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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: HBCUs

My One and Only College Visit Before College

05 Tuesday Nov 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Mount Vernon High School, Mount Vernon New York, music, Pittsburgh, Pop Culture, race, University of Pittsburgh, Youth

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"Party All The Time" (1985), Black Males, Class of '87, Class of 1987, Classmates, College Visits, Concordia College, Eddie Murphy, HBCUs, Humanities, Rick James, Self-Discovery, Walks


Concordia College, Bronxville, NY, November 5, 2013. (http://concordia-ny.edu).

Concordia College, Bronxville, NY, November 5, 2013. (http://concordia-ny.edu).

One of the many pitfalls of poverty in the midst of striving toward college was that I didn’t do a single formal college visit prior to taking the Amtrak to Pittsburgh in late-August ’87. (Ironic, then, that I’ve been on at least sixty college campuses to teach or lecture, for graduate school, for conferences, talks, interviews and other events in the past quarter-century). The only options for doing any college visits at all while at Mount Vernon High School (NY) were either the schools in the area or to go on the HBCU college visit trips to Howard and Hampton University. I had no interest in applying to an HBCU (which I’ll talk about later), and the prospect of visiting Columbia or NYU never really occurred to me until years later.

But I did have one inadvertent encounter with a college campus prior to arriving at Lothrop Hall on the University of Pittsburgh’s campus in ’87. It was in the fall of ’85. As I wrote in Boy @ The Window:

I discovered something rather interesting about myself toward the end of the year. I understood, maybe for the first time, how much walking and nocturnal self-pleasure had replaced sitting on the radiator at the living room window as my after school and weekend distraction. Walking allowed me to continue to contemplate my future, to make sense of my senseless world. Very early on in my junior year, I went on a Saturday walk straight up Route 22, from East Lincoln and North Columbus. I ended up at Concordia College in Bronxville, a small liberal arts school in the middle of one of the richest towns in America. It was a cloudy and crisp early fall day, those first series of gray days you experience after a long, hot summer. I wore my gray hooded and zippered sweat jacket with my beat-up multi-colored and checkered long-sleeve shirt and some cheap, made-in-Taiwan blue jeans.

Even with that and my tall, Black male self on a mostly White campus, I seemed to blend in. Not a single person looked at me as if I didn’t belong there. Some of the students actually said “Hi” to me, and not that overly enthusiastic greeting, either. I walked across the campus, walked into some of the buildings and walked around some of the empty classrooms. After a bit more wandering around, I ended up at the library. It was surprisingly small, but the books it did have were the kinds I used to like reading. Old and dusty historical texts and subjects of interest only to old writers and historians. I saw students at tables studying or talking softly while studying. Then it dawned on me why the students didn’t automatically assume that I wasn’t a college student. I was dressed like they were, or,I guess, they dressed like me. Sloppy, but not too sloppy. It also dawned on me that you needed a college ID on the campus in case the guards suspected that you weren’t a college student. So I made my way from the campus and trekked back home.

This was my first and only college visit. And though I hadn’t stopped by the admissions office or spoken with a financial aid counselor, my wandering walk gave me much food for thought. The visit reinforced my thinking on what I needed to do in eleventh grade to guarantee both college acceptance and a scholarship. I assumed an academic scholarship, but an athletic one was still in the realm of possibility. I knew, again, that this was my make-or-break year to bring my grades up as far as possible. I had no idea what my class ranking was, but I assumed that I needed to be in the top fifteen or twenty to have my best shot. So I set the largest goal possible – making it to the top ten of my class.

Eddie Murphy (with Rick James), "Party All The Time" (1985) video (screen shot), November 5, 2013. (http://vimeo.com).

Eddie Murphy (with Rick James), “Party All The Time” (1985) video (screen shot), November 5, 2013. (http://vimeo.com).

In the back of my mind, I knew even then that I didn’t want to attend a school with any of my classmates or with any reminders of Mount Vernon. So many of my Black classmates were already talking about attending HCBUs or New York area school. I knew that despite their relative maturity as eleventh graders, I didn’t want to be in classroom settings with the Rick James “Party All The Time” set or with White and Black classmates who thought of me as a caricature of a human being or Black male.

That walk to Concordia reminded me of a simple fact. That my path to college was my path, not to be determined by anyone else, and certainly not the people I didn’t even trust with a smile.

