.026088

Randomness & Faith

27 Thursday Dec 2012

Posted by decollins1969 in 1, Academia, Boy @ The Window, Christianity, culture, earth, wind & fire, Eclectic, Hebrew-Israelite, Politics, Pop Culture, Religion, Youth

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Agnostic, Atheism, Atheist, Belief, Bible, Buddhism, Evolution, Faith, Forgiveness, God, Grace, Love, Mathematics, Mystery, Physics, Randomness, Reason, Religion, Science, Scientific Method, The Universe, Youth


Randomness equation, Schrage random number generator, December 27, 2012. (http://ops.fhwa.dot.gov).

Randomness equation, Schrage random number generator, December 27, 2012. (http://ops.fhwa.dot.gov).

Today’s my forty-third birthday (at least, as of 8:37 am EST). It means that I’ve been a spiritual believer of one sort or another for nearly thirty years. With so much that has happened in my life, there are many who wonder why I believe in God, or why I’m a Christian in particular. With my expertise as a historian, my background in math and science (and continuing study of such), there have been many who’ve mocked and questioned my faith in anything other than the randomness of the universe. With the world in seemingly endless turmoil, good people maimed and killed, and evil people able to get away with maiming and killing others, there are those who greet any profession of belief in a higher power with anger and bitterness.

To me, that’s too bad. I can see all sides of this argument. I’ve been a Christian for more than twenty-eight years, and before that, an unwilling, if outwardly obvious, Hebrew-Israelite. In that time, I’ve also been an atheist, agnostic and angry, a bit of a Buddhist and a Muslim to boot. I’ve gone years without prayed and prayed at least once every day for nearly twenty years. I’ve read the Bible cover to cover at least six times in three decades, but also the Torah and the Qur’an. I’ve gone to temple, to Roman Catholic mass, to church, sometimes every week for years, sometimes not at all for years. I’ve had crises of faith and been almost unquestioning in faith over the years.

An actual double-slit experiment (electrons or photons behaving as particles and waves, in two places at same time), December 27, 2012. (http://www.bbc.co.uk/bbcfour)

An actual double-slit experiment (electrons or photons behaving as particles and waves, in two places at same time), December 27, 2012. (http://www.bbc.co.uk/bbcfour)

I’m also a believer in science and the scientific method. I realize that even with all of the advances in biology, physics, chemistry and mathematics, that there is much more we don’t know versus all that we’ve learned in the past two centuries. But that doesn’t mean that I believe that the universe — that life itself — is some random event or a long-chain series of random events. I’m with evolution on everything except the random. I don’t think that the universe can be seen as random. Even as chaotic as our lives may seem, the choices that we make do provide order. It’s never been sheer dumb luck that has determined everything that has occurred in my life, as other people have made their own choices that can easily affect the range of choices in my own life.

Most of all, while I do believe that there are reasons behind the events that occur in our lives and in world, that these reason are neither random nor something that God somehow came down from on high to make possible. Whether it’s Hurricane Sandy or Sandy Hook Elementary School, the civil war in Syria or a tsunami in the Indian Ocean, somehow so many have it that either God’s angry with us or that God allows horrible things to happen to us. Or that there is no God, because a real God would prevent these seemingly random events from occurring at all.

All this proves one thing, and one thing only. That most of us have little understanding of faith, of God, or of the universe itself. Period. Even those of us who are experts in particle physics or theoretical mathematics don’t know enough to dismiss God or to prove their educated guess (otherwise known as belief) in the randomness of the universe. Most of us who do believe in God — at least, those of us who are Christian — treat God as if he were Zeus casting down lightning bolts to keep us in line.

Roman Seated Zeus, marble and bronze (restored), Hermitage Museum, St. Petersburg, Russia, January 4, 2006. (Sanne Smit via Wikipedia). In public domain.

Roman Seated Zeus, marble/ bronze, Hermitage Museum, St. Petersburg, Russia, January 4, 2006. (Sanne Smit via Wikipedia). In public domain.

