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Tag Archives: Grant Making

Working At AED: Alternate Sources of Fear

28 Tuesday Jun 2011

Posted by decollins1969 in 1, Eclectic, High Rise Buildings, New York City, race, Work

≈ 4 Comments

Tags

Academy for Educational Development, ACLU, AED, Alan Jenkins, Amtrak, Anthony Romero, Bipolar Disorder, Driving Miss Daisy, Fear, Ford Foundation, Funding, Grant Making, Grant-seeking, Grantmaking, Ken Williams, Micromanagement, Micromanaging, New Voices, New Voices Fellowship Program, New York City, Sources of Funding, Supervisors, The Ford Foundation, The Opportunity Agenda, Worry


AED’s DC Office, circa 2008, before the sign came down. Source: http://www.glassdoor.com

It was ten years ago on this date that I began to think seriously about quitting New Voices and AED, the Academy for Educational Development, the subcontractor for USAID and the State Department in trouble these days (see my “USAID suspends District-based nonprofit AED from contracts amid investigation” post from December ’10). In the end, I probably should’ve on this date. I realized that most of the people I worked for and with cared more about money than Wall Street investment bankers, and had an addiction to fear greater than a junkie’s addiction to heroin. And, most sadly, I began to see signs of what my former immediate supervisor would admit two and a half years later, his bipolar disorder.

I’d seen signs of Ken’s mental illness as early as February ’01, but the first time I realized that I worked in an organization that thrived on fear was after me and my wife returned from our honeymoon in Seattle, at the end of May that year. All during the month of June, as I did site visits in Tulsa, Jackson, Mississippi, Fairbanks, Alaska and Durham, North Carolina, and visited my maternal grandparents in Arkansas, all fear was breaking loose in the New Voices offices at AED. Our funder, the Human Rights and International Cooperation unit at the Ford Foundation in New York, had called for a meeting to discuss the progress of the New Voices Fellowship Program to date.

I didn’t think all that much of it at the time, with me doing site visits almost every week and having done presentations for funders and academicians, including the Spencer Foundation, what was now the Gates Foundation, and a few corporate foundations over the previous five years. But as soon as I returned to the office that last Monday in June ’01, I realized that nearly everyone I worked with directly was on pins and needles about our Thursday afternoon meeting on East 43rd Street in Manhattan. Ken was on a higher level of worry than the rest of the staff, but it wasn’t a good worry. He had our program assistant and associate printing new copies of memos and other meeting materials every time he came up with a new sentence, found an error or realized he wanted orange paper for program statistics instead of lavender.

Jessica Tandy as Miss Daisy in Driving Miss Daisy Screen Shot (though Sandra wasn’t as aged, her attitudes definitely were), 1989. Source: http://heraldsun.com.au

What made this even worse was that on Tuesday, Ken’s boss Sandra — whom I regularly called “Driving Miss Daisy” because of her bigoted semi-liberal ways — called an additional meeting to emphasize how crucial this meeting was to the future of New Voices. After ten minutes, Ken, the program assistant and associate all looked like Bush 43 and former Secretary of the Treasury Hank Paulson did on September 15, ’08, when the US financial markets melted down. When I politely pointed out that “we need to be ready, but not scared” in presenting our results to date to the folks at Ford, another meeting was called.

Except this Wednesday afternoon meeting was just between me and Driving Miss Daisy. She called me out on the carpet for “disrespecting” her. She told me, “if you don’t like it here, you can leave,” and that she’ll be at AED “longer than [me].” It made me feel as if I had to worry about my job for doing my job. Meanwhile, Ken was going over word for word what each of us would have to say the following afternoon in New York, as if one bad choice of words would cost us $2.25 million, money we’d already received from Ford.

After a rough night of sleep before an early Amtrak from DC to New York, I arrived at Penn Station refreshed and glad that I didn’t ride the same train with the rest of the Nervous Nellies. They were already at Houlihan’s, eating an early lunch, with Ken obviously more relaxed from whatever he had to drink by the time I arrived.

The Ford Foundation, 320 East 43rd Street, New York City, November 19, 2007. Source: Stakhanov (permission granted)

The Ford Foundation, 320 East 43rd Street, New York City, November 19, 2007. Source: Stakhanov (permission granted)

The meeting itself was where something kicked in for Ken, what appeared to be a natural high at first. After Sandra and Yvonne (Ken’s actual immediate supervisor, even though Ken never listened to her) did the introductions, Ken took over the two-hour meeting. He talked over me, the program assistant and associate, even the program officers in the spartan meeting room. Ken’s euphoric fear was so strong that he didn’t trust us to speak on behalf of New Voices, meaning that it was a waste of time and money for anyone other than Ken to be there.