Colorism and the Enduring Power of School Daze

11 Monday Mar 2013

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Jimme, Mount Vernon High School, Mount Vernon New York, Movies, My Father, Politics, Pop Culture, race, Youth

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Brown Paper Bag Rule, Cafe au Lait, Color Struck, Colorism, Dark-Skinned, Fraternities, Giacarlo Esposito, Hazing, HBCUs, Hedonism, High Yellow, Internalized Racism, Intrarace Relations, Laurence Fishburne, Light-Skinned, Mo' Better Blues (1990), Pitt, Redbone, School Daze (1988), Shunning, Sororities, Spike Lee, Tar Baby, The Silent Treatment, Tisha Campbell, University of Pittsburgh, Wesley Snipes


School Daze (1988) movie poster, September 17, 2012. (QuasyBoy via Wikipedia). Qualifies as fair use under US Copyright laws, as depicts subject of blog, is scaled-down and is of low-resolution.

School Daze (1988) movie poster, September 17, 2012. (QuasyBoy via Wikipedia). Qualifies as fair use under US Copyright laws, as depicts subject of blog, is scaled-down and is of low-resolution.

One of the few films I saw soon after it came out in theaters during my Boy @ The Window years was School Daze. It was in fact on this date twenty-five years ago that I went to the old theater in Pittsburgh that once was on Forbes Avenue near the Oakland Primanti Bros. sandwich place to see the film. It gave me some serious food for thought that Spring Break Friday evening, so much so that the lessons of School Daze have stayed with me to this day. Considering that I turned down a date with an upperclassman not interested in seeing the film in the process, School Daze was more than worth it.

The biggest lesson for me was on colorism. Not the macabre hazing of Q-dog frat boys and the cliquish AKA and Delta soros. Not the lack of care for the academic or the step-show battles. Not the hedonist behavior of Black middle class Gen Xers hell-bent on doing everything other than graduating from college. I already knew students like this at Pitt. Really, I already knew former classmates from Mount Vernon High School who attended HBCU’s like Howard, Morehouse, Hampton and Spelman, the kind of people who’d be perfect candidates for this Spike Lee joint. That they would psychologically and physically abuse each other in bed and on campus didn’t surprise me in the least.

"Good and Bad Hair" scene, School Daze (1988), March 10, 2013. (Donald Earl Collins via YouTube). Qualifies as fair use (see previous picture).

“Good and Bad Hair” scene, School Daze (1988), March 10, 2013. (Donald Earl Collins via YouTube). Qualifies as fair use (see previous picture).

No, it was the issue of being color-struck that was truly eye-opening for me. For I think I always knew on a semi-conscious level that colorism was alive and well among Black folks I’d come to know in Mount Vernon and in my first year at Pitt. It was frequently subtle, but also occasionally out in the open. With terms like “café au lait,” “redbone,” “mocha,” “caramel,” light-skinned,” “high yeller,” “dark-skinned,” “tar baby,” “chocolate-brown,” “good hair,” “nappy head,” “paper-bag brown,” and “light, bright and almost White,” among others. With obvious preferences among my male and female counterparts for young Black women and (sometimes) young Black men who passed the brown-paper-bag rule. (For those unfamiliar, if a Black male or female’s skin color was lighter than a brown paper bag, they were light enough to be attractive and acceptable by others. In terms of beauty, sometimes in pledging to a sorority or fraternity, often in terms of being part of a popular and better connected circle of Black folk.)

I certainly saw it with my father Jimme, who threw around the word “redbone” in my last year of high school as if the only young women in my NYC-area universe were light, bright and almost White. But I also saw it in the cliquishness and popularity of some of my classmates and other MVHS attendees and alumni. The most prominent of them at the time was Albert Brown, aka, Al B. Sure. Despite the uni-brow and limited talent, he went a long way in terms of popularity with his Class of ’86 and in the years immediately after high school. But there were others, classmates with bit-role appearances on ABC’s All My Children, folks whose entire circle of so-called close friends met some internalized color line.

It’s safe to say that by the time I left the theater — about 9 pm that Friday — I was actually angry. I wanted to take Giancarlo Esposito behind a building and beat him into another world. But more than that, it put some of the issues I had with high school and my first year at the University of Pittsburgh in perspective. Obvious and subtle forms of bigotry, individual racism and institutional/structural racism are all things I expected to face. This internalized bigotry on the basis of skin color, though, explained some of the shunning that I’d faced in my last couple of years of high school (see my post “The Silent Treatment” from June ’11) especially.