I see God in the universe, in the creation and re-creation of life, and yes, even in the various tragic and apparently chaotic events that have occurred in my life and in this world. That I don’t think these events to be random doesn’t make me any less of a thinker. I just don’t accept the blind faith of scientists in the idea that maybe cosmic rays led to the mutations in the primordial soup of our ancient oceans that led to the spark of life and evolution. I also don’t believe that God is simply presiding over every event on our planet and in the universe, making life-and-death decisions that bring pain and anguish to our lives for enjoyment or as a form of punishment.

Rather, God for me has been about living life by principles like social justice, social and spiritual mobility, love, forgiveness, grace and wisdom. Explaining what may or may not be random, each and every conceivable mystery of the universe or of life? I know that this isn’t in the Bible. But I do know that the reasons behind why bad, ugly, even evil things have happened in my life don’t include the “random nature of the universe.” People made decisions, I’ve made decisions, institutions made decisions, that have had an impact on the course, speed and direction of my life over the last forty-three years.

So, even when I’ve found myself angry with God, I’ve also been cognizant of the role all and each of us play in the heaven and hell that tends to be our lives, separate and together, in this world of ours.

Coping in the Boy @ The Window World

06 Saturday Oct 2012

Posted by decollins1969 in 1, Boy @ The Window, Christianity, culture, earth, wind & fire, Eclectic, eclectic music, Marriage, Mount Vernon High School, Mount Vernon New York, music, Politics, Pop Culture, race, Religion, Sports, Youth

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"Owner Of A Lonely Heart", Battlestar Galactica, Battlestar Galactica (2004 series), Coping Strategies, Fantasy, Football, Humanities, Imagination, Inner Vision, Inner World, New York Giants, New York Knicks, New York Mets, Psychology, Self-Discovery, Touré, Who's Afraid of Post-Blackness (2011), Yes


Gaius Baltar tortured/in imagination (merged pics), Battlestar Galactica, October 6, 2012. Qualifies as fair use under US Copyright laws – low res (1st picture) and merged rendering.

“A wide receiver tiptoeing the sideline of a football field after making an acrobatic catch, barely keeping his left foot in-bounds by tapping his big toe in the two inches of space between the grass and the thick white line in front of him. A note in a song that is so inspiring, so well-balanced between rhythm and harmony, so well sung that the hairs on my neck stand up and my spirit feels like soaring.” This is what I wrote in the first paragraph of the preface (which I need to revise yet again, by the way) to my Boy @ The Window manuscript.

In context, I was writing about the infinitesimal decisions and actions that could’ve added up to success or failure for me growing up in those dismal days and years. But I could’ve just as easily been writing about what imaginations and fantasies went through my head growing up to make my inner world more powerful than anything I saw and experienced in the real world. Much of Boy @ The Window is about how I coped, good, bad and ugly (see my posts “Peanuts Land” from April ’12 and “Mr. Mister’s ‘Kyrie’” from March ’11 for more).

How I coped through imagination, inner projection and fantasy changed during the worst of my preteen and post-puberty years. I went from imagining and acting out an entire city, nation-state and culture in my room to the need for an internal world that couldn’t be taken apart by abuse, poverty and isolation. Ultimately it came for me in the form of the everyday things I either already liked or was on the cusp of liking. I already enjoyed a wide variety of music by the fall of ’82. Once I became a sports fan and occasional sports participant, those images and achievements became part of my inner movie and soundtrack.

It became a partnership that I eventually learned to conjure up at will, that became part of my residual sleeping state, that made the madness of 616, MVHS and Mount Vernon, New York dissolve into background noise.

Santonio Holmes’ Super Bowl XLIII game-winning catch, Tampa, FL, February 1, 2009. (http://bleacherreport.com).

