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Notes from a Boy @ The Window

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Notes from a Boy @ The Window

Tag Archives: Social Injustice

Boy @ The Window Origins: Meltzer Conversations

14 Saturday Mar 2015

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, Christianity, culture, Eclectic, Hebrew-Israelite, Mount Vernon High School, Mount Vernon New York, Pittsburgh, Politics, Pop Culture, race, Religion, Youth

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Benetton Group, Black Elites, Black Identity, Black Masculinity, Black Migration, Black Washington, CMU, Colorism, Dissertation, Doctoral Thesis, Harold Meltzer, Harper Stewart, Humanities, Hypermasculinity, Inequality, Internalized Racism, Logic, Manhood, Multiculturalism, Personal Insights, Race, Racial Identity, Rationalism, Self-Discovery, Social Injustice, Taye Diggs, The Best Man (1999), Washington DC, X-Men Origins: Wolverine (2009)


X-Men Origins: Wolverine (2009) scene, where Wolverine frees mutants kept as experiments by Colonel William Stryker , March 13, 2015. (http://cdn.collider.com/).

X-Men Origins: Wolverine (2009) scene, where Wolverine frees mutants kept as experiments by Colonel William Stryker , March 13, 2015. (http://cdn.collider.com/).

Of all the tangents I took related to writing Boy @ The Window, the most direct path that got me to write a memoir about the most painful period in my life was through several conversations with my dear teacher, friend and mentor in the late Harold Meltzer. I’ve discussed bits and pieces of some of those conversations here and in longer form in Boy @ The Window. It’s still worth rehashing some of those conversations, at least in terms of what was and wasn’t good advice, as well as in explaining how some of the main themes of the memoir developed over time.

As I wrote in Boy @ The Window, though my “first interview with him was in August ’02,” the first time “we discussed the possibility of me doing Boy @ The Window went back to February ’95.” Meltzer had been retired from teaching about a year and a half, while I was beginning the heavy lifting phase of my doctoral thesis, “living in DC for a couple of months while hitting the archives and libraries up for dusty information. In need of a writing break, I gave him a call on one cold and boring Saturday afternoon.”

It was in response to a letter he sent congratulating me. I’d recently published an op-ed in my hometown and county newspaper, “Solving African American Identity Crisis.” I was writing about issues like using the n-word, hypermasculinity, and internalized racism in the short and, for me at least, dummied down piece. Somehow our discussion of that piece led to a discussion of my classmate Sam. Did I really want to spend an hour and a half talking with Meltzer about Sam and some of my other Humanities classmates and their possible identity issues, considering some of my own serious growing pains — the Hebrew-Israelite years, my suicide attempt, my Black masculinity and manhood issues? Absolutely not!

But I learned quite a bit about how I might want to approach writing Boy @ The Window through that phone call. Not because Meltzer had given me any sage advice, which he didn’t, or because he revealed things to me that I shouldn’t have come to learn during our conversation, which he definitely did.

Benetton ad, 1980s, January 2013. (http://fashionfollower.com/).

Benetton ad, 1980s, January 2013. (http://fashionfollower.com/).

No, it was the idea that a lot of the things that I had pursued as a historian and researcher were things that came out of my experiences growing up. Multiculturalism as a historical phenomenon (at least if one linked it to cultural pluralism)? Can anyone say Humanities Program, or, what I used to call “Benetton Group” when we were at A.B. Davis Middle School? Writing about African American identity issues? Obviously related to living in Mount Vernon, the land where any hint of weakness translated into me being called a “faggot” or a “pussy.”

And what about any scholarly concerns with racial and socioeconomic inequality and Black migration? Anyone ever meet my Mom and my father Jimme, 1960s-era migrants from Arkansas and Georgia/Florida respectively? An examination of the Black Washingtonian elite and their looking down upon ordinary Blacks because of their own colorism or the latter’s lack of education? Come on down, Estelle Abel and any number of well-established Black Mount Vernon-ites who never gave me the time of day! As much as academia had been an escape for me, into a world of rationalism and logic, a place of dispassionate scholarship, it was all personal for me, without realizing it until that phone conversation with Meltzer.