Hazing scene from School Daze (1988), March 10, 2013. (http://tumbler.com). Qualifies as fair use (see previous picture).

Hazing scene from School Daze (1988), March 10, 2013. (http://tumbler.com). Qualifies as fair use (see previous picture).

Yeah, I was weird because I was in a weird place in terms of domestic violence, child abuse and welfare poverty in those years. I didn’t help matters by being down with Tears for Fears and Sting and Mr. Mister and by often walking at Warp Factor Three or higher to cover the twenty-acre school between classes. But being poor and looking poor and a darker shade of brown was the first thing the Rick James-Eddie Murphy “Party All The Time” set saw, even before I turned into a blur walking past them every day.

A few years after School Daze, I went to David Lawrence Hall to watch the Pitt Film Club’s showing of Mo’ Better Blues (1990) with Denzel Washington and Wesley Snipes. A decidedly light-skinned underclassman (who was in my easy-A Intro to Black Studies course – I was a senior at Pitt by this time) – let’s call her ‘R’ – saw me and decided to sit with me to watch the film. Every time Wesley Snipes was on the screen, she commented on how dark he was. Making me uncomfortable, to say the least.

I finally asked, “Well, what about me?,” given her obvious distaste for Snipes. “Oh, you’re fine. Wesley’s just too dark,” R responded. I did a double-take, realizing that her perspective on skin color was just too odd for words. A quarter-century later, and my guess is that there are Black folks (and Whites who love “dark”-skinned Blacks) who still need to “WAAAAKKKKKE UUUUUUPPPPPPP!”

In-Abel-ed

10 Sunday Jun 2012

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Politics, Pop Culture, race, Youth

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Being Black, Black Teachers, Blackness, Class of '87, Class of 1987, Diversity, Estelle Abel, Harold Meltzer, HBCUs, Intelligence, Lessons, Mentoring, MVHS, Oreo Cookies, Race, Teaching, Un-Black, Uncle Ruckus


“Murder of Cain by Abel,” Ghent Altarpiece painting (1432), Jan van Eyck, January 6, 2007. (Paunaro via Wikipedia). In public domain.

I’ve written about the infamous Estelle Abel in my blog on this date (or at least, this time of year) for each of the previous five years (see “My Last Day,” “The Last Class,” “AP Exam Blues,” “Honors Coronation,” and “Twenty Years in a Week” for the full scoop). She was the chair of Mount Vernon High School’s Science Department while I was a student there, and remain so for years afterward.

As anyone should be able to tell from my previous posts on Abel, I have a bit of an ax to grind. More like a samurai sword, actually. The woman and her ten or fifteen minutes of berating me as both a student and as an un-Black young adult Black male ruined my last day of high school. Forgive me, then, for not being completely objective when it comes to the subject of Estelle Abel and her methods of teaching, motivation, and guidance on issues of academic achievement and race.

Though I’ve also forgiven her, I’m not God, and with my memory, I can hardly forget. But if there had been any chance at forgetting, I lost that opportunity in a conversation I had with my late AP US History teacher Harold Meltzer back in the ’89-’90 school year. Estelle Abel came up as a topic because of something that had occurred with one of his AP students. Apparently, this particular student, a female basketball player, had made the decision to apply to some predominantly White institutions, and had left HBCUs off her application plate. And apparently, Abel had gone after this student for doing so, all but calling her a traitor to her race by taking the route that a majority of traditional African American students have been taking since the ’70s.

Two Oreo Cookies, February 7, 2011. (Evan-Amos via Wikipedia). In public domain.

In all, it took Meltzer about twenty minutes to tell what would’ve been a five or seven-minute-story for the long-winded. That’s how much he could meander in the forests of his stories sometimes. Then I told Meltzer my Estelle Abel story from my last day of school. It sparked a conversation that I wasn’t quite prepared to have. One not only about Estelle Abel, but about the African American faculty at Mount Vernon High School in general.

For most of the rest of the conversation, Meltzer was in full gossip mode, telling me things about individual teachers that I shouldn’t have known, and mostly have forgotten, thankfully. But I did say to him early on in this part of the conversation that I really didn’t know much about the Black teachers at MVHS. The reason was simple. I didn’t have a single Black teacher as my teacher in four years of high school. Humanities classes — particularly the Level 0 and Level 1 classes — had few, if any, Black teachers, much less any teachers of color.