It meant, though, that watching a Mets, Giants or Knicks game or listening to Earth, Wind & Fire wasn’t a simple casual experience. It involved rooting for the underdog, which in turn meant rooting for myself. It included the synching of home runs, touchdown passes and three-pointers to guitar riffs, crescendos and other highlights in a particular song or series of songs. It meant that my imagination became itself a fully dedicated line for coping with stress, checking anger, solving problems, and seeing my world the way I chose to see it, rather than the way my world actually was.

Take one of my favorite songs as a teenager, Yes’ “Owner Of A Lonely Heart” (1983). It wasn’t just the fact that I actually felt lonely and could relate to the song. When I heard the song, I could see myself running a screen play in football, following a group of well set-up blockers all the way to the end zone for a touchdown. I could relate emotionally, because the song was about me as an underdog, because of my unrequited love for Crush #1, because I now knew what a screen pass was. It made existential philosophy easier for me to understand my senior year of high school in my AP English and Philosophy classes.

“Owner Of A Lonely Heart” also reminded me to never “concede my free will,” even when my now ex-stepfather Maurice’s fists met my face and teeth and ribs at fifteen and sixteen. Like a scene from the ’00s Battlestar Galactica involving Gaius Baltar or Caprica Six, I often projected a view of the world I wanted over whatever was going on in reality. Going the mile or so between 616 and the C-Town in Pelham could either be a chance for me to catch a long touchdown pass or for me to figure out to which colleges I should apply.

Ryan Fitzpatrick of Buffalo Bills v. NY Jets, in rare protection against blitz while in pocket, October 6, 2012. (http://bleacherreport.com).

Sometimes, if I allowed myself to slip deeply enough, like, in the moments before an exam, I could use a buildup point in the song to bring in an extra blocking tight end to run a max-protect play. I’d snap the ball, send three receivers on one side of the defense, and wait just long enough for one to cross before delivering a perfect pass that allowed my receiver to split the secondary for a long score. All while taking a hit in my right ribs and being knocked down to the turf, just a quarter-second after my index finger’s come off the ball, giving it a smoother spiral rotation while in flight. And so many times, that re-visioning of my world made it so that my natural ability to remember everything and discern many things resulted in very good grades, solid performances, and a balancing act that made life at 616 and MVHS just bearable enough.

I was reminded of how often my mind went down this road by Touré’s Who’s Afraid of Post-Blackness (which I blogged about earlier this week), particularly his chapter on imagination and art, “Keep It Real Is a Prison.” Except that my mind does still go there sometimes. Usually as I’m about to give a speech, or while running a five-miler, drilling a three or driving. Or in writing something for publication, like Boy @ The Window.

Musical ‘Mates and Matters

24 Saturday Dec 2011

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, New York City, Pop Culture, race, Youth

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Common Language, Cultural Divide, Cultural Eclectic-ness, Diversity, Eclectic Music, Mount Vernon High School, Mount Vernon New York, Mount Vernon public schools, Music, Musical Tastes, Race


The "A" Note, February 5, 2008. (Pearson Scott Foresman, via Wikipedia). In public domain.

If someone asked me what was the one thing that me and my classmates had in common during my middle school and high school years in Mount Vernon, New York, it would be a love of and for music. I wouldn’t have been able to draw this rather obvious conclusion five years ago. But, in the course of interviewing folks and writing and rewriting my Boy @ The Window manuscript since ’06, music seems to be the one common denominator that connected us all.

Take the fact that so many of my Class of ’87 classmates found their way into the underground or mainstream music scene over the past twenty-four years. At least one was a producer, a bunch rapped, played, sang, and danced their way into the industry, even if they’re not household names. Others did studio work, and at least two are doing music/sound work for the small and big screen.

These folks are Black, White, Afro-Caribbean and Latino, so, no, race doesn’t seem to be a factor. Was it something that was in the water or in Mount Vernon’s lead water pipes? Not likely. It really couldn’t have been instilled in us by Humanities, or going to Davis, Nichols or Mount Vernon High School, right? The official doctrine of the powers that were would’ve made our favorite music somewhere between Sinatra and Tchaikovsky.