Or was is? The imam-suit-wearing program officers from Anthony Romero (who was within a few months had moved on to become the Executive Director of the ACLU) to Alan Jenkins (now co-founder of The Opportunity Agenda), who had sat silently through Ken’s soliloquy, finally spoke in the final fifteen minutes of the meeting. Romero said, “Maybe it’s time for AED to consider looking for alternate sources of funding” for New Voices “over the next couple of years.” That was my take-away from the whole ordeal.

But it wasn’t for Ken. He was on one of his blue-crystal-meth-like highs again, giddy like a kid getting a ten-speed bike for Christmas. Yvonne looked ready to go, while Sandra the wise-one was just happy it was over. I wondered, out loud to the group, if the not-so-veiled hint provided by Romero meant that the unit and foundation’s priorities were changing. I, of course, was accused of worrying too much. Too bad none of the senior staff understood the definition of irony.

Spencer for Higher

23 Saturday Oct 2010

Posted by decollins1969 in 1, Academia, Boy @ The Window, Eclectic

≈ Leave a comment

Tags

Carnegie Mellon University, Dissertation Fellowship, Doctoral Thesis, Finding Purpose, Grant Making, Grant-seeking, Spencer Foundation, Teaching, Writing


 

Spenser For Hire Title Screen, February 26, 2008. Source: http://www.aolcdn.com/new_promos/dl_spenser_733x270.jpg

Higher education, that is. Sixteen years ago this weekend, I put my application in the mail for a Spencer Foundation Dissertation Fellowship. It was a $15,000, one-year award that would give me time off from teaching or doing grunt work for my advisor and other professors. I’d have a year to do nothing but do work on my doctoral thesis, to travel, do additional research and lock myself in my apartment for week on end to write what would become a 505-page document.

 

But don’t let me over-glamorize the moment. After all, I’d applied for fellowships and been in search for grants in the years before and after this application. The University of Pittsburgh had made me part of the first class of recipients for their Challenge Scholarship in ’87. I’d been awarded a graduate student assistantship and teaching assistantships throughout grad school. The Ford Foundation Predoctoral Fellowship — I applied for it twice, in ’91 and ’93. Soon after my Spencer application, I also applied for the Ford Foundation Dissertation Fellowship and the NEH (National Endowment for the Humanities) Dissertation Fellowship (which they disbanded the following year).

I’d later apply for a few postdoctoral fellowships in ’96 and ’97. Then, once I became part of the nonprofit sector, grant-seeking became a part of my jobs. Including letters of inquiry, concept papers, about three dozen grant proposals that I worked on in part or in whole. Not to mention meetings with foundation program officers, numerous networking opportunities at the Independent Sector and other conferences. Between them all, I directly or indirectly helped raise about $1.4 million over the past ten years, and played a role in programs that possessed about $11 million in funding overall.

 

Spencer Foundation Logo, October 23, 2010

But the most satisfied I ever was in putting together a proposal, or in receiving an award, or in participating in a grant-related experienced, was when I applied for the Spencer Foundation Dissertation Fellowship. You see, I’d spent nearly eighteen months preparing myself to apply. I started doing my dissertation topic research a full year before the October ’94 application deadline, months before my advisor and committee were to officially approve my topic and research.

 

I’d started going through microfilm of Black Washington newspapers from the 1920s, 1930s, and 1940s, looking up Census data, thinking of places to look up old records of DC Public Schools  from the segregation era, and contemplating interviewing former teachers and students who’d worked at or attending DCPS between 1920 and 1970. It was exhausting doing that and taking a full load of classes, struggling with finances so badly that I had no money for new sneakers, that I’d walk in three-year-old sneakers with holes in them to and from campus in ankle-deep snow to push this project forward. Of course, I lined the sneakers with plastic bags from Giant Eagle to keep my socks and feet dry and warm.

Yes, I was committed to the task all right, and probably should’ve been committed in the process. But it was also worth it. I felt — rather, I practically knew — that it would all work out with the Spencer Fellowship somehow. And it did, not just because of the award, and not just because of my friend and mentor, Catherine Lacey (see April 2009 post). It worked, because it helped me find my calling as a writer and teacher. It worked because it helped bring to the fore my ambivalence about academic writing and scholarship as the raison d’etre of an academically-trained historian.

The application, fellowship and that year free from Carnegie Mellon’s clutches helped put me on the right path. Even if I didn’t know it at the time.

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