I didn’t say that exactly, but it was the essence of what I said and thought about while Meltzer yammered on about the disunity among MVHS teachers. To think that from Ms. Simmons’ math class in seventh grade at A.B. Davis Middle School until my history and Black Studies classes my junior year at Pitt, I’d gone without a single African American teacher or professor. I knew that some of the blame fell squarely on the shoulders of my guidance counselor Sylvia Fasulo, Humanities coordinators, MVHS’ leadership and the Italian Civic Association.

But how much of this was my fault, being so myopically focused on grades, college and getting away from 616 and Mount Vernon, I didn’t know. After all, I learned in the middle of my senior year that Dr. Spruill taught a Black history class, that there had been efforts to bring in more Black teachers and other teachers of color at Mount Vernon High School dating back at least four years.

Uncle Ruckus screenshot, from Aaron McGruder’s animated TV series The Boondocks, July 4, 2011. (Grapesoda22 via Wikipedia). Qualifies as fair use under US Copyright laws because of picture’s low resolution.

Still, none of that really mattered to me that year. I had already and unsuccessfully attempted to thread the needle between a cushy senior year and a year that prepared me for the rigors of college. Anything else, whether it was Black history, a trip to West Africa or a visit to some HBCU campuses, was hardly on my radar.

Whatever my lack of focus could be construed as in ’86-’87, it wasn’t because I wasn’t Black enough, or ashamed of being Black, as folks like Estelle Abel implied or accused me of in their thoughts and words, and with their eyeballs that year. Sure, I was weird, and readily admit to being weird, aloof, and emotionless in my MVHS days. But given the hell that I lived with at home and in that community in my last years in Mount Vernon, weirdness and a focus on getting out through college should’ve been applauded, or at least tolerated, without teachers like Abel staring at me as if I was demon-possessed.

That it wasn’t tolerated was the real shame. It took me years to get over it, that uncomfortability of being judged by other Blacks as too smart, too weird, too un-Black in their eyes for my own good.

Meeting Joe Trotter

10 Thursday May 2012

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Mount Vernon New York, Politics, Pop Culture, race, Youth

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African American History, Afrocentricity, Black History in Pennsylvania, Carnegie Mellon University, HBCUs, Horace Mann Bond, Intercultural Education, Joe Trotter, Joe William Trotter Jr., Julian Bond, Lincoln University, Molefi Asante, Multicultural Education, Multiculturalism, Pitt, Road Trip, Self-Discovery, Trust, University of Pittsburgh, V. P. Franklin, Vincent P. Franklin


Conference agenda, 15th Annual Conference on Black History in Pennsylvania, Lincoln University (May 8/9 1992), May 10, 2012. (Donald Earl Collins).

This time two decades ago, I was driving my way home from a conference at Lincoln University in southeastern Pennsylvania. It was a week of more firsts that had become a small sample of a year of many firsts for me since getting into graduate school at the University of Pittsburgh in April ’91. It was my first road trip anywhere, and the first time I’d been in a car since earning my driver’s license in January ’92 (see my post “Taking the Long Road: Driver’s Delight” from January ’12). It was part of my first visit to NYC, Mount Vernon, and 616 since finishing my master’s degree.

That’s where my road trip began, Mount Vernon, as I’d wind my way to Yonkers, the Bronx, the GW Bridge, New Jersey and Philly (where I got lost twice) before ending up on the bucolic HBCU campus. I was at Lincoln University to present at my first academic conference, the 15th Annual Conference on Black History in Pennsylvania. The theme for that year’s conference was “Empowerment: Perspectives on African-American History in Pennsylvania. Somehow, the conference organizers approved me to present my paper comparing elements of intercultural education, multicultural education and Afrocentric education in Pittsburgh and Philadelphia during the 1930s and early 1990s.

Lincoln University entrance and alumni arch, dedicated in 1921, May 10, 2012. (http://lincoln.edu).

If the road trip and the presentation were the only things important about this conference, that would’ve been plenty for me in May ’92. But there was so much more to this first conference for me than driving a Ford Escort in North Philly or getting on stage for the first time since sixth grade (see my post “Peaking As A Sixth Grader” from June ’11). It was my first time around a large number of Black academicians and activists. I met Julian Bond for the first time (his father, Horace Mann Bond, by the way, had served as president of Lincoln University from 1945 to 1957). Folks from the African American studies department at Temple University attempted to recruit me for their doctoral program. Knowing that Molefi Asante was there, I respectfully declined.