Fast-forward to November ’02, the last interview I did with Meltzer before his death two months later. We spent the last couple of hours on that brisk fall Thursday discussing the book idea that would become Boy @ The Window. Meltzer thought that it should be a work of fiction, “based on the real flesh and blood folks in my life, but with different names of course to protect me from any potential lawsuits. He did make me rethink the project from a simple research study of my high school years into narrative nonfiction or a memoir.” 

Screen shot of fictional character Harper Stewart's bestselling novel nfinished Business, from The Best Man (1999), March 14, 2015. (hitchdied via http://s785.photobucket.com/).

Screen shot of fictional character Harper Stewart’s bestselling novel Unfinished Business, from The Best Man (1999), March 14, 2015. (hitchdied via http://s785.photobucket.com/).

Was Meltzer correct? Should I have done a Harper Stewart — played by actor Taye Diggs in The Best Man (1999)? Should I have fictionalized all of my experiences and those of my family, teachers, administrators and classmates? I’m not sure if it would’ve made a difference. Stories of fiction tend to have a tight symmetry to them. Or, the theme of “what goes around comes around” is usually a big one in any novel. You can’t leave too many loose threads or unresolved issues, even if the novel is part of a series. For my purposes, since my life remains a work in progress, a story of relative — not obvious or absolute — success, telling it as fiction would hardly ring true to me, much less to any group of readers.

Whatever else anyone wants to say about the late Harold Meltzer, the dude got me to think about difficult things until I was no longer comfortable in leaving my uncomfortable experiences and assumptions unchallenged. The very definition of a mentor, the very purpose of Boy @ The Window.

My and Diane Ravitch’s Path to Reign of Error

11 Tuesday Mar 2014

Posted by decollins1969 in 1, Academia, Boy @ The Window, Carnegie Mellon University, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, New York City, Patriotism, Pittsburgh, Politics, Pop Culture, race, Upper East Side, Youth

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Bill & Melinda Gates Foundation, Book Review, Corporate Education Reform, Diane Ravitch, Fear of a "Black" America (2004), High-Stakes Testing, Humanities Program, Institutional Racism, Michelle Rhee, Multiculturalism, Neoconservative Movement, Politics of Education, Poverty, Privatization, Racial Segregation, Racism, Reign of Error (2013), Social Injustice, Social Justice, Teach for America, Writing Passion


Reign of Error (2013) by Diane Ravitch, front cover. (http://bn.com).

Reign of Error (2013) by Diane Ravitch, front cover. (http://bn.com).

I first began reading Diane Ravitch in July 1990, the summer before my senior year at the University of Pittsburgh. It was the summer in which I became interested in understanding magnet programs and their relationship with desegregation and diversity efforts, courtesy of my own experience with Mount Vernon, New York public schools and its now defunct Humanities Program. I read both The Great School Wars: New York City, 1805-1973 (1974) and The Troubled Crusade: American Education, 1945-1980 (1985) that summer, with education scholar and Ford Foundation director Jeanne Oakes’ Keeping Track: How Schools Structure Inequality (1985) sandwiched in between.

It was the beginning of a twenty-year period of constantly intellectual disagreement between me and Ravitch. Oakes’ work captured inequality in terms of race and socioeconomics so much better than Ravitch, whose writings back then often treated these inequalities and distinctions as afterthoughts. When I shifted my research area to multicultural education and multiculturalism, though, that was when I found Ravitch’s absolutist defense of so-called traditional American democratic education and all things e pluribus unum unbelievably stifling. With all Ravitch knew about the politics of education, in New York and with the US Department of Education, how could she possibly defend a system that did as much to control and exclude students as it did to provide something akin to an equal opportunity?

I chalked Ravitch up to being another out-of-touch neoconservative, scared to death of race and diversity and multiculturalism. I said as much at conferences like the American Educational Research Association meeting and other conferences. I wrote as much in my dissertation and in my first book, Fear of a “Black” America: Multiculturalism and the African American Experience (2004). Through it all, I always found Ravitch’s writing compelling, but her conclusions wanting, because they lacked perspective and empathy in the context of public schools and diversity.

