Pictures and Records

11 Wednesday Feb 2015

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, eclectic music, Hebrew-Israelite, Jimme, Marriage, Mount Vernon New York, music, My Father, New York City, Pop Culture, race, Religion, Upper West Side, Youth

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"Method of Modern Love" (1984), "Roxanne, 45 Singles, 616, 616 East Lincoln Avenue, Brothers, Cassette Tapes, Darren, Doug E. Fresh, Father-Son Relationships, Hall & Oates, Jimme, Live Aid, Mother-Son Relationship, Nathan Hale Elementary, Photos, Pictures, Play Fighting, Polaroid, Record Player, Roxanne" (1984), Turntable, Vinyl Records, Walkman

Me & Darren at gate to Nathan Hale ES playground, Mount Vernon, NY, February 1975. [At 425 South Sixth, we lived just two doors down from Nathan Hale and its playground area/parking lot.] (My Mom).

There are some things that most folks — at least most in the US — take for granted that I had very little of growing up and into adulthood. Certainly love was one of those things, but I’ve told that story as a running theme many times over the past seven years and eight months. On a more materialistic note, the things that provide pleasant memories of childhood even in the midst of suffering and sorrow, like pictures and records, were also rarities for me as well. As I said in the Preface to Boy @ The Window, photos “are among those smallest and most awesome of things. Perhaps because so few of mine survived to childhood.” This lack of evidence of my existence and importance prior to college is a story of poverty, of course. But it’s also a story of what’s important to do and feel and say, even in the midst of poverty, abuse and domestic violence.

One of the five surviving photos in my possession from my childhood is a picture of me with my older brother Darren covering my mouth as we stood at the playground gate right next to Nathan Hale Elementary School. It was February ’75, and I was in the second half of kindergarten. We took this picture on a Saturday, with both our Mom and our father Jimme there. Believe it or not, we were on our way to play on the asphalt playground and basketball court, walking around the neighborhood that was Nathan Hale and South Sixth Avenue on Mount Vernon, New York’s South Side. This was a memorable event only because it was also a very rare event. That our Mom took us somewhere that didn’t have anything to do with grocery shopping, clothes’ buying or laundry washing. That our father was also along for the event, actually sober and not arguing with or threatening our Mom.

A better picture of Darren and me, taken in April 1975, Sears, Mount Vernon, NY, July 6, 2006. (Donald Earl Collins).

It was also an outing where Darren and I had been horsing around, calling each other names. Just before our Mom started snapping pictures with her old Polaroid, Darren had put me in a headlock and punched me in my forehead for calling him a “dummy.” He then covered my mouth as I kept calling him a dummy, all while our Mom snapped the first picture. “Y’all keep it up, you’re gonna get your asses whupped,” Mom said to get us to stop. And we did stop fighting just long enough to snap a better picture, although it didn’t survive very long.

As far as I can remember, this was the next to last time all four of us were out together as a family. The last time came in June ’76, when my Mom introduced me to basketball, only to tell me she would “never show me how to play basketball again” because I became frustrated with getting the ball high enough to the hoop. I was six years old at the time.

Ten years after we took the Nathan Hale playground picture, Darren and I had become enamored with music to begin consuming it. Darren had bought himself a turntable at the end of ’84, for the wonderful price of $15 (it would probably be $175 in today’s money because of today’s lopsided supply and demand for vinyl in an mp3 age). But we had zero experience buying records, and our Mom’s limited collection of Al Green, Diana Ross and The Supremes and Gladys Knight and The Pips had been destroyed long ago in the midst of her breakup with our father. Our idiot stepfather Maurice had 8-track and vinyl collections (especially The Commodores and The Ohio Players) that he had given away when he converted to the Hebrew-Israelite cult in 1980-81.

Darryl Hall & John Oates, “Method of Modern Love” 45, circa 1984-85, February 11, 2015. (http://www.thespacebar.co.uk/).