Above all else, I came away with two valuable experiences that would have an effect on me for years to come. One was being in the audience for a presentation from V.P. (or Vincent P.) Franklin, whose work on Black education in Philadelphia in the 1920s and 1930s I already knew. His was an extemporaneous presentation that lasted for well over twenty minutes. It was full of quotes, links between different historians’ research, and stories. It was extremely entertaining, delivered in an engrossing public speaking style, though not like some Southern Baptist preacher, either.

I was blown away by Franklin’s presentation. Especially in comparison to the one that I’d deliver some

Conference agenda (inside pages), 15th Annual Conference on Black History in Pennsylvania, Lincoln University (1992), May 10, 2012 (Donald Earl Collins).

twenty hours later. Mine was a well-studied delivery of ten pages of excerpts from my original paper. It was okay, not exactly a winner compared to anything that I’ve done in the two decades since. For it was with Franklin’s presentation and style from the day before that stuck with me. I decided immediately after my lackluster performance to always present my work extemporaneously, to work on my public speaking skills, to understand that presenting one’s work was a very different task than simply reading from it.

The second takeaway was in meeting my eventual dissertation advisor, Joe William Trotter, Jr. I met him after the first set of presentations on Friday morning, and ended up sitting with him for part of the Friday luncheon. I learned a few things in that first meeting. Up until that day, the only Black historians I knew in the Pittsburgh area were at Pitt or somehow affiliated with Pitt, including my then advisor Larry Glasco. The fact that Joe was across the way at Carnegie Mellon meant that there was at least the hope of gaining a different perspective on African American history than the stiff responses to Whites misconstruing the Black experience.

What made this first meeting even more intriguing was that Joe was in the process of putting together a graduate seminar for the Fall ’92 semester in African American history. It would be the first time that one had been taught at Carnegie Mellon. No such course existed at Pitt, either, at least as a graduate seminar. It meant that I could expect to get something out of my second year of graduate school (and first year as a PhD student) after all. “Where do I sign up?,” I asked after hearing what seemed like wonderful news at the time.

I returned to 616 twenty years ago on this date recharged and ready for another year of intellectual growth. But I should’ve also returned with far more insight into the politics of race, academia, trust, and academic competition than I actually had. The dynamics within the conference were extremely subtle, like an ultrasonic pulse undetected by most human hearing, but there driving the subconscious crazy anyway.

I didn’t see Joe’s invite to his classroom as a competition for me initially because I was obviously all-too-desperate to move on from Pitt, but not desperate enough to join Asante’s Temple of Afrocentricity (see my post “Writer’s Start” from August ’10 for more). Joe got me, all right. I just didn’t know it yet.

Diversity Isn’t As Simple As Reaching Out To HBCUs

25 Wednesday Apr 2012

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic, Politics, race, Work, Youth

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Academy for Educational Development, Admissions, Black Students, Carnegie Mellon University, Center for American Progress, Diversity, Diversity Solutions, Enrollement, Graduation, HBCUs, Hiring Process, Historically Black Colleges and Universities, Latino Students, Montgomery County MD, Montgomery County Public Schools, Panacea, Predominantly White Institutions, PWIs, STEM Fields, Tokenism, University of Pittsburgh, White House Initiative on Historically Black Colleges and Universities


Founders Library, Howard University, Washington, DC, April 9, 2006. (David Monack via Wikipedia). Released to public domain.

There were many things that made me want to holler during my graduate school days two decades ago. One of them was constantly hearing that there were no students or faculty of color to be found because no one Black or Brown was qualified, or “in the pipeline,” or interested in this field or that field. I’d hear this at meetings on Pitt’s campus, at meetings on Carnegie Mellon’s campus, at conferences like the American Education Research Association’s annual meeting, at other academic conferences and settings.

Thank goodness those days are over. Now most of us realize there’s a few folks Black and Latino to find in almost every career option. But a new excuse for lack of diversity in higher education and on the job front has come up in meetings, at conferences, and in conversations, at least in terms of solutions. In job interviews, at local meetings regarding Montgomery County Public Schools, at Center for American Progress conferences on K-12 reform, at my previous jobs with the Academy for Educational Development and in other settings. The way to solve the diversity problem seems to come down to one prescriptive. “We need to reach out to HBCUs.”