It could be as simple and as complicated as the times we grew up in, the fellow travelers to which we were

Culture Club "Club Sandwich Tour" poster, September 27, 2011. (Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject of blog post.

exposed, the constant noise that was Mount Vernon public schools in the 1970s and 1980s. Living in a city in the early stages of decline, within shouting distance of Manhattan and a short walk to the Bronx. Having the level of Black and Brown diversity that we had, with a decent sized White minority in the school system, may be all that was needed to create the conditions for music to be our one common language.

It wasn’t just in my class, as the classes of ’85 and ’86 turned out the late Heavy D and Al B. Sure. Nor was it just in Mount Vernon’s public schools. There was something about Mount Vernon itself, a painful place for some, a cool and pleasureful one for others, that made music both a code for coolness and an escape from reality.

For my specific groups of Humanities nerds, renaissance folks and generally sharp classmates, though, the tastes ranged and even mingled. For the guidos and guidettes whom I labeled “The Italian Club,” the music was decidedly “White.” From “A” serenading 7S with The Police’s “Roxanne” ala Eddie Murphy, to the frequent blaring of Billy Idol, Bruce Springsteen and Foreigner from turbo-charged Camaros and Mustangs.

The Time promotional poster, circa 1990, July 6, 2006. (Mista Tee, via Wikipedia). Qualifies as fair use under US Copyright laws because of low resolution and subject matter for blog post.

Then the was the obviously cool Black and Afro-Caribbean, with a clique for every occasion, whose music was also obviously “Black.” Teena Marie, pre-“Material Girl” Madonna, Phyllis Hyman, Prince, Luther Vandross, Doug E. Fresh, Lisa Lisa & Cult Jam, Run-DMC, if it was Black and cool, they listened to it, and knew the exact date the new album would hit the stores. They drove around in their Nissan Maximas, Audis and old Cadillacs with this mesh of R&B, early rap and hip-hop, and crossover pop pumping out of their tinted windows.

Of course, that left the rest of us, the few who seemed to like a bit of everything. Crush #1 and Depeche Mode. Brandie Weston and her clique’s love of Boy George and Culture Club. V’s commitment to Billy Joel, at least a decade and a half too young to understand the full meaning of what we’d now call adult contemporary. Not to mention The Police, Sting, The Who, Rolling Stones, Thompson Twins, Duran Duran, ABC, Tears for Fears, a-ha, and so many others. But it didn’t stop there. For we, too, liked Luther, and Billy Idol, and John Coltrane, and Lisa Lisa, and Run.

I don’t know if my musical tastes were the most eclectic of all, or if mine remain so. But I can say this. I ran 4.75 miles yesterday, listening to Genesis’ “Tonight, Tonight, Tonight” (album version), Sounds of Blackness’ “Optimistic,” U2’s “Beautiful Day,” Grover Washington Jr’s “Summer Chill,” Stevie Wonder’s “As,” Sting’s “A Thousand Years,” and Enigma’s “Silence Must Be Heard” along the way. It seems that I’ve always had a song in my head and theme music in my heart for every situation and every period of my life. For better and for worse, I have to give Mount Vernon credit for that, if for nothing else.

A Musical Mirror in Time

13 Saturday Nov 2010

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, music, Pop Culture

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"White Discussion", Anthony Hamilton, Boy @ The Window, Eclectic Music, Futurists, iPod, Live, Mariah Carey, Michael Bolton, Mr. Mister, Music, Musical Tastes, Nickelback, Sting, The Police, Time Traveling


My iPod, November 13, 2010. Donald Earl Collins

A side benefit to working on Boy @ The Window has been walking down memory lane in describing the music of those times. The music I listened to for inspiration, out of love, rage or goofiness. Or music that provided my means of escape from the drudgery of poverty at 616, the organized chaos that was Humanities and Mount Vernon public schools. Music that I stumbled upon, or deliberately discovered or discounted.