Then, Ravitch wrote Left Back: A Century of Battles Over School Reform in 2000. Though it contained some of her common themes — overemphasis on the mantra of reform, the need for more testing, support for school choice, denigration of a multicultural curriculum — Ravitch showed growth in this book. She was less hostile to a more progressive curriculum and seemed, for the first time, really, to understand how much race and poverty had shaped the direction and the harshness of school reform going back to 1900. I happily used Ravitch’s Left Back in my History of American Education Reform course at George Washington in 2002. For her book provided a comprehensive and even-handed overview of the politics of K-12 education in a way that any educator of any American ideological perspective could understand.

I’ve finally read Ravitch’s Reign of Error: The Hoax of the Privatization Movement and the Danger to America’s Public Schools (2013). Reign of Error is Ravitch at her most passionate and energized. If I hadn’t read a couple dozen of Ravitch’s articles from the 1980s and 1990s and four of her previous books, I would think that this was her first book, as there is sense of urgency in Reign of Error that can seldom be found outside of epic memoirs and epic fiction novels.

Ravitch’s argument in Reign of Error is a simple one. Corporate education reform, if allowed to continue unfettered, will destroy public education in the US, and in the process, American democracy. Privatizing public schools (i.e., turning them into “public” charter schools), destroying teacher’s unions, constant high-stakes testing, bypassing school boards and forgetting about racial segregation and poverty — that’s corporate education reform’s agenda. As Ravitch said in Chapter 12 on the fallacies of merit pay for teachers, “Merit pay is the idea that never works and never dies (p. 119).” She could have also substituted the words “school choice,” “creationism,” “standardized testing,” “closing schools,” and “privatization” for “merit pay.”

But Ravitch goes further in her 400-page treatise. That though public education in the US has had its share of problems — the need for more teacher training and time for professional development, racial segregation and high levels of poverty while underfunded — that corporate education reform has compounded these problems several times over. That with corporate education reform, teachers, parents and students will have no say in public education, at least the ones without their own personal foundation with which to endow their own public charter school.

From a writer’s standpoint, this wasn’t Ravitch’s best effort. Her argument is repetitive, one where she likely could’ve cut the main chapters by a quarter (about 100 pages) and made the same points. I likely could’ve become inebriated if I had a shot of vodka every time the words “poverty,” “Gates,” “Walton,” “Broad,” “high-stakes testing,” and “corporate education reform” come up. But given my history with reading Ravitch and with this topic, of course Reign of Error was repetitive — it was like reading my own words on this same topic.

Ultimately, Ravitch’s Reign of Error is a primer for anyone interested in averting the social injustice that is the corporate education reform tyranny of wealthy philanthropists, money-grubbing entrepreneurs and politicians across America’s limited ideological spectrum. For those whom up to now this issue has been of limited interest, or for those who’ve felt the change in public education but haven’t quite been able to articulate those feelings, Reign of Error is for you.

For educators, parents and even students already involved in writing about or protesting against corporate education reform, this book is still for you. Ravitch provides so much ammunition that Reign of Error can be applied in numerous ways to numerous situations. At school board meetings. With #AskMichelleRhee hash tags on Twitter. In job interviews with Teach for America and with the Bill & Melinda Gates Foundation. In letters to the editor of the mainstream newspapers and in comments to mainstream TV and radio newscasters. In arguments with neoconservative parents who send their kids to private schools.

“Protecting our public schools against privatization and saving them for generations of American children is the civil rights issue of our time (p. 325).” is how Ravitch ended her Reign of Error. It’s not an exaggeration. But it does beg a question. If we can successfully fend off corporate education reform — and assume that the country will continue to ignore the poverty and racial segregation that Ravitch desperately wants addressed — can she and I then spend five minutes discussing multiculturalism?

Boy @ The Window: A Memoir

Boy @ The Window: A Memoir

Places to Buy/Download Boy @ The Window

There's a few ways in which you can read excerpts of, borrow and/or purchase and download Boy @ The Window. There's the trade paperback edition of Boy @ The Window, available for purchase via Amazon.com at http://www.amazon.com/Boy-Window-Donald-Earl-Collins/dp/0989256138/

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