So we bought whatever we heard on WBLS-107.5 or WPLJ-95.5 FM, without the benefit of music videos or without the influence of parents and classmates. Darren bought Doug E. Fresh, Grandmaster Flash, UTFO’s “Roxanne, Roxanne,” and Lisa Lisa and Cult Jam. My first purchases were to support Live Aid’s anti-famine work in Ethiopia, via “Do They Know It’s Christmas.” The first 45 I bought for us to play on Darren’s turntable, though, was Hall & Oates’ “Method of Modern Love,” which reached number five on Billboard’s pop charts about this time thirty years ago. It was an interesting foray into music beyond the radio, at least for me. Darren would tell me how “wack” my music was, and I’d say, “you don’t even like rap. You’re just listenin’ to it because you like girls now!”

This first effort at consuming music didn’t last long. It took money and weekly trips to the city to find vinyl to support it, and in early ’85, we simply didn’t have enough money to shop at Tower Records and Crazy Eddie’s for the stuff we wanted every week. At least not yet. Plus, we broke the turntable that spring, and with the rise of the Sony Walkman and cheap cassette tapes, we were on our way to truly getting into the ’80s before the ’90s arrived.

I no longer have that Hall & Oates single (although I do have it on my iPod). But I do have memories of my brother Darren, memories where we were still actually brothers to each other. Memories of rivalry, jealousy, fighting, even love. All in the time of choking poverty and emotional neglect.

The Story of a Picture

12 Tuesday Feb 2013

Posted by decollins1969 in 1, Boy @ The Window, culture, Eclectic, Mount Vernon High School, Mount Vernon New York, Pop Culture, race, Youth

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616, 616 East Lincoln Avenue, C-Town, Emotions, Greasy Face, hunger, lunch, Milk-n-Things, Mount Vernon High School ID, MVHS, MVHS ID Picture, Pictures, Poverty, Self-Reflection, Tandy, Tired, TRS-80

MVHS ID Picture (with horizontal flip), February 12, 2013. (Donald Earl Collins).

Many thanks to those of you who’ve responded so far to my post “Potential Boy @ The Window Book Covers” from last week. I truly appreciated all of the feedback and well wishes.

I’m sure that you noticed the one thing every potential front cover for the manuscript had in common — at least, besides the title. The picture I used on all the draft covers was of me not quite two months from my sixteenth birthday, my second Mount Vernon High School ID picture, taken in November ’85. I use this picture because there are only have a dozen or so surviving pictures of me from the period between February ’75 and November ’95.

Who knows? Between the extended Collins and Gill families, occasional photos taken by friends, acquaintances and colleagues, there could be another half-dozen more. A Sears portrait picture of me in March ’75, a couple of pictures that happened to include me from my senior year at MVHS, and a picture of me with my Uncle Sam at my graduation on June 18, ’87. That’s all I have to work with from the Boy @ The Window years, 1981-89.

There weren’t many opportunities for me to capture myself in picture mode during those years. But if I had to have one and only one picture that could encompass the physical and psychological strain, the emotional strife and torment that life and school was for me back then, the MVHS ID picture would be the one. As my good friend Cath already noted, I looked tired with “Samsonite” bags underneath my eyes the morning I took that picture.

That morning was Friday, November 8, ’85, and not a particularly memorable one at that. It seemed like I was always tired, especially before lunch, which was sixth period that year. Maybe I was hungrier than normal that morning, because I often went without. Or maybe, as usual, I hadn’t gotten a full night’s rest, sleeping in the same room with my older brother Darren and two of my younger brothers Maurice and Yiscoc. Or maybe it was a week of making extra runs to C-Town in Pelham or Milk-n-Things for food. It may well have been that I expended too much energy in Meltzer’s AP US History class second period, and I hadn’t properly paced myself.

Whatever it was, I was tired, more tired than usual. I was also fed up with the whimsical decisions of the mercurial staff at MVHS. They were the ones a full two months behind in taking ID pictures for our class, as our ninth-grade IDs were only designed to be actively used for two years. Yet they saw fit to pull us out of class fifth period to take pictures that second November Friday.

Tandy TRS-80 III, February 12, 2013. (http://oldcomputers.net/pics/).