I’ve wondered off and on what the tunes in my ear and head would’ve been like if all the music that I’ve been exposed to since the end of the ’80s had all been at my fingertips in ’81 and ’82. I know one thing for sure. Had I the ability to send my eleven or twelve-year-old self my iPod from ’10, weird or not, Hebrew-Israelite or not, I’d been one of the coolest kids in school. Assuming that I wouldn’t have had to defend my improbable toy against bullies and muggers, that is.

So, now that I have access to music from any time and any year up to 2010, what would I’ve listened to

My iPod, Sting's "Desert Rose", November 13, 2010. Donald Earl Collins

during the Boy @ The Window years? Thinking about Crush #1, the music I had available in mind and in ear was Stevie Wonder’s “As” and “That Girl,” and The Police’s “Every Little Thing She Does Is Magic” between March and June ’82.

Fully acknowledging that I was in some sort of love then, gee, what would’ve fit my mood? What would’ve been appropriate to the chaos in the rest of my life? U2’s “Beautiful Day” — where “you’ve been all over, and it’s been all over you?” Or Coldplay’s “Clocks,” Sting’s “Desert Rose,” Tevin Campbell’s “Can We Talk,” and Celine Dion’s “That’s The Way It Is,” all songs of shyness and unrequited love? Talk about framing a mood!

Well, what about Crush #2, my obsession with her, and the pain she helped cause? What could complement music like Richard Marx’s “Should’ve Known Better,” Paul Carrack’s “Don’t Shed A Tear,” or Geto Boys’ “My Mind Playin’ Tricks On Me”? Going back to January ’88, Live’s “White, Discussion” would’ve been a place to start. White male angst about race and possibly love — “Look what all this talking got us, baby” screamed at maximum lung-ness by lead singer Ed Kowalczyk — could’ve just as easily been my sarcastic and rage-laced refrain regarding Crush #2.

Other, more goofy and less epic tunes to lay out my anger and disappointment — or to get over it — hmm. Probably something like Michael Bolton’s “Time, Love & Tenderness,” Mariah Carey’s “Can’t Let Go,” or Annie Lennox’s “Walking On Broken Glass.” Music from the ’90s. So much better for coping with crushes and trifling people.

On a more serious tip, what from my present would’ve soothed my constantly worried mind back in the days when mp3 would’ve been thought of as a kind of motor oil? My faves of the ’80s were Mr. Mister’s “Kyrie” and “Broken Wings,” because the songs met me where I was, a teenager struggling to find his true self, to succeed in school, to survive life at 616. Other than some social justice-lite songs like Marvin Gaye’s “What’s Goin’ On,” Sting’s “They Dance Alone,” or Peter Gabriel’s “Don’t Give Up,” there wasn’t much of a message in most of the music from the mid- to late-80s — at least related to my life.

My iPod, Nickelback's "If Today Was Your Last Day," November 13, 2010. Donald Earl Collins.

But bringing music back from the future would’ve helped. Like Anthony Hamilton’s “Comin’ From Where I’m From,” Creed’s “Higher,” Sounds of Blackness’ “Optimistic,” even Nickelback’s “If Today Was Your Last Day.” The line of lines — “Against the grain should be a way of life” — has been when I’ve gotten the most out of myself, my God and my life.

I can only imagine what life would’ve been like with a piece of second-decade, twenty-first century

My iPod w/ U2, November 13, 2010. Donald Earl Collins

technology in the early ’80s. It made have made most of my embarrassing, disheartening and sorrowful moments easier to bear. But without those moments, I certainly wouldn’t have as full an appreciation of the music I listen to now and the blessings that have occurred in my life in the three decades since. As Anthony Hamilton would say, “Sometimes you gotta walk alone,” although with music, not completely alone.

The Eclectic, Authentic Donald

04 Saturday Sep 2010

Posted by decollins1969 in 1, Boy @ The Window, culture, earth, wind & fire, Eclectic, eclectic music, Mount Vernon High School, Pop Culture, race, Youth

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"Broken Wings", "What About Love", 616 East Lincoln Avenue, Authenticity, BET, Cable, Heart, Humanities, Mount Vernon High School, Mount Vernon New York, Mr. Mister, MTV, Music, Race, Sade, VH1


Maxwell's Embrya (1997) Album Art

I am, and will always remain, a goofy oddball. I’ve known that for at least twenty-five years, probably closer to thirty. For it was this week in ’85 that we finally got cable at 616. More than four years after MTV, and a few months into VH1, we finally no longer needed antennas to watch TV. My fat, greasy slob of a stepfather hogged the gigantic wood-framed hand-me-down of a nineteen-inch Zenith, along with the living room, most of the time. But I came home from the beginning of the school year — my junior year of Meltzer and AP US History at MVHS — at the end of the first week, with no one home.

I turned on the TV, found MTV, and boom, I was in the heart of the ’80s. As soon as I hit the channel, a new video began, heavily synthesized and very much over the top. It turned out to be Heart’s “What About Love,” the first release off of their new album. I liked the song immediately. But more importantly, I liked

Heart, 1985. (Look at that hair!?!)

the fact that I could now also put faces and styles to voices and lyrics. I was late, four years too late in understanding the jokes, the fashion motifs and consumerism concerns of my more socioeconomically- blessed classmates. As the saying goes, though, better late than never.

That afternoon, I ended up seeing videos from Sade, Tears for Fears, Dire

Mr. Mister (1985) Welcome To The Real World

Straits, Sting, and Mr. Mister’s “Broken Wings.” The last one was a weird video, but very heartfelt, and one that has stayed with as long as any song I’ve heard or video I’ve seen since (more on that in December). I eventually checked out some boring Alexander O’Neal videos on BET before my mother and younger siblings came home from school and grocery shopping.

It wasn’t as if I hadn’t listened to music before September ’85. I was already well aware of the fact that my music tastes weren’t stereotypically Black, weren’t all that White, and certainly weren’t all that old and mature. Having played the trombone in fifth grade, the fife for Hebrew-Israelite stuff all through ’82, and sang in school choirs sixth, seventh and eighth grade (until my voice started cracking), it wasn’t as if I didn’t know when someone was off key or timing their drum sequences.

Still, I found music that didn’t have the voice of Luther (Vandross) or Patti (Austin or LaBelle) or the beats of Doug E. Fresh, Grandmaster Flash or Run-D.M.C. appealing. It reached me because I had moments I needed to be reached, to be serious, to focus on the pain that was my life in the mid-80s, a pain that few artists sang or wrote about in any direct way. I could relate to the lyrics of rejection, redemption and

The Best of Sade (1992) Album Art

resolution more than I could relate to someone stepping on my brand new sneakers and getting attitude. Songs that could reach me because I had moments I needed to feel and be goofy, to laugh at myself for feeling as pathetic as I did back then. Nothing, and I mean nothing, in the R&B and early hip-hop repertoire of ’85 did that for me.

So I branched out, almost immediately after that MTV afternoon in early-fall early-September. I became even more interested in what some of my classmates called “that White music,” even deliberately listening to WPLJ and Z-100, adding that to WBLS. I also took the occasional turn to WCBS-101 (oldies station of Sinatra, Nat King Cole and Dean Martin), had a brief foray into Phillip Glass and ’80s new age, a rare stumble into jazz, and yes, for those who believe I embody the rejection of all things “Black,” found my need for R&B and some rap in my eyes and ears.That first week in September ’85 pretty much sealed my fate as an eclectic music listener. Many who know me and my Mount Vernon past would say that Humanities and being around all those White kids had something to do with this. Some, including my mother, would say that my education has led to some sense of racial self-loathing, that I deliberately gave up my heritage to chase some false sense of Whiteness — or,

Seal (1994) Album Art

that I’m “acting White.”

I’d say that I was a goofy and serious late-bloomer, who listened to music and lyrics for meaning, for a kernel of wisdom and hope. Some or all of those things can be found in any genre of music, anywhere, anytime, under any circumstance. Music, like people, can’t be separated into races unless people choose to be separate, a truth I understand now and guessed at intuitively then.

My Post-Doctoral Life

18 Sunday May 2008

Posted by decollins1969 in 1, Boy @ The Window, earth, wind & fire, Eclectic, Mount Vernon New York, race, Youth

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Betrayal, Carnegie Mellon University, Jealousy, Mother-Son Relationship, PhD, PhD Graduation, Pittsburgh


PhD Graduation Group Photo – May 18, 1997. A great photo, except for the one (my mother) who was missing – note my mother-in-law gesturing to her. (Angelia N. Levy).

Today is the eleventh anniversary of my marching across stage to officially end the formal student phase of my life. Around 2 pm, I shook hands with the president of Carnegie Mellon University and the Dean of Humanities and Social Sciences to accept my PhD in History. It could’ve and should’ve been a joyous moment, but it wasn’t. After all, I had learned that my mother was about as happy for me as some of my former fellow grad students, who threw around words like “envious” and “jealous” in the year before my official graduation.

I tell this story in Boy At The Window this way: “The proverbial someone once said that a picture is worth a thousand words. But…even in the age of megapixels, pictures miss what words can say. Such is the case with a picture of me and my closest folk on my PhD graduation day in May ’97. On this sultry and sunny spring day, I stand in my polyester black cap and gown with my future mother-in-law dressed in a yellow-gold blazer and flower-print skirt on my right, and my longtime high school friend on my left. My friend’s one-time ‘surrogate’ son and her twenty-three-year-old sister, as well as my graduate-school friend and colleague Ed are also in this picture, from my friend’s left through the rest of the four-by-six-inch print. They all look hot and happy, as if they went through the doctoral thesis process in one afternoon. At the least, they looked ready for air conditioning or shade. I’m happy too, if only for that moment.

The Carnegie Mellon University-wide ceremony was anticlimactic. I’d finished my dissertation with approval from my committee six months before I marched across stage. Yet I had reason to smile the smile of relieved happiness. Relieved that the outdoor graduation ceremony had concluded and happy to see my then girlfriend Angelia grinning ear-to-ear as she snaps the picture of the six of us. Noticeably absent from this picture is my mother, who stood outside of our huddle (to the right of Angelia’s mother). If you look closely at the picture, you can see Ms. Levy gesturing—presumably to my mother—to get her into the picture. What you don’t see is my mother shaking her head and looking at the rest of us with discomfort as we set up for Angelia’s shot. What you also don’t and can’t see is the pride that everyone involved in the picture possessed about my accomplishment. It was an almost overwhelming experience to receive so much emotional support after so many years without it.

But pictures, no matter how well orchestrated, only capture a moment in time, a moment that could be connected to a string of events or an off-the-beaten path tangent from events already in motion. Or a picture can be a snapshot of a transition point between events. For all of us, I think, this picture symbolized major turning point in our lives, ‘the way we were,’ if you will. My relationships with my mother, my soon-to-be mother-in-law and wife, and my friends all changed or were in the process of change.

How I saw my mother had changed forever a few days before Angelia snapped the picture of me and the others. The best evidence of this is the next picture in this photo album, at the time the next picture in the roll of film from that day. It was of me angrily stomping down a spiraling flight of stairs at The Thackeray Club on the University of Pittsburgh’s campus. I held my doctoral diploma for the camera as if I wanted to hit someone with it. My face looks dark, and not just because I’m Black and had been on five hours’ sleep per night for the past ten days. My face looks frozen between anger and disappointment. Anger about my mother comparing my nine and a half years of undergraduate and graduate education to being ‘in school long enough to earn another high school diploma.’ Disappointment in her later telling me, ‘I don’t have to tell you that I’m proud of you. I tell other folks, just not you.’

Angelia’s picture captures the dark mood that my concrete expression struggled to show. I privately acknowledged that my mother had never cared about my degree or other accomplishments because I somehow was ‘showing her up.’ I had worked for nearly fifteen years to make this moment in my life happen, a moment where my dreams, my ultimate make-believe fantasy life had finally begun to merge with 3-D reality.

Then my mother had decided at the last minute to catch an earlier flight. And just as my individual, Department of History celebration was about to start. To say that my reasonably close—sometimes too close—relationship with my mother hasn’t been the same since would be like saying Hiroshima was never the same after the Enola Gay unloaded her deadly payload.

She needed to go to the airport for her flight to take care of ‘the kids’—my four younger siblings. ‘The kids’ were between thirteen and eighteen years old, and had been without my mother’s supervision for two full days before her airport request. During the trip to the airport in my graduation robe, I thought about crying, yelling, even about shaking my mother to see if she could show any emotion other than a blank disdain. I chose instead the most uncomfortable silence I could summon.

When we arrived at the gate, I finally said to her that she had ‘ruined every event in my adult life’ that I had given her the opportunity to attend. And this was the first opportunity my mother had taken advantage of—she couldn’t get to my other graduations because neither of us had the money to pay for her transportation. I certainly understood that reality, because I grew up in it. This was different. This was telling me that even if money weren’t an issue, my mother wouldn’t have been able to show any sense of pride or joy in what I had done. The irony of that fateful day was that my mother’s six o’clock US Airways flight was delayed more than two hours due to thundershower activity in Pittsburgh and New York. It was after eleven by the time my mother arrived home, according to one of my brothers.

It would be a month before we talked again, and that only occurred because my seventeen-year-old brother Maurice was about to graduate from Mount Vernon High School….In the years since my graduation, I’ve learned that even a parent can be jealous of their children. Especially if a parent attempts to live the life that they would like to have through them.”

What I don’t discuss in the manuscript are other details to this week eleven years ago. Including the fact that I was living on four or five hours of sleep for a week and a half. That I started the week of my Carnegie Mellon graduate in New York interviewing for an assistant professor job at Teachers College. That my mother marched for her associate’s degree at Westchester Business Institute in White Plains five days before my graduation, and that her comment to me about my years of working on a second high school diploma came the day after her graduation ceremony. What I don’t talk about is how my mother and eventual mother-in-law, in their first-ever meeting during my mother’s time in Pittsburgh, spent three hours discussing their failed marriages and the horrible nature of Black men the day before my graduation. And finally, that for the next four days after my graduation, I had a severe gastrointestinal infection, no doubt made worse by my sleeplessness and emotion distress.

The last eleven years have been a struggle to have a career as satisfying and as successful as my post-high school academic experience, with many more positives than negatives. At the same time, my struggles in career and in my life in general are the reason that I find myself in constant self-reflection about my life. It’s this self-reflection that helped me in writing Boy At The Window in the first place.

But the most difficult aspect of the things that I do struggle with centers on trust. Between my mother and my former advisor, not to mention some of my former fellow grad students and others on my dissertation committee, I felt a sense of betrayal that I hadn’t felt since the day my stepfather had knocked my mother unconscious. It took about a year and a half for me to recover from the dissertation process and from what my mother did during my graduation weekend.

I certainly was sarcastic before, but I know that I’m jaded about trusting others these days. Especially folks in positions of authority who happen to be somewhere between flighty and absolute fakes. Some people I’ve worked with in publishing come to mind. Others I’ve worked with and for, though, are far more typical in my world of being careful with whom I divulge my information and life experiences to. Most of time, I find myself much more deliberate about the company I keep and the folks I talk to about my world beyond my job, my teaching and my writing.

I’ve had to learn a second time how to overcome betrayal and distrust. The first time, I could almost trust anyone. This time, I have much more choice as to whom I trust and for how long, which also makes it all the more difficult. As for my mother, I have long since forgiven her for the things that she did and said eleven years ago, although I have to work hard at standing in that forgiveness sometimes. But with my memory, in which I can tell you what I had to eat for dinner on May 12th of ’97, it’s hard to forget.

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Boy @ The Window: A Memoir

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