So, it all comes down to the 110 or so Historically Black Colleges and Universities to solve the lack of diversity problem facing K-12 education, higher education, STEM careers, social justice nonprofits, public service, civic education, journalism, international development and foreign service, among other sectors? Really? Statistics over the past twenty years have shown that about twenty percent of all African American undergraduate students attend HBCUs. Statistics also show that about eleven percent of all Blacks who complete a four-year degree do so at a HBCU. According to the latest data from the US Department of Education (in conjunction with the White House Initiative on Historically Black Colleges and Universities), nearly 30,000 Blacks graduated with either a two-year or four-year degree from an HBCU in 2011.

The interesting thing about this initiative is that it has existed in some form or another since President Jimmy Carter signed the original executive order creating it in 1980, with every president contributing to it or strengthening it since then. This White House initiative has always been about helping HBCUs build their capacities for admitting, enrolling and graduating more African American students. Yet there’s a huge snag around the capacity of HBCUs to meet the goal to bring the number of undergraduate degrees produced on par with the overall 2020 goal of making the US the number one producer of college graduates again. It would mean that HBCUs would be responsible for graduating 166,713 students a year by 2020.

Besides the reality that this is a near-impossible goal for most HBCUs– most lack the resources necessary

Old New York City Subway token, phased out (like notion of token Black ought to be), May 30, 2005. (Jessamyn West via Wikipedia). Released to public domain.

to admit and enroll so many students — there’s a couple of trends being ignored by the worlds of work and academia. HBCUs aren’t some untapped resource that folks at predominantly White institutions and in various fields suddenly discovered in the late-1990s and the ’00s. HBCU graduates have been working in all of these fields that have lacked diversity in terms of demographics and ideas for years.

With only eleven percent of all Black graduates, few, if any, fields will benefit from the one-shot solution they hope HBCUs will provide. Unless the goal of a school district, a social justice organization or a business is only to hire one, a ’70s-era goal in the 2010s that’s hardly worth a sentence of my time.

The other trend is the overall trend of the kinds of higher institutions African Americans attend. About half of all Black undergraduates — traditional students, adult learners and first-generation students — enroll at two-year schools, community colleges and for-profit institutions (the last a black hole if one’s expecting students to actually graduate). Which means that about thirty percent of all African American students — about 600,000 in all — attend predominantly White four-year institutions.

It’s not as if folks in leading positions propose that to increase the number of Latinos in certain fields, the answer would somehow lie in the couple of dozen Hispanic-Serving Institutions (HSIs), right? Or that to bring more women into the STEM fields, that a singular strategy would involve outreach to Sarah Lawrence, Spelman, Bryn Mawr, and Vassar? At least one would hope not.

It seems that a multi-pronged approach to addressing diversity issues for a school district, a technical field, the nonprofit sector or academia needs to be in order. One that starts much earlier, like in elementary school. One that doesn’t treat Black students at predominantly White institutions as a foregone conclusion, and HBCUs as a panacea.

But somehow, I’ll find myself at another meeting in the near future, hearing from some leader or official about their efforts to address diversity by contacting HBCUs as their one and only solution. A conversation that I find myself dreading more and more.

Colleges, HBCUs, and the No-Profit Motive

20 Monday Dec 2010

Posted by decollins1969 in 1, Academia, Boy @ The Window, culture, Eclectic

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Adult Learners, Carnegie Mellon University, College of General Studies, Course Offerings, Evening Courses, HBCUs, Howard University, Saturday Classes, Student Affairs, Student Development, Student Engagement, Traditional Students, University of Pittsburgh


Cathedral of Learning, University of Pittsburgh, December 20, 2010. Source: http://www.photohome.com

At the beginning of my junior year at the University of Pittsburgh (’89-’90), I took a cross-listed English lit and Black Studies course on African American women and men in literature. I took it partly to fulfill a writing requirement, and partly because I wanted to explore literature written by Black authors for once.

 

Besides the decidedly poor view of Black men in this literature — no doubt why Tyler Perry sees no need in developing a Black male character with the minimal complexity of a Worf of Mogh from the Star Trek franchise — there was another issue I needed to overcome. It was a 5:45 to 8:10 pm class on a Tuesday evening. Prior to the fall of ’89, I’d only taken one course that started after 4 pm, an assembly language course, and I withdraw from it after switching my major to history the previous fall.