It was bad enough I had to miss Ms. Walters’ Pascal class, where I was just starting to feel comfortable with the material and the Tandy TRS-80s (or Trash 80s, as we nicknamed them). Now the idiot powers that were had the entire Class of ’87 — more than 600 of us at the time — standing in a wrapping-around-the-room line adjacent to the cafeteria, waiting for them to take our ID pictures.

The process for me lasted over an hour, but not quite seventy-five minutes. By now, it was time for my sixth-period lunch. I’d grown tired of idiot kids trying to cut the line, hearing dumb-ass conversations about music and sports and hair, and standing while the numbskulls with the camera and laminate machine took forever to process one picture at a time.

When I finally came up, I was imagining myself with a baseball bat smashing up everything while screaming as loud as I could. Only to hear the idiot with the camera yell, “Smile for me, honey!” I was nobody’s “honey,” especially the middle-aged Italian woman yelling at me to smile on command! So I narrowed my eyes — and stopped just short of rolling them — and bit down on the right corner of my lip as they took my picture.

That I was in my ripped gray zip-up hoodie, with a faded powder-blue Puma t-shirt underneath it wasn’t a surprise. It was one of a combination of clothes I wore to school as part of my “five-day rotation,” as I called it back then (an homage to baseball). I wouldn’t have worn that combination, though, had I known that MVHS would have my picture taken that day.

I left the room, grabbed what I believe was “murder burgers and suicide fries” for lunch at the cafeteria, and torpedoed them down my throat about fifteen minutes before gym. I was poor, hungry, tired, pissed, determined and greasy, in so many more ways than one, that day — in fact, every day. For one picture on one day, though, I inadvertently showed it all.

Graduation

19 Saturday Jun 2010

Posted by decollins1969 in 1, Boy @ The Window, Eclectic, Mount Vernon High School, Youth

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Adulthood, Class of 1987, George Gibson, High School Graduation, Home, Mount Vernon High School, Mount Vernon New York, Pictures, Uncle Sam

Me and My Uncle Sam, June 18, 1987. Source: Donald Earl Collins

Twenty-three years on, as the British would say. To think that it’s been that long since the Class of ’87’s graduation from Mount Vernon High School. Wow. I’ve talked about various aspects of the last days of my time at MVHS, in Humanities and in Mount Vernon already. This one’s only about the actual ceremony.

My high school graduation ceremony at Memorial Field in South Side Mount Vernon went well enough, except it didn’t. It was a hot, hot mid-June day, about eighty-seven triple-H degrees. It was likely hotter for the guys, as many parents — my mother included — made us wear suits underneath our heat-absorbing burgundy polyester gowns. The girls, at least, wore yellow, the other school color for caps and gowns. It was a good day all right. Except that an eighty-eight year-old White guy stole the show. George Gibson graduated with our class, having fulfilled his requirements for a high school diploma some seven decades later than the kids from his generation. At least the few who made it to high school back then, as most kids in early twentieth-century never made it past middle school.

My father Jimme showed up to the ceremony drunk as a skunk. My mother and my Uncle Sam, whom I hadn’t seen in almost three years, had to keep him from insulting the other parents. In retrospect, in might’ve been good to take him Capozzola, Prattella and Estelle Abel’s way. Valedictorian and salutatorian got the opportunity to represent our class on stage, each giving overworked and unimpressive speeches. That wasn’t bad, for they had stolen the show the week before at MVHS’ Honors Convocation. That was the good thing about the old White guy. Local TV news covered Gibson instead of the Class of ’87’s top two students, which I laughed about when I watched the 11 o’clock news later that evening.

The picture with me and my Uncle Sam was the first non-school related picture I had taken in something like eight or nine years. Who knew that it’d be the last picture taken of me in Mount Vernon for the next two decades? If I’d known that twenty-three years ago, I would’ve bought a camera that spring, at least before graduation.

After throwing our burgundy and yellow caps in the air, we went over to our now former classmates — who were now friends, lovers, acquaintances, and in some cases, foes — to say good-bye, to embrace and hug, to cry and scream and dance and twirl around in the air with. Afterward, I walked home, minus family and friends, trying to make sense of the moment. Not fully realizing that the moment we threw our caps in the air, Mount Vernon was no long my home, and I was no longer welcome.