But this course was great, despite books like The Women of Brewster Place and A Woman’s Place. I knew what some of the smartest Black women on campus thought of me before I opened my mouth. But much more important than that, I got to know a greater cross-section of students than the traditional daytime students between the ages of eighteen and twenty-four. Nontraditional students — adult learners as we educators call them now — populated our classroom.

They were housed in the College of General Studies, which didn’t mean anything negative to me. Some of my older friends from my freshman courses were CGS students, and were sharper in wit and wisdom than many of my Honors College friends and Humanities classmates from Mount Vernon High School in New York. They added tremendously to this course, and made it so much more fun than I would’ve had with other twenty-year-olds.

I ended up taking six 5:45 to 8:10 courses in my last two years of undergrad, and two more evening courses my first year of grad school at Pitt. They were some of my most memorable courses, with a diverse student population because of CGS, with students who were fully capable of performing well in a college setting. In part because counselors and other student services staff at CGS were available to help these students overcome their relative lack of academic preparation and because almost all of the courses these students took were fully integrated into Pitt’s course schedule.

It seems obvious. But treating adult learners with the care they needed and giving them courses that any traditional student could take made them feel more at home, and probably were significant factors in the success I saw so many of them have.

Fast forward eighteen years to my two semesters as an adjunct professor at Howard University. Besides

Founders Library, Howard University, Washington, DC Photo taken 9 April 2006 with Canon Powershot SD300. David Monack, author, released photo into public domain.

the laziness of the students in my Teaching Black Studies course — not to mention the stuffiness of the faculty (imagine referring to all of your colleagues as “Dr. So-and-So,” and not by their first names) — the main problem I had with them was with the times offered for my course. They originally wanted me to teach on a Monday-Wednesday-Friday noontime schedule. But I worked full-time, and preferred to teach an evening course. The Afro-American Studies department compromised, and gave me a 5 pm course that met Monday-Thursday during the summer.

 

My fall course, though, fell through, as the latest Howard wanted to schedule it was at 4 pm, and then mislabeled the course on top of that. It was a ridiculous experience, dealing with underprepared and entitled, spoiled students, not to mention a lethargic faculty and administration. I learned later that Howard didn’t offer evening, weekend or distance learning courses at the undergraduate level. I learned soon after that many universities — historically Black and otherwise — were more like Howard than they were like my student and teaching experiences at Pitt, Duquesne and George Washington.

There’s real money that universities — especially HBCUs — are giving up to maintain a false sense of the college experience for faculty and students alike. Even among traditional students, working part-time jobs and having expansive extracurricular activities makes it difficult to fit appropriate classes in between 8 am and 5 pm. While online teaching is one way to go, putting together course offerings that fit the schedules of twenty-first century students is a better place to start.

While the Harvards, Yales, Princetons, and even Carnegie Mellons of the university universe can afford to act like its 1969 still, Howard, Morehouse, Clark Atlanta and so many others cannot. You want to stay solvent and academically relevant? Dusting off the course booklet and looking at evenings and Saturdays to accommodate all of your potential students is a great place to begin.

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

There's a few ways in which you can read excerpts of, borrow and/or purchase and download Boy @ The Window. There's the trade paperback edition of Boy @ The Window, available for purchase via Amazon.com at http://www.amazon.com/Boy-Window-Donald-Earl-Collins/dp/0989256138/

There's also a Kindle edition on Amazon.com. The enhanced edition can be read only with Kindle Fire, an iPad or a full-color tablet. The links to the enhanced edition through Apple's iBookstore and the Barnes & Noble NOOK edition are below. The link to the Amazon Kindle version is also immediately below:

scr2555-proj697-a-kindle-logo-rgb-lg

Boy @ The Window on Amazon.com: http://www.amazon.com/Boy-The-Window-Memoir-ebook/dp/B00CD95FBU/

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Boy @ The Window on Apple's iBookstore: https://itunes.apple.com/us/book/boy-the-window/id643768275?ls=1

Barnes & Noble (bn.com) logo, June 26, 2013. (http://www.logotypes101.com).

Boy @ The Window on Barnes & Noble: http://www.barnesandnoble.com/w/boy-the-window-donald-earl-collins/1115182183?ean=2940016741567

You can also add, read and review Boy @ The Window on Goodreads.com. Just click on the button below:

Boy @ The